Thanks to its LED-packed Active Frame and the most pimped-out edition of Philips' Ambilight technology yet, the second generation Aurea is a kaleidoscopic feast for your retinas.

As with the first Aurea, launched last year, lights inside the TV's frame and on the back of the set change colour to match the shades and tones of whatever's on the screen, delivering what Philips describes as a "sensorial halo". That phrase might reek of PR guff, but it's reasonably accurate: the picture is effectively extended around the screen itself and, because there are now more lights in the frame than before (150 as opposed to 128), the colour matching is more detailed and accurate than ever.

Full article