Trying to find the best camera for you? Well, you've come to the right place. We've tested all of the major models in every sub-genre, from DSLRs to compacts and full-frame powerhouses, to bring you this guide to the best cameras in the world right now.
Choosing the right camera for you depends on a few different factors. Your budget, of course, but also your experience and performance expectations. Whatever your requirements, there’s an ideal camera for you, and we've picked out the best of each kind.
Whether you're a beginner looking to upgrade from your smartphone, or a more experienced photographer in need of the latest high-end specs, choosing the right camera involves figuring out your needs and matching them up with our guide.
We’ve taken into consideration size, price and features to compile a list of the finest cameras from each category, whether that's vlogging cameras or stills-focused pro models. Each model on the list below is outstanding in some way – whether because it’s the best in its class, an outstanding package or simply unbeatable value.
Which is the best outright all-rounder? Right now, our pick is still the Nikon Z6. It's a lightweight, great value full-frame camera that's versatile enough for all kinds of photographer.
That said, the picture could change soon. With models like the Canon EOS R5, Nikon Z5 and Canon EOS R6 all en route, the high-end space is expected to heat up and give us even more options.
We'll be testing all of those models as soon as they arrive, but for now this hand-picked list contains the best cameras you can buy right now.
Best camera 2020 at a glance:
- Nikon Z6 (our top all-round camera)
- Fujifilm X-T4
- Sony A7 III
- Nikon Z50
- Sony A6100
- Olympus OM-D E-M5 Mark III
- Canon EOS Rebel SL3 / EOS 250D
- Fujifilm X100V
- Sony ZV-1
- Nikon D850
- Olympus OM-D E-M1 Mark III
- Panasonic G100
The best cameras 2020:
It may be approaching two years old, but the Nikon Z6 remains our favorite all-round camera. The Z6's age means it now offers excellent value, and has given Nikon time to flesh out the system's native lens lineup. A fantastic all-rounder with superb handling, there's nothing yet which beats it in terms of versatility, usability and affordability. The Z6 combines both excellent stills and 4K video quality with everything else that's key for a full-frame mirrorless camera. That means you get a lightweight and compact body that still manages to handle beautifully on account of a substantial and ergonomically designed grip. There's also a sharp and crisp 3.69-million dot viewfinder along with a responsive, and tilting touchscreen. The native lens range for the Z mount is expanding rapidly, but if there's something you need that's not covered then you can use F-mount optics via the optional FTZ adapter ($245 / £270 / AU$180). We've also been treated to features such as Eye AF recently, which helps it to compete even more strongly against Sony's Alpha line. We love the Z6, though the Sony A7 III (see below) isn't too far behind – and there are rumors that it could soon be joined by a more affordable Nikon Z5 sibling.
- Read our in-depth Nikon Z6 review
- Also consider: Sony Alpha A7 III
- Buying guide: Best mirrorless camera
Looking for a hybrid camera that's just as capable at shooting video as it is stills? The Fujifilm X-T4 is the best option around. It's the finest APS-C camera we've ever tested and builds on the Fujifilm X-T3's impressive foundation by adding in-body image stabilization (IBIS), faster burst shooting and some successful design tweaks. Adding to its all-rounder skills are a bigger battery (which keeps it going for 500 shots per charge) and some improved autofocus, which is fast and reliable in most scenarios. Its 26MP APS-C sensor remains class-leading for stills, but the X-T4's real trump card is its performance as a video camera. The IBIS is a huge bonus here, and the X-T4 backs that up with a huge range of tools and a great shooting experience, including a fully articulating touchscreen. It might cost the same as many full-frame cameras, but the X-T4 and its fine range of X-series lenses make a great, smaller alternative for those looking for a mirrorless all-rounder.
We love the A7 III. The original A7 and A7 II showed Sony was moving in the right direction and making all the right noises. But despite being over 18 months old, it's this third iteration that still stands out in the full-frame mirrorless market. The core of the camera – namely a 24MP full-frame sensor, 4K video, sensor-based image stabilisation, 10fps burst shooting and a 693-point hybrid AF system – is strong enough, but with two card slots and a 710-shot battery life on top of that, you're getting excellent value for money as well as top performance. We have some reservations with the viewfinder and weather-sealing, but this is still one of the most versatile cameras around right now, mirrorless or otherwise.
- Read our in-depth Sony Alpha A7 III review
- Also consider: Nikon Z6
- Buying guide: Best mirrorless camera
Looking for a smaller, more affordable version of the full-frame Nikon Z6 for travel and general shooting? The Z50 fits the bill and is an excellent entry into mid-range, APS-C cameras from Nikon. It's particularly suitable for those looking to move to mirrorless from a Nikon DSLR as, unlike more petite rivals like the Fujifilm X-T30, it prioritizes handling thanks to its large, deep grip. The Z50 produces great photos and has the same excellent autofocus system as the Nikon Z6, which works very well for static subjects, but can't quite match the performance of something like the Sony A6400 when it comes to sports and action. With an impressive viewfinder and tilting touchscreen, though, the Z50 is a great camera for travel and general shooting, and is compatible with older F-mount lenses via an optional adaptor, along with Nikon's new Z-Mount glass.
Since its launch five years ago, the entry-level Sony A6000 has proven a hugely popular mirrorless camera. Its successor, the A6100, takes the existing recipe and adds several tweaks that help it compete with today’s mirrorless pack. Compact yet capable, the A6100 pairs a beginner-friendly build with a feature set that won’t disappoint the more adventurous. It can take time to understand the camera’s potential, but there’s plenty of it: the APS-C sensor is the same 24.2MP chip found in Sony’s more premium cameras, while the autofocus system is shared with the flagship Sony A6600. The result is excellent continuous tracking abilities and, paired with a good lens, images with plenty of detail and generally accurate colors. Battery life is also decent and the tilting screen is now touch-sensitive, though its functionality is fairly limited. Certain performance and handling quirks are shared with its more expensive siblings – Auto ISO doesn’t suit fast-moving subjects, for example – but these are more forgivable on an entry-level model, especially such a solid all-rounder as the A6100. It deserves to be just as popular as its predecessor.
No camera can give you everything, but a rare few do come close – and the Olympus OM-D E-M5 Mark III is in that class. Its polycarbonate shell might feel like a step down from the body of its predecessor, but in the hand this mirrorless snapper is Goldilocks stuff: just right. Lighter than ever and fantastic to handle, the Mark III backs up its good looks with a powerful processor, superlative image stabilization and shooting modes to suit every skill level and style of shooting. There’s no escaping the fact that its Four Thirds sensor is behind the times on outright image quality, and there's now the slight issue of Olympus exiting the camera business. While this does put future servicing options in some doubt, we're still happy to recommend the OM-D E-M5 Mark III, as it'll remain a fantastic performer for years to come, regardless of its parent company's fate. Its combination of speed, style and sheer versatility make it a winner – add on-chip phase detection autofocus and 4K video chops to the mix and you’ve got yourself one of the best all-rounders on the market today.
- Read our in-depth Olympus OM-D E-M5 Mark III
- Also consider: Nikon Z50
- Buying guide: Best mirrorless camera
The best two beginner DSLRs we've seen recently are the Nikon D3500 and Canon Rebel SL3 / 250D. While the former wins out for value, for this list we've gone for the slightly pricier 250D. Having the rather dubious moniker as the world's smallest DSLR with a fully-articulating screen, the 250D is still a great option to learn with. Thanks to that screen, it's also a decent option for vloggers or video fans. Being an upgrade from the popular 200D, it brings with it some new features such as 4K video recording and a new processor. If your budget is limited and you don't need 4K video, the older SL2 / 200D is a good option, putting the cash you save towards a new lens. If you're new to a "proper" camera, the 24.2 megapixel sensor of the EOS 250D will give your photography a good step-up, while the fluid AF system comes into play when shooting live view and videos. There's also an easy-to-understand interface, which is great for those who are just starting out. The number of lenses available for Canon's EF mount is almost endless, while accessories are also numerous.
- Read our in-depth Canon EOS Rebel SL3 / EOS 250D review
- Also consider: Nikon D3500
- Buying guide: Best entry-level DSLR
On paper, the Fujifilm X100V shouldn’t make sense: a compact camera styled like something from the 1950s, with a fixed 23mm f/2 lens and a premium price tag. Yet the model’s predecessors have become iconic among photographers – and the X100V looks set to follow suit. Understated and timeless, there’s something very special about that compact retro body.
The X100V keeps what works, only tweaking what it needs to: there's now a very handy tilting touchscreen and a weather-resistant body (although you need to add a filter to the lens to get full weather-sealing). The series’ fixed aperture lens setup has always been fantastic for street and portrait photography, and results are only better now that Fujifilm’s added a new 26.1MP APS-C sensor paired with the latest X-Processor 4. Autofocus is faster, noise control better and image quality improved. The hybrid EVF – both optical and electronic – packs a higher-resolution, too.
Add a quicker continuous shooting rate and 4K video into the mix and you’ve got one very desirable compact. Sure, it’s niche and certainly not cheap, but there’s nothing else quite like it.
- Read our in-depth Fujifilm X100V review
- Also consider: Sony Cyber-shot RX100 VII
- Buying guide: Best travel camera
Looking for a compact vlogging camera for your YouTube channel? The Sony ZV-1 is the best around. Sony has smartly combined all of the best bits from its various RX100 series cameras, and added some handy design tweaks, to make the a near-perfect pocket camera for video shooters. Its best feature is the combination of a bright 24-70mm f/1.8-2.8 lens with Sony's Real-time tracking and Real-time Eye AF systems – together, these make it incredibly easy to shoot high-quality vlogs with attractive background blur and unerring focus. A 3.5mm microphone jack means you can also get audio quality that matches the ZV-1's video performance, while a hotshoe lets you mount accessories like a microphone or light without needing extra accessories like a bracket. Naturally, the battery life is pretty average and the stabilization isn't quite gimbal-smooth, but in every other respect this is the smartphone-beating camera vloggers have been waiting for.
- Read our in-depth Sony ZV-1 review
- Also consider: Canon G7 X Mark III
- Buying guide: Best cameras for vlogging
You'd be forgiven for thinking that mirrorless is the only option right now for class-leading tech, but the Nikon D850 still manages to hold its own as one of the best cameras on the market. It has a well-rounded feature set which means it appeals to a diverse range of users, particularly those who are already heavily invested in the DSLR space. If you need high resolution, it's got it with a 45MP full-frame sensor. If you need speed, it has that too with a 7fps burst shooting option which can be boosted to 9fps with a battery grip. OK, that's reasonably modest compared with the likes of the 20fps Sony A9 II, but it's still good enough for capturing most kinds of action. On top of that you also get 4K video recording options, as well as a rugged body protected against inclement weather. One feature which is definitely king over its mirrorless rivals is battery life – with a massive 1800 frames per charge, you shouldn't need to worry about the camera dying in the middle of the decisive moment.
If you ever needed proof that a pro camera doesn't need to be a hefty beast, the Olympus OMD E-M1 Mark III is it. Packing a 20.4MP Micro Four Thirds sensor that’s unfashionably small by today's full-frame standards, the Mark III nevertheless excels as a feature-packed photographic package.
Powered by an all-new TruePic IX processor, it’s blisteringly quick and reliable to boot. Start-up is instantaneous and shooting rapid, with up 18fps possible with continuous AF. There’s powerful image stabilization, too, while Cine 4K and Full HD slow-mo at 120fps make it no slouch in the video department.
More remarkable still is the sheer range of shooting options it offers – from a dedicated Starry Sky autofocus mode to a Live ND setting that replicates a neutral-density filter. There’s even the option to capture a 50MP handheld high-res image.
Yes, low-light image quality isn’t the best – nor is the EVF – but if you’re in the market for a robust, intuitive and comfortable mirrorless camera that’s lightning quick and endlessly capable, the Mark III is well worth your attention.
- Read our in-depth Olympus OM-D E-M1 Mark III
- Also consider: Fujifilm X-T4
- Buying guide: Best mirrorless camera
If you're looking for a travel-friendly vlogging camera for video and stills, the Panasonic G100 is an excellent alternative to the Sony ZV-1 (see above). The fundamental difference between the two is that the G100 is a Micro Four Thirds camera, which means it has interchangeable lenses – this means it isn't pocketable, but is much more versatile if you want to shoot at different focal lengths.
A stand-out feature on the G100 is its built-in audio quality, which comes courtesy of a Nokia Ozo-equipped microphone system. While this doesn't completely remove the need for an external microphone, it does an impressive job of prioritizing speaking voices in noisy environments. Other benefits for vlogging include a fully articulating screen and strong video quality.
The minor downsides are the lack of USB-C and headphone ports, plus the absence of in-body image stabilization, which means a gimbal could be necessary if you do a lot of 'walking and talking' videos. Because the sensor is smaller than APS-C and full-frame rivals, the G100 also isn't the strongest in low light. But if you want a small vlogging camera that's more versatile than the Sony ZV-1 and doubles as a travel stills shooter, it's one of the best options around.
Fujifilm may not have full-frame cameras like many of its rivals, but it's managed to build on its successful X-series cameras with some impressive medium format alternatives. And with its GFX 100, it shows just how successful the marriage between X-series technology and a larger sensor can be, bringing together many well loved features with a 102MP (yes, 102MP) sensor that performs to an exceptional standard. While there are other medium format cameras that exceed it for sensor resolution, none can match the kind if usability we have here, with masses of control over your shooting together with a stunning 5.76 million-dot electronic viewfinder and great 4K video quality to boot. It's not perfect, and it'll cost you dearly, but it's unquestionably the most well-rounded medium format camera we've seen yet.
- Read our in-depth Fujifilm GFX 100 review
- Also consider: Fujifilm GFX 50S
- Buying guide: Best mirrorless camera
If your budget matches the buffer of the Canon 1D X Mark III – practically unlimited – then it’s all the camera you’ll ever need. Canon’s latest full-frame DSLR is so feature-packed and powerful that, if it had four-wheels, it would probably beat a Ferrari.
As sturdy and sizable as the 1DX Mark II before it, the Mark III is 90g lighter and notably easier to control: the excellent new Smart Controller uses optical sensors to let you navigate focus points by swiping lightly with your thumb.
Driven by a new Digic X processing chip that’s three times quicker than that of its predecessor, the 1DX Mark III is also capable of capturing 4K footage at 50fps and achieving properly impressive continuous frame rates.
Autofocus is unparalleled, too, thanks to deep learning smarts that ensure incredible precision in subject detection, while speeds will shame any mirrorless or DSLR rival, whether you use the optical viewfinder or fixed Live View touchscreen. In short, it’s a flagship in every sense – but you’ll have to pay a hefty premium for the privilege of owning it.
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