Fox impresses yet again with another stellar superhero-themed 4K disc, only this time, the movie in question is aiming for a sense of gritty realism, making it perfect for the Ultra HD treatment.
Right out of the gate, Logan's opening night-time sequence sets the tone for what we can expect from this HDR presentation. Despite being a low-light scene, we have no trouble seeing incredible detail in the desert surroundings and Logan's black limousine.
As far as colors go, Logan exhibits a realistic palette that faithfully renders the dusty, western-style environments the film is mostly set in. The blistering New Mexico sun also looks extraordinary in this presentation, with impressive HDR-enhanced highlights.
As the film progresses, we also start to see a lot of wear and tear on Logan's attire and his skin, with bloody wounds that look quite realistic. This is no doubt an advantage the 4K Ultra HD presentation has inherited from its true 4K digital intermediate.
If you're in the US or UK, you may have also received a 4K version of Logan Noir, a black and white presentation created exclusively for the film's home release. Unfortunately, we were unable to test this monochromatic version of the film, though it would be interesting to see how HDR can improve something in black and white.
Technical specs: Codec: HEVC / H.265, Resolution: 2160p (from 4K master), Audio: English Dolby Atmos, English Dolby TrueHD 7.1 (48kHz, 24-bit), Spanish Dolby Digital 5.1, French Dolby Digital 5.1, English DTS-HD Master Audio 2.0, Aspect ratio: 2.38:1, Runtime: 137 minutes
Speaking on the recent 4K Blu-ray release of his film, Deadpool, director Tim Miller told TechRadar that "the Ultra HD is f***ing amazing in the level of detail." Having thoroughly inspected the disc for ourselves, we absolutely have to agree. Shot at 3K on the Arri Alexa camera and then finished at 4K, Deadpool's Ultra HD Blu-ray closely resembles the film's theatrical presentation, only with the added bonus of HDR – which is exclusive to the film's home release.
Immediately evident from first viewing, Deadpool at 4K offers a much greater level of visual detail than the film's regular Blu-ray. By far the film's most eye-popping element, Deadpool's suit shows more fine detail in its fabric and stitching, and the wider colour gamut offered by HDR makes the costume's various shades of red not only stand out more, but also blend together more naturally. As with most CGI and green screen-heavy films, the added resolution gives the film a slightly-heightened vibe, one that seems fully intended by its filmmakers. The film's fully computer-generated character, Colossus, also looks better, with HDR allowing for improved specular lighting on the character's reflective metal body.
Add to this a punchy and immersive Dolby Atmos soundtrack, and Deadpool becomes one of the format's first must-own discs.
Technical specs: Codec: HEVC / H.265, Resolution: 2160p (from 4K master), Audio: English Dolby Atmos, English Dolby TrueHD 7.1 (48kHz, 24-bit), Spanish Dolby Digital 5.1, French Dolby Digital 5.1, Aspect ratio: 2.39:1, Runtime: 108 minutes
X-Men: Apocalypse was originally captured at 6K in the Redcode RAW format, which offers filmmakers an increased level of post-production control, making it perfect for HDR post processing. Finished on a 4K digital intermediate, X-Men: Apocalypse comes to 4K Ultra HD Blu-ray with no loss to visual fidelity whatsoever. A visual effects showcase if ever there was one, the end result, pardon the pun, is x-traordinary.
From its Ancient Egypt opening through to its apocalyptic finale, X-Men: Apocalypse dazzles in Ultra HD. Costumes and makeup benefit greatly from the added resolution afforded by format, opening our eyes to the incredible work that goes into their creation. There's an immediately noticeable increase in detail, as well as an added depth of texture.
As you would expect from a movie in which characters frequently shoot beams of energy from their hands/eyes/sceptres, lighting effects are a particular highlight here. Increased contrast and a wider colour gamut mean that light blooming appears much more natural, avoiding the usual blocky-glow that plagues images with a lower colour depth. It's also an extremely colourful movie, with numerous blue and purple characters on its roster. Thanks to HDR, and the added colour gradations that it offers, characters show much more individual detail on screen. Without question, this Ultra HD Blu-ray is the preferred way to experience X-Men: Apocalypse.
Technical specs: Codec: HEVC / H.265, Resolution: 2160p (from 4K master), Audio: English Dolby Atmos, English Dolby TrueHD 7.1 (48kHz, 24-bit), Spanish Dolby Digital 5.1, French DTS 5.1, Aspect ratio: 2.35:1, Runtime: 144 minutes
Batman v Superman: Dawn of Justice Ultimate Edition
As director Zack Snyder typically shoots on 35mm film stock, his films can be scanned at 4K without any real loss in visual fidelity. With Batman v Superman: Dawn of Justice, Snyder also opted to capture certain sections of the movie with 4K digital cameras, and on 70mm film stock using Panavision 65 cameras. The film was then finished on a 4K digital intermediate, which makes its Ultra HD Blu-ray release pretty close to what most people would've seen at their local multiplex (if not what they might have seen at IMAX and 70mm screenings).
Admittedly, the movie itself is quite grim, dark and muted in its presentation, but that doesn't stop its 4K Blu-ray from being super impressive – the disc's added resolution and colour depth mean that Batman v Superman looks as good as it possibly can at home. HDR support allows for tremendous contrast and vivid colours (when they do appear). Fire in particular, looks vibrant and lifelike, achieving a level of brightness that makes it look even more incandescent. Everything else on screen has finer definition, allowing you to really appreciate the detailed texture of Batman's suit, for instance.
If you're a fan of Batman v Superman: Dawn of Justice, this 4K Ultra HD Blu-ray is a no-brainer – along with its inclusion of the more brutal and violent director's cut, the disc is also a testament to how 4K and HDR can improve the overall viewing experience.
Technical specs: Codec: HEVC / H.265, Resolution: 2160p (from 4K master), Audio: English Dolby Atmos, English Dolby TrueHD 7.1 (48kHz, 24-bit), Spanish Dolby Digital 5.1, French Dolby Digital 5.1, Italian Dolby Digital 5.1, Aspect ratio: 2.40:1, Runtime: 182 minutes
The Amazing Spider-Man 2
Much like Batman v Superman, The Amazing Spider-Man was shot on 35mm film and later scanned and transferred to a 4K digital intermediate. Whatever you may think of the film itself, its Ultra HD presentation here is utterly sublime. Vibrant and colourful throughout, TASM2 especially shines during its effects-heavy set pieces.
Watching Spidey swing through New York on sunny days is a real treat – the film's beautiful blue skies really pop on this transfer, presumably aided by some HDR tinkering. The red and blue of Spider-Man's costume shimmers in the sunlight in a realistic manner, and the added resolution makes the spandex's rippling in the wind much more noticeable.
The real standout though, is the villainous character of Electro. With his translucent blue skin, constantly changing shades and pulsing with electricity, Electro's presence throughout the film is a real show-stopper. The scene in which he reveals his new form in the middle of Times Square, surrounded by the area's huge electronic billboards, is one of the most dynamic scenes I've personally witnessed on a television screen. Thanks to HDR, the scene's many colourful lights emit a more naturalistic light bloom that never shows signs of bleeding into the background.
Best of all, this Ultra HD presentation of the film manages to achieve all of this without losing its filmic appearance. A truly exceptional disc.
Technical specs: Codec: HEVC / H.265, Resolution: 2160p (from 4K master), Audio: English Dolby Atmos, English Dolby TrueHD 7.1 (48kHz, 24-bit), Spanish Dolby Digital 5.1, French DTS-HD Master Audio 5.1, Aspect ratio: 2.39:1, Runtime: 142 minutes