Panasonic DMP-BD10 review

The world's most expensive Blu-ray player hits the UK

TechRadar Verdict

Pros

  • +

    1080p picture quality

    CD playback

    DVD upscaling

Cons

  • -

    Occasional crashes

    No Dolby TrueHD or DTS master Audio

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Blu-ray has arrived in the UK, if not with a vengeance, then at least a reasonably enthusiastic proclamation. Panasonic's DMP-BD10 joins Samsung's BDP-1000 at the forefront of the new format's invasion, and there's a sense that all the posturing and prevarication that has preceded the format is coming to an end. It's time for the products to start doing the talking.

Priced at a wallet-numbing £1,299 (which infuriatingly is a direct dollar-forpound conversion of the model's US price point) this is comfortably the most expensive of the new HD disc spinners; however, it's not overly pricey if you put it into context with the high-end DVD players from the likes of Arcam, Denon and others.

Performance

So just how exciting is this debut Panasonic as a HD disc spinner? In truth, it's difficult to say, because of the vagaries of the BD content released to date and the lack of a decent yardstick. Even Panny concedes that the first wave of MPEG-2 encoded releases are not making the most of the format's potential (see page 7), so trying to pigeon hole its talents is a bit of a crapshoot.

At its best, image quality is tangibly better than upscaled DVD. The better UK releases such as S.W.A.T and Hostel are detailed and glossy in a way that DVD just isn't.

The crumbled brickwork of Hostel's Slovakian, Club 18-to-hurty tourist trap gives a level of three-dimensional detail to the horror that's a little too real for comfort. Meanwhile, the assorted textures inherent in the explosive S.W.A.T add a realistic sheen to the cinematography that pulls you into its outrageous narrative.

The player also ships with an impressive demo disc, with a number of beautifully encoded musical sequences, and its here that you can really sense the levels of fidelity the deck is capable of.

However, during the review period it soon displayed a propensity to crash. On both S.W.A.T. and Hostel the player froze, displaying a dialogue box that proclaimed, 'There may be a problem with this disc', before announcing it would shut down. Which it promptly did.

On the S.W.A.T. disc it crashed on the trailers section of the menu, while on Hostel it simply went black 17 minutes in. However, as neither crash could be repeated it's unclear if the fault was actually with the movies or the player.

The video engine is without doubt the most advanced yet put in a Panasonic disc player. New P4HD circuitry can process more than 15billion pixels per second.

The silicon is undeniably powerful. The deck's 297Mhz/14bit video DAC provides 4 x oversampling for 1080i/720p output; NSV (noise shaping video) processing which improves the signal-to-noise ratio; and 14bit signal processing for supersmooth gradations.

Owners can also boast to their mates, when pub conversations run dry, that the DMP-BD10 can theoretically reproduce nearly 4400 billion colours. Pulling 1080p native off disc is the latest Sigma Designs chipset. Incidentally, if the disc has been encoded in 1080/24, it outputs this at 60Hz.

Conclusion

This Panasonic is undeniably a thriller, but despite all the clever chippery, it's not the definitive article. When it comes to audio, the player is incompatible with Dolby TrueHD or DTS Master Audio from Fox (Panasonic expects you to keep an eye open for a firmware update).

Instead it downscales these audio formats to either Dolby Digital or DTS. If you want higher quality audio, you need to select the uncompressed linear PCM option provided on other studios' BD platters. And, because it lacks Ethernet connectivity, it's also unable to use BD Live, the as-yet unrealised online interactive feature of the broader Blu-ray package.

Of course, as a DVD player, the DMPBD10 is definitely impressive. It handles standard-def with authority and does not add to or exaggerate encode/decode artifacts when it upscales. Given HD content it's even better. Blu-ray has begun. Home entertainment will never be the same again.

Cameron Faulkner

Cameron is a writer at The Verge, focused on reviews, deals coverage, and news. He wrote for magazines and websites such as The Verge, TechRadar, Practical Photoshop, Polygon, Eater and Al Bawaba.