Are you looking for the best Sony camera for you? We’ve tested all of the top Sony models that are available in 2022, and ranked all of our top picks in the list below. So whether you’re a new enthusiast or a seasoned Sony user, this buying guide will help you find the perfect camera for your needs and budget.
What’s the best Sony camera you can buy right now? Sony has a huge catalog of camera models, spanning every skill level, discipline, and price range. That said, our top recommendation for most people is the Sony Alpha A7R IV. Equipped with a super high-resolution sensor that’s backed up by a swift and sophisticated autofocus system, it’s a pro camera that can go toe-to-toe with medium format machinery. This has been now been replaced by the newly launched Sony A7R V, which keeps the same 61-megapixel sensor, but introduces a new sophisticated AI autofocus, versatile 4-axis touchscreen, and improved in-body stabilization, but we still recommend the Sony A7R IV due to its price and availability.
Read our Hands on: Sony A7R V for more details.
With the above taken into account, there might be another camera on Sony’s shelves that’s better suited to your needs. The Sony Alpha A7 IV, for example, is a fantastic full-frame all-rounder that’s more accessible than the A7R III. A capable successor to the popular A7 III, it’s a hybrid workhorse with a 33MP sensor, solid performance, and top-notch autofocus.
If money is no object, take a look at Sony’s trailblazing Sony A1. From blisteringly quick AF, and burst speeds to a 50.1MP sensor (and the 8K raw video it can produce), this is a camera of superlatives. However, its astonishing performance comes with a hefty price tag to match.
More of a vlogger? The Sony ZV-1 is the best compact vlogging camera on the market, pairing a 1-inch sensor and class-leading autofocus with a form factor that’s small enough to take almost anywhere. Plus it comes equipped with a handy hot-shoe mount and mic input. However, Sony has also launched a new vlogging camera, the Sony ZV-1F - which keeps the fundamentals of the Sony ZV-1, but offers a fixed 20mm f/2 lens for better-handled vlogging, and it adds a smartphone-style interface.
Read our take on the Sony ZV-1F being a strange twist on the world’s best vlogging camera.
For more serious videographers, the Sony A7S III is the best Sony video camera you can buy outside of its cinematic range. So, whatever you’re looking for from a Sony camera, you’ll find an option to suit your requirements within this guide. We’ve covered the latest releases and range-topping options, as well as Sony’s best premium compact and APS-C models, including the flagship A6600 and the more affordable A6100. Plus we keep this guide regularly updated with the results of our recent Sony camera reviews.
Also, why not read about the best Sony lenses you can buy right now
The best Sony cameras in 2022:
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As the successor to the celebrated A7 III, the latest all-rounder in Sony’s full-frame mirrorless camera range has big shoes to fill. Luckily, the A7 IV takes that baton and runs away with it. Introducing a sharper 33MP sensor, powerful Bionz XR processor, and upgraded video skills (including support for 10-bit footage), the A7 IV is a true hybrid workhorse. It also benefits from an improved viewfinder, a new vari-angle touchscreen, and a huge 828-shot buffer for CFexpress cards.
As is often the case, that flexibility doesn’t come without compromise: there’s a heavy crop on 4K footage and it’s not the easiest camera for beginners to use. A price increase means it doesn’t have the same entry-level appeal as its predecessor, while rivals like the Canon EOS R6 also offer faster burst shooting rates – although Sony’s class-leading autofocus skills do plenty to compensate for this. Taken as a whole, the Sony A7 IV is a worthy successor to the A7 III. It’s a fantastically versatile option that could be all the camera most people ever need.
Read our in-depth Sony A7 IV review (opens in new tab)
Sony certainly isn't one to do things by halves when it comes to new camera technology. Jumping to a huge 63MP, there are few full-frame cameras (mirrorless or otherwise) that boast this kind of resolution. Images are output at a still-bonkers 61MP, while Sony claims that the camera can deliver up to 15EV stops of dynamic range from the sensor.
You also get useful functions such as image stabilization incorporated into the body, which gives you 5.5EV stops of compensation along with Pixel Shift Multi Shooting to create even higher resolution images. Rounding out the spec sheet we have 4K video recording, a superb electronic viewfinder, and a useful tilting touch-sensitive screen. Ultimately, if you want the best of the best – this is the one to go for. If the budget is tighter but you still crave high resolution, keep an eye on the prices of the Sony A7R III, which still gives you 42.2MP.
Read our in-depth Sony A7R IV review (opens in new tab)
Simply the best compact vlogging camera on the market, the Sony ZV-1 puts a powerful video option in your pocket. Borrowing the best bits from the RX100 series, it pairs a capable 1-inch sensor with a class-leading autofocus system. Sony’s Real-time Tracking and Eye AF systems mean you can reliably shoot high-quality footage while locked-on to your subject, while the bright 24-70mm lens is capable of creating lovely background blur. Image stabilization is less impressive, but it’s passable for walking and talking.
A hot-shoe, 3.5mm microphone input and flip-out LCD display all enhance the ZV-1’s versatility for vloggers – and while the touchscreen menu isn’t the easiest to use, that’s balanced by an arsenal of features. To compliment its crisp, detailed 4K/30p footage, the ZV-1 offers a useful built-in ND filter, plus all of Sony’s picture profiles, including HLG. Its compact size naturally results in some compromises: there’s no headphone port or viewfinder, and battery life isn’t the best. All the same, the Sony ZV-1 packs more power and video features than any other pocket camera.
Read our in-depth Sony ZV-1 review (opens in new tab)
A favorite among videographers and well-heeled YouTubers, the Sony A7S III is the best video camera outside of its cinema range. Its main aim is to be the best 4K camera you can buy, and it achieves this by keeping its resolution low and avoiding the temptation of moving up to 8K. Along with superb video quality, you also get the option of 4K/120fps for slo-mo sequences, plus the ability to shoot 16-bit raw via its full-size HDMI port.
It's a fun camera to use, too, thanks to its incredibly high-resolution, 9.44-million dot OLED viewfinder, plus a fully-articulating screen with a much-improved touch menu system. As you'd expect for a pro-level camera, the A7S III's audio options are also strong, with headphone and microphone ports, plus compatibility with the XLR-K3M hot-shoe accessory from Sony for up to four audio inputs. It's certainly pricey, but the Sony A7S III remains the best at what it does.
Read our in-depth Sony A7S III review (opens in new tab)
Cameras like the A6600 prove that Sony very much still cares about its APS-C range, which is largely aimed at hobbyist photographers and vloggers. You get a 24.2MP sensor, which is paired with an A9-level BIONZ X processor, which supports useful features like 11fps shooting and 4K video recording. There's also a very nifty 425-point phase-detect AF system, with help from Real-time Tracking, Real-time Eye AF, and Animal Eye AF, which is the best around at this price point.
Where the A6600 diverts from the cheaper models in the Sony APS-C line-up is the inclusion of five-axis, sensor-based image stabilization, a headphone jack (along with a microphone port) as well HDR video, and Real Time AF for movies. There's also a better viewfinder and a high-capacity battery that delivers (at least) 720 frames according to its CIPA rating. You do of course pay the price for all this exciting technology – the A6600 still doesn't come cheap, despite arriving in late 2019 – so if you're struggling to justify the cost, take a look at the A6400 instead.
Read our in-depth Sony Alpha A6600 review (opens in new tab)
With a rare blend of speed, resolution, and video skills, the flagship Sony A1 is arguably the ultimate mirrorless camera. The downside? Its performance comes with an equally breathtaking price tag that makes it overkill for all but the wealthiest of photographers. If you can afford it, though, the A1 is probably the most versatile professional camera ever made: lightning-fast AF, super speedy burst shooting, top-end connectivity, and a supremely detailed 50.1MP full-frame sensor mean it’s as useful for shooting portraits as it is for sports.
Not only can it capture detail-rich images at up to 30fps, courtesy of the dual Bionz XR processors, but it’s also capable of recording video at up to 8K at 30fps in 10-bit 4:2:0, or 4K at 120/60fps in 10-bit 4:2:2. And if you’re familiar with Sony’s full-frame mirrorless range, you’ll find the A1 is very familiar in the hand, with a build and handling that borrows the best bits from the A7 and A9 series cameras. If money is no object and you’re a pro who shoots a wide range of subjects, this camera can do it all.
Read our in-depth Sony A1 review (opens in new tab)
Incredibly, we're now on the seventh iteration of Sony RX100 series, but when you consider just how popular the line has been over the years, it's not hard to see why. These models are traditionally very expensive, but give you the best image quality that it's possible to stuff in a pocket. The last two versions of the RX100 have seen a longer lens than ever before – and it's the same for the RX100 VII, with a 24-200mm optic reappearing from the RX100 VI.
We've also got a tilt-up touch-sensitive screen, plus an electronic viewfinder that can be pushed into the camera's body for sleekness when you don't need it. Sony likes to show off exactly what it can do with its latest technology, and to that end, we've got a frankly ridiculous 90fps burst speed (a much more reasonable 20fps gives you full AF/AE tracking). Other improvements come in the form of tweaks to video performance – including adding a mic input socket. If you don't need the absolute latest technology, it's worth looking back through the previous models to find an RX100 that matches your budget, such as the RX100 Mark V (ranked at number 10 on our list).
Read our in-depth Sony Cyber-shot RX100 VII review (opens in new tab)
Sony's A6000 was a hugely popular model for beginner photographers. We had to wait for a while, but we were finally treated to an upgrade in August 2019 in the shape of the A6100. It's a big evolution of the concept, with a 24.2MP sensor, Bionz X processor, and impressively swift 11fps burst shooting. There's also a three-inch tilting LCD screen and a very usable electronic viewfinder. The A6100's calling card, though, compared to other APS-C cameras at this price point, is its autofocus. It uses the same system as the Sony A6600 (see above) which means excellent continuous tracking skills.
You also get 4K video, as well as some impressive features from elsewhere in Sony's range, such as Eye-AF. Battery life is also solid and the tilting screen is touch-sensitive, though sadly with Sony's slightly convoluted, older menu system. If you don't need the latest tech, it's still worth considering the A6000, but as a great all-rounder for a wide range of different subjects, the A6100 is a great choice for newbies.
Read our in-depth Sony A6100 review
If your budget can stretch to it, the RX10 IV is without a doubt the best bridge camera on the market right now – and not just within the Sony brand. You get a 24-600mm equivalent zoom, which is coupled with a very capable one-inch sensor. The setup is fairly bulky, but compared to carting around a camera and a slew of lenses, it's a decent option for traveling photographers who need something for all kinds of situations.
As well as fantastic stills quality, you also get superb video recording too. On top of that, you get a touch-sensitive screen, plus an excellent EVF and generally very good handling. The five-axis image stabilization comes in handy when using that long lens, even if there is a slight hint of vignetting at the far edges of the frame. You can shoot both raw files and JPEGs, while a full complement of shooting options are available for keen photographers. It's bulky and expensive, but for sheer versatility it's hard to beat the RX10 Mark IV.
Read our in-depth Sony Cyber-shot RX10 IV review (opens in new tab)
When it launched in 2017, the Sony RX100 Mark V was one of the most advanced premium compacts on the market. With a 1-inch CMOS sensor, 4K/30p video capture and 24fps burst shooting, it redefined pocketable performance. Then in 2018, Sony increased its buffer, improved its Eye AF and subject-tracking performance, upgraded its processor and introduced a range of firmware tweaks to create the Mark VA.
What didn’t change was the limited 2.9x optical zoom range, the missing touchscreen or the lack of a decent handgrip – but the RX100 Mark VA still represents a very capable and versatile compact, and better value than ever. Image quality is excellent, with detail only really dipping above ISO800, and dynamic range is impressive. The tilting screen is clear and useful, even without a touch interface, while the understated metal shell still feels slick. If you can look past its shortcomings, the RX100 Mark V continues to offer outstanding performance in a very convenient package.
Read our in-depth Sony RX100 Mark V review (opens in new tab)
Virtually identical to the A6300 before it, the Sony A6400 in many ways represents a minor upgrade. Sure, it gains a flip-out touchscreen and a faster BIONZ X processor, but it also retains some of its predecessor’s shortcomings – notably the lack of in-body image stabilization. But it’s the addition of an advanced autofocus system that really sets the A6400 apart from the mid-range mirrorless pack: touted as the world’s fastest autofocus in 2019, speeds of 0.02 sec remain impressive in 2021 – as do the A6400’s Real-time Tracking smarts.
Deploying a sophisticated subject-recognition algorithm, the A6400 locks and tracks subjects with accurate, speedy ease, backed up by automatic face- and eye-detection. Video specs are solid, too, with 4K video capture (using 6K oversampling) at 100Mbps, plus support for log2. There’s no headphone port, but you do get a mic input, while the E-mount unlocks plenty of lens possibilities. Provided the price is right and you can do without IBIS, the A6400 remains a tempting proposition – especially as it becomes more affordable.
Read our in-depth Sony Alpha A6400 review
While compact cameras face increasingly stiff competition from premium smartphones, one area that compact cameras such as the WX220 still have the edge is with zoom range. This camera marries a useful 18.2MP resolution with a 1/2.3-inch sensor and a 10x optical zoom.
The screen is small and isn't touch sensitive, but for an affordable, pocket-friendly camera, it's good for chucking in a bag for family vacations and trips. Video here is Full HD, rather than 4K, which is another compromise these days, but if cost and portability is your main concern, it remains a good choice.
Read our in-depth Sony Cyber-shot WX220 review (opens in new tab)
It might look like an incremental upgrade to its predecessor, but the 43 little tweaks made to the Sony A9 II add up to a significant improvement. In the hand, the only major change is a larger, deeper grip that makes it more comfortable to hold for hours on end. Under the hood, the A9 II can shoot twice as fast with its mechanical shutter, while the upgraded Ethernet port is ten times quicker for transferring files. In fact, connectivity has been boosted across the board, with USB-C and upgraded Wi-Fi catering to users for whom speed is of the essence – think sports photographers and photojournalists.
This second-gen mirrorless model also gets a slightly beefier battery, as well as image stabilization that’s better by half a stop. Dynamic range can’t match Sony’s top-end models, and its thunder has been somewhat stolen by the Sony A1, but with fast, reliable eye-detect autofocus, along with excellent ISO performance and sharp, detailed results from the full-frame sensor, the Sony A9 II still shapes up as an efficient, effective tool for photographers in the field.
Read our in-depth Sony Alpha A9 II review (opens in new tab)
With the claim of being the world's smallest and lightest premium camera, this diminutive second-generation one-inch sensor based model now boasts the ability to shoot 4K video. As well as being super small, it's also waterproof and crushproof – putting it squarely in action camera territory.
Alongside the 15.3MP Exmor RS CMOS sensor, you get a Zeiss Tessar T* 24mm f/4 fixed wide-angle lens, plus a 1/32000 second shutter speed and 16fps shooting. Other useful features include Eye AF, a tiltable LCD screen and a Soft Skin Effect Mode. Finally, the fact that the kit version comes complete with a nifty VCT-SGR1 shooting grip for extra stabilization is something we really like. It's not as convenient or affordable as a GoPro Hero 9 Black, but it's quality is right up there with the best action cams.
How we test cameras
Buying a camera these days is a big investment, so every Sony camera in this guide has been tested extensively by us. These days, real-world tests are the most revealing way to understand a camera's performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.
To start with, we look at the camera's design, handling and controls to get a sense of what kind of photographer it's aimed at and who would most enjoy shooting with it. When we take it out on a shoot, we'll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.
When it comes to performance, we use a formatted UHS-II card (if supported) and shoot in both raw and JPEG (if available). For burst shooting tests, we dial in our regular test settings (1/250 sec, ISO 200, continuous AF) and shoot a series of frames in front of a stopwatch to see if it lives up to its claimed speeds. We'll also look at how quickly the buffers clears and repeat the test for both raw and JPEG files.
In various lighting conditions, we also test the camera's different autofocus modes (including Face and Eye AF) in single point, area and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor's ability to handle noise and resolve fine detail.
If the camera's raw files are supported by Adobe Camera Raw, we'll also process some test images to see how we can push areas like shadow recovery. And we'll also test its ISO performance across the whole range to get a sense of the levels we'd be happy to push the camera to.
Battery life is tested in a real-world fashion, as we use the camera over the course of the day with the screen set to the default settings. Once the battery has reached zero, we'll then count the number of shots to see how it compares to the camera's CIPA rating. Finally, we test the camera's video skills by shooting some test footage at different frame-rates and resolutions, along with its companion app.
We then take everything we've learned about the Sony camera and factor in its price to get a sense of the value-for-money it offers, before reaching our final verdict.
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