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Best 4K camera 2019: 10 top cameras to shoot movies with

Panasonic Lumix G80
(Image credit: Future)

The ability to record 4K video on cameras has quickly moved from a niche feature to a standard one. It’s something you’ll now find on most flagship smartphones, and buyers of new cameras can now expect it on all but the most basic entry-level mirrorless models.

That being said, not all 4K cameras offer the same level of quality. Different sensors, methods of capture, output possibilities and more mean that some 4K cameras are far, far better than others. Frame rate is one important consideration to ponder before buying (most cameras are limited to 30fps with 4K, but some can record 60fps), as well as log profiles for post-shooting color correction, the availability of accessories and ease-of-use features like zebra patterning.

Panasonic has long been the go-to brand for great 4K video recording, but we now have lots of options: Sony, Nikon, Olympus, Fujifilm, Leica and Blackmagic are all worthy of consideration for potential movie-makers. To help you decide, we’ve assembled the very best models you can buy here.

What you need to know about Black Friday 2019

Picking up a bargain during the Black Friday and Cyber Monday deals period is a great idea if you’re in the market for a new 4K camera. Many great 4K cameras will likely see good offers on Black Friday, but there’s no guarantee that the top-line products you see here will reduce dramatically in price. Our handy widgets will always show you the best and latest prices, so you can always be assured you’re getting the best current deal. If you’re not so bothered about a particular make or model, keep an eye on our Black Friday camera deals page and see if you can bag yourself a bargain.

Top 5 4K cameras

Here's our pick of the five best 4K cameras – click on the links below to go through to the full review for each

1. Blackmagic Pocket Cinema Camera 4K
2. Panasonic Lumix GH5S
3. Panasonic Lumix GH5
4. Sony A6400
5. Panasonic Lumix G9

Great value option: Panasonic Lumix G80 / G85

Big features squeezed into a small body

Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: 16MP | Lens: Micro Four Thirds | Viewfinder: EVF | Monitor: 3.0-inch vari-angle touchscreen, 1,040K dots | Maximum continuous shooting speed: 9fps | Movies: 4K | User level: Beginner/intermediate

Excellent EVF
Strong AF performance
Relatively poor battery life
Over-complicated controls

Before we look at our round-up of the best 4K cameras, we wanted to highlight a slightly more affordable alternative. It might have since been succeeded by the Panasonic Lumix G90 / G95, but the Lumix G80 (known as the Lumix G85 in the US) is still a very capable and cost-effective option for those looking for a budget 4K camera. There's 4K video capture up to 30p (with a bit rate up to 100Mbps) and a dedicated microphone socket. Focusing is fast, while the vari-angle touchscreen should make framing footage nice and easy. The G80/G85 is also weather-sealed to protect it from the elements. It successor brings features like unlimited 4K recording, but if you don't mind being restricted to 30 minutes per clip then this model offers great value.

Best 4K cameras in 2019

1. Blackmagic Pocket Cinema Camera 4K

90s looks but is packed with the latest tech

Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: N/A | Lens: Micro Four Thirds | Viewfinder: N/A | Monitor: 5.0-inch touchscreen display | Maximum continuous shooting speed: N/A | Movies: 4K at 60fps | User level: Expert

Excellent 4K video capture
Huge, sharp screen
Weak battery life
No articulating screen

If you want the best camera to shoot 4K videos, then this is it. Blackmagic's Pocket Cinema Camera 4K is designed for film makers through and through and is not something to consider if you're looking to shoot stills as well. Based around a Micro Four Thirds sensor and lens mount, it features a huge 5.0-inch touchscreen, it head and shoulders above other MFT shooters from a video-centric operational point of view. The range of connections on-board is also class-leading, and the fact there’s a dual card slot trumps much pricier cameras like the EOS R. That's not forgetting decent on-board audio recording capabilities and of course, the sweetener to the tune of $299 worth of software - a license for DaVinci Resolve Studio, it really is a gift that keeps on giving. Finally, and most importantly, the fundamental quality of its 4K video takes on much pricier cameras and, when you know how to work it, handles noise better than some full frame sensors too, thanks to its the dual native ISOs.

2. Panasonic Lumix GH5S

This is one uncompromising video tool

Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: 10.2MP | Lens: Micro Four Thirds | Viewfinder: EVF | Monitor: 3.2-inch vari-angle display, 1,620,000 dots | Maximum continuous shooting speed: 12fps | Movies: 4K at 60fps | User level: Expert

Multi-aspect sensor design
Brilliant video spec
Absence of IS not for everyone
Battery life could be better

While it can shoot stills quite happily (although at a pretty limited 10.2MP resolution), this should be seen first and foremost as a video camera; if you want to do both you've got the Lumix GH5 (below) to fill that brief. While the absence of built-in image stabilization might be a disappointment for some, that issue aside the breadth of video features is incredibly impressive. If you want to shoot broadcast-quality footage without remortgaging your house to buy a pro video camera, you won't find a better video-focused camera right now. 

3. Panasonic Lumix GH5

The Lumix GH5 is a feature-laden 4K workhorse

Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: 20.3MP | Lens: Micro Four Thirds | Viewfinder: EVF | Monitor: 3.2-inch vari-angle display, 1,620,000 dots | Maximum continuous shooting speed: 12fps | Movies: 4K at 60fps | User level: Expert

DCI 4K and UHD 4K
Great fully articulating screen
Limited ISO range
Bulky for a mirrorless camera

Until the arrival of the Lumix GH5S, the GH5 was the pick of the bunch for those looking to shoot video. Quite a bit cheaper than the newer GH5S, the GH5 is a bit more versatile for those wanting to shoot both stills and video, and the video specification is still very impressive, allowing you to shoot Cinema 4K (4096 x 2160) at 60p with a bit rate of 150Mbps, while Full HD video can be captured up to 180fps. That's not all, as the GH5 offers color subsampling at 4:2:2 and a color depth of 10-bit, delivering greater color information and richer graduations. The GH5 also offers live output to external recorders such as Apple ProRes via HDMI, as well as simultaneous internal recording. We're looking forward to testing the new Panasonic S1 (and its S1R launch partner), as it also boasts strong video specs but adds the further delight of a full-frame sensor, which bodes well for low-light work and shallow depth of field. Until we see exactly what it's made of, we're sticking with the GH5.

Sony Alpha A6400

(Image credit: Future)

4. Sony Alpha A6400

Excellent autofocus make this a brilliantly accessible option

Type: Mirrorless | Sensor size: APS-C | Resolution: 24.2MP | Lens: Sony E mount | Monitor: 3-inch tilting touchscreen, 921k dots | Viewfinder: EVF | Maximum continuous shooting speed: 11fps | Movies: 4K | User level: Beginner/intermediate

Highly advanced autofocus
Good video features
No built-in image stabilization
No headphone jack

The A6400’s lack of in-body stabilization and headphone jack may make it seem under-equipped when it comes to video recording. But its excellent image quality (smooth motion, impressive levels of detail), tough magnesium alloy construction, affordable price tag and, most importantly, its superb, highly advanced autofocus setup go a long way towards making it a contender for most accessible 4K camera round. The autofocus, which includes excellent real-life eye and face tracking, takes a lot of the work out of both video and stills work, particularly if you’re frequently shooting other people – or yourself. Sony’s A6600, the step-up model in the range, keeps much of the A6400’s specs and features but adds in-body stabilization, a headphone jack and longer battery life. We'll be reviewing that soon to see if it's worth the premium, but for now the A6400 is our pick from Sony.

Panasonic Lumix G9

(Image credit: Future)

5. Panasonic Lumix G9

Panasonic’s best all-round mirrorless model to date

Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: 20.3MP | Lens: Micro Four Thirds | Monitor: 3-inch free angle touchscreen, 1.04-million dots | Viewfinder: EVF | Maximum continuous shooting speed: 60fps | Movies: 4K | User level: Enthusiast

6.5-stop image stabilization
Dual UHS-II card slots
Reduced screen size compared to GH5
ISO range could be broader

This isn't Panasonic's most video-centric camera – see the Panasonic GH5S and GH5 above – but the Lumix G9 is a fantastic all-rounder for stills and video, particularly thanks to a recent firmware update in November 2019. This added pro-friendly treats like 10-bit 4:2:2 video capture to some already tasty video credentials, which included the ability to shoot Cinema 4K video at a smooth 60fps frame rate. The G9 also boasts superb in-body image stabilization that equates to 6.5 extra stops of exposure, as well as two UHS-II SD card slots. It’s also weatherproof, great to handle and boasts a wealth of stills-focussed features, including a burst mode that shoots at 20fps with autofocus and an astonishing 60fps without. Overall, we think it’s Panasonic’s best all-round mirrorless camera – especially given its recent price drop to below £1,000.

4. Sony Alpha A7S II

Excellent footage, huge dynamic range and a compact size – what’s not to like?

Type: Mirrorless | Sensor size: Full-frame CMOS | Resolution: 12.2MP | Lens: Sony E mount | Monitor: 3.0-inch tilting display, 1,228,800 dots | Viewfinder: EVF | Maximum continuous shooting speed: 5fps | Movies: 4K | User level: Expert

Superb dynamic range and low noise
Useful Log options included
Only 4K UHD (no 4K DCI)
8-bit rather than 10 or 12-bit video

At the time of the A7S II's review we said it was the best video-shooting stills camera available, and while much has changed in the market we still reckon it’s a compelling option for the videographer. One of its major selling points at launch – internal recording of 4K footage – has since been matched by many others, but it’s the modest pixel count of its sensor that splits it from its rivals. We found its dynamic range to be very high, and consistently better than rivals at higher sensitivities, while noise was also shown to be lower than cameras with more populated chips. It also has the advantage of using the whole sensor width for recording video, and of being able to record to the memory card while outputting 4:2:2 footage to a HDMI recorder, but proves itself to be capable for stills shooting too. Autofocus is generally fast and built-in image stabilisation is a huge bonus, while the body is sturdier than its predecessor’s too. Overall, while it may not be the newest model, its sensor and video specs give it a handful of advantages over its rivals. Hopefully the long-rumoured A7S III will be even stronger with its video credentials.

6. Nikon D850

High resolution meets high speed

Type: DSLR | Sensor size: Full-frame CMOS | Resolution: 45.4MP | Lens: Nikon F | Screen type: 3.2-inch tilt-angle touchscreen, 2,359,000 dots | Viewfinder: Optical | Maximum continuous shooting speed: 7fps | Movies: 4K | User level: Expert

Superb AF system
No crop-factor at 4K
SnapBridge clunky to use
Live View focusing speed

The long-awaited successor to the D810 arrived earlier this year, and Nikon certainly didn't hold back with the specs. With a fresh 45.4MP full-frame sensor, a highly advanced 153-point AF system and 7fps shooting, supported by features such as a tilting touchscreen and whole suite of connectivity options, the the D850 is the most advanced DSLR we've seen. Video-wise, there’s lots to love. The camera is capable of 4K UHD capture at 30p/25p/24p, and that's using all the sensor - no unwanted cropping here, allowing you to take full advantage of your lenses. Other video features include ports for both microphone and headphone sockets, as well as a Flat Picture Profile, zebra patterning and Power Aperture Control. You can also record at 120fps in Full HD quality. A brilliant DSLR that's great at shooting video too.

7. Olympus OM-D E-M1 Mark II

Top-end OM-D model impresses across stills and video alike

Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: 20.4MP | Lens: Micro Four Thirds | Monitor: 3.0-inch free-angle display, 1,037,000 dots | Viewfinder: EVF | Maximum continuous shooting speed: 60fps | Movies: 4K | User level: Expert

Both DCI 4K and UHD 4K capture
Amazing image stabilisation system
Dense menus
Expensive

“The best Micro Four Thirds camera yet” was what we concluded from our time testing the Olympus OM-D E-M1 Mark II, and video is one area where Olympus has made significant improvements over previous models. Not only do you get 4K capture in both DCI and UHD flavours, you also get clean output over HDMI at 4:2:2, a headphone port for audio monitoring and the benefits of Olympus’s fast Hybrid AF system, which works in conjunction with the touchscreen for even easier subject selection. Whether you’re shooting stills or videos, you also get one of the most effective image stabilisation systems we’ve yet seen, which will please those who expect to be largely using the camera handheld. Other reasons why the camera walked away with a full five stars include its excellent weather-sealing, lifelike EVF, and the capability to fire at 18fps with continuous AF and AE tracking. Those who want to easily achieve a very shallow depth of field may not prefer the smaller Micro Four Thirds sensor over larger-sensor offerings, but with the right lens and technique you can still isolate subjects from their surroundings on such a camera without bother. In any case, while Panasonic may have had a head start with video, the OM-D E-M1 Mark II certainly sets the bar high for a flagship Micro Four Thirds camera. Incidentally, the newer OM-D E-M1X also captures impressive video, but at double the price we're sticking with the OM-D E-M1 Mark II for now. 

8. Fujifilm X-T3

Fujifilm ramps up the video specs from the already capable X-T2

Type: Mirrorless | Sensor size: APS-C | Resolution: 26.1MP | Lens: Fuji X | Monitor: 3.0-inch tilt-angle display, 1,040,000 dots | Viewfinder: EVF | Maximum continuous shooting speed: 11fps | Movies: 4K | User level: Intermediate/Expert

Log shooting as standard
Detailed footage
Viewfinder showing some fringing
Some physical controls a little fiddly

Fujifilm made a lot of effort to revamp many aspects of the X-T2’s spec sheet to craft the X-T3, and improvements in video recording were more significant than is usually the case for such a model. The key changes include the option to capture 10-bit video at 4:2:0 internally, together with a far denser phase-detect AF array that makes for more refined subject tracking. There’s also a forthcoming Hybrid Log Gamma option, on top of the F-Log setting that can be used for internally captured footage provided as standard. The camera also has the bonus of applying no crop when shooting 4K footage at 30p, and only a minor 1.18x crop when boosted to 60p shooting, in either DCI 4K or UHD 4K modes, while both mic and headphone sockets are also now both incorporated into the body too. In our review we found the camera to deliver detailed and natural footage, whether you’re capturing conventionally or using one of the slow-motion options, and this is on top of a stellar performance elsewhere, with great autofocus, lovely image quality from the new sensor and speedy response throughout operation. The newer X-T30 offers a lot of the same core video specs for less money though, but we're yet to give it a full workout.

9. Nikon Z6

Strong video specs matched by equally impressive performance makes the Z6 shine

Type: Mirrorless | Sensor size: Full frame | Resolution: 24.3MP | Lens: Nikon Z | Monitor: 3.2-inch display, 2,100,000 dots | Viewfinder: EVF | Maximum continuous shooting speed: 12fps | Movies: 4K | User level: Expert

Effective VR systems for video
Detailed electronic viewfinder
No 4K at 60p
Single XQD card slot

Nikon’s joint first full-frame mirrorless camera is its most serious assault on the video market to date. While the Z7 remains an excellent choice for stills shooter users looking to capture video alongside their images, the Z6 is arguably better for the videographer as it can capture oversampled 4K footage without a crop (which the Z7 can't do). Perhaps most crucially, the presence of both sensor-based and electronic VR mean that the camera does great job to keep things stable, whatever the lens you're using, while 293 sensor-based phase-detect AF points that are available during video recording do very well to keep everything focused and transitions nice and smooth. The 10bit N-Log shooting option, which is also absent from the D850, gives you a better starting point for grading footage. We’d like to have seen a 4K60p option, and a little rolling shutter remains, but we were otherwise very impressed by the way Nikon has launched its new system.

If you're looking for a powerful all-in-one camera, then you're not going to go far wrong with Sony's brilliant RX10 IV. With a long and fast 24-600mm f/2.4-4 zoom lens partnered with a stacked 1-inch type 20.2MP sensor and fast 315-point phase-detect AF system, it's an incredibly versatile camera. It doesn't disappoint when it comes to video either, with 4K UHD footage captured with 1.7x more information than actually required without any pixel binning, before being downsampled to 4K for the sake of quality. This happens at a 100Mbps maximum bit rate, and you can boost the camera up to 960fps for slow-motion footage too. All of this is supported by a clean HDMI output, zebra patterning and both microphone and headphone ports. You also get an S-Log2 gamma profile in addition to the Picture Profiles (which you can adjust), and Sony’s Gamma Display Assist mode to help you get a better idea of what graded footage would look like. It’s not cheap, but there's nothing quite like it.