Photoshop Curves Tool: 6 techniques every photographer must know
Essential Photoshop Curves Techniques: 05 Making selective adjustments
Make selective tonal changes to different areas of your image by painting Layer Masks to hide or reveal the Curves effect.
For example, portraits often benefit from a boost in the irises.
To achieve this, add a Curves Adjustment Layer and plot an S-shaped curve, then hit Cmd/Ctrl+I to invert the Curves layer's mask to black.
Then grab the Brush tool, set colour to white, and paint over the iris to reveal the adjustment.
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Essential Photoshop Curves Techniques: 06 Tweaking colour channels
You can tweak different colour channels via the dropdown menu at the top of the Curves box.
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By plotting different points along the colour line you can shift colours - for example, reducing reds as we've done in the hair here.
An upwards drag on the red line adds red and down adds cyan; up on the blue channel adds blue and down adds yellow; up on the green line adds green and down adds magenta.
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In Depth - Inside the Photoshop Curves box
1 Anchor points
Plot these along the Curves line, then drag them up to lighten and down to darken.
2 White and black points
Drag these inwards to set new white and black points. Hold Alt while dragging for a view of any clipped pixels.
3 RGB dropdown
Select different colour channels here access the red, green or blue Curves lines.
4 Preset
Choose from a list of handy presets, or use them as a starting point for further tweaks.
5 Pencil and smooth
Toggle the Pencil tool on to draw a freehand Curve. Use the 'Smooth Curves values' option to smooth the line.
6 Adjust brightness
Toggle the Hand icon on, then drag up or down over tones in the image to control brightness.
7 Histogram
A graphical representation of all the tones laid out in a 'tonal range', with shadows on the left and highlights on the right.
8 Eyedroppers
Toggle the eyedroppers on, then click over a tone in the image to set it as white, black or midtone grey.
9 Input and Output
Input represents the original tones in the image (the X-axis), while Output represents the new brightness value on a scale of 0-255 (the Y-axis).
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