10 quick landscape photography tips

Ten fast landscape tips

Improve your photos with our expert help. Here are 10 quick landscape photography tips to help you give your pictures a breath of fresh air. Whether you're new to digital photography or just searching for new photo ideas, our quick and easy landscape photography tips and camera tips will help you take better pictures with the minimum of fuss.

10 quick landscape photography tips

1 The magic hour

Beautiful landscape photos are often defined by the quality of light they were taken in. As a consequence, photographers tend to shoot early in the morning or during late afternoons when the sun is lower, less contrasty and often displays a subtle colour palette of moody hues. For this reason, the hours after dawn and before dusk are known as the 'magic hours'. If rising at dawn doesn't sit well with your idea of a relaxing weekend, don't panic - there are plenty of great landscape opportunities throughout the day.

SEE MORE: Golden hour photography tips for taking pictures at sunrise or sunset

Landscape Photography Tips Rule of Thirds

2 Composition

Composition is key to successful landscape photography, and if you don't know where to start, use the 'rule of thirds' to get things going. Perhaps the king of all beginner landscape photography tips, it's an easy principle to apply - simply divide your frame into imaginary thirds on both the horizontal and vertical axis. Now simply place areas of interest at the points at which the lines intersect or - in the case of a horizon - along one of the lines. However, don't be afraid to throw away the rule book and totally disregard the conventions of composition. While you might have some awful failures, you might also create an original and striking masterpiece. Be bold and experiment.

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3 Get out there

There's no substitute for putting in a bit of groundwork before embarking on a photographic adventure. Research and find the best photo locations, get a map, a compass and remember that you'll probably have to get out of the car and walk to get the best shots.

4 Polarising filters

Most landscape photographers will have a circular polarising filter in their kit bag. There are many uses for filters like this, but for the landscape photographer the two key characteristics are their ability to cut out reflections and nasty glare from a scene and the increased colour intensity, saturation and contrast they create. You'll really notice the effect in clear blue skies.

SEE MORE: Dramatic landscape photography: the secret to adding impact with natural light

3 situations when you should take control of depth of field Landscapes

5 Depth of field

Many landscape photographers desire an image that appears sharp throughout the scene, so that elements of foreground interest, such as a rock in a lake, look just as sharp as the distant horizon. This can be achieved relatively easily using the principles of depth of field, whereby the smaller an aperture you use, such as f/22, the greater the area both before and beyond the point of focus also appear to be sharp. This principle can be taken one step further with hyperfocal distance focusing. Generally, when you're using small apertures you'll need to compensate with slow shutter speeds, so it is essential to (know how to) use a tripod.

SEE MORE: A layman's guide to depth of field - how to check and affect sharpness like a pro

5 accessories every landscape photographer must own ND grad filters

6 ND grads

One of the great problems for landscape photographers is the difference in brightness between the sky and the land. While the human eye is capable of perceiving detail across this tonal range, a digital sensor isn't capable of recording it. So ND Grad filters (neutral density graduated filters) were created and have been avidly used by landscape shooters ever since. Their gradual transition from clear to dark neutral density allows the photographer to balance the exposure between the sky and the land to make a more even exposure in which detail remains in both the highlight and shadow areas. An alternative to this is exposure blending, where different exposures are made of the scene and combined in software later.