Updated 2 hours ago

Editors Keys Vocal Booth Pro review

The SL150 mic bundle that claims to be a complete and affordable vocal recording setup

Our Score 4

Last reviewed: 2010-02-26February 26th 2010

editors-keys-vocal-booth-pro

The SL150's sleek, modern aesthetic is offset by the hardware's 'hip-replacement' chic, and it feels a bit cheap

Editors Keys' Vocal Booth Pro bundle is an all-in-one voice recording solution aimed at both the broadcast and music-making markets.

You get a microphone and shock mount, a pop-shield (for removing annoying pops from the beginning of plosive 'p' and 'b' sounds), a mic stand and the Vocal Booth Pro itself, a 'soundproof' shield designed to stop your voice reflecting around the room and thus colouring the sound.

The centrepiece is, of course, the microphone. The Editors Keys SL150 is a large-diaphragm condenser mic, the same type the pros use to record vocals and instruments such as acoustic guitars.

It's actually a USB mic, meaning it acts as an audio interface and pops right up in System Preferences as an extra input source. The mic lacks an XLR output (so you can't use it with sound gear such as mixers and so on – it has to go into a computer), and while this is standard for microphones in this price bracket, it does make the mic's 'Studio Series' label a bit of a misnomer.

Still, it does a perfectly acceptable job of recording both talking and singing. Again, performance is on a par with similarly-priced XLR condensers, and it certainly cuts the mustard for pro broadcast work.

Unlike most mics, however, the SL150 lights up when plugged in – a neat feature, although it's a bit unnerving to put your lips so near to electrical equipment illuminated in a shade best described as 'high-voltage blue'.

The rest of the hardware isn't quite as neat. The mic stand feels cheap, and the large slugs of metal used to mount the Vocal Booth are difficult to assemble and poorly manufactured.

The Vocal Booth Pro itself is a clamshell design, with the mic-facing side covered in sound-absorbing, high-density foam. Rigged up, the mic does a fine job. Reduced reflections from the room means a less diluted sound, making vocals tighter, more concise and easier to mix.

Overall, it's a respectable if slightly flawed offering, which provides very decent results on a home budget.

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Your comments (2) Click to add a new comment

juliewaters


March 2nd 2010

2. I think the review is a little harsh on the product, we already have one in our ITV London Studios and its been great for voice-overs for our childrens documentaries. (its used on a daily basis.)

We have the SL150 bundle:

http://www.editorskeys.com/VocalBooth_Mic_Bundle_*OFFER.html

If i'd read this I would have been put off, but just wanted to say, I'd recommend it.

Check out this YouTube review:

http://www.youtube.com/watch?v=oILddRB1a_c&feature=player_embedded

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johnhardlam


February 28th 2010

1. Loving it!!

I have to say I quite disagree with this review, I picked up the Editors Keys Booth on Saturday from Dawsons in Liverpool and think the product is superb! I certainly wouldn't say the product feels poorly made at all, and there is only one item which screws into the microphone stand, so I also wouldn't say set up is hard either.

I'm assusming they only do one pro model, but its a 5 out of 5 review from me, the only thing I would like is somewhere to hold a lyric sheet

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Product Summary

Vocal Booth Pro SL150

Editors Keys Vocal Booth Pro

Price at launch

£220.00

For

>

Effective sound isolation

>

Good quality microphone

Against

>

Poorly manufactured

>

Bulky and cheap-feeling

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