I tested Samsung’s unique ‘two-way’ Dolby Atmos soundbar, and it sounds great in both setups

Samsung HW-QS700F: Two-minute review

The Samsung HW-QS-700F is one of the company's latest soundbars. It combines the performance of Samsung’s Q series models with a stylish lifestyle-friendly design usually found in Samsung’s S series soundbars. Does this mean this crossover soundbar is twice as nice, though, or has becoming a jack of all trades made it a master of none?

At first glance, you might be forgiven for not understanding why the Samsung QS700F might be considered a designer ‘lifestyle’ example of the best soundbars. With its long, angular, hard-finished main soundbar and compact, roughly cubic subwoofer, it looks mighty similar to the components of Samsung’s latest performance-led Q series models.

That’s not to say it’s ugly; it’s slender enough to fit beneath most TV screens, long and deep enough to promise some potent sound, and robustly finished enough to feel like a premium product. And the new subwoofer design Samsung has adopted across most of its soundbar range this year might even be called cute thanks to its relatively small footprint, rounded edges, crisp black finish and jauntily large circular drivers.

In the end, though, despite unfortunately not joining most of Samsung’s performance-oriented Q series models in carrying a proper built-in LED display, it shares more immediate DNA with the Q series than the usually sleeker, smaller S Series.

The S part of the QS700F deal heaves into view with its so-called Convertible Fit feature. This “dynamic dual set-up” system means that, unlike the vast majority of other soundbars, the QS700F can be configured to truly work in either a wall hanging or stand placement.

Of course, many other soundbars out there can either be attached to a wall or placed on a bit of furniture. Practically none of those other soundbars, though, do what the QS700F does and actually adjust their speaker configuration to optimise their performance for their separate wall-hanging or stand placement options.

What happens with the QS700F, essentially, is that the front and up-firing height speakers in play when the soundbar is sat on a TV stand can reverse their functionality if you tip the soundbar up into a vertical position and turn it upside down to place it flat on a wall. There’s even a gyro system built into the QS700F’s main bar component that can automatically tell if the soundbar is being used flat or vertically, adjusting the sound channel configuration accordingly.

Pictures are worth a thousand words when it comes to explaining this extremely rare feature, so I suggest you take a moment to peruse the below images if you’re still struggling to figure out how it does what it does – and why the result is so different to simply sticking a regular soundbar on a wall bracket.

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The QS700F isn’t the first soundbar that’s been expressly designed to look good and work well when mounted on a wall. Most wall-based soundbar designs, however, can’t also be used in a stand set-up. And soundbars that can do what the QS700F does and completely reconfigure their driver array to support both horizontal and vertical setups are very rare indeed. The main current model I can think of is the Devialet Dione, with its ‘rotating ball’ centre channel speaker, but that will currently set you back £1,800 / around $2,440 – two and a half times what the QS700F costs.

Delivering genuine wall or stand placement flexibility isn’t the QS700F’s only attraction, though. Its 3.1.2 channel count is also more numerous than might have been expected with such an affordable and customisable soundbar – especially given that the .2 bit indicates the presence of two up-firing speakers for Dolby Atmos height effects that are available in either of the soundbar’s two orientation options, and the .1 bass channel bit is delivered by an external subwoofer.

This subwoofer manages to combine likeable, compact aesthetics, too, with two startlingly large drivers on two of its opposing sides. One of these is an active 8-inch driver, while the other is a smaller, passive unit, with the dual-sided approach intended to make it possible to underpin music and, especially, film soundtracks with smoother and less directional bass than Samsung’s previous sub designs did.

The Dolby Atmos playback support (for music as well as movies) mentioned earlier is joined by support for DTS:X soundtracks too, while music lovers can enjoy their favourite tunes streamed in via direct Chromecast, Spotify Connect, Airplay and Tidal Connect support. Supported music file formats are expansive, too, including MP3, AAC, OGG, FLAC, WAV, ALAC and AIFF.

Stereo music can be played in its basic two-channel format by the QS700F, as you would expect, but its sound presets also include a couple of options that can upmix two-channel music to take advantage of all of the system’s available channels. The Surround mode is the most straightforward of these two options, while an Adaptive option brings AI into play, with a particular focus on optimising volume and enhancing detailing and clarity.

A Game preset, meanwhile, emphasises the multi-channel directionality of the surround sound (often Dolby Atmos) audio tracks modern games typically use, to both make the game world feel more immediate and intense, and to give you a better idea of exactly where approaching or attacking enemies are relative to your own position.

While the QS700F doesn’t carry nearly as many channels as you get with Samsung’s flagship soundbars for 2025, there’s still enough going on to potentially present you with a bit of a setup headache. Happily, though, Samsung has equipped the QS700F with a so-called SpaceFit Sound Pro system that automatically and constantly works to optimise the tone and impact of the bass to keep it in line with the rest of the soundstage, as well as keeping dialogue and effects in balance.

If you decide you want to make the QS700F a full surround system, you can either add a pair of Samsung’s SWA-9500S speakers for £249 / $299, or a pair of Samsung’s Music Frame speakers for a £800 / $600. As well as being much cheaper, I’d suggest the SWA-9500Ses would be the much better option for adding to the QS700F because they include extra up-firing speakers as well as the main forward-facing drivers, enhancing Dolby Atmos’s hemisphere of sound effect.

The QS700F is decently connected considering how affordable it is for such an innovative design, with an HDMI pass-through being joined by an optical digital audio input and the now expected Bluetooth and Wi-Fi streaming options. The Wi-Fi functionality even extends to support for Samsung’s Wireless Dolby Atmos streaming, where the soundbar can receive Dolby Atmos soundtracks from compatible Samsung TVs without the need for any cables.

The QS700F supports Samsung’s Q Symphony system, too, where the speakers in the TV can work alongside those in the soundbar to create a more detailed and well-staged soundscape, rather than the soundbar just taking over all sound duties by itself.

The one disappointment with the QS700F’s connections is that the HDMI pass-through doesn’t join the HDMI ports on Samsung’s Q990F flagship soundbar in supporting 4K 120Hz gaming feeds. So if you have a console or PC capable of outputting graphics to that format, you’ll have to connect your gaming device directly to your TV and use eARC functionality to send game sound from the TV to the soundbar. That approach can sometimes, though thankfully not that often these days, cause a loss of synchronisation between the pictures on your TV and the sound coming from the soundbar.

The QS700F’s performance turns out to be startlingly uncompromised by its innovative multi-placement design. There are some mild differences in how it sounds in its two usage configurations, but overall, it sounds excellent whichever way round you use it, and better, in fact, than most ‘standard’ soundbars at the same sort of price point.

Looking first at performance features that remain consistent regardless of whether you’re using the QS700F in its vertical or horizontal stance, the most immediate thing you notice is how powerful it is. Despite its fairly compact two-piece design, it’s capable of both getting seriously loud and projecting its sound far beyond the boundaries of its physical form. The result is a sound that’s capable of filling at least the front half of even quite a substantial room with a really potent soundstage.

There’s much more to the QS700F’s power and projection than just brute force and loudness, though. Its speakers are also sensitive enough to deliver impressive amounts of detail, be it a mild background ambient sound or a more specific, placed effect. Yet it does so with an excellent sense of balance, where no sound stands out artificially brightly from the mix.

Spot effects are accurately placed in the three-dimensional sound space the QS700F creates in either of its vertical or horizontal placement configurations, too, and sound transitions as noisy objects move around the three-dimensional space are tracked with strong and involving accuracy, clarity and consistency, even if there are multiple moving objects to track at the same time.

Impact sounds are delivered with a degree of venom and projection that’s rare indeed at the QS700F’s price point, while the subwoofer performs well beyond its size, underpinning action scenes with seriously deep and distortion-free rumbles. These also, crucially, feel like natural extensions of the dynamic range delivered by the main bar, with no sense of bagginess or dislocation in the way the subwoofer’s sound ‘attaches to’ it.

Treble effects, finally, also emerge without sounding distorted or overly shrill, especially as the subwoofer’s contributions at the other end of the spectrum provide such a potent counterpoint.

While the QS700F is at its absolute best as an ultra-flexible movie soundbar, it’s also a strong music performer. In either of its vertical or horizontal configurations, music enjoys good staging, with effective but not over-stated stereo separation, nicely positioned vocals that sit at the centre of and slightly above the rest of the mix, and some tight and typically well-timed and consistent bass from the subwoofer.

They might not be to everybody’s taste, but the surround sound upmixing options the QS700F provides for stereo sources work unusually well, too. There’s a level of intelligence and naturalism about the way elements in a stereo mix are separated out and redirected around the system’s 3.1.2 channels that you don’t get with arguably any other soundbar brand bar except, perhaps, Sony. Add a pair of the optional rear speakers and the upmixing becomes even more effective, sounding at times more like a professional surround mix than something that’s being essentially made up on the fly by Samsung’s processing.

Looking at the differences in the way the QS700F sounds in its vertical and horizontal configurations coincides for the most part with the weaker aspects of the soundbar’s performance.

Due I think to its rather unusual configuration, where it sits tucked up into the upper edge of the soundbar when it’s placed on a desktop so that it can also work when the soundbar has been turned upside down and placed vertically on a wall, the centre channel speaker isn’t a total success. It can sound a touch muffled at times when using the soundbar in its TV stand set up, and in the wall-hanging configuration, while dialogue sounds clearer, it can also sound like it’s coming from slightly below the onscreen action. (Simply overriding the auto-calibration system and turning the centre channel volume output up a couple of notches helps the stand set up centre channel issue, mind you.)

With the QS700F used vertically, for wall hanging, height and ambient effects in a Dolby Atmos mix aren’t spread quite as far and wide or with quite as much authority and polish as they are when the soundbar is in its desktop position. Finally, stereo music sounds slightly more open, rich and detailed with the QS700F in its vertical stance. In stand mode, stereo music sounds a bit hemmed in, not quite escaping from the soundbar’s bodywork as cleanly and effectively as movie soundtracks do.

In the end, I’d suggest sticking with Standard mode for stereo music playback if the soundbar’s hanging on a wall, but at least giving an extended trial to the Surround mode for two-channel music if the soundbar’s sat on a surface.

I need to wrap all this up, though, by circling back to the point I made earlier that while there are one or two mostly minor performance differences in how the QS700F sounds in its two different set ups, Samsung’s new soundbar’s unique convertible fit design doesn’t stop it from still sounding much better, especially with movies, in either of its configurations than the vast majority of normal soundbars do.

Samsung HW-QS700F review: Specs

Samsung HW-QS700F review: Price & release date

• First available: April 2025
• Price: £749 / $699.99 / AU$999

The QS700F was released globally in April 2025. While the brand launched a slim-design Q700D soundbar in 2024, the QS700F’s unusual convertible fit design means that it stands as a new product category for Samsung rather than just being an evolution of a previous soundbar model.

The HW-QS700F costs £749 in the UK, $699.99 in the US and $999 in Australia. These prices make the QS700F great value for such a flexible but still high-performance model.

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Samsung HS-QS700F soundbar: Also consider

How I tested the Samsung HW-QS700F

• Tested across 9 days
• Used in both a regular living room environment and a dedicated test room, in both its wall-mount and stand mount orientations
• Tested with a mixture of music and video sources

Testing the Samsung QS700F was more complicated than usual, thanks to its Convertible Fit technology, requiring it to be used for half the time in a regular surface-mounted stance, and half the time in a vertical wall-mounted stance. I tested it extensively in both of its configurations with a range of CDs, high-quality audio streams and 4K Blu-ray movie soundtracks.

The 4K Blu-ray soundtracks I used included both Dolby Atmos and DTS:X mixes, since the QS700F supports both, while stereo music was tested both in native two-channel mode and using the soundbar’s multi-channel upmix feature.

First reviewed: June 2025

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