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Although the monochrome filter adds mood to images and video, we are disappointed by the lack of contrast it delivered.
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Colour reproduction at low sensitivity settings meets our expectations for a camera of this price point.
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Colours and detail were captured adequately during our underwater tests.
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Even at full zoom, we were unable to detect any major chromatic aberrations.
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Beach huts in normal mode.
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Using the Fisheye filter can distort images, which can be effective when photographing architecture.
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Behind the beach huts in normal mode.
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The Super Vivid colour option adds an extra level of interest to muted and flagging frames.
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Purple beach huts in normal shooting mode.
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The Canon PowerShot D20 injects a shot of colour saturation into images and videos with Super Vivid mode.
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The beach in normal shooting mode.
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Taken at the maximum wideangle setting.
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Taken at the telephoto max zoom.
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On the whole, image quality on the Canon PowerShot D20 was of an impressive standard. Only its handling let it down.
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Overall the camera meters well in Auto and Program modes. In Auto, however, there can be a slight bias to underexpose.
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Purple Flower in normal mode.
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Purple flower in Poster Effect.
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Purple flower shot with the Colour Accent filter.
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Purple flower with Colour Swap filter.
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Purple flower with Fisheye effect.
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Purple flower shot with the Miniature effect.
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Purple flower shot in monochrome.
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Purple flower with the Toy Camera effect.
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Purple flower in Super Vivid mode.
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Slight white balancing issues were noticeable while shooting underwater, but thanks to the chunky buttons, options can be changed easily.
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The camera's Macro function in Auto mode reproduced details and colours accurately.
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The dedicated Underwater Macro mode worked well when shooting at close range.
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A house when zoomed out all the way.
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The same house, photographed at maximum zoom.
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Some flowers shot when zoomed out fully.
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The flowers shot after we zoomed in all the way.
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