We first heard the Callas loudspeaker about a year ago at Opera's own factory near Venice.

At the time it was a work in progress, but even then we were suitably impressed by its balance and overall coherence.

All drivers are manufactured by SEAS of Norway and customised for the role. And, whereas the original Callas was a more or less a conventional two-way design, this model boasts two coated Sonotex, fabric dome, front-facing tweeters with neodymium magnets. This reduces the overall diameter enough for all the drivers to be tightly packed together.

Optimised design

They flank the sophisticated 125mm magnesium cone bass/mid driver, which also features a solid copper heat-dissipating phase plug, copper rings each side of the T-shaped pole piece, a 38mm low-inductance aluminium voice coil and a wide linear excursion (14mm peak).

The design is also optimised for low distortion and compression. In addition, there are also three rear-facing tweeters, identical to the ones on the front, except that they are protected by mesh fingerguards.

This feature is not unprecedented. Something similar was used, for example, with Opera's Tebaldi and Caruso, but it has been re-engineered for the Callas to fit the more restricted baffle area.

The rear-facing triplet shares the rear panel with two small reflex ports and a single pair of high-quality 4mm terminals.

Tweeter features

Although all five tweeters are physically similar, they're not all utilised in the same way.

Using a three-section crossover with two independent sections for the front-facing tweeters, one is progressively rolled out of circuit as the frequency rises. The crossover includes an impedance-matching network on the front tweeters and the system has a impedance of 3.2 ohms (minimum) and a nominal 4 ohms overall impedance.

Sensitivity is rated at 86dB/watt/meter, which is moderately impressive for such a compact speaker design.

If the two front tweeters are lumped together, it can be treated as a third order (18dB/octave) high-pass network, with an impressively low crossover frequency of 1.5kHz, the bass unit rolling in at 12dB/octave.

The additional tweeter(s) serve to improve power handling ability as well as improving dispersion. Below about 2kHz, the two front tweeters produce the same SPL. The rear-facing tweeters are crossed over at 2kHz, which is calculated to produce an even overall response on the main listening axis.

The crossover coils have ferrite cores and low permeability cores, while the capacitors are high-tolerance, high-voltage MKT devices.

Sleek styling

The build and finish quality is superb, with the baffle dressed in leather (also a common practice with Sonus Faber).

The enclosure itself is more sturdily built than most and is finished in a choice of cherry or mahogany, with a translucent lacquer finish. It's manfactured from a combination of MDF, plywood and solid wood, with a classic teardrop cross section.

The baffle and back panels are made from 30mm-thick MDF at the front and 60mm at the back (shaped to mitigate cabinet-edge diffraction) and the sides are made from 30mm multi-layer plywood, the stiffness of which is partly determined by the multiple layers of wood and glue, as well as its curved shape.

The top, base and sides are made from 40mm-thick solid wood, while the veneered areas are made from butt-jointed sections. The cabinet looks initially as though it is constructed from staves, but the finish is nothing less than exceptional and fully justifies the price tag.