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Here we can see the Panasonic GF6 has coped well in a situation that has high contrast, all-purpose metering working well to produce a balanced exposure.
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Images straight from the camera are bright and punchy without being overly vibrant.
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There's plenty of detail captured by the Panasonic GF6, with images also displaying a pleasing drop-off in focus when using wider apertures.
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The bundled 14-42mm kit lens is capable of producing sharp and detailed images, with plenty of detail right up to the corners of the frame.
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At its widest point, the standard 14-42mm kit lens offers an equivalent focal length of 28mm.
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This rises to 84mm at the telephoto end of the optic, making it a flexible option to start with.
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The Panasonic GF6's tilting touchscreen is extremely useful when you want to compose images from various different angles.
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There are a few new digital filters to experiment with on the Panasonic GF6. These can be used while shooting in raw format, leaving you with a 'clean' version of the image to work with if you prefer. This is an example of the Sunshine mode, which adds a burst of sunlight to the image. This can be moved around the scene, pre-capture, for maximum impact.
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Another one of the new digital filters is Old Days, which adds a sepia-style toning to images.
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Bleach Bypass is another of the new filters, creating a muted palette in shots.
