Out of interest we substitute a Linn felt mat in place of the standard Thorens mat: this too improves the performance but not to the same extent. The TD700 certainly seems ripe for tuning, though. Then we remember that this is not an article devoted to turntable tweaks...

Versatile turntable

As supplied, however, the TD700 gives a respectable account of itself playing music that ranges from Dr John through classical organs and choirs to Art Pepper.

Pianos sound secure in terms of pitch, which is always a good sign, and when a double bass player begins mirroring the pianist's left hand the two instruments remain distinct and individual.

Further up the spectrum things don't always seem as well organised, though; there's an occasional hint of distortion creeping in on energetic vocals and busy guitar work, especially when these occur close to the end of a side.

Energetic performance

Time to drop some science! We decide to try an age-old ploy to refine and elevate the performance of the AT95E.

We remove the stylus assembly and apply a judicious couple of drops of that famous rigidity-enhancing chemical C6H7NO2, otherwise known as SuperGlue, to help it connect better to the cartridge body.

It works a treat and, combined with a precise realignment of the cartridge in the headshell we even have the inexpensive AT95E tracking organ and madly dynamic piano torture tracks without flinching. The TD700/AT95E combination might not have the leading edge attack of a topflight deck, but then neither does it have the typically stratospheric price tag that accompanies such machinery.

Nonetheless it can replay music with a more than decent sense of pace and energy; it definitely does not suffer from being laid-back as Art Pepper's up-tempo track Straight Life convincingly demonstrates.

Neither is it wanting in terms of dynamics: it puts in a very fine showing on that Art Pepper Meets the Rhythm Section LP, carefully sifting through Philly Joe Jones' drumming, Paul chambers' bass and Red Garland's piano looking for – and uncovering – the slightest change in level in any instrument.

It is similarly fluent in portraying Pepper's saxophone, delivering it rich with tone and timbre. On this brilliantly recorded 1957 LP the Thorens seems at its most persuasive and comfortable.

Cartridge substitute

Having already tried a couple of tweaks on this deck there is one further alteration we are keen to assess and that is to see how the deck responds to a more sophisticated cartridge, the popular and widely respected Goldring 1042.

The better cartridge allows the deck to perform with greater delicacy and expression – a delicacy that the inexpensive AT95E merely hints is there. Instrumental timbre, for example, takes on more delicate hues and the sound as a whole becomes more secure: you tend to avoid those edge-of-the-seat moments that the AT can deliver on hard-to-track discs. The 1042 sounds more firmly planted in the groove and, accordingly, the music sounds freer and easier.

Then we substitute a pair of £30 chord company crimson interconnects for the supplied leads and realise another marked improvement.

Our only failure comes with sitting the deck's feet on CD cases, which often provides improvements but only, it seems, with items that have no built-in isolation. Here the cases destroy the music's timing, upsetting the temporal balance between the instruments.

Turntable tweaking

Ultimately, the Thorens TD700 turntable delivers a very respectable musical performance for what is an unduly expensive record player straight out of its box.

The fact that you can then easily improve on the deck's performance with a small amount of tweaking is definitely an added bonus.