You've arrived at TechRadar's list of the scariest movies to stream right now, so strap in tight.
When putting together our best horror movies list, the same question kept coming up: what makes a good horror movie?
For us, a good horror movie is one that latches onto your deepest, primal fears, pokes and prods at your psyche, strangles you with fear, raises your heart rate to palpitation levels, and then some.
These types of horror movies are rare, and that's what makes them so special. Read on to see some classics of the genre.
Paranormal Activity: Ghost Dimension |Scream | Poltergeist| Exorcist | Drag Me To Hell | An American Werewolf in London | Wolf Creek | Train To Busan | Sinister | I Saw The Devil | The Babadook | Insidious | Would You Rather | February | Hush | Let Me In | 30 Days of Night | Paranormal Activity | Creep (2014) | The Exorcism of Emily Rose | It Follows | Blair Witch | Under The Shadow | The Cabin in the Woods | Bone Tomahawk | The Descent
The following is a hand-picked list of the best horror movies on Netflix and Amazon Prime Video you should – no, need to – watch right now.
All these Netflix and Amazon titles will induce fear, but as you'll see, fear takes different forms: sometimes it's foreboding, sometimes it's mixed with comedy, other times it's bloody and brutal.
And then there's that other fear: the fear that you have missed off some damn good movies from a list. If that's the case, then let us know.
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The final part of the Paranormal Activity series may not have quite the effect the initial movies had but it's still packed with scares. The plot is slight – a couple find a camera in their new house that allows them to see paranormal activity around them and use this to protect their daughter. With more of an onus on the ghosts rather than the unseen, the scares aren't as plentiful, but it's still a fun watch. And if you find yourself wanting more, the rest of the series is also available on Netflix.
Perhaps the most influential horror film of the last 20 years, Scream is a delight for horror fans. It manages to subvert the genre by playing on the stereotypes seen in a horror movie and at the same time make new rules for horror films. And the best thing about it is that We Craven is at the helm – one of the original horror masters proving at the time he was still the best in the game.
The argument over who directed Poltergeist was pretty much put to rest recently when Tobe Hooper passed away and an assistant on the movie revealed that Stephen Spielberg was mainly at the helm. To be honest, it doesn't matter as the result is a film full of classic scares and chills and essential viewing if you have yet to see it.
The greatest horror movie ever made deserves all of the accolades it gets. It's a superb chiller based around the exorcism of a little girl. Its world building, shocking scenes and fantastic acting makes everything about The Exorcist horrifically believable. You will go to bed with the lights on after watching this.
Drag Me To Hell sees director Sam Raimi on fine form, taking everything he learned from making the Evil Dead movies and distilling them into this horror farce, about a woman who is unwittingly put under a supernatural curse. Raimi has always been the boss of frenetic horror movies and Drag Me To Hell is of no exception. Once it starts, it simply does not let up.
A cult classic and for good reason, American Werewolf in London is everything you want in a horror film. It has – for its time – amazing special effects, a great big dollop of gore and some brilliant humour. The plot is as simple as it gets, two American backpackers travelling the shires of England get attacked by a werewolf and, well, the title gives the rest away.
Gerald's Game is a lean Stephen King novel. Most of the action takes place in one room, with one poor woman (Jessie Burlingame) alone, handcuffed to a bed, after a night of passion goes awry, with just her thoughts, her dead husband, and a number of things that go bump in the night for company. It's superb then that director Mike Flannigan has managed to pull off an adaptation that could have been very one note, by creatively bringing the thoughts of Burlingame (a fantastic Carla Gugino) to life. It's a bit too melodramatic at times and does suffer from the King curse of never knowing how to properly end his stories, but there's a lot to like about this Netflix exclusive.
The horror of the Babadook, a brilliant debut by director Jennifer Kent, lies in its subtlety. The plot revolving around a creepy bedtime book is secondary to the fraught relationship between widowed Amelia (Essie Davis) and her six-year-old son Samuel (Noah Wiseman). It plays on the usual fear-inducing tropes but the real horror of the movie is seeing a family in grief and the devastating sadness that accompanies this.
Director James Wan cut his teeth – and many other limbs – with Saw, which is fun but forgettable. Insidious feels like a much more grown-up horror movie, that eschews blood for Poltergeist-style japes. Patrick Wilson and Rose Byrne are husband and wife who are looking after their coma-induced son. Some great cinematography makes up for a plot that does annoyingly veer into supernatural territory near the end. Despite this, there's a lot of fun to be had.
One of the most overlooked horror movies of all time, this is a wonderful hidden slice of '70s horror. Shot through a dream-like lens, the movie follows a group of mates looking to find solace for their friend Jessica, who has just been released from a clinic. After a road trip they end up shacking up in an empty house that comes complete with a stranger called Emily. Full of subtle scares, marvellous missteps and lingering shots, Let's Scare Jessica To Death is a must watch.
Yet another movie made 1,000 per cent better because Jeffrey Combs stars in it. Would You Rather has an interesting concept – the ultimate life or death game of 'would you rather' hosted by a sadistic aristocrat – that doesn't quite reach the heights it should, but you'll have a lot of fun watching it try. Definitely not one for the squeamish!
Forget the frankly terrible title, February is a sparse and suspenseful chiller that sees two school girls spend their winter break in a boarding school after their parents fail to pick them up. The soundtrack soars with synths, the visuals are gorgeous and the acting from Mad Men alumni Kiernan Shipka and Emma Roberts is sublime. It takes its time and is something of an odd watch but February is one of the best new horrors around.
This Netflix exclusive landed on the site a few days before Halloween and is a slow-burning delight. Made by director Osgood Perkins, who created the brilliant February and incidentally is the son of Psycho’s Anthony Perkins (so has horror in his veins), I Am The Pretty Thing That Lives In The House is a tough watch as its pace is glacial – but it fizzes with so much unease that it will leave you mesmerised.
How do you make a home invasion movie original? By making the protagonist deaf and unaware of what’s going until it’s nearly too late. That’s the premise of Hush and it breathes new life into the cat-and-mouse psychopath genre. Hush is another great movie from the Blumhouse lot – those who created Paranormal Activity – and is directed by Oculus' helmer Mike Flanagan.
As remakes go, Let Me In is a rare beast that matches the original movie for tension and suspense. Director Matt Reeves ports this vampire story from the cold of Stockholm to New Mexico, telling the tale of a 12-year-old kid who gets one-up on the bullies by befriending a vampire. The 1980s setting adds to the unease, as does Reeves' assured direction.
Director David Slade may have lost a bit of kudos by making a Twilight movie but his first proper stab at horror was a decent one. 30 Days of Night is a simple premise: vampires descend on an Alaskan town that suffers from total darkness for one month of the year and cause total carnage. Josh Hartnett is great as the grizzled resident who has to fight for his life.
An antidote to the Blair Witch-style shaky cam found footage movies, Paranormal Activity managed to make CCTV footage scary, offering up a low-budget horror film that is genuinely unnerving. Although the franchise suffers (as many horror series do) from diminishing returns, the sequels are also worth a watch.
The Duplass brothers are usually associated with comedy – their TV show Togetherness is well worth a watch – which makes their first foray into horror so surprising. Creep is a, well, creepy look at someone who answers an online ad to make a movie for a stranger's unborn child. What ensues is, as you'd expect, not a movie for the child but something altogether more sinister.
Before he was chosen to helm the rather brilliant Doctor Strange, director Scott Derrickson directed this very effective horror. Based loosely on a true story, the film is set around a court case where a reverend is being charged for wrongful death after an exorcism goes wrong. The scares may be gore-free, but they are no less chilling.
Making a horror movie about an STI isn’t a new thing – pretty much all of David Cronenberg’s early back catalogue is sexual-disease ridden – but It Follows manages to bottle that fear and anxiety and create a highly original movie with the premise. It Follows follows Jay Height (a brilliant Maika Monroe) who after a sexual encounter is chased by a strange force that will not leave her alone until she has sex again. Shot as an 80s movie, complete with 80s soundtrack this is a great modern horror wrapped in a net of nostalgia.
Originally billed as The Woods, this pseudo sequel to The Blair Witch Project was made in secret and unleashed on to the world by surprise announcement at Comic-Con. In hindsight it probably wasn't the best marketing trick as a lack of hype meant that the movie appeared and disappeared without much fanfare but catch it now on Netflix and you are in for a treat. Director Adam Wingard is one of the best indie horror auteurs around and he manages to update the Blair Witch myth – even including drones in the mix – without forgetting just what made the original scary in the first place.
This is a terrifying movie that doesn't exactly show anything terrifying. All of the horror within it is built up through suspense and the backdrop of war-torn Tehran. It's a tale of a mother and daughter living in Tehran in the 80s that are seemingly haunted by a spirit in their apartment. British director Babak Anvari is a director to watch. With Under The Shadow, he's created an understated slow-burning masterpiece.
A horror movie that plays on the tropes of other horror movies. Yup, we've seen it all before with Scream, but Cabin In The Woods takes it to a whole new, and rather surprising, level. Those going into this movie hoping to see a standard horror will be thoroughly disappointed, but if you are happy with a movie that twists so away so wildly from its original plot into almost sci-fi territory, while also exploring how horror movies are designed to make you jump, the Cabin In The Woods is for you!
This is a little heard of, underrated gem. Bone Tomahawk is a brilliant, bloody and horrific look at what happens when you marry a cowboy movie with a cannibal exploitation flick. Kurt Russell is superb as Sheriff Hunt, the leader of a group that goes out in search of a ruthless gang that have ravaged a town and taken a number of people hostage. In that gang is the earnest Patrick Wilson and an unhinged Matthew Fox. Rarely has such a movie come along and managed to bully itself into cult status so quickly, but that's exactly what Bone Tomahawk has done.
British director Neil Marshall may now be the ultimate go-to director for Game of Thrones and other TV fare, but before he moved to television he made some fantastic horror films, and The Descent is the best of them. It's a claustrophobic chiller that sees a caving expedition go horribly wrong when the group is trapped and something comes for them from the deep darkness of the caves.
Scott Derrickson may well be a Marvel maestro now but he cut his tooth on horror movies, and great ones at that. Sinister is his best, a creepy heart-wrenching movie centred on a true-crime writer who moves into a new home and finds a box of Super 8 snuff movies. The film takes its time to tell its tale but when it does, it's pretty horrifying. Ethan Hawke plays the author who discovers the chilling secret, raising this above your average horror yarn.
Mick Taylor should be up there with Freddy and Jason in the pantheon of horror monsters. He may well look like a regular Ozzy guy who likes a Tooheys New or two, but underneath all that he's a serial killer who likes to kill tourists in some of the most inventive ways possible. Interestingly, John Jarratt – unknown outside Australia – was an inspired choice for Mick. The reason: he was the good guy in hit show McLeod's Daughters, so it completely flipped his good guy image.
This is not a film for the faint-hearted. It's about revenge, it features some of the most horrific acts of violence ever put to film, but it's also a compelling, if flinching watch. Directed by genius Korean director Jee-woon Kim, who also did the amazing The Quiet Family, the film is a masterpiece in shock and awe, focusing on a serial killer who is hunted by a retired cop who has vengeance on his mind.
South Korea is on a roll when it comes to its horror movies, with Train To Busan being one of its recent best. The plot is ingenious: unbeknownst to the public a zombie outbreak is happening in Seoul. We see the effect on this on a fast train to Busan where the outbreak takes over the speeding train and threatens all the passengers on board. This is one of the most frenetic zombie films ever, filled with some fantastic set pieces and a helluva lot of tension.
Hell House LLC is an under appreciated gem. It's a found footage horror movie that really does shock and scare you throughout. The premise is simple: a group of entrepreneurs have created a horror house for frat boys and others to scare themselves silly in. The problem is, the house actually seems to be haunted. Regardless of it being a little-known movie, this is one of the best horror movies to be released in years.