Acoustic Energy Aegis Neo 7.2 review

Expand your soundstage with twenty-three individual voice coils

TechRadar Verdict

A behemoth home cinema system that boasts unrivalled power and fine build quality

Pros

  • +

    Genuine synergy and effortless might

  • +

    Excellent build quality

Cons

  • -

    For dedicated cinema rooms only

  • -

    Music comes second best

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The Acoustic Energy Aegis Neo 7.2 system reviewed here uses three pairs of Aegis Neo 3 floorstanders, a pair of Acoustic Energy's matching Aegis subwoofers and a centre-channel enclosure (called the Neo Centre, funnily enough).

It was hooked up to an Onkyo TX-SR875 THX Ultra II 7-channel amp running discs via an HDMI-equipped Onkyo DV-SP504E player. All this was done in a specially-built room at AE's UK headquarters, since my own test room wasn't big enough to accommodate all the woodwork.

I gather from what was being said that some of the AE boffins are not so keen any more on the Neos' looks, and I spied some cabinets being worked on for the next-generation Neos that explained their feelings.

I, however, am pleased by the current Aegis Neo design – I really don't mind speakers that look like speakers. They're big and wooden (black ash and walnut finishes are also available), with vast black grilles, and sport only single speaker connections on the back. Plain? Yes. But these beauties speak of power; they're are all about the cutting-edge driver technology inside.

Frequency fiends

Beneath the tweeters sit two 5in pressed alloy mid-range drivers. I flung the animated movie Robots into the machine, a popular reference disc, and let the Neos rip. I will confess straightaway that the system was set a little polite for my taste, with 14dB removed from the bass. Call me a hooligan but I readjusted it from sensible to full-on.

The moment when Rodney Copperbottom (voiced by Ewan McGregor) takes his invention to his dad's work and says 'Wonder-Bot Go to Work!' is a perfect example. As the small, robotic coffee pot whizzed around the room doing the washing up, the two-layer-deep sets of paired Neo 3s meant that, as well as the front stage with all the bass, I was getting one hell of a fly-around.

The Neo's tiny radiator tweeters cut the mustard, too. The mayhem of Robots pinball-esque Cross
Town Express sequence finishes with a rare, delicate 'ting!' sound that is rendered clear and crisp.

I also gave the Neo system an extensive run with music – Stevie Steven's mad flamenco-flavoured Mambo a GoGo on DVD-Audio is a test favourite – and yet I wasn't all that impressed. With music the system wasn't as edgy and impactful as I would have expected. A small caveat but worth noting.