Halliford Film Studios is slap-bang in the middle of Suburbia. Based in Shepperton and a stone's throw from the Shepperton Studios – the famed home of sci-fi classic Alien – Halliford's humble backlot is the somewhat more low-key venue for a new breed of science-fiction drama.
"It's like Royston Vasey round here," says our chaperone as he opens the door to the set. "But come inside and it's pretty special."
And special it is. In front of us is a small but impressive-looking set built amongst the chaos of a soundstage that's littered with cables, half-empty polystyrene coffee cups and lots of gaffer tape.
Monitoring the situation
TechRadar's first glimpse of Kirill – Microsoft's ambitious new web project and the UK's first interactive science fiction show to be broadcast online – is on a monitor, where actor David Schofield's worried-looking, badly beaten face fills the screen.
Schofield, who has starred in blockbusters such as Gladiator and Pirates of the Caribbean, plays a scientist who is trying to save the Earth from an environmental disaster, by reporting back from 50 years in the future. Various members of the crew are huddled round in anticipation of the scene, at the centre of the action are co-directors Ollie and Lewis.
Suddenly, the red light to signal filming flicks on, someone shouts "action" and there's total silence.
Schofield is acting most of his scenes with no dialogue, with voiceover to be added in post-production. The silence is broken by Schofield flinging a tape machine to the floor – a pivotal prop of the show.
After the cut, TechRadar manages to get a proper look inside the actual set. The size of a small room – to be fair, it is meant to be a small room – three crew members contort their bodies to fit in the diminutive confines and behind the camera.
Schofield is in the middle, the screen of his computer – a Windows-based PC – flickering.
Computers are integral to Kirill. Not just in plot, but in realisation. The show is spread across myriad online Microsoft platforms – blogs, MSN, Messenger and webcasts. Microsoft is hoping Kirill will spiral viral-like into everyday internet life.
The show is as multi-layered as any videogame. In fact, it is a game – a guessing one, with the viewer trying to figure out just what is going on.
Echoes of Lost, Torchwood and Dr Who reverberate through the show. The nature of time is a particular plot point, as is current events. The Large Hadron Collider plays a significant role, malfunctioning and bringing the world to chaos – much like what was predicted in the media when the device was turned on just last month, and which has now (eerily) broken down.
TechRadar visited the set of Kirill when the shoot was nearing its end; the climax of a hectic week for the filmmakers. Each episode (or webisode) may only be three minutes long, but as 10 episodes have to be shot in the space of five days, everyone is working at a breakneck speed. To help things move quicker, scenes have been filmed in order, so continuity isn't too much of a problem, and takes have been kept to around four.
Shot like a film
Although Kirill is a web-based project, it is being shot like a film, in HD, in case there's a move in the future to TV or other platforms like Xbox Live.
The show isn't a flash in the pan for Microsoft, with the company hoping that Kirill is a prologue to much bigger things and has more episodes planned.
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Marc Chacksfield is the Editor In Chief, Shortlist.com at DC Thomson. He started out life as a movie writer for numerous (now defunct) magazines and soon found himself online - editing a gaggle of gadget sites, including TechRadar, Digital Camera World and Tom's Guide UK. At Shortlist you'll find him mostly writing about movies and tech, so no change there then.