There was a point a few years ago that OLED was threatening to follow SED TVs into the abyss of failed television technologies. Thankfully, LG seems determined to make the technology succeed, and has been both improving the screen size of OLED displays while dropping the price.
The 55EC930T is the latest LG OLED television to hit Australian shores. Priced at just $3,999, it's a third of the $12,000 price tag of the company's first OLED panel which launched in the tail end of 2013.
Like all LG OLEDs before it, this model features the curved screen that seems to be in vogue with the South Korean manufacturers at the moment. Unfortunately, there's no option for a flat screen model with OLED, so if you want to get on board with the TV tech, you'll need to accept the bent display.
To be fair, it's not too great a sacrifice. You also get a Smart TV powered by webOS – which works incredibly well on the large TV – alongside all of LG's VOD services like SBS On Demand, ABC iView and BigPond Movies.
Also in the box is the LG Magic Remote, which has improved dramatically since it was introduced and now feels like an intuitive interface rather than a Wiimote gimmick.
But given that even Samsung appears to have given up on OLED technology for its televisions, there's not a huge amount of competition for LG here.
Electronics and in/out ports backpack from the curved panel, which is reinforced with carbon fibre to give it strength. There are three side facing HDMI inputs (one of which is MHL compliant), plus a trio of USBs, a headphone mini jack output and PCMCIA card slot.
Downward facing is another HDMI, which is ARC enabled for routing audio back to an AV receiver or soundbar, plus terrestrial aerial and satellite feeds, a component AV input via an adaptor, an optical digital output and LAN jack.
Naturally, you don't have to hardwire your network connection. There's dual band wireless support for 2.4 and 5Ghz, as well as Wi-Fi Direct. If your building and router distance doesn't preclude it, it's sensible to opt for 5GHz to reduce dependence on what's often an overcrowded Wi-Fi band.
Two remote controls are provided; a short, functional infra-red wand and LG's latest Magic Remote pointer. For the most part, the latter is the most convenient way of navigating around the set, although you will occasionally need to use the IR.
The set is light, tipping the scales at just 16.7kg with stand. The panel is amazingly thin at 4mm.
There's no mistaking an OLED picture when you see it. With an impenetrable black level performance, bright dynamic peaks and deep rich colours, the technology provides eye candy of the boldest order.
Picture performance is quite low maintenance too, as routing around the calibration menus doesn't offer too much in the way of rewards. Picture modes, which comprise of vivid, standard, eco, cinema, sports, game and two ISF expert modes, are pretty spot on straight from the box.
As OLED is a self-emissive technology it doesn't require a back light; the result is an even cloak of velvety black. This ability to deliver solid black without fear of wobbly edge lighting, so familiar on LED LCD, has a big impact on letterboxed movies. The image is crisply framed with no hint of unused screen or bezel; in a darkened room it's like owning a 21:9 display. The only time I've seen a similar effect was from final generation PDP panels produced by Pioneer and Panasonic.
There are less obvious benefits claimed too. Apparently, science says that OLED emits less blue light than an LED backlight LCD, which is apparently beneficial to your peepers. Blue light is a part of the visible spectrum between 380nm and 550nm. Make of that what you will.
In some sense though, OLED flatters to deceive. While the panel does absolute black absolutely, its grayscale isn't that different from other panel technologies. You'll find no more shadow detail on your Blu-ray's here than you'll see on a high spec LED screen. What it does do though is hold colour spectacularly well at low grey levels, which helps even dimly lit images retain a certain lushness.
Colour vibrancy is high but rarely garish. As Paul Bettany kneels before the sunflowers early on into Transcendence, the colour palette maintains a vibrant balance between skin tone authenticity, deep green leaves and vivid yellow flowers. LG's WRGB OLED panel technology shines with such bold hues.
There's no immediate loss of intensity when viewed at an angle either. LG quotes the effective viewing angle to be up to 160 degrees. The picture retains its snap regardless of where you're parked.
The effect of the curve itself is rather subtle, which inevitably begs the question 'Why bother?' LG's engineers have confided to me that curving the set involves some challenging engineering and is not undertaken lightly. Although much is made about the curve being immersive, at this screen size I remain unconvinced. At best it's little more than a benign bend.
The screen's 3D performance is excellent. As you'd expect from LG, the panel embraces passive polarisation. This means no light source flicker and no great glasses expense; any polarising specs will do, including the Real D ones from your local cinema. OLED's inherently fast response time pays big dividends here.
Four pairs of passive 3D glasses are bundled in the box. Inevitably there's a certain amount of jaggedness (this is a Full HD screen after all, and that equates to a loss of resolution with Passive technology) but the overall viewing experience is great. And as you might expect from OLED, the 3D looks bright and dynamic. Screen brightness in stereoscopic mode is rated to be 174 cd/m2 compared to 95 cd/m2 from a comparable LCD.