The bridge camera is an ever competitive market, with Fujifilm being the dominant manufacturer in this area. As a response, Nikon's P520 has a lot to offer the consumer, and is a good all-round performer.
It's a shame that it can't do things such as shoot in raw format - something the Panasonic FZ200, Canon SX50 HS and Fujifilm X-S1 can all offer. That would have made it a much more appealing camera for those consumers looking for something a little extra.
Otherwise, the handling is good and the image quality - especially at the telephoto end of the optic - is also great. It's a big shame about the quirks of the electronic viewfinder, but a bonus to have an articulating screen. What the Nikon Coolpix P520 gives with one hand, it takes away with the other.
The huge zoom range makes this a great bridge camera for the travelling photographer. Autofocusing, including macro focusing, is accurate, making it possible to photograph subjects from flowers to far-away wildlife well.
With no raw capture available, flexibility in post-processing is limited, especially when it comes to removing those filters that seemed like a good idea at the time.
What we have here is another very capable bridge camera from Nikon. Unfortunately, while the Nikon Coolpix P520 is an excellent and versatile all-round performer, ultimately there's nothing to get overly excited about, and it is not the best option currently available on the market.
If you're looking for something with a large zoom range, but with more flexibility, take a look at the Canon SX50 HS. Meanwhile, the fantastic Panasonic FZ200 offers a lens with an f/2.8 constant aperture throughout its zoom range, which is also worth consideration.