Operating alongside electronics brands like Cambridge Audio, Mordaunt-Short has been an integral part of Audio Partnership for a number of years. Audio Partnership was one of the first hi-fi companies to appreciate the advantages of combining UK design talent with low Chinese manufacturing costs, accumulating a reassuring amount of experience working alongside its Chinese partners.

There's always a sense of deja vu when a new Mordaunt-Short Avant speaker arrives. We've reviewed a number of examples since the 900-series was first introduced around the Millennium, and all look as though they could have hatched from the same pod.

The original 900 evolved into the Avant 900, and is now the Avant 900i. The overwhelming majority are based on 135mm main drivers, but more recently a larger 165mm driver has started to appear, initially in the 914, and now in this 914i, and its larger 916i brother. All models share very similar and attractively sharp styling on the outside, and the core ingredients inside have also undergone steady refinement.

In terms of pricing, this £300 per pair Avant 914i sits halfway between the two-way 904i and the two-and-a-half-way 906i. Like the 904i, it's a simple two-way design, but has a larger main driver and enclosure. Available in either black, calvados or maple woodprint, part of the enclosure is blanked off near the base, allowing mass loading/damping material to be added.

An aluminium 'skin' covers the upper front section, matching the alloy drive unit diaphragms. The main driver has a 120mm diameter dish-shaped diaphragm, described as a Continuous Profile Cone (CPC), which is reinforced by small radial ribs just in from the edge. The tweeter has a mesh-protected 25mm metal dome. Signal is applied to stylish twin terminal pairs, and moulded 'outrigger' feet improve mechanical stability.

We couldn't match Mordaunt-Short's claim for 90dB sensitivity here - 88dB looks closer to the mark using our far-field in-room averaged technique. However, that's still a respectable enough figure in view of the ingredients, relatively easy load, and good bass extension.

The overall frequency balance isn't all that smooth, but remains pretty well ordered overall. Output is a little lean through the upper bass and lower mid; dips are visible around 600Hz and 5kHz; and the treble looks a little exposed. The impedance traces reveal a modest pair-matching discrepancy at low frequencies.