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Fujifilm X-A7 review

Compact, light and almost perfect

(Image: © TechRadar)

Performance

  • Hybrid phase- and contrast-detection AF system
  • Impressive eye tracking

We may not be too impressed by the physical handling of the camera, but the X-A7 performs beautifully.  Where the X-A5’s AF system wasn’t anything to write home about, the X-A7 benefits from the new hybrid phase- and contrast-detection system that offers 117 selectable points. 

Straight out of the box, face- and eye-detect AF is practically perfect. As one of our colleagues walked past us, the camera promptly picked up his face and stayed locked on while he moved. The moment he turned towards the camera, eye detection clicked in – it impressively shifted from left to right as our colleague moved his head while chatting to others, staying focused on the eye closest to the camera. 

Admittedly it’s not the fastest AF system we’ve tested, but it’s very impressive for an entry-level model. We should also point out that we didn’t test AF speed and accuracy with the kit lens that the camera is bundled with – AF speed also depends on the focusing ability of the lens used as well.

Touch-to-focus is also available and works quite well, although we found the AF to be intelligent enough to pick up whatever target we were aiming for.

The camera tends to deepen some darker tones | Click here to see the full-size image

The camera tends to deepen some darker tones | Click here to see the full-size image (Image credit: TechRadar)

Color reproduction while using the ‘standard’ mode is spectacular, and dynamic range is excellent too. However, we found that the camera prefers to deepen darker tones. For example, while shooting a light-colored object on a dark background, we needed to lighten some of the shadow areas to reveal a little more detail. That said, the contrast on images like that (eg: the magnolia and its dark leaves in the image above) is excellent and the effect can be rather pleasing.

The camera's built-in metering system exposes images very well | Click here to view the full-size image

The camera's built-in metering system exposes images very well | Click here to view the full-size image (Image credit: TechRadar)

That said, you can always choose a different simulation mode to suit your vision of the scene you’re shooting and use the slider on the Smart Menu to decide whether you like it or not before you hit the shutter button.

The X-A7 has a 256-zone built-in metering system which is impressive as well, perfectly exposing subjects in different lighting conditions without compromising on details in areas of brightness and shadow.

Image quality

  • Crisp, sharp images
  • Superb color reproduction
  • Impressive noise performance

We feel like we’re about to repeat ourselves here but like the X-A5, the new model excels when it comes to image quality, even without an X-Trans sensor. Images are sharp and crisp, with beautiful colors. If you aren’t too familiar with the technical aspects of shooting, the camera’s Program (P) option does an excellent job of choosing the right settings for pretty much any scenario. 

There’s no doubt that Fujifilm’s Film Simulation modes are great and they still don’t disappoint. Personally, we’d have preferred a tad more contrast in the monochrome options but that’s easily achieved during post processing.

Image 1 of 4

Film Simulation: Monochrome+YE filter | Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/450 at f/8, ISO 200

Film Simulation: Monochrome+YE filter | Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/450 at f/8, ISO 200 (Image credit: TechRadar)

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Image 2 of 4

Film Simulation: Velvia/Vivid | Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/350 at f/5.6, ISO 200

Film Simulation: Velvia/Vivid | Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/350 at f/5.6, ISO 200 (Image credit: TechRadar)

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Image 3 of 4

Film Simulation: Monochrome+R filter | Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/400 at f/7.1, ISO 200

Film Simulation: Monochrome+R filter | Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/400 at f/7.1, ISO 200 (Image credit: TechRadar)

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Image 4 of 4

Film Simulation: Provia Standard | Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/420 at f/11, ISO 200

Film Simulation: Provia Standard | Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/420 at f/11, ISO 200 (Image credit: TechRadar)

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Noise levels are well controlled as well, with hints of grain at ISO 800 and ISO 1600, although they’re only noticeable on a large screen, like a 15-inch laptop for example. For anyone shooting to post to social media won’t need to worry about that as the noise won’t be visible at all. At ISO higher than 3200, though, noise does begin to show up more prominently.

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Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/85 at f/4, ISO 400

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/85 at f/4, ISO 400 (Image credit: TechRadar)

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Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/400 at f/7.1, ISO 200

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/400 at f/7.1, ISO 200 (Image credit: TechRadar)

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Image 3 of 7

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/400 at f/9, ISO 200

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/400 at f/9, ISO 200 (Image credit: TechRadar)

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Image 4 of 7

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/220 at f/5.6, ISO 200

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/220 at f/5.6, ISO 200 (Image credit: TechRadar)

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Image 5 of 7

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/550 at f/9, ISO 200

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/550 at f/9, ISO 200 (Image credit: TechRadar)

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Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/400 at f/6.4, ISO 200

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/400 at f/6.4, ISO 200 (Image credit: TechRadar)

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Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/450 at f/10, ISO 200

Fujifilm X-A7 with XF 18-55mm f/2.8-4, 1/450 at f/10, ISO 200 (Image credit: TechRadar)

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The 16:9 screen is great for videos but filming in that aspect ratio means you’re sacrificing pixels. That said, the quality is very impressive, with 4K available to shoot at 30fps. Full HD 1080p movies can be recorded at 60fps but only for a top of 30 minutes. Keep in mind, though, there’s no in-built image stabilization. You’ll need to rely on the stabilization technology in the lens you are using. That said, face and eye AF work well for video just as well as it does for stills, making this an excellent option for vloggers, particularly now that it has the articulating screen.