Up close with the games that will define the PS4 in 2015

Tearaway Unfolded rips apart the fourth wall

Having just celebrated a year of existence, the PS4 has a lot to be happy about right now. Sony has been shifting consoles by the truckload and sales promise to keep rocketing through the Christmas period.

The PS4 certainly has some top titles but it's fair to say it's a bit weak in the AAA exclusives department, somewhere the Xbox One and Wii U are leading the charge. Hopefully, that's set to change in 2015 with a lineup of huge platform-showcasing titles on the horizon, and no doubt plenty more games we still don't know about.

We were fortunate to recently get our hands on four of the games coming from Sony's in-house development teams: Tearaway: Unfolded, Until Dawn, Bloodborne and The Order: 1886.

Here's what you need to know about four potential system sellers for next year.

Tearaway Unfolded

When Media Molecule took the stage at Gamescom 2014 to announce Tearaway Unfolded we were pretty excited, but we also had a concern: would this end up as a half-arsed port or would it truly be rebuilt with the PS4 in mind? Luckily, it's looking more like the latter.

Unfolded loses none of the original's charm. The fundamentals are the same: you control a tiny character in a world made of paper, with the mission of delivering a unique message. But now you do so in an expanded version of Media Molecule's gorgeous, pulpy world.


Yes it exists at 1080p, 60fps, but who cares? We already know it looks great, it's how the game's central ideas unfurl on the more powerful platform that we're interested in.

The original Tearaway played on the idea that its quirky world took place physically inside the Vita, and Media Molecule has transitioned that same idea to the PS4 version, the events now transpiring inside your TV. For example, you can now chuck objects from the television "into" the DualShock 4 to then fire back into the screen, made more convincing thanks to the pad's inbuilt speakers and vibrations.

In the same way that the first game was a showcase for the myriad of ways developers and gamers could interact with the Vita, Unfolded demonstrates the many possibilities of the PS4 hardware, particularly the controller.

Our short demo took place inside a giant paper barn where we were searching for a mysterious pumpkin. Scattered about the level were 'bounce' pads that could be activated by pressing the touchpad - useful for jumping to higher platforms or, as it later transpired, diverting an avalanche of cauliflowers.


Without the touchscreen, certain interactions are limited. One guy needed a new moustache - we used the analogue sticks to carefully (but in the end, clumsily) cut out something that looked awful, but he loved it anyway. In the world of Tearaway, everyone's a winner.

There are other ways Media Molecule rips apart the fourth wall. Swiping a finger across the touchpad will create a gust of wind, while using the PlayStation Eye will let you customise the world with photos. In one part of the demo we shone a virtual light into the screen by holding L2 and R2 and then moving the DualShock around to scare our foes into a nasty trap.

It's cutesy and twee as hell, but you can't help falling in love. Unfolded clearly serves its purpose of showcasing the possible ways to play the PS4, but beyond that it's promising to be a great game in its own right.

Release date: TBC

How it'll define the PS4: by showing developers and players how much they can do with the PS4.

Until Dawn

The home invasion horror has given birth to some real gems in recent years, but is it a genre that can translate to gaming? Supermassive Games hopes to do it with Until Dawn, its choose-your-own-fate survival thriller.

Once intended for the PS3, Until Dawn follows a group of eight teenagers pursued by a serial killer in a remote mountain retreat. Within the game you'll be faced with a multitude of multiple-choice scenarios and zero checkpoints. Once a character dies they're gone for good, and you then take control of another of the eight victims.

Until Dawn

We started out playing as Sam, a girl with a surprising talent for getting through action-heavy sequences wearing nothing but a towel. Meanwhile the game's masked invader weds the looks of Stephen King's It with the voice of Saw. In fact, the developers are pretty candid about the influences on Until Dawn: an early scene takes place in a home theatre in which the walls are decorated with posters for House of the Devil, Bitter Feast and other slasher favs.

The game takes full advantage of the PS4 hardware. Along the way you'll use the DualShock as a flashlight among other things; at one point in the demo we had to slide the controller right to lock a door, and later push it towards the screen to knock another door open. Then there are moments where you need to keep it perfectly still so as to not give away your position.

Until Dawn

ou don't just choose your outcomes in Until Dawn, you also choose your own fear. At the very start the game asks a number of questions about your personal dispositions. 'I hate creepy crawlies' or 'I hate blood and gore'; 'I hate needles' or 'suffocation scares me'. Only the second of those had any bearing on our short time with the game, with our foe branding a rather nasty-looking syringe when we picked the former option. When we chose suffocation he was lugging around a gas canister that would make No Country of Old Men's Anton Chigurh proud.

Beyond the enemy's pick of accessory, those choices had no further effect during our time with the game. But as the developers have hinted, these small early decisions branch out into a much bigger web of outcomes, so we're crossing our fingers that there's a lot of variation to come in the finished game. We want Until Dawn to be the game that really offers a different experience every time, not another Mass Effect 3.

Release date: Q2, 2015

How it'll define the PS4: by (we hope) delivering a journey in the vein of Heavy Rain, where the consequences of our decisions are more than skin-deep.

Hugh Langley

Hugh Langley is the ex-News Editor of TechRadar. He had written for many magazines and websites including Business Insider, The Telegraph, IGN, Gizmodo, Entrepreneur Magazine, WIRED (UK), TrustedReviews, Business Insider Australia, Business Insider India, Business Insider Singapore, Wareable, The Ambient and more.

Hugh is now a correspondent at Business Insider covering Google and Alphabet, and has the unfortunate distinction of accidentally linking the TechRadar homepage to a rival publication.