The Radiance range is the result of three years of development work at the Acoustic Energy labs. It consists of five models in total, including three stereo pairs. Our review focuses on the largest of these, the three-way Radiance 3; there's also a smaller floorstander and a standmount.

We had a definite feeling of déjà vu when these speakers emerged from their carton. A couple of years ago, and a couple of years before that, we reviewed two subtly different versions of an Acoustic Energy model called the Alite 3, and this new Radiance 3 has much in common with those earlier models, outwardly at least.

Essentially it shares the same basic size and shape of enclosure and the same three-way, four-driver configuration, but all the important details have changed, which is probably just as well, since the price is much higher – £750 for the Alite 3 in 2007; £1,500 for this new Radiance 3 today.

The build

Whether or not the enclosure is similar, this is a handsome floorstander. It has attractive and functional curved sides and front edges, is finished in either pale or dark real-wood veneer (albeit of rather anonymous appearance) and sits on proper cast-alloy outrigger spiked feet that ensure fine mechanical stability.

Proper 8mm spikes with real locknuts provide good floor coupling. The cabinet construction itself is interesting, as the sides are formed by filleting the insides of the 15mm MDF panels with closely spaced, deep grooves, allowing the curved shape to develop.

This increases damping, but reduces the rigidity and structural integrity, so this is restored by using horizontal partitions that also serve to create the separate chambers for each of the cone drive units.

Curved sides are not only fashionable; they're also functional, helping disperse internal reflections and avoid generating focused standing waves. The enclosure is much narrower at the back than at the front, but wide enough to accommodate a terminal panel with two pairs of socket/binders, plus no fewer than three ports – one for each of the cone drivers.

A plug conceals a cavity near the base that can be filled with dry sand, for example, for extra stability, though frankly this is hardly needed. And the optional grille is cleverly held by magnets hidden beneath the veneer, so its removal leaves no visible means of support.

All three metal-cone drivers have AE's pointy dust caps – the two bass units have 160mm cast frames and 120mm cones; the smaller midrange-only driver uses a 130mm frame and a 95mm cone. While based on those used in earlier ranges, these drive units have undergone considerable development.

Finite element analysis (FEA) modelling of cone termination has resulted in break-up points at substantially higher frequencies, while moving mass has been reduced and magnet design optimised to increase sensitivity. Harmonic distortion and thermal compression have both been reduced too.

The tweeter used here has a 38mm 'ring radiator' or annular soft-fabric diaphragm, and is loaded at the front by a DXT waveguide that controls its dispersion (see 'Lens-loading' box over the page). Fed from twin terminal pairs, the crossover network is deliberately kept as simple as possible, reducing the component count, increasing the quality of those components used and eliminating resistors.

Sound quality

It came as no surprise to find that a generously proportioned floorstander with twin port-loaded 160mm bass drivers such as this needs to be kept well clear of the walls. Measured under far-field in-room conditions, the Radiance 3 delivers healthy bass output down to 27Hz, assisted by 40hz port-tuning.