Belles Statement IA-01 review

Belles came like a bolt out of the blue! Sharing the same UK distributor as Cabasse speakers, the arrival of its IA-01 integrated amplifier prompted three nagging questions: Just who is Belles, what credibility does the company have in the high-end amplifier stakes and is the IA-01 an amplifier that can be taken seriously alongside a plethora of better-established companies, such as Naim?

The parent company trades under the banner Power Modules inc. and has a history going back more than 30 years. Belles is the product name of their pre, power and integrated amplifiers, the test subject here being in effect a synthesis of the technology of two existing models, the LA-01 preamp and the MB200 monoblocks.

Convection cooling uses the fine-pitched heat exchanger fins that cover the two side panels, with the cooling capacity probably more than is strictly needed in most situations as the amplifier runs fairly cool, even under sustained drive.

There is nothing special about the standard of fit and finish, but it is more than adequate. The amplifier is well built internally and uses good-quality components; an ALPs volume control for example, but the signal is piped from the back of the amp to the potentiometer and back again afterwards, which is not an ideal arrangement. A long-spindle volume pot would have been a better arrangement.

FRILLED EDGES: The Belles' oversized toroidal transformer dominates the inside, while the convection-cooling fin system stands out at the sides

By any standards, the IA-01 is a no-nonsense amplifier. It's a dense, heavy lump and is unexpectedly compact. It is far less bulky, however, than many otherwise similarly designed audiophile amplifiers.

The outer structure is fabricated from aluminium panels, the thick front panel having bevelled edges and a cut-away central feature, which together count as one of the only concessions to style. The unit sits on Stillpoint feet and a palm-size, full-function remote control covering power, mute, input selection and volume is also included.

The minimalist theme continues. There are just four identical line inputs, a preamplifier output, but no tape circuit, no headphone socket and (less surprisingly) no phono input.

Internally, the circuit is entirely discrete, with no integrated opamps. A preamplifier level output, however, is provided, which means that the unit could be used with a separate power amplifier, though given that the power amp is without doubt the strongest part of the package, this may turn out to have limited application in practice.

The main output consist of a single set of good-quality 4mm binding posts. Mains power switching, sequential input selection and full mute are available from spring-loaded front panel switches. The only other front panel furniture is the rotary volume control, plus the LED input and mute status telltales. It all makes for a simple and very matter of fact package.

Sound quality

For an amplifier with no discernible pedigree on this side of the Atlantic, the Belles gives a great account of itself as a bold, well controlled and dynamic amplifier. Generally it doesn't have a strong voice of its own, which is a good thing, of course, and in many comparisons its boldness and raw power should stand it in very good stead.

The fact that it's a high-power amp is not the issue here, but the manner in which it delivers power is. It almost sounds as though it is enthusiastic about getting involved; it also avoids the flatness and congestion that characterises some second-ranking amplifiers.