Bowers & Wilkins' Px8 S2 headphones land with comprehensive hi-res Bluetooth codec support, USB audio and a better noise-cancellation setup

Bowers & Wilkins Px8 S2 in front of a red brick wall
(Image credit: Future)

  • Px8 S2 is 'the best headphone Bowers & Wilkins has ever made'
  • aptX Lossless and Adaptive; 8 mics (rather than 6 in Px8)
  • Available today, 24 September, priced $799 / £629 (around AU$1,289)

Well now. When a firm like Bowers & Wilkins tell us that its just created a set of over-ear headphones that set "a new benchmark for performance and design in the wireless over-ear category" it's worth taking notice. Why? Oh, because both the Bowers & Wilkins Px8 and newer (even better) Bowers & Wilkins Px7 S3 upon which these are built are such stunningly good headphones.

So how has B&W outdone itself with the Px8 S2 – or to put it another way, what's their chief bid for entry into our best headphones buying guide? Often, it's a case of minor tweaks and incremental gains with these things, but there are a few nuggets of information on B&W's spec sheet this time around that make the upgrades between iterations obvious.

Firstly, there's a new Bluetooth chipset in the Px8 S2 built on Bluetooth 5.3 rather than 5.2, to offer "true 24-bit/96kHz audio connection" over USB plus aptX Lossless and Adaptive at 24/96 (rather than aptX HD in the older set).

There's also an eight-mic array where all mics are used for telephony and six are used for active noise cancellation (six of the mics are external; two monitor internal audio) which is quite the upgrade from the six-mic array in the Px8, where four of the mics took care of ANC and only two helped with call-handling.

Bowers & Wilkins Px8 S2 in front of a red brick wall

(Image credit: Future)

Bowers & Wilkins Px8 S2: what you need to know

Elsewhere, there's a new voice call quality algorithm, and although the same 40mm dynamic cone driver reappears in each ear cup, B&W has upgraded the chassis and motor powering it to help eke more nuance and precision from your music.

Battery life is still a claimed 30 hours (which is no improvement on the older model and may prove a slight sticking point given the 100-hour battery of the sonically-splendid Cambridge Melomania P100) but you now get a five-band EQ tab for tweaking the sound signature to your liking, which is a solid step up from the two band bass/treble tweaks available in the older Px8.

Luxurious Nappa leather covers pretty much all of the classy build, but the aluminum arm mechanism has a new exposed cable detail. Do these metal accents make them heavier? Actually no, the headphones are a tiny bit smaller and lighter than the original Px8, but B&W has definitely slimmed down the case to make them easier to fit into your bag.

Bowers & Wilkins Px8 S2 in front of a red brick wall

(Image credit: Future)

But what B&W really wants you to know is that these headphones feature a high-performance audio processing setup with dedicated DSP and amplifier/DAC (read: not the digital-to-analog-converter built into the chipset – B&W doesn't trust anything other than its own solution to do the job there), because if you take nothing else away from this missive, know that I have met with the makers, and Bowers & Wilkins really wants to make the best-sounding pair of headphones in the world.

Has the UK firm achieved its goal? We're working on a full review – I have a pair (see the attached images) and we'll get that verdict to you as soon as we can. For now, know that the Bowers & Wilkins Px8 S2 launch today (September 24) in your choice of 'Onyx Black' or 'Warm Stone', priced $799 / £629 (around AU$1,289).

Bowers & Wilkins Px8 S2 in front of a red brick wall

(Image credit: Future)

You may also like

Becky Scarrott
Audio Editor

Becky became Audio Editor at TechRadar in 2024, but joined the team in 2022 as Senior Staff Writer, focusing on all things hi-fi. Before this, she spent three years at What Hi-Fi? testing and reviewing everything from wallet-friendly wireless earbuds to huge high-end sound systems. Prior to gaining her MA in Journalism in 2018, Becky freelanced as an arts critic alongside a 22-year career as a professional dancer and aerialist – any love of dance starts with a love of music. Becky has previously contributed to Stuff, FourFourTwo and The Stage. When not writing, she can still be found throwing shapes in a dance studio, these days with varying degrees of success.  

You must confirm your public display name before commenting

Please logout and then login again, you will then be prompted to enter your display name.