Best 3D modelling software
Creating 3D models once required expensive software running on tailored operating systems and specialist hardware. Not any longer.
Most computers now have enough graphical performance to model reasonably complex designs, like the interior of a building or a 3D printable object.
And, where the applications once required specialist training and service contracts, there are now plenty of free or inexpensive tools that can help design complex shapes and mechanisms easily and efficiently.
With this evolution, 3D modelling software has diversified into specialist tools for creating prototype products, visual effects, simulation and architectural design.
Whatever type of 3D output you need, an application exists that’s perfectly suited to the task, and a pathway to develop the skills needed to use it effectively.
The choice might seem overwhelming, so we’ve created a guide to point you in the right direction from the start.
Here are our top picks for 3D modelling Software in 2019.
- Also check out the best graphic design software
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The all-purpose modeller for content creators
The original Autodesk 3D Studio ran under DOS in 1988, but the current 3DS Max (formally 3DS Studio Max) has been a Windows tool since 1996.
As a 3D modelling system, this one is especially popular with those creating animation, game assets and simulations.
The standard features include skeletons and inverse kinematics, cloth simulation, skinning and character controls for bipedal motion.
If the software doesn’t support the exact function or rendering mode you need, an extensive plugin system allows third-party modules to add this to 3DS Max. Some of these plugins are free, but the best ones are paid.
For modelling purposes, 3DS Max supports conventional polygon construction, NURBS and also patch surfaces.
Images can be generated using a very wide range of rendering systems, including Renderman created by Pixar and mental ray.
With so much functionality, what’s the downside the 3DS Max? There are a few.
The first is that if you use many plugins, then they can interact in somewhat unpredictable ways. And, complex plugins that stress the PC can make 3DS Max unstable on occasion.
The other issue with this product is the high price. 3DS Max costs a whopping $1,545 for each copy per year or $195 per month. A discount is available for a three-year commitment, but that still doesn’t make this a cheap experience.
The beast of curved surfaces design
When Rhino first appeared most 3D modelling systems did basic geometry and a few offered splines, but almost none of them could handle NURBS.
To accurately model the body of a vehicle or aircraft, NURB surfaces, with their ability to curve in more than one plane, are important. And, Rhino is the undisputed king of NURBS.
Available for both the Mac and PC, Rhino 6 can sculpt objects, adapt LIDAR scans, work with meshes from other systems and even render scenes using raytracing.
Like 3DS Max this also has a plugin solution and a sophisticated developer platform for those wanting to create new ones. Alongside the plugins is a scripting language, enabling complex detailing or modification processes to be automated.
But even if you’re not a software developer you can create enhanced functionality through Grasshopper, a tool for making form generation algorithms without writing code.
Overall, this product is superb for prototyping mechanical parts or creating concept designs and then having them turned into physical items using 3D printing.
Having used this tool in anger, our only reservations about it are that for someone coming from a more conventional modelling environment this learning curve can be a steep one. Although once you’ve mastered it, this is an extraordinarily powerful tool.
A single-seat of Rhino 6 for the PC or Mac costs $995, although this license never expires. Upgrades to new point releases generally cost $495.
A truly elegant and simple solution
Blender is one of those tools that anyone can experience and use without worrying about the cost or if it will be updated.
From the outset, it has been an open-source 3D creation tool that is free to use even for commercial purposes.
Where other tools focus on the modelling or rendering parts of the 3D process, Blender provides the entire pipeline from modelling, rigging, animation, simulation, rendering, compositing and motion tracking to video editing.
It even has a 2D animation pipeline, if you need to combine 2D elements with 3D models.
There was a time when Blender was the domain of hobbyists wanting to create animated space battles or giant robot films, but it has now evolved to the point where many commercial companies use it to create effects elements for big-budget movies.
As the source code for this software is open source, a large community has sprung up of developers that have extended the functionality in Blender to rival some of the most expensive solutions.
The pipelining aspect of this tool is perfect for a team to use, where artists can work on their part of a scene, and then watch it come together with elements created by others.
The latest feature is real-time rendering using the EEVEE engine, bridging the gap between what was previously possible in real-time and those effects that required exclusively offline processing.
As this product is free, you don’t have any excuse if you’ve never tried it.
Zbrush is a radical departure from convention when it comes to modelling objects in 3D, as it uses a brush system to enable designers to shape virtual clay in real-time.
Popular across a very wide range of industries, but especially so in the film and gamer developer sectors, and with concept artists.
The object construction system lends itself to creating new and interesting shapes, rather than painstakingly recreating existing objects in a 3D space.
Objects created by Zbrush tend to have a hand-formed feel, and the system can be used with pressure-sensitive pens and graphics tablets to help with the organic nature of this modelling method.
Another artist-friendly feature is a non-linear production path, allowing a design to be reverted to a previous iteration, a change be made, and then rolled forward again. This flexibility allows for mistakes, changes of mind, or design evolution to be part of the process.
At the moment you can get Zbrush either as a perpetual license or on a subscription model, but we suspect that it will soon be subscription only.
A single user on subscription pays $39.95 per month, $179.95 for six months or the perpetual license is a $895 one time fee.
Professional results, professional costs
Autodesk Maya was one of the first commercial 3D rendering systems to introduce hair and fur, and it remains an industry standard for creating and modelling characters in 3D.
Available for PC Windows, Apple Mac and Linux, Maya is the software equivalent of the magician's hat from which almost anything can be pulled.
Its strengths are character creation and movement, and the simulation of natural elements such as water, fire, sandstorms and explosions. The latest release now includes Bifrost procedural effects, enabling complex elements to be constructed using dynamic solvers.
Once a scene has been created and effects defined, photoreal rendering is available using the Arnold RenderView system for stunningly real results.
If you want some idea of what Maya can do then watch Stranger Things, as the Mind Flayer from season 2 was created and rendered in this software.
The cost of a single seat of Maya is $1,545 per annum, or $195 per month, exactly the same as 3DS Max, also from Autodesk. You can get both of them along with a five license pack for Arnold for $2,370 per annum.
A lite version, Maya LT is just $250 per annum, if you only want the 3D modelling and animation.