The problem with free - you still gotta pay

Paying for P2P

Ah, you're probably thinking. Why bother with servers? If services use peer to peer, you don't need to worry about the bandwidth bills, or the servers, or the electricity bills. That's true, but transferring all those files still costs money. You're just passing on the cost to somebody else.

STREAMING COSTS: Streaming music costs around 1p per person per stream. Spotify's millions of free users are costing a fortune

Content costs

The price of bandwidth may be decreasing, but our appetite for it is increasing much more quickly - and bandwidth isn't the only cost for ISPs. With bandwidth bills at some ISPs trebling, free content is hammering ISPs' profit margins, and they need to make that up from somewhere else.

Some ISPs cap connections, others charge heavy downloaders more - Time Warner has temporarily shelved plans to charge as much as $150 per month for broadband in the US - and others are looking at alternative sources of income, such as tracking users' behaviour.

And that's the problem with free. What feels free to us is costing somebody something, whether it's Facebook's electricity, We7's royalty payments or ISPs' bandwidth bills.

The move to free content is like a game of pass the parcel where the parcel contains a great big bill. Whoever ends up holding the parcel will have to pay it, and to do that they'll have to get money from somewhere. That somewhere will always be you.

You might not pay the content creators directly, but unless you prefer webcams to The Wire you'll still pay, either in the form of bigger ISP bills, restrictions on your broadband connection or your ISP selling your personal data so that people can sell you things.

While you're beating The Man by downloading via bittorrent, The Man's capping your bandwidth, throttling your ports and installing Phorm.

FREE MUSIC: To make ad-funded music work you need to earn £10 per 1,000 listens - and that's just to pay the royalty bill

Carrie Marshall

Contributor

Writer, broadcaster, musician and kitchen gadget obsessive Carrie Marshall has been writing about tech since 1998, contributing sage advice and odd opinions to all kinds of magazines and websites as well as writing more than twenty books. Her latest, a love letter to music titled Small Town Joy, is on sale now. She is the singer in spectacularly obscure Glaswegian rock band Unquiet Mind.