My favorite camera of the year wasn’t the superb Canon EOS R5 Mark II or Fujifilm X100VI, but this surprising retro compact

Pentax 17 compact film camera front-on, in the hand with boats in background
(Image credit: Future | Tim Coleman)

It's not always the best-selling or most capable gear that lives in the memory, and if I'm to pick one particular camera highlight of 2024 it would have to be a surprising retro snapper that gave me the feels – the Pentax 17. Sure, it's not the best camera around, but hear me out.

The Fujifilm X100VI rightly grabbed 2024's headlines; it's the most pre-ordered camera in memory, and nine months later, it's still on backorder. It's an incredibly popular premium compact for all the right reasons, even if it was TikTok influencers that gave the series the leg up. I really, really enjoyed reviewing the X100VI at its launch in Tokyo – you have to experience it to appreciate it.

Closeup of the Pentax 17 compact film camera's lens

(Image credit: Future | Tim Coleman)

A simple compact film camera that'll win you over

The Pentax 17 isn't the best camera I reviewed in 2024; it's not even the best of its kind, nor is it one that I particularly liked at first. However, when you've spent years of reviewing the best camera gear there is, as I have, a camera has to be something special to stick in the memory months after you've used it – and that's the effect the Pentax 17 had on me.

Its launch was timed to perfection – a camera in tune with what people want today, especially young people (of which I am not one). For me, this was the first time I'd properly used a film camera in over a decade, and I'd have to go back another 10 years to the time when I was last regularly shooting on film, as a student.

Despite my past experience with film, and plenty of general technical know-how with digital cameras, I benefitted from the 17 being a simple model with automated features that helped to ease my way back into shooting on film.

Throughout my time with the Pentax 17 I shot virtually no frames that I had to discard due to exposure issues or questionable framing – the 17 has all the tools to help you get the shot, including auto exposure, framing assist, and zone focusing. Pretty much the only thing you need to concentrate on is capturing the moment.

Some of my favorite photos taken with the Pentax 17

You also get double the number of shots for your money on a roll of 35mm film – two vertical half-sized shots per frame – and given the high cost of film and development, that's a win in my book.

As a camera it feels cheap in the hand at first, and its functionality is limited. But oh boy is the 17 fun. It's also easy to handle, which isn't an easy thing for film cameras to be, given they're foreign to so many of us in 2024.

It was the camera that freed me from instant image playback in 2024; the camera that put the biggest smile on my face, and one that piqued the interest of friends and family the most.

It was the camera that got me curious to try film in other formats, and I consequently had a lovely time reviewing the Leica MP, an altogether different experience.

Close up of the Pentax 17 compact film camera's top dials and film crank

(Image credit: Future | Tim Coleman)

I can understand why the Pentax 17 isn't universally admired – it's fairly pricey for what it is – but I think Pentax has been really smart in launching this particular camera now. It's a film camera for today that's easy to use and produces lovely vintage vertical photos that are sharper than I expected. And although it feels overpriced, there aren't a lot of options at this price point for newbies and enthusiast photographers.

Crucially, the Pentax 17 is a new and reliable film camera, and Pentax says the necessary infrastructure is in place should you run into any issues and need support; you can't say the same for a cheap 30-year-old film camera that you picked up on eBay.

This is the first camera produced by the Pentax Film Project, and if the 17 is anything to go by I can't wait for the next installment – it's rumored that there could be fully mechanical film SLR in the pipeline!

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Timothy Coleman
Cameras editor

Tim is the Cameras editor at TechRadar. He has enjoyed more than 15 years in the photo video industry with most of those in the world of tech journalism. During his time as Deputy Technical Editor with Amateur Photographer, as a freelancer and consequently editor at Tech Radar, Tim has developed a deeply technical knowledge and practical experience with cameras, educating others through news, reviews and features. He’s also worked in video production for Studio 44 with clients including Canon, and volunteers his spare time to consult a non-profit, diverse stories team based in Nairobi. Tim is curious, a keen creative, avid footballer and runner, and moderate flat white drinker who has lived in Kenya and believes we have much to enjoy and learn from each other.