Sigma SD15 review

Sigma's Foveon X3 sensor design is unique, but does the SD 15 move it any further forward?

Sigma SD15
The detail captured by the Foveon X3 sensor is excellent

TechRadar Verdict


  • +

    Great sensor

  • +

    Back to basics approach


  • -

    Muddled design

  • -

    Keen price

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Sigma's best known for its lenses, but it also produces two very interesting cameras. One is the DP1s/DP2s compact (same camera, different lenses) and the other is the SD series of D-SLRs.

First came the 3Mp SD9 in 2002, which was followed by an improved SD10 in 2003, and then by the 4.7Mp SD14 in 2007. The SD15 is a development of the SD14, but at its heart is the same Foveon X3 sensor.

But while other makers bring out new sensors every couple of years, Sigma's Foveon X3 technology moves more slowly. As a result, the SD15 is more of a redesign than a new camera, despite the fact that it's been three years since the SD14 hit the market.


The Foveon X3's low pixel count sounds unimpressive these days, but the figures are misleading. Because of the way the images are created, and the high levels of sharpness they display, the SD15 is a pretty good match for any other APS-C D-SLR. But even if it is as good as any other SLR, why buy the SD15?

First, the extreme sharpness of the images gives them a visual quality you don't get with other cameras, even if the resolution is lower. Second, 4.7Mp files take up a lot less space than 12-14Mp images. Third, the SD15 uses a traditional design that offers refreshing simplicity, and if you already know your way around a camera, it's nice not to have to negotiate layers of gadgets and automation to get to key controls.

The SD15 is only a modest upgrade from the SD14, but it now uses SD/SDHC memory cards and has a 100,000-cycle shutter mechanism and a good-quality 460,000-dot LCD display. And like other Sigma cameras, it comes with Sigma's Photo Pro RAW conversion software.

Card slot

You can open and convert its files with Adobe Camera Raw, but the Sigma software is better-tuned to the camera's own colour modes, and gives rather better performance at high ISOs.

Rod Lawton is Head of Testing for Future Publishing’s photography magazines, including Digital Camera, N-Photo, PhotoPlus, Professional Photography, Photography Week and Practical Photoshop.