Samsung NX 30

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You can achieve pleasing shallow depth of field images, even while using the 18-55mm f/3.5-5.6 kit lens.

Samsung NX 30

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Colours straight from the NX30 are pleasingly vibrant.

Samsung NX 30

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At high sensitivities, the NX30 does a good job of maintaining lots of detail, while keeping noise levels to a minimum. If you zoom into 100% there is some evidence of image smoothing, but it's certainly not something that should bother the average printing or web size image.

Samsung NX 30

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Automatic white balance does a great job of producing accurate colours, even in mixed lighting conditions.

Samsung NX 30

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Whites are vibrant and crisp, straight from the camera.

Samsung NX 30

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There are a number of prime lenses available for the NX system. This was taken with the 20mm f/2.8 lens, which is small and makes for a great walkaround lens, offering an equivalent of 30mm in 35mm terms.

Samsung NX 30

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On occasions, the NX30 has the tendency to underexpose, so you'll need to dial in some extra compensation to get a well balanced exposure.

Samsung NX 30

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The NX30's 20 million pixel sensor is great at resolving plenty of detail.

Samsung NX 30

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Shooting from awkward angles is no problem with the NX30, as both the screen articulates and the EVF tilts to help you get the shot you want.

Samsung NX 30

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There is a 60mm f/2.8 macro lens available for the NX range, which is useful for capturing lots of detail.

Samsung NX 30

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Another example of how well colours are represented by the NX30.

Samsung NX 30

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The NX30 is well suited to a wide variety of different shooting subjects, including portraits. This was shot with the 60mm f/2.8 macro, which offers a nice focal length (92mm equivalent) for classic portrait work.

Samsung NX 30

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The camera's ability to quickly focus on the subject makes it ideally suited to lots of different scenarios.

Samsung NX 30

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Another example where positive exposure compensation needed to be dialled in to get the best from this shot.

Samsung NX 30

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Colours directly from the camera are vivid, while the camera's metering system hasn't coped too badly with the very bright light in the corner of this scene.