Not only does Sanyo's new HD1000 record true 1920 x 1080i HD video to high capacity SD cards but it offers a host of features that other manufacturers seem intent on dropping. Even Panasonic's SD5 AVCHD camera has ditched features such as a microphone input and headphone output that made the previous model, the SD1, such a good buy. What you do get is a cam with more features than you can shake a stick at and which gives a surprising level of manual control - even for a new user.

Given that we're now experiencing an explosion in the number of 'Full' HD camcorders entering the market (to the extent that we're witnessing the rapid decline of standard definition video in all its forms), it's clear that HD is where it's at.

It is also necessary to accept that, for many new users, there's a requirement for no-nonsense products that record images and audio that do justice to any HDTV display, even when working in fully auto mode. That's precisely the market at which the HD1000 is aimed.

Distinctive design

As with all Xacti models, the HD1000 bears no similarity to any other brand of camcorder on the market, and perhaps that's why it's so distinctive. According to Sanyo, its pistol-grip design is based on extensive collaborative research with Japan's Chiba University, and its 'lens-to-grip' angle is optimised to minimise strain on those muscle groups used during recording and playing back. Does it succeed? We'll see.

With the exception of the mic input and headphone output, the DC power supply socket, USB, component digital/AV and all-important HDMI connections are on the docking station, which keeps the camcorder small while allowing unhindered access to the essential recording and playback controls, and enables all such connections to remain in situ when the camera is being used elsewhere.

Most of the HD1000's operating features are clustered around a main barrel that includes the 10x optical (100x digital) zoom at the font and main control cluster at the rear. A flash light and accessory shoe are concealed by plastic covers at the upper front and rear respectively, with the generous 2.7in widescreen LCD shutting flush into the hand-grip.

The HD1000 uses the increasingly popular MPEG4/AVC H.264 system to compress images and sound onto SD (and SDHC) storage media, but it's not the AVCHD standard as used by Sony, Panasonic and Canon, even if the codec looks the same - and it doesn't handle in the same way either, as we'll find out.

In operational terms, the control button cluster at the rear of the camera gives access to all its movie and stills recording and playback capabilities. You're given a Simple mode in which you're offered a minimal range of options: Full Auto or manual operation of picture size (HD or SD), Focus and White Balance, and a Normal mode, which provides a comprehensive set of manual overrides. The Menu button is the gateway to a range of options, with a joystick providing navigation and item selection.

It's easy to take control of focus, exposure, white balance and shutter speeds, in addition to things like manual audio control and even a modest but useful set of video filters. Users are given the option of manually linking exposure to shutter speed (Aperture Priority) or vice-versa (Shutter Priority) in addition to independent manual control of either, with an onscreen graphic display showing settings as changes are made.