• AI audio giant Suno has launched a vinyl pressing service
• Yes, it is seemingly just for AI tracks generated on its site
• It's eco-friendly, apparently

Among many audiophiles, vinyl records are considered sacred; I concur, which is why my turntable was the first thing I set up when I recently moved home. But that's clearly not the case for everyone.

For me and, I hope, fellow record-lovers, the draw is that vinyl is an undeniably human way of listening to music. By their sheer nature, records are full of everything and with nothing edited out: there are mistakes and imperfections (just as we all have), but the analog result is warm and familiar… and somehow welcoming.

However, in our 'everything-is-AI' modern world, someone somewhere had the tiring thought, "What if AI came to records too?" and so we have this news.

AI 'music'-making service Suno is now encouraging you to press tracks generated using the site onto records, and to buy them for $45.

That's right, you can now sully a perfectly good bit of PVC plastic with 'songs' made by a computer, bringing a hearty dose of cold inhumanity to this all-so-human format.

Apparently, you can only order one record per creation from your Suno library, which can be up to 46 minutes, so this isn't a way of mass-producing AI slop to vinyl (thankfully). And Suno claims the material used for the records is sourced in an "eco friendly" way — a pretty hilarious assertion given how disastrous for the planet AI is proving itself to be generally. It's like chopping down trees with a pre-owned chainsaw.

One for the record

To audiophiles (or how about actual human bands, whose markup on a physical music product is far bigger than in streaming?) Suno's move feels destined to anger.

For me, it devalues a beloved format. It pulls apart the big black disc — with all the human, tangible attributes that makes me revere it — and makes it fake. When talking this piece through with my editor, she said, "I think it is a hideous idea that makes me feel unclean".

If there's any possible silver lining, it's that Suno's vinyl offerings might encourage people who use the site to discover the joys of real records; think older, couldn't-be-AI albums (and if that's you, why not check out our list of the best turntables to listen with, and I'll forgive your AI use if you buy something).

Or perhaps this is the last angry gasp of an AI slop machine? Google Trends data shows that interest in Suno is slowly dropping: as of early August, search is 10% down month-on-month, and over three months its interest is slowly dropping too.

Perhaps this could be fueled by the rebellion against AI music, with a growing number of streaming sites keeping it at bay. Deezer is bringing down the hammer hard, and we recently spoke to Qobuz's managing director about its own stance against slop. Even Spotify is belatedly taking some baby steps.

So is this Suno's victory lap against 'real' music, showing it's so prominent that nothing is sacred? Or is this its attempt to catch up, by adopting a format beloved by audiophiles? It's hard to say. All I know is that no AI slop record is getting anywhere near my turntable.

• Audio company Syitren is launching a transparent CD player on Kickstarter
• It showcases the inner mechanics, displaying your spinning CD like a piece of live art
• The CD player put playback at the forefront of the experience, spotlighting physical music formats

Physical music formats are becoming increasingly popular once again, and audio company Syitren is launching a new CD player to help you escape the algorithms of streaming services — but crosses the threshold from 'CD player' into 'art piece'.

Now available to pre-order on Kickstarter for a reasonable $89, the Syitren RM1 CD player is a transparent device that reveals all of the player’s inner workings. Syitren is already known for its roster of funky CD players and classy turntables, but the mechanical, see-through design of the RM1 gives the device a completely different personality.

While most CD players conceal your discs, the RM1 does the opposite, suggesting that hardware smarts are just as important as the audio. Essentially, it’s one part music player and one part living art, because your favorite albums should be showcased, not shunned.

Sandwiched between two clear acrylic frames, the RM1 can be mounted to a wall, stand upright, or be simply laid down flat on a surface, promising between 6-8 hours of continuous playback. But the pièce de résistance is the player’s mainboard, which is put on full display and includes a playback progress bar, as well as a warm yellow LED matrix square that exhibits track numbers, volume level, battery, and small animated graphics interchangeably.

To ensure playback remains the focal point, the RM1 isn’t plagued with endless buttons on-device. Instead, it comes with a small remote that allows you to control the standard playback functions, in addition to three playback modes: repeat once, play in order, and shuffle. When it comes to audio output, this is where it requires additional hardware.

There’s one thing to note with Syitren's CD display and that it’s a player, not a HiFi device. Understandably, the company has left internal speakers out of the equation, meaning it doesn’t compromise audio quality and can be easily integrated into your existing audio setup.

Instead, the RM1 comes fitted with a 3.5mm AUX port if your setup consists of wired speakers or, if you prefer to listen through the best wireless speakers, the player supports Bluetooth 5.3 for seamless wireless connectivity.

A hurrah for physical music collectors

I’m currently going through a bit of a personal renaissance with retro tech. Earlier this summer I swapped Spotify for a cassette player which birthed a new physical media collection, and I revisited intentional photography with a 2000s-inspired digicam — now I have a thirst to revive my love for CDs.

Syitren does two things very well with its new RM1 player. As mentioned, it flips the traditional CD player on its head, thrusting the mechanics of playback into the forefront of the listening experience. It also gives the device a unique look that’s different to a lot of modern CD players.

But at the same time, its focus on displaying physical music formats is an equally important part of the device. Just how vinyl collectors can proudly display their gatefolds on the wall and see their favorite albums spinning, the RM1 adopts a similar display factor reinforcing the timelessness of physical media.

The CD player couldn’t arrive at a better time. Now that users, including myself, are seeking more ways to enjoy music intentionally as opposed to relying on an algorithm to do it for you, there's never been more of a need for new music players.

Not only do they bring back classic ways to enjoy music, these devices are reimagined to fit perfectly into the modern era of HiFi hardware. It’s the best of both worlds.

• Astell & Kern is launching an 'entry-level' DAP to supersede the SR35
• We'll have to believe it for now, because no actual price has been provided
• Highlights include EnviroTune ambient noise awareness and an Octa-DAC mode

Astell & Kern has straightened things out. We gave its wonky, quirky SR35 digital audio player a glowing five-star review, and now a successor is here in a more conventional form factor.

The A&K PD5 is the new 'best' in question, and very much an upcoming contender for our best high-res media player list. And we'll decide whether it is, as soon as we learn a few key details about it such as when it's actually coming out and how much it'll cost.

Pitched as an entry-level audio player, this hopefully won't cost a huge amount, but we'll have to wait to find out. It's been unveiled as part of an AV show in Hong Kong, and it'll be making its way around a few other similar shows in Shenzhen and Southern California before its wider release.

So we don't know much about it, but there are some key selling points which Astell & Kern have unveiled — and very promising they are too.

It's always listening

The PD5's biggest spec is that it packs in eight DACs at once, and you can choose between 4-DAC or 8-DAC playback. The former lets you listen for longer (28 hours, to be precise), the latter allows you to enjoy higher-quality listening. A&K refers to 'class-defining performance'. Woof.

Another tool here is EnviroTune, which apparently is always listening to you... and, specifically, ambient noise around you. Then it can tweak the sound you're hearing to cater for different environments. It sounds like a proto-ANC, in other words.

For raw specs, the PD5 plays back in 32-bit/384kHz PCM and DSD256, with support for dual-band Wi-Fi, Bluetooth 5.3 and a vast range of codecs. The player runs on Android, though Astell & Kern didn't say which build of Android it'll run.

The player is housed in an aluminum shell, but A&K didn't provide dimensions, so it's impossible to tell how it compares size-wise to the SR35.

The real question here is still the price. This might be Astell & Kern's best entry-level audio player of all time, but its definition of 'entry-level' might vary wildly from yours. Evidently, we'll have to wait and see what the chips fall.

• km5 is collaborating with Kojima Productions on a limited edition CD player
• The Cp1 features Bluetooth 5.3, a 3.5mm headphone jack and more
• It's inspired by Death Stranding 2: On the Beach and comes in neon orange

Sony might be planning to wind down its production of PlayStation game discs, but physical media still has plenty of fans. Among them is auteur game director Hideo Kojima, whose studio Kojima Productions just announced a new collaboration with boutique Japanese audio brand km5 to celebrate that fact.

You can now buy an official Death Stranding 2: On the Beach version of km5's Cp1, a compact CD player that looks like a minimalist picture frame. It features wireless Bluetooth 5.3 connectivity so you can hook it up to one of the best Bluetooth speakers, or your wireless earbuds, in addition to a 3.5mm headphone jack if you'd prefer a more retro vibe.

It's got all the expected controls (a Bluetooth pairing button, play/pause, stop, fast forward, and rewind) in a row of clicky tactile buttons, and even a built-in battery which supports roughly eight hours of playtime, so you can take it on the go. And unlike retro players with nasty AA-type batteries, charging here is via USB Type-C. There's also a little LED display, which shows the current track number, and a little sleeve that you can use to display album art.

The Death Stranding 2 edition is, naturally, translucent neon orange and is designed to look like the BB Pod from the game — that's the glowing jar that contains the adorable baby that you use to detect invisible enemies. It's got a few little decals to really drive home the look, including little text warnings like 'ensure lock is tight', and comes nestled in special packaging alongside a card insert inspired by the series.

It looks like a lovely collectible and I already know that it's a capable little CD player, having used its big brother, the Cp2, for a few years now — the only real difference between the two models being the addition of a small speaker on the Cp2. I picked it up in Tokyo before the brand was more readily available worldwide, wanting a cute CD player that would be compact enough to fit on my shelf next to my extensive (and dare I say, pretty impressive) J-pop collection.

I normally have mine hooked up to my beefy JBL Boombox 4 (in a setup that TechRadar audio expert Matt Bolton once described as "insanity") blasting tunes as I work — right now Ano's single Kill Love. While the fidelity is obviously not quite as good as lossless streaming, there's simply nothing quite like the properly exploring a beautifully made physical album or the tactile sensation of popping in a new disc.

If you want to get your hands on this limited edition CD player, you can grab it online via the km5 website for $199 / £175 / AU$315, excluding shipping and any customs duties. That makes it about $40 / £40 / AU$60 more than the standard model. You might want to make haste though, as I expect it to sell out fast.

• AirPods with cameras are apparently still coming...
• ... but the next model, due in 2026, won't have them
• In truth, little is known about these new buds (which is how Apple likes it)

For some reason, Apple fans are clamoring for new AirPods with cameras built in, and we've been hearing plenty of rumors that they're on the way. But a new report suggests they won't actually be the next Apple earbuds we see.

According to stalwart Apple correspondent Mark Gurman (via his Power On newsletter), Apple has two AirPods models on the go.

The flagship ice-white buds we've been reporting on are set to have tiny AI cameras — and Gurman has now backed up rumors of their being slated for a 2027 release.

But some models are expected in 2026: Gurman mentions another pair of buds (with a lot less known about them) that are likely to come along the 2026 iPhones at the end of the year.

The coverage doesn't specify whether these are AirPods, AirPods Pro or even over-ears, but the latter seem unlikely, because the AirPods Max 2 are only a few months old.

Could it be a possible Beats release? TechRadar's Jacob Krol recently spent a few days at Apple's Beats HQ and pressed the highly successful Apple subsidiary brand on some much teased Beats headphones, spotted on various occasions at the World Cup recently, but the company remained tight-lipped on those.

For now, we'll have to wait and see.

Are cameras worth the wait?

Questions concerning whether AirPods with cameras would even work aside, Apple faces the question — given the recent backlash over glasses that see — over whether most buyers would even want that.

The point of the tech is, apparently, to let an AI assistant see what's going on around you. The hardware is part of a big AI push Apple is undergoing.

That's despite consumers' appetite for AI dropping as fast as companies' desperation for AI increases. I don't see many AirPods buyers opting for a new pair of earbuds without a genuine reason they'd be useful (and no, smarter Siri doesn't count), especially if their whole schtick is that they're always spying on you.

Often when we see a tech product delayed, it's because it's just not ready yet. But with the camera-toting AirPods, it's more likely that we're not ready yet... or maybe we just don't need them.

• It's a full Dolby Atmos mixing studio... in a shed
• Designed to deliver accurate Atmos audio with pin-sharp precision
• Artists are delighted with the mixes, which required no tweaks

If like me you used to have, or still have, a backyard office or shed for working in, you're going to be green with envy at the sight of mixing maestro Kurt Martinez's personal Dolby Atmos studio.

The award-nominated Atmos expert designed and built his own backyard office and filled it with enviable gear, and if he doesn't call it his Spatial shed I'm going to be very disappointed.

Martinez has been nominated for the prestigious Music Producers Guild award as Atmos Engineer of the Year, and he spent three years as the Head Dolby Atmos Mix Engineer at the world-famous Dean Street studios. He's worked on live and recorded music by a host of stars including Kylie Minogue, Def Leppard, Soft Play, Billy Idol and Duran Duran.

Like many freelancers, Martinez figured that having a home office was a much better idea than a long commute into the city, and in Martinez's case that decision was compounded by being a new dad. So he built an entire Atmos mixing studio in his back garden, doing everything himself apart from the electrics and internet connectivity.

How to make a spatial shed

As Mixonline reports, Martinez built the 2.5m x 3.5m garden office with a combination of porous timber walls to absorb the low frequencies, acoustic panelling in the ceiling and sides, a large rear bookshelf for dispersion, and acoustic slat panels at the front. There's thick acoustic underlay below the laminate floor and even the furniture has a function: the armchairs and rug are there to absorb audio reflections.

With the building ready, the next step was to add the tech. Martinez uses a Pro Tools system based around an Audient ORIA, which sends audio to a Ginger Audio Ground Control Sphere that's controlled by an Elgato Stream Deck+.

The speakers are striking. They're PMC6-2 left and right monitors, a PMC6 center speaker, an 8 Sub LFE, and Ci30 height and surround monitors. Final mixes are tested on AirPods Max and a Sonos home theater setup to check that still sounds good on consumer Atmos hardware as well a studio-level setup.

I used to have a very similar-looking setup for my own home studio, but sadly I didn't have Martinez's high-end gear or even more importantly, Martinez's ears, which is why nobody's nominating me for anything.

But I do love to see a good audio project, and it's clearly been very successful: according to ETNow.com Martinez's last five full-length records, which he mixed in that studio, required no tweaking at all when he tested them in large commercial studios.

All five of those records have been signed off by their delighted artists. I'd like to think that one of them was Shed Seven.

• Beyerdynamic announces new DT 275 Pro wired headphones designed for use in "challenging" and noisy environments thanks to passive noise reduction
• The have a frequency range from 5Hz to 24kHz, and weigh under 200g, so they're nice and portable — and their 45-ohm impedance means they're easy for devices to drive
• They launch on July 28th 2026, and are priced at £99 (about $131 / AU$188) — as a user of Beyedynamic's more expensive headphones, I'm intrigued

Beyerdynamic has launched a new pair of on-ear headphones designed for audio and video professionals in "challenging" and noisy environments, such as live music venues, location recording and mobile production. The DT 275 Pro promise to deliver professional audio and noise isolation without a premium price tag: they're just £99 (about $131 / AU$188).

I'm a big fan of Beyerdynamics' studio headphones, so much so that they're my go-to for recording, mixing and mastering music (TechRadar's Audio Editor Becky Scarrott loved the Beyerdynamic DT 72 IE earbuds), but I don't have to do any of my music-making things on location or in noisy environments, and these new closed-back headphones have been designed for exactly that.

Beyerdynamic DT 275 Pro: key features and specs

The Beyerdynamic DT 275 Pro have an impedance of 45 ohms, making them easy to drive, and they have a quoted frequency range of 5Hz to 24kHz.

Maximum sound pressure is 125dB SPL, and they reduce ambient noise by a claimed 22dBA thanks to their closed-back, on-ear design.

Despite the slightly chunky appearance, these headphones come in just under 200g, so they should be comfortable for long shifts, and the supplied cable can be attached to the left or right ear cup and locked into place. The cable is 1.5m (4.9 feet).

The rotatable ear cups are made from sweat-resistant leatherette, which makes sense for mobile working — the velvety material used in many of the firm's studio headphone earcups isn't something you'd want to have on your head in the heat of a venue or club.

And key components such as the cup cushions are replaceable so the headphones should remain hygienic and last for a long time.

These are very much a niche product, so if you don't need the isolation and toughness I'd recommend one of the more indoor DT Pro pairs.

But if you need accurate audio when you're out and about, in a venue or on location these look like they'll be just the job — and for far less than you'd expect to pay for pro headphones that I use.

The Beyerdynamic DT 275 Pro will be available from 28 July 2026 with a list price of £99.99 / €119.00 (about $131 / AU$188).

• Spotify is rumored to launch its own song ID tool
• Changes in the Android app were spotted, with references to 'Identify a song’, ‘listening’, and ‘analyzing’
• It could add a level of convenience when adding identified songs to a playlist, just like Apple Music's Shazam shortcut

There’s one thing that Spotify has over Apple Music, and that’s music discovery features, though the latter service has the edge when it comes to music recognition — but that could all change soon.

In a recent investigation from Android Authority, the outlet found lines of code in the latest version of the Spotify app which suggest the platform is working on its own song identification feature. Though this has only been found in Spotify’s Android app, we wouldn’t rule out the possibility of it launching on iOS.

As it is with every rumor, we’re taking this with a pinch of salt until more information surfaces, but Android Authority’s findings present some pretty convincing evidence, showing text that reads ‘Identify a song’, ‘listening’, and ‘analyzing’. It seems the feature will need access to your device’s microphone, and will display pop-ups when a song can’t be identified.

Essentially, it sounds like Spotify is developing its own in-house version of Shazam, which could act as a band-aid for many music fans out there who, like myself, rely on third-party music-recognition software to put titles to songs.

When Apple bought Shazam in 2018, it thrust the music-recognition platform right into the iOS experience. Instead of needing to use the standalone Shazam app, you can add the ‘Recognize Music’ tab to your iOS Control Center for easier access, and Shazam will be right there at your fingertips.

It also works wonders for quickly adding songs to your Apple Music library. When you Shazam a song, a pop-up reading ‘Add to Apple Music?’ appears and all of your tracks will be sent to your library. Until now, this level of convenience wasn't available for Spotify users.

Since Apple took ownership of Shazam, Apple Music and its users have greatly benefited, but listeners who use Spotify, Tidal, and the rest of the best music streaming services have been missing out. Not all was lost however; last year Shazam rolled out a feature where each song you identified using the app would be automatically added to a special playlist in your Spotify account titled ‘My Shazam Tracks’.

I have to say, this small but effective feature has become one of my most-used tools for keeping tabs on new music, but if you Shazam quite a lot of songs from different genres, it creates a very messy-looking playlist.

Even after my Shazamed songs have been added to ‘My Shazam Tracks’, I still go back into the playlist to individually move songs into my other playlists — which is why a native Spotify song ID tool would go a long way, and would be even better if you can add it to your iOS Control Center.

Just think about it: you’re out and about and a song starts playing which you know you’ve definitely heard before, but can’t remember for the life of you what it’s called or who sings it. A simple swipe down to the Control Center and a tap of a button gives you the song title in seconds, and then it directs you to your Spotify Library where you can add your recently-discovered song to a specific playlist.

We’ve reached out to Spotify for a comment, who replied with the following:

"We're always exploring ways to improve our product and deliver more value to users, but we don't comment on speculation around possible new features and don't have anything new to share at this time".

• Galaxy Unpacked 2026 was Buds-less
• A new report tips an end-of-year announcement
• Perhaps announced alongside tablets and FE (or 'Fan Edition') devices

Samsung's latest product launch event, Galaxy Unpacked 2026, was uneventful. Well, uneventful for audio fans; there were three foldable phones, two smartwatches and some all-seeing glasses... but where were the much-rumored Galaxy Buds Able?

This is a new pair of open earbuds, which we'd heard would be released alongside the foldables (it didn't). So where are they?

Well, shortly before Galaxy Unpacked, we may have heard our answer. According to a Korean publication called Electronic Times, which commonly reports on industry news, the Able are coming much later in the year.

The report states that the buds will release in 'Q4', though separately says September or October (September is Q3). Either way, expect them later in the year.

That could see the buds come alongside new tablets, or new FE smartphones or earbuds, all of which we're expecting to see before Santa's visit in December.

UnAble to launch?

According to the report, Samsung delayed the launch of the Galaxy Buds Able, implying they were originally meant to release alongside the Folds and Flips.

They're said to be delayed so that Samsung could evaluate "the product's quality and launch timing". The latter point is fair enough; the Galaxy Buds 4 haven't been on shelves for long.

The latter point also implies that Samsung doesn't think the Able is 'there' yet, and that's also fair enough; open earbuds — especially the even newer ear-cuff or clipping kind — aren't as easy as normal buds. The fit and audio architecture is a lot more important, and brands need to figure out a way to ensure audio quality isn't lost as the music is beamed from the buds to your ear.

To compete with big rivals from Shokz and Bose, the Galaxy Buds Able need to be top-quality, and I imagine Samsung won't launch anything until it can hit that bar.

So essentially, pencil in a rough 'September or October' date in your calendar for these new earbuds — and keep following our news coverage. As we know, so shall you.

• Someone used an AirPod to record flying disc throw statistics
• Tested with throws of up to 45mph and no damage
• Strava-friendly export for dedicated disc throwers

One of Apple's most famous adverts opened with "Here's to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently." The text didn't explicitly say "here's to the ones sticking AirPods on frisbees", but I think Steve Jobs would have approved of the Redditor who's done exactly that.

Pavlo Sharhan, aka Disastrous-Body-297, has invented a use for AirPods that I'm pretty sure nobody at Apple ever considered. He used them to upgrade a standard frisbee and to stream real-time data. It can even export sessions to the Strava app.

Airpods can track frisbee throws from r/airpods

Why upgrading a frisbee with AirPods isn't completely crazy

As the intrepid inventor explains: "The AirPod streams motion data to the phone and detects/analyses throws in real time. With optional voice feedback into the second AirPod. It measures speed, revolutions, airborne time, throw count. It also measures heartrate (either with latest AirPods or external HR)."

You can try it for yourself: the app is the sports metrics app Kinapod, which the creator says is currently going through Apple's approval process. The AirPod is literally just put through a hole created in the dead center of the disc. Sharhan says "Just punch a hole in the center of the disc and that’s it! You’ll be surprised how reliable it is. The AirPod stem is not entirely cylindrical, it doesn’t slide out."

The result is a lot of data: average speed, maximum spin, total airborne time, and more.

There's a market for that kind of information: as one Redditor, lenfantsuave, joke posts, "Tech disc: I will never financially recover from this." Tech Disc is a company that makes a range of launch monitors for disc golf priced at $299.99, which track multiple metrics and flight paths in order to help players improve their game, and someone from the firm joined in the online conversation to praise Sharhan's ingenuity.

Sharhan's tracker is very much a "fun thing" rather than a serious setup, not least because expensive earbuds aren't the most cost-effective gyro sensors to attach to a frisbee; the risk of damage or destruction is clearly pretty high, although the AirPods have survived so far.

Sharhan is currently chatting with Redditors on forums such as r/discgolf about alternative and more affordable ways of collating data. And in the meantime, the AirPod/Frisbee combination made me and other Redditors happy: "This is very rad," says claybythebay9, while GrandMasterFlex reckons, and I'm including to agree, that "this is sick as hell".

As Apple's ad put it, "while some may see them as the crazy ones, we see genius." Or as SilverMelodyPrincess says in the Reddit thread: "Apple accidentally made the most over-engineered frisbee stat tracker and I'm here for it."

The original version of this story used Sharhan's old screen name rather than his real name, so we've updated it.

• Spotify has rolled out its first music video charts playlist
• It's part of the platform's steady expansion of its music video ecosystem
• Spotify is once again battling YouTube, but it's not close competition

Music videos in Spotify are becoming one of the most popular ways to engage in digital music streaming — now the service is expanding its video ecosystem in another attempt to one-up YouTube.

For the first time, Spotify is bringing music videos to its Charts hub with the launch of Music Video Charts Global, a new top 50 playlist of the most streamed videos. Additionally, the platform has also rolled out a new Videos for You editorial playlist, which offers personalized music video recommendations based on your streaming habits.

Music Video Charts Global rolled out on July 21, and is already playing a big role in Spotify’s gradual expansion of its video content. Recently, Spotify altered the video uploading process for musicians, allowing them to upload their own videos directly through Spotify for Artists instead of going through their label and distributor to do so.

Artists can also pitch videos to Spotify’s editorial team to give them a better chance to feature in playlists such as Best New Videos, Live Performances, and Today's Top Videos.

If you were like me and spent most of your youth scouring through music TV channels before they were sadly phased out, Spotify’s new music video charts might evoke a sense of nostalgia — but the platform is doing it in a way that’s designed for the streaming era.

Music Video Charts Global ranks the top 50 videos around the world based on daily music video streams, refreshing daily at 6pm ET / 11pm GMT / 8am AEST (the next day). Spotify also shared that it will spotlight the top 10 music videos across its social media channels every Tuesday — but there’s another reason why the best music streaming service is doubling down on its commitment to music videos.

Even though Spotify is trying to emulate these channels, a form of music consumption that once shaped listening habits, the platform is backing its music video expansion with data linked directly to streaming.

In an email sent to us, Spotify shared “After streaming a video on Spotify, listeners stream that song 64% more over the next three weeks, are 1.4x more likely to save it, share it, or add it to a playlist, and go on to stream the rest of that artist's catalog 57% more”.

For Spotify, its new ecosystem does more than lead to higher fan engagement and video views — it also gives artists an opportunity to boost audio streams. This is beneficial for both fans and artists, but as someone who doesn’t use Spotify for music videos I see this as just another way for it to compete with YouTube.

The Spotify-YouTube battle continues

Spotify has been playing catch up to YouTube ever since it rolled out music videos in 2024. Although there are users out there who do use Spotify for videos, and the platform has the numbers to support it, I’m just not one of those people. As soon as the music TV channels went bust, it was YouTube that filled the void for me, and it’s been that way ever since.

However, Spotify knows it can’t just build a music video ecosystem and hope that YouTube users will flock to it, it has to offer something extra — which is why it’s taken advantage of early releases. For example, artists like Taylor Swift and BTS have each released music videos to Spotify as exclusive content before uploading the videos to YouTube in the days after. This is where Spotify has the upper-hand.

Because Spotify is centered around music and audio streaming, it’s more likely that artists will gravitate towards the company when it comes to exclusive partnerships. Though YouTube has its own music platform, its standard video player houses content across countless genres from web series, interviews, how-tos, vlogs, and so much more — so music isn't the only place it makes its money. Besides, YouTube Music isn’t as influential as Spotify.

Do I think that Spotify is going good by bringing classic music video charts into the streaming era? I guess so — but I still don’t think it’s enough to entice loyal YouTube-first music video viewers to make the switch.

• Motorola Pad 70 Groove just launched in india, with wider release in August
• The bezels and back tote 4 tweeters, 3 woofers and 2 passive radiators
• Will likely be great for movies and music — annoying for other commuters

We've seen loudspeakers come in all shapes and sizes, but JBL's latest has some odd additions. There's the 12.1-inch screen, the cameras, the pretty in-depth user interface... oh, it's a tablet, isn't it?

Meet the Moto Pad 70 Groove, a new touchscreen handheld which has just launched in India, ahead of a general sale in early August. There's no word on global availability, mind — and given that the other Moto Pad products are India-only, I'm not holding my breath.

Anyway, this is a new mid-range Android slate which has an array of JBL-tuned speakers as the central feature. There are nine speakers in all: four tweeters, three woofers, and two passive radiators, and they're all arranged together behind the grille on the back of the tablet. Audiophiles might wince at that sardine-like placement, but it is what it is.

The tablet has a kickstand so you can aim the speaker in different directions (or, more accurately, lift the tablet so the speakers aren't facing directly down into a table). The brand seems to be pitching the set-up for movie streaming (the display is 2.5K, with Dolby Vision), and playing music out loud — the max output is 48W.

Buy it or skip it?

I've tested smartphones and tablets designed for audio before, and I've yet to hear anything that comes remotely close to the best Bluetooth speakers, even cheaper ones.

Portable devices just don't offer the stereo spacing you'd want for a great audio sound — and the Groove's rear speaker stack might make the tablet rather unwieldy for use as an everyday slate.

If you're still curious to test it, I covered leaked renders of the Lenovo Tab Plus Gen 2 several months ago, and the device is now on sale for $399 / £369 (about AU$700). It has the same speaker system, kickstand, attached tablet... in fact, it seems to be basically the same thing (Lenovo owns Motorola, so there are no accusations of plagiarism here).

Still, I think I'd rather buy an actual Bluetooth speaker and just pair that to my current tablet, rather than buy a brand-new one just for its novelty. Thankfully, I happen to know of a website where they test gadgets just like that...

• Singer Lorde called out Spotify's AI 'About the Song' feature
• She says it featured incorrect details and limits free interpretation for listeners
• Users are starting to catch onto its flaws

Spotify is always dropping new tools to enhance your listening experience, but one of its newest features has been called out by one of the most influential pop artists of this generation.

New Zealand singer-songwriter Lorde slammed the best music streaming service’s ‘About the Song’ feature which launched back in February. The tool is currently in beta, and pulls information from third-party sources to create AI-generated summaries of individual songs offering context and background.

According to the pop star, one of the summaries for her song ‘Current Affairs’ mentioned incorrect details which were sourced from themusic.com.au, stating the following:

“On her Ultrasound World Tour, Lorde turns Current Affairs into a full-on performance piece, stripping down to underwear while a dancer pours water over her stomach so the song plays out like the shower scene she talks about on stage”.

The singer didn’t hold back, taking to Instagram Stories to call out the platform while highlighting the dangers features like this pose on listeners:

“Hey @spotify I’m gonna go out on a limb and say we don't want this. Not only is this inaccurate (not the song I did that in) but reducing a song to an AI-generated meaning right at the source feels like it limits free interpretation IMO. At least make it possible for artists to opt out please,” she wrote.

It didn’t take long for Lorde’s comments to spark reactions from all corners of the internet, and Spotify has come forward to offer clarity from its side. We reached out to the platform for further comment, and a Spotify spokesperson replied with the following:

“We built ‘About the Song’ because fans want to dig into the stories behind the music. It’s still in beta. The info comes from articles across the internet, and when something’s off, we move fast to fix it, like we did here. Getting it right matters to us”. According to The Hollywood Reporter, the song summary has been removed.

‘Half the fun is figuring out your own meaning’

At the time of the feature’s launch, many Spotify subscribers welcomed ‘About the Song’ with open arms — I even went into detail about how much I couldn’t get over it and how it taught me things I never knew before. But despite the positive reception from subscribers, Lorde’s observation of the AI feature has sounded the alarm for music lovers.

Comment from r/Music

Aside from its inaccuracies, Lorde’s comments highlight another big issue with AI features like ‘About the Song’; they remove the listener’s opportunity to interpret the music for themselves. This has been the topic of many online discussions since Lorde aired her comments, especially on Reddit — ‘half the fun is figuring out your own meaning instead of getting AI Cliff Notes right away,’ one user says.

But according to others in the same Reddit thread, it speaks volumes about how art consumption is evolving. Whether you’re reading a book, watching a movie, or listening to an album, everyone looks at things differently which is what allows conversations and debates to flow. Another user went the extra mile, saying “If you need AI to tell you what it thinks the song means, you've stopped thinking”.

That said, Spotify isn’t the only music platform that dives into the background of music — Apple Music includes detailed summaries of albums located under the Play button — but these pockets of context are all written and developed by Apple Music’s editorial team, who don’t rely on AI for third-party sourcing.

But the album summaries is where Apple Music draws the line. As soon as you hit Play the platform leaves you to get lost in the music — which subscribers would rather have over what Spotify is trying to sell them.

• Deezer announces over half of all daily music uploads are AI-generated
• The platform also announces stricter exclusion criteria for AI slop
• Deezer says AI slop is used largely for 'streaming fraud', and it's cracking down

If you haven't seen an AI slop commercial, social media post or Minion meme then you're lucky. I can't say I've heard much AI-generated music (at least, that I'm aware of) but I try very hard to actively avoid it.

Despite this, major streaming service Deezer has announced that over half of all tracks uploaded to its library in June 2026 were slop songs. That's over 90,000 new tracks, all of which weren't made by people.

This is a big increase in a few months, as we heard in April that 44% of tracks were AI-made, and in December 30% of tracks were AI. That's a rough rate of 3.3% increase every month, suggesting that October 2027 is when we could see Deezer hit the musical singularity.

Deezer knows all this because it's been pioneering AI-detection tools, as seen in its AI slop playlist scanner. It also automatically detects and tags AI-made music, and excludes it from recommendations and playlists.

And the hammer is coming down harder going forward...

First steps in countering the tide

When the company shared these AI figures, Deezer also confirmed a few extra steps it was taking to counter the rising AI tide.

The streaming service has announced: "Moving forward, Deezer will systematically take down AI-tracks used for streaming fraud, and those that haven’t been streamed for at least 6 months", which implies, perhaps optimistically, that there's AI music not used for this purpose.

Streaming fraud is the bulk upload of low-quality churned-out music, to earn some quick cash. Think people scripting computers to generate songs — and I mean 1000s of songs at once — then uploading them in batches. Why do this? To overwhelm, flood and replace whatever human-made music might otherwise be there for your ears to discover, and rake in the streaming royalties because you just became a big fish.

To explain, artist payout from streaming services usually involves everyone getting a share of a large pie, with more streams ensuring you get a larger slice of the pie (money). Beyonce gets a bigger slice of the pie than, say, The Bedford Band (a bad example since we haven't written a single track yet, but you get the idea).

Fraudsters upload massive amounts of AI music in the hopes that, if they even get a tiny number of listens on each track, the slice of the pie will scale up due to just how many AI slop tracks they put out.

It's not clear how Deezer will identify AI-generated tracks as being used for streaming fraud, as opposed to... whatever other reason you'd create AI music for. It also remains to be seen whether this move will have a significant impact on the amount of AI tracks uploaded, or if it'll be like scratching a layer of ice off a glacier.

But it's still good to see a music streaming service try to contend with AI slop, instead of embracing it or just, well… ignoring it.

• Topping has unveiled its new and compact desktop DX1 II DAC
• It's relatively affordable at £119 (about $160, AU$240)
• Multiple inputs and outputs, some clearly designed for gamers

If you've been considering buying one of the best headphone DACs, it's probably because you want to connect them to an audiophile-friendly hi-fi system — or even to your phone or dedicated music player on the commute. But Topping's latest option aims squarely at a very different audience: gamers.

The Topping DX1 II is a new piece of kit which is slowly being released in different regions; it's just been released in the UK from Electromod. It costs £119 (about $160, AU$240), so it undercuts many other options save for models built specifically for smartphones or digital audio players.

The DX1 II seems to have a specific user in mind though. The DAC is designed for all budget-conscious, audiophile-curious buyers, but it does feel aimed at gamers more than most. And that is thanks to a few key considerations that seemingly make it a good pick for enhancing your games' sound.

For example, while the DAC has two headphone outputs (3.5mm and 4.4mm), they're two-way, so you can use headsets with microphones. It can also switch between USB Audio Classes, allowing you to use it alongside the Nintendo Switch and PS5 which are some of the few gadgets only using UAC 1.0.

A DAC is for life, not just for gaming

Despite some gaming features being the headline tools, the Topping DX1 II seems to be a solid all-rounder too — and given how much we loved the larger and more expensive Topping DX5 II, it's well worth taking a closer look.

The DAC can input from USB-C as well as optical, and output to optical, stereo RCA, 3.5mm or 4.4mm. There's support for 32-bit/384kHz PCM and DSD 256, so high-quality audio won't be a problem. There are also EQ tools as well as filter and gain settings.

A built-in amp can deliver up to 1,000mW audio, and since it's quite compact at 10x10x3.2cm, it'll fit into various existing set-ups — and that glossy white casework will make it look right at home next to a PS5.

As a prolific gamer, I'm not sure that I can see a DAC being crucial to a hardware set-up — although I absolutely recommend any one of the best wired gaming headsets. That said, the Topping is still very useful as an affordable entry-level DAC for my music that can get double use for gaming.

• Prices are going up across almost all the Apple Music tiers
• There are some bumps in Apple Music prices too
• These are the first price hikes we've seen since October 2022

Apple Music is the latest subscription package to get a bump in price, leaving users with the choice between paying more or losing access to the streaming part of their library. The bundled Apple One package that includes Apple Music now costs more as well.

As reported by Music Business Worldwide (via Engadget), the reason cited by Apple is "rising licensing costs". It's the first price hike for this particular subscription we've seen since October 2022. The new monthly prices are below:

The Apple One price increases are less clear, as they're not as easily available on the Apple website. It appears the Apple One Family plan is now $27.95 (up $2) / AU$24.95 (unchanged) per month and the Apple One Premier plan is now $39.95 (also up $2) / AU$52.95 (up AU$3), though the Apple One Individual plan has stayed at $19.95 / AU$24.95. Internationally, similar price rises are likely.

This comes at a time when everything tech-related is getting more expensive, from laptops to streaming services. Exploding AI resource demand has sent the price of memory and storage rocketing, and that continues to have a knock-on effect everywhere.

Loss of control

Apple raises prices for Apple Music and Apple One subscriptions from r/apple

Apple is of course by no means the first company to put up its subscription prices, but it's a reminder of the pitfalls of the digital rental model. As soon as you stop paying, you lose access — so if you need a service, you have no choice but to accept the higher price.

The online reaction has mostly focused on this too: "It's not even about the cost sometimes," writes one Redditor. "It's about loss of control over your finances. Companies can jack up their prices whenever they want." Few commenters seem ready to quit Apple Music, though many are pointing out the billions that Apple has in the bank.

Apple Music doesn't have a free tier like Spotify does, but it beats every other music streaming service in the support it gives you for local files. If you have enough MP3s and ripped CDs, you can use it perfectly well without a subscription.

As we've written about recently, Apple is selling more and more of its software products through recurring payments rather than a flat one-off fee, and one of the reasons is that it's more profitable — and makes it more likely that users will continue to pay up.

• Figures prove CD sales have grown more than record sales so far in 2026
• The data has been presented as part of a physical media boom
• Time to buy a CD player again — or a portable CD Walkman?

In yet another stat that seems to confirm ‘Sony ending PlayStation discs is not what we want’, new data suggests music CD sales growth has eclipsed vinyl in the first half of 2026.

It's hard to deny that a physical media boom is underway. First, there's the continued collective love for vinyl. Then, there's the backlash at Sony discontinuing physical games (along with removing the ability to play a standard CD on both the PlayStation 5 and 4) as well as the pushback regarding Netflix's 'streaming one minute, removed the next' movie library. All of this makes the physical product increasingly valuable and desirable. Did I mention Blu-Ray sales are also on the up in a big way?

To prove the point as far as tangible music products go, a report from Luminate Data suggests that physical media is more popular than ever. Sales of hard-copy LPs, CDs and tapes rose 7.8% through the first half of 2026, apparently.

But more intriguing is precisely what people were buying more of: the data suggests that CDs are spiking in popularity far more than records, which conventional wisdom would suggest is the format in vogue.

Apparently, while records grew by 2.4%, CDs jumped by 16.3%. This tracks with what we've been seeing recently, with retro-inspired CD players getting released all over the place.

No more vinyl?

For a good long while now, general consensus has been that records are the audiophile format of choice — the groove essentially is an analog wave of sound. The best turntables are on sale everywhere and new music gets released on vinyl as standard.

The thing is that digital (still very breakable, scratchable and delicate) compact discs might simply be another way forward, and sales certainly suggest a revival is underway.

It makes sense, since CDs are capable of pretty high-quality audio at 16-bit/44.1kHz, which is the starting point for hi-res audio (unless you're going for Super CDs, which can boast even higher bitrates and overall quality). Also, vinyl will always sound 'warm' and subject to the odd pop or crackle, owing to its design — and the fact that pesky dust particles exist, however much we try to eliminate them.

CDs are also slightly more compatible with modern software; you can burn them onto your computer or digital audio player relatively quickly — although granted, many decks now have a USB port for digital safekeeping of your more abstract presses and recordings.

What I'm saying is, this doesn't mean turntables and records are on their way out. There's something ineffable about the process of putting them on to play and hearing the imperfections and flaws. It's just that people are now seeing CDs as valuable too — and despite the fact that hardly any of the best laptops sport a disc drive these days…

• The European Union is working on tech repairability rules...
• ... except some 'wet appliances' are now exempt now
• This puts 'devices that are worn on the body' in a very gray area…
• …and yes, that probably means AirPods

E-waste worriers (and warriors) like me have been watching the creation of EU regulations with glee, since a selection of them will require tech manufacturers to put replaceable or repairable batteries in their gadgets. But now, there are a few new key exceptions to the rule.

Some major new clarifications, listed on the European Commission's website, mute the positive impact of replaceable, upgradable tech. These exceptions mean that wearables including smartwatches and fitness trackers don't have to be repairable — and I think it's ironic that these are precisely the kinds of gadgets you're more likely to throw out and replace, rather than try to repair.

The EU has moved these products to its "wet appliances" category, for gadgets which can't be kept repairable for safety reasons (ie, because they deal with water). However, no reason was given for why wearables, especially ones not designed for wet use (based on IP ratings) are now exempt.

While the EU's rule change doesn't actually mention AirPods (or earbuds in general), what the wording essentially means is that wireless earbuds, Apple watches and smart glasses reportedly also fall into this specific wearable category. Smart glasses are, to hammer home the point, really not designed for wet use — but their wearer might get caught in a rainstorm by accident, say.

There are two key pieces of information regarding the classification of small devices exempt from adhering to the EU's battery rules, as published in the recent guidelines. The first is that "Wearable devices are portable electronic devices that are worn on the body and often have sensors and connectivity to collect and transmit data. Examples of wearables include smartwatches, fitness trackers, smart glasses or other electronic devices integrated into clothing and other accessories".

The second? It's to do with those IP ratings for water- and dust ingress and whether the addition of a replaceable battery is "compromising safety". It states that if "there is evidence in the product documentation when placing the product on the market that battery replaceability and removability by end-users would compromise the safety of the user or the appliance", the product may be exempt.

So your AirPods 4 with ANC will likely no longer need to feature replaceable batteries because of the EU, including the case itself.

An Apple a day keeps the e-waste away

It's no secret that e-waste is a massive issue: according to the United Nations, the amount of discarded electronics we produce is rising five times faster than our ability to recycle it.

It's why the EU recently pushed through rules to ensure tech is repairable. A pair of headphones that break might just need a new battery; you don't need to buy a whole new pair.

Apple users have been begging for removable batteries in iOS devices, especially AirPods, as we argued back in 2024. AirPods are the best-selling earbuds in the world (and it's not even close), so at least some of them end up in landfill when they stop working, despite Apple's conviction to recycle any that get returned to its stores (Apple doesn't offer any trade-in value for AirPods, but dropping them in for recycling is free).

I believe it's important for all tech to be repairable (see B&O's long-running 'Cradle to Cradle' approach, even buying back and refurbing its own kit, to give it a new life), but doubly so for the ubiquitous kind.

Apple's way is of course a viable way to keep your eco credentials, while disposing of unwanted buds, but it's not the best way. That would be replaceable batteries, small and fiddly though it might be — and it is possible, because Fairphone has been doing it for a little while.

As per the mantra drilled into school kids: reduce, reuse, recycle, in that order. Reusing old earbuds, by repairing them, is much better for the environment than recycling them, and so it's a shame that the EU is giving out exemptions like candy.

If you have any broken tech, be it headphones, earbuds or something else entirely, a repair is always your first port of call before disposing of your existing ones. It's cheaper and quicker than buying new tech and, most importantly, is better for the planet. And if you do need to buy new tech, consider online or physical refurb shops such as Back Market, which repair others' gadgets.

• We Are Rewind's WE-001 tape player gets a limited-edition The Dark Side of the Moon edition with a custom design
• Includes the first tape version of the album's 50th anniversary remastered edition in the box
• Available today for $199 / £159 (about U$310)

Every so often, I'll receive an email about products that a product launch that actually makes me say "Oh damn!" out loud. And seeing the first images of We Are Rewind's new version of its cassette player decked out in Pink Floyd livery was one of those occasions.

The limited-edition 'Pink Floyd X We Are Rewind' version of the WE-001 portable cassette player (which I first got my hands on in its regular edition back at CES 2025) is obviously super-tempting for its beautiful The Dark Side of the Moon imagery on the front (with a Pink Floyd logo on the back), but it also comes with a certificate and a tape version of Dark Side in the box.

The cassette is especially interesting, because it's the first time the 50th anniversary remaster of the album has ever been available on tape — and might well be the only time.

Pink Floyd's Nick Mason joked, "I still have my Nakamichi on the shelf and look forward to testing it with the new The Dark Side of the Moon cassette. Am I correct in assuming that the next major issue will be The Dark Side of the Moon in a large package consisting of the album divided up into 78 RPM discs?"

I already have a WE-001 sitting on my shelf at home, next to my amp, and yet I find myself extremely tempted to pick this new version up anyway.

The WE-001 player is modernized tape player, with a cool aluminum design, and Bluetooth 5.1 support as well as an audio jack for wired headphones. A release from We Are Rewind says there's a "unique headphone amplifier designed with cassette playback in mind" — and it sounds nice, I have to say, though if you're picking up vintage tapes the quality may vary depending more on the tape than what's inside the player.

Even more pleasing is that if you want to get back into mixtape culture (and I do! I've written about wishing streaming services offered more options around this in playlists), there's a line-in — so you can record to tape from another player.

But my desire for this version isn't really about anything the player can do or what it sounds like. I just want that thing on my shelf.

If you feel the same way, it's available to buy now (while it lasts) for $199 / £159 (about U$310). The non-Floyd version of the WE-001 costs $159 / £129 /AU$269.

If prog rock isn't your thing, you might also be drawn in by another We Are Rewind special edition with quite a different look: the jewel-encrusted Duran Duran version.

• Skullcandy launches Crusher 1080 ANC, new premium over-ears
• They mark the debut of three Bose-made features in a non-Bose product
• Just launched and available right now, for $280 / AU$399.99 (about £210)

It is as I foretold: after we saw Skullcandy teases about new headphones, the brand has unveiled exactly the pair of cans I predicted. Meet the Skullcandy Crusher 1080 ANC; they're the pair that skate legend (and brand ambassador) Tony Hawk is pointing at in the picture above — yes, it really is him.

These are, according to the brand, its "best-sounding product" (although interestingly, not the most expensive because Skullcandy's Aviator 900 cans are a little pricier) and in case you didn't know, a 1080 in skateboarding involves three complete skateboard and body rotations performed either frontside or backside.

As a new member of its Crusher line-up, part of the draw will be the adjustable bass (see the big dial on the ear cup), but there's a lot more to celebrate besides that.

You can buy the Crusher 1080 ANC right now; they cost $279.99 / AU$399.99 (about £210) so they're a little cheaper than the likes of the $449 / £449 / AU$699 Bose QuietComfort Ultra Headphones (Gen 2) which they borrow features from.

They come in black, gray, brown, and pink, as you can see modelled sans Tony Hawk below. I rate them in the following order: brown, pink, gray, black, though I'd love to see a camo or floral redesign as Skullcandy is wont to do.

Colors aren't why you'll buy the Crusher 1080 ANC, though. No, it'll be because they offer three new Sound by Bose features at a non-Bose price...

That which we call a Bose by any other name would smell as sweet

We've seen Skullcandy headphones with Bose features before, but the Crusher 1080 ANC are the first pair of cans not made by the brand which have three specific features. And these three features are a big selling point of the product.

The biggest will be Bose QuietControl ANC, which is a massive draw within Bose's own products (including the QuietComfort Ultra Earbuds 2nd Gen). The company's noise cancellation is best-in-class, and now that proprietary Bose technology is baked into Skullcandy's headphones too. To many, this could be a reason to buy the Crusher all on its own.

Bose's TrueSpatial audio with head-tracking (for surround sound profiles irrespective of source material) and WaveForm audio engine (for snappy digital signal processing) are also stepping foot off the Good Ship Bose for the first time with the 1080. These will be great little extras to refine and finesse what Skullcandy already offers.

And that's before we even mention the Sound by Bose tuning and SpeechClarity voice pickup, to improve the music you listen to and your call quality. The latter is new to Skullcandy, but we've seen the former on some earbuds like my beloved Method 360.

And what about the headphones themselves, beyond the Bose stuff? Skullcandy hasn't confirmed the drivers, but I'd guess they'll be 40mm and joined by woofer units.

The battery life is 60 hours with ANC off and 50 hours with it on, which is pretty impressive; there's a 5-band EQ and other features via the Skullcandy app (not Skull-IQ, which some of the firm's earbuds use). Pictures show a dial on the side of the headphones, amongst other physical controls; I'd wager this is a redesigned bass slider, and given how easy it is to miss this on my Crusher 540 Active, I appreciate the rethink.

Reading between the lines, and having tested the Method 540 earlier this year (a 540 is a one-and-a-half skateboard and body rotation performed either frontside or backside, which I cannot do), I get the impression that Skullcandy is undergoing a push to really level up.

The company doesn't seem to be abandoning the commitment to bass that's defined its products in the past (or its love of athletes as brand ambassadors), but seems to want to bring that into a better-rounded audio package with higher-fidelity music on offer. And if the Skullcandy Crusher 1080 ANC is the culmination of this process, I'm really intrigued to know how they sound.