FiiO FG3: one-minute review

As an audio journalist, I’ve covered FiiO plenty of times; the brand is known for beloved digital audio players like the JM21 and digital-audio converters like the FA15. But I was surprised to see the brand enter a totally different market, trying its hand at a gaming headset.

The FiiO FG3 is the resulting device, and it clearly bears some of the audiophile DNA that FiiO is known for. It offers a coaxial dual-driver set-up, which is uncommon in games-focused headphones, and also totes a lightweight DAC control module to jump between audio presets.

So it should be a gaming gem, right? Right? Well, I think something was lost in translation.

FiiO’s hardware is fantastic for music, and the FG3 is the same, with the dual-driver set-up and handy EQ modes working well. However, it’s not quite as good for gaming, which isn’t ideal for a 'gaming' headset.

Audio is often too muddy and rumbly to do justice to the layered sound design of an immersive environment or frantic battlefield. It’s largely the low-end which lets the side down, with higher-pitched sounds cutting through pretty effectively. This won’t affect all games, and dialogue-heavy or rhythm ones will benefit massively from the tuning.

The fit of the headphones isn’t perfect either. While the cups are incredibly soft, the headphones squeeze and the headband is too firm. I had to take breaks from long gaming sessions to avoid my head hurting.

That all may sound like a series of criticisms, but there’s a lot to like here too. The cans are easily portable, and the control app being online-only is a breath of fresh air in this bloatware-riddled world (even if it rules out EQ control when you’ve got no internet).

The FG3 is also, crucially, pretty affordable, and I can see a discount or two making it an absolute bargain. If you’re reading this when they’re even $10 / £10 off, they’ll be an absolute bargain.

So it’s easy to look past some of the more annoying elements, or rougher edges, of FiiO’s sound tuning and design. But I can’t help but hope that the brand’s second foray into gaming headsets makes some improvements on what we’ve currently got.

FiiO FG3: Price and availability

• List price: $69.99 / £69.99 (around AU$140)
• Available in the US, UK and Europe
• Matches RIG R5 Spear Pro HS, undercuts other rivals

The FiiO FG3 sells for $69.99 / £69.99 (about AU$140, though at the time of writing, it’s not on sale in Australia), and was unveiled in June, 2026.

At that price, it undercuts many of the best wired gaming headsets, though it matches our top-rated pick: the catchily-titled RIG R5 Spear Pro HS. That makes it fairly good value for a gaming headset, with many alternatives going for three-figure sums.

For your money, you get the headset as well as a removable microphone, control cable and USB adaptor (which lets you plug the USB-C control cable into a USB-A port, if that’s what you have available).

FiiO FG3: specs

FiiO FG3: design and features

The FiiO FG3 comes with a non-removable cable, which connects into a 3.5mm jack. It’s not long, but it’ll reach a hand-held controller. However, it’s best to connect it to a control module which comes in the box; this offers you the ability to mute, change EQ or modify volume, and has a much longer cable which connects to a device via USB-C (or USB-A, thanks to an included adaptor).

These cans aren’t particularly unique-looking, although the cups are slightly canted, which helps them fit a head shape better. They rotate a little horizontally and vertically, which also helps with the fit, though some other elements like the thin metal headband or certain cheap-feeling plastic elements discourage any notion of these being premium headphones. There are no on-cup controls either.

While the ear pads are soft and comfortable, I did find that the padded headband wasn’t padded enough. Longer gaming stints ended in growing aches; the FG3 fit isn’t as comfortable as other gaming headsets I’ve used. A slight squeeze offered by the cans didn’t help either.

You can fold the cups in on each other, and remove the microphone, transforming the headset into a compact unit which is easy to transport (though it doesn’t come with any kind of carry case). Combined with a feature we’ll get to later, it’s a great headset for people who game in different venues.

Now onto the feature set. A potentially-divisive feature of the FiiO FG3 is that you don’t need to download a control app to clutter up your PC. Instead, FiiO’s website offers the ability to change EQ and flick between presets.

I loved the fact I didn’t need to download more bloating software onto my rig, and that I could tote the FG3 between different systems and locations and still customize them, but it does mean that you get no control while offline.

The control site lets you choose three presets, which the control module lets you change between: a gaming mode, a cinema one, and a music one. The latter list, which includes the custom mode, is the one I found myself using most.

This module also means you can still jump between your EQ presets when you're on a console or handheld, so your decision to play on a Switch, PlayStation or Xbox doesn't mean you're banned from customizable sound.

Don’t expect any Active Noise Cancellation (ANC) here. I found that the Passive Noise Cancellation (PNC) or natural ear cup blocking, managed to cut out annoying background sounds from my street, as did the closed-back design. But it won’t save you from louder interruptions.

FiiO FG3: performance

True to its audiophile heritage, FiiO has packed the FG3 with two drivers per cup: one 50mm dynamic driver designed to handle mid- and low-end, and a smaller 16mm dynamic driver for higher-end sounds. The benefit of dual drivers, rather than the sole unit found in most gaming headsets, is twofold: firstly, each being dedicated to different frequencies means that they can be better catered to them. Secondly, simultaneous sounds can be delivered with better clarity.

This latter is certainly true of the FiiO FG3, which has a distinct V-shaped sound profile; that means that bass and treble are well-defined and clear, though mids are a little lost. This isn’t a huge issue for gaming, as most sound effects are low or high ones, but it’s audible in music (including game scores).

It’s also clear that the high-end dynamic driver does its job well. Dialogue is easy to make out, even in frantic battles, including in-game audio and friends’ voice chats during gameplay. It’s also easy to make out nearby footsteps or the twinkle of a distant collectible.

However, I’m not as sold on the bass capabilities of the larger driver. In music it’s scooping and well-defined, but while gaming it lacks the power or ‘oomph’ of some other headsets I’ve tested. This means the chatter of your gunfire sounds a little dulled, nearby explosions lose a visceral edge, and roaring monsters sound like they have a sore throat.

Perhaps most importantly, the background rumble of a city or busy landscape which so often defines an alive-feeling open world felt a little too ‘rumbly’ for me. Some of FiiO’s equalization modes go some way to fix its issues, but not the whole way; I never found a way to stop the sound feeling a little muddy, and sometimes even made it worse.

A much-touted selling point of the FG3 is the use of Virtual 7.1, an algorithm which spreads sound to give a feeling of surround sound, without using 8 speakers (which would simply be 7.1 sound). It helps a little in spreading environmental and atmospheric sounds about you, though you’ll never forget that you’re simply getting spread-out headphone sound.

The removable microphone is… fine for purpose, but won’t deliver especially crystalline audio. Even recording onto my PC’s own voice recorder app, speech is a little crackly. However, I appreciate how dexterous the strut holding the microphone is: you can move it to different angles or heights, and there’s far more versatility than in many other headsets I’ve used.

Should I buy the FiiO FG3?

Buy it if...

Don't buy it if...

FiiO FG3: Also consider

Here are two more gaming headsets that we've given positive reviews to, if you're not sold on the FiiO FG3.

How I tested the FiiO FG3

• Used for three weeks
• Tested for gaming and other tasks
• Mainly connected to gaming PC

I tested the FiiO FG3 for roughly three weeks in order to write the review. Through this time, I used the headset while connected to my gaming PC; I tried to plug it into my Android phone, but the connection was stuttery.

The majority of the testing was done gaming; predominantly Nioh 3 and Total War: Pharaoh, but with time also spent on Old School Runescape, Isonzo, Slay The Spire, Crying Suns and the Mortal Shell 2 beta. I also used the headset to stream music while at work, and watch YouTube videos and TV shows.

Since I review audio products for a living, I have plenty of experience testing gaming headsets (and using other headphones for gaming purposes). I've also tested other FiiO products.

First reviewed August 2026

Read more about how we test

Onimusha: Way of the Sword has blown me away after 30 hours with its engaging, emotional, and immersive narrative, filled with epic combat encounters. Capcom nailed the sword-fighting in almost all areas, further aided by some of the best boss battles I've ever played in the action-adventure genre.

The enemy variety in Way of the Sword appears a little weak initially, but fortunately, there is surprisingly a decent number of diverse enemy types to tackle, some of which will put players' skills to the test, and enemies that tie directly to some of the darker and morbid aspects of the story — giving me every bit of motivation to defeat those responsible.

Much like previous games in the Onimusha series, upgrades and enhancements work by collecting red souls from defeating enemies or by finding other necessary resources to stay well-equipped for more difficult encounters or boss fights (because there are many of them).

Capcom has blended elements from the beloved franchise with modern elements (notably thanks to the RE Engine, used in Resident Evil Requiem), creating a sword-fighting, narrative-driven experience that successfully revitalizes the franchise for future entries — and yet again, it proves that it's in the best form it's ever been in.

What it takes to be the strongest

In Onimusha: Way of the Sword, we follow Miyamoto Musashi, a confident young samurai looking to climb to the very top to be the best swordsman there is, battling rivals and those with the same goal. When an encounter with a fierce rival, Sasaki Ganryu, goes wrong, both Musashi and Ganryu are thrust into lives and roles neither could ever expect.

Genma (demons) are seeping into Kyoto, Japan, from the depths of hell, and chaos is unfolding, with the lives of innocents taken brutally, and formidable Genma tormenting those who are vulnerable.

Musashi and Ganryu seek the same goal: master the blade and become the ultimate swordsman. However, both will eventually learn that far more important matters are at stake: humanity's attempt to repel Genma is in dire need of attention, and with Ganryu led astray, it's up to Musashi to forge the right path to heroism.

Equipped with Oni gauntlets, Musashi and Ganryu possess strengths far above the ordinary human, with plenty of abilities to challenge and defeat Genma. However, as expected, with that power comes plenty of responsibility.

Do strength and power derive from one's own efforts? Is it honorable to seek absolute power with the sacrifice of innocents? These are questions Musashi is left to answer throughout his journey, learning through victory but also through trial and error, ultimately creating an engaging rollercoaster that kept me on the edge of my seat.

Musashi is far from perfect in his use of Oni powers, but the character's development throughout the Way of the Sword and his bravado (significantly amped by the face model of the late and legendary Toshiro Mifune) are the strongest aspects of the game, keeping you coming back for more after each main story mission.

Miyamoto Musashi shines in every single cutscene, with a level of charisma that accurately represents the legendary Japanese figure, Musashi himself, and Toshiro Mifune's prowess. (Video Credit: Capcom)

As much as Onimusha: Way of the Sword maintains a strong focus on sword combat, it's very much a strong cinematic experience, with cutscenes that are absolutely phenomenal. The level of detail in every character's facial expressions and speech makes it feel like you're watching a movie at times.

Unfortunately, that makes the switch back to gameplay and dialogue sequences quite jarring. It's not that the visuals aren't great during gameplay; it just doesn't match up to those cinematic sequences, and I found myself constantly wishing gameplay looked as great as those important cutscenes — but ultimately, those beautiful visuals are designed for what's most important: the story.

Exceptional, addictive sword combat

Unsurprisingly, the combat in Onimusha: Way of the Sword is fantastic, taking fundamentals from what series veterans are accustomed to, alongside new and exciting skills, making every encounter entertaining.

As mentioned in my preview, the Issen technique makes its return, allowing players to viciously strike enemies right before being hit, and it makes for an incredible spectacle.

More importantly, parrying and deflecting are pivotal to overcoming foes in Way of the Sword. Just like Sekiro: Shadows Die Twice by FromSoftware, both defence options significantly deplete enemy stamina or 'posture', leaving them open to attacks for huge damage.

Way of the Sword treats Sekiro's 'deathblows' slightly differently; instead of one central area to attack, players have several options for areas to strike against bosses.

In scenarios where Musashi runs out of Hozuki (used for quick healing), most bosses will have a limb or part of a weapon (notably with the Byakue boss) highlighted in purple that is filled with red, yellow, blue, and purple souls, but does less damage to the enemy compared to the traditional main attack.

It's an aspect of combat that creates a dynamic back-and-forth between Musashi and various bosses, especially if you need more yellow souls for health from dealing too much damage earlier on.

Patience is key when attempting to execute Issen or Chain Issen, as the timing window is very narrow, more so than those for parries and deflects. When mastered, though, you'll overcome most enemies with ease. (Video Credit: Capcom)

Capcom did promise that enemies further into the game's story would be more difficult, after players voiced concerns that the demo was too easy. While I can say that endgame enemies are certainly more formidable and aggressive, some even making me sweat when in larger numbers, most basic enemy encounters are still easy.

This is directly due to Capcom's design for Way of the Sword's combat, which is very obviously focused on replicating samurai-like fights, taking after historical samurai duels that often ended in a single strike. Enemies won't attack Musashi in groups, making clashes with enemies easy, but I can see what director Satoru Nihei was aiming for with slower, more deliberate, and steadily paced sword clashes.

Fortunately, once you beat the game, you'll unlock the hard mode, Carnage, which is encouraged for use in New Game Plus. This raises the stakes to a new level, as a single hit could result in death, similar to Sucker Punch's Ghost of Tsushima and its Lethal difficulty.

While that doesn't directly address the fundamental aspect of enemies not attacking Musashi all at once, it will keep players on their toes to remain efficient in combat.

Onimusha: Way of the Sword genuinely has some of the best animations I've ever seen in any video game, particularly when parrying. Musashi oozes so much swagger in every single fight, making his confident and cocky attitude shine through combat, not just dialogue and cutscenes.

At the same time, I was slightly disappointed to see that Musashi's katana is the only primary weapon to use throughout the game. Yes, you'll find Oni Armaments on the journey, which effectively act as secondary weapons, but they require blue souls to pull off special attacks. It's a step away from a series tradition, where characters like Samonsuke or Jean Reno had a wide arsenal of weapons to use on the fly.

The game excels at its parry and deflect animations, but is surprisingly lacking in the number of animations for enemy finishers — and I couldn't help but feel like another primary weapon besides the katana would instantly fix that.

Nonetheless, Onimusha: Way of the Sword's boss fights make up for it, as they are easily the standout in an already immersive and addictive game experience. While some of the boss encounters are repeated too often, particularly during the game's climax, they are easily among some of the most epic boss battles I've played in games.

Besides the final boss battle, Dohatsu-ten is a strong favourite of mine, putting my reflexes to parry fast attacks to the test, and its design reminds me of Capcom's very own familiar and beloved half-demon, half-human demon hunter, Dante. (Video Credit: Capcom)

If difficulty is a major concern, fear not, because not only are the boss fights a fantastic spectacle, but they're also very challenging. Bosses will often launch attacks (where swords have a purple glow) that can't be dodged or blocked, so players must parry or deflect them or lose plenty of souls in the process.

Losing souls from being hit by an enemy's unblockable attack is very risky, as they'll be collected and used to make them even stronger mid-fight — and this is the last thing you'll want to happen during the final boss fight, which I won't spoil.

Players will also have to look out for bosses attempting to grab Musashi by hitting the dodge button just before it lands, as mistiming this results in serious damage and can single-handedly decide a fight. Pulling off well-timed dodges, parries, deflects, and counters to grabs makes the entire combat experience addictive, and once you unlock the Oni transformation, the game takes a new leap to greater heights.

What about performance?

I played Onimusha: Way of the Sword on my main desktop gaming PC, equipped with an RTX 4080 Super and an AMD Ryzen 7 5700X3D processor, and performance was the least of my concerns. Through most of my 30-hour playthrough, I played at maximum graphics settings at the 3440x1440 display resolution, with DLSS Quality enabled, and consistently stayed above the 100 fps mark.

When testing the game on my Lenovo Legion Go S Z1 Extreme handheld gaming PC, I could easily hit around 40fps with graphics settings preset to medium, with FSR set to balanced, at around 24W (power consumption).

This is another Capcom game that runs very smoothly, which was a worry considering some of its semi-open world hubs. The RE Engine seems to struggle in open-world (open-area) games like Dragon's Dogma 2 and Monster Hunter Wilds, rather than those with linear environments in Capcom's Resident Evil games.

I did experience a few odd moments of heavy frame rate dips during some cutscenes, but these were few and far between, so it didn't break the flow of important narrative development.

There is full ultrawide support in both cutscenes and gameplay, which isn't exactly common for PC ports, as the former is often restricted to the 16:9 aspect ratio.

Should you play Onimusha: Way of the Sword?

Play it if...

Don't play it if...

Accessibility features

Onimusha: Way of the Sword has plenty of accessibility options, notably color blindness aids alongside visual and auditory accessibility presets. Within those presets lie options such as subtitles (toggle on or off), subtitle size, subtitle background, menu text size, and HUD size.

There are also numerous options to change the blood color, disable dismemberment, remove action prompts, and motion sickness reduction settings.

Players can also change keybinds for mouse and keyboard play, while there are several different options for sprint control (toggle or hold), deflect control, menu cursor speed, and even one to disable the Windows key's functionality.

The game ships with DLSS 4.5 and FSR 3 frame generation, CPU performance presets, and ray tracing, which doesn't seem heavy to run — at least on a high-end gaming system.

How I reviewed Onimusha: Way of the Sword

Most of my 30-hour playthrough of Onimusha: Way of the Sword was on my main gaming PC, using the LG 45GS95QE OLED ultrawide display, providing exceptional immersion thanks to its 800R curvature.

During my trip to Gamescom, I put Onimusha's performance to the test by lowering my Lenovo Legion Go S handheld's TDP as much as possible, and was quite impressed by how steady it was around 40fps. It's certainly possible to achieve 60fps, but it would require lowering graphics settings further and increasing the TDP.

First reviewed August 2026

Recently I’ve been playing Deathloop, Twelve Minutes and The Forgotten City: three time loop games all released in 2021.

That year produced a bumper crop of time loop games, with games released one after another in the span of three months. But while I’d first experienced — and since replayed — Twelve Minutes when it was first released in August 2021, The Forgotten City and Deathloop had been stuck in my backlog for a while, their critical acclaim placing them high on my priority list until I finally made time for them.

Time loops fascinate me because, in a way, the device is endemic to videogames. If you can’t get past a certain segment in a game, you would play through it over and over again, the repetitions of these game loops a facsimile of these temporal cycles. The key difference, at least in a time loop game, is the character’s growing knowledge of their circumstances, as they are driven to figure out why this seemingly inescapable reality is happening to them.

As such, time loop games become a nifty narrative puzzle, with new details fed to them in every cycle, while introducing wrinkles in gameplay that transform a typical game loop, be it exploration or point-and-click, into invigorating, investigative work.

What I’ve learned playing these games is that time loops are also a way to invite introspection. While Twelve Minutes is a stylishly intimate nightmare of Freudian proportions, The Forgotten City reckons with the concept of immortality and morality, set in the days of the Roman Empire.

Then there’s Deathloop, in which the very people who stay on Blackreef Island wield the time loop anomaly as a device to be abused. The games are all remarkably evocative from the very first loop, although some are eventually ensnared by the repetitive, sometimes verbose trappings of this narrative device.

And for these three games, the loops have unravelled the mysteries at their core in vastly divergent ways.

Cycles of brutality

Let’s start with Twelve Minutes, a star-studded affair that features the voice talents of Hollywood heavyweights Daisy Ridley, James McAvoy and Willem Dafoe.

A top-down point-and-click game, it begins with you arriving home after work and settling down for dinner with your wife. Some minutes later, a cop barges in to interrogate both of you, resulting in a violent scuffle that you would eventually pass out from. The cycle restarts, and you’re returning home from work once again.

It’s an extremely gripping start, and changing your circumstances means tinkering with objects in the vicinity, from a hidden, unopened present to even fiddling around with a light switch. And as the cycles inevitably continue, you’ll see patterns emerge, like your wife reading a book, or her anticipation as she waits to break an exciting piece of news. In a world where the perimeters of time have disintegrated, these become routines that you simply must disrupt in order to glean more insights.

The unfortunate reality, however, is the sheer violence it inspires. Twelve Minutes is ultimately bogged down by these cycles of brutality, with the consequences-free nature of these cycles meaning you can even stab your own wife just to see what happens. At the same time, these routines soon become dreary and tedious to relive over and over again.

Then there’s its twist ending about your wife’s actual identity, a revelation that remains just as distasteful when I experienced it again years later.

Historical loops

The Forgotten City, on the other hand, uses the time loop mechanic to tell a vastly different tale of historical fiction.

You stumble upon a portal that takes you back centuries and into an underground city in ancient Rome, where its denizens have to obey the Golden Rule at all costs: when one sins, everyone will be turned to gold.

The point is to break the cycle, and your first lead is to discover the identity of a would-be sinner who may doom the whole city. Unspooling the narrative thread that holds The Forgotten City means exploiting the time loop, as each cycle introduces new information that can reshape the outcome of its mystery.

What’s notable is that The Forgotten City takes its time to portray its denizens as folks with very personal stakes in this hellish reality, with some even bringing up intriguing theories about the Golden Rule. It’s a deftly written tale rooted in a historically accurate setting, filled with fascinating twists and turns that hardly become overwrought.

Yet some quibbles persist. The incredibly helpful Galarius will be your best guide and buddy in this city, but his tendency to dash off and fulfill tasks you’ve completed in previous cycles (so you don’t have to do them again), unquestioningly, is an oddity you’ll need to overlook, alongside some inexplicable coincidences the story throws at you.

Then there’s the game’s finale, which concludes on a cheesy and self-aggrandizing note that slightly sours the experience.

For a game predicated on tightly conjured twists and in-depth discussions on morality, it’s a pity that The Forgotten City struggles to find its footing towards the end.

Breaking the cycle

But perhaps my favourite time loop game from 2021 is Deathloop, which wields the time loop conceit without falling prey to tedious repetitions.

Like Twelve Minutes and The Forgotten City, Deathloop doesn’t steer far from the basic structure of investigating and breaking the loop, but it does inject new ideas into this formula so the cycles never feel trite. Waking up every morning at a deserted beach, you eventually realize that you’ll need to kill eight individuals in Blackreef within a single day.

It’s a seemingly impossible objective initially, but becomes within reach as you tamper with the events through your knowledge of the time loop. But rather than chuck you in a constrained space, there are four different districts, across four time periods (morning, noon, afternoon and night) to visit.

Every cycle still remains compelling to revisit even after your day ends and the loop restarts, as Deathloop drips tantalizing leads and revelations to you gradually.

Each district, too, will differ depending on the time of your visit. Certain events may render a part of the map inaccessible until a specific hour; for instance, one of your targets may be hosting a party only at night in the Updaam district, and another would be busy tinkering away at their research in the afternoon at the Complex.

Making your jaunt across these places even more hair-raising is the abrupt appearance of your arch-nemesis Julianna, the only other person on this island who retains her memories across these temporal cycles. She’s hellbent on stopping your progress, and her appearance tends to ratchet the tension to a thrilling degree.

Yet the inability to quick save and exit the game at any point is extremely aggravating. This is by design — a means, perhaps, to avoid save-scumming — but quitting the game before you exit a district means losing whatever progress you’ve made in the same visit.

One thread that ties these three games together is the need to achieve the perfect, flawless run. It’s a trait that harkens to the original, endemic loop of videogames, and therein lies the lasting appeal of time loop games as well; you keep trying, and trying again, to make sure you eviscerate every foe, uncover every conspiracy, and discover the reason behind the time loop’s existence.

You’re neatly checking off every task in the list. It’s the ultimate display of efficiency and accomplishment — a satisfying way to complete and bring these games to the finish line.

The Duskbloods has been one of my most anticipated games of 2026 ever since it was announced back at that first Switch 2-centric Nintendo Direct. Now, having finally had the chance to play it briefly in the game’s recent network test, I’m pretty confident it will be one of the best Nintendo Switch 2 games... For the most part.

It all began with a tutorial segment that lulled me into a false sense of security. Being a solo instance, it taught all the basics of The Duskbloods like melee and ranged attacks, character skills, general game flow, and what you should be planning to do during an online match. I was able to go about these tutorials at a leisurely pace, which absolutely isn’t the case when you hop online against real players.

My biggest takeaway from The Duskbloods network test is that, during an online match, you should always be on the move. Much like Elden Ring Nightreign, it’s massively beneficial to be thinking several steps ahead. And that turns out to be quite difficult; avoiding bloodthirsty players is hard enough, but it’s even harder when you’re so tempted to stop and whiff the blood-tinged roses of The Duskbloods’ delectably macabre world.

It’s Zork’s world now, we’re all just living in it

To quickly go over the rules of engagement, matches in The Duskbloods take place over several phases, each around five minutes in length.

After selecting a Bloodsworn (the game’s playable characters), you’ll choose a point to spawn in the small-but-dense map. During the first phase, you’re encouraged to start building up Virtue by killing enemies, looting items, and lighting the skulls of corpses sat on thrones (it’s a FromSoftware game, did you expect anything less?).

Virtue comes in many forms, and can also be accrued by fulfilling your character’s Sigil requirements in each phase. Sigils are optional, but can drastically alter how you play. Sigil of a Sworn Enemy, for example, tasks you with defeating a marked opponent in each phase. Sigil of an Old Friend is the opposite, and has you seeking out another player to ally with. These are extremely useful for gaining Virtue, and you’ll need a lot of it, as the two players with the least amount of Virtue at the end of a phase are ‘culled’, removing them from the game.

On that note, I think The Duskbloods features one of FromSoftware’s most compelling approaches to co-op I’ve seen in one of its games to date. At any time, you can highlight a player you come across and request an alliance with them. If they accept, you’ll no longer be able to harm each other and can work together to build up Virtue. However, the bond is broken in the final phase in which the remaining players battle it out in good old-fashioned PvP.

Players can also engage in co-op by answering calls to help against formidable boss enemies. Doing so and defeating the boss will net you huge amounts of Virtue. However, it does so for all other participating players, too, so knowing when to partner up and when to go it alone is an important decision in and of itself.

In short, I’m already in love with The Duskbloods and its uniquely fast-paced approach to PvPvE multiplayer. Its playable characters have universal aspects, but differ greatly in skills and appearance. Deep-sea diver and human rocket Zork is a clear standout, and while he seemed a little overtuned in the network test thanks to his tremendously powerful ranged abilities, not a single one felt weak or disadvantaged.

I really can’t wait to see how The Duskbloods opens up in the full release, especially as we know there’ll be even more maps and Bloodsworn to experience. There’s no release date for The Duskbloods just yet, but it’s expected to launch sometime in 2026 exclusively on Nintendo Switch 2.

What a difference a year makes. Back when the Nintendo Switch 2 was first being shown off in 2025, Elden Ring Tarnished Edition looked like a disaster.

Preview events allowed journalists to play a horribly compromised game with a flipbook framerate, then tellingly wouldn’t let them share any footage of it. This seemed destined to be an embarrassment of a port that would have Mario hanging his head in shame, if not outright giving up.

I don’t know what deal with the Devil the developers made to get this port in its current state, but it’s made a Satanist out of me. Elden Ring on Switch 2 is a revelation, the new gold standard that third-party ports should be judged by. It’s perfectly playable and smooth in handheld mode, with only the most minimal and unobstructive pop-in.

Even the included Shadow of the Eldtree expansion, with its increased level of visual detail and colossal wicker men enemies stomping about, runs like a dream. It’s the kind of port that restores your faith in the Switch 2. Perhaps anything really is possible on this little machine.

Arise now, ye tarnished

For the uninitiated, Elden Ring is essentially open-world Dark Souls, the brutal action-RPG that every other action-RPG has annoyingly been ripping off ever since.

So combat rewards perseverance while also punishing even the slightest mistake. Every time you die, you lose all your levelling-up currency and have just one chance to get it back. And it’s all set in a dark medieval fantasy world that’s so grim it makes House of the Dragon look like an episode of Peppa Pig.

Elden Ring takes that winning formula and blows up the scale dramatically. It’s the most confident and successful leap a series has taken to going open-world since Nintendo’s own The Legend of Zelda: Breath of the Wild. This is a game all about charging through gorgeous fields on horseback, because a) you’ve spotted an epic castle on the horizon you want to explore, and b) a giant is shooting arrows at you, and you desperately need to find some cover.

The Lands Between, Elden Ring’s absurdly large setting, is beautiful and deadly in equal measure. And it’s really deadly. Birds with swords strapped to their legs swoop in for the kill. Knights on horseback roar to the Heavens and are rewarded with lightning storms cascading down upon you.

Even a lowly zombie tossing a rock at you can be lethal if you’re not paying attention. Few games demand you lock in to succeed like this and fewer still reward you so immensely if you do.

Slice, spell, scream or smack?

You’re spoilt for choice on how you take it on, too. There are swords, axes, hammers, magic, curses, hand-to-hand combat (surprisingly effective, that), roaring (ditto), horseback jousting, and far more to be covered here. Stick with one weapon, and you’ll still have fun, but keep swapping out your loadout for new toys and you might just find your favourite gaming weapon ever.

The variety here is ridiculous, every dud weapon offset by another dozen inspired ones. Impressed with the last attack the latest boss fight used on you? Chances are, you can find the weapon they used on you and learn how to execute its special attack yourself.

Its world starts with traditional green fields and foreboding castles designed by architects who clearly never visited a cosy cafe once in their horrible lives. Gradually it gets more delightfully surreal, like a golden city drenched in ashes where the music is actually being performed by the enemies you’re fighting. Or a village full of dancing, giggly oddballs who’ve watched Midsommar a few too many times.

The city hidden beneath the map is easily one of the most incredible-looking environments I’ve ever visited in a videogame. Oh, and died in. Repeatedly.

Every inch of The Lands Between is occupied by monsters, warriors, dragons, and enemies who really look like giant sentient sperm, and all of them want to say a very violent hello. It should get repetitive.

Outside of the occasional puzzle, this game is basically all-combat all the time. But the sheer variety and depth to its combat system practically dares you to get bored. Each enemy is almost a puzzle in itself, as you slowly learn their attack patterns, weaknesses, and how effective they are at outrunning a horse. Not at all? Perfect, bye then!

That open-world structure helps stave off repetition too. There’s plenty of brick wall boss fights that you’ll spend hours bashing your head against. But whenever you’re stuck, you can just hop aboard your magical double-jumping horse and gallop somewhere else. It means you can be swordfighting with poison-spitting bug men one moment, and then in an epic joust with a dragon barely ten minutes later.

Barbie’s Horse Adventure 2?

You can also find alternate outfits for your horse now, presumably to finally get the My Little Pony crowd aboard the Soulslike train.

Gameplay benefits? None whatsoever, but it’s a cute novelty. I liked being able to dress Torrent up as the golden steed of one of the more irritating enemies, even if it does make them a little noisier. So if you’ve been on the fence about Elden Ring because you worried the horse wasn’t noisy enough, this is definitely the time to jump in.

The story? At first it’s about as impenetrable as Xbox’s gaming strategy. Your only hope of figuring out its mysteries is to examine every item you find, most of which contain a line of lore. There’s now a ‘recent items’ tab that shows everything you’ve recently picked up, which makes this far easier. This is my third time playing Elden Ring, and I believe I understood a whole 23% of the plot this time - a new personal best.

Two new starter classes have also been added. Heavy Knight, who’s a thickly-armored chunky boy who can tank a fair few hits. Obviously incredibly useful, but I opted for the other new starter, Idus Knight, who wields a sword that delivers a superbly satisfying double-strike.

There’s some new armor sets and weapons out there, too. These are nice touches for returning players, but hardly a reason to buy the game again if you already own it on another format.

No, the justification for that double dip has to go to handheld mode. I played this port for a solid week in handheld before remembering that I should probably see how it looks on my TV for this review. That’s how impressive it is, even if not every area is an unequivocal success. Liurnia of the Lakes probably takes the biggest hit, with a lot of foliage and scenery constantly fading in.

But vitally, none of the monsters suffer from any of that pop-in nonsense. It’s a smart trade-off to ensure that, even when the game is mildly struggling, it never puts you at a gameplay disadvantage. The fade-in is lessened docked, but naturally a little more noticeable on the bigger screen. Very occasionally when a lot of enemies are on-screen - a dragon and its dozen skeleton minions, for instance - some of the monster animation gets a little jerky. But it’s minor, rare, and even then has a certain Ray Harryhausen stop-motion charm.

I got two and a half hours of battery life out of my Switch 2 consistently while playing it, making it ideal for short flights or long train journeys (don’t start fighting a boss if your stop is coming up).

I can’t wait to stop typing these words so I can sink more hours into it. This is a major technical achievement on basically every level, resulting in an outstanding port of one of the best games ever. Essential.

Should you play Elden Ring Tarnished Edition?

Play it if...

Don't play it if...

Accessibility features

Controls can be remapped, and gestures are tied to motion controls (this can be switched off).

Subtitles are on by default, and the image quality can be adjusted when HDR is enabled, which is only available when docked, naturally.

The tutorial is still laughably bad, but help screens can at least be reviewed at any time.

How I reviewed Elden Ring Tarnished Edition

I played about sixty hours, mainly in handheld mode. Not enough time to defeat every optional boss - yikes - but I made sure to explore all the major areas, Shadow of the Erdtree expansion, and anywhere I suspected might suffer from a performance dip. I was constantly pleasantly surprised.

First reviewed August 2026

• The Future Games Show will return with three digital showcases at Gamescom 2026
• It will air on August 26, offering a look at over 40 games
• FGS Live From Gamescom will immediately follow, and the FGS Best Of Gamescom will return on August 30

Opening Night Live has officially wrapped, but there's plenty more to come from Gamescom 2026, as the Future Games Show will return with three digital showcases — here's how you can watch.

Future Games Show at Gamescom is the first of the three broadcasts and will air the same day the industry event kicks off, on August 26 at 10AM PDT / 1PM EDT / 6PM BST / 7PM CEST / 1AM CST.

You can tune in to the digital showcase at Twitch, YouTube, X, TikTok, Facebook, and GamesRadar+.

Hosted by Resident Evil Requiem stars Nick Apostolides and Angela Sant’Albano, fans can expect a guide through more than 40 games, including 13 world premieres, exclusive reveals, and developer deep dives "from some of the industry’s most exciting and creative studios."

Some of those include a behind-the-scenes look at Tides of Annihilation from Eclipse Glow Games, a closer look at samurai swordplay action game Onimusha: Way of the Sword, a new trailer for Moonlighter 2: The Endless Vault from Digital Sun Games, and a trailer for Trees Hate You, a comedy adventure, and many more.

FGS Live From Gamescom will immediately follow the main showcase on August 26, hosted by FGS channel presenters Nathan and Jules, and feature more world premieres, trailers, news, and interviews from the Gamescom Koelnmesse convention centre.

This includes Apart, a new third-person adventure horror game from Turnkey Games; Nivalis Nights, a slice-of-life sim set in a cyberpunk city; a cozy coop horror game called Haunted Paws; We Are So Cooked, a 1-4 player co-op physics-stealth game; and the sequel to retro first-person shooter (FPS) Warhammer 40,000: Boltgun.

Finally, FGS Best Of Gamescom will return on August 30 at 10AM PDT / 1PM EDT / 6PM BST / 7PM CEST / 1AM CST, and bring viewers the "best of" the Gamescom show floor, including gameplay demos, booth tours, exclusive developer interviews, and a recap of all the week’s biggest announcements.

It’s my job to review all sorts of things here at TechRadar, whether that be phones, speakers, video games, chargers…you name it. But today, I’m taking a journey into the unknown. I’m reviewing some donuts.

Not just any donuts, though. I’m talking about the Pokémon x Krispy Kreme collaboration. The new donuts are available now across a number of markets, including the US, Canada, and here in the UK, with a number of options to choose from. In the UK, you’re able to try out a Pikachu, Jigglypuff, Charmander, or Poké Ball donut, though some markets also get the Gen 1 icons Bulbasaur and Squirtle… lucky.

So, are the new Pokémon x Krispy Kreme donuts any good? I’ve tried all of the available options in the UK, and my answer is clear. I’ll break down all of the designs, flavors, and more, and give my rating for each donut as we go. So, gotta munch ‘em all? Here’s what I think.

1. Pikachu

It only seems right to kick things off with the series mascot, Pikachu.

This is a filled donut, with lemon sherbet cream inside, lemon-flavored icing, ‘fizzy’ thunderbolt sprinkles, and an edible Pikachu plaque. The design has plenty of flair and personality, and captures Pikachu’s signature move nicely, making it arguably the most eye-catching in the set.

Look, I’ll put my cards on the table. I’m not a big fan of lemon desserts, like lemon drizzle or lemon tarts. As a result, this was the donut I was probably the least excited to try. But you know what? I ended up enjoying it a lot more than I’d expected.

The sweetness of the icing cuts through the sourness of the lemon, resulting in a well-balanced, satisfying flavor. The thunderbolt sprinkles weren’t very fizzy, but still added a nice dash of zest into the mix, and the edible Pikachu (Pika-chew?) is, as you’d expect, pretty delicious.

If you can satisfy a non-lemon lover, that’s got to net you a good score.

• Pikachu donut rating: 4/5

2. Jigglypuff

Jigglypuff is another iconic first-generation Pokémon that had starring roles in the anime and has even become a staple of the Super Smash Bros. roster — I can totally see why it made the cut.

This item is essentially one of Krispy Kreme’s standard Original Glazed donuts, but has strawberry frosting, strawberry biscuit crumbs, and an edible Jigglypuff plaque. It has a cute and charming look which is very on-brand for the character, but does it have the flavor to match?

Yes, yes it does. The Jigglypuff donut was another one that surprised me. I do like strawberry, but it’s not one of my favorite flavors out there. But this donut was absolutely delightful. I’m a big fan of the usual Original Glazed flavor, and the strawberry frosting was sweet but not overpowering at all, with a subtle fruity taste that instantly won me over.

The strawberry biscuit crumbs also add a healthy dosage of crunch to the donut, and I did prefer this one to the Pikachu overall. If you’re looking for a donut that looks as sweet as it tastes, but isn’t too bold and overpowering, this is the perfect option for you.

• Jigglypuff donut rating: 4.5/5

3. Charmander

Charmander is one of the most beloved Pokémon of all time. It’s a starter option in Pokémon Red and Blue and their remakes Pokémon FireRed and LeafGreen, and evolves into the mighty Charizard, known for featuring on extremely expensive trading cards and being a dragon, yet not actually being a dragon type…anyway… I digress.

This is another filled donut, with a dulce de leche (similar to caramel) and marshmallow filling, topped with caramel icing, red and gold sugar, and a Charmander edible plaque. Its vivid orange icing matches the fiery nature of Charmander to a T, but how does it taste? Well, this wasn’t just my favorite donut in the collection. It was one of the best donuts I’ve ever eaten.

Where to start? The creaminess of the dulce de leche, the elegant marshmallow filling, the crunch of the red and gold sugar…it all comes together beautifully. I typically prefer something more minimalist, but this donut really worked for me. Its sweet yet rich flavors balanced against an eye-catching, vibrant look culminated in a top-tier eating experience, and if I had to recommend one donut from this collab, it would have to be Charmander’s.

• Charmander donut rating: 5/5

4. Poké Ball

Is the Poké Ball the most interesting donut in the collection? Not really. But it feels like a must due to the whole circular thing. It’s more akin to the Jigglypuff item, taking the form of an Original Glazed donut, but coming with white icing and red sprinkles.

If you’re looking to play it a bit safe, or if you’re not so keen on the other flavors, then the Poké Ball should be your go-to. It's more understated, with sweet yet simple icing complimenting the reliable Original Glazed recipe to perfection.

There’s some brown icing in the middle, meant to represent the center band of the Poké Ball that has a chocolatey flavor, and is pleasantly rich and flavorsome. Yep, no complaints from me — great donut!

• Poké Ball donut rating: 4.5/5

Verdict: should you buy the Pokémon donuts at Krispy Kreme?

I have to say, this was one of the most fun reviews I’ve done so far, and I was impressed with the quality of this collaboration. All of the donuts — even if they had flavors I’d typically skip — tasted great and had attention-grabbing designs to match.

Sure, they’re not the cheapest, coming in at £2.99 each (though I got a dozen to share for £21.99), but the quality feels worth the outlay in my opinion. So, there you have it.

This collab’s a hit in my book. But will you be trying the Pokémon x Krispy Kreme donuts, or have you already given them a go and want to share your thoughts? Let me know in the comments!

• FromSoftware president Hidetaka Miyazaki says, "there was never really any big plan" to release Elden Ring: Nightreign and The Duskbloods back-to-back
• Miyazaki still has "a heavy focus on single-player content"
• He suggests the studio will return to making single-player games after The Duskbloods arrives

FromSoftware president Hidetaka Miyazaki has suggested the studio could return to making single-player games after Elden Ring: Nightreign and The Duskbloods.

Many fans were surprised when FromSoftware announced its PvPvE action game, The Duskbloods, so soon after releasing its multiplayer, roguelike Elden Ring spin-off, Nightreign.

However, according to game director Miyazaki, who also helmed Elden Ring, Bloodborne, and Dark Souls, releasing two multiplayer games back-to-back wasn't intentional.

"It's funny because there was never really any big plan that these two games would both release next to each other," Miyazaki told IGN, explaining that since Nightreign was led by a different director, Junya Ishizaki, both ideas "just coincided with being multiplayer games."

"It's not necessarily some big reveal saying that this is the direction we plan to go moving forward," Miyazaki continued. "We still have a heavy focus on single-player content as well. This is just something that happened to work out the way it did."

The director then suggested the studio could dive back into making single-player games after The Duskbloods arrives, saying: "But it's like, the more you work on something multiplayer for a long time, if anything, it scratches that itch only to want to make something single-player again."

The studio's last single-player experience was Elden Ring, which launched in 2022, followed by the multiplayer spin-off, Nighreign, in 2025.

Next up for FromSoftware is The Duskbloods, which was announced last year as a PvPvE and Nintendo Switch 2 exclusive. Network tests are underway, but a release date hasn't been set.

• Logitech facing a class action lawsuit over tariff refunds, with the lawsuit alleging the company raised the price of some products to pass the cost of tariffs onto customers
• The US government collected an estimated $166 billion in IEEA tariffs which are to be returned to businesses, but their are no mechanisms in place to return the cost of tariff-inflated goods back to customers
• Nintendo and Sony are also facing lawsuits over tariff cost refunds

Following President Donald Trump’s return to power in January 2025, he almost immediately levied numerous International Emergency Economic Powers Act (IEEA) tariffs on imports of almost all goods coming into the United States.

According to Trump, the tariffs were imposed to boost domestic production of goods, and increase the purchasing of products manufactured in the US. Somewhat shortsightedly, the US was not able to suddenly change to the mass production of most imported goods and the tariffs were passed on to consumers as part of the price of imported goods.

Many of these and subsequent tariffs were deemed illegal by the Supreme Court of the United States, with around $166 billion in IEEA tariff revenue collected by the government to be refunded to businesses. Unfortunately, many businesses don’t really want to hand that money back to consumers, and Logitech is now being taken to court for it.

Tariffs refunded to businesses but not passed on to consumers

A class action lawsuit has been filed by Cotchett, Pitre & McCarthy, LLP, by the District Court for the Northern District of California, San Jose Division, against Logitech.

The lawsuit alleges Logitech raised the price of many of its products to cover the costs of the import tariffs, but the company has not made it possible for customers to claim back the tariff costs they covered.

As the companies were the ones who paid the tariffs, there is no mechanism in place for consumers to claim back the costs that companies silently imposed on them.

According to the lawsuit, Logitech investors were told by its executives that the price of its products had to be raised to offset the cost of the tariffs.

Around half of the Logitech product catalog saw price rises at around 14%, but the costs of some products were raised by as much as 25%.

Nintendo and Sony also in hot water

While the lawsuit singles out Logitech, numerous other companies have also been accused of raising the costs of goods to cover tariffs and then keeping the refunds for themselves.

For example, Nintendo’s operating profits were reported to be around $902 million between April 1 and June 30. But during the same period the previous year, the operating profit was around $360 million.

While some of this profit increase can be attributed to a boom in games sales and software purchases for the Switch and Switch 2, much of the profit has been alleged to have actually come from tariff refunds.

Nintendo claims to have covered the costs of tariffs itself despite the price of both Switch consoles rising by as much as $50 in 2025.

Nintendo has filed a lawsuit against the US government, demanding that the refunds from the “sweeping” and “constantly changing” tariffs be paid back with interest. Nintendo is also battling a lawsuit in court that demands the tariff refunds are also passed on to consumers.

Sony has been handed an estimated $508 million tariff refund, but raised the prices of key products such as the PlayStation 5 to cover the costs of the importation tariffs. A lawsuit has been filed, but Sony has made no indication that consumers who bought PlayStation consoles at elevated prices will see a dime back.

Metal Gear Solid 4: Guns of the Patriots has become something of a legend over the years, being the one big game in the franchise that never left its original platform – the PlayStation 3.

Finally, the port once thought impossible has returned in the new Metal Gear Solid Master Collection Vol.2. The first collection packaged the classic stealth trilogy with the MSX and NES games that preceded it, and this time around the package is headlined by the return of Metal Gear Solid 4 and the duo of the PlayStation Portable’s excellent Peace Walker and underrated Game Boy Color spinoff Ghost Babel.

Off the bat, it may seem like a bit of a raw deal for the second to only feature one bonus title compared to the first collection, which offers three of the greatest games ever made along with four bonus titles and two graphic novels.

However, the work done on Metal Gear Solid 4 is far more than the bare-bones re-releases of the first game and Bluepoint's 2011 HD Collection versions of Metal Gear Solid 2 and 3 found in its predecessor, while Peace Walker is a phenomenal mainline entry and Ghost Babel ranks among the series' greatest spinoffs (and is better than the NES games at least).

It's a fairer trade than the numbers suggest.

War has changed

Metal Gear Solid 4 is the crown jewel of this collection, and unlike the first – which had some major issues at launch – I'm happy to report that this is a phenomenal port. Running at 4K and a solid 60 frames per second (fps) throughout with massively improved loading times between areas, it's hard to see any flaws in this version of the stealth classic… well, aside from those that were already there.

Long thought unportable due to being made specifically for the esoteric PS3 system architecture and a hefty number of licensed products appearing in-game, Metal Gear Solid 4 remains mostly intact.

You still have the iPod; you still see the PS3 console in your plane. However, Konami has gone back and remixed some elements to make sense on modern consoles, with the famous "we're on PS3" scene changed to your platform of choice – even if the almost 20-year difference in Christopher Randolph's voice is pretty obvious.

In fact, the only thing I noticed that was missing was the now-redundant installation menu featuring Snake smoking between chapters.

Despite its notoriety, Metal Gear Solid 4 is a strange game. I'd even argue it's the worst of the six main games in the series, even if it is still a great time.

It gets off to a really strong start with chapters set in the Middle East and South America, featuring some incredible stealth gameplay with a unique battlefield stealth mechanic which allows you to manipulate the ongoing war between rebel militia and PMC groups.

It's a genius bit of game design, and it’s a shame that it's abandoned by the end of the second chapter.

After an Act 3, which boils down to a not-so-great tailing mission, Metal Gear Solid 4 goes off the rails with its plot, lengthy cutscenes, and gameplay segments.

Some of these are highlights of the game, such as the entirety of Act 4 or the final boss fight that ranks among the best in the series. However, some plot decisions and retcons make for the messiest story in the franchise's history – I won't go into detail, but a particular retcon about Metal Gear Solid 3's Para-Medic is a terrible choice that I'm still bugged by years later.

What's there is still a great game I'd recommend to anyone, though it's a shame some of the most interesting gameplay elements are abandoned almost entirely, even if the rollercoaster ride of set-piece and fan-service moments is a joy to play through.

The opening to Act 4 in particular is one of my favorite gaming moments ever and still gives me chills to this day.

We're nomads, and we always will be

Peace Walker, on the other hand, is an unsung part of the saga. Originally released on the PSP, it was somewhat overlooked, but this game is Metal Gear Solid 5 in all but name.

Taking place between Snake Eater and The Phantom Pain, Peace Walker is Metal Gear crossed with Monster Hunter, with a mission-based design that allows for short bursts of play. It introduced base management, weapon development, and nicking soldiers via balloon aspects that The Phantom Pain would later expand upon.

While not quite on the level of the original trilogy, Peace Walker has a great story, which helps show how Big Boss eventually became the person we saw as a villain in the original MSX games – arguably better than The Phantom Pain did. It also features one of the best supporting casts in the series, with Kazuhira Miller returning from Metal Gear Solid and being fleshed out into one of the series' best, while the likes of Amanda, Paz, and Professor Galvez are memorable additions to the series canon.

I say Metal Gear crossed with Monster Hunter, but nowhere is that more felt than in the bossfights, which have you take on massive mecha over a prolonged period. While I like this in theory, these bosses are unfortunately the worst the series has to offer – and aside from the titular Peace Walker and true final boss – are not memorable in the slightest.

Peace Walker also features co-op and versus multiplayer modes, which are present in this new collection, though I wasn’t able to test them over the review period. From my experiences with the HD Collection version, Peace Walker multiplayer is a blast.

This port is a bit rougher than Metal Gear Solid 4, mostly because there isn't too much you can do to make PSP assets shine in 4K. However, the addition of new higher-quality versions of the comic-book-like cutscenes by Ashley Wood is a welcome bonus

It's not over yet

If you played Master Collection Vol 1, you will have a good idea of what to expect this time around. Both main games come with a Screenplay Book and Master Book, which features rundowns of the story, background info on characters, and strategy-guide-esque details to let you find secrets in-game.

There are also soundtrack selections and the ability to download other language versions of the games if you please. The Metal Gear Solid 4 edition also features the Metal Gear Solid 4 Database app, which was released on PS3 around the launch of the original game, although sadly its version of Metal Gear Online is not present.

And while the bonus titles included the original MSX2 version of Metal Gear and Metal Gear 2 – which I wrote about how good they are a few years back – and the less-good NES versions of them, this time around the only additional title is Metal Gear: Ghost Babel for the Game Boy Color.

Ghost Babel takes gameplay akin to Metal Gear 2, but fuses it with some elements of the PS1 classic while adapting it to a stage-based formula for handheld. While it doesn't quite match the main series, Ghost Babel should not be slept on, as it's one of the best spinoff titles the franchise has to offer.

Sadly, that's it though. It's a shame, as the likes of Metal Gear Acid or Metal Gear Rising would've been much appreciated additions.

Metal Gear Solid Master Collection Vol.2 is another package of two fantastic games, with some great bonuses included. While it's mostly a vehicle to get Metal Gear Solid 4 out of PS3 jail, Peace Walker and Ghost Babel are two brilliant additions that you might have missed the first time around.

Should you play Metal Gear Solid Master Collection Vol.2?

Play it if...

Don't play it if...

Accessibility features

Both Metal Gear Solid 4 and Peace Walker have subtitles and controller remapping features, but otherwise the accessibility features included in this collection are the same as they were back in the original releases.

This means no color blind support, audio description, or gameplay tweaks are available – which could cause issues during moments in both games when tons of button mashing is required.

How I reviewed Metal Gear Solid Master Collection Vol.2

I played 12 hours of Metal Gear Solid Master Collection Vol.2 on PS5 Pro using a DualSense Wireless Controller, on an LG C5 OLED TV with an LG-US70TY soundbar.

During this time, I played a full run of Metal Gear Solid 4 while skipping most cutscenes (as I had replayed the game very recently for comparison) through to the end of Act 4. I played through to the end of Chapter 1 of Metal Gear Solid Peace Walker, and roughly half of Metal Gear: Ghost Babel. I have played all of these games multiple times before this review, and was able to compare to other versions where applicable.

First reviewed August 2026

• The Nintendo Switch 2 UK price will go from £395.99 to £419.99 next month
• Nintendo announced the changes for the US, Canada, Europe, and Japan in May
• The new pricing comes into effect on September 1, 2026

Nintendo has officially confirmed the new UK price of the Nintendo Switch 2, which is set to increase next month.

Back in May, the Mario maker announced fresh Switch 2 price increases for the US, Canada, Japan, and Europe. Effective September 1, 2026, they were billed as a "response to various market conditions, which are expected to extend over the medium to long term."

"We understand that pricing changes can be challenging for customers and deeply appreciate the continued enthusiasm of our fans for Nintendo products and experiences," Nintendo shared at the time.

The US price will rise from $449.99 to $499.99, while Canada will see a $50 increase from $629.99 to $679.99. Europe will rise by €30 from €469.99 to €499.99, and Japan will jump from ¥49,980 to ¥59,980.

There was no confirmation at the time for the UK, but now, in a new X post from Nintendo Store UK, it's revealed that the Switch 2's price will increase by £24, bringing the Switch 2 from £395.99 to £419.99.

The new Switch 2 pricing comes as no surprise, as the global RAM crisis, driven primarily by the rapid demand for AI data centers, continues to impact consoles and hardware manufacturing.

Microsoft has increased the price of its Xbox Series X and Xbox Series S consoles multiple times this year, including earlier this month in the UK, which saw the 512GB Series S shoot up from £299.99 to £429.99, and the Xbox Series X 1TB skyrocket from £349.99 to £519.99.

The PS5 and PS5 Pro consoles also received price changes earlier this year, with the base PS5 jumping $100 / £100 from $549.99 / £479.99 to $649.99 / £569.99.

• Leaker Billbil-kun claims the Nintendo Switch 2 version of Diablo 4 will launch on September 15
• The "Age of Hatred Collection" will reportedly include the base game and the Vessel of Hatred and Lord of Hatred expansions
• The physical edition will have a code in the box

The long-rumored Nintendo Switch 2 port of Diablo 4 could reportedly launch very soon after BlizzCon 2026.

That's according to reliable leaker 'billbil-kun' of French outlet Dealabs (via Resetera), who originally reported on the Switch 2 version of Diablo 4 earlier this month.

Now, they claim that Diablo 4 will arrive on Switch 2 on September 15, nearly three years after its release on PS5, PS4, Xbox Series X, Xbox Series S, Xbox One, and PC, two days after BlizzCon 2026, which takes place between September 12 and September 13.

The edition will be called the "Age of Hatred Collection," and will include the base game and its two expansions, Vessel of Hatred and Lord of Hatred, and will cost $69.99 / £62.99 / €69.99.

Pre-orders are expected to begin on September 12, coinciding with the opening of BlizzCon 2026, and it appears that the physical version won't have a cartridge, but will offer a code in a box instead.

Billbil-kun couldn't determine when the game will be announced, but suggested that an official reveal could be made during Gamescom 2026 next week, where Xbox has confirmed its presence, but it's currently unclear. The announcement could just as well arrive at BlizzCon, too.

Diablo 4 launched in 2023 and is regarded as one of the best isometric, open-world role-playing games (RPGs). In TechRadar Gaming's five-star review, freelance contributor Cat Bussell praised the game's "darkly compelling fantasy world," "fluid combat that scales well in single and multiplayer," and "endlessly customizable characters."

Over the weekend, we were treated to Disney’s annual D23 showcase, and while many will be soaking up the major Marvel Cinematic Universe reveals (including the X-Men cast announcement), I was far more interested in the brand-new Kingdom Hearts 4 trailer.

Not only was the Late 2027 release date set in stone, but it revealed the arrival of Coco to the series and gave us plenty of juicy details about the wider story while still keeping plenty a secret — such as which other worlds we’ll be visiting.

However, I’ve gone through every detail of the trailers we have so far, as well as comments made by series creator Tetsuya Nomura during a D23 Kingdom Hearts Deep Dive panel, to pick out six worlds I believe are shoo-ins for Kingdom Hearts 4.

Think I’m right or completely disagree? Vote in my poll at the bottom of the page, or comment below which world you most want to see when Kingdom Hearts 4 releases next year.

1. Onward

Based on Coco’s inclusion and the plot details trailers have revealed so far, it is seemingly safe to assume that several Kingdom Hearts 4 worlds will have an afterlife or otherworldly theme. We also know that Donald and Goofy are on a quest to find and contact Sora — and a Disney Pixar film that combines both of these ideas is Onward.

The 2020 animated adventure follows brothers Ian and Barley Lightfoot (played by Tom Holland and Chris Pratt, respectively) as they set out on a mission to cast a visitation spell so they can speak to their deceased father one last time. A quest I’m sure Sora’s friends would want to join to talk to their lost friend.

It’s a fantastical setting with plenty of space for magic and combat to suit Kingdom Hearts’ gameplay, and based on its story alone, it makes perfect sense as a world for Sora’s friends to visit. Its release date would also fit well within KH4’s development timeline, which leads me to believe we’ll see Onward as a world in the next game.

2. Star Wars

According to fans, Star Wars has already been revealed in Kingdom Hearts 4’s very first teaser trailer. A forest scene looks exactly like a view from the forest moon of Endor, and there’s also an object that looks distinctly like an AT-ST foot at the edge of a shot. In the most recent trailer, Donald and Goofy are also briefly seen as blue projections that look a lot like Force ghosts.

I don’t think any more confirmation is needed, frankly. My question is, how does this world fit into Kingdom Hearts 4? Besides just being a cool inclusion fans have been begging for since Disney bought the franchise, that is. Well, I have two theories.

Perhaps after failing to bring Sora to them in Onward’s world, his friends instead try to reach out to him using the help of someone like Luke Skywalker or Yoda to project a manifestation of themselves to wherever their friend is.

Alternatively, perhaps knowing that Sora is stuck in Unreality — a realm beyond the regular universe — his friends may try venturing in the Gummi Ship far beyond anywhere they have traveled before; i.e., to a galaxy far, far away

Regardless of the reason why it appears, I think many safely assume Star Wars will feature in Kingdom Hearts, and I’ll be certain they’re on the money until I’m proven otherwise.

3. Moana

There’s one other teaser fans have spotted in previous Kingdom Hearts 4 trailers, but the community is divided over whether it’s for Moana or Elemental. That’s because all we’ve seen is a Keyblade design blending fire/lava and water, which could fit with either of these stories.

I was previously on the Elemental side of the aisle, but I’m changing my tune. Admittedly, my actual belief is we’ll see both, but if it must be either/or, I’m now leaning towards Moana.

The driving factor is the theme of the underworld/afterlife. While one character does seemingly sacrifice themself in Elemental the afterlife isn’t a core part of the movie — but in Moana we do visit the underworld in the form of Lalotai.

It’s more a realm of monsters than a place of the undead, but it still makes sense as a place for Sora’s friends to look to find him, and the neon underwater fluorescence would be a beautiful environment to explore with interesting, unique Heartless designs to battle against.

Tamatoa would also be the perfect final boss.

Admittedly this theory butts up against the keyblade’s design as it would maybe look more like treasure from Tamatoa’s horde than of the fiery aspect of Te Fiti -– Te Kā — creating havoc for the watery world above, but as I said before I believe we’ll see both Elemental and Moana; Moana for its underworld, and Elemental as a palette cleanser that suits KH’s wider themes but isn’t directly associated with the otherworldliness we’re assuming will be present in most worlds.

4. Bambi

During D23’s Kingdom Hearts panel, series creator Tetsuya Nomura let slip that another Kingdom Hearts 4 world will be one he has always wanted to include. In fact, it was almost in Kingdom Hearts 3 but was cut because of development issues.

Now, the internet has pointed to Cars as this secret world. KH3 leaks from a few years ago seem to prove the Pixar franchise was in consideration for long enough to be referenced in a demo version of the game.

However, despite this evidence, I have a different pick based on Nomura’s “always” comment — if taken literally, it would need to be a Disney franchise older than 2002 (when KH1 was released), which 2006’s Cars isn’t.

But Bambi is.

Besides its age, Bambi ticks a few boxes that make it a prime candidate for inclusion in the series, KH4 specifically. It’s a story about friendship (a core Kingdom Hearts theme), but also the loss of loved ones, which is a key aspect in this next installment of the Disney meets Square Enix franchise.

Bambi has also appeared in Kingdom Hearts before: as a Summon in the very first game. Clearly, the source material was on Nomura’s mind during development of the first title.

It’s also one of only two of those Summons to never appear again in Kingdom Hearts (ignoring remakes and Chain of Memories, which has you re-experience the first game’s events). All the others have since appeared in their own KH world except for Bambi and Dumbo — who may be tricky to add given his story’s reliance on racist stereotypes.

Given the other part of Nomura’s statement, a Bambi setting would also likely cause development issues. The team would need to create forest animal models for Sora (and his companions) to don in this space — and work out how Sora’s critter form would wield a Keyblade.

In the same panel, Nomura apparently said he likes to try and include curveball picks in his games, starting with The Nightmare Before Christmas all the way back in KH1. Perhaps I’m merely high on my own supply, but I don't think anything would be more of a curveball than this.

5. Wreck-it Ralph

Rounding things off with two picks that are a little more sensible, I suspect we’ll see Wreck-It Ralph in Kingdom Hearts 4 — specifically Ralph Breaks the Internet.

This Disney series has appeared in Kingdom Hearts twice before, once as a Summon in Kingdom Hearts 3, and as a collection of worlds visitable in the mobile spin-off title Unchained-X. So a more full-on inclusion in a mainline entry would fit.

My belief, however, mostly centers on Yozora: a video game character we see in Verum Rex in the Toy Story world who also appears in KH3’s DLC as a boss you fight in Quadratum — the otherworldly space Sora now finds himself trapped in. The Kingdom Hearts series has played with the idea of digital worlds before, and so perhaps Verum Rex contains a digital version of Quadratum.

Wreck-It Ralph comes in as the series sees its characters hopping between digital worlds, and could perhaps be a way for Sora’s friends to either find an original ‘true’ copy of Verum Rex, or to somehow locate the real world it is based on. I feel this idea fits better with the internet-hopping second movie, which has its characters hunting down a game as I’ve pitched, and we’ve already seen the first movie recreated in Kingdom Hearts (even if it was via a spin-off).

6. The Princess and the Frog

Lastly, I think we’ll visit New Orleans from The Princess and the Frog.

The Kingdom Hearts franchise puts special emphasis on Disney’s princesses as so-called Princesses of Heart, and Tiana is a notable example we have yet to see represented in the series. Though my belief yet again comes down to how Sora’s allies need help contacting a friend on the other side, something this movie’s antagonist, Dr. Facilier, is an expert in.

His use of the power of darkness, even being called the Shadow Man in the movie itself, also feels so superbly Kingdom Hearts that I’m surprised Facillier has yet to feature in the game series — and if Kingdom Hearts 4 sees us playing more as characters other than Sora (which the trailer suggests) this land could be one that’s perfect for Riku to visit given his history.

I’d also love to see Riku’s reaction to being turned into a frog, or some other Bayou critter, and needing to battle swampy Heartless after a deal he makes with Facillier goes wrong.

So am I on the money or trapped in the Realm of Sleep? Vote in my poll, or comment below which world you think is most likely to appear in Kingdom Hearts 4.

I made the original Nintendo Switch my opportunity to experience a wider breadth of the titles in the Japanese company’s repertoire; moving past simply the latest Super Mario or Legend of Zelda story and into the entries I only knew about through Super Smash Bros. Among this list of experiments was Xenoblade Chronicles 2.

My complete lack of knowledge about the first game thankfully didn’t hold me back (outside of a not overly important detail in the ending) from mastering the Blades-based combat system and finishing Rex and Pyra’s quest.

Unfortunately, the melodramatic story, staccato cutscenes, and some general tediousness to side-quests and menu management meant I exited the Xenoblade franchise; content with what I had sampled but with no desire to order a second course.

Despite that initial assessment, the series and this game specifically have re-entered my life through the Nintendo Switch 2 edition — a standalone title for newcomers, or upgrade pack for returning players — as Nintendo works to bring the Xenoblade Chronicles trilogy to its latest console.

With Xenoblade Chronicles 2’s enhanced edition comes visual updates — specifically the promise of 4K resolution and 60 frames per second (fps) in docked mode, and full-HD 60fps in handheld — plus a few minor new content treats.

The trouble is the update misses a few much-needed improvements that would turn this undeniably definitive way to play XC2 into the perfect way to experience the adventure I had hoped it would be,

Back to basics

Just like previous Switch 2 refreshes, we’ve seen the story and gameplay remain almost entirely unchanged.

As with the Switch version, protagonist Rex yet again finds himself the Driver of a powerful and sought-after blade known as the Aegis — or Pyra as she prefers to call herself — following a salvaging gig-gone-wrong. And after saving his life, the pair venture out together with the goal of reaching Elysium — a place which could hold the answers to the troubles facing the world of Alrest, such as the steady decline of its Titans.

On this quest, Rex and his allies recruit Blades (living weapons) who fight alongside them. Most are obtained through gacha-style Cores that spit out either unique rare or generic common Blades — purchased using in-game currency. You can also find rare blades through special crystals obtained through completing specific objectives meaning progress isn’t entirely luck-based.

Among these guaranteed unlocks is the Switch 2 exclusive Blade Momo. She’s a healer-class given to the player about halfway through Chapter 2 and has the special ability to change her attribute between Light and Dark. I’ve had a blast using her and her bunny ball weapon, though it seems she’s a solid starting-out ally and not a Blade that’ll carry all the way into the post-game.

Every Blade has its own weapon, attribute, role, and moveset. Finding and building a synergistic collection of Blades for each character will help massively with challenging combats, though I never found it essential to complete the main story.

Xenoblade Chronicles 2’s Blades combat is also much the same as it was before.

Characters and their Blade will automatically attack their target when in range while more powerful moves (known as Arts) charge up. Using Arts will then charge your Special attack, and these Special attacks can be chained in a specific order to pull off devastating combos.

There’s a few other mechanics at play on top of this, and admittedly XC2 can feel like that board game your friend swears isn’t as complex as the dozens of pages-long rule book implies — you’ll learn a lot be doing, but I feel the game’s explanations could be snappier and more effective (the tutorial can be a slog, and even on my replay I left it feeling not entirely confident until I checked out a guide online).

That said, the auto-battle nature and recharge time on Arts makes XC2’s combat feel very turn-based in gameplay while being real-time in nature. If you find fast-paced action games inaccessible but are tired of turn-based combat, I suspect the slower pace of XC2 could be a happy middle ground for you.

It’s not all old stuff gameplay-wise. The Switch 2 edition also includes the brand-new Merc Assault mode.

In the original, Merc Missions are a passive way to use your unequipped Blades to complete tasks and earn rewards. The passive option gameplay remains; however, Assault mode, once unlocked, allows you to actively control blades while they’re out on a subset of these missions.

You’ll get additional Core Crystal, EXP, Gold, and other rewards as a bonus for taking a more active part in the mission.

I’d say it’s a fun novelty and is a lot quicker than waiting the time for a passive Merc Mission to complete (assuming you’re successful), but It’s not an all-out upgrade on what came before.

Filling frustration

“Not an all-out upgrade” describes much of how I felt about the rest of the game. Because despite being the community’s most common gripe with the original, the Switch 2 update doesn’t do much to solve the general tedium present in Xenoblade Chronicles 2.

There are so many different menus and tutorial screens tied to different buttons rather than being consolidated to one or two places, and far too frequently there’s no easy way — or, in the case of Tiger! Tiger!’s menu, any way — to quickly back out of the menu if you accidentally enter it. This forces you to click through multiple screens to finally exit (or, in the worst instances, exit and then re-enter if you fall into the spiralling trap of button mashing in your frustration only to over-mash and get caught in an unending menu cycle).

Speaking of that Tiger! Tiger! minigame, much like the original, there's also no way to swiftly reset it, making the quest to complete perfect runs (which are needed for some character upgrade requirements) that little bit more laborious than it needs to be.

You can’t even mass sell items from your inventory, or mass release Blades if your collection is bursting with common duds. I’d also love the option to open Core Crystals in bulk and just choose the Blades I want to keep, releasing the rest.

I’d also have hoped something could be done to improve the flow of cutscenes, as the odd gaps between characters speaking can make conversations feel noticeably disjointed, or maybe just add voice acting to a few scenes that lack it.

What’s perhaps worst of all is it’s not like the original’s tedium hasn’t been touched at all.

Field skills have been fixed so that you no longer need the Blade actively in your party, just in your collection, for it to aid with in-world interactions like breaking into chests or harvesting more goodies from collection points.

Interacting with collection points also looks to have been sped up, letting you more quickly collect resources.

Clearly some identified issues were addressed by the update, but too many more were missed.

Quality of life changes aren’t as flashy as new characters or game modes, but when they were such a frustrating part of Xenoblade Chronicles 2 on the Switch, I can’t help but feel like these small improvements would be perfect for the Switch 2 enhancement.

Not just perfect for, but expected from such an upgrade.

For new Switch 2 players, this enhanced edition is of course the one to opt for now that it’s available. As for returning players, while the update is neat, I’m not convinced it’s worth picking up unless you’re a Xenoblade diehard who has been wanting an excuse to replay the game since launch.

That’s not me. While I've experienced some slight nostalgia on this jaunt, I’m ready to leave Xenoblade behind once more.

Founded in 2014 by competitive Starcraft 2 players Ian Ang and Alaric Choo, Secretlab has steadily grown from one of Singapore’s countless plucky start-ups to one of the most recognizable gaming chair brands in the world.

The award-winning Secretlab Titan Evo 2022 is its flagship product (named one of the best gaming chairs on the market in our review). The brand also manufactures a successful line of desks and this year branched into the productivity-focused task chair market with its new Atlas model.

Special edition gear has steadily become a key part of the offering as well. Shoppers can scoop up officially licensed products tied to some of the biggest games like Overwatch and Cyberpunk 2077, massive multimedia franchises including Pokémon and Warhammer, popular esports teams, or even luxury car brands McLaren and Lamborghini.

But it all began with a certain caped crusader.

The Batman blueprint

“I chose Batman at the start,” Choo, who also heads the company’s partnerships, explains as I relax on a sofa in his corner office at the brand’s HQ. A pile of material samples amassed over years of research and development sits on the glass coffee table in front of me: strips of bright orange fabric designed to look like Dragon Ball hero Goku’s iconic robes, a moulded plate inspired by the front of a supercar, a detailed print of the Marauder's Map from Harry Potter, and countless other items.

“We were much smaller back then, so we didn't have many options, but Batman was such a huge IP, and I just felt like it made sense for us,” he continues. This was nine years ago and, although other gaming furniture brands have embraced similar collaborations in the years since, Choo says a crossover gaming chair was a novel idea at the time.

“DC was kind of like, 'we have a lot of license categories. We have everything. We have figures, we have statues, we have cups, we have shirts and bags, but we've never done a chair.’"

In such uncharted territory, Choo reckons that it took a whole year to work out how to approach the product’s design. “It sounds obvious now: a Batman chair is black, right? But do you go with the iconic Batman, where it's a yellow logo and retro? We were coming off the armor and whatnot — the [Dark Knight] movie was out at the time, so we went that direction.”

“We were thinking about what Batman would sit in; what chair would he have in his bat cave?” reveals Choo. The final design is sleek and understated, adorned with a subtle bat emblem and a carbon-fiber-like pattern. It looks like something that could exist in the world of comics, and this approach immediately resonated not just with franchise owner Warner Bros. but also with consumers.

Warner Bros. entered Secretlab in the 2021 Licensing International Excellence Awards, where it won ‘Best Licensed Product’ in the home décor category, and the chair remains one of the company’s most popular designs. It even caught the attention of Batman artist Jim Lee, who snuck the Secretlab logo onto the hero’s personal seat in Batman comic book issue #159.

“It was crazy. [A picture of the panel] was just sent to us randomly,” laughs Choo. “I bought three copies: I kept one for myself. I sent one to the guy that's in charge of Warner Bros. in Singapore, and then the third one I showed my mom.”

Becoming the experts

The success of the Batman chair gave Secretlab plenty of reason to pursue future collaborations, and informed how it approaches each one to this day. “We don't want to just put logos on things and call it a day. We want to go in depth. We want to know the lore,” begins Choo.

Whether it's poring over comic book panels, diving into video games, or watching all the movies or cartoons in a particular series, the team isn’t afraid to go deep into the source material of any intellectual property they are working with. “If we weren't originally fans of the IP before, we become experts,” he adds.

Choo does admit there are occasions when this isn’t possible though, like the build-up to a new release where details are kept under wraps: “Sometimes we're designing stuff with very little information. We don't like to do that, but sometimes we have to do it.”

Walking around the company’s global headquarters, it’s easy to see that employees are encouraged not to shy away from the properties they love. Desks are covered in figurines and other collectibles based on a wide range of games, comic books, manga, movies, and more. Even Choo’s own space is adorned with nerdy memorabilia.

“All the IP that we work with, even currently, a lot of it is stuff that we are very, very passionate about. “I'm a Pokémon fan, so I don't just want to put whatever on a chair. I want to go deep into it with them; I want to collaborate at a high level. I want to come up with, like, assembly manuals that have custom art and that kind of thing,” he continues, gesturing to a colorful Genshin Impact print.

Secretlab currently has three separate Pokémon chair designs inspired by Pikachu, Gengar, and Eevee. You might assume that choosing which characters to base designs on is a simple popularity contest. Still, Choo argues that the team is actually more concerned with coming up with ideas that are unique and fit Secretlab’s premium brand image.

“Sometimes a popular Pokémon doesn't have a good color scheme, for example, and it would be off brand for us. We also need to think about Pokémon's guidelines as well; it's one of those things where there are so many rules,” he explains. “If it's all color, then it's too loud as well. Only a kid would want it. How do I make it tasteful in a way where an older fan can have it in their house, and it will be a good fit?

Consistent quality

Secretlab collaborations are characterized by a careful attention to detail, with intricate design elements that often incorporate new materials and manufacturing techniques.

“I think we've always gone all out on all of our collabs,” says Choo. “We have certain manufacturing methods that have become more viable to use. One of the things that we talk about a lot is the embroidery. It's something that I think companies don't like to use because it's very expensive. It's very time-consuming. We have certain panels that can take seven, eight hours to do.”

Secretlab’s crossovers with luxury car brands stand out as perhaps the most materially complex in its portfolio. The most premium Automobili Lamborghini editions, for example, are decked out in the same Dinamica microsuede material found on high-end car dashboards and lightweight carbon fiber plating.

“Lamborghini is one of the greatest luxury names, so we were thinking about how we can elevate the partnership,” Choo explains as I examine a sturdy black panel from the table. “When we look at Lamborghinis, there is a lot of carbon fiber usage. The weave that they use and how they put it together — carbon fiber is a pain in the ass to work with. It's like you're layering different sheets, and it bubbles very easily.

“When we did it, we looked at the shape of the carbon fiber on Lamborghini cars, and we were like, ‘We think that this is it.’ We had to come up with a mounting method and learn to use carbon fiber. Obviously, we used it sometimes in certain prototypes, but we hadn’t actually mass-produced it, so it was a first for us.”

Creating new manufacturing processes and tools can be expensive, but Choo isn’t worried that the added cost could hurt profits. “It may not always directly translate financially, but we don't think about things in so much of the short term,” he says. “In the overall term, it pays off that when we do something, we do it properly. I think that's the main point for us: if we're going to do it half-assed, let's not do it at all.”

He thinks that consumers appreciate the overall “consistency” and have come to expect a lot of effort from the brand: “Holding yourself to a very high standard pays off over time.”

A privately held company, Secretlab can afford to invest in developing this kind of relationship with consumers in a way that some of its biggest competitors perhaps can’t. With the company’s value estimated to be nearing the billion-dollar mark back in 2021, Choo’s long-term thinking is obviously paying off.

Standing desks boast a variety of comfort and long-term health benefits over sitting in your chair all day, and if you’re looking for one that won’t just serve as a simple desk but a command center for your setup — be it for working from home, content creation, or gaming, or a mixture of all three — you’ll love the Eureka Ergonomic Aero Pro, and it's one of the best standing desks we've tested.

I’ve been testing it for the past couple of months, and this frankly giant station has all the space you could need. My previous gaming desk always felt too cramped, whereas now I have more freedom than I know what to do with. To this end, while the Aero Pro is just fine as a desk only one person will use, it feels especially good for a shared space — I have enough room for all my gear, and whenever I’m not working from home, my partner has been able to easily set up her laptop to work without needing to shove my gear out the way.

Despite its size, this desk feels supremely stable, even at its max height. I’ve gone as far as to shake the desk a fair amount, and I never had any fear it would collapse and destroy my home setup.

Adjusting the desk’s height is as easy as pushing a button to control the electric motors, and with memory presets it’s no trouble at all to adjust the desk between your preferred settings.

My only gripes are that the lighting it boasts is a tad lackluster and that the price, while more than reasonable for what you get, pushes this desk firmly out of the affordable tier. The size is also something of a double-edged sword — the Aero Pro can consume a more compact room.

That said, if you're looking to pick up a standing desk that’s spacious enough for pretty much any setup, and will encourage you to not stay seated all day, then the Eureka Ergonomic Aero Pro is one to keep your eyes on.

Eureka Ergonomic Aero Pro: Price and Availability

• Prices start at $619 (around £460 / AU$865)
• Only available in the US, but does ship to the UK
• Multiple sizes and material choices available

Premium gaming desks, especially standing desks, don’t come cheap, but the Eureka Ergonomic Aero Pro comes in at a decidedly mid-range price point despite its impressive size and useful features.

The more affordable 63"x23" size option will set you back $619 (around £460 / AU$865), while the larger 72"x23" model I’ve been testing starts at $799 (around £595 / AU$1,115) — with solid wood designs costing more than the MDF alternatives if you’re after something with a little extra style and durability.

The larger size doesn’t just boast more main desk space; it comes with a pull-out under-shelf for your keyboard and mouse, which offers added ergonomic comfort — otherwise both designs are identical in terms of their shape.

As for availability, Eureka Ergonomics primarily sells to the United States, though they do have retail partners in the UK and select European companies — unfortunately, they don’t sell their desks in Australia, so you’re out of luck there for the Aero Pro and the company’s other designs.

• Value score: 4.5/5

Eureka Ergonomic Aero Pro: Specs

Eureka Ergonomic Aero Pro: Design

• Lots of usable space across multiple levels
• Shelves for up to a three monitor setup
• Lighting is a let down

The wing-shaped Aero Pro from Eureka Ergonomics feels at times less like a standing desk and more like a standing station — especially if you opt for the larger 72x23 inch model I’ve been testing. The huge size is more than you could ever need for gaming, working, or streaming, and the winged shape’s slight curve immerses you in your chosen setup (though it’s in an approachable way, rather than seeming like your desk might swallow you whole).

What compounds the sense of spaciousness this desk provides is that not only are you treated to a massive main desk space — which offers plenty of room for a laptop, a desktop music setup, your notebooks, or a playmat for an online TCG match — but you also have a trio of monitor shelves at your disposal.

These are ideal for, well, monitors but also your PC speakers, or something like a streaming setup. I have a dual-monitor setup across two, with my mic, prompter and light attached to the third shelf. On smaller desks this practical but busy setup has felt crowded, but with the Aero Pro I have it all set up neatly with plenty of room left over — my desk feels usable, not cluttered.

This spaciousness also means the desk can easily serve as a shared space. I don’t mean two people using it at once, but when I’ve not been working from home, my partner has found she can come and use this standing desk with no trouble; there’s all the room she could need to set up her laptop without needing to disassemble or move my gear. When I come home, I can just close the laptop lid and get back to using my PC.

Part of this lack of clutter is helped by the larger Aero Pro model’s other upgrade: its fourth shelf. This adjustable one slides out from underneath the desk and is ideal for your keyboard and mouse. I’ve found it helps me find the comfort sweet spot for my PC peripherals, and again keeps the main desk clutter-free.

Whichever size you choose, the Aero Pro comes with a couple of extra design features that range from just fine to very useful. Under the desk you’ll find a hanging controller station on the left which supports a pair of handsets, a cupholder on the right for which I have yet to find a cup/mug/glass that it isn’t an ideal size for, and a pair of brackets which are a massive help for cable management — I use them to support my monitor’s power cable bricks.

Speaking of, I appreciated the various cable management solutions the desk comes with. My current setup isn’t perfect, but I have plenty of tools to make it better, and the only part I feel I’m missing is a bracket to hang my desktop from the desk so that the changing height doesn’t put as much strain on my HDMI cables.

On the desk itself are a pair of small troughs which are perfect for propping up a phone or tablet. Plus, with the small holes in the bottom to run a USB-C cable through, you can charge your gadget up while it’s docked in the desk.

Lastly, there’s under-shelf lighting, though it’s nothing to write home about. It’s a tad annoying to turn/off or change, and even when you do get it working, the lighting isn’t all that bright — limiting their usefulness and aesthetic appeal.

When it comes to assembling this desk, the instructions are easy enough to follow, but I’d highly recommend building this desk in as clear a space as possible, and with a second pair of hands.

I did successfully build this desk entirely on my own without the need for any additional equipment — all of the tools you’ll need come in the Aero Pro’s box. However, I wish I’d given myself more space to assemble this beast and had an extra hand for a couple of portions of the build. (especially when flipping the desk over).

• Design score: 5/5

Eureka Ergonomic Aero Pro: Features

• Adjustable height between 29.5 and 48-inches
• Quiet yet speedy electric motor
• Three memory options you can set to your preferred heights

Of course, the core feature of a standing desk is that it can be raised or lowered so you can use it sitting in a gaming chair or while standing upright. For the Eureka Ergonomic Aero Pro, its lowest height is 29.5 inches, while the max height is 48 inches.

To change the height, there’s an electric motor that is controlled with a simple panel. The Plus and Minus buttons raise or lower the desk height gradually between its extremes, and there’s a trio of memory options which can be set to three preferred heights — and pressing one of these options after it's set will see the Aero Pro automatically adjust itself to the current position.

If you’re worried about squashing anything under your desk, there’s a built-in safety sensor that, based on my testing, works effectively at detecting any obstructions. If the Aero Pro does bump into anything, it will retreat to a safe height so you can make necessary adjustments before telling it to descend again.

Plus the motor is fairly quiet. There's a noticeable whir when it goes, but it’s not especially loud or grating. Though if anyone does find it annoying, the desk’s adjustments are at least fairly speedy.

• Feature score: 4/5

Should I buy the Eureka Ergonomic Aero Pro?

Buy it if…

Don’t buy it if…

Also consider…

How I tested the Eureka Ergonomic Aero Pro Standing Desk

I used this desk in my home office over a couple of months, relying on it every day for my work, PC gaming, and other desk needs. My partner also shares this office with her own desk, and so I got a sense of how it fits into a more compact space — which is to say, it can take over a room.

As I mentioned earlier in my review, I made sure to assemble this desk entirely on my own to get a sense of how easy/difficult the task is: it’s doable, but getting your partner/housemate/a buddy to lend a hand will make the process a lot smoother.

First reviewed May 2026

Read more about how we test

Whether you haven’t played Pokémon Pokopia since the town-builder launched earlier this year or you’ve been waiting to dive in, you might want to mosey on down to your favorite cozy gaming corner and download the free update. Especially when paired with the newly released Expansion Pass, the game (which I already gave five stars, our highest score, and called one of the best Nintendo Switch 2 games) reaches new heights. Or rather, depths.

Bubbly Basin is the first of a three-part DLC package (with parts two and three releasing in late 2026 and sometime in 2027, respectively), bringing a new underwater town based on Cerulean City and a tonne of aquatic Pokémon to discover.

Facilitating this expansion is a free update that gives Ditto a new ability — Dive — which select Pokémon like Smeargu and Tinkmaster can also learn to help you build and decorate underwater.

That’s not all that came with the free update; a raft of quality-of-life updates mean most criticisms I had of Pokopia after months of play are next to non-existent.

Under the sea

But first, let’s start with Bubbly Basin. I’ve spent most of the last week exploring its depths, and for several reasons, it’s my new favorite town in Pokopia.

I’ve always had a soft spot for Cerulean City, the inspiration behind Bubbly Basin; Misty is one of my favorite characters from the franchise, and I favor water-type Pokémon. Now almost entirely submerged, it’s the perfect playground to explore with the new Dive ability and get creative with underground building.

Water levels are notoriously a pain across all areas of gaming, but building-based games in particular can suffer (I’m looking at you, Minecraft). Thankfully, Game Freak and Koei Tecmo's Omega Force prove adept at thinking ahead; there are few instances where removing or placing blocks leads to any disruption to the water (glass panes and roof tiles can cause a very brief empty block), and the only time I’ve been able to cause any unseemly flowing water tiles is when messing with the surface layer; even that has been mitigated impressively, though that's another component of the 2.0.0 free update. Navigation, as we’ll touch on in the free updates section, is a doddle once you get to grips with the swimming controls, too.

Much like Rocky Ridges and Sparkling Skyland, there’s a lot of verticality to the town too, with flooded subterranean tunnels, a few ruins above sea level and new murky depths that need to be lit so you can better take in your surroundings. Amongst the ruins, you’ll find treasure maps that help you locate the six Pokéballs necessary to build Starmie’s habitat, which gives a bit more purpose to the dowsing tool and search abilities.

And we lived beneath the waves

There’s plenty to work through in terms of quests and activities, and it’s really well paced, with 50 new Pokémon and 36 habitats to restore. I’ve especially loved working to connect and re-imagine the various hotspots in Bubbly Basin more than in any other town so far; bridging the deep ravine, tunneling through hillsides and transforming all of its many nooks and crannies into unique dwellings for local Pokémon has never felt more fun.

It’s probably the best-looking town too; it’s vibrant and teeming with life, and though clearing out the sand is a bit of a pain, it’s at least far less of an eyesore than the compressed junk, ash, and black sludge that plague the base game towns. The new flora follows suit; I can’t wait to put some time into adding coral and the new Seafloor Algae blocks to Bleak Beach and Palette Town to spruce up the somewhat dismal coastlines there, too.

Two new building and furniture aesthetics are introduced in Bubble Basin, both of which I love: a seashell- and coral-inspired set, but also Japanese temple-themed furniture and building blocks.

The latter might not feel particularly native to the Cerulean town we know, but one Reddit user speculates it’s a reference to Ryūgū-jō, the mythical undersea palace belonging to the dragon god of the sea in Japanese folklore. It’s a nice touch and brings a great set of new blocks to design with.

The best things in life are free

A huge part of what makes Bubbly Basin so enjoyable is the free updates that came with the 2.0.0 patch, which added a range of quality-of-life features. Dive is fantastically implemented; swimming feels fluid and free, and it’s still super easy to build even without Magnet Rise. It’s really important to pay attention during the tutorial, though; I missed two huge time-saving moves (underwater surf and spinning to sink), which wasted a lot of time.

There’s much more to it than Dive, though. Now, you can build a safe but also a portal pod, a universal storage system which can be accessed in all locations. I’ve taken to keeping one on me at all times as a kind of backpack-extender, and it’s making moving items between worlds a whole lot easier.

There are new recipes, new emotes, hair colors, and more paintable items too, but perhaps my favorite additions are the simplest. You can now bulk move items between the storage box and bag, but also delete items placed inside trash cans.

Some tweaks have been made to annoying in-game quirks, too; if you destroy a Pokémon’s habitat and rebuild it nearby, it’ll move back in of its own accord, you can open your bag and inhale items while using Rollout, and Leafage can now return farm soil to a normal soil block. This, plus a raft of bug fixes, makes the game more frictionless than ever before.

Such a hearty version 2.0 update so soon after the game’s release is a huge win for Pokopia fans; hype for the game has just barely subsided, and with in-game events being a little middling at best thus far, I for one am hoping this is just the beginning of Game Freak and Omega Force’s plans to keep the game feeling fresh and fun for players old and new. And if Bubbly Basin is anything to go by, the next town (which arrives as the final part of the Expansion Pass next year) could be a magnum opus for Pokopia.

Corsair HS35 v3: One-minute reivew

The Corsair HS35 v3 wireless gaming headset is an underdog in the mid-range category. It doesn't feature a huge number of flourishes to help set it above its competitors, but instead hones in on what really matters: audio quality and microphone performance.

It delivers crystal clear audio no matter what you're using it for, whether that's gaming, calls, or getting some tunes in while you work. There's no software to fiddle around with, and barely any buttons to get used to. If you need something that's good to go as soon as it's out of the box, this headset definitely suits.

Comfort is also clearly key with the Corsair HS35 v3. Between the floating headband design, the soft, cushioned earcups, and the lightweight design, at no point did I have to readjust the headset, my glasses, or take a break from wearing it. Again, for a mid-range headset, it feels surprisingly high-quality.

Although I appreciate its simplicity, there are definitely a few things that are bound to put a competitive gamer off, and most of that comes through its lack of customisation. It's great that the headset is good to go as soon as it's out of the box, rather than having to worry about downloading any more software, but if you want to make the most of its full audio capabilities, the lack of these features might be make-or-break.

Corsair HS35 v3: Price and Availability

• Priced at $79.99/£69.99/$124.99AU
• Available via Corsair and major retailers
• White and black versions available

The Corsair HS35 v3 will set you back a reasonable $79.99 / £69.99 / AU$124.99, so it's by no means a premium headset. But it's certainly not a budget pick either. Fortunately, it manages to justify its price through the quality of its audio and microphone, making it a worthy option for anyone looking to upgrade their current setup, or looking to stray from the typical features of a wireless gaming headset.

In fact, the only reason the headset isn't more expensive is probably due to its lack of additional software, and the fact that there are no typical flourishes you'd usually find on a gaming headset like an input switch button, a microphone that tucks away on the headset itself, or a separate mic mute button. Despite these "missing" features, though, the core expectation of the headset, providing high-quality sound during gaming, is definitely met.

Corsair HS35 v3: Specs

Corsair HS35 v3: Design and features

• Incredibly lightweight design
• Doesn't look as bulky as other gaming headsets
• Sleek, all-black design

Straight out of the box, the Corsair HS35 v3 doesn't look too dissimilar to the vast majority of wireless gaming headsets available. Its entirely black design is sleek, with subtle Corsair logos in a black gloss on each ear cup, alongside branding in white across the top of the headband. This is definitely my preferred style, rather than having any RGB flair for the sake of it, just because it feels like something you can use for everything, rather than having to swap out your rather garish gaming headset when you want to listen to music or attend a meeting.

In fact, there aren't any flourishes at all on the Corsair HS35 v3. Aside from the incredibly subtle branding, the only thing that offers a pop of colour is two yellow bands that connect the ear cups to the headband. The rest of the headset maintains the stylish black appearance, and it's certainly better for it. If I didn't spend so much time tethered to my PC or console, I'd definitely be content in taking this headset out on a commute rather than a pair of earphones. It's definitely one of the simpler headsets I've ever used. Not only in terms of design, but also how simple its layout is.

One thing that immediately stood out was the lack of wheels or dials to control your volume. I didn't realise how much of a make-or-break this was to me, but as it turns out, I actually like being able to tune my audio volume to the decibel. The Corsair HS35 v3 exchanges the wheel I know and love in favour of a little toggle/lever which takes your audio up or down two at a time. It's such a small frustration, but it definitely felt like I had less control over exactly how I wanted my audio to be. Especially after using the Razer Blackshark V3 for so long, alongside other similarly priced headsets such as the JBL Quantum 360X wireless.

In fact, the ear cups are surprisingly bare. Alongside the aforementioned toggle, you've got the power button, alongside the USB-C port on the left ear cup. On the right, you've got absolutely nothing. There's not even a separate mic mute button; you just push in the volume toggle. It's great for someone like me who always takes an embarrassingly long time to get used to the layout of a new headset; this definitely felt like a blessing in disguise. As a result, the headset feels incredibly straightforward to set up and use. Though this does feel like you're sacrificing some of the customisation you'd usually get.

Additional software which helps you to customise your listening profiles, like the SteelSeries Arctis Nova Pro, definitely feels like a more premium add-on. Since the Corsair HS35 v3 is a mid-range headset, it's not surprising that it doesn't boast the same features. But if you're looking to replace your headset for a slightly cheaper model, this lack of complete control and customisation definitely might put buyers off.

Corsair HS35 v3: Performance

• 30-hour battery life
• Comfortable for long sessions due to floating headband
• Fantastic audio quality

I've been using the Razer Blackshark V3 for well over a year now, so "downgrading" to a more reasonably priced headset definitely raised some concerns about overall audio quality. However, the Corsair HS35 v3 delivers clear audio with no issues, and even though it's by no means a premium headset, it still boasts impressive audio quality. When gaming, you can pick up on all the more subtle sound effects, be that enemy footsteps or audio cues in horror games like The Outlast Trials.

The only time the audio feels low quality is when you switch the headset on, and the muffled, not-quite-human "power on, toggle connected" line plays. Aside from that, it's really easy to block out external noise to focus on your game, which is especially impressive given the headset isn't noise-cancelling in any way. Which, is actually a feature I found with the JBL Quantum 360X too, the design itself feels noise cancelling rather than the actual hardware.

This is massively helped by the 30-hour battery life of the set, which I pushed to its absolute limit in my testing. For several weeks, I used this headset for everything in my daily life: meetings, gaming, and listening to music in between. And it's safe to say that the 30-hour battery life really does help to keep you immersed in whatever you're playing, or locked in on whatever you're working on.

It also only takes three hours to fully charge. Sure, that's not the rapid 15-minute charge for two hours of play that the Razer Blackshark V3 offers, but for the price you're paying, it's definitely worth it. Plus, the cable provided with the headset is long enough for you to still be able to continue playing without feeling constrained by the cable. A nice design touch is that the interior of the USB and USB-C is the same yellow colour as the bands linking the earcups to the headband too, but that'll probably go unnoticed to the average gamer.

It's also an incredibly comfortable headset to wear for long sessions. The lightweight frame and cushioned earcups feel much looser without ever feeling like it'll slip off your head, rather than the usual firm padding and pleather-esque material we're used to seeing in slightly cheaper headsets like the Turtle Beach Stealth 500.

The microphone quality is where this headset really shines, though. Nothing about the mic when you pull it out of the box screams premium quality. It's got no foam muffler or pop filter, so I expected the audio quality to be pretty lackluster. But when testing across Google Meet and Discord, the audio is genuinely astounding for a mid-range headset. It's crystal clear and picks up incredibly quiet talking without any of the annoying background noises like chewing, breathing, or keyboard clicks. It never peaks when speaking loudly either, which is a huge plus.

Should you buy the Corsair HS35 v3?

Buy it if...

Don't buy it if...

Also consider...

Still not sold on the Corsair HS35 v3 Wireless headset? Here's how it compares to two similar wireless gaming headsets.

How I tested the Corsair HS35 v3

• Tested across six weeks
• Used for PC and PlayStation gaming
• Used for Discord and Google Meet calls

I tested the Corsair HS35 v3 wireless headset across the course of six weeks, abandoning my beloved Razer Blackshark V3. Throughout that time, I used the HS35 v3 for all my daily duties, whether that was jumping in and out of meetings, listening to music throughout the day, or hopping on Discord with my friends in the evening. The long battery life meant I never had to worry about my headset switching off mid-session, and the mic quality guaranteed my audio would never cut out.

When gaming, I also made sure to test the headset in games where in-game chat is essential, like Big Walk and Content Warning. I also played several hours of The Outlast Trials with friends to test the full depth of the headset's capabilities, and even the quietest footsteps and audio cues came through clearly.

Read more about how we test

First reviewed August 2026.

• A Legend of Zelda Nintendo Switch 2 and Pro Controller have reportedly leaked
• New images posted online appear to show the packaging for 40th anniversary Zelda editions of the console and Pro Controller
• Nintendo has yet to formally announce new special edition hardware

Nintendo could be planning to release a special edition Nintendo Switch 2 and Switch 2 Pro Controller inspired by The Legend of Zelda, after leaked images were posted online.

That's according to the Centro LEAKS account on X (via VGC), which posted two images showing the packaging for the themed Switch 2 and Pro Controller, which are seemingly designed to celebrate Zelda's 40th anniversary.

The Switch 2 has black and green Joy-Cons with the iconic Triforce emblem on one side, while the dock itself has the more elaborate design, showing the gold Triforce on the front.

Similarly, the Pro Controller has black and green grips, with a different gold Triforce in the center. Looking more closely at the packaging, you can also see a 40th anniversary logo.

Brazilian journalist and Universo Nintendo editor-in-chief ‘Necro’ Felipe Lima previously claimed to have been shown both products, and in a separate post, said the new images are "exactly as I saw it previously."

If these leaks are real, I'm glad I waited to purchase a Switch 2. However, Nintendo hasn't made an official announcement just yet, but it would be the first special edition Switch 2 since the console launched.

Additionally, while some speculated that Nintendo would release a new special edition Switch 2 alongside The Legend of Zelda: Ocarina of Time remake, which is due to arrive this year, it appears the supposed leaked console may not be inspired by the game.

The Ocarina of Time remake was announced this summer and will be a Switch 2 exclusive, though a launch date hasn't been set.

• Nintendo is warning customers about an upcoming Switch 2 price increase via in-store kiosks
• The Nintendo Switch 2 will retail at $499.99 starting on September 1, 2026
• Consumers are praising Nintendo for giving ample time to purchase before the price increase

Price hikes across PC and game consoles are running rampant due to the RAM crisis, and one case requires urgent action from interested customers.

As reported by Notebookcheck, Nintendo is now warning customers about the Switch 2's price hike at kiosks in stores. The retail price for the Nintendo Switch 2 will increase from $449.99 (£395 / AU$699.95) to $499.99 (around £430 / AU$769.95), starting on September 1, 2026.

This was highlighted on Reddit, where users are praising Nintendo's generosity in informing customers long before price changes come into effect — a move not every PC or game console manufacturer has replicated.

Unsurprisingly, this is a direct result of the RAM crisis, with DRAM shortages impacting almost all hardware manufacturers. Nintendo seemingly managed to avoid any price increases after the Switch 2's launch, but shortages have persisted.

Nintendo worthy of praise?

The price increase itself isn't exactly a major one, at least compared to PlayStation ($90 increase) and Xbox ($150 increase) console price hikes. It's also worth noting that the Nintendo Switch was subjected to a price hike in August 2025.

So it's fair to say that the writing has been on the wall for an eventual Switch 2 price increase, and Nintendo has given customers ample time to get their hands on the handheld gaming device.

Frankly, Nintendo, Microsoft, and Sony are not to blame for the price increases, as it's well reported that memory shortages are directly impacting manufacturing costs, and that's been the case for most of 2026.

The crisis is only expected to get worse, with Samsung, one of the big three RAM manufacturers, anticipating even more significant shortages in 2027, 2028, and beyond.

However, consumers will only hope that good measures such as Nintendo's (giving consumers time to avoid paying more) can become a new normal across the gaming and tech industry. Will that happen, though? Probably not.

The year was 2013. I can remember the sheer excitement I felt as I stepped into my local video game store and laid eyes on the title that I’d been desperate to play for months. I’d brought a bag filled with Nintendo DS games that I’d played to near death, traded them in at the counter, and finally got my hands on the 3DS release that changed my gaming life for good: Fire Emblem Awakening.

Awakening was the game that truly got me into RPGs. Its vibrant cast of characters, its stellar strategic gameplay, its engrossing narrative — twelve-year-old me was enraptured by its brilliance.

Now, 13 years on, those feelings of excitement and enthusiasm have been reawakened. And that’s because I got the chance to play Fire Emblem: Fortune’s Weave, a title which — so far — has encapsulated everything that made me fall in love with the series all those years ago. Here’s how I’ve found my time with Fortune’s Weave, and why I think it could be the epic tactical RPG that defines the Nintendo Switch 2.

Enter the Flame Lords

Our adventure is centered around the land of Dagda, a kingdom enjoying a period of relative prosperity under the rule of Divine Sovereign Solel. A grand event is soon to take place in Dagda’s capital, Dagsion, which is drawing great warriors from around the kingdom and beyond: the Heroic Games. This tournament’s victor is to be granted one wish of their choosing, and the city is abuzz with anticipation. But little do the combatants know that a great calamity is soon to befall the world around them.

Five years after the Heroic Games have concluded, turmoil runs rife across Dagda. The demonic god, Balor, has returned, and the forces of the underworld have humanity hanging by a thread. One individual — you, the main protagonist — is tasked by the goddess Sothis to bring about salvation for humanity and drive away the darkness. And this is where we get into the real meat of Fortune’s Weave.

Four great warriors from the Heroic Games, known as the Flame Lords, have vanished. With the help of the goddess Fortuna, you are able to go back in time, alter the causality across each hero’s path, and recruit them to assist in the battle for Dagda’s deliverance.

As the player, you get to travel back to the time of the Heroic Games and delve into four individual campaigns that enable you to control each of the four Flame Lords: Cai, Dietrich, Theodora, and Leda. Meanwhile, you, the main protagonist, will appear as the Pale Raven, and be able to give advice on upcoming battles and watch over the Flame Lords along their journey.

It may sound like a lot to take in, and a lot of back and forths along the timeline, but the storytelling in the early section of the game — which I’ll be discussing here — is incredibly tight, clear, and gripping.

Walk the path of great heroes

After completing a brief prologue, you’re given the chance to pick from any of the four heroes, although you’re able to swap between each individual storyline whenever you feel like. I started by following Dietrich’s path, and wow. What a way to kick off my adventure.

First of all, I have to shout out the character design. Dietrich himself is a truly majestic specimen (something pointed out by many through your journey), and his chilling killer instincts and thirst for battle are reflected in his visceral combat style to perfection. He’s joined by a brilliantly charismatic cast, including the mysterious and eccentric priest, Fabio, the young and skilled Esmeralda, and the former mercenary Mikaela, to name a few.

Each character is surprisingly layered and full of charisma and intrigue, not to mention the absolutely phenomenal voice acting, which is already shaping up to be some of the best the series has ever produced. Naturally, you can build your support with each member of your party and view special conversations, just as you could in previous instalments.

Although Dietrich’s path has been my favorite so far, I’ve dipped into the story of each protagonist, and all offer a strong lineup of characters, distinct yet interwoven narratives, and unique mechanics to drill into.

For instance, Theodora can assign battalions, which can boost a unit’s attack power and inflict status effects on foes, and Dietrich can learn new combat arts from wandering warriors. It keeps each pathway feeling fresh and distinct, and incentivized me to try out each and every one of the Flame Lords’ campaigns.

Although you’ll spend a decent amount of time on main story battles, you’ll also be given free time here and there. With this time, you can access training facilities to strengthen a unit's skill with certain weapons or magic, you can serve at a temple to earn favor from the gods, or you can dine at an inn to build up support with allies and regain motivation (required for certain tasks).

This is just a taste of what’s on offer, but the bottom line is, I found that there was never a shortage of things to do during my free time, and the variety on offer breathes vibrancy and life into Dagsion, making it feel like the esteemed capital it’s presented as.

Gameplay and combat: timeless fundamentals with some neat twists

Let’s talk about the core gameplay on offer, though, which will be the most exciting aspect for a lot of returning fans.

A lot of the bones are the same. Other than some dungeon sections, which incorporate a mild amount of action combat and 3D exploration, you’re mainly playing a tactical JRPG with the usual grid-based combat. Each map is a blast to play through, and although things start out very easy, you’ll soon have to be considerate of which units you select, how you position them, and how you approach the enemy.

At its core, Fortune’s Weave is a continuation of what made the series great, and whether you play in Casual (where units return to your ranks after defeat), or Classic (where units are gone forever if they fall in battle), you’ll find that just about each decision you make on the battlefield matters — and building the perfect units and reclassing them to vanquish your opponent is still outrageously enjoyable.

Combat Arts are back, which degrade weapon durability in exchange for powerful actions, and Blessings from the gods give you boons in combat, such as a reduction in damage received or a higher chance of avoiding attacks. But there are also some new additions. Perhaps the most high-profile, and one I’ve been loving, is Blaze Arts.

Blaze Arts sacrifice a portion of your HP in return for powerful moves, but aren’t available to all units. Dietrich, for example, can warp forward multiple spaces and attack afterwards. Or Theodora can unleash an especially long-range attack on distant foes. The HP sacrifice prevents you from using them without consequence, and the abilities can help you clutch up in tense situations.

I’ve also been loving the battle animations, which add solid immersion to the action. The way that some units will parry attacks and swiftly retaliate, and the elaborate Blaze Arts animations, are both clear standouts and make battles feel like the spectacle they’re intended to be.

Outside of the excellent combat, it’s a lot of fun to just stroll through Dagsion, and movement feels both rapid and responsive. Fast travel is also an option if you want to get from A to B in an instant, but sometimes I just wanted to walk through the city and take in some of the amazing music. Whether it’s beautiful acoustic arrangements or ambient synth-led tracks, Fortune’s Weave is brimming with memorable music, and I can see myself coming back to the OST for years to come.

My only small nitpick about traversing Dagsion is that some of the NPCs provide incredibly repetitive dialogue. I heard “you’re looking well” and its many variations a lot more times than I’d care to mention in my first few hours with the game.

Graphics and performance: a clear step-up on Switch 2

Moving on to performance now, and I have to say, I’m satisfied with what I’ve experienced from Fortune’s Weave so far.

The Switch 2 has added some much-needed firepower, and the improvement from Three Houses is substantial. Character models, such as that of Fortuna, look excellent, with her beaming yellow and rich purple hair really popping on-screen. I’d argue that a few textures on environmental elements, such as trees, perhaps look a bit basic, but it doesn’t feel like the game’s first priority is to be a graphical marvel.

Drawn characters look impressive during dialogue sections too, and have some animations to add emotion and depth to them. Beyond this, cinematic sequences are epic, and a couple of them reminded me of the grandeur exhibited by the opening of Fire Emblem Awakening (one that felt unskippable all those years ago).

One interesting inclusion in Fortune’s Weave is mouse controls, which, as expected, are as smooth and effective as ever on Switch 2. I honestly didn’t use them much, as I prefer to stick with traditional controls, but it’s always good to see a new title make use of the Switch 2’s new technological capabilities.

The game also runs really smoothly, and the Switch 2’s enhanced resolution makes for a more detailed experience than ever. Most of the time, loading screens are very brief too, although I did occasionally experience some minor delays when opening doors in Dagsion, for instance — nothing particularly grating though.

My final thoughts (so far)

Of course, there are a lot of battles that lie ahead, and there’s a lot more story to sink my teeth into, but the early signs are incredibly positive for Fire Emblem: Fortune’s Weave.

So far, the captivating storytelling, brilliant cast of characters, refined turn-based tactical combat, and immersive world of Fortune’s Weave have got me hooked, and I can’t wait to spend more time with the game. These qualities really took me back in time to when I first fell in love with the series, and if my initial hours are anything to go by, I think long-time fans will appreciate the distinct yet interwoven stories, challenging battles, and high stakes.

I should note that I had a good time with Fire Emblem: Three Houses, but the opening of Fortune’s Weave feels like it’s building on everything that made that entry click in a meaningful, substantive way.

I’m sure there’ll be lots more to discuss when the full game launches in September, so keep your eyes peeled for our full review when the time comes, but until then, I’m going to enjoy my ride on the Fire Emblem hype train.

• Aliens: Fireteam Elite has been shut down on Nintendo Switch
• The game was offered as a cloud version on the platform, which meant it relied on being streamed from a server over the internet
• Those that spent money on the game do not appear to have been refunded

The Nintendo Switch version of Aliens: Fireteam Elite has been shut down, rendering it unplayable for those who bought it.

The game launched on Nintendo Switch on April 26, 2023, and unlike the versions available on other platforms, was a cloud version. That means it relied on being streamed from a server over an internet connection. A short demo version was available to try for free, but access to the full game cost $29.99.

There was even a $59.99 Ultimate Edition on offer, which threw in a raft of DLC, and means that some players would have paid 60 bucks for something that they can now no longer access at all.

Developer Cold Iron Studios quietly announced the shutdown back in March this year, sending a message to players thanking them for their support and confirming that the game "will be accessible until August 5, 2026" at which point buyers would "no longer be able to access the game."

It continued: "We apologize to our loyal customers for any inconvenience this may cause, and we appreciate your understanding. We hope you will continue to enjoy our other game titles."

Noticeably, there was no mention of any kind of refund for those who spent money on the game, and it doesn't appear that any affected players got one.

The news has picked up some steam on the r/gaming subreddit, with commenters rallying against cloud gaming and referencing fears surrounding the recent confirmation that Sony would be discontinuing the production of physical game discs in 2028 — pushing gamers towards digital formats.

"Everyone who bought this game should be eligible for a full refund," reads the top-rated comment. "This is why you don't buy a 'Cloud' version of a game," added another commenter. "It is a ticking clock."

One user wrote: "This is going to happen more and more as an all-digital future becomes standard... You don't own anything, you're just paying for the license to play something until it gets taken away."

A sequel, Aliens: Fireteam Elite 2, is expected to launch this year for PC, PlayStation 5, and Xbox Series X and Xbox Series S on August 25. It's also expected to come to Nintendo Switch 2 at a later date. Importantly, it won't be a cloud version, which will likely come as a relief to potential buyers.

Turtle Beach PlayTrek 2-in-1 Case for Nintendo Switch 2: review

The Turtle Beach PlayTrek 2-in-1 makes a good first impression. It’s quite sleek for a large Switch 2 carrying case, and also rather stylish. This is thanks to the dark grey color and the surprisingly elegant suede strip that runs around it, offset to the right. It features subtle blue and orange stitching, a nice detail and a nod to the color coding of the Joy-Con 2 controllers.

The material of the entire unit also impressed me with its ruggedness. The shell of the main compartment feels solid, too, with only a slight amount of flex. As for the detachable travel case on top, I appreciated the small rubber strip that runs along its back edge, as it provides a little more durability and protection when opening it up. What’s more, the entire case is pleasingly light and slender, which is all the more impressive considering what it’s designed to carry.

The zips are similarly well-made, with a reasonably long string and a thin plastic topper that’s easy to grip. However, I did find them a little awkward to open at times, as the lids of both the travel case and main compartment have a tendency to sag inwards, slightly obscuring the teeth. This is a minor issue, though, and not one that’s likely to frustrate.

It’s quite versatile in terms of storage. As mentioned, and as the name suggests, there are two elements to the PlayTrek 2-in-1. The first is the travel case, which is attached via hook-and-loop fastening. This feels quite strong, so I wasn’t worried about it detaching unintentionally. The case houses the console and up to 14 game cards, courtesy of the elastic slots attached to the screen protector flap. The inner part of the lid features zipped netting for storing other accessories, such as cables and the like. There’s no carrying handle, though, which is an oversight.

The fit for the console is very snug, and the case itself is thin all over with next to no extraneous bulk. This makes it great for tucking into a backpack, like the best Nintendo Switch 2 accessories. However, it isn’t a hard shell; it flexes quite readily, so I wouldn’t be confident stacking anything heavy on top of it.

By contrast, the main compartment feels sturdy. The sides can bend inwards quite easily, but the same isn’t true of its corners, so I wouldn’t be concerned if it were subjected to outward forces.

Inside there are inserts for the console, the dock, the Joy-Cons, the charger, and a large gamepad, such as the Switch 2 Pro Controller. I managed to fit the GameSir G7 Pro here instead, which is one of the best Nintendo Switch 2 controllers you can buy, with ease. The fit was snug and secure, as it was for all the other parts. Nothing moved out of place when I threw the loaded case up and down and spun it upside down several times.

The mold material is also just about soft enough to prevent scratching or marking the items within. However, during the course of my test, the glue adhering one side of the mold base to the bottom of the case failed, coming loose.

Obviously this was disappointing, although it’s possible I got unlucky with my particular unit. Regardless, it at least suggests some quality control issues. Despite the failure, I wasn’t too concerned that this would compromise the security of my contents: the other side of the base remained affixed, and since it sits tightly within the compartment, I wouldn’t be worried if all the glue came unstuck.

There are two straps adorning the main compartment. There’s a small carrying handle with a soft neoprene cover that’s very soft and comfortable in the hand. It provides just enough slack, although it's quite tight, which makes it awkward to move out of the way when accessing the main compartment and detaching the travel case; the handle slid out of one of its buckles accidentally on numerous occasions. On the other hand, this tightness does help to pin down the travel case on top, adding an extra layer of security to the hook-and-loop fastening.

The shoulder strap is a typical affair, with its nylon design and plastic karabiners. It's a small shame these and the buckles aren’t made of metal, but I guess this helps to keep the weight down. Fortunately, the karabiners are very solid, which can make them a little tough to remove, but this is a price I’m willing to pay for the security they offer in return.

The length of the strap is adjustable to a reasonable degree, although it could perhaps offer more slack to more easily accommodate taller users. The padded cover over the adjustment buckle is a little thin and lacks the cushioning of the neoprene carrying handle, but I still found it sufficient to prevent the strap digging into my skin.

At $50, the PlayTrek 2-in-1 is a reasonable price for such a feature-filled carrying case. It also has the quality to match, aside from the aforementioned issue with the inner mold. And since it’s cheaper than Nintendo’s own counterpart, it’s a compelling alternative.

Turtle Beach PlayTrek 2-in-1 Case for Nintendo Switch 2 review: Price & specs

Should I buy the Turtle Beach PlayTrek 2-in-1 Case for Nintendo Switch 2?

Scorecard

Buy it if…

Don't buy it if…

Turtle Beach PlayTrek 2-in-1 Case for Nintendo Switch 2 review: Also consider

Nintendo Switch 2 All-In-One Carrying Case
As Nintendo’s official carrying case, you’d imagine the quality would be high here. And indeed it is, but it’s more expensive than the PlayTrek, yet less solid and with fewer features. There aren’t as many game card slots, and there’s no detachable travel case. Read our full Nintendo Switch 2 All-In-One Carrying Case review.

How I tested the Turtle Beach PlayTrek 2-in-1 Case for Nintendo Switch 2

I tested this case for a few days, storing the Switch 2 in the travel case compartment, as well as in the main compartment along with the dock, Joy-Cons, and a large controller.

I carried the case around, via both the handle and the shoulder strap, and regularly removed and replaced the handle to test how easy this was. I also tested the zips thoroughly by opening and closing them repeatedly.

I threw the case up and down and spun it upside down several times to test both the hold of the detachable travel case and the hold provided by the inner molds of the main compartment.

• Read more about how we test
• First reviewed: July 2026

• Nintendo has reported that 61.5% of its sales between March 30 and June 30, 2026, were digital purchases
• This means 38.5% were physical sales
• Digital sales also include other add-on software and downloadable content (DLC)

While Sony commits to ending the production of game discs, Nintendo has reported that almost 40% of its software sales are physical.

That's according to Nintendo's latest financial report for the first quarter of fiscal year ending March 2027, which confirms that between March 30 and June 30, 2026, 61.5% of Nintendo's sales were from digital purchases, meaning 38.5% came from physical sales.

The Mario maker reports that in the previous quarter, it earned 132.7 billion yen from digital sales alone, a 90% year-on-year increase and a 2.2% increase in the proportion of digital sales compared to the same time last year.

Software sales for the Switch 2 also increased by 9.2% year-on-year to 9.46 million units, and original Switch software increased by 38.6% year-on-year to 33.81 million units.

However, Nintendo confirmed the 61.5% digital sales include other software, such as Switch Online subscriptions, Switch 2 Edition upgrades, download-only titles, and downloadable content (DLC) purchases, which would boost digital sales. It also doesn't include digital copies of Mario Kart World, that would be bundled with a console.

Meanwhile, for physical units, net sales for software bundled with hardware are classified as hardware sales.

"As a result, although bundled software such as Mario Kart World is included in the number of software units sold, the corresponding revenue is not recognized as software sales or digital sales," Nintendo said.

Nevertheless, the ratio is significant, and 38.5% in physical sales suggests that Nintendo doesn't plan to abandon boxed games any time soon, unlike Sony.

The PlayStation company shared its plan to retire the production of game discs by January 2028 last month, and has recently confirmed that it is "cautiously" moving forward with its decision despite the backlash (via IGN).

Although some game companies are willing to fight to keep physical games alive, Capcom has recently stated it's unlikely to be significantly impacted by the death of physical games, because 90% of its unit sales are digital.

Glorious GHS Wireless InfinitePlay: one-minute review

There’s something deeply satisfying about the way Glorious goes about speccing its gaming peripherals. The company has a sharp eye for nonsense, and ruthlessly strips it out of the mice and, now, the headset that it brings to the gaming market. Behold, then, the GHS Wireless InfinitePlay, a wireless gaming headset featuring precisely zero RGB, built around normal-sized 40mm drivers, just quietly getting on with giving you multiplatform audio with infinite battery life and two mic options for $230.

With one swappable battery pack placed in the base station, it’s charging ready for use while you have the other one of the pair in your headset. Each one offers 85 hours of use from a full charge, and in case that wasn’t enough, a ‘guardian’ 45mAh built-in battery handles the changeover so you don’t need to turn the headset back on again after you swap. Handy.

That same ‘you won’t need it, but just in case…’ ethos is evident in the mic spec. You’ve got a detachable 70Hz-10KHz noise-cancelling mic for when you’re seated, locked in and ready to absolutely bellow at your team-mates away from prying eyes, and a built-in mic to use when you’re out and about using the Bluetooth connection to a mobile device or Nintendo Switch, and don’t fancy looking like an air traffic controller. Yes, it has 2.4GHz and Bluetooth 5.4 connections, swappable with one button press.

And that’s a very impressive feature set at any price, but especially for $229.99 / £199.99 / AU$239.99. It’s not even super clear where the concessions have been made to hit the price point. The audio quality is simply good rather than audiophile-grade, but that’s totally in line with what this headset is for: gaming. It’s trying to articulate useful audio cues, not trick your ears into thinking they’re in the expensive seats at an IMAX cinema.

Similarly, the construction materials are almost exclusively lightweight, brushed black plastic rather than anything showier, but that serves the sprightly 360g headset weight.

One area of that headset build and design I did run into issues with is the headband. Your experience will vary depending on your head size, but I found a degree of pressure that becomes slightly uncomfortable during longer sessions. This being an elasticated suspended band design, it’s possible that this may ease as the band slackens over time, but during the month I’ve been using my unit I do still notice discomfort.

Besides that, there’s very little to grumble about. The power button isn’t clearly labelled, and the Bluetooth button can easily be confused for it, but this is a one-time issue. Once you know what’s what, that moment of unintuitive design becomes moot and you can enjoy the fantastic feature set of these cans.

Glorious GHS Wireless InfinitePlay: Price and availability

• List price: $229.99 / £199.99 / AU$239.99
• Swappable batteries like the Arctis Nova Pro Wireless, for less
• Packed with useful extras

The extremely competitive pricing of this package is certainly one of its biggest assets. Packing a dual swappable battery design for less than Steelseries’ Arctis Nova Pro Wireless is a great way to announce one’s presence in the headset market, and Glorious backs that head-turning spec up with a number of handy additions that justify the price point.

Namely, a choice of mics (detachable or built-in) and a ‘guardian’ built-in battery that kicks in when you swap between the rechargeable packs, along with some serious configuration flexibility offered by the base station and dongle.

In this challenging economy, to put it mildly, you’d simply expect to see this package priced higher. The construction materials aren’t comparable with ultra-high-end models like the Audeze Maxwell 2 or the Logitech Astro A50 X, but they’re sturdy and finished to a high standard.

Glorious GHS Wireless InfinitePlay: Specs

Glorious GHS Wireless InfinitePlay: Design and features

• Black and orange design is Valve-esque
• Prioritises light weight over looks
• Battery packs look like retro FPS keycards

There’s a duality here to Glorious’ headset stylings. On the one hand, it's extremely restrained with the brushed black plastic on the base station and headset, an elegant amount of orange contrast trim on the whole package, and battery packs that look like they’d unlock a door in a ‘90’s shooter.

On the other hand, the company’s fundamental branding is based on a joke that got old quite a while ago. The brand's name references the glorious PC gaming master race meme and subreddit, which worked as a self-aware joke about PC gaming elitism in 2008 and 2011, but in 2026 works… less so. Look, this could just be an age thing, but to me the GabeN-like brand logo and ‘GGWP’ text on the lower-left earcup feel just a few steps away from a ‘Keep out mom, I’m gaming!’ poster. Given that this headset works with PS5, PS4, Switch and mobile devices (there’s no Xbox version), it’s also just confusing branding at this point.

With that chiding out of the way, I do like the look of this headset. The orange trim feels Valve-esque in the right way, like someone very clever sat and thought about this for a long time. The base station is compact and smart, with indicator lights to show when it’s connected to your headset and the charge status of the battery pack slotted into it. Two USB-C ports to the rear connect to a wireless dongle which sits flush with the base station when connected, and a USB-C-to-USB-C cable to connect to your PC or console. A USB-C to A adapter is also provided.

The base station, dongle, cables, and Bluetooth connection create tons of setup configurations. You can ditch the base station and just use the dongle if you like, although that does mean you don’t have a spare battery charging while you use it. You can even ditch the dongle too and connect the headset with the USB-C cable, although I haven’t found a use case yet where that makes sense, since the built-in battery has a few hours of life even when both swappable packs are depleted.

The headset itself is pretty lightweight for a wireless model with a battery pack, eschewing flashy finishes for an all-plastic body with a fabric headband on suspended elastic, and breathable fabric earcups covering reasonably plush memory foam cushions. If you love that pulsing, sealed-in feeling of closed-back headphones like the HyperX Cloud, these aren’t your cans. They’re certainly closed-back, but the fabric around the earcups does affect the way you experience the audio from its 40mm drivers, producing a flat, detailed but not very low-end heavy response that’s reminiscent of Steelseries’ excellent Arctis Nova 7 and upwards.

I don’t get on with the physical control layout here, though. The location of the (unmarked) power button on the upper-left earcup threw me initially, and I think this control and its right-hand earcup mate are trying to do too much. Both are rotary dials as well as buttons, and while the left controls chat mix, profile swapping and battery status, the right controls volume and media controls. I’m all for minimalist design, but try navigating that while you’re concentrating on something in-game. It took me a couple of weeks to memorise how to perform all those actions.

Just one more gripe – the battery status readout would be much better if it gave you a percentage rather than simply an ‘ok’ or ‘charge now’. Maybe one for a future firmware update.

Glorious GHS Wireless InfinitePlay: Performance

• Tuned for gaming performance
• Good suite of software tweaks
• Battery life true to claims

We all know by now that buying a mouse, keyboard, or headset doesn’t turn you into a Faze Clan member, and the gaming performance gains in the headset vertical are especially marginal. That said, if you’re listening out for footsteps in PUBG Battlegrounds and your 2014 cans with their 60mm grotesquely tuned drivers are too busy making a far-off gunfight sound like a drum and bass gig, you might notice a bit of an advantage when you update your audio hardware.

That’s why it’s important that these drivers are tuned with a nice flat EQ response. That means that they don’t strongly emphasise one particular area of the EQ spectrum, unlike the aforementioned early 2010s models with their ‘scooped’ profiles that boosted the lows and highs like a sound engineer at a Metallica gig.

Sticking with a roughly even volume distribution along the spectrum means that the GHS Wireless InfinitePlay gives all frequencies space to voice and be heard. It might not sound mind-blowing like Audio-Technica or Audeze drivers, but it’s well-suited to games that reward a keen ear, from competitive shooters to singleplayer titles.

I find headsets tuned this way really useful in racing sims too, where I need to hear brake lockups and tire squeals as early as possible, and as prominently in the mix as I can.

Over in Glorious Core, the accompanying software, there’s a welcome and well-judged suite of options including a sidetone toggle, EQ tuning including some basic provided profiles, mic settings like noise cancellation toggling, and several options to tweak the headset behaviour, like when it auto-powers down and whether it gives you voice prompts. I don’t love that it’s taking up 0.99GB of my SSD space to do that, though, and would much prefer a browser-based tuning app.

The battery life really is as long per pack as Glorious states, and swapping them out is easy while you’re mid-session. Just take the spent one out, let the ‘guardian’ battery take over until the end of the round or the next quiet moment, then swap in the other pack.

I didn’t run into any setup issues when I used this with PC, PS5 or Switch, and found that the dual-wireless is pretty rock solid. It’s less suited as a console headset, particularly the Switch, since it really needs the base station to be connected in order to keep a battery pack charged and ready. But as a multiplatform solution (marketing types like to call these ‘battle station’ setups), it offers a no-fuss means to switch between devices.

Should you buy the Glorious GHS Wireless InfinitePlay?

Buy it if...

Don't buy it if...

Glorious GHS Wireless InfinitePlay: Also consider

Not feeling like swapping in this wireless headset? Consider these premium wireless alternatives.

How I tested the Glorious GHS Wireless InfinitePlay

• One month of use on PC, PS5, Switch and mobile.
• All configurations tested
• Tested with shooters, battle royales, racing games and more

Something about the black and orange design of this headset and base station gave me an overwhelming urge to replay Half-Life 2 episodes 1 and 2, so that is where I began. Hearing those familiar audio files through new drivers is a good reference point, actually, which helps to suss out how good the GHS Wireless InfinitePlay is at positional audio.

I’ve also been playing PUBG Battlegrounds, Counter-Strike 2 and F1 25 with this headset, and putting the mic through its paces with amateur found footage horror simulator, Content Warning.

Since it offers an array of connection types – with or without the base station, wired connection – I’ve spent some time playing on all of them, across my PC, Switch, and PS5.

Read more about how we test

First reviewed April 2026.

• The Legend of Zelda Movie has reportedly found its Ganondorf and Impa
• Uli Latukefu and Dichen Lachmann are set to play the aforementioned pair
• The film also expected to feature Yvonna Strahovski and the late Sam Neill

The Legend of Zelda Movie just got a big cast update — and now we know who'll play the franchise's primary villain in Ganondorf.

Per Deadline, relative newcomer and Australian actor Uli Latukefu (Young Rock, Marco Polo) will play the imposing Big Bad in Sony's live-action film adaptation of Nintendo's beloved videogame franchise.

Deadline's report also claims that Latukefu has inked a multi-picture deal — a crucial detail that implies that, should the Zelda film be a critical and commercial success, Latukefu will return as the power-hungry Gerudo warlock in at least one sequel.

Latukefu isn't the only actor who's all but confirmed to appear in The Legend of Zelda's big-screen reimagining.

In a separate article, Deadline reported that Severance star Dichen Lachmann will portray Zelda's bodyguard Impa in the live-action film. This apparent confirmation comes months after Lachmann was supposedly spotted on set with Bo Bragason's Zelda — the latter of whom was announced as the titular character in July 2025. Benjamin Evan Ainsworth was also revealed to be playing Link, aka The Legend of Zelda's male protagonist and hero, at the same time.

Furthermore, Deadline's sources have suggested that Yvonna Strahovski (The Handmaid's Tale) and the late, great actor Sam Neill (Jurassic Park) are also set to feature, though the identities of their characters is unknown.

Who are Sam Neill and Yvonne Strahovski playing in The Legend of Zelda Movie?

According to Deadline's sources, Strahovski will portray an unnamed queen. Immediately, fans' attentions will immediately turn to Princess Zelda's mother, who's never actually showed up in a Legend of Zelda game.

However, there are numerous other female monarchs who Strahovski could portray. That includes Queen Sonia, who — spoiler — is revealed to be Hyrule's co-founder in The Legend of Zelda: Tears of the Kingdom. This game, which is the latest entry in Nintendo's long-running and universally adored franchise, is the sequel to Breath of the Wild, which, based on The Legend of Zelda Movie's first-look images, many fans think the film is largely inspired by. If that's the case, it's possible that Strahovski could play Queen Sonia in a flashback sequence if the Zelda film incorporates aspect of Tears of the Kingdom's story into its plot.

As for Neill, who passed away from pneumonia in mid-July after a lengthy cancer battle, he might play King Rauru, aka Queen Sonia's husband. Other alternatives — in my mind, anyway — that Neill could embody in one of his final on-screen performances include King Rhoam, aka the last ruler of Hyrule, the 100-year-old Sheikh scientist Doctor Robbie, or a popular member of the Goron tribe, such as Daruk or Bludo.

Who do you think Strahovski and Neill are playing? Let me know in the comments. Once you have, find out everything we know so far about The Legend of Zelda Movie, which is now set to land in theaters worldwide on April 30, 2027.

A new entry in Capcom's cult-classic Onimusha franchise has been a long time coming, and there was no better time than now for its resurgence, during the developer's largely successful RE Engine era.

So far, it seems that the resurgence will pay off extremely well: I spent three hours with the upcoming demon-hunting slasher, Onimusha: Way of the Sword, and I came away absolutely amazed by just how well Capcom has taken the formula from previous entries and modernized it brilliantly.

Onimusha: Way of the Sword absolutely shines within every combat encounter, with its weighty, methodical, and stylish sword clashes. It very much reminds me of From Software's Sekiro: Shadows Die Twice, which might sound concerning for those who aren't fans of excessively hard souls games.

You can throw that thought out, though: Way of the Sword is a challenging but very accessible and enjoyable experience, with a variety of boss battles that will test your mettle.

However, with enough practice via boss rematches or against standard enemies in training arenas, similar to previous entries, you'll become accustomed to its combat in no time.

Poised to be the best yet

Rasho-gan's boss battle was intense; a clash with one of the best-designed demons in the game I saw. The opening cutscene was creepy, and it quickly became apparent how cruel the demons are. (Video credit: Capcom)

Onimusha: Way of the Sword is poised to be the best entry in the franchise, without a doubt. It's fair to say that potential acclaim is heavily carried by Capcom's magical RE Engine, responsible for major hits like Resident Evil 4 (2023), Resident Evil Requiem, Monster Hunter World, and other titles in both franchises for almost a decade.

Visuals are at their best in Onimusha: Way of the Sword. Character models, environment details, and the art style all lend to the immersive samurai demon-hunting experience Capcom is trying to deliver — but it's not just about visuals.

I spoke highly of the animations during combat in my coverage of the public demo. After the three-hour preview, I'm convinced that Onimusha: Way of the Sword will set a new standard for sword clashes and how detailed they are.

The 'Issen' technique (evident in the video above) was a core aspect of combat in previous titles and is back and better than ever. It allows players to perform a deadly counterattack right before an enemy attack, and it was a maneuver I spent plenty of time practicing during the preview.

It's not easy to pull off, as it requires very precise timing, but it comes in clutch when outnumbered or facing off against the three tough bosses during my preview (which I won't spoil), by doing plenty of stagger damage. Once I unlocked Chain Issen, I could take out multiple enemies in rapid fashion — and the new flashy and stylish animation makes it so much more satisfying.

Byakue is the hardest boss I've come across in Way of the Sword so far, with constant erratic and unpredictable movements. You've got to have your guard up at all times against this one. (Video credit: Capcom)

My mention of stagger damage is important because Onimusha: Way of the Sword's combat, especially during boss battles where parries are pivotal, reminds me very much of From Software's Sekiro: Shadows Die Twice. Again, this isn't a souls-like, so don't expect much similarity to Sekiro elsewhere, and thankfully, Way of the Sword is much more forgiving for mistimed parries.

However, the sword clashes with bosses like Byakue are incredibly well designed, with audio and visuals that are fantastically gripping, creating the same back-and-forth flow that worked so well in Sekiro.

The great thing is that it seems as though Capcom has used Sekiro as inspiration for combat and built on it, adding extra details like a brief slowdown and zoom when a perfect parry is performed, creating openings for further attacks.

Onimusha: Way of the Sword is also not heavily reliant on parries in normal enemy encounters or boss battles, thanks to the presence of perfect dodges and Issen. Those three elements combined make for a pleasant experience — and outside of the practice arena, there are side quests you can take on for non-player characters (NPCs) with semi-open hubs (similar to Resident Evil 4's boat segment) to explore.

Wind-Whipper is a secondary weapon, but it's certainly a room clearer. It saved me numerous times when encountering more formidable foes while travelling across one of the game's semi-open hubs. (Video credit: Capcom)

Perhaps the only worry I do have is that Way of the Sword seemingly won't have any other primary weapons for Miyamoto Musashi, the main protagonist, to wield. There are indeed secondary weapons, but they are seemingly limited to Oni Armaments, which can only be used when their meters are filled when engaging in duels.

Don't get me wrong, those secondary weapons like the Two Celestials (dual blades) and the Wind-Whipper spear-like weapon I unlocked in my three-hour run are great — but I'm hoping there are enough skills for Musashi's katana to keep gameplay fresh through the game's runtime.

Either way, I'm incredibly excited for Onimusha: Way of the Sword's launch on September 4, 2026, releasing on PS5, Xbox Series X, Xbox Series S, Nintendo Switch 2, and PC — and I'm sure it will be yet another massive hit.

• The actors behind Resident Evil Requiem's Leon S. Kennedy and Grace Ashcroft, Nick Apostolides and Angela Sant’Albano, will co-host the Future Games Show at Gamescom
• The showcase will feature more than 40 games from AAA and indie studios
• Fans can expect "exclusive gameplay reveals and brand-new trailers for some of the most exciting upcoming games"

The Future Games Show at Gamescom 2026 has found its co-hosts in Resident Evil Requiem stars Nick Apostolides and Angela Sant’Albano.

Apostolides and Sant’Albano played Leon S. Kennedy and Grace Ashcroft in the most recent Resident Evil entry, and they will reunite once more on August 26 for the Future Games Show at Gamescom, which begins at 10AM PDT / 1PM EDT / 6PM BST / 7PM CEST / 1AM CST.

"I’m thrilled to be co-hosting the Future Games Show at Gamescom alongside Angela Sant’Albano on August 26!" said Apostolides. "I can't wait to share an incredible lineup of games with fans around the world. Whether you’re into pulse-pounding horror, samurai adventures or anything in between, we’ve got first looks, exciting reveals and plenty of surprises in store. Join us for one hell of a show."

The showcase is expected to feature more than 40 games from some of the industry's biggest AAA and indie studioes, including a behind the scenes look at Tides of Annihilation from Eclipse Glow Games, a closer look at samurai swordplay action game Onimusha: Way of the Sword, and an interview with Neon Giant for their immersive open-world game on their new immersive open world game NO LAW.

"I'm thrilled to be joining Nick Apostolides to co-host the Future Games Show at gamescom on 26 August," Sant’Albano said. "We’re putting the zombie-dodging to one side to bring you world premieres, exclusive gameplay reveals and brand-new trailers for some of the most exciting upcoming games. Nick and I can't wait to share it all with you - see you there!"

FGS Live From Gamescom will immediately follow the main showcase on August 26, hosted by the FGS editorial team, and feature more world premieres and exclusive trailers, as well as news and interviews from the Gamescom show floor.

To round out the event, the FGS Best Of Gamescom broadcast will kick off on August 30 and take viewers to the show floor to wrap up the best games of the event.

You'll be able to tune in and watch the Future Games Show at Gamescom 2026 at Twitch, YouTube, X, TikTok, Facebook, and GamesRadar+.

SteelSeries Arctis Nova Pro Omni: One-minute review

The most succinct way to describe the SteelSeries Arctis Nova Pro Omni gaming headset is that it feels like a 2026-ified version of its excellent predecessor, the Arctis Nova Pro Wireless — one of my favorite gaming headsets ever.

The Omni is a fantastic wireless gaming headset and offers a whole heap of improvements and enhancements over its older brethren, and in its own right, will tick every box most gamers can think of. Each feature that’s been tweaked or upgraded might not be huge in isolation, but every single one adds up, and it absolutely is greater than the sum of its parts when everything’s considered.

The design and build will be very familiar to anyone who’s used any of the Nova line, as it shares identical design language and aesthetics, while retaining a robust build quality you can have confidence in. The GameHub dongle is also identical in form to the one found on the SteelSeries Arctis Nova Elite and the Nova Pro Wireless, but is boosted to offer an upgraded level of connectivity: you can connect and mix up to four different inputs on the Omni, which is somewhat ludicrous but offers excellent versatility.

The audio quality, microphone, and overall performance of the Omni is spectacular, and can’t really be faulted. I think I might just prefer the bottom-end audio of my Audeze Maxwell 2 over the Omni, but that’s nitpicking as the overall audio experience is fantastic, no matter which platform you're connected to. Being able to change EQ on the fly with the Arctis Companion App is a great boost over the Nova Pro Wireless and an excellent feature of modern Nova headsets.

It’s an excellent headset, no doubt, but its pricing and the fact that Nova Pro Wireless will still be available mean the Omni’s place in the lineup is a little muddy for me. It performs fantastically, offers the full set of gaming headset features you could ask for, but I’m just not totally convinced it’s a great value option right now.

In isolation, however, this is a fantastic multiplatform wireless gaming headset and probably the one to go for if you really want the maximum flexibility and versatility.

SteelSeries Arctis Nova Pro Omni: Price and availability

• List price: $399.99 / £349.99 / AU$799
• Closely priced to the Nova Pro Wireless, which will inevitably be cheaper
• Way under the Nova Elite, but in direct competition to headsets like the Audeze Maxwell 2

In isolation, the Arctis Nova Pro Omni is pretty well placed price-wise at $399.99 / £349.99. However, its position alongside the rest of the Nova lineup raises an eyebrow.

A large part of this is because of the continued availability of the headset that the Omni feels like it was made to replace: the Nova Pro Wireless. With the latter now readily available for far less than the Omni’s list price, I think — as a fan of both — that the value proposition of the Omni is lessened.

Unless you really really want the four-device connectivity (as opposed to two), and really want the latest and greatest in a SteelSeries headset without going for the much more premium Nova Elite, then I still think the Nova Pro Wireless is going to be a better value purchase for you. Especially if you’re on just one platform.

The Omni is also up against formidable competition outside of its own brethren at this price point. My absolute favorite headset right now, and my top pick ever in terms of pure audio quality, the Audeze Maxwell 2 is in the same price territory and would be my recommendation for someone prioritizing that.

Then there’s also the likes of the Turtle Beach Stealth Pro 2, and the Sony Inzone H9 2 in the $300-ish zone, along with the likes of the Fractal Scape and the Razer BlackShark V3 Pro that come in slightly cheaper and all offer incredible wireless gaming headset experiences with a host of features.

Having said all that, the Omni does do a lot in and of itself to justify its price tag as a high-end, brilliantly flexible and top-performing wireless headset. It will definitely be the best wireless option in this part of the Nova lineup when or if the Nova Pro Wireless ceases to be made, but until then it’s not a slam dunk for me.

SteelSeries Arctis Nova Pro Omni: Specs

SteelSeries Arctis Nova Pro Omni: Design & features

• Class-leading set of features and connectivity options
• Reliable and fantastic build quality and battery solution
• Very much from the Nova line of SteelSeries headsets

Straight out of the box, you’d be forgiven for thinking that the Omni really is a Nova Pro Wireless in disguise, as all the parts are there. That isn’t a criticism, as the Omni is simply another SteelSeries headset cut from the Arctis Nova cloth.

It’s a familiar design to anyone who’s seen or held a Nova headset, but it does have a tangible level of robustness and solidity that instils confidence — I’ve already dropped my unit a few times, but you wouldn’t be able to tell. The ear cushions are incredibly comfortable too, and I’ve been able to wear this headset for full work days without ever fully realising it too.

The GameHub is basically the same as on other Nova headsets that use it, but there are a few more options within the OLED display, and the addition of a texture to the navigation wheel is a welcome touch.

It’s this kind of small design change that’s present in a few areas across the Nova Pro Omni too: the multi-function volume wheel on the left cup has a new texture to it, the ear cushions are thicker and more padded compared to the Nova Pro Wireless, the mic is new and improved, and so on.

On top of intuitive controls, Arctis Companion App integration, boosted connectivity (Bluetooth 5.3 features here), greater battery life, and quicker fast charge, and more, all the Omni’s improvements over the Nova Pro Wireless do stand on their own feet, and, importantly, add up to a wonderfully designed and feature-filled wireless gaming headset that will offer everything even those with three consoles and a PC could ever want.

SteelSeries Arctis Nova Pro Omni: Performance

• Fantastic SteelSeries audio quality out of the box
• Every upgrade feels worthwhile
• Audio quality and overall performance still close to its predecessor

In terms of performance, the audio is the least difficult thing to cast an opinion on: it’s fantastic. Once again, this is from the SteelSeries Arctis Nova line so shares in all the excellent out-of-the-box audio quality the series is known for and does not disappoint in any way.

What’s more, the audio is now Hi-Res certified, and on PC you’ll be getting 96kHz/24bit, which is a sheer, immersive joy to behold in games like Cyberpunk 2077, and even the atmospheric noises in Frostpunk 2 are detailed and clear. But even away from that, on PS5 Pro (Sony’s console can’t take advantage of 96kHz audio), the gaming audio delivered by the Omni is, predictably, a treat.

Sea shanties, explosive ship combat, and swashbuckling sword action in Assassin’s Creed Black Flag Resynced are fantastically vivid and rich; the audio in 007 First Light is even more cinematic and bombastic; and even audio in older online games like my go-to, Tom Clancy’s The Division 2, is elevated excellently, with enemy audio presented accurately, and the action and soundtrack mixed perfectly.

The ability to change EQ presets for individual games and preferences via the Arctis Companion App remains a brilliant feature too, expanding the Omni’s already excellent versatility.

On top of that, being wireless but plugged into a host of different devices as well as Bluetooth on my phone was very handy — in my particular setup. If you do have a multi-device setup and are looking for one headset that can be used on all of them with ease, even if not simultaneously, then this is a quality feature. For others on single-device setups, this is a bit overkill.

Away from games, music and entertainment is superb on the Omni, and using it for work calls - and multiplayer gaming sessions — with its new (compared with the Nova Pro Wireless) omnidirectional ClearCast Pro mic is brilliant. I found the overall quality of the mic to be excellent, though its omnidirectional design did mean a little more background noise escaped to my friends down the line at times, and it’s certainly a big step up over the Nova Pro Wireless’ microphone.

The way the headset feels to use is also a notable step up over the Nova Pro Wireless, and thus feels closer to the Nova Elite too. The wheel on the left ear cup is incredibly pleasing to use, the GameHub that offers more options is intuitive and easy to use, the new ear cushions are thicker and more comfy than the Pro Wireless (but only just), and there’s also improved ANC which I found worked well, as well as a hoist of boosts to Bluetooth (up to 5.3), longer battery life on the batteries and faster quick charge, and a few more to boot.

Each of the improvements over the Nova Pro Wireless do add up to something much greater than each in isolation.

Should I buy the SteelSeries Arctis Nova Pro Omni?

Buy it if...

Don't buy it if...

Also consider...

If the SteelSeries Arctis Nova Pro Omni might seem overkill in some departments, then check out these two fine offerings as alternatives.

How I tested the SteelSeries Arctis Nova Pro Omni

• Used as a daily driver for a few months
• Tested on PC, PS5, and mobile
• Deployed across a host of games, as well as daily work calls and more

The SteelSeries Arctis Nova Pro Omni headset has been my sole unit for gaming on PS5 and PC, as well as work tasks and calls, for the best part of three months.

I have used it to play a bunch of 007 First Light, a full review playthrough and subsequent platinum playthrough of Assassin’s Creed Black Flag Resynced, and a whole host of Tom Clancy’s The Division 2 on PS5, and also dived into Cyberpunk 2077, Frostpunk 2, and Crusader Kings 3 on Acer Predator Orion 5000 gaming PC (supplied by Acer) teamed with a productivity monitor and an Acer Predator X32QFS gaming monitor (also supplied by Acer).

For a lot of that game-time testing, the Omni was connected to my PC and PS5 simultaneously on one setup, deploying its multi-connectivity. I was then also able to use it for all my work calls, and listening to music.

During this time, I was able to directly compare the Omni with some other gaming headsets I had to hand, such as the SteelSeries Arctis Nova Pro Wireless and Nova Elite, as well as the Audeze Maxwell 2 and Maxwell 2 ANC.

First reviewed May-August 2026

Read more about how we test

• Secretlab has revealed new skins for its Pokémon Titan Evo collection
• Three new skins inspired by Grass-, Fire-, and Water-Type Pokémon will be included in the collection
• The designs highlight fan-favorite Pokémon Venusaur, Charizard, and Blastoise

Following the launch of its Secretlab Pokémon Collection for its Titan Evo gaming chair, Secretlab is expanding the collaboration with three new Pokémon-inspired skins.

The Secretlab SKINS Pokémon Pixel Art Collection celebrates Grass, Fire, and Water-Type Pokémon, including the fan-favorite First Partner Evolutions: Venusaur, Charizard, and Blastoise.

Each design is tailored to each Pokémon, with stunning green, orange, and blue gradients that fade from light to dark along the backrest. Patterned panels along the side feature more pixel art themed after Grass, Fire, and Water-Type Pokémon, like Arcanine, Bulbasaur, Vaporeon, and many more.

"The Secretlab SKINS Pokémon Pixel Art Fire-Type Edition sports a scorching hot look, just like Charizard's Flamethrower," reads one description. "Charmander, Charmeleon, Arcanine, Rapidash, Flareon, and more round out the fiery company."

The designs rendered in adorable pixel art for Venusaur, Charizard, and Blastoise are featured in the middle of the chair, showcasing your chosen Pokémon.

Currently, the Pokémon Titan Evo collection includes the Pokémon Pikachu Edition, the Pokémon Eevee Edition, and the Pokémon Gengar Edition.

"We wanted this chair collection to speak to the inner child in all of us, while still being elevated with craftmanship that would appeal to our now grown-up selves," said Secretlab senior product graphic designer Irene Tee of the chair designs.

With these three new Pokémon Secretlab skins, you can easily slip the sleeve over a Titan Evo chair, one of the best gaming chairs you can buy right now, and you're done.

I still consider Lies of P to be the very best of the best soulslike games you can play today. Others have come close, like the tremendously underrated Wuchang: Fallen Feathers (I also have a soft spot for 2023's flawed-but-interesting Lords of the Fallen), but none have been able to match this macabre take on the tale of Pinocchio. And I'm happy to report the game really shines on Nintendo Switch 2 with the arrival of Lies of P: Complete Edition.

It's very much the same game that fans have loved since its 2023 release. However, Lies of P: Complete Edition also bundles in the phenomenal Overture expansion and all previously released cosmetic downloadable content (DLC).

As a result, this review will broadly focus on the game's performance on Nintendo Switch 2 and its overall value for money of Lies of P: Complete Edition. Be sure to read our original Lies of P review for a more complete rundown of the game itself, as well as our Lies of P: Overture review if you're curious about the unmissable massive expansion that released last year.

If you own a Nintendo Switch 2 and you've been waiting for a chance to play Lies of P, then you'll be well-served with Lies of P: Complete Edition. Not only does it bundle the base game and the expansion at a reasonable asking price, but it's also a winner in the performance department with robust graphics options and speedy load times. I really can't recommend it enough, especially after completing my third playthrough of the game via this Complete Edition.

It's not a perfect package; the more quality-centric graphics options are perhaps a tad too ambitious, leading to a very noticeable performance compromise. Plus, the inability to disable motion blur means you'll probably get sick of the smeary image created whenever you adjust the in-game camera.

But if you stick to the performance- or balance-oriented graphics modes in either docked or handheld play, you'll find that Lies of P mostly plays like a dream on Nintendo Switch 2.

Arms' length

As a quick catch-up (though once again I'll direct you to the review links above if you want to really learn more about the game before making a purchasing decision), Lies of P is a soulslike action game in the vein of FromSoftware-developed titles like Elden Ring and the Dark Souls trilogy.

That means you can expect a high level of difficulty, with tough boss encounters and tricky enemies. You can also expect intricate level design with plenty to explore off the beaten path, and robust build variety that lets you craft a playstyle that suits your preferences.

Where Lies of P sets itself apart is in its gameplay particulars. The player character, as a puppet, can equip a variety of Legion Arms, which offer effects like applying harmful status elements, pulling enemies toward you, or laying down proximity mines for crowd control.

You can also mix and match the blade and hilt of most of the game's weapons, with different combinations changing how you swing the weapon, as well as the special moves it has access to. Finally, exploring is greatly incentivized by Quartz - a rare item that lets you unlock strong passive abilities via your P-Organ setup at the homebase of Hotel Krat. Such passives include more healing item uses, more amulet slots for applying strong combat effects, and greater effectiveness of your dodge roll.

Lies of P can be an extremely tough game, but there are two easier difficulty options if you'd prefer a more casual experience. These can be changed at any time, so feel free to switch them around if you find you're having too hard (or too easy) of a time; the game does not punish you or lock away any content on those easier difficulties.

P for Performance

So let's break down how Lies of P: Complete Edition runs on Nintendo Switch 2, specifically. In docked mode, on TV, you have three settings. The performance-centered option lets you play at a full 60fps, and it's tremendously smooth with little in the way of hiccups. The downside here is you lose quite a bit of graphical detail, with greatly simplified environmental detail and particle effects.

The quality-centered option swings a bit too far in the opposite direction, and while it does offer some nice-looking ray-tracing, the Switch 2 isn't quite able to keep up the pace and performance really suffers as a result. This setting also makes the camera-based motion blur very apparent, creating a Vaseline-like smear whenever you shift the camera in-game. There's no option to turn off the motion blur, either, so I would recommend avoiding this setting in both docked and handheld modes.

I personally found that the 'Balanced' setting offered the best results. This had the best balance between frame rate (a stable 30fps) and graphical detail. If you're going to play on TV, this is the graphics option I would strongly recommend.

There are still some caveats that are apparent across all graphics modes, though. There's very noticeable object pop-in for distant objects, especially in the game's denser areas like the Lorenzini Arcade or Overture's Krat Zoo. It's not game-breaking by any means, but it shows that some compromises had to be made for more stable performance on Switch 2.

Another annoying thing about this Switch 2 version is that you can only change graphics options from the title screen menu. That means you'll have to back out from the game to the menu every single time you want to change things up. This is another reason why I recommend just setting the game to Balanced mode from the jump. It offers the best visual quality to performance balance, and I would only suggest swapping to the performance-centered mode if you're desperate for 60fps gameplay.

On that note, a 60fps graphics option is coming to handheld mode via a day-one patch, so I was unable to test that during the review period.

Should I play Lies of P: Complete Edition?

Play it if...

Don't play it if...

Accessibility features

Lies of P: Complete Edition has a basic set of accessibility options. There are three colorblind modes (protanopia, deuteranopia, and tritanopia), as well as the option to adjust subtitle display and size. Full button rebinding is also supported, and as mentioned in the review, there are two easier difficulty options if the going gets a bit too tough.

How I reviewed Lies of P: Complete Edition

I played Lies of P: Complete Edition for 20 hours for this review. That playtime included most of the base game and the first handful of areas within the Overture DLC. I tested all graphics modes available during the review period, including quality, performance, and balanced options.

I played Lies of P: Complete Edition primarily in docked mode on an LG CX OLED TV with a Switch 2 Pro Controller, swapping over to handheld mode every so often to get a feel for overall performance there, too. I also hooked up my RIG R5 Spear Pro HS gaming headset for more immersive audio while playing in handheld mode.

First reviewed July-August 2026

It's time to bid farewell to July 2026 — and, if you won't be heading out to catch Spider-Man: Brand New Day this weekend, you're going to need something to watch at home instead.

Thankfully, the world's best streaming services have plenty of great-looking new movies and shows for you to check out before Monday arrives once more. Don't delay, then — scroll on to see what you'll be adding to your watchlist ahead of the new working week. — Tom Power, senior entertainment reporter

The Devil Wears Prada 2 (Hulu/Disney+)

Gird your loins, people: The Devil Wears Prada 2 is finally available to stream on Hulu and Disney+. As an 11-year old girl who grew up wanting to be Andy Sachs, I can safely say that nothing has changed 20 years later.

This time around, Andy is brought back into the Runway Magazine fold when Miranda comes under fire for printing false information in an article. As the new Features Editor, it's Andy's job to navigate a PR crisis fit for the 2020s, which includes getting a little help from Emily.

With all of the nostalgia and dreamy fashion montages you could hope for, and an new original song by Doechii and Lady Gaga that slaps, I'll be watching this over and again. — Jasmine Valentine, entertainment reporter

• Watch The Devil Wears Prada 2 on Hulu (US) and Disney+ (internationally)

The Super Mario Galaxy Movie (Peacock)

Yahoo! Almost fourh months after it initially landed in theaters, The Super Mario Galaxy Movie has finally made its official streaming debut on Peacock.

Mario's latest animated adventure is way more polarizing than its predecessor, yet it still managed to pull in $1 billion at the worldwide box office. For that reason alone, it's probably worth giving it a whirl — but, seeing as you'll need something to entertain the kids for 90 minutes or so, it's definitely worth putting on.

But, I digress. For those who might not know: this time around, Mario and his allies traverse the cosmos as they attempt to stop Bowser and Bowser Jr from enacting a new masterplan that would see them kidnap Princess Rosalina and drain her cosmic powers to build a super weapon. Expect plenty of Nintendo Easter eggs and references in this multiverse-esque sequel that certainly acts as a jumping off point for a shared Nintendo cinematic universe. — TP

• Watch The Super Mario Galaxy Movie on Peacock

The Drama (HBO Max)

The first of three films that Zendaya and Robert Pattinson appear in this year, A24's dark rom-com drama called, well, The Drama has made its debut on HBO Max.

Starring the aforementioned A-listers, it tells the tale of soon-to-be-newlyweds Emma and Charlie, whose forthcoming wedding is derailed when a particularly dark secret comes to light. The twist in question? Honestly, it's best if you go into the movie knowing as little as humanly possible, because it's such a blind-siding narrative device that it's too good to spoil here. Get it watched ASAP, because I imagine it's all you and your work colleagues will be talking about come Monday. — TP

• Watch The Drama on HBO Max

The Bombing of Pan Am 103 (Netflix)

There are some national tragedies that are so horrifically terrible, history is forever changed. In Scotland and the US, this was the Bombing of Pan Am 103, which is now a Netflix docuseries of the same name.

In a nutshell: on 21 December 1988, flight Pan Am 103 was en route from Heathrow to JFK when a bomb exploded in its hold over Lockerbie, killing all 270 people, including 43 British citizens and 190 Americans, on board, and spawning an international investigation involving local law enforcement and the FBI.

The community of Lockerbie has definitely never been the same since, with the attack leading to the Aviation Security Improvement Act of 1990. Be prepared for a difficult yet emotionally poignant watch. — JV

• Watch The Bombing of Pan Am 103 on Netflix

Batman: Caped Crusader season 2 (Prime Video)

Batman is back — well, in Amazon's animated TV show, that is. That's right, season 2 of Batman: Caped Crusader has made its Prime Video debut, so fans of the Dark Knight have some new content to consume while the wait for The Batman Part II goes on.

This season, the eponymous vigilante and friends are forced to navigate an increasingly combustible turf war and the arrival of new iterations of the Caped Crusader's packed rogues gallery. Eager to see the Big Bad Bat go up against Joker, Scarecrow, Riddler, and more for the umpteenth time? Caped Crusader season 2 should be your first streaming port of call this weekend. — TP

• Watch Batman: Caped Crusader season 2 on Prime Video

Furious (Hulu/Disney+)

Female police chasing female serial killers? It's almost as if the glory days of Killing Eve are back. This time, the dynamic comes courtesy of Furious, which has already been described by critics as one of the best shows of 2026, which is seriously high praise.

I've got a hunch that this is mostly down to its leads in Shameless' Emmy Rossum, and Lola Petticrew, who was absolutely astonishing in Trespasses and Say Nothing. What's even better is that it's set in the 1980s and allegedly has a vert satisfying payoff. Ticks all of the great crime drama boxes, if you ask me. — JV

• Watch Furious on Hulu (US) and Disney+ (internationally)

Lioness season 3 (Paramount+)

We've been without a new Taylor Sheridan show for the first time in 2026 this month, but never fear... Lioness season 3 is here. And, by here, I mean on Paramount+.

Joe continues to walk the line between duty and home as "unseen forces" circle her world. Frankly, I think this means that we should do a fan sweepstake on just how many minutes of each episode she's going to be shouting for. My guess is 42 out of 48 minutes.

What's even more impressive is how Lioness season 3 has managed to retain Nicole Kidman and Morgan Freeman in their supporting roles. That's the brilliance of a Taylor Sheridan series, I guess. — JV

• Watch Lioness season 3 on Paramount+

The Nintendo Switch was nothing short of a phenomenon. It won the hearts of millions, possesses one of the greatest games libraries in console history, and became one of the highest selling systems of all time. It brought the best parts of its failing predecessor, the Wii U, forward, assuming an ultra-convenient hybrid form, and during the COVID 19 pandemic, it felt like everyone and their dog were building their perfect island on Animal Crossing: New Horizons, or racing to the finish line in Mario Kart 8 Deluxe.

All of that is to say, that whatever came next would have huge shoes to fill. And so, in came the Nintendo Switch 2 — a system that appeared to be less of a revolution, and more of an evolution. It took what made the Switch great and ran with it, offering higher resolution and refresh rates, a larger screen for handheld mode, and even a mouse mode.

And in some respects, the Switch 2 has hit the ground running. It’s the second-fastest selling games console in recorded US history, and at just over a year old it's already seen multiple exclusives (such as Donkey Kong Bananza and Pokémon Pokopia) release to critical acclaim. But at the same time, some have been disappointed over the lack of a 3D Mario or truly new Zelda title on the horizon, while issues around battery life and pricing have also proved to be a turn off for others.

So, this got me thinking. Would gamers consider the Switch 2 to be more of a hit, or a flop? Sure, its sales figures have been impressive, but are users satisfied with the hardware upgrades? What are their thoughts on its game catalogue?

I spoke with industry experts, fellow journalists — and most importantly, you, our wonderful readers, and it proved to be a fascinating experience. I heard a lot of varying viewpoints, and now I’m here to report back.

Hit or miss: the expert take

To begin with, I spoke with Mat Piscatella, Executive Director of Games at the Market Research firm Circana, who had some excellent insight into the commercial performance of the Nintendo Switch 2.

“Well, over its first 12 months in the market, Nintendo Switch 2 hit 5.9M units sold in the US,” Piscatella told me.

This, he noted, ensured it became the second fastest-selling video game hardware in the US since Circana’s records began in 1995 — finishing behind the Game Boy Advance only. “If that's not considered a hit, I'm not sure what would be,” he remarked.

“For the 2026 year-to-date period ending May, US hardware spending in total was up 37% compared to the same period a year ago,” Piscatella said. He stated that this was “entirely driven by Nintendo Switch 2 as double-digit percentage sales declines were experienced across the other in market platforms”.

He also highlighted high sales of software, such as Donkey Kong Bananza, Metroid Prime 4: Beyond, Pokémon Legends: Z-A, Pokémon: Pokopia, and Mario Kart World, a game which was largely obtained via a bundle with the system.

So far so good, then, for Piscatella, who also highlighted the benefit of the Switch 2’s backwards compatibility — giving users access to thousands of unique titles from the original system.

He did flag that June date may indicate “tough year-on-year comp for the system,” largely due to sales being compared to the launch month. “After that we should see Switch 2 continue to perform well into its announced September price increase. Then we'll have to see what happens."

What does the TechRadar team think?

The early signs have been promising, commercially speaking, but our Managing Editor of Social & Engagement (and Nintendo enthusiast), Josephine Watson, says that “the Switch 2 needed more than sales to break Nintendo’s generational curse of yo-yo-ing console success. It needed sticking power”. So, one year on, has it stuck the landing?

She argued that the Switch 2’s weaker holiday sales and subsequent production cuts suggest that “the console has yet to prove its mettle in the same way the first-generation [Switch] did, even with such high sales figures in its first year.” Despite this, she did acknowledge the mid-lifecycle boom that the OG Switch experienced, largely due to the release of Animal Crossing: New Horizons during the pandemic.

In terms of games, Watson had a somewhat mixed take, arguing that the Switch 2 had “a concerningly hollow launch title line-up carried mostly by Mario Kart World,” though she did suggest that the system gained momentum moving into the new year, especially with titles like Pokémon Pokopia and strong third-party additions like Resident Evil Requiem.

Is the Switch 2 a success one year on for Watson? “No — but yes, kinda,” she said. She lamented the lackluster battery life and pointed to how Nintendo could’ve done more to eradicate stick drift from the Joy-Con 2 controllers, but did express satisfaction with the improved processing power and refined eShop. And even though her views on the game library haven’t been entirely positive, the Legend of Zelda: Ocarina of Time remake, scheduled for release in 2026, “is the game-changer,” she said.

TechRadar Senior Writer, Hamish Hector, admitted that he was “a little skeptical” of the Nintendo Switch 2 — both a little before and a little after its launch. But since grabbing one in the latter stages of 2025, those worries seem to have largely dissipated.

“It has cemented itself as my go-to gaming handheld,” Hector told me. “While it doesn’t have the raw power or library breadth of my Asus ROG Xbox Ally X — a handheld gaming PC with access to Steam’s vast suite of games — the Switch 2 does still boast a solid selection of AAA ports, incredible first-party hits and superb indie darlings”.

He noted how some AAA third-party ports have varied in quality, although hit the mark more often than they miss, and most issues manifest themselves as simple “graphical performance hitches” rather than “anything majorly frustrating”. He even hailed the Switch 2’s value for money, emphasizing that “At $449.99 / £395.99 it’s much more affordable than any worthwhile PC handheld, and even after its upcoming price hike to $499.99 it’ll still be a solid pickup”.

Here’s what our audience has to say

We’ve heard a range of views so far, albeit generally positive ones. It feels as if the general consensus is that the Nintendo Switch 2 has been an overall success, with a strong start in terms of sales and a commendable library to match. But I was most excited to hear from were you, our audience. So, I asked, and you answered: here’s whether you considered the Switch 2 to be a hit or a flop.

I asked our audience about their feelings on the Switch 2 across multiple platforms. With our poll here on the TechRadar website and over on WhatsApp, users were given four choices: 'It’s a hit'; 'it’s pretty good'; 'it’s a little disappointing'; and 'it’s a flop'. We got 892 votes, and the breakdown was as follows.

Over on YouTube, we wanted to try a more direct approach and gave our audience only two options: hit or flop. We received 446 votes (at the time of writing), with 61% selecting ‘hit’, and 39% going with ‘flop’.

But what do these results actually tell us? At a glance, the picture seems pretty divided. Across all of our polls on our website, WhatsApp, and YouTube, we received 1,338 responses. Of those, 693 (51.8%) were generally positive on the Switch 2 (respondents called it ‘a hit’ or ‘pretty good’), whereas 645 (48.2%) were generally more negative (respondents either selected ‘it’s a little disappointing’ or ‘it’s a flop’).

Over on our Facebook page, the reasons for such division became clear, with a wide range of differing opinions floating around.

Of course, the very meaning of ‘hit or flop’ in itself can be interpreted in a number of ways. One commenter, Andreas Carmblad, stated that “hit or flop is reflected in the sales figures,” suggesting that Nintendo’s new console has been a success so far.

Others were more focused on the quality of the system’s software lineup, with most talking up the first-party line-up — though one commenter described the current set of exclusives as “woeful,” adding “hopefully a few big releases can turn it around [like] OoT and a new 3D Mario game”.

Elsewhere, commenters expressed disappointment over the console’s battery life in handheld mode — understandable given that it can run flat in around 2 hours with more demanding games.

However, many considered the new hardware changes to be a hit, with Tim McDougall saying “It's an improvement in almost every way [over the original Switch] and it's now much closer in performance to the current gen home consoles. It's 99% backwards compatible with the first Switch, with many performance benefits. I'd say it's a success”.

I was slightly surprised to see so many members of our poll select ‘slightly’ disappointed in our poll, and I expect that this comes down to a sentiment that the console is still a few games short of being a true must-have for all gamers. However, with Zelda and Pokémon games releasing soon, a lot of opinions could be swayed — and I suspect a blockbuster Mario title would only seal the deal.

What I was pleased to see, however, is that very few members of our audience (10.4% in our main poll) consider the Switch 2 to be an outright flop. After all, the sales speak for themselves, and there have been a lot of very well received exclusives early in the system’s lifecycle.

Some personal thoughts

This brings me onto my personal thoughts. I pre-ordered the Nintendo Switch 2, and my expectations were high for the new system. Although I loved the original Switch’s library and appreciated its flexibility, the truth is, I actually didn’t love it all that much. For me, quality often felt overly compromised in handheld mode, with a lot of intensive titles struggling to reach up to 60fps. But the Switch 2 changed everything.

Now, I can enjoy titles in full HD at 60fps (and sometimes up to 120fps) in handheld mode, and I feel like the gap in quality when playing on the go — rather than in front of the TV — has shortened. What’s more, the Switch 2’s Handheld Mode Boost means that I can enjoy my original Switch games as if I was playing them with my system docked — a truly fantastic feature.

Then there’s the games. Controversially, I consider Mario Kart World to be the series’ best entry since the Wii generation, with a return to the true chaos and zaniness that made the games great in the first place — with knockout mode and the bizarre cast of characters being highlights for me. I’ve also had a blast with DK and Pokémon Pokopia, have spent countless hours racing in Kirby Air Riders, and exploring in Yoshi and the Mysterious Book.

The Switch 2 has also managed to do what the original model never could for me, in that I now often choose Nintendo for third party experiences. The brilliant combination of portability and higher fidelity visuals has made grinding in Dragon Quest I & II HD-2D Remake or playing detective in Raidou Remastered: The Mystery of the Soulless Army feel free of compromise.

Pair that with impressive sales performance, more convenient magnetic Joy-Cons, and even some pretty impressive virtual surround sound processing, and the Switch 2, in my eyes, is a sure-fire hit.

Yes, I share many users’ battery life gripes, and I personally believe that some of the first party games are far too pricey — I mean, $79.99 / £74.99 / AU$119.95 for a physical copy of Mario Kart World? Really? But even with incoming price hikes, I’d consider Nintendo’s latest hardware to offer plenty of bang for your buck, and although I’d love to get Super Mario Odyssey 2 within the next year or so, I’m perfectly satisfied with the current, and upcoming crop of titles at this stage.

Square Enix is gearing up to kick off a brand new era of Final Fantasy 14 with the release of the Evercold expansion. The beginning of the "Godless Realms Saga" story arc, it arrives after the epic conclusion of a decade-long saga, and follows on from Dawntrail which laid the groundwork for this new adventure.

Game producer and director Naoki "Yoshi-P" Yoshida has already teased the new threat players will face in the DLC, which I'm beyond excited for, as well as a number of incredible quality-of-life system updates, new content, and improvements to outdated gameplay features.

It's looking to be a mighty expansion that will hopefully draw in even more players when the massively multiplayer online game (MMO) officially hits Nintendo Switch 2 next month, but there are a few things I'm particularly eager to experience.

Buckle up, we're saving the world again

Final Fantasy 14 story spoilers ahead

After a decade of buildup, the Shadowbringers and Endwalker expansions saw the pieces of an overarching story finally come together and conclude the Hydaelyn-Zodiark saga, resulting in one of the best Final Fantasy stories ever to be told.

While some events were wrapped up with resolute endings, some lingering questions were left open that presented new possibilities for the MMO, and it all starts with the Reflections: mirror worlds created by the Sundering, a great calamity that saw the Source shattered into 13 Shards.

Players have visited other Reflections in past expansions, but in Evercold we'll visit the Fourth Reflection, which was beset by a calamity of ice. This means an entire new world to explore, and from the trailers and concept art, it appears that SE is leaning heavily into the fantastical style I adored in Shadowbringers and Endwalker, and drawing from what looks like Norse mythology for inspiration.

A new, unexpected threat to all Reflections has also emerged with the recent release of Patch 7.5, the Solstice, which will bring about the natural Rejoining of the Shards and threatens to wipe out all life on the Source and its Reflections.

"In the time of the Ancients, Etheirys was divided across ten and three reflections to avert a terrible calamity," the expansion description reads. "Thus, for twelve thousand years did the star survive, and by its enduring hope did the Warrior of Light at last thwart its Final Days. Yet victory comes at a cost, and fate now demands its due.

"Faced with the new threat of the Solstice, the Warrior of Light is summoned to the Fourth reflection. But what do they hope to gain from wandering a world lost to ice?"

It's a bold move on the writers' part to thrust players back into a situation where they'll be dealing with the end of the world again; however, Dawntrail's subsequent patches have done a great job of building the foundations to make it a story worth telling.

I'm a FF14 player who looks forward to new story content most of all, and in Evercold, with the way the main scenario has been playing out, I'm certain our trip to the Fourth will open new avenues to explore and deepen the lore of the Ancients, which had been drip-fed to us over the years. In particular, the mystery behind the creation of Ethos, the key that opens up the path to these Reflections, and how this new ability to world-hop will play into the larger story.

Alongside these huge stakes, we've got a new "big bad" to face, the Winterers and the Ascian Halmarut, who are working in the shadows to prevent the Solstice.

Halmarut is unique in that she is sympathetic to mankind's current state and will do anything to ensure it survives the Solstice; however, her plan of controlled Rejoinings comes at the cost of mass death and destruction, believing that it's better to sacrifice some lives so humanity has a chance. But as the Warrior of Light, we can't go along with that idea.

Interestingly, unlike other Ascians before her, Halamurut encouraged the player to find their own way to deal with the Solstice. The Ascian was only introduced in recent patches, but given how superbly the writers developed its past villains (namely the best Final Fantasy baddie ever, Emet-Selch), I'm eager to see how SE will handle another multidimensional antagonist with a world-ending goal.

Raid content galore

FF14 has always excelled at crossover raid content, whether that be the Yorha: Dark Apocalypse Alliance raid series, developed in collaboration with Nier developers Yoko Taro and Yosuke Saito, or the major raid series inspired by previous Final Fantasy games, like Final Fantasy 3, Final Fantasy 8, Tactics, and more.

Dawntrail's major Alliance raid series, Echoes of Vana'diel, wrapped up with the latest patch, a 24-player crossover celebrating Final Fantasy 6, that offered incredible bosses and a challenging yet rewarding experience.