• 007 First Light will launch on Nintendo Switch 2 on March 18, 2027
• The edition was originally scheduled to launch this year but was delayed
• IO Interactive says it will continue "refining the game's optimisation and performance" in the lead-up to the game's release

IO Interactive has finally announced that 007 First Light will launch on Nintendo Switch 2 on March 18, 2027.

The release date is much later than initially promised — IOI originally said the Switch 2 edition would arrive this year after the game's PS5, Xbox, and PC launch in May — however, it's now said that the delay allowed the team extra time to address performance issues and that it will continue to improve optimisation in the following months.

"Since announcing additional development time to ensure the quality of experience players expect, IO Interactive has brought hands-on builds of 007 First Light to both Gamescom and Tokyo Game Show, where players and press had their first opportunity to experience Bond's world running on Nintendo's hardware," IOI said in a statement.

"Player response from both events has been positive, reflecting the progress being made across the game as development continues toward launch."

The studio added that "the development team will use the coming months to continue refining the game's optimisation and performance on Nintendo Switch 2, ensuring it meets the standard players expect at launch."

On top of a Switch 2 release date and a new gameplay trailer running on the hardware, the 007 First Light – Deluxe Edition is now available for pre-order for $69.99 / £69.99.

The Deluxe Edition offers the Gleaming Lighter, Gleaming Earphones, Gleaming Dart Gun, and Gleaming Pen gadgets, plus four additional outfits, including the Day of the Dead, the Desert Explorer, the Silent Anchor, and the Gentleman Operator.

In addition, the 007 First Light - Special Edition on Switch 2 is also available exclusively at Amazon, giving players access to the Classic Tuxedo.

Anyone who pre-orders the game on Switch 2 will also receive early access to the GoldenEye Suit at launch.

IOI released 007 First Light's first major free downloadable content (DLC) earlier this month, which included New Game Plus, Photo Mode, and a brand-new "00" difficulty level, among other activities.

Funselecktor Labs Inc. is known for its minimalist yet vibrant takes on various forms of motorsport, starting with Absolute Drift in 2015, followed by Art of Rally in 2020 and Golden Lap in 2024. Now, the independent studio is tackling offroading, but rather than competing against the clock or other drivers, over the hill is about exploring an open world on your lonesome (or with a friend or three) at your own pace.

Taking inspiration from the recent wave of cozy games, over the hill doesn’t have concrete aims or objectives as such. Rather, you simply pootle around the various maps to discover various points of interest and earn Pebbles, the game’s currency, to upgrade your vehicle to better navigate the environment.

Off the beaten path

over the hill sticks to the same cardboard-cutout aesthetic of the developer’s past efforts. Textures are flat and basic, but they’re elevated by the pastel colors and lush lighting effects, with environments drenched in pinks, oranges, and greens that invite players to explore them.

There are two main regions to choose from at the start of a game: Canada and Algeria. Each has its own sub-areas (three for Canada and two for Algeria), featuring all kinds of terrain and climates; you’ll see rain, snow, and sandstorms, which naturally affect your driving and navigation abilities, adding an extra element of challenge.

The music complements the visuals perfectly. The in-game radio gives you four ‘albums’ to choose from, each representing a certain flavor of ambient, from synth-heavy pieces to folksy guitar numbers, all with gentle melodies to lull you as you play. I was impressed with the score’s production value, given that it merely serves to subtly set the mood as you play.

This is a game low on story and characters, but high in vibes — specifically of the zen variety. Aside from the Buddha statue that acts as your tutorial guide, the only other character is Crazy Günther, the hippie mechanic you visit to customize your vehicle. His textual dialogue (there’s no VO) adds a small amount of flavor to an otherwise purely functional NPC, and it chimes well with the gentle tone of the game.

Once you learn the basics in the brief tutorial, you’re left to explore the world. Campsites are the chief points to discover, as they act as the game's main fast travel hubs. You can also use them to fast-forward time, useful if you want to wait for a different time of day or skip certain weather events.

Other points of interest in the maps include crates that unlock cosmetic features for your vehicle, as well as scenic points from which to take photographs. You can also find Trial Challenges to complete, which take you along treacherous routes of varying lengths to test your off-roading skills, and find wildlife to snap. These discoveries and activities earn you Pebbles.

Pedal to the metal?

If you’re looking for a fast and furious off-roading experience, over the hill isn’t it. Instead, it takes a considered, sedate approach to the sport, one that rarely rewards harebrained driving and impatience. Speeds are slow at the best of times, with second gear being the highest. True to real life, vehicles have both low and high range gears, with the former being used to give you better control and traction on slippery surfaces and steep slopes. Such surfaces are indicated organically via the game’s visual style, without making it too obvious by overtly highlighting them.

Anyone who’s played MudRunner or SnowRunner will be in familiar territory with over the hill. As long as you’re in the right gear range, you don’t have to worry too much about being sensitive with the throttle; you’ll either make it up a slope or you won’t, regardless of how you modulate the throttle. Steering is fairly laborious as well, with the wheels being slow to turn and recenter on most vehicles, which only adds to the challenge of navigating around obstacles. I’ve never been offroading in real life, but this is how I’d imagine 4x4s to handle.

When the going gets too tough, you can use various bits of equipment to get you out of tight spots. First and foremost of these is the winch. A single button press will fire it at the tree you’re looking at (as long as it’s in range), and holding that same button will reel you towards it. You can also slacken the winch with another button, useful when you want to descend rather than ascend. If you want more control, you can use the winch in manual mode, which lets you choose which side of your vehicle to winch from and which tree to anchor to within a certain radius.

The winch can be used as many times as you like and is always in your inventory. Other tools, though, have to be selected before you enter a map; if you want to alter your loadout while playing, you’ll need to visit the mechanic. They’re also single-use items, although you select multiple instances of them, and they replenish whenever you visit a campsite. Among them are a portable anchor, which you can winch onto when there are no trees around, and two wooden planks to lay across small gaps or on the ground to give you more traction. These are a little fiddlier to use, as it can be a chore to line them up with your wheels, and misaligning them even slightly can easily result in your vehicle slipping off them. Still, they’re very useful and rewarding when you find yourself stuck. Other tools include a portable camp, a repair kit, and a car jack for righting your vehicle if you roll it over, which is easily done.

There’s a respectable number of customization and upgrade options for your vehicles. There are a variety of vehicle bodies to choose from, ranging from classic 4x4s and wagons to more utilitarian and industrial models — and yes, there’s even a campervan. The differences between them are more than cosmetic, as they each have their own speed and handling characteristics, despite the game not actually listing these stats. The selection is resolutely vintage, with no model looking beyond the 90s at best. Most are inspired by iconic real-life vehicles, too, as suggested by their menu descriptions.

You can personalize your vehicle with a large number of trinkets, unlocked via the crates you find throughout the world. Sadly, however, the paint options are more limited. As for upgrades, you can improve attributes such as speed, grip, protection, and tool capacity — all of which you’ll need to do if you want to explore every area completely. Again, though, the upgrades are limited in their stages, and you’ll find yourself maxing out your vehicle’s potential quite quickly.

Riding shotgun

While over the hill offers a good time solo, it’s more fun with friends. Having companions by your side (you can have up to four players in a server) not only takes some of the burden out of exploration, but also introduces the possibility of mischief. This is because you can winch to each other’s vehicles, which is obviously a big help when one of you is stuck in the weeds, but also allows you to pull each other off cliffs and into rivers. However, in order not to put the winch-ee at too much of a disadvantage, they can de-winch themselves at any point.

You can also explore independently if you so wish, and fast travel for one doesn’t mean fast travel for all, which gives everyone greater flexibility to explore. The whole experience ran smoothly during my testing; I didn’t encounter any problems with connectivity or lag, save for one occasion when my friend’s framerate dropped considerably, but Funselektor said this is a known issue with the preview build I played, so it’s entirely possible it’ll be rectified before launch. For most of my time in both single- and multiplayer, the game ran very smoothly, even at Ultra settings. The only real bug I experienced concerned some input clashes when I remapped certain buttons, but this was easy to work around.

Perhaps my main gripe with over the hill is that there’s just not that much to do. And while the central act of driving over rough terrain is fun thanks to the skill and problem-solving nous it requires, the mechanics lack real depth to sustain the game for long periods in the face of little additional activity. There’s not quite enough feel and feedback from slipping and sliding on loose ground to make it as engaging as it could be, and the lack of any sort of drifting mechanic — guaranteed to amplify the fun of any driving game by a factor of ten — is a real shame, especially since Funselektor has great form in this area, if its previous games are anything to go by.

I can only hope that future updates will add more to the driving and DLC will arrive to give players more to do. But for now, over the hill remains a fun time to while away an hour or so, but not much more than that.

Should you play over the hill?

Play over the hill if…

Don't play it if…

Accessibility features

There are no accessibility features to speak of in over the hill. Subtitles for dialogue are on by default, since there’s no VO, and the closest the game comes to offering any comfort features is letting you disable motion blur.

How I reviewed over the hill

I played over the hill for about 10 hours, seeing most of the main areas and features the game had to offer. I was also given a save file by Funselektor with all areas, upgrades, and customizations unlocked.

I mainly played solo, but I also tested online multiplayer by playing with a friend. I played on a gaming PC with an AMD Ryzen 7 7800X3D processor, an RTX 5070 GPU, and 32GB of RAM. I played mostly with a controller, but I also tested its mouse and keyboard controls.

I’m a fan of racing and driving games, and I’ve played similar off-roading games, such as SnowRunner. I also played a lot of Art of Rally, one of Funselektor’s other titles.

First reviewed October 2026

If I could scoop up the feeling of playing any game for the first time and relive it, I’d use my free pass on The Legend of Zelda: Ocarina of Time. Thankfully, after two hours with the game in an early access preview with Nintendo of Europe, I’m fully backing the 40th Anniversary remake for the Nintendo Switch 2 as the next best thing.

I was invited to play through the first 45 minutes in Kokiri Forest, a quick 15-minute jaunt across Hyrule Field and into the Hyrule Castle Town Market, as well as the entirety of Adult Link’s forest temple, and in that time, I was totally won over on this long-awaited remake.

From what I’ve seen so far, Ocarina of Time’s 2026 remake is faithful to the original, but additive in all the right ways. Having replayed the same segments in the original through Nintendo Switch Online post-preview, though, these refinements make the two feel worlds apart, and I think the 2026 remake is shaping up to be the definitive way to enjoy the Hero of Time’s epic adventure.

Something old, something new…

Rendered in vivid greens and cerulean blues, the Nintendo Switch 2-exclusive 40th Anniversary remake of The Legend of Zelda: Ocarina of Time is a feast for the senses. The biggest talking point and most drastic change is, of course, the art style.

The level of detail could be described as maximalist, from the intricate woven patterns on Link’s iconic green garb to the litany of floaties, sprites, and fairies crowding the airways of Kokiri Forest. However, online discourse suggests it hasn’t been to everyone’s taste — nor was it to mine, at first glance.

From playing the game, I’m reassured that the art style makes sense in Ocarina of Time’s Hyrule. Nintendo has a history of shifting artistic gears with each new era, but there’s a sound logic, thematically, behind its arguably garish style.

The game has always had plenty of visual cues for the loss of innocence, the death of magic, and the corruption of whimsy; I’ve previously compared many of Nintendo’s artistic treatments within Zelda games to mid-century fantasy media like The Lord of the Rings. That contrast is all the more apparent with such a lush backdrop to build upon, and every second I played felt totally immersive visually. Plus, with free camera movement and no fixed perspectives in Hyrule Castle Town Market, you can take in every angle of the world; it’s a facelift I feel the game really deserves.

There is a cartoonish quality to the character models, with some online naysayers calling them DLSS or AI slop-coded. While I still have my reservations when it comes to Zelda and Sheik’s models, they do fit well in this more fantasy-inspired Hyrule. Perhaps not to everyone’s taste, no, but welcome to the world of entertainment media where your feelings are not fact. To me, all of the stylistic changes feel true to what the game would have looked like if hardware back in the late 90s was capable of rendering it, but most crucially, the feeling of the original is preserved and, in places, improved.

The soundtrack is grand and sweeping, refining an already beautiful soundscape with re-orchestrated themes, refreshed vocal efforts (read: Link’s “hyup” and “hyaah”s), and all-new cutscene voice acting.

Given there’s a lot more dialog now, too, nailing the voice acting feels more important than ever; I’m personally not sold on some of the performances, though. The sparse lines I heard from Navi weren’t quite as distinctive (nor annoying) as I was hoping for, and the Greak Deku Tree is less epic Shakespearean, more audiobook reader on 0.75x speed. In fairness, I wasn’t immediately impressed by some of Breath of the Wild’s voice acting, either, but over time these grew on me — perhaps it will be the same here.

I noticed in my time with the game a few shifts in the story beats; the Deku Tree gives some more context about spirit stones and the fate of Hyrule in his first meeting with Link, and Malon wasn’t in the Hyrule Castle Town Market by the fountain as she is in the original. Those hoping for a 1:1 repeat of the story might find themselves slightly alarmed when the full game releases, but what I’ve seen so far is minimal at best and serves only to neaten up the narrative and some translations.

Fundamentally, though, the core gameplay loop seems to have been preserved, and again, the bulk of what you’re getting with this remake is refinement. Smoother combat and tweaked dungeons and puzzles work around Link’s increased mobility; menus feel more streamlined, and locations for collectibles and items have moved around somewhat. It’s an altogether more cohesive package and offers older fans a chance to rediscover the Hero of Time’s world.

Outside of the obvious talking points already covered in Nintendo’s 40th Anniversary Zelda Direct back in September (Threads of Time quest log, better mobility with dashing, jumping, and swimming, fewer loading screens, etc.), the main addition I noticed that’s entirely new to me is Fairy Messages hidden around Hyrule. I only encountered two of these, but they seem to be a hint system for finding secrets and clues for dungeons. These appear to replace (and add to) at least some of Navi’s clues; though I did miss her near-constant yelling.

Something borrowed, something blue

I’d wager Nintendo was very intentional in choosing these segments for our demo to keep some of the bigger surprises and adaptations shielded from view before release; and my deepest desires for the remake lurk in these as-yet-unexplored locations.

Some are more expected; from extended gameplay footage and these recent demos, we already know the topology of some locations like Kakariko Village has changed, and arguably for the better, with more to see and do.

We were under strict instruction not to enter peripheral locations like the Lost Woods, and my hope is that’s because there’s a meaty change here. I loved stumbling through Breath of the Wild’s swirling mists and spindly trees; seeing something similar here rather than a series of logs would be a great reimagining of the location, and I'm all for borrowing from more recent games' success.

I’d be willing to bet that changes will be more significant in later adult Link locations I didn’t see in my preview, though. It’ll be interesting to see how Nintendo navigates the gritty, dark themes in the new world of game age ratings and its more squeaky-clean image. Those who skipped the 3DS remaster might be surprised to discover that, in all likelihood, the blood stains in the Bottom of the Well and Shadow Temple dungeons might be heavily sanitized or entirely removed — but I’m really hoping they find a sensible way to keep the sinister atmosphere intact.

There’s also an opportunity to tie up some loose ends: namely, Zora’s frozen domain, which, presumably for file size reasons, never unfreezes after Adult Link defeats the Water Temple in the original game. It's one of my favorite locations, and seeing it returned to its vibrant ultramarine hues would make Link's efforts all the more satisfying.

These are nice-to-haves, but based on what I’ve played, Nintendo has built a reimagining of greatness from the ground up, and it might even be hard to return to the original without noticing its every flaw or limitation. I certainly struggled post-preview despite racking up more than 20 saves in my lifetime.

I’ll certainly be playing the full game when it releases on November 5th, so make sure to check back then for our full review. Provided it doesn’t take me eons to figure out the new Water Temple… again.

While a lot of fans have been mixed on Capcom’s remake of Resident Evil 3 since its initial release in 2020, there’s no denying that it's an incredibly tense survival horror experience that’s filled to the brim with high-octane action. And now, you can experience Jill Valentine and Carlos Oliveira’s terrifying journey on the go, thanks to a new Nintendo Switch 2 port.

I’ve spent more than 10 hours playing Resident Evil 3 on Nintendo Switch 2, experiencing the main story in full. So, is it a port that’s worth your time and money? Here’s my take.

For the most part, I want to focus on the quality of this port on Nintendo’s latest hybrid system, but before we delve into that, I’d like to share a few thoughts on the remake of Resident Evil 3 in itself.

Nemesis is coming for you...

I played through the Resident Evil 2 remake right before this entry, and while there are a lot of similarities in terms of the combat, resource management, environments, and visuals, they have a few striking differences.

Above all, Resident Evil 3 feels far more focused on the action — it feels like you’re constantly on the run, blasting through zombies, and rushing to save the people of Raccoon City. In some ways, this works to the game’s advantage: the horrifying Nemesis is a truly daunting foe, the high-paced gameplay is engaging from start to finish, and the explosive set pieces make this entry feel truly cinematic.

However, the fast pace and distinct action focus come with its drawbacks. The game’s runtime is very short — you’ll easily finish this one in about six hours. On top of that, the overall narrative feels a bit thin, and there are very few puzzles. Ultimately, Resident Evil 3 is still a blast, and its likeable cast and engrossing gameplay make it worth playing alone — it just doesn’t quite have the depth of some of the best entries in the series.

Anyway, let’s talk about how this title plays on Switch 2 specifically. And good news — the Resident Evil 3 remake runs very well on this system. The Switch 2 edition targets 60 frames per second (fps), and I enjoyed smooth frame rates in both docked and handheld mode with barely any noticeable drops. Yes, the movement of some distant enemies could appear a little shaky — something I also saw in the Resident Evil 2 remake on Switch 2 — but even the most action-packed segments of the game were silky smooth.

While you could probably get a more premium visual presentation from a gaming PC or PS5 Pro, the game’s graphics also translate well onto Nintendo Switch 2 after calibrating HDR. The dark, moody environments look sharp and intricate in docked mode, with character models looking pleasantly detailed. Contrast is solid too, with colors popping against the dismal city streets, though it’s worth noting that in handheld mode there’s a noticeable (yet understandable) hit to graphical fidelity — though the game still looks very decent overall.

The game also controls nicely, and you can switch between a few different schemes in the options menu, although it would’ve been neat to see gyro aiming, which worked well on the Switch 2 edition of Resident Evil Requiem. There’s also no mouse mode integration, and more generally, it would’ve been nice to see this version play to the Switch 2’s strengths a bit more. One thing that I did like, though, was the Switch 2’s virtual spatial sound, which provides an expansive, almost three-dimensional soundscape when you’re battling through hordes of zombies.

In the end, then, it’s easy for me to recommend the Resident Evil 3 remake on Switch 2. While the graphics won’t wow you in handheld mode and the core game isn’t without its flaws, it consistently runs at a stable frame rate, visuals are strong in docked mode (and still more than adequate in handheld), and the action-packed gameplay is sure to keep you absorbed in the game from start to finish.

Should you play Resident Evil 3 for Nintendo Switch 2?

Play it if…

Don’t play it if…

Accessibility features

The options menu allows you to make a few changes to your experience, with a range of camera options, three separate control schemes, toggle or hold run modes, and a range of voice and text languages available. What’s more, you can change the color of the reticle, laser dot sight, and dot display, alter HUD opacity, and tone down damage display if you’d prefer.

How I reviewed Resident Evil 3 for Nintendo Switch 2

I sunk just over 10 hours into the Resident Evil 3 remake on Nintendo Switch 2, during which time I finished the main story and tried playing in both docked and handheld mode.

Most of the time, I played the game docked, with my Switch 2 connected to the Sky Glass Gen 2 TV and Marshall Heston 120 soundbar. I did try out handheld mode from time to time, though, and used my JBL Live Beam 4 earbuds to experience the game’s virtual spatial sound.

More generally, I’m an experienced gaming hardware and software reviewer, and have been testing all kinds of games and accessories at TechRadar for years now, where I serve as a Senior Reviews Writer. I’ve reviewed all sorts of Nintendo Switch 2 titles, from major first-party releases like Fire Emblem: Fortune’s Weave to ports like Yakuza Kiwami. I’ve also played a number of Resident Evil games, including the Switch 2 port of the Resident Evil 2 remake.

First reviewed October 2026

The remake of Resident Evil 2 is considered by many to be among the greatest games in Capcom’s legendary survival horror series, and it’s really not hard to see why. Stellar gunplay, immersive environments, a killer cast, and big scares…this entry has it all. And now you can experience it on the go like never before, with the game finally launching on Nintendo Switch 2 in its Resident Evil 2 Deluxe Edition form.

I’ve played the entirety of Leon and Claire’s stories, dabbled in some extra modes, and tried the title out in both docked and handheld mode.

So, if you’re wondering how the game runs and plays on Nintendo’s latest hybrid system, you’re in the right place. Here’s how I’d rate the Resident Evil 2 remake on Nintendo Switch 2 after more than 20 hours of gameplay.

Experience a legendary remake on the go

While I’m mainly here to talk about Nintendo Switch 2 performance, I’ll get this out of the way first: the Resident Evil 2 remake is survival horror at its finest. This game conjures up a truly daunting atmosphere, with haunting and iconic areas like the Raccoon City Police Station and sewers translating beautifully into a modern, HD format. The gunplay is incredibly smooth and satisfying; you truly have to manage your resources carefully if you want to survive, and everything from random skirmishes through to major boss fights feels phenomenally tense. Pair that with a set of likeable characters, an ambient soundtrack, and rewarding exploration, and you’re looking at a true classic of the genre.

But how well does this top-tier Resident Evil title translate onto Nintendo Switch 2? Very well, thankfully.

First of all, let’s talk performance. While a platform like PS5 Pro may still offer a technically superior experience, I never felt like I was sacrificing much with this Switch 2 version. This version targets 60 frames per second (fps), and my frame rates were delightfully consistent, and gameplay felt smooth, even during higher-octane action segments — when docked or in handheld. Sometimes, the movement of distant enemies seemed a bit choppy, but this never affected my ability to blast them down, and I never realized any similar issues during crucial close combat situations.

It’s a similar story when it comes to visuals too. The game looks solid on Nintendo Switch 2 with HDR support. Dark and gloomy city streets and ambiently lit indoor areas appear detailed and faithful, while character models such as the Tyrant look polished and sharp. As you’d expect, some textures don’t look quite as refined in handheld mode, with elements like Claire’s hair slightly lacking in definition, but the game still looks clear with decent contrast and lighting.

Resident Evil 2 also controls nicely on Nintendo Switch 2, with multiple schemes available through the Options menu. Whether I was using my Turtle Beach Rematch Wireless Controller or playing handheld, it was easy to switch weapons during combat, sprint past zombies, or sort through my inventory. This title also supports HD Rumble, which at times can feel a little overassertive, but overall adds to the immersion nicely. You also get virtual spatial sound, which works brilliantly, especially with headphones.

Something that this title does lack, though, is control schemes that make use of the Switch 2’s unique hardware. For instance, there’s no motion-controlled aiming, which would’ve been a nice touch for those who enjoyed it on Resident Evil Requiem, for instance. There isn’t any mouse mode functionality either, so you’ll be using traditional controls throughout the game. For me, this isn’t a huge problem — I prefer standard right stick aiming, but it would’ve undoubtedly been good to see this game make the most of the Switch 2’s hardware.

When all’s said and done, this is a very competent port of a fantastic survival horror game, and it only helps the Switch 2 establish itself as a major destination for third-party titles as well as big-hit Nintendo releases. Whether you’re new to this series or you’re a long-time fan, this is a great way to experience Resident Evil 2 at home or on the go.

Should you play Resident Evil 2 for Nintendo Switch 2?

Play it if…

Don’t play it if…

Accessibility features

There are a number of ways to customize your experience in Resident Evil 2, with customizable camera options, three distinct control schemes, toggle or hold run modes, and a wide array of voice and text languages to pick from. In the display section, you can change the color of the reticle, laser dot sight, and dot display, alter HUD opacity, and even turn damage display levels down if you’d prefer.

How I reviewed Resident Evil 2 for Nintendo Switch 2

I spent more than 20 hours with Resident Evil 2 on Nintendo Switch 2, during which time I completed both Leon and Claire’s stories, played some of the extra modes like The Ghost Survivors, and played in both docked and handheld mode.

For the most part, I played the game docked, with my console hooked up to the Sky Glass Gen 2 TV and Marshall Heston 120 soundbar. However, I did indulge in some handheld action here and there, and used my JBL Live Beam 4 earbuds to enjoy virtual spatial sound on the go.

More generally, I’m a seasoned gaming hardware and software reviewer, and have been testing all kinds of games and accessories for years here at TechRadar, where I serve as a Senior Reviews Writer. I’ve reviewed all sorts of games on Nintendo Switch 2, from major first-party releases like Fire Emblem: Fortune’s Weave to ports of awesome action games, such as Yakuza Kiwami 2.

First reviewed October 2026

Slaying vampires always feels good, and 2D action-adventure and exploration game Castlevania: Belmont’s Curse is no exception. The first entry in the iconic horror platformer in more than a decade, Evil Empire and Konami have crafted a love letter to past titles that, while not changing much of the formula, delivers an experience worthy of the Belmont name.

Despite a fantastic animated adaptation (and great spinoff series with Nocturne), Castlevania has been six feet under as Konami barely revisited the series. Seldom for tie-ins with Dead Cells and re-releases, so fans were ready to sink their fangs into a new title.

Fortunately, it would come from the Dead Cells team, Evil Empire. Its mastery of the craft with the Metroidvania genre made it a safe but effective pick to hand the Vampire Killer whip to. And, lo and behold, they ran with it and made something fans will love.

You must whip it, whip it good

Surprisingly, the game is a sequel of sorts to both Netflix’s Castlevania and Castlevania 3: Dracula’s Curse. As Rose Belmont, the daughter of Trevor Belmont and Sypha Belnades, she is tasked with stopping the newfound dangers flooding Paris.

With her father’s guidance and all the Belmont tactics, she’ll discover the root of it all, as well as how she and her mysteriously cursed arm fit into things.

Castlevania: Belmont’s Curse does go a good distance with its narrative, but it doesn’t reach too high. It’s got some twists, turns, and great moments, though it can feel sparse. Of course, most of the fun will come from your experience dashing and slashing, but it can feel uneven with its cinematic counterparts. Still, it’s serviceable enough for you to want to keep playing and see more.

Rose Belmont, as the daughter of Trevor and Sypha, is a pretty likeable protagonist. She’s not one-note by any means and struggles with her emotions, especially with the spotlight now on her. However, it’s the supporting cast that provide her with what she needs to be a worthy Belmont.

Without spoilers, her Confidantes will be her moral compass, and it’s up to her to choose which direction she wants to go in. Props go to many of the fantastic performers in the game, as everyone works perfectly with their respective characters.

A missable little pile of secrets

Once you set foot off the docks of the Seine, you’re instantly thrust into classic Castlevania gameplay: slay monsters and maneuver through obstacles. There are small tutorials, but for the most part, Paris is an open book, and you’re free to flip through the pages almost immediately.

Action-wise, it also harkens to classic Castlevania, with Rose using a variety of weapons to kill the many creatures of the night. There are many types of weapons, from the iconic whip to flashy gauntlets. Finding new versions of them throughout the world is always a treat, as it never disappoints when you equip them and test them out. Personally, the whip was a go-to, as it rewarded distance with better damage output, though the spear was a close second.

Also, with Rose’s abilities, which she’d earn after certain bosses, it unlocks various attacks, like throwable crosses or pillars of fire. It leaves customization very open, letting you play how you’d like in terms of combat.

Without going into spoilers, Rose’s journey goes beyond the confines of Paris into various regions. Each of them has some theme and gimmick that makes them memorable in both a playing sense and a backtracking sense. As this is a Castlevania game, you will find yourself going back to certain locations to find secrets and clues for other locations. Luckily, with new abilities like an air dash and, of course, a grappling hook whip, you’ll be able to do so easily and rapidly.

That said, the level design in Castlevania: Belmont’s Curse is phenomenal. Traps and platforming take advantage of Rose’s abilities, including ones she earns throughout her adventure. It takes precision and good reflexes to maneuver through them, and it never gets old. It can get frustrating, though, especially if you’re going back and forth a ton. Still, finding what you need after a seemingly impossible challenge feels so good.

Slaves to our family’s wishes

As the first new 2D Castlevania in decades, there have been noticeable increases in graphical fidelity since then.

Belmont’s Curse blends 2D with 3D to bring a Dead Cells-like style to the gameplay and look. It does keep the drawn silhouettes of characters for dialogue, but in-game cutscenes are all flat 3D. While the pixelated depth in past titles like Symphony of the Night and Order of Ecclesia is sorely missed, Evil Empire’s redesign works well with the series and fits right in.

Frame-rate-wise, there were rarely any hiccups during the playthrough. There was a stutter or two during certain moments with tons of monsters, but it was pretty seldom. However, there were a handful of glitches with the audio, as it would cut in and out and, often, restart with each level transition. While rare, some glitches with the gameplay, like phased-out enemies or awkward platforming, would happen.

It’s also important to mention that it can be quite a difficult game. The series is known for being brutal, and Belmont’s Curse is no exception. A death can bring you way back and reset tons of progress. It’s a worthwhile challenge, but it is one that takes time and patience. Bosses will be the bane of many people’s existence, as some of them, especially late-game ones, are super difficult. It can feel a bit overkill, but it’s nonetheless satisfying to whittle them down and then finally get the last laugh.

In short, Castlevania: Belmont’s Curse is classic Castlevania brought to the modern age. Evil Empire and Konami have crafted a title that, while it’s not the huge blockbuster many would hope for, is a well-done action platformer. It doesn’t go too far outside the box, but it makes the most of what it does have.

With fantastic level design and combat, the franchise is in a position to return to its glory days and its bloody reign over the action platformer genre.

Should you play Castlevania: Belmont’s Curse?

Play it if...

Don't play it if...

Accessibility features

While the game touts its difficulty, there are available accessibility features to lessen it. There are also various visual adaptations for thicker outlines or colorblind mode. In addition, subtitles are available in different languages, as well as voice-overs. However, despite some accessibility, some things, like one-hit-kill traps, exist and can be frustrating.

How I reviewed Castlevania: Belmont's Curse

I played Castlevania: Belmont’s Curse for around 16 hours, seeing much of the game’s map, bosses, and secrets. I also got many of the available weapons and spells, as well as heart and mana containers. In addition, I did play the demo, which was released prior to the game’s release, and transferred the save file from that to the full title.

I played the game on a base PS5 with the DualSense Wireless Controller and HyperX Cloud 3 wired gaming headset, all on a Roku 4K TV.

First reviewed October 2026

• Nintendo has confirmed its commitment to physical games
• The statement comes as Sony abandons physical media
• “We go off of what the consumer prefers,” Nintendo declared

Physical game releases are becoming increasingly rare these days, but one company that still plans to sell its titles this way is Nintendo. The Japanese gaming giant confirmed as much in an interview that might come as some relief to fans of disc-based media — although don’t take it as a guarantee that things will stay this way forever.

Speaking to Brazilian interviewer Rodrigo Coelho, Bill van Zyll, Vice President & General Manager of Nintendo Latin America, explained that, “There are no plans to ditch physical [media]. We know how much the fans like it as well.”

Nintendo’s van Zyll gave the example of the Nintendo Switch 2, for which games are available in both digital and physical formats. That's something Nintendo appears to be committed to continuing, at least for the time being, which could help to assuage the concerns of some fans.

Nintendo fans on social media seemed hopeful about the revelation. “Maybe there is window for cartridges to make a comeback in some capacity,” mused one on Reddit, while another proclaimed that “I have no plans to abandon Nintendo. The system works!” “I hope Sony takes notice,” wrote a third, referring to Sony’s decision to completely abandon physical games by 2028.

Good news — for now

Of course, there’s no way to know exactly how long Nintendo will remain devoted to physical games for. As van Zyll said in the interview, “historically, we’ve been very agnostic. We go off of what the consumer prefers and take that into account very heavily”. While that might mean physical releases are here to stay at the moment, van Zyll’s response doesn’t rule out a change of approach in the future if consumer tastes shift.

With that in mind, it’s worth considering that Take-Two CEO Strauss Zelnick has previously noted that “Our business is well over 90% digitally distributed,” which explains why GTA 6 is going to be an entirely disc-less launch. While Graft Theft Auto players and fans of Nintendo games are two quite different groups, I wouldn’t be too surprised to see Nintendo follow Take Two’s example in the future.

If you are a keen collector of physical games, and prefer to own hard copies of every title you play, Nintendo’s announcement will be great news. But with the industry increasingly heading in the digital direction, you might want to pick up hard copies of your favorites, just in case Nintendo decides to change course.

Revisiting one of Omega Force’s most beloved works via Dynasty Warriors 3: Complete Edition Remastered has been interesting. I got into the series quite late, so I’ve never had the same reverence for the earlier games that many other fans do. I’m happy to say that has changed with this remastered version.

This is a very different game compared to modern entries like Dynasty Warriors Origins or Hyrule Warriors: Age of Imprisonment. Objectives are straightforward, battles (for the most part) tend not to last as long, and your KO count per battle is much lower than the thousands you rack up in newer installments.

Satisfaction lies elsewhere in Dynasty Warriors 3: Complete Edition Remastered. It trades bombastic theatrics and ‘rule of cool’ battlefield domination for a more grounded approach. Instead of tearing across battlegrounds like a Category 5 hurricane, you’ll need to pick your fights more carefully and move with your army. Even basic peons are far more aggressive in this game, so ditching your allies isn’t exactly the wisest decision.

There are some cool quality-of-life additions, such as being able to counter enemy Strong and Special attacks with your own. A handy checkpoint feature lets you rewind the battle to key moments if you die, and there’s an honest-to-goodness dodge button that helps even the odds and can even be followed up with a counter if timed correctly. Alternatively, you can set the entire game to a ‘Classic’ mode, ditching all of this in favor of the original gameplay experience.

It’s an incredibly thoughtful remaster in that regard, offering options for newcomers, purists, and everyone in between. The visual facelift is nice, but not overbearing. Plus, additional content from the Xtreme Legends expansion is included here, too, making Dynasty Warriors 3: Complete Edition Remastered an extremely beefy package for its relatively budget price tag.

Same as it ever was?

Dynasty Warriors 3: Complete Edition Remastered, as ever, presents a loose interpretation of Luo Guanzhong’s Romance of the Three Kingdoms. Which in itself is a romanticization of this turbulent wartorn era of Ancient China.

As an earlier entry, Dynasty Warriors 3 pretty much gives you the highlights rather than delving deep into character drama or motivations. It’s quite refreshingly simple, though individual playable officers do get their own cutscenes, endings, and the like.

You’ll spend the majority of your time in Musou Mode — effectively the game’s campaign. You will then choose an officer from one of four factions: Wei, Wu, Shu, or Other. The latter of which featuring officers with no set affiliation like Lu Bu, Dong Zhuo, and Diaochan.

Each officer has their own bespoke Musou Mode route, though some are longer than others. Even so, your goal on each map typically boils down to defeating a key enemy officer, while ticking off smaller objectives to boost your side’s morale or rob the enemy of powerful weaponry.

That might sound repetitive, and it can be if played over longer sessions. However, I think Dynasty Warriors 3: Complete Edition Remastered is tailored to shorter bursts of play, and the bite-sized Musou Mode campaigns for each officer support that. Playing through a campaign will bolster that officer’s stats, as well as earn them new weapons and equippable items — the latter of which can be shared between all officers.

Part of the beauty of Dynasty Warriors 3: Complete Edition Remastered is that it feels like a snowball of unlockables. You’ll routinely be bagging new playable officers, more powerful weapons, and potent rare items should you meet their conditions during a stage.

Some stages can also grant you an officer’s fourth or fifth weapon. These are extremely strong, but are typically gated behind higher difficulties and some rather stringent objectives so be sure to bring upgraded officers and plenty of patience for these.

Old and new

One of my favorite things about Dynasty Warriors 3: Complete Edition Remastered is that it has options for basically everyone. You can play the entire game in either modern or classic modes. Classic is just that: Dynasty Warriors 3 as it played on the PlayStation 2, for the most part. No fancy extras. Does it feel a bit dated? Yes absolutely, but I’m happy it’s here as an option for purists.

The more modern take applies a bunch of quality-of-life changes and gameplay additions. As mentioned at the top, these include Strong and Special attack counters, a dodge, and a quick mount option for your horse. It helps the game feel a lot more fluid, in my opinion.

Was I still getting juggled to death by lowly peons for daring to take on an officer on my lonesome? Yep. More than a few times. But ultimately I did appreciate the more humbling experience here when I’m so used to treating enemy armies like mowing the lawn in more modern Musou games.

What’s nice is that if you’re somewhere in the middle — say, wanting a hybrid modern/classic experience — Dynasty Warriors 3: Complete Edition Remastered supports that. Quality-of-life additions can be toggled individually in the options menu, allowing for a widely customizable experience.

Additions aside, Omega Force has elected to keep the original game’s amazing soundtrack and cheeseball dialogue fully intact. I love this because there are some truly hilarious line deliveries across cutscenes, and the overt mispronunciation of officer names just adds to the charm of it all. Battles have been spiced up with combat lines from later entries like Dynasty Warriors 8, though, which is a nice touch.

Should I play Dynasty Warriors 3: Complete Edition Remastered?

Play it if…

Don't play it if...

Accessibility features

There aren't any dedicated accessibility toggles in Dynasty Warriors 3: Complete Edition Remastered such as subtitles or colorblind modes. However, individual game settings can be toggled based on preferences. These include target-facing assists, dodging, power guards, and strong attack counters.

How I reviewed Dynasty Warriors 3: Complete Edition Remastered

I played Dynasty Warriors 3: Complete Edition Remastered for 15 hours on PC via Steam for this review. Being a remaster of an older title, my Nvidia GeForce RTX 5060 was more than enough to run the game on maximum settings with zero hitches or issues.

My gamepad of choice was the Valve Steam Controller (2026), and I often hooked up my RIG 900 Max HS gaming headset to enjoy the game's banging soundtrack and corny dialogue sequences.

The majority of my playtime was spent in the main Musou Mode, unlocking characters, weapons, and optional rare items. Though I did delve into the Free and Challenge modes for a change of pace, too.

First reviewed October 2026

Over the years of multiple house moves and life events, I've somehow managed to keep hold of my original Legend of Zelda: Link's Awakening DX cartridge on Game Boy. My actual Game Boy handhelds and various other Pokémon games have all, disappointingly, been lost to time — but that one cart has stuck around. For the last two weeks, I've finally had something to play it on.

I'm talking about the latest ModRetro Chromatic Transparent: an updated version of its homage to the original Game Boy that's capable of playing all original Game Boy and Game Boy Color game cartridges, as well as ModRetro's own re-releases.

What's even more interesting is that this new version of the Chromatic doesn't just come in several transparent colorways, but also sports a much lower starting price of $149.99 / £139.99 — that's $50 / £45 cheaper than the original version. Plus, a copy of Tetris is still included with all purchases.

I've been bouncing between that classic block-based puzzler and probably one of my favorite Zelda adventures over the last couple of weeks to test out the Chromatic — and I'm super-impressed with the swish little handheld.

As much as I love the idea of playing retro games on original hardware, there's no denying the impact of some of the huge improvements the Chromatic makes over the classic Game Boy.

The design is one thing, which is made up of a see-through plastic shell that weighs just 6.2 oz (176g), making it slightly lighter and more comfortable for longer gaming sessions.

But the real highlight is the screen. It maintains the same dimensions and resolution as the original Game Boy, but upgrades it to an IPS backlit LCD with scratch-resistant Gorilla Glass. That means you get a sharp and clear image in all conditions, so long gone are the days of waiting for the next streetlight to pass to see the screen on nighttime journeys.

Overall, it just works incredibly well as a modern refinement to an iconic handheld that I grew up spending many hours on during long journeys and holidays. It makes me wish I'd taken better care of my old library of Game Boy games so that I could try them all out again now.

Maybe, though, like the Chromatic M64 before it, this will inspire me to start building another collection of retro games.

If you're interested in picking one up, the new ModRetro Chromatic Transparent is available to buy now for $149.99 / £139.99.

If you're a Nintendo Switch 2 player and want a great wireless controller that comes at an easy-to-stomach price, then the Turtle Beach Rematch Wireless Controller is a great option. Despite already being an affordable option, though, it just got even cheaper, making it a must-buy for gamers on a budget.

The Turtle Beach Rematch Wireless Controller is just £24.97 (was £49.99) at Amazon, meaning you can score 50% off in the Amazon Prime Day Big Deal Days sale.

• Browse the full Amazon Prime Day sale

In the US? Fear not. You can also score a discount, with the Turtle Beach Rematch Wireless Controller available for $51.99 (was $64.99) over at Best Buy.

At these prices, this controller is an absolute steal. It has drift-resistant TMR thumbsticks (something the official Switch 2 Pro Controller skips on), a strong 40-hour battery life, an enticing design, and an ergonomic lightweight feel. I use it every single day, whether I'm sinking countless hours into Fire Emblem: Fortune's Weave, racing my friends in Mario Kart World, or exploring the whimsical world of Yoshi and the Mysterious Book — and even after hundreds of hours of use, it continues to be a reliable option.

Want to know more about these sweet deals? Scroll on down for more details and to learn more about the features that Turtle Beach's controller has to offer.

Today's best Turtle Beach Rematch Wireless Controller deal in the UK

Today's best Turtle Beach Rematch Wireless Controller deal in the US

In my Turtle Beach Rematch Wireless Controller for Nintendo Switch 2 review, I talked up its lengthy battery life, collection of fun designs, and lightweight feel — but one thing really sets it apart: the TMR thumsticks. These ensure strong responsiveness and precision, while also making stick drift less likely — a key reason to choose this model over the official Pro Controller.

More generally, the thumbsticks are textured an provide good grip, so you can be confident in your split-second decision making in-game. Pair that with a heavy discount, and this controller feels like a great buy right now.

It's worth noting that you'll have to make a few sacrifices with this controller. There's no rumble, no NFC for Amiibo, and it can't wake your console either. But if you just want a reliable and ergonomic Switch 2 controller that's available at a low price, then I think this model is well worth buying. I've seen no degradation in terms of performance or cosmetics after hundreds of hours of use, so why not snap it up today?

More Prime Day deals in the US

• Amazon Devices: Fire Sticks & Echo from $18
• Amazon Haul: viral gadgets, tech & appliances from $1.36
• Apple: MacBooks, AirPods & AirTags from $28
• Cheap TVs: smart TVs from $69.99
• Headphones: 50% off Beats, Bose & Samsung
• Laptops: Apple, HP & Dell from $199
• Mattresses: Sealy, Serta & more from $89
• Smartwatches: up to 36% off Garmin & Apple
• Vacuums: Dyson, Shark & Bissell from $49

More Prime Day deals in the UK

• Amazon Prime: get a 30-day free trial
• Amazon Devices: up to 67% off Fire, Ring & Blink
• Amazon Haul: extra 15% off for Prime members
• Appliances: up to 40% off Ninja & De'Longhi
• Beauty: up to 60% off Philips & Oral-B
• Essentials: cleaning & groceries from £2
• Fashion: up to 50% off
• Gaming: record-low Nintendo Switch 2
• Headphones: up to 50% off Anker & Sony
• Laptops: up to £800 off Microsoft & Asus
• Tablets: up to 50% off Fire tablets
• TVs: from £129.99
• Vacuums: up to 50% off Shark & Dyson
• Wearables: Samsung & Oura from £31

• SteelSeries and KontrolFreek have announced a new Fortnite gaming accessories collection
• Each product is inspired by Fortnite's most iconic mascots, including Peely and Fishstick
• The SteelSeries Arctis Gamebuds | Fortnite Peely Edition, for example, feature a reimagined design in banana peel yellow

SteelSeries and KontrolFreek have teamed up with Epic Games to deliver the ultimate gaming accessory collection for Fortnite fans.

The officially licensed peripheral collection, launching today, is "designed to bring the iconic game to players’ real-world gaming battle stations," and consists of ten accessories and hardware pieces from across a multitude of gaming gear categories.

Inspired by Fortnite's most iconic mascots, like Peely and Gudd, Fishstick, Supply Llama, and Water Sprites, the collection includes headsets, earbuds, mice, mousepads, PBT keycaps, Performance Thumbsticks, Thumb Grips, and more.

Additionally, every SteelSeries item comes with a special in-game code for the likes of emotes, Outfits, and Pickaxes.

The Arctis Gamebuds | Fortnite Peely Edition, priced at $219.99 / £179.99, has received a full redesign with a banana-yellow finish and a unique charging case design; this comes with a code for the in-game Oro Outfit.

Meanwhile, the Aerox 3 Wireless Gen 2 Mouse | Fortnite Storm Edition brings a vivid multi-color splash to any setup, complete with a lightning-embossed scroll wheel and honeycomb pattern inspired by the Storm. Priced at $129.99 / £119.99, fans can also claim a code for the Frozen Bear Pickaxe.

PC players can also customize their keyboard with the PBT Keycaps | Fortnite Fishstick, Guff, Supply Llama Editions, which are priced at $79.99 / £69.99 and designed in collaboration with Epic Games. Players can also claim the in-game Statuesque emote.

You can check out the full SteelSeries and KontrolFreek collection below, alongside their prices.

SteelSeries Fortnite Collection:

• Arctis GameBuds | Fortnite Peely Edition – $219.99 / £179.99 / EMEA €199.99
• Arctis Nova 3 Wireless PC/Xbox | Fortnite Sprite Edition - $129.99 / £119.99 / EMEA €129.99
• Aerox 3 Wireless Gen 2 Mouse| Fortnite Storm Edition - $129.99 / £119.99 / EMEA €129.99
• QcK XXL | Fortnite Battle Bus Edition – $49.99 / £44.99 / EMEA €49.99
• QcK L | Fortnite Fishstick & Guff Editions – $29.99 / £29.99 / EMEA €34.99
• PBT Keycaps | Fortnite Fishstick, Guff, Supply Llama Editions – $79.99 / UK £69.99 / EMEA €79.99
• Artisan Keycap | Fortnite Edition - $79.99 / £79.99 / EMEA €89.99

KontrolFreek Fortnite Collection:

• Fortnite Aim Boost Kit | Durrr Burger Edition with Collector’s Burger Box Case - $34.99 / £34.99 / EMEA €34.99
• Fortnite Performance Fishsticks | Fishstick Edition – $19.99 / UK £19.99 / EMEA €19.99
• Fortnite No-Slip Thumb Grips | Supply Llama Edition – $14.99 / UK £14.99 / EMEA €14.99

When you think of the biggest Nintendo games, images of Link’s green tunic, Mario’s blue dungarees and Princess Peach’s pink dress invariably come to mind. Yet where mascots Samus, Starfox and Kirby won the battle for players’ hearts, it was 2006’s Wii Sports that truly conquered the world’s wallet.

Bundled with Wii consoles outside of Japan,Wii Sports shifted a mind-boggling 82.9 million units, cementing itself as the third best-selling video game to date. By all rights, Nintendo’s Sports series should be a titan on par with Grand Theft Auto, yet despite Wii Sports' ubiquity, its patchy sequels have never come close to the same impact.

Where the original Wii Sports succeeded on novelty and sheer simplicity, its sequels struggled to expand the formula, adding mini-games without any of that trademark Nintendo soul. This time around, Nintendo has decided to give the faceless brand a likeable character of its own — Wuhu Island.

Taking place on an open-world version of the glistening isle (first seen in 2009’s Wii Sports Resort), Switch Sports Resort on Nintendo Switch 2 immediately oozes the good-time feel of an all-inclusive holiday with its most inviting dose of sun, sea, and sports yet.

Welcome (back) to Wuhu Island

The first stop on my sporty getaway is a testament to that breezy vacation feel — a tour of the island itself. Taking to the skies in the Pilotwings-esque Prop Plane mode, I grip the Joy-Con 2 between my fingertips, soaring across the sun-drenched isle like I’m steering a paper airplane.

Swerving serenely through photo spots to collect rings isn't a deep experience on its own, but it’s a breezy scene-setter for this motion-controlled holiday — adding a juicy extra dish to Switch Sports Resort’s bountiful buffet. The only thing missing from this all-inclusive getaway is the free drinks.

Where its predecessor, Switch Sports, launched feeling sparse, Switch Sports Resort has 12 different playable events right from the off. When it comes to competitive new sports, Thumb wrestling is a clear highlight. As I hold the Joy-Con 2 in a thumbs-up position, careening around, the playground favourite is surprisingly tactical.

Able to gently lower your thumb to bait your opponent, thumb war becomes a tense mind game, as you attempt to lure your opponent into a trap with a feigned press by flicking your thumbnail down. While only ever considered a ‘sport’ by grubby-fingered five-year-olds, this needlessly in-depth virtual recreation leaves me grinning.

The new Power Cruise then sees me taking to the seas in a jet ski, soaring across the ocean as I collect coins, leaving me pining for a Wave Race revival. Playing this single-player, it’s hard to get a good read, but I think there’s definitely strong multiplayer potential here.

Boarding, boating, and mouse mode magic

Skateboarding was another pleasant surprise during my return to Wuhu Island. Skateboarding uses mouse mode, with players dragging the Joy-Con 2 to simulate kicking with your leg and flicking the controller off the surface you’re resting it on to jump.

This laid-back island tour swaps Prop Planes sky views for the sidewalks, letting you grind rails and get big air as you scoot around collecting wheels and discovering postcard-filled photo spots.

It’s an impressively detailed environment, allowing me to peer inside a basketball hall before ollieing over a slew of sunloungers. I think we can all agree that mouse mode has been a bit of a letdown overall, yet outside of simulating a mouse in strategy games, using the mouse as a skateboard is oddly the most convincing support I’ve experienced on Switch 2 thus far.

Of the returning sports, Archery seems to have been tweaked the most. With your bowstring’s pull no longer shackled by the length of the Wii nunchuck’s cable, I can now draw my arrow back further, battling the wind to get the perfect shot as I loose my arrows into a selection of different targets.

Archery feels newly fiddly, but in a way that suggests depth rather than clumsy controls. A special mode sees the archery target divided into different colours, with players only aiming for the colour that corresponds to their avatar.

Of the other returning sports, 2026’s version of boxing feels pleasingly precise, with uppercuts, blocks and jabs landing with far improved accuracy over the Wii and Wii MotionPlus days.

Tennis is just as brilliant as I remember it being on a 480p CRT TV, with table tennis also feeling more nuanced, improved motion controls ensuring that back-and-forth rallies feel more frantic than ever.

Last(ing) resort?

Online multiplayer (first introduced in 2013’s little-played Wii Sports Club) makes a welcome return, giving solo players something to get stuck into alongside Island Crown, a new single-player mode that sees you forming a feud with a named NPC rival, challenging different CPU opponents in order to climb up each sport’s ranks.

After grin-inducing 45 minutes skating around Wuhu Island, soaring through the skies and challenging rivals to a thumb war, I leave my demo won over by its summer holiday charm. Where Wii Sports felt weirdly clinical, Switch Sports Resort looks to inject some much-needed personality into Nintendo’s stalled series.

Whether there’s enough here to keep players waggling for tens of hours still remains to be seen, and while it would be almost impossible to replicate that first Christmas when elderly relatives were whopping their offspring at Wii Tennis, so far, Switch Sports Resort is shaping up to be the best Sports title Nintendo has put out in years.

As the entire gaming industry rearranges its calendar to avoid Rockstar’s impending juggernaut, another long-gestating title has quietly emerged from the shadows – 1666: Amsterdam.

Hitting Steam Early Access in August this year after 13 years of development hell, this tale of kittens and covens is the brainchild of Assassin’s Creed 1 & 2 and Prince of Persia: The Sands of Time director Patrice Désilets.

Revealed during 2026’s Summer Games Fest, this tale of sorcery and witchcraft immediately turned heads. As a hooded wiccan soared across thatched rooftops and ducked and weaved her way between soldier-ridden canals, crimson curses and talking cats teased an exciting, thematically unique-looking adventure. Yet despite its refreshing spin on open-world traversal, this time-bending tale took its first steps into existence all the way back in 2011.

"It’s been a long journey,” reflects Désilets with a warm but weary smile, sitting opposite me in a brightly-lit cardboard office, erected in the business area at Gamescom. Picking up the controller to proudly show off his gothic adventure, he takes one of the game’s dual protagonists for a covert stroll down a packed Amsterdam canal street, before shaking off her civilian disguise and raining hex-induced havoc on the screaming populace.

Once championed as THQ’s Assassin’s Creed beater, the inspiration for 1666 first took hold on a 2011 holiday to the Dutch capital. “Walking around, seeing the houses in Amsterdam. It’s really a level design city,” recalls Désilets, ”I could picture an Assassin’s Creed there…there's a facade, and all the mystery. Then I passed a building inscribed with ‘Anno 1666.’ and immediately I thought, 'What if I do a game about the Devil set in Amsterdam?'"

The Devil’s in the details

Originally envisioned as a cinematic Satan simulator, 1666: Amsterdam was meant to be the more gothic-feeling spiritual successor to Désilets’ 2010 smash hit game, Assassin's Creed: Brotherhood.

Thanks to his previous pedigree, publisher THQ was in, and so he spent the next two years crafting what we’ll affectionately call ‘The Devil’s Creed’. Yet like many deals made involving the devil, it soon appeared that Désilets Lucifer-staring epic was afflicted with a thematically fitting curse. “I started working on it for two years, then THQ went bankrupt.” Désilets recalls.

With THQ then suddenly snapped up by his old employers, Ubisoft, Désilets found himself briefly back at the Assassin’s Creed publisher, who almost immediately let him go – leaving poor old Lucifer trapped in development hell. Fiercely fighting his former employers for the rights back, Désilets eventually regained custody of his demonic baby in 2016. “…we got everything back…the 3D, all the concept art, and some animation,” Désilets grins. Yet in the years that had passed, something had changed for Désilets.

Despite having grafted to reacquire his IP, as time passed, Désilets no longer found himself excited about writing a game starring the devil’s apprentice. The reason? He was put off by a certain hit 2016 TV show. “Lucifer, the TV series, came out, and meanwhile, I'm like, 'Is it really the subject matter I want to attack?” shrugged Désilets. While Désilets had fallen out of love with the devil, he still found himself drawn to the idea of an evil-infested 17th-century Amsterdam. “What if there was a witch hunt going on in Amsterdam in 1666?” Désilets posited, as a new story unfolded before his eyes, “The only thing that I really kept was this idea of also doing 1999 [a dual time period alongside 1666], playing off two sides of the same coin: reflection and duality. That's when I pitched it to my team in January 2020, and [I] rewrote almost everything.”

Processing phobias through polygons

Thanks to being forced into remote work during the pandemic, retooling 1666 took the team at Panache six long years. While the initial Satan Sim was a Désilets-led project through and through, with his newest studio having previously made the 2011 survival game Ancestors, he’d grown to trust his team at Panache, letting their ideas help remould his 2011 original prototype in unexpected ways. “It’s funny, because it’s really a team game, yet in some ways, if we go back to my original PowerPoint, it's crazy how similar it is.”

Yet for all its violence, hexes and history, there is a familiarly agile, gravity-defying protagonist at the centre of Panache’s latest. "... I feel like I'm always doing the same game ... about traversal…” laughs Désilets, “the cat is my way to play with verticality [here]... Even in Ancestors, where you were an ape in a clan, it was still this sheer pleasure of going around a 3D world. Once I analysed myself: 'Why is this always in my fucking games?' "Because I've got vertigo! In real life, I can't climb – so maybe that’s why [you climb in my games]. Don't ask me to climb anything. It's a joke in my family.”

While soaring across canals as an agile Wiccan - or darting across rooftops as a black cat - provides the vertical thrills that Désilets physically can't enjoy in real life, 1666 departs radically from the traditional Assassin's Creed formula in one surprising way. “Each time you fail, there's a reshuffle of your abilities. You must continue your investigation with a different set - that’s where the roguelite element appears,” explains Désilets. “You might fail as a fighter and come back leaning towards witchcraft, so you have to think differently. You go through the challenges the way you want - it's your game, man. If you want to spend six hours in a row being the cat, I don't care.”

Swapping polish for collaboration

“You're not supposed to do [Early Access] with a narrative game,” shrugs Désilets, “But we're giving you roughly between 10 to 15 hours' worth of narrative-driven, open-world-ish content... [and] our goal is to have 1.0 by the end of next year, with console releases at the same time.”

For Désilets, the old way of shipping a game was done out of necessity, not choice, with the Assassin’s Creed veteran always wishing that he had more player feedback and additional time to refine his art.

“There was a time in game development when the game was finished... There was nothing you could do — no patches. That time drove me crazy.” Says Désilets . “Now... give me feedback…and then I can tweak. This is what game making is all about: having a dialogue. Yes, I can make a really badass character like Altaïr, but if you take the pad and make him turn around in circles, the badass character is gone because you're the one finishing the game. It's a co-creation.”

Narrative-driven games usually rely heavily on cinematic polish to pull players in, making 1666’s rough-around-the-edges Early Access release a peculiar sight. Yet in an industry plagued by ballooning budgets and sweeping studio closures, launching a single-player adventure this way might not just be an anomaly- but a canny survival strategy.

“I do my games with my team a bit in a bubble,” says Désilets when I ask him about the precarious current state of the industry. “I'm not always in those conferences. I'm not totally sealed off from what's going on, but you walk around, there’s an energy here…that reminds me of the old times... and lots of quality new games. Maybe we can attract new gamers into what people liked in 2007 when they first played Assassin's Creed. It's got that vibe, right?”

Belkin Travel Bag for Nintendo Switch 2: review

Belkin’s Switch 2 travel bag is designed to carry your console and its various accessories in comfort, while providing protection from the elements and more.

As Switch 2 cases go, it's a somewhat plain affair. While the slight ruching of the outer material lends it a rugged appearance, and the green and lilac colorways are more lively than the black variant, there’s little in the way of branding or fanfare. This may disappoint those looking to make more of a statement, but those looking to stay discreet will no doubt be pleased with Belkin’s utilitarian approach.

Its materials, though, should appeal to everyone and rank among the best Nintendo Switch 2 accessories on this front. The outer fabric is soft and smooth, which, along with its ergonomic form and minimal weight, makes it very comfortable against your back. It’s not unlike something you might find lining a piece of outdoor kit — although it’s worth noting that Belkin doesn’t mention anything about the bag being water- or even splashproof.

The shoulder strap is also well made. It too feels smooth and comfortable; it didn’t dig into my collarbone, as such straps often do, despite lacking a padded covering. There’s more than enough adjustability to accommodate a broad range of user heights and preferences. Admittedly, actually adjusting the buckle can be a little hard sometimes, but this is a price I’m willing to pay in return for a secure fit.

What’s more, you can easily wear the bag over any shoulder, thanks to two fastening points at the bottom. You can attach it to either of these via the plastic carabiner at the end of the strap, which is strong enough to be secure, yet still easy to unhook when needed, thanks to the angling of the mechanism that makes it easier to push in.

In addition to the shoulder strap, there’s also a carrying handle at the top. This is slightly padded and soft in the hand, making it comfortable to hold.

The main compartment has a fair amount of space inside, with enough room to fit multiple accessories, including the Nintendo Switch 2 dock, controllers, power cables, and more. Its wide opening makes for easy access, too, thanks to the zips that run almost the entire length of both sides. They operate very smoothly, and I rarely experienced any snagging.

Within the main compartment are three others. One is designed for the console itself, and is lined with an exquisitely soft felt that prevents your screen from scuffs and scratches. A hook-and-loop strap goes over the top, which is quite slack, even with your Joy-Cons attached. However, the snug fit of the pouch itself is sufficient to keep your console in place.

What’s more, this slackness is actually a positive, since it allows you to store your console with bulkier, third-party controllers attached. For instance, I managed to fit the console in with CRKD’s Nitro Deck 2 attached.

Attached to the outside of the console compartment is another compartment that contains the game card sleeve, which is easily removable. The sleeve fits a reasonable 10 cards, but there are other Switch 2 cases that hold more, such as Turtle Beach’s PlayTrek 2-in-1 case (14) and PlayTrek travel case (12).

The compartment itself isn’t felt-lined, but it still has a soft material. You’ll struggle to fit much in the pouch inside, and anything bulky will compromise the space needed for the adjacent console compartment.

For such items, the netting opposite is more appropriate. It’s big enough to fit cables, power adapters, and both Joy-Con 2 controllers, although probably not all at the same time. And while the netting expands a fair amount, it has a tendency to sag when it’s fully loaded, even if the items in question aren’t particularly heavy. I also noticed that pointed items, such as paper manuals and the like, can stick right through its holes — a minor gripe, but one worth pointing out nevertheless.

On the outside of the bag, there’s a simple zip pocket on the front, which covers almost the entire length of the bag and is roomy enough to fit a few larger items, but you won’t fit items such as the dock, for instance.

On the matter of protection, the bag has a fair amount of cushioning on the bottom — which Belkin describes as an “impact-resistant base” — and around the sides. However, there’s less on the front and back, and since this isn’t a hard shell case, I wouldn’t be confident piling heavy items on top of it.

But if you don’t need this level of sturdiness, Belkin’s travel bag offers a lot more besides, and for a reasonable price at that. If you’re in the market for a light and comfortable over-the-shoulder bag for your Switch 2 and its accessories, it’s a fine choice that’s hard to beat.

Belkin Travel Bag for Nintendo Switch 2 review: Price & Specs

Should I buy the Belkin Travel Bag for Nintendo Switch 2?

Scorecard

Buy it if…

Don't buy it if…

Belkin Travel Bag for Nintendo Switch 2 review: Also consider

How I tested the Belkin Travel Bag for Nintendo Switch 2

I tested Belkin’s travel bag for a couple of days, making sure to fill every compartment, fasten every zip, and adjust the strap length across its full range, as well as attaching it to both hook points. I carried it around on my commutes, fully loaded with the Switch 2 and numerous accessories.

I filled the bag with cables, manuals, and the Joy-Con 2s. I also stored the console with the CRKD Nitro Deck 2 attached to test the capacity of the console storage compartment.

• Read more about how we test
• First reviewed: October 2026

Monster Hunter Wilds: Ascendance promises a fresh expedition into the skies, with players summoned there by the resurgence of ancient dragons and the promise of upgraded weaponry. At Tokyo Game Show 2026, I went hands-on with this upcoming expansion, getting up close and personal with the downloadable content's (DLC) interconnected aerial archipelagoes and battling against two brutal monsters with the use of the brand-new Boost Bracer.

The demo opens in a camp, with the reliable Alma serving up two important quests: Hunt the Alpha Araketa, a level 2 monster, and Slay the Teostra, a level 5 monster. Before jumping straight into the hunt, though, it only felt right to check things out at home first. The camp itself is a visual marvel in keeping with the high standards set by the base game — something here about how it looked; check demo vids online.

The demo is keen to focus on gameplay, though, and understandably offers little in the way of non-player character (NPC) chatter. Still, I was pleased to find a small jump across a ravine hides a barrel-rolling side game that, while unnecessary, was a fun side activity nonetheless. But I digress; it was finally time to break some monster parts.

Falling with style

The first expedition dropped me on a jagged island floating high above any visible Earth, where I was set to track the Araketa. The design of the space lands somewhere between James Cameron’s Pandora and the ruins of a medieval coastal castle. Rocky structures hang in the air above my eyeline, with aggressive tree roots tunnelling through them and disrupting their typical form.

As I came upon an unnervingly empty open area, I spied what looked like petrified dragon wings and tails buried in the white rubble, the blistering blue sky illuminating the stone and casting a dusty screen — so much so that I could almost feel my throat dry up as I stepped through the chalky stone.

Eventually, I spotted the Alpha, but it wasn’t alone. Typical of head honchos, the beast had two underlings, identical in species but much smaller in size.

New to Monster Hunter, the Araketa is a wyvern with a smooth, stone-like exterior painted with what looks like a turquoise-and-yellow platter pattern. Unlike a typical dragon-faced beast, the Araketa features a bulbous, boulder-like head, two wings with sharp claws at the back, and a long, winding tail. While beautiful, the most important note is that all three of these extremities are used in combat.

As I entered the battlefield and alerted the trio to my presence, the Alpha let out an ear-splitting screech before taking battle formation. As one of the underlings jumped up into the air, the Alpha and the second monster flew towards me at a startling pace. In no time, their attacks began, the younger creature attempting to headbutt me with its hammerhead, while the Alpha flanked me from behind.

Diving side to side, the Alpha then took its turn, digging its claw into the earth and performing a spin attack that knocked me off balance. As I regained my footing, the third skybound monster, which had been suspiciously absent, used its momentum to swoop down and take a swipe, too. It was overwhelming, but exhilarating.

My weapon of choice for this battle was the Insect Glaive, which proved useful for platforming around their bombardment. Thankfully, as I started to feel overwhelmed, I remembered I had a new tool to flex: Boost Driver attacks.

Another new addition to Monster Hunter Wilds is that players now wear a Boost Bracer, which enables weapon-specific special attack types. At the bottom of your screen, you’ll see a gauge with three charge slots. As you attack the monster, these slots will illuminate light blue, indicating you have charge. When in position, you can press R1, circle, and triangle in tandem to unleash a visually striking brutal attack.

For the glaive, this saw my character throwing his body into a series of explosive shifting sweeps. Beyond the spectacle and boosted damage, the upgraded moves did well to reset momentum, and I was particularly pleased to see I didn’t need any specific resources to harness its power.

As the battle drew to a close, I had just enough time to look around and take in the ambient wildlife of the new biome, spotting all kinds of creatures from rocky-backed alligators to fluffy, chicken-like birds.

Among the structures, I also got to experience the new wind mechanics mentioned in the marketing material and made use of my Seikret to dive across them, which was fun if not a little rigid — perhaps I’ll have more control in the full release.

The belly of the beast

The second quest sent me to a wholly oppositional location. Instead of blue skies and white rock, I was met with sludge and volcanic ash plumes rising from various organic chimneys dotted across the horizon. This area was composed of tones of grey, occasionally disrupted by orange or red illuminations.

The castle ruins had also been swapped out for what looked like giant pots, akin to Elden Ring's Iron Fist Alexander if he fell into some wet tarmac. Unlike the ambient wildlife of the first area, there was little more than Sisyphian dung beetles here, continuously rolling a solitary ball up a hill.

Descending to the bowels of the cave system, I spotted my prey, slumbering amongst fire and brimstone. Unlike the Araketa, the Teostra isn’t new to the franchise, with the elder dragon appearing in Monster Hunter World and long before that in Monster Hunter 2. However, it is the beast's first appearance in a long time, and he’s packing some serious heat this time around.

Before I could begin my barrage, a pop-up on screen alerted me to an unskippable step — if I didn’t drink a cool drink, I would lose health during the fight, presumably from boiling alive in my own skin. I’m happy to report that ignoring this message was a silly mistake, and it wasn’t long before I fainted and was forced to make the descent again.

Salve applied; I dove headfirst into what already appeared to be a complicated fight. Double my height, the Teostra’s feline form was blazing, its attacks involving a mixture of fizzing fire bombs and cat-like swipes. When used in tandem, it became steadily overwhelming, and I was pleased I had my attention-stealing Palico to draw away some of the heat, both literally and metaphorically.

To keep from burning alive, I leapt in and out of its proximity, buckling its back legs and taking huge swaths of damage — safe to say, in the twenty minutes I had to win, I was not successful. Thankfully for the sake of my pride, as I returned to the camp a loser, I noticed the player next to me was struggling against the Teostra as well; even with a different weapon and impressive dexterity, they failed to kill the beast in the time allotted.

It’s clear Monster Hunter: Wilds Ascendance intends to escalate the hunting in the base game, enabling players to wield powerful tools in environments designed to genuinely test their preparation and survival skills. As someone who dropped off the base game after hitting credits, this expansion provides more than enough reason to kit back up and head into its refreshed, uncompromising world.

Monster Hunter Wilds: Ascendance is releasing in 2027.

• CD Projekt Red originally wanted to add Geralt's silver chain to The Witcher 3: Wild Hunt, but there were technological constraints
• Songs of the Past game director Jakub Rokosz says modern tech allowed the team to finally add it in the upcoming expansion
• Rokosz says the 11-year time difference between the base game and Songs of the Past has made a huge difference

CD Projekt Red couldn't implement Geralt's silver chain in The Witcher 3: Wild Hunt due to technological constraints, but modern technology finally allowed it to add the weapon in the upcoming Songs of the Past expansion.

In an interview with TechRadar Gaming at Gamescom, Jakub Rokosz, Fool's Theory CEO, Songs of the Past game director, and former Witcher 3 senior quest designer, explained that the chain, which first appeared in the first Witcher game, was something CDPR originally "always wanted to bring" to the third installment.

"There were numerous conversations that we [had where we] would want to do the chain even during the base game, but it was impossible from a technological standpoint to do it properly," Rokosz said. "Back then, the way the combat, the targeting, the camera, the enemies were implemented, it would require too much of an overhaul just for one feature."

CDPR didn't have the tools to overhaul these features for one weapon; however, working on the remaster and Songs of the Past with today's updated tech allowed the team to bring the chain to life.

"When we started working on Songs of the Past and the remaster at the same time, we knew that we were going to be touching up on various things, and all of a sudden the chain became a reality," the developer said.

"Also, one other thing is that the physics and animation technology had to go a little bit forward in time. And trust me, 11 years is a lot of difference. So now we were actually able to make the animations of the chain feel very natural, very fluid, and simulated very easily. Whereas 11 years ago, we would probably have to animate it by hand, with all the animations."

Senior quest designer Despoina Anetaki added that, "from a practical standpoint," it's challenging to work with so many animations for a huge game like The Witcher 3.

"When it comes to the remaster, it's a lot of things already, so you can focus on new things, right? And this was a good opportunity for the chain," Anetaki said. "I think it's a really cool weapon."

Geralt's crossbow can be switched out for the silver chain, and players can use it on flying enemies, enemies in water, and for crowd control, with Anetaki saying she thinks fans will love it.

"It's a very versatile weapon, and I think it's gonna fulfill that butcher fantasy for a lot of people, especially those who have read the books and are imagining a badass Geralt with a chain. I think it's gonna be very good for them," she said.

Rokosz added that it was important to make sure the chain wasn't "a gimmick item" you get in Songs of the Past and wanted it to be "a very important piece" of a witcher's arsenal that can be used in the base game and previous expansions, with Anetaki saying that it is something that is "woven into the narrative."

Songs of the Past doesn't have a release date yet, but it's slated to launch in 2027.

• The Witcher 3: Wild Hunt lead writer Marcin Blacha has explained what it takes to create a worthwhile Witcher remake
• He says CD Projekt Red needs to "stay true to the spirit" of the original game
• However, the remake has to appeal to a new audience using modern technology

CD Projekt Red VP of narration and story director Marcin Blacha has revealed the secret to making a worthwhile Witcher remake, and it's about balancing what made the original game good with appealing to a new audience.

During a panel at Logitech Play 2026 attended by TechRadar Gaming, Blacha, who was a lead writer on The Witcher 3: Wild Hunt, explained that the studio needs to "stay true" to the 2007 original, but also design a fresh experience for gamers who didn't play it.

"The secret is to identify what was good in the original game, and find a way to retell it to the audience that, for some reason, cannot participate in this experience," Blacha said. "Those are two different things, and each of them is difficult on its own, because it's not that easy sometimes to recreate this experience."

The writer went on to discuss what the studio calls "Act Four" of The Witcher 1, which takes place in a rural lakeside region "that is very folklorish" and "full of beautiful landscapes," but said it's difficult to recreate that feeling again because it's a different experience for every player and can be "a little bit vague."

"To create a good remake, you need to identify what was good and find a way to recreate it using newer technology, [while] staying true to the spirit of the original game," Blacha added.

The Witcher remake is in development at Fool's Theory and will utilize Unreal Engine 5, as CD Projekt Red is currently all hands on deck making The Witcher 4, the first game in a new trilogy of Witcher games that it wants to release within a six-year time frame.

CDPR has also just launched The Witcher 3: Wild Hunt – Remastered, which offers a massive collection of improvements that promise an entirely new experience for the decade-old role-playing game (RPG).

Nihon Falcom is on a real hot streak right now, and it’s showing no signs of slowing down with Trails in the Sky 2nd Chapter. The remake of 2006’s acclaimed Japanese role-playing game (JRPG), The Legend of Heroes: Trails in the Sky SC, is packed full of excellent quality-of-life updates that are sure to delight veteran players and newcomers alike, with full English voice acting, a visual overhaul, and modernized combat.

But just how good is Trails in the Sky 2nd Chapter? Should you play it? Here are my thoughts after countless hours of gameplay.

I absolutely loved this game’s predecessor, which launched last year and was among the best RPGs released in 2025. Yes, Trails in the Sky 1st Chapter was a phenomenon, supplying a beautiful blend of action and turn-based combat, silky smooth performance, and a brilliantly revamped UI. I sunk so many hours into that game, and so I was delighted to find that everything I loved about 1st Chapter transferred across to this follow-up.

A first-rate follow-up

I’ll start by talking about gameplay, which feels just as tight and refined as it did in 1st Chapter. You can rush around the world and attack enemies with Arts and basic attacks in Quick Battle. This is great if you want to mow through enemies — especially weaker ones — without having to spend too long strategizing, and it feels incredibly rapid and responsive. Being able to hack, slash, and whack your foes in a flash means that the game feels well-paced, and longer dungeons don’t seem too daunting.

However, you also have the choice to partake in turn-based Combat Battles to vanquish your opponents, and this is where a lot of the depth comes in. You have to carefully manage your Craft Points (CP) and Energy Points (EP), which enable you to use brutal physical and magical attacks and support options, while also carefully positioning your units to manage health.

It's also crucial to keep an eye on turn order to avoid getting KO’d before you unleash your attacks, choosing when to steal bonuses from your foes to heal or deal critical damage, and when to launch a deadly all-out team attack.

As you can gather, there are a lot of mechanics to consider, and there’s plenty of depth to be found in command battles. But perhaps the most important thing is to manage your Orbments properly.

Orbments string a number of gems together, known as Quartz, which determine the Arts that you can use in battle. Carefully curating your Orbments for each character is crucial, and I had an absolute blast tinkering around to build the ideal build for every boss.

By travelling the world and taking on optional battles and quests, you can unlock some seriously powerful Quartz too, which makes exploration feel truly rewarding.

This may seem like a lot to take in at once — especially for newer players. But don’t worry — there are plenty of difficulty options to choose from to fit your desired level of challenge. There’s everything from Very Easy to Nightmare (one for the true sadists). I selected Advanced this time out, which is somewhere between Normal and Hard, and while the road got tough at times, the Orbment system gave me all the tools I needed to shield my allies from devastating attacks.

Hey bro, wya?

The follow-up from the 1st Chapter is seamless gameplay-wise, and also in terms of narrative.

You can watch a recap of the first game if you want a refresher (or if you missed it entirely), and you’re reminded that Joshua (the protagonist Estelle’s adopted brother…lover? Both?) has fled. I won’t delve into the reasons why in this review, but essentially, Estelle decides to attend a specialist training camp to bolster her skills and track him down herself. It sounds pretty basic, but the story is pretty engrossing, actually. Like the first game, there are deeper political elements to explore, and you get to learn more about the mysterious secret society, Ouroboros.

The narrative remains gripping throughout, and there is no shortage of characters who join Estelle on her journey, be they returning faces like the travelling musician and romantic Olivier or the alcohol-loving Senior Bracer, Scherazard.

Voice acting is strong across the board, and breathes so much life into this colorful and charismatic cast. Some of the more low-key parts of the story and side content are only voiced partially, though, meaning you can get one character narrating their thoughts aloud while others sit in silence with text boxes. This was also in Trails in the Sky 1st Chapter, and can create a slightly awkward atmosphere in moments, though I understand this is more of a nitpick.

It’s also worth noting that this is a true anime-inspired JRPG with all of the melodrama and theatrics that you’d expect from the genre dialled up to 11. While this produces some stronger emotive moments and a good amount of comic relief, it may feel overbearing for some players. A few characters, like Anelace, go on pretty long monologues about the importance of wearing pretty bows while facing your foes. The wandering priest, Kevin, likes to let Estelle know how pretty she is about 10 times in the space of five seconds during the game’s opening section, too.

While this is by no means something that ruins the experience, I did find some of the characters a little unlikeable. So yes, some dialogue can feel superfluous at times, and it can also stretch on for quite a while. But there is a speed-up mode, and there’s nothing stopping you from skipping over the less crucial dialogue segments.

Robustly revamped for the modern era

On top of what I’ve already mentioned, Trails in the Sky 2nd Chapter is filled with a slew of masterful modernizations that really make the game click.

Like last time out, the UI has been considerably revamped and feels incredibly intuitive to sift through, while also looking great. Managing items and skills is seamless and easy, and you can access your quest list, recipe book, and the map in an instant. The speed-up option is also very welcome if you want to fly through your quick battles or travel over a long distance when fast-travel isn’t available.

The visuals are also great once again. Shimmering water, rich forest environments, and character models all look spectacular, at least on the PS5 version I played. By default, the game runs at silky 60fps with next-to-none hiccups whatsoever, but you can also play in performance mode, which targets 120fps at the expense of some graphical fidelity. This is perfect for fast-flowing action combat and exploring vast open areas. Loading screens are also incredibly brief, and I continue to be blown away by how well these games play on modern platforms.

One more thing I absolutely love about this remake is its stellar soundtrack. There’s an eclectic mix of delicate acoustic tracks, funk-infused high-energy tunes, and grandiose, hard-hitting battle themes that totally immerse you in the land of Liberl. Again, you have the option to pick between standard, arranged, or original background music – something that long-time fans no doubt appreciate.

All in all, Trails in the Sky 2nd Chapter is another exceptional remake that effortlessly maintains the strong momentum its predecessor picked up. Gameplay is varied, depth-filled, and addictive; the narrative is engaging, and the quality-of-life upgrades make it feel almost like a brand new game — all while carrying over the beloved aspects of the source material. Sure, the game’s melodramatic nature might not be to everyone’s taste, but if you’re a fan of the JRPG genre and want an epic adventure to sink your teeth into, then look no further.

Should you play Trails in the Sky 2nd Chapter?

Play it if...

Don't play it if...

Accessibility features

You can adjust the subtitle language to English, German, French, or Spanish, and select either English or Japanese voice acting. There are a number of ways to customize the camera’s behavior, too, such as normal or inverted configurations, camera movement speed, and camera distance.

On top of this, there are difficulty options, including a Very Easy mode if you just want to focus on the game’s story. Unfortunately, there is no colorblind mode.

How I reviewed Trails in the Sky 2nd Chapter

I spent two weeks playing through Trails in the Sky 2nd Chapter, during which time I played through the main story, took on a bunch of side quests, and sunk hours into exploring the land of Liberl.

For the most part, I played the game on my PS5 while connected to the Sky Glass Gen 2 TV and my Marshall Heston 120 soundbar. However, from time to time I dipped into the title on my PlayStation Portal remote player, and had the Sonos Ace Ultra headphones connected to listen to in-game audio.

More generally, I’ve spent years reviewing gaming software and hardware at TechRadar, where I serve as a Senior Reviews Writer. I reviewed the previous game in this series, Trails in the Sky 1st Chapter, and have covered a wider range of JRPGs here, including Fire Emblem: Fortune’s Weave, Dragon Quest I & II HD-2D Remake, and The Adventures of Elliot: The Millennium Tales.

First reviewed September 2026

• The Witcher 3: Wild Hunt – Remastered's patch notes have been released
• The update will offer all-new animations and an improved skill system
• A new accessibility preset called Bard's Ballad also offers a more tailored gameplay experience

The Witcher 3: Wild Hunt – Remastered is officially here, and CD Projekt Red has released the long list of improvements that promise an entirely new experience for the decade-old role-playing game (RPG).

The patch notes detail a ton of upgrades, from better visuals, transmogrification, an expanded photo mode, updated textures, PS5 Pro support, and more. Some pretty impressive animation improvements that are sure to make my new playthrough feel even more immersive have also been added. Geralt's animations during combat, idling, and riding Roach have all been refined; new finishers have also been added, and ladder climbing, jumping, and vaulting are now "more responsive" and "fluid."

The skill system has also been completely rebalanced, and " Skills are now organized into a skill tree, and each skill has three ranks," while others have been renamed to better reflect their effects, and I can't wait to try out new builds.

One of the most notable additions to the remaster, included in the accessibility features, is the Bard's Ballad preset, which can be enabled when starting a new game on "Just the Story" difficulty or mid-game.

"It is designed to reduce cognitive load for players who experience mental fatigue or have difficulty concentrating," CDPR explained. "It streamlines gameplay by simplifying certain mechanics and disabling select features for a smoother, more focused adventure."

On top of that, players can customize the preset by enabling or disabling some options that I've always wanted and would normally need mods for. Those options include Vitality Regeneration Boost, Infinite Breath, Unlimited Item Durability, Unlimited Boat Durability, Faster Boats, Toggle Witcher Sense, and probably my favorite out of the bunch, Ignore Item Weight.

I typically play on normal or higher difficulties in The Witcher 3, but for my latest playthrough I'm quite eager to try out the Bard's Ballad preset for the added customization that comes with it.

There are plenty more quality-of-life, modding, UI/UX, gameplay, and visual improvements to discover in The Witcher 3: Wild Hunt - Remastered, which is now available and is free for current owners of the game. Players who also own only the base game can claim the two included expansions, Hearts of Stone and Blood and Wine, at no extra cost.

• The Golden Joystick Awards 2026 nominations have been announced
• Voting is open now until October 23, with winners to be revealed on November 11
• The nominations include some of our favorite games of the year, including Resident Evil Requiem and 007 First Light

The nominees for the 44th annual Golden Joystick Awards have been officially announced across 21 categories, with games like Resident Evil Requiem, Big Walk, and 007 First Light leading nominations.

Public voting is now live and will remain open until October 23 at 4pm PT / 7pm ET / 0:00am BST. Fans can vote for their favourite games of 2026 in 21 categories, including Console Game of the Year, PC Game of the Year, Most Wanted Game, and more.

Winners will be revealed during the ceremony on November 11, with the Ultimate Game of the Year shortlist to be announced on October 26.

"With the hugely-anticipated GTA 6 set to launch a week after our live show, the 44th annual Golden Joystick Awards is delighted to share its most diverse and creative nominees line-up yet," said Daniel Dawkins, content director of Golden Joystick Awards at Future.

"Indie hits Big Walk, Dispatch and Mina the Hollower sit alongside AAA blockbusters such as 007 First Light, Forza Horizon 6 and Resident Evil Requiem. This year, no single game dominates the field, this is one of our most open and unpredictable years yet - making your vote more influential than ever in deciding our winners. We’re thrilled to debut a new look for the Golden Joystick Awards, embracing the iconic joystick trophy that traces all the way back to our inception in 1983. Gaming has changed so much in the following 43 years, but not the creativity and determination of those who sacrifice so much to share the games we love so much."

The Golden Joystick Awards 2026 - Nominations

Console Game of the Year

• 007 First Light
• Fire Emblem: Fortune's Weave
• Forza Horizon 6
• LEGO Batman: Legacy of the Dark Knight
• Nioh 3
• Onimusha: Way of the Sword
• Pokémon Pokopia
• PRAGMATA
• Resident Evil Requiem
• Saros

PC Game of the Year

• Big Walk
• Crimson Desert
• Escape from Tarkov
• Esoteric Ebb
• MECCHA CHAMELEON
• Mewgenics
• Order of the Sinking Star
• Star Wars Zero Company
• The Blood of Dawnwalker
• Valheim

Best Audio Design

• Big Walk
• Marathon
• Onimusha: Way of the Sword
• Rhythm Heaven Groove
• SAROS
• Star Wars: Galactic Racer

Best Early Access Game

• Dead as Disco
• MENACE
• skate.
• Slay the Spire 2
• Subnautica 2
• WARDOGS

Best Game Adaptation

• Devil May Cry (Season 2)
• Exit 8
• Fallout (Season 2)
• Iron Lung
• Mortal Kombat II
• Resident Evil

Best Game Expansion

• Cult of the Lamb: Woolhaven
• DAVE THE DIVER - In the Jungle Content Pack
• DOOM: The Dark Ages | Revelations
• Quake: Dawn of the Machine
• The Alters: Last Variable
• World of Warcraft: Midnight

Best Game Trailer

• Battlefield 6 x Top Gun: Carrier Strike Cinematic Trailer
• Big Walk - Release Date Announcement
• Cairn - Launch Trailer
• MOUSE: P.I. For Hire | Official Launch Trailer
• Prove You're Human - Announcement Trailer
• Resident Evil Requiem - Evil Has Always Had A Name

Best Gaming Hardware

• Logitech G PRO X2 SUPERSTRIKE
• Razer Viper V4 Pro
• Secretlab ATLAS
• Sony INZONE M10S II
• Steam Controller
• Turtle Beach Stealth Pro II

Best Indie Game

• Big Walk
• Denshattack!
• Esoteric Ebb
• Mixtape
• Mouse: P.I. for Hire
• Order of the Sinking Star
• REANIMAL
• Sovereign Tower
• Titanium Court
• Valheim

Best Indie Game - Self-published

• Cairn
• Fields of Mistria
• MECCHA CHAMELEON
• Mewgenics
• Mina the Hollower
• Perfect Tides: Station to Station
• Phonopolis
• Rhythm Doctor
• The Incident at Galley House
• Vampire Crawlers: The Turbo Wildcard from Vampire Survivors

Best Lead Performer

• Aaron Paul - Robert Robertson III, Dispatch
• Angela Sant'Albano - Grace Ashcroft, Resident Evil Requiem
• Anna Demetriou - Sophia, Resonance: A Plague Tale Legacy
• Liam McIntyre - Wolverine, Marvel's Wolverine
• Patrick Gibson - James Bond, 007 First Light
• Will de Renzy-Martin - Coen, The Blood of Dawnwalker

Best Supporting Performer

• Frankie Kevich - Zoe de Vera, Control Resonant
• Grace Saif - Diana, Pragamata
• Lennie James - John Greenway, 007 First Light
• Terry O'Quinn - Richard, Silent Hill: Townfall
• Troy Baker - Nathaniel Essex, Marvel's Wolverine
• Vic Michaelis - Runa Blask, Star Wars Zero Company

Best Multiplayer Game

• ARC Raiders
• Big Walk
• Marathon
• MARVEL Tōkon: Fighting Souls
• MECCHA CHAMELEON
• Valheim

Best Remake / Remaster

• Assassin's Creed Black Flag Resynced
• Gothic 1 Remake
• Metal Gear Solid: Master Collection Vol.2
• Star Fox
• The Witcher 3: Wild Hunt - Remastered
• Trails in the Sky 2nd Chapter

Best Soundtrack

• 007 First Light
• Crimson Desert
• Dispatch
• Lumines Arise
• Mewgenics
• Mixtape

Best Storytelling

• 007 First Light
• Dispatch
• Fire Emblem: Fortune’s Weave
• Silent Hill: Townfall
• The Blood of Dawnwalker
• ZERO PARADES: For Dead Spies

Best Visual Design

• Control Resonant
• Forza Horizon 6
• Orbitals
• Phonopolis
• Resonance: A Plague Tale Legacy
• Saros

Most Wanted Game

• Alien: Isolation 2
• ANANTA
• Black Myth: Zhong Kui
• EXODUS
• Fable
• Final Fantasy 7 Revelation
• God of War Laufey
• Intergalactic: The Heretic Prophet
• Kingdom Hearts 5
• METRO 2039
• NO LAW
• Persona 6
• Resident Evil Veronica
• STRANGER THAN HEAVEN
• Stuntman: Hollywood
• The Expanse: Osiris Reborn
• The Witcher 4
• Tides of Annihilation
• Tomb Raider: Legacy of Atlantis
• Total War: Warhammer 40,000

Still Playing - Mobile

• Balatro
• Genshin Impact
• Honkai: Star Rail
• MARVEL SNAP
• MONOPOLY GO!
• NTE: Neverness to Everness
• Old School RuneScape
• Pokémon GO
• Roblox
• Sky: Children of the Light
• Tom Clancy's Rainbow Six Mobile
• Wuthering Waves

Still Playing - PC & Console

• Apex Legends
• Fortnite
• GTA Online
• HELLDIVERS 2
• HITMAN World of Assassination
• Minecraft
• No Man's Sky
• Palworld
• The Elder Scrolls Online
• Warframe
• World of Warcraft
• Call of Duty: Warzone

Studio of the Year

• CAPCOM
• Frogwares
• House House
• IO Interactive
• Nintendo EPD
• SQUARE ENIX

There are many audacious and commendable feats in gaming. Taking down Consort Radahn, platforming through the Path of Pain, filling your entire Pokedex, to name but a few. However, despite personally doing all these things, one task chewed me up and spat me out repeatedly. One that, on paper, isn't all that tough at all.

The task: To get through Act One of the mammoth CRPG, Baldur's Gate 3 (BG3).

The 'act one syndrome' brought on by the sheer volume of content and the steep learning curve of BG3 is something that just about everyone has endured at some point when exploring Faerûn.

However, I feel I have been wearing this albatross around my neck for quite some time. While watching others take second laps around Faerûn for a Dark Urge run, unburdened by this plight of mine.

BG3 has been the loud, obnoxious gnawing at the back of my mind. The bane of my backlog, and at some point, I snapped.

Operation: get act one done

On paper, it's far from a Herculean task. After all, if you really want to, you can hop off the Nautiloid and head straight for the Githyanki Crèche if you choose. But ignoring the slew of content and the abundant, overlapping 'what ifs' is just too tall a task for a completionist such as myself.

I've gone back to the BG3 well a grand total of seven times. Each time, I fell at the first-act hurdle, but for different reasons.

At first, it was simply overzealous confidence and ineptitude. There was an underlying issue in that my understanding of Dungeons & Dragons principles was severely lacking.

As a result, there were many hour-long battles that inevitably led to a full party KO and a painful restart. Poor decisions compounded with each new dialogue exchange. This culminated in a heated exchange with a deceptively powerful frog, and the first of many save files to be abandoned. RIP Ignacius, my first Tav to fall.

Then came the attempts to right that wrong. A YouTube brush-up on DND systems here and there, a few tweaks to the starting build, and it would all surely work out fine.

It did not.

There was an inevitable and foolish overcorrection, a choice to play a build that simply wasn't fun to use, especially for a novice like myself. Monks sound great on paper, as you can let your fists solve all problems. Until you’re starved for Ki and left helpless. So, with that, another save file bit the bullet. RIP Falconhoof.

You would think at this point, with so much Baldur's Gate 3 act one experience behind me, success was all but guaranteed. But then, like a pesky Kobold leering from the shadows, a menacing creature I call my wife said, in hushed tones, 'That looks fun; will you show me how to play?' Thus beginning a co-op campaign led by a D&D novice, acting as a sage for an even bigger novice.

Safe to say, this blind leading the blind dynamic was about as successful as Lae’zel would be headlining at the Comedy Cellar. So, we dug a twin grave for my wife's Tav and poor, unfortunate Arcane Michael.

It was these constant setbacks that set the wheels in motion for even more attempts to go awry. Because the dynamic shifted from a state of wonderment and curiosity to an attritional, transactional slog, as scenarios, battles, and pivotal choices repeated again and again, lacking the weight they once had.

Much like Tav, I too was infected with a parasite acting as a ticking time bomb. At some point, the tedium, or the ennui, would set in, and I would succumb to that parasite's mind control. Forcing me to exit the game, uninstall it, and relegate BG3 to the back of the backlog again.

Mercifully, this affliction doesn't come part and parcel with a tadpole insertion through the eye socket, but it’s unpleasant nonetheless.

Finding my Faerûn flow state

Returning for my eighth crack, things had to be different. So, I put those wheels in motion. I cooled off for an entire year, forgetting large portions of the opening act in the process. I researched the most fun, accessible build to play relative to the most recent patch. I even passed on some hot and fresh releases, devoting all my time and energy to breaking through.

But above all, I knew that if this was ever going to work, I would need to learn how to let go. To let decisions shape the experience rather than relying on save-scumming, embrace the rough and the smooth in equal measure, and find the mental fortitude to push on towards new and exciting things.

As someone who wants to see everything a game has to offer, ponder over every decision, min-max at every opportunity, and somehow manage to accurately roleplay while juggling all of this. I was still skeptical that it would all click into place. But against all odds, in honor of my newborn son, my Halfling Rogue, Lorcàn, was born, and before long, I could see the Shadow-Cursed Lands on the horizon.

With a streamlined build that allowed me to rely on Luck, overpowered stealth, and flexibility to multiclass. No combat encounter felt like an insurmountable task, and no conversation felt like an inevitable road to a failed dice roll. My half-pint Halfling fittingly gave me the glass-half-full mindset I needed.

Minthara and her goblins were vanquished: shoved down a chasm to their doom. The party shone a light on the Underdark's mysteries. I left that demonic frog to their own devices. But above all, the insurmountable pressure to finally leave Act One had dissipated and this is an accolade I place in my personal trophy cabinet of gaming feats.

The city of Baldur's Gate awaits, and finally, I feel that curiosity and magic again.

The Nintendo Switch 2 has had a chaotic time since launch, with the risk of tariffs and price hikes threatening to increase the cost of the console far above its original launch price. However, thanks to a brand-new price cut — and one excellent value bundle deal — it's now the best time to pick up the console ever.

You'll want to take yourself over to Argos, where you can save £65 on the Nintendo Switch 2 and add a game of your choice for £20 — for a total spend of £374.99. Available titles are not the usual garbage we see with these offers, too, as there are some excellent options to choose from, including Cyberpunk 2077, Metroid Prime 4, Pokémon Pokopia, or Star Fox.

Considering the Switch 2 is £419.99 at full price, and depending on the game you choose, that means the total potential savings are up to £112. I'd say Pokémon Pokopia is the frontrunner here, not simply in terms of value for money alone, but also because it's one of the console's best exclusive games.

No matter which game you pick, altogether, this is the sort of discount I never imagined we'd see on the console this early.

Today's best Nintendo Switch 2 deals

Is there a reason for this surprise discount? Well, I believe that it's at least partly due to a recent EU ruling that means the Switch 2 must comply with new battery regulations. The current version of the console doesn't, and so a new revision is set to become available this autumn, featuring a user-replaceable battery.

Nintendo has made it clear that there is "no difference in functionality between current products and revised products containing user-replaceable batteries," so you're not getting an inferior console when buying this current version. It plays all the same games and offers no performance differences.

With that in mind, I think this offer is going to be very difficult to beat, even with Amazon's Prime Big Deal Days coming in October and Black Friday in November. In fact, I wouldn't be surprised if the retailer is saving its current stock for next month's sale before launching a similar offer itself.

There's reason to wait, though, while the current Argos deal offers so much value.

• Alien: Isolation 2 principal environment artist Archie Whitehead says the Xenomorph uses legacy animations that Creative Assembly designed for the first game
• He explains that the studio didn't have the technology to implement it at the time
• The sequel animations have been improved so the alien is "more responsive"

Alien: Isolation 2 principal environment artist Archie Whitehead has revealed that the game's Xenomorph uses improved legacy animations that Creative Assembly designed for the first game but didn't have the technology to implement 12 years ago.

In an interview with TechRadar Gaming at Gamescom, Whitehead confirmed that working around the alien's intelligence will be a core part of gameplay—even with the added exterior environment—and if players use a flamethrower or repeatedly hide in lockers, their actions will be less effective against the Xenomorph.

But the developer said the fear of hiding from the alien isn't just about its intelligence, but about how players perceive it visually; he explained that its animations and transitions have been improved from the first game, making it scarier.

"Intelligence is about perception," Whitehead said. "It's about what the player sees. If the alien was a cube sliding around, it might still kill you; it might still be scary, but you probably wouldn't perceive it as that intelligent if it was just a rotating cube, right?

"Obviously, the model, the character, the mesh for it; it's much more improved. There's a lot of layers there that I can't talk about the specifics, but it's more responsive, more reactive. It's really, really terrifying."

Whitehead went on to reveal that the Xenomorph uses animations and transitions that were initially designed for the first game, but Creative Assembly "didn't have the technology at the time" to use them. However, they've been polished for the upcoming sequel.

He explained that he chatted with animation director Simon Ridge, who worked on the first game, and saw some legacy animations that appeared to be unused, but were "really scary" and "amazing transitions" where the alien was looking at the player.

"I was studying when the original came out, so I wasn't on the first game," he said. "So, I was coming to this as a big fan, and I was chatting to him, and he was showing me these legacy animations he had, and I was like, 'I played the original a lot of times, I don't recognize these animations.'

"The vision was there, but they didn't have the technology at the time [or] whatever exactly they needed to implement it."

He added that this is a "benefit" for the sequel coming out 12 years later instead of immediately after the first game.

"We're able to use that kind of stuff, and obviously it's still going to be polished up, and it's a new setup and everything," he said, "but it's one of the things that makes it [the Xenomorph] feel smarter is its reactivity; making it feel like it's not just looking at the player, it's not just pointing its head in your direction. You feel like it's looking at you, and that's the kind of stuff that, again, when they show it off within the team, everyone's getting chills, and it's super exciting. We're super excited to show you."

Alien: Isolation 2 will be available on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC. A release date hasn't been announced.

• Creative Assembly says Alien: Isolation 2's protagonist will offer "a new perspective to the franchise"
• Blake is a Weyland-Yutani employee, with principal environment artist Archie Whitehead saying the Japanese side hasn't been explored a lot
• Principal UI artist Laura Mauterer says Blake isn't like any other Alien protagonist and "is such an interesting character to explore"

Alien: Isolation 2 will offer a totally new perspective on the Alien franchise by telling a story from the viewpoint of Yutani employee Blake, and Creative Assembly believes players will love her.

Speaking to TechRadar Gaming at Gamescom, principal environment artist Archie Whitehead and principal UI artist Laura Mauterer discussed what they're most excited for players to experience in the upcoming sequel, highlighting the game's protagonist, Blake.

Blake works for Weyland-Yutani Corporation, a mega-conglomerate and the major human-led antagonist throughout the sci-fi series, but is employed specifically on the Yutani side of the company.

It's a viewpoint that hasn't been showcased during the horror franchise before, and something the developers were eager to explore in depth.

"Weyland-Yutani is an English-Japanese-speaking company, and it's something that the Japanese side, I feel like, doesn't really get explored that much," Whitehead said. "It's something we're trying to explore more here because Kurosaki, it's the name of the station [the game's setting], so I'm very interested in players to discover: 'How does that influence the world and the people living in it?'"

Mauterer added that Blake is "awesome" and "brings such a new perspective to the franchise in total," and her being an employee of this mega-corp will be a much different experience from the first game, where the characters were ordinary people.

"If you think back to the first game or even the first movie, it's truckers in space, right? It's ordinary people doing average things," Mauterer said. "They're not powerful. They're expendable. No one cares for them. They have to care for themselves.

"But now we have Blake, who is a very Weyland-Yutani employee, and that means that she has some power, right? But when you hear in the trailer that the Japanese voice is telling her, 'You made a mistake. This is your last chance.' She was sent to Kurosaki against her will, and she wants to do well. She wants to be there to redeem herself."

Talking more about the story, Mauterer explained how characters in the prologue will talk to Blake with respect and "you can get a sense of her standing," but all Blake is focusing on is trying to redeem herself. That's why when she heads to the crash site and accidentally unleashes the Xenomorph onto the colony, she's made yet another mistake, which the developers said will make Blake an interesting character to play.

"That dichotomy, she is such an interesting character to explore," Mauterer added. "And I think the players will really get to know her and love her in the journey; they will make out their own journey [as well]. We tell a larger story, obviously, but similar to the first game, every player will have their own way of telling the 'in-betweens' between that [main] story, and will be so interesting to see."

Alien: Isolation 2 doesn't have a release date yet but will launch on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

• Rayman Legends Retold brand producer Loïc Gounon is interested in making more games in the series
• Gounon says, "The plan was that we want to restart the franchise," using the latest version of Ubisoft's engine
• He suggests that the upcoming remake could be the start of something new "if everything goes according to plan"

Rayman Legends Retold brand producer Loïc Gounon believes the series has a future and said he's interested in making new games using Ubisoft's latest tech.

The upcoming remake of the beloved 2013 hit reinvents the hand-painted 2D adventure as a full 3D side-scrolling platforming experience. It's powered by the studio's proprietary Snowdrop engine, while still utilizing the original game's UbiArt Framework.

It looks like a completely new game, though with the familiar elements that made the original a critical success, and according to Gounon, "The plan was that we want to restart the franchise" using the latest version of this technology.

"Without an engine, you don't make a game," Gounon told TechRadar Gaming. "Without a team, you don't make a game. So the initial point has been: we need to rebuild the team, and we need to adopt a new engine. As we were starting to think about that, we also considered a brand new game, but we've also been humble about what we could achieve."

The developer wasn't shy about sharing his dreams for the series, saying, "We believe that this IP has a future," and that Rayman Legends Retold could be the start of something new "if everything goes according to plan."

He also indicated the move to 3D allowed the team to build its bank of 3D assets, which sounds like something that would come in handy for any future projects.

Rayman Legends Retold arrives on December 3, 2026, for PlayStation 5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

Rayman Legends Retold looks to bring the platforming classic into the modern age, with a smattering of new levels, fully revamped visuals, and expanded cinematics featuring full voice acting for the very first time.

Released back in 2013 to critical acclaim and still beloved by fans, it's certainly an unusual choice for a remake. Where most developers opt to return to titles with obvious issues, or ones that are no longer readily accessible (Rayman Legends is fully playable on PS5, Xbox Series, and Switch 2 via backward compatibility), it's hard to think of many ways this platformer could be improved.

As it turns out, the decision was more about the future of the Rayman franchise than looking back at the past.

"The plan was that we want to restart the franchise," explains brand producer Loïc Gounon after a recent hands-on event.

"Without an engine, you don't make a game. Without a team, you don't make a game. So the initial point has been: we need to rebuild the team, and we need to adopt a new engine. As we were starting to think about that, we also considered a brand new game, but we've also been humble about what we could achieve."

In the gaming industry, remakes are often used to help new teams become acquainted with an existing intellectual property and build the skills needed to tackle development of future entries.

Just look at Metroid: Samus Returns, the 3DS Metroid 2 remake that led to series newcomer MercurySteam being given the reins for the Nintendo Switch installment Metroid Dread (and again, with the upcoming Metroid Ravenous for Switch 2).

Gounon adds that while the team behind Retold does still have some of the original Legends devs, they felt that "the balance between remaking a beloved game while bringing innovation to it was the best starting point" for everyone.

New coat of paint

One of the starkest differences between the original Legends and Retold is the shift from a hand-painted 2D look to a fully 3D art style – albeit one that largely maintains the side-on perspective. It's a move that Gounon suggests shows where the franchise is headed overall.

"Rayman started on PlayStation with a 2D game at a time when most games were 3D. Then Rayman 2 and Rayman 3 were 3D games in the rendering, but also in the gameplay. Then Origins went back to full 2D: 2D rendering and 2D gameplay," he explains.

"The thing is, when you've got a 2D engine and are in 2D rendering, it's less easy to make a 3D game afterwards. So, as part of thinking about the franchise for the future, two things that came to mind really early were that we want to go back to the adventure DNA of the franchise, and we don't want to [stop ourselves from] going towards a 3D adventure."

If you think of Legends Retold as a jumping-off point for the franchise going forward, the whole project begins to make a lot of sense.

Gounon doesn't shy away from saying that "we believe that this IP has a future" and that this remake is only the beginning "if everything goes according to plan" and it proves popular. He even indicates that part of the move to 3D was so the team could build a bank of 3D assets, presumably for future use.

Although it's clear that Legends Retold is geared towards new players, Gounon says the team has gone to great lengths to maintain the overall feel of the original game so as not to disappoint returning players. This even involves utilizing the original game engine, UbiArt Framework, underneath all the shiny new graphics powered by the latest version of Snowdrop.

"What's a bit particular about this project is that we did not want to mess with the game feeling: all the characters reacting, the physics, etc. We knew that the muscle memory you have with a platformer — we can't mess with it. It's a constraint of Rayman, and so is the level design. There's a quality of level design that's unmatched, on par with the best games in the world, like Mario," he begins. "So we knew we couldn't mess with the quality of the level design or the game's flow and the physics.

"What we decided to do is that everything that's happening — game mechanics and flow — is powered by UbiArt Framework. UbiArt is also doing the 2D animation and 2D drawing, but as we were going 3D, we integrated UbiArt Framework game logic within the game logic of Snowdrop.

"Snowdrop is handling all the animation, the character art, the environment art, and the audio. All that new visual layer on top of the gameplay logic is Snowdrop.

"Basically, we've got the best of both worlds, meaning a great engine to make levels and gameplay, which is UbiArt Framework, and also maintaining the quality of the original game because it's the same thing running under the hood, within an engine that allows for fully-fledged 3D rendering."

A matter of taste

As with any big change, the new art direction has had its critics. "Nothing can outdo the beautiful hand-drawn style," reads one of the highest-rated comments on the original reveal trailer, but Gounon is confident that skeptics will be won over once the game is in their hands.

"Some people will always have a personal attachment to something they loved, especially when it's something super special that got 90+ on Metacritic, and it's highly subjective. That's totally okay, and to be fair, when you love something, you don't want it to change," he begins.

"I think it's natural. Then I think we will prove what 3D is bringing. I think once you start playing the game, and more people see the game, hear character voices, [watch] the fully animated 3D cutscenes, I think they will get why we are making it."

He adds that he's excited for players to see more of the game in the build-up to release and promises, "It's not a simple remake; it's more than that."

There will be a bit of a wait, however, with the game recently delayed until December 3, 2026, when it will launch for Nintendo Switch 2, PS5, Xbox Series X and Series S, and PC.

• Creative Assembly says Alien: Isolation 2 is still influenced by the iconic film, despite the outdoor setting
• Principal environment artist Archie Whitehead says the environment had to be showcased "through the lens of someone from the 1970s"
• Principal UI artist Laura Mauterer says the team is "not reinventing the wheel" and is still using a lot of inspiration from the first movie and game

Alien: Isolation 2 is still inspired by the first Alien movie, even though the game features a new outdoor setting; Creative Assembly had to make sure the environment felt authentic to its iconic retro-futuristic aesthetic.

Like Ridley Scott's 1979 Alien, Alien Isolation takes place inside a space station, isolating the player in a claustrophobic environment as a Xenomorph hunts them. However, the sequel features an outdoor colony world and the confines of a Weyland-Yutani outpost, giving the studio a new opportunity to expand exploration and find new ways to adapt the movie's iconic style.

Speaking to TechRadar Gaming at Gamescom, principal environment artist Archie Whitehead didn't want to spoil the setting too much, suggesting players are in for some surprises as they explore the game's outdoor mining colony, with principal UI artist Laura Mauterer explaining that the team is "not reinventing the wheel" and is still using a lot of inspiration from the first movie and the first game.

"The first movie is the lens we're looking through everything at," Mauterer said. "It's our guiding step. And when it comes to new, we're really excited about introducing new retrofitting tech," she added before using a CRT computer as an example of how it would be damaged in an outdoor setting.

"I can maybe give you an idea of our approach to it," she said. "We think about it now that you have to be indoors and outdoors; obviously, things need to adapt. I have a CRT monitor on my workstation as my third monitor; there are holes on the top in the back. Obviously, if I put that outside and it's raining, it's gonna go kaput, right? So, we need to make sure that we're adapting the things that we have seen in the first movie and in the first game to be believable in this outdoor environment. [So] it makes sense."

Whitehead added that it has to be showcased "through the lens of someone from the 1970s" because things like LEDs and LCD panels didn't exist back then.

"As an environment artist, I'm making design decisions all the time when modeling something about the shapes used; where's a vent, where's this?" Whitehead said, adding that it would be easy to add "generic" shapes, but he and the team used movie set photos and imagery to "dissect" how to build these assets players will see in the environment.

"Sometimes it feels like yogurt pots," he joked. "It's a lot of vacuum form shapes. They even had some parts of it; I think it was a bomber from the Second World War. They got some stuff from the scrapyard.

"So looking at what they had and working out how to recontextualize those things when creating a new design, and just making sure that whenever we reference stuff, we don't reference anything from beyond that point because those manufacturing techniques and those materials didn't exist yet, so they shouldn't be here."

Alien: Isolation 2 will be available on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC. A release date hasn't been announced.

• Principal environment artist Archie Whitehead says Alien: Isolation 2's custom lighting and audio tech allowed it to create a more "realistic" atmosphere
• He says just using Unreal Engine 5 wasn't enough, since the engine is "optimized for usually quite bright scenes"
• Custom lighting allowed the team to design "reactivity" in the environment

Alien: Isolation 2's custom audio and lighting technology has enabled Creative Assembly to create a more authentic atmosphere that it couldn't fully achieve with just Unreal Engine 5.

In an interview with TechRadar Gaming at Gamescom, Creative Assembly principal environment artist Archie Whitehead and principal UI artist Laura Mauterer shared more about developing the sequel with Unreal Engine 5 and the studio's custom technology, which it previously told us was an "evolution" of what fans are familiar with.

"For horror, audio and lighting are the two Powerman things," Whitehead said. "Unreal gave us a great base, but we felt that to do certain things, it [custom tech] really, really helps."

One of those things, particularly with lighting, was "reactivity," which would offer visual effects from things like weather and other environmental assets, creating a more realistic atmosphere.

"We wanted a thunderclap, like fire flickering, sirens spinning, all of that stuff," he continued. "We felt that a custom solution would give us that perfect frame response that you want in that really, really dark environment. You know, Lumens [UE5's global illumination and reflections system] is optimized for usually quite brighter scenes."

The developer explained that the team struggled with showcasing metals in the game's darker exterior environment, saying, "Metals in virtual worlds are really difficult."

He added, "The color of metal is actually just what's being reflected, right? And the problem is all of our scenes are really dark, so for the metal to behave properly, it's quite a tricky balance to strike. So that's one of the things that our lighting system helps us with."

The game's audio system has also improved, with Whitehead reiterating that it's an "evolution" of what the first game offered, but was iterated on again and again.

"Since then, it's been used for other CA projects, so it's quite mature," he said. "And it creates a kind of spatial setup of the world. And what that means is, when a sound happens in a room that is — a vent away from you or something — that sound is being reverberated around, and you get a really, really realistic response, and hopefully a really, really terrifying version of that sound."

Alien: Isolation 2 is now in development and will launch on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

DBrand Killswitch Nintendo Switch 2 review

The DBrand Killswitch for Nintendo Switch 2 is the ultimate protective solution for your shiny new hybrid system. Rather than being a traditional carrying case, it acts as a permanent protective shell for your system, keeping it shielded at all times. I’ve spent a few days gaming with the Killswitch for Switch 2 now, so here’s how I’d rate it.

First of all, I have to applaud the ease of setup. The main case is incredibly easy to pop on. I just had to remove a couple of adhesive strips on the case, push it onto my system, and bam — it was done. The Joy-Con 2 controllers also slot into individual cases, and there’s a protective cover for the system’s kickstand that sticks on seamlessly.

The case has gaps for all of the crucial elements like volume controls, the power button, the USB-C slots, and vents. I also appreciated how slim the protective case felt — sure, it adds a bit of depth, but it doesn’t make the console feel too broad.

Like a lot of the best Nintendo Switch 2 accessories, the Killswitch feels very high in quality, and plenty durable. It also offers great ergonomics, with the textured case and its curved feel making the system incredibly comfortable to use in handheld mode. I tried playing a wide variety of games, including Mario Kart World and Yoshi and the Mysterious Book, and whether I was turning tight corners or exploring a mystical area, the system never felt unwieldy or chunky.

Although the case adds some bulk to the Switch 2, you’re still easily able to use it in docked mode. That’s because the Killswitch comes with a dock adapter. Just place it onto the Switch 2’s usual dock, and you’re good to go. It has 4K 60Hz passthrough, so you can still enjoy the best Nintendo Switch 2 games without compromise, meaning it serves as a super-convenient solution.

You get a few extras depending on the Killswitch variant that you select. I went for the Travel pack, which also includes stick grips and a travel cover. The grips push on without difficulty, and they have a tactile, secure feel that makes gaming feel as easy as ever. The travel cover is a neat inclusion too, and has ten slots for Nintendo Switch 2 or Nintendo Switch games.

So, it’s safe to say that I’m a big fan of the Killswitch for Switch 2. But there’s one thing worth considering. It’s pretty pricey. The Killswitch starts at just under $60 for the Essential package, which comes with the main case, a skin, and the dock adapter. But if you get the Everything variant, which also adds the stick grips, travel cover, two screen protectors, and a Joy-Con 2 controller holder, it's just under $155. That’s an awful lot to pay for the fully protective package any way you shake it.

One other minor thing worth noting is that the protective case and stick grips are a little susceptible to picking up dust and fibers. This didn’t bother me all too much, but I did realize the grips were a little grimy after an hour's worth of use. Not a dealbreaker, but worth pointing out.

But I’ll be clear. The DBrand Killswitch for Switch 2 is an excellent protective option for your console, and I won’t be taking it off my system any time soon. If you want excellent durability, seamless setup, and flexibility for handheld and docked play, it’s a top-class choice.

DBrand Killswitch Nintendo Switch 2 review: price & release date

• Prices start at $59.95
• Released in June 2025

The price you’ll pay for the Nintendo Switch 2 variant of the Killswitch will vary depending on the model you select. Typically, it’s $59.95 for the Essential pack, $99.85 for the Travel option, $134.80 for the Ultra variant, and $154.75 for the Everything package. I have seen the Killswitch go on sale at times, though, so it’s worth checking DBrand’s site for discounts. The Killswitch for Switch 2 was released in June 2025.

Should I buy the DBrand Killswitch Nintendo Switch 2?

Buy it if…

Don’t buy it if…

DBrand Killswitch Nintendo Switch 2 review: also consider

How I tested the DBrand Killswitch Nintendo Switch 2

• Spent a week testing the Travel bundle
• Made use of all the accessories
• One of a vast number of Switch 2 accessories I’ve tested

I spent a week testing the DBrand Killswitch for Nintendo Switch 2, and kept it on my system everywhere I went.

I tried dropping my system from a controlled height to judge its durability, and made use of all of the accessories in the Travel package, including the dock adapter, game card holder, and stick grips.

More generally, I’ve spent years testing gadgets here at TechRadar, where I serve as a Senior Reviews Writer. I’ve reviewed a vast amount of Switch 2 accessories, from cases like the Hori Adventure Pack to controllers such as the Turtle Beach Rematch Wireless Controller, and have been a Switch 2 owner from day one.

• Read TechRadar’s reviews guarantee
• First reviewed: August 2026

Charles Cecil wants to make one thing clear: “I'm not anti-AI.”

The veteran British developer behind the legendary 1996 point-and-click game Broken Sword: The Shadow of the Templars speaks to TechRadar about AI's divisive role in modern game development - and, in particular, how it was used in the upcoming remake of the sequel, Broken Sword - The Smoking Mirror: Reforged, due out in 2027.

The original, a commercial success selling 759,000 copies, sees American tourist George Stobbart team up with freelance journalist Nicole Collard to track a mysterious Mayan stone across Paris, London, and Central America. This remake doesn't use AI, and, according to Cecil, there's a very good reason for that.

AI don’t think so

“I think AI has its place,” Cecil says. “It's just not relevant in our games because we want human animation, human characterization and human expression, and that's much better done by humans.”

A perfect example of that lies in the game's hand-drawn art, all of it redone for Broken Sword - The Smoking Mirror: Reforged.

This hugely labor-intensive process encompassed roughly 55,000 frames of animation, more than the 30,000 of Broken Sword: The Shadow of the Templars’ 2024 remake.

“George opens the newspaper and kind of just glances at the screen,” says Cecil, referring to the actions of the game's protagonist in an early scene. “He's looking at the viewer, and that's what human beings do. That is not something that AI can do.”

In low-res, eyes were just dots on a face. In high-res, eyes are windows to the soul and therefore have to be animated with precision and intent. Where applicable, artists were free to add flourishes, using their own interpretation to fill in the gaps.

For instance, the painting of Professor Oubier hanging on the wall in the rapidly burning study was always too pixelated to see clearly. Now, however, you can make out exactly what he looks like in 4K, at 36 times the original resolution, all while a visibly uncomfortable George jostles his rope bindings.

Developer Revolution Software didn't stop there. The team redrew scores of items that never really made much sense. Take the poison dart, which now looks less like a playing dart and more like something shot out of a blowpipe.

Human revolution

Despite the decision to abstain from AI use for the most part, it wasn't entirely absent. AI was used for the initial round of upscaling before artists added detail by hand, with backgrounds scanned as black-and-white layouts for them to build on using the originals as references. AI was more of a tool than a creative device.

“We experimented with AI for the first one, and we used AI to upscale and then redraw the characters. And as I say, it can upscale, but it can't put any character in.”

That's largely thanks to the luxury of time. The first game needed to be made in a year or risk cancellation. Revolution Software sprinted to the finish line, but made a few shortcuts along the way.

One oversight was 40 voice lines that were recorded and packaged in the game's files but never used. Now, in Broken Sword - The Smoking Mirror: Reforged, fans can finally hear them (one line involves George asking the Parisian waiter about the tequila worm in his pocket).

Another infamous example occurs in the Game Boy Advance version. “You have a choice to go to Spain or Syria,” says Cecil. “If you do one, you can finish the game, and it's fine. If you do the other, it takes you there, but you can't then finish. There's a bug that doesn't allow you to finish…It's an awful, awful bug. I mean, it's absolutely shocking.”

An AI might have spotted such mistakes, but then again, you could argue mistakes are what give art humanity. If nothing else, they make for a great story.

But the remake is far from a bug-fixing exercise. Instead, it's an opportunity to make the game better. Where most remasters seek to preserve the subject, Broken Sword - The Smoking Mirror: Reforged is almost an act of excavation.

“All of these things we now have the time to do,” says Cecil. “Because what Revolution has done for the last 15 years is we've self-published all our games. And I can decide when we’re going to spend a little bit more time getting this, right? Is it worth it?”

The devs found time to add features, too, like a new three-tier hint system that actively monitors your progress and feeds you steadily more obvious tips so you're not stuck for too long. The final tip tells you outright what to do. Thankfully, purists can turn it off.

Meanwhile, Nintendo Switch 2 players get four different control schemes: touchscreen, gamepad, one Joy-Con 2 detached and used as a mouse, or a versatile combination of everything.

Plus, there’s something Cecil has personally wanted to add for 30 years: a beautiful, detailed map of Paris. This is used to aid player navigation instead of having them rely on clunky icons. With everything in the game, these feel like choices made by humans, not AI.

“We've really gone out of our way to produce something that, in my view, is completely future-proof, because people were playing the first one 30 years ago, and millions and millions of people have played that game. And my ambition is that in 20 years' time, a fourth generation will be playing again.”

“Going forward,” he continues, “people are going to seek out human-crafted art. You know, there's going to be that sense, because obviously we all have a human connection with each other.”

Pokemon’s Lego Smart Play sets couldn’t be more perfect, even if you hate the Smart Brick. I was convinced of this when I first saw them ahead of their launch, and since their public debut, I’ve only grown more in love with the builds now that I have them in my home.

When Lego first debuted its Pokémon sets, it showcased a few display-focused builds — designs aimed at older audiences to be shown off on a shelf more than to be actively played with. This meant relatively high prices to account for the massive brick counts and complex building techniques applied.

At first glance, the dozen Smart Play sets the duo just launched are the exact opposite. They’re built for play — with two of the sets coming with a Smart Brick (or two) to bring the Pokémon models to life — and generally cheaper and simpler build-wise. But like the Smart Brick, they’re so much more than meets the eye.

From a play perspective, thanks to tiles hidden in each Pokémon’s belly, the Smart Brick can know which creature it is and make distinctive sounds when the critter is being fed, training, sleeping, driving a vehicle, or hiding in the tall grass waiting to be captured by a trainer.

Importantly, two pokémon can know when they’re near each other and engage in a battle — which cleverly takes into account if the Pokémon was recently trained, which types it’s weak or strong against, what innate power it has (third-stage and legendary Pokémon will be stronger than first-stage starters), and what health it has (plus if it has been healed by something like a potion).

It’s very sophisticated but also so incredibly intuitive. Moving the Pokémon like action figures — shaking to charge up attacks, lunging forward to strike, moving away to dodge, and lying down to rest after a busy day — enables every single action the Smart Brick is programmed for. I gave my wife the Pikachu to play with without telling her anything, and she instantly knew what to do.

Smart and simple

At the same time, so many play features don’t require a Smart Brick at all.

While the actions will lack sound effects, Pikachu can still lie down in his fold-down bed, emerge from the tall grass when a pokéball hits the target, battle with the spinning target, and be played with in whatever way you can imagine.

So when you’re waiting for the Smart Brick to recharge, or if you simply decide not to pick up one of the All-in-one sets that comes with a Smart Brick in the box and opt for a merely Compatible set instead, you’ll still have a play set that feels complete — something I couldn’t say for Lego’s first Star Wars Smart Play models.

My only caveat is that the battle-focused sets — Charizard vs. Jolteon Ultimate Battle and Umbreon vs. Garchomp Championship Battle — are a little more dependent on the smart brick to create engaging fights between the blocky pocket monsters.

Perfect for play doesn’t mean perfect for everyone, but as a display build, these models again have so much potential.

Not necessarily out of the box — the background scene elements are always the most visually stunning — but with some creativity and time to build your own, these blocky figures could easily be posed as part of beautiful dioramas.

If you prefer minifig scale designs, you’ll be disappointed, but if you don’t mind something that’ll take up more room on your shelf, I think these sets have so much potential — especially as each Pokémon’s design is so distinct and accurate to its in-game version.

Lastly, I can’t round things off without talking about their best aspect: price.

Simpler, play-focused sets come with fewer pieces and therefore a more affordable price. For kids who love Pokémon but for whom you can’t fork out a lot of cash for a set that’ll sit on a shelf, these Smart Play sets are perfect.

Plus, for the same price as the Eevee build, which was previously the most affordable option, you can grab two or three of the cheaper Smart Play compatible sets that just dropped.

Whether you buy one or all twelve of the new sets, I’m certain Pokémon and Lego won’t disappoint. These sets show how Smart Brick integration should be done, and I’m hoping we’ll see dozens more sets just like these down the line.

All-in-one sets

Smart Play compatible

This week was a little quieter than last in the tech news space — if you ignore the hullabaloo caused by various AI companies that their models might one day kill us all if regulation doesn’t arrive.

A bit heavier than an Apple iPhone event, but important nonetheless.

To catch up on that and this week’s lighter (but still essential and biggest) tech news stories, scroll down for our ICYMI recaps and links to the full articles. But before you read about the news, you might want to try your hand at our quiz to see how much you remember of last week's ICYMI roundup.

7. We interviewed John Ternus

You've just been named CEO of one of the world’s most important tech companies; what runs through your mind? I asked John Ternus that question to his face, and his answer was perfect. It was all part of a wide-ranging interview we conducted with our friends over at Tom’s Guide. Lots of good bits about what innovation means at Apple and why the Cupertino giant is finally making a foldable.

• Read the full story: 'I don't think we ever lost innovation': New Apple CEO John Ternus defends Apple's track record

6. Google Live Translate went offline

Arguably the best Google Translate tool is its Live feature — which lets you converse with someone in your respective native tongue, and each sees a real-time translation of what the other has said.

It can break down the language barrier, if you have an internet connection, that is, though that is changing.

Google has started rolling out an offline mode for Live Translate. There are some limitations — it only supports translation from English to French, German, Portuguese, Italian, Spanish, Hindi, Indonesian, Japanese, Russian, and Swedish — and it’s only coming to the Google Pixel 11 series, Pixel 10 line, and Pixel 9 series.

• Read the full story: Google's new offline Live Translate tool looks like my new vacation essential

5. Canon launched the EOS R8 Mark II

Canon has debuted the EOS R8 Mark II, with a design that supposedly takes its cues from decades-old analog SLR cameras — there's a slight resemblance, but we'd argue that Canon's design department could have been given a bit more latitude.

Nonetheless, the second-generation model introduces useful upgrades over the original EOS R8, for a price that could tempt Canon enthusiasts who want powerful features but who don't need the tough build quality, high-spec displays, or long-lasting battery life of the EOS R6 series.

• Read the full hands-on review: I tried Canon's new-look EOS R8 Mark II

4. We tried the Snap Specs

A decade on from Snap’s first Spectacles launch (back when it was still Snapchat), we’ve tried the next evolution in its wearable tech: full-on AR glasses, and they’re incredible.

They’re still quite chunky, and the demo wasn’t without its quirks, but they were fun to use and comfortable to wear.

You can currently pre-order the Snap Specs for an eye-watering $2,195 (around £1,640 / AU$3,090) with a $200 deposit.

• Read the full story: I tried out Snap Specs, the social platform's chunky AR smart glasses

3. We reviewed Apple's tech

We reviewed all of Apple’s new tech, and yet again we were impressed.

The iPhone 18 Pro and Pro Max take last year’s Pro reinvention and refine it in all the right places — but the cameras are where Apple has made the biggest leap, with a variable aperture and finally useful Pro controls.

Meanwhile, the Apple Watch Ultra 4 might look and be priced similarly to what came before, but the big difference is the battery — with a promised up to 50 hours in normal use, up to 84 hours in Low Power Mode, and up to 45 hours in Max Extended Workout Mode.

The Apple Watch 12 feels fresh with a new health-sensing system, a new SoC under the hood to power some new features, and a good bit of AI on top of what we knew was coming with watchOS 27.

• Read our iPhone 18 Pro review
• Read our Apple Watch 12 review
• Read our Apple Watch Ultra 4 review

2. iOS 27 gave our iPhones a huge upgrade

This week Apple gave millions of iPhones their biggest software upgrade this year. iOS 27 rolled out (if you haven’t got it yet, check General > Software Update), and it includes Siri AI — a new version of the voice assistant that is, finally, good.

Like all major iOS updates, there are lots of smaller quality-of-life upgrades that we’re enjoying too. These include the ability to make Shortcuts with natural language, a neat ‘Reframe’ feature for Photos, and the long-awaited option to set alarm volumes separately from your main ringtone. We’d highly recommend downloading iOS 27 now if you haven’t already.

• Read the full story: I've been using iOS 27 for 3 months already — these are the 5 best features arriving on your iPhone today

1. We debated AI slowdown

In a move that’s managed to draw in commentary from Donald Trump, JD Vance, and pretty much every major news organization on the planet, some of the biggest names in AI — including Anthropic’s Dario Amodei, OpenAI’s Sam Altman, and Elon Musk — are calling for the development of frontier models to slow down while stronger safeguards are introduced.

They argue that increasingly capable, autonomous AI could escape human control, attack critical infrastructure or help bad actors create catastrophic weapons. Proposed protections include independent evaluators inside AI companies, international safety standards, government oversight, “kill switches” and restrictions on releasing especially powerful models.

Donald Trump rejects these concerns as a “hoax”, arguing that slowing development would damage the US economy and hand China an advantage in the global AI race. That means global consensus on how AI regulation should work is unlikely to arrive anytime soon. Until then, we better hope our new AI overlords are as bad at reaching a global consensus as us.

• Read the full story: 5 things you need to know about Trump's AI regulation battle

• Creative Assembly says Alien: Isolation 2's exterior setting will force players to adapt to their surroundings
• The game's Xenomorph will also adapt at the same time to both player and environment
• Things like the weather system will impact the cat-and-mouse experience, forcing players to "improvise"

Alien: Isolation 2's exterior setting will increase both tension and danger, according to Creative Assembly, because as the player adapts to the new environment, so will the Xenomorph.

Unlike the first game, where players were isolated in a space station and actively hunted by the Xenomorph, the sequel will have an expanded setting, spanning an outdoor colony world and the confines of the Weyland-Yutani outpost.

Players will once again be caught up in a cat-and-mouse experience as they navigate their new environment, but the alien's intelligence will raise the stakes.

"I think the contrast between claustrophobia and pressure versus vulnerability and exposedness, it will make the player have to think on their feet," said principal UI artist Laura Mauterer .

The game's weather system will also affect how players approach the outdoors, since storms will impact the sound of the approaching alien, and players will need to "improvise."

"The alien is the perfect hunter," Mauterer added. "It will adapt to those situations, to those environments. And you will have to adapt to our environment."

She added that it will feel like a "new experience," but the game will give players the time to understand the mechanics of the game and the world, even if they didn't play the first game.

"It's not unfair," Mauterer said. "This alien is also not cheating. If it can't see you, it can't see you, right? If it can't hear you, it can't hear you. We will give players enough time to get to grips with it. But it is an intense experience and a tough game, and that is what the community loved about [the first game]. And we will stick through to that."

Alien: Isolation 2 is now in development and will launch on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

Every now and then, a game comes along that doesn’t just entertain and engage me — it totally enraptures me. It stands as a pure work of art that reminds me of exactly why I love this medium and captures the essence of a book you just can’t put down. For me, that’s exactly what Fire Emblem: Fortune’s Weave is — an engrossing experience that I simply can’t get enough of.

This Nintendo Switch 2-exclusive tactical JRPG offers a combination of excellent turn-based combat and rewarding exploration, alongside captivating storytelling and a great cast of characters. And its sheer scale cannot be understated — I’ve spent north of 200 hours in Fortune’s Weave, and there’s still so much more I have to see.

I’ve played through each of the four Flame Lords’ paths and taken the battle to the demonic god Balor, and I’ve got a number of thoughts about gameplay, visuals, and narrative to share. So, without further ado, let’s take a look at why Fire Emblem: Fortune’s Weave is one of the best Nintendo Switch 2 games you can play right now.

Four paths converge

I won’t get into the weeds of the premise in Fortune’s Weave, but to sum up, you’re able to play as four heroes, known as the Flame Lords, as they compete in a grand arena event known as the Heroic Games. The champion of the Games will be granted a wish of their choosing by Divine Sovereign, Solel, who rules over the land of Dagda and its capital, Dagsion.

After completing the brief prologue — which acts as a solid tutorial for newcomers — you can select any of the Flame Lords’ paths and play through them in any order you like from a central hub area. This approach works nicely, as you don’t have to replay the prologue each time you start a new journey, and you’re able to dip in and out of each story as you please.

This makes up Part I of the game, which was probably my favorite overall. Although some cutscenes and quests are the same across the four stories, they still feel distinct and gripping in their own right. Each pathway has a distinct tone and feeling to it, with each Flame Lord having a deeply personal ambition and a unique set of close allies. For instance, the vengeful and skilful Leda is joined by the womanizing bard Sirocco and protective warrior Buccar, whereas Dietrich is partnered with the excitable Esmeralda and bizarre and eccentric missionary, Fabio.

The core cast of characters is truly excellent, but you’ll also be able to recruit more allies as you progress the story, including foes you face in the Heroic Games and parties of interest across Dagsion. Many of these units can be recruited across all four stories, though their recruitment requirements often vary, which encouraged me to experiment with different characters across different stories.

What makes the multi-path system click is that you’ll uncover revelations in one story that answer questions — or even pose new ones — about events in one of the other paths. There are plenty of twists and turns — some perhaps more obvious than others — which change the way you perceive certain characters and add substantial depth to units that may seem less significant on some paths than others.

This cross-path storytelling is done really well, and the narrative is strong, more generally. I won’t spoil anything, but it’s got its fair share of shock instances, touching moments, and character development that help it to hit — and if not, exceed — the standards that the series has set thus far.

Gameplay-wise, things are kept pretty fresh too. Each Flame Lord has specific abilities that they can make use of on the world map and beyond, with Dietrich able to battle warriors and learn their combat arts, Leda capable of holding performances to unlock unique materials, Theodora able to recruit warriors to assign battalions, and Cai skilled enough to wrangle mounts for himself and his allies.

And luckily, all of this comes together nicely in the latter parts of the game. While Part I is more individually tailored to each Flame Lord and their journey through the Heroic Games, paths begin to converge in Part II, known as the War Arc. Again, I won’t spoil anything here, but Part II offers far less variation across each pathway, but there are still some interesting differences in dialogue, and the way you approach battles will likely change considerably.

I loved how the enormity of Fortune’s Weave came together in Part III, though. Here, you’ll be able to unite all of the Flame Lords beside the game’s true protagonist, you. It’s awesome that you’re able to make use of all of the heroes’ unique abilities and even re-recruit old units for the final battle against the demonic lord, Balor.

Being able to bring all of your units, inventory, and abilities into a singular, epic finale is incredibly rewarding and makes building the ultimate army even more enjoyable.

I see grids in my sleep

Let’s delve a bit more deeply into gameplay, which, as you’d expect, is outstanding in Fortune’s Weave.

For the most part, you’ll be battling on classic grid-based battlefields. Honestly, I’ve fought on these so many times I’m starting to see them in my dreams. It's that classic turn-based Fire Emblem that you know and love, with some returning features, like Combat Arts (which provide benefits in exchange for weapon durability) and gambits (in Theodora’s path), for instance.

But there are new mechanics too, like Blaze Arts, which are unique to specific units. By sacrificing HP, Blaze Arts enable you to deal more damage, move further, buff allies, and more. The health trade-off means they don’t feel like a cheat code, and they also fill a blaze gauge, which will burst at a certain point, forcing you to work with reduced HP for the rest of the map.

Standard battles feel brilliantly balanced, and I never felt that difficulty spikes were too severe or that I had to grind much to push past my opponent. When you do want to grind, though, you can enter into a skirmish against foes on the world map, or try your luck in a dungeon.

Dungeons work a bit differently, and you’ll move around a 3D area to face foes in Clash Battles. These are a bit different and combine light action segments with more traditional turn-based JRPG combat rather than tactical grid-based battles. I think that they’re a great option if you want a break from the usual maps and want a faster-paced method for gaining experience or class proficiency for your units.

That’s not to say that the standard maps aren’t engaging though; quite the opposite. There’s some excellent map variety, and some battles will ask more of you than just routing the enemy. In some cases, I had to defeat more giants than my opponents, rescue defenseless citizens from a huge serpent, or even collect missing cargo before thieves made off with it. Battlefields are also delightfully diverse throughout the heroic games, and become even grander as the stakes rise towards the back end of the game.

If at any point you’re struggling, you can make use of Blessings, enabling you to rewind to a previous turn, increase your strength, or reduce the cost of Combat Arts, for example. I kept usage of these to a minimum, as I was playing on the slightly more gracious Normal/Casual difficulty. But there’s also a Hard mode, and you can play Classic (where units are permanently lost when they fall in battle), where Blessings will likely feel a bit more necessary.

All in all, combat is incredibly addictive, varied, and offers impressive depth. Building a squad with the right balance in terms of classes and weapons is massively satisfying, and breaking things up with a bit of dungeon crawling keeps the experience feeling fluid and fun for the game’s full runtime. And given that we’re talking about a title that will take you well over 100, if not 200, hours to finish, that’s an impressive feat in itself.

Beyond the battlefield

Before I wrap up, I want to touch on my experience with Fortune’s Weave outside of battle. There’s quite a bit to do, both within the capital, Dagsion, and in the land of Dagda more broadly.

Dagsion has all of the stuff you’d expect. A training ground to boost your aptitude with specific weapons, a shopping district, an inn for viewing support conversations and restoring motivation (which is used for training and increasing your Blessings level), and an area where you can take an exam for whatever class you want to be.

A lot of your time in Fortune’s Weave will be spent using these facilities to increase your weapon levels, boost support with your allies, and acquire better equipment.

If I were to nitpick, I’d argue that the support grind can become a little tiresome for some units. If you want to recruit a new ally who requires a high support level, it can take quite some time to fill the gauge and add them to your team, though some are easier to add to your roster than others.

There are more things to do, though, like going to the Theater, taking a bath at the Thermae spa, and accepting subquests from distressed townsfolk. Perhaps the most unusual option, however, is Bird Time.

Here, you can feed the Pale Raven (the main protagonist in bird form) to increase your support level for later in the game. Is it a bit goofy? Yeah. Does it get a bit repetitive? Sure. But I kinda love the feeling of getting that sweet ‘perfect bird time’ message when you have a successful interaction with your ally.

Outside of Dagsion, you can enter the aforementioned dungeons, search for materials, enter into some smaller hub areas, and speak with wandering merchants. The world map is easy to navigate, but you’ll only have a set amount of time to explore before the day of the Main Quest arrives. This helps the game to maintain good pacing throughout, and while there’s a ton to explore, it’s broken up with main story goodness in healthy intervals, in my view.

On a technical level, Fire Emblem: Fortune’s Weave is pretty solid too. It keeps a lot of the enticing visual style seen in Fire Emblem: Three Houses, but being a Nintendo Switch 2 exclusive, there’s a clear step-up in terms of resolution, and character models look excellent too. Be it Fortuna, whose vibrant hair pops with eye-catching yellow, or the striking, rich reds of Bertrand, the White-Maned Demon’s clothing, I found myself impressed by the visuals pretty consistently.

Some background textures do look a bit basic, however, and while the game runs smoothly, it’s not targeting a silky 60fps (but this never bothered me, personally).

I also want to shout out the game’s excellent soundtrack, which is more eclectic than you may think. There’s the classic orchestral-style stuff, which creates a real sense of grandeur and high stakes, but there are also spacey, synth-led tunes in the temples, which create ambience and intrigue, as well as electronic music with pumping bass in some mysterious hidden areas.

On the topic of sound, the voice acting is exceptional in Fortune’s Weave. You feel each character’s unmistakable personality through just about every performance, and this only makes you feel more attached to your units. The perfect example is Fabio, whose voice acting is just as outlandish and unusual as you’d hope for the character, though he also has some authentic, impassioned emotional scenes that stole the show. Great stuff all round.

To conclude, then, Fire Emblem: Fortune’s Weave is a masterful tactical JRPG that has it all. Addictive, depth-filled combat, fresh mechanics, a well-paced, multi-layered story, and a likeable cast of characters. It hypnotized me from minute one, all the way to the end, and its careful balance of tight turn-based gameplay and exploration really worked for me. As things stand, I consider Fortune’s Weave to not only be among the best Fire Emblem games in recent memory, but also the best game on the Nintendo Switch 2 thus far.

Whatever you do, don’t skip this one.

Should you play Fire Emblem Fortune’s Weave?

Play it if…

Don’t play it if…

Accessibility features

There are a handful of ways to customize your experience in Fire Emblem: Fortune’s Weave. You can make UI adjustments, like altering the size of the battle minimap, toggling the grid display on and off, you can personalize camera controls and sensitivity, and choose from a number of different subtitle languages.

There’s even an Enemy Masking mode that changes the appearances of insectile enemies if you have arachnophobia or entomophobia. There is no colorblind mode, or similar.

How I reviewed Fire Emblem: Fortune's Weave

I spent just over 200 hours with Fire Emblem: Fortune’s Weave, during which time I played through the main story (including each of the Flame Lords’ individual paths), completed just about every subquest, and recruited countless allies.

For the most part, I played in docked mode, with my Nintendo Switch 2 connected to my Sky Glass Gen 2 TV and Marshall Heston 120 soundbar. However, I did dip into handheld mode now and then, and usually had my Sennheiser CX 80U wired earbuds connected when playing on the go.

More generally, I’ve spent years reviewing gaming software, hardware, and accessories here at TechRadar, where I serve as a Senior Reviews Writer. I’ve covered all sorts of titles, from Switch 2 exclusives like Kirby Air Riders and Yoshi and the Mysterious Book to RPGs such as Dragon Quest I & II HD-2D Remake and Final Fantasy Tactics: The Ivalice Chronicles.

I've also played a number of Fire Emblem titles, including Awakening, The Blazing Blade, and Three Houses.

• Diablo 5 will have features inspired by Diablo 2 and Diablo 2: Resurrected
• Senior game director Joe Shely says the team was able to look at Resurrected for modern inspiration because it's so recent
• He says the team can "look at it through today's lens"

Diablo 5 senior game director Joe Shely has said that the success of Diablo 2: Resurrected has enabled Blizzard to use the game as modern inspiration for the upcoming sequel.

In an interview with TechRadar Gaming at BlizzCon following Diablo 5's announcement, Shely shared how previous games helped the team find modern inspiration for Diablo 5.

Instead of going back 20 years and just looking at Diablo 2, the team used its 2021 remaster, Diablo 2: Resurrected, for ideas. The developer said the game was brought to life thanks to the passionate fanbase, and the continued work on it has benefited Diablo 5's development.

"Certainly we've been very happy with the response to Diablo 2: Resurrected," Shely said. "The reason that Diablo 2: Resurrected exists is because of the continued passion of players in the first place, because of the continued passion of players for Diablo 2, and so both the honor of having a game that players love and the ability to add new content to it has given us the opportunity to look at it in terms of inspiration."

Resurrected's itemization system, from weapons, loot, and armor, is one of the core features that Blizzard used as inspiration; Shely also said the game's modern features were just as important because it was created and released so recently.

"Because Diablo 2: Resurrected exists today alongside Diablo 4, we can look at it through today's lens, and not just have to go back to, you know, 20 years ago, and think about how to bring lessons forward from 20 years ago. We can bring lessons from D2, but lessons from today."

Diablo 5 is in development and launches in Spring 2029.

• StarCraft general manager says that approaching the concept of scale was one of the biggest challenges in switching to the shooter genre
• The shift from real-time strategy to an open world also introduced a huge change in perspective
• But one of the biggest individual challenges was simple

The next StarCraft game will shift to an entirely new genre, jumping from real-time strategy (RTS) to an open-world shooter. The change led to some broad development challenges — as well as some very specific ones.

In an interview with TechRadar Gaming at BlizzCon 2026, when asked about the development challenges in taking the RTS to another genre, StarCraft general manager Dan Hay gave one very particular example: "Was there a specific challenge? Doors."

Yes, doors. Literal doors.

"If you're 10 feet tall and you're wearing something that weighs 1,000 pounds, doors are a challenge, and we had to figure out how to make our doors [work in] that perspective," described Hay. "It's like, how does it all work?"

Hay went on to say that devs need to make "sure that the world feels logical" and that it "doesn't feel weird" to players.

Hay added: "You've got to be able to play with that perspective, and so from the standpoint of building the world and making sure that the world was logical, and that when I walked up to a door it [opened] and also worked for somebody who's in armor or not".

Beyond the simple challenge of doors, however, Hay did add that size and spectacle were a sticking point: "I think you got to think about scale, right? Because the moment you adjust a perspective, [everything] looks completely different to us".

Annalee Hartling, associate manager of development operations for StarCraft, went on to talk about the sense of scale being very impactful.

"When I saw the trailer, the most impactful portion of it for me was the barracks. The barracks flying in and seeing it from the perspective of every nook and cranny, not looking at it from above.

"I'm not seeing just the top of it. I'm looking at it from the point of view of it landing landing [in front of me], and those jets are going to come out, and the feet are going to come out, and they're going to they're going to touch the ground."

That sense of perspective and scale in an open-world shooter game was "incredibly powerful for a player," said Hartling. "It's emotional, it's fascinating, and it's beautiful," they continued.

StarCraft is set to launch in 2030.

• Tomb Raider: Legacy of Atlantis experience director Jeff Adams confirms "no old code exists" for the original 1996 game
• This meant Crystal Dynamics had to build the game from the ground up on Unreal Engine 5
• Adams says the engine also allowed the studio to create its own custom tech for the "reimagining" of the classic title

Crystal Dynamics has explained why it chose to build Tomb Raider: Legacy of Atlantis from the ground up, instead of doing anything close to a remake of the 1996 game, revealing that no source code exists.

In a Q&A at Gamescom following an exclusive presentation that TechRadar Gaming attended, experience director Jeff Adams discussed what he's previously called a "reimagining" of the original Tomb Raider game and what it meant for the development team, who built the game from the ground up using Unreal Engine 5.

"We are in Unreal Engine 5," Adams said, "no old code exists. We are basically taking it and remaking it, or not remaking, reimagining it. We are bringing it from the ground up."

When asked to talk about how effective Unreal Engine 5 has been for the team, Adams explained that it enabled them to "have our own custom implementation for physics in the engine," which means engineering their own features, custom physics, and general upgrades; this made Legacy of Atlantis a true, modern reimagining.

"Unreal creates a really great sandbox platform for building a game, but when we're making a specific type of experience, we're going to have things that we really want to target and get to a right fidelity level where we're happy with it," the developer continued.

"So while things like Nanite and Lumen [UE5's technologies that offer realistic graphics capability] allow us to make a beautiful game environment, there might be some things that we're saying, 'Hey, we wish it could do this a little bit better.' That's when we'll break out and say, our engineers will create something custom that helps solve that issue, so that we can make sure that we're delivering an authentic Tomb Raider experience on Unreal."

He added that Lara Croft's long braid, which reacts to her movement, is "a perfect example of that."

Tomb Raider: Legacy of Atlantis launches on February 27, 2027, for PlayStation 5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

• StarCraft is making a shift from the real-time strategy genre to the open-world shooter genre
• The development team realised during early discussions that "we weren't talking about a game from above"
• According to StarCraft general manager Dan Hay, "it was boots on the ground every time" when the team was talking about the game

The process of StarCraft shifting from real-time strategy to open-world shooter emerged naturally from repeated team discussions about "the story we wanted to tell," as well as in-game moments, armor, exploration, discovery, and the desire to experience the world from ground level, according to the game's general manager, Dan Hay.

In an interview with TechRadar Gaming at BlizzCon 2026 in Anaheim, Hay went on to describe the process that will see the series' perspective change entirely in the next StarCraft game: "Every time we drew a picture or every time we talked about it, it was boots on the ground every time."

These conversations then snowballed, gathering up other game features and elements, it seems, which kept the direction of travel going towards taking StarCraft into being a shooter. "We started to talk about perspective and how that's going to work; we started to talk about the armor, and we started to talk about what could attack that armor and how it could rip it apart if it needed to.

"We would talk about things with the characters [too], and we started to very quickly realize we weren't talking about a game from above; we were talking about a game down on the ground where you felt every inch of the game," described Hay.

He added, giving a nod to the narrative in store for players when StarCraft releases, that it was obvious that the game would be "down on the ground, and that just made sense for the story."

But as well as changing the player's perspective from looking down to looking out and around, the team looked at this change for the series to embrace the open-world exploration and discovery aspects of the upcoming game.

"[We wanted to] make sure that there is an opportunity to explore. Make sure that there's an opportunity to discover. See a thing off in the distance and go — 'is that something that I saw from the first game? Is it?' And then head off to it."

StarCraft was teased with a cinematic trailer at BlizzCon 2026 and is slated to release in 2030.

• Diablo 5 devs confirmed a new class for the game at BlizzCon 2026
• The Plague Knight will spread and then consume disease across the battlefield to their advantage
• Two returning classes are already confirmed as well

Three Diablo 5 classes have already been confirmed, and the developers behind the game have even shed light on a brand-new one coming to the game during the Diablo 5 — Forging the Next Era panel, which we watched at BlizzCon 2026 in Anaheim.

"The Plague Knight is the first new class that will be joining Diablo 5," said Joe Shely, game director. "This is a heavily armored class; it's a walking death."

Adding more detail, Shely said, "You're going to be roaming the battlefield, spreading disease and consuming it for power." This sounds incredibly deadly, poison-y, and downright unclean.

As well as confirming that the Demon Hunter and Monk classes will be returning for Diablo 5, Shely also added that "Diablo 5 is going to launch with more classes than ever before, and I don't just mean more classes than another Diablo game at ship. I mean more classes total."

The returning classes are likely to be very well received by the community

Finishing the description of the classes, Shely reinforced the key characteristics of Diablo classes, saying that "they're approachable. You can jump in; you can immediately have an exciting time playing them. But there's also deep ARPG mastery there, and a multitude of builds to explore."

I expect more classes and more class info to drop in the coming months as we hear more about the game in the long run-up to its release in Spring 2029.

• Devs say that they're "really doubling down on darkness" with Diablo 5's setting
• This will build on Diablo 4's bleakness and darkness
• And continue to contrast the relative vibrancy of Diablo 3

After the somewhat vibrancy of Diablo 3 that some fans raised an eyebrow at, the bleak darkness and misery of Diablo 4 was a welcome change of vibes and atmosphere for many players — and it sounds like the developers are going to continue this into Diablo 5.

During the Diablo 5 — Forging the Next Era panel, which we watched at BlizzCon 2026 in Anaheim, some of the game's devs spoke openly about the dark and bleak setting that Diablo 5 will have.

"I think that's really the tone, the atmosphere," said John Mueller, senior art director. "We're really doubling down on darkness, and what this means for the art team is we really get to explore all of what we learned from Diablo 4 and expand on it further. You know, that desolation that we're going to see in the world is really the setting for the survivors of this story [in Diablo 5]."

This is something that I'm absolutely here for; Diablo games thrive and are at their bleakest best when they embrace a dark and miserable tone and atmosphere, and help to cement the sense of place Sanctuary has, as well as the overarching richness of the story and narrative.

This doubling down, to the extent of embracing a setting of defeat and one where Sanctuary has fallen, already makes for a compelling starting point that I can't wait for.

However, narrative director Jennifer Hepler went on to add that in the process of "making Sanctuary so, so dark, [and] trying to double down on this darkness of Diablo winning in this apocalyptic setting; we still need to make Sanctuary a place that's worth defending."

So there's a balancing act in play here, then, with the darkness and hopelessness of the setting being somewhat offset by the devs still wanting to make Sanctuary a "place that you want to save."

This narrative conflict and tension is something I'm really looking forward to properly and fully when the game releases in Spring 2029.

• Diablo 5's player character is the Heir of Westmarch, a fugitive from the forces of hell
• Not much is know about them apart them having a "unique bond with Diablo"
• This bond will apparently give us an "insight" into the big bad Diablo

During the Diablo 5 — Forging the Next Era panel, which we watched at the conference, Diablo 5 devs revealed a couple of key details about the player character.

Instead of stepping into the shoes of another Wanderer or similar protagonist archetype, we now know you'll play as a character known as the Heir of Westmarch.

Not much is known about the Heir, aside from them being a fugitive on the run from the forces of hell, but what is particularly interesting and exciting is that the Heir will have a "unique bond with Diablo that you find out over the course of the game, why and how it came to be", according to Jennifer Hepler, narrative director.

This will allow the Heir of Westmarch to have some form of "insight into him [Diablo], but also a unique vulnerability to what he can do to you," which will apparently give us the chance to "spend the game defining yourself in opposition to the Lord of Terror." Does this imply there's some sort of mental connection between Diablo and our hero? Or some kind of means of direct communication or even control?

To make it even more intriguing, and provide possible insight into the closeness of this connection, Hepler added, "Can you resist his influence? Can you turn his powers against him? That's what the story and the gameplay are going to let you answer." Color me curious.

Also, according to Hepler, "the story really begins when you find out that you can enter the terror realm and survive."

This paints the portrait for a really interesting starting point for the player character, and I can't wait to find out more in the run-up to the game's release window of Spring 2029.

• Diablo 5 developers confirm that Sanctuary is overrun by hell in the upcoming game and has become an "outpost of hell"
• Humanity has fallen and "some humans have been corrupted or raised to become dread commanders"
• Diablo 5 was revealed at BlizzCon 2026 with a Spring 2029 release window

After the reveal of Diablo 5 in the BlizzCon 2026 opening presentation, developers of the upcoming action role-playing game took to the stage to discuss several aspects of the game. The picture of Sanctuary that the devs painted in this Diablo 5 — Forging the Next Era panel that we watched live at BlizzCon 2026 was not cheery at all.

"All of it [Sanctuary] has been overrun. It's become an outpost of hell," said Joe Shely, game director. "There are hardly any humans who haven't bowed or become cultists." But wait, it gets worse, as "some powerful humans have been corrupted and raised to become dread commanders. They have the power of the Dukes of Hell, and anyone who has resisted gets put into a soul cage or pulled into the terror realm."

Make no mistake, the narrative and setting for Diablo 5 isn't one that's built around the risk of the forces of evil entering Sanctuary, or the danger of the spread of evil: Sanctuary has fallen, and everything is on fire.

The official Blizzard blog post describes the world further by saying, "This is not Sanctuary waiting for the apocalypse. It is already living through one. In Diablo V, humanity has fallen into ruin," and that it's a "haunting, desolate land shaped by despair, resilience, and the few survivors fighting to endure another day."

This full embrace of defeat, darkness, loss, and misery as the starting point for Diablo 5 is really interesting, and extends the aforementioned doubling down on the darkness of Diablo 4, and makes for a deeply compelling setting, and one I can't wait to explore when it releases in Spring 2029.

In quite a big surprise at BlizzCon 2026, Blizzard has confirmed Diablo 5 is in development and is on for a Spring 2029 release.

And not content with simply maintaining the previous game's darkness, threat, and edge-of-apocalypse vibes and setting, Diablo 5 looks to go fully bleak, fully miserable, and fully void of hope.

We're on the ground at BlizzCon 2026 in Anaheim and watched the teaser trailer live, which was full of fire, death, and bleakness, as you can see below, and has already set the tone for the next game.

Diablo has always had a specific brand and type of darkness, and almost always soaks its world and settings in a tangible sense of misery, darkness, dread, and hopelessness. And that's one reason why I love the games.

I'm not just being gloomy. That edge-of-apocalypse threat and sense of darkness give the Diablo games an excellent atmosphere and complement the universe's rich lore, as the place of Sanctuary in the battle of good vs. evil.

Diablo 3 received a little pushback when it came out due to it being a bit colorful and vibrant (literally), and while Diablo 4 brought a strong sense of bleakness, death, and darkness to Sanctuary, this early look at Diablo 5 seems like it's doubling down on that original darkness and bleakness to return the series to its roots — as well as welcoming back the series' big bad bossman.

This seems true in both the setting and story. The trailer shows a world on fire, heroes being murdered and their bodies being gruesomely displayed, and, as Blizzard describes the game, instead of continually being on the edge, this is the first time that "players will enter a Sanctuary where Diablo has triumphed, and its heroes have been defeated."

The description goes on to say, "At the heart of Diablo V lies a defining question: what must you become when the world has already fallen?"

It sounds, frankly, awful, full of sorrow, sadness, and relentless bleakness. I can't wait.

Switch 2 players finally get to go to hell

Alongside the Diablo V confirmation and teaser, Blizzard also confirmed the long-running rumor that Diablo 4 is indeed coming to Nintendo Switch 2 — and will do so on September 15, just a few days from now.

In one of gaming's worst-kept secrets in recent times, Blizzard confirmed that the game will come to the handheld in the form of a new edition: Diablo IV: Age of Hatred Collection, that bundle in the base game along with the Vessel of Hatred and Lord of Hatred expansions.

It's a natural fit, with the Diablo 3: Eternal Collection arriving on the original Nintendo Switch and proving a great success and a fantastic way to play the game.

• Tomb Raider: Legacy of Atlantis has three difficulty-scaling options
• Players can switch between hardcore, medium, and easy across combat, puzzles, and traversal
• Flying Wild Hog creative director Michał Kuk says players can individually tweak each setting for a personalized experience

Crystal Dynamics and Flying Wild Hog have confirmed Tomb Raider: Legacy of Atlantis will feature difficulty-scaling levels, offering players a personalized experience.

During a Q&A attended by TechRadar Gaming, following an exclusive presentation at Gamescom, experience director Jeff Adams and Flying Wild Hog creative director Michał Kuk discussed how the game was built from the ground up using Unreal Engine 5 and the game's modern features the developers were able to implement.

Legacy of Atlantis won't be a simple remake or remaster of the classic 1996 game, but a "reimagining" for current-gen platforms, which means all-new upgrades and features that weren't available in the original.

Among these are three difficulty levels across three core aspects of the game: combat, puzzles, and traversal; players will be able to individually scale each setting to their preference, giving them more control over their experience.

"With difficulty levels, we have prepared it in a way that I'm pretty sure everyone can set it for their own pleasure," Kuk said.

He explained that players can, for example, set the puzzle difficulty to hardcore if they want something more familiar to the 1996 game, or switch combat to easy or medium, and traversal, personally, to medium.

"You can adjust the game basically however you want," he added.

Tomb Raider: Legacy of Atlantis is set to release on February 27, 2027, for PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

This week, Apple announced its iPhone 18 Pro and something entirely new: the first iPhone foldable in the incredible iPhone Duo.

There was plenty more to catch up on this week, including not one but two Nintendo Directs, and an LG privacy scandal.

To catch up on all this and more, scroll down. But before you read about the news, you might want to try your hand at our quiz on the biggest events of the week.

7. LG TVs were in the privacy doghouse again

LG isn’t exactly a stranger to privacy storms, and it found itself in the middle of another big one this week thanks to a new report that made some big accusations about its TVs.

An investigation by Gamers Nexus and independent security researchers claimed that LG TVs can capture audio even when the screens are off and also monitor your entire home. These findings didn’t exactly sit well with clips of LG executives pitching to advertisers by saying “we own the glass” in reference to its TVs.

LG hit back at the claims, telling us in a statement that “the claims made in the recently published video are not true”. Still, the accusations may leave a bad taste for some, particularly as they come a month after claims (also refuted by LG) that its monitors were installing adware on PCs.

• Read the full story: 'It's extremely creepy': LG TVs collect far more data on you than you'd expect, says new report — but LG hits back, saying the claims made 'are not true'

6. A new ‘brain wearable’ arrived to track our stress

What if you could track your brain and thoughts in the same way that fitness trackers log your heart rate? That’s what a new wave of wearables is promising — and another ‘brain pattern monitor’ arrived this week, before quickly selling out its first batch.

The Atlas 1.0 sits behind your ear and tracks things like your attention span, stress levels and energy burn. In theory, the benefit of understanding these brain patterns is that the Atlas can then connect them to certain triggers — for example, revealing that social media is actually stressing you out rather than relaxing you.

We haven’t tried out this particular brain wearable yet, but our Senior Fitness & Wearables Editor Matt Evans did electrocute his own vagus nerve for a week with Nurosym’s gadget, so we’d certainly be up for the challenge when the Atlas 1.0 is back in stock.

• Read the full story: The Atlas 1.0 Pioneer Edition is a $499 brain scanner that sits behind your ear to measure your stress, attention span and energy — and the first batch has just sold out

5. Sonos debuted an Ultra soundbar

Matt Bolton got to hear the new and upgraded Sonos Beam Ultra soundbar, which sits above the Sonos Beam (Gen 2) in Sonos’ range, but is more affordable than the Sonos Arc Ultra. It promises a 7.1.2 Dolby Atmos sound system from nine built-in speakers, including two upfiring speakers, that’s much bigger, wider and more immersive than Sonos’ existing small soundbar… and based on Matt’s experience so far, it comfortably delivers.

Matt said the way the sound is disconnected from the soundbar is seriously impressive for such a compact box, with sound effects coming from way over at the sides of the room, and voices coming through really clearly, and emanating from the screen, not the box. The bass handling was great as well, despite the lack of a dedicated sub. Is this now the ultimate small soundbar option?

• Read the full story: I heard the Sonos Beam Ultra, and it delivers the most impressive Dolby Atmos sound I've experienced from a compact soundbar

4. Nintendo doubled up Directs

Nintendo treated us to not one, but two Direct livestreams this week — and both caused quite a stir.

The first was devoted to the Legend of Zelda series’s 40th anniversary and gave us our first real look at the upcoming Ocarina of Time remake. Unfortunately, its visuals were immediately divisive, with some online commenters comparing the more “realistic” direction to Nvidia’s widely mocked DLSS 5.

On a more positive note, a new Nintendo Switch 2 model inspired by the franchise was also revealed, and it already seems like it’s going to be a big hit with pre-orders flying off digital shelves.

The second Direct came one day later and focused on more general Switch and Switch 2 software news. Major announcements included the reveal of a new Metroid game, tantalizingly titled Metroid Ravenous, and free updates for Star Fox and Mario Kart World that introduce new content delighting fans.

• Read the full story: Everything announced at Nintendo Direct — from a new 2D Metroid game to a surprise Mario Kart World update, and massive Kirby reveal

3. Apple announced more than iPhones

Apple’s iPhones may have taken center stage, but some other gadgets also featured in its showcase: two new Apple Watches and the AirPods 5.

Apple’s earbuds were a fairly standard affair. The company promises better noise cancellation, a more comfortable fit, and the premium pair that comes with a wireless charging case also boasts on-AirPods volume controls — because, of course, a standard feature on other wireless earbuds is sold at a markup.

As for the Watches (Series 12 and Ultra 4), any upgrades were overshadowed by some new Siri tools. Conversation rewind will let you read a recap of the last 15 seconds of conversation, and it’s being billed as useful accessibility for folks who are hard of hearing. Meanwhile, Siri Recaps will see your Watch listen in on your day’s conversations to create a recap at the very end of the key details you heard in a quick summary. Apple has promised there are plenty of privacy protections, and that no recordings are stored, but it has some worried the ongoing wearable privacy debate is going in the wrong direction.

Read the full story: Thanks to Siri Recaps, your Apple Watch is always listening as you go about your day

2. Apple’s iPhone 18 Pro landed

The iPhone 18 Pro boasts many of the expected changes we’ve come to expect: an improved (A20 Pro) chipset, enhanced AI capabilities, a longer 36-hour battery life, and a few new color options (Silver returns, but it also comes in Black, Glacier, and Burgundy).

Our favorite new feature, however, is the arrival of variable aperture. Most phones boast a set aperture size, which determines how much light the lens can receive, and it usually has to compromise between maximizing nighttime quality (which wants a more open aperture) and depth of field (which wants a more closed aperture). Software trickery can help, but Apple’s mechanical approach means your iPhone 18 Pro can automatically swap to the setting that’s best for the current conditions and your photo needs — and pros can also manually control the setting if they want.

As expected based on leaks, but perhaps surprising to the non-Apple-obsessed, there was no iPhone 18. Instead, all of Apple’s older iPhone 17-series devices got a price hike.

• Read the full story: I just tried the iPhone 18 Pro — and Apple gave me two surprisingly good reasons to upgrade

1. We unfolded the iPhone Duo

Let’s round things off with a tech story you definitely didn’t miss this week: the debut of Apple’s first foldable iPhone, the iPhone Duo.

Originally thought to be called the iPhone Ultra, the Duo boasts a similar passport-style shape to the Samsung Galaxy Z Fold 8, but it’s a distinct foldable product in a few key ways. Two of its corners are rounded, meaning the phone’s 7.6-inch inner screen unfolds into an almost iPad mini-like shape; Apple opted to use Touch ID rather than Face ID, so there’s no visible inner-display camera; it sports a Galaxy-beating IP68 durability rating; and there’s a gorgeous open and close animation that passes across the screen when you’re switching between folded and unfolded states.

Of course, there are question marks. The Duo only packs two rear cameras; it’s both thicker and heavier than the Z Fold 8; and, of course, it’s the most expensive iPhone ever released. But, in recent memory, it’s hard to think of a more hype-inducing consumer tech product than this. We’ve been hands-on with the iPhone Duo, and our full review is coming soon.

• Read the full story: I just touched the iPhone Duo and Apple just solved the foldable crease problem in the most wonderfully basic way

• Docked VRR finally arrives more than a year after Nintendo announced and then unannounced it
• Requires a system update to both console and Dock
• It seems to work on a title-by-title basis and will require games to update to use it

Nintendo's latest system update for the Switch 2 is here and delivers a much-wanted new feature: VRR support in Docked mode. But there's a catch: a the moment, it only works on one game, and we're not sure how many more will follow, because it's reported to work on a "whitelist" system.

When the Switch 2 launched, VRR (variable refresh rate) was only supported when using the console in handheld mode. Having the same feature available in Docked mode means your display's refresh rate and the game's frame rate can be synchronized to get rid of any screen tearing or judder when you're playing on one of the best gaming TVs or the best gaming monitors that supports VRR.

Unfortunately, the new VRR support in System Update 23.0.0 only appears to be available on a title-by-title basis, unlike the way that the PS5 can force VRR support at the system level on games that don't natively have it.

The big concern here is that Digital Foundry reports that "the feature appears to operate on a whitelist, so only games that developers have flagged as supporting docked VRR will activate it" — and what's unclear is whether the whitelist will require a slow certification process by Nintendo, or whether developers can just quickly roll out an update with support.

It means that, at the time of writing, the list of titles with docked VRR support only includes Nintendo's Switch 2 Welcome Tour, which has just been updated to add the feature. That's it. We at least assumed Nintendo would be ready with updates for all its own games.

What's new in the Switch 2 update

In the release notes Nintendo says: "VRR output is now supported in TV mode. When both the software and the TV support it, the video will be output at a refresh rate that matches the game's processing speed."

We've known for a while that the Switch 2 Dock supports docked VRR, because Nintendo told us on its US website before removing the text last year. So it's nice to see the feature finally being implemented, even if it'll take a while for the appropriate game patches to arrive.

In addition to VRR the Switch 2 software update gives you the ability to make a complete data transfer from one Switch 2 to another. There's a new toggle for Switch 2 Boost saving you a trip into System Settings, improved accessibility support, background music in the Mii editor (which you can turn off if you don't want it) and the usual interface tweaks, unspecified bug fixes and optimizations.

Nintendo's support page for the new system update is here.

The latest Nintendo Direct has concluded, and what a cracker of a show!

It delivered a huge number of titles for Nintendo Switch and Nintendo Switch 2 owners to look forward to, with some big new entries in major franchises like Kirby and Metroid.

There were also plenty of exciting ports, like three new Resident Evil ports, two Far Cry games, and more. Lots of existing titles also got big upgrades in the form of new Switch 2 Editions or free updates.

There are more maps coming to Mario Kart World later today, for example, and Pikmin 4 is getting a comprehensive Switch 2 upgrade.

If you didn't manage to catch the show, you can see a bullet point list of all the announcements in the order that they happened below.

Everything announced at Nintendo Direct – 09/09/2026

• Monster Hunter Wilds Nintendo Switch 2 port shown, includes all updates — launches on December 4
  • Ascendance expansion is also coming in 2027
• Final Fantasy 7 Revelation trailer shown — launches on April 8, with pre-orders beginning later today
• Crisis Core Final Fantasy 7 Reunion launches on Nintendo Switch 2 later today
• Hyrule Warriors Age of Calamity Definitive Edition coming to Nintendo Switch 2 with visual upgrades and new modes — out February 25
• Viral hit Meccha Chamelon is coming to Nintendo Switch 2 later today
• Pokémon Pokopia Expansion Pass DLC is adding some cute new accessories later this year
• Star Fox is getting a free update with four split-screen players in battle mode, plus three new stages
• Star Fox Adventures from the Nintendo GameCube is coming to Nintendo Classics later today
• Some Nintendo Switch 2 The Witcher 3: Wild Hunt - Remastered footage shown — out September 29
  • Songs of the Past expansion also shown — coming in 2027
• Kingdom Come: Deliverance 2 Royal Edition is coming to Nintendo Switch 2 in 2027
• Fire Emblem: Fortune's Weave new trailer shown — game still set to launch on September 17
• Professor Layton and the New World of Steam finally gets a new trailer showing puzzle gameplay — set to have the biggest number of puzzles yet when it arrives on December 10
• New Yokai Watch game revealed — Yokai Watch 2 Haunted Domain currently in development
• Nintendo Switch 2 Edition version of Pikmin 4 confirmed — adds voice commands, new mode, and more when it comes out
• Onyx The Dead Grip — new horror game from Bloober Team launches as a Switch 2 exclusive next year, can only be played in handheld mode
• New sizzle reel for Xenoblade Chronicles 3 Nintendo Switch 2 Edition
• Stage Fright, a new spooky game from the developers of Overcooked shown — comes to Switch and Switch 2 next year
• Disney Dreamlight Valley: The Keepsake Sea — the game's next paid expansion with underwater areas
• Ondeh Ondeh Kaya's Tasty Tale — a charming rhythm adventure out in 2027
• Lego Batman: Legacy of the Dark Knight finally releasing for Switch 2 on September 18
• New Kirby Air Riders amiibo will launch on November 12
• Cairn port arriving in early 2027, with demo out today
• Resident Evil 2 Deluxe Edition, Resident Evil 3, and Resident Evil 4 Gold Edition all coming on October 16
• Tomb Raider Legacy of Atlantis Switch 2 trailer shown — out February 12, 2027
• New Nintendo Switch Sports Resort trailer showing free island exploration — Switch 2 exclusive coming October 22
• New 2D Metroid title revealed — Metroid Ravenous, out January 28, 2027
• Big free update with ten new courses, plus two new knockout tour routes, is coming to Mario Kart World today
• Mega Man: Dual Override gameplay trailer shows off Proto Man
  • New Mega Man and Proto Man amiibo also revealed
• New RPG Eternal Anima shown — comes to Switch 2 on March 4, 2027
• Danganronpa 2x2 port revealed with new 'Slayhem' mode out on January 14, 2027, for Switch and Switch 2
• Fatal Fury: City of the Wolves port is on the way in October
• Metal Slug Ultimate Collection revealed with loads of games — out for Switch and Switch 2 next year
• Yo-Gi-Oh! Tag Force GX port revealed for Switch and Switch 2 — launches February 16, 2027
• Romance Saga 3: Destinies United remake for Switch and Switch 2 also out February 16, 2027
• 007 First Light is actually launching at some point this year, apparently
• Far Cry 3 Classic Edition coming to Switch in 2027
• Far Cry Blood Dragon Classic Edition on the way too
• The Crew Motorfest Switch 2 port shown in the sizzle reel
• The Apothecary Diaries: The First Imperial Brother out in early 2027
• House Flipper 2 out October 15
• Sonic Pico Park spin dashing on to Switch and Switch 2 on November 12
• Dragon Quest Monsters: The Withered World out on December 3
• Torneko's Mystery Dungeon Classic HD is available later today
• Hela port launching on December 1
• Criksholm The Stolen Dream is coming to Switch 2 on December 3
• Stellar Blade Complete Edition shown with Bayonetta crossover costume
• The Ascent Complete Edition is out in December
• It Takes Two comes out on October 15 for Switch 2
• Palia Nintendo Switch 2 Edition out in December
• Bluey's Happy Snaps — brief bit of new footage shown
• Hot Wheels Infinite Rush dropping on September 10
• Fading Echo out on September 17 — demo later today
• Hell is Us port shown, out October 8
• Marvel Guardians of the Galaxy Encore Edition dropping on November 5 — pre-order today
• Surprise Persona 4 Revival trailer shows off loads of new gameplay
• Persona 6 logo shown on screen
• The final announcement is a new Kirby game that looks almost open-world — called Kirby and the World Beyond and out in Spring 2027

VOD

You can also catch up with the video on demand (VOD) version of the stream via YouTube below.

What did you think?