Insta360 invited me to a hands-on event for its upcoming Luna Pro and Luna Ultra vlogging cameras, during which time I had the opportunity to test the dual-lens Ultra version and speak with the 360 camera manufacturer's co-founder, Max Richter.

I quizzed Max on everything from branching out into a new market dominated by DJI, to what Insta360's competitive advantages are and how a surprising number of Insta360 fans are using their action cams for photography.

There's still a lot we don't know about the Luna cameras ahead of their full unveil, and I'm restricted with what I can share because of a staggered embargo. Nonetheless, my conversation with Max shed a little light on where the innovative camera manufacturer is heading.

Rivalling DJI

Insta360 and DJI are launching new action cameras and compact video cameras at breakneck speed, seemingly leaving the likes of GoPro behind when it comes to innovation, even if GoPro recently announced its trio of Mission 1 cameras.

The 360 camera space is very much dominated by Insta360, who commands almost 70% market share, despite DJI announcing its own Osmo 360, and GoPro, its Max 2.

And the same can be said for DJI and compact vlogging cameras — its Pocket series has sold by the bucketload for years, the latest model being the Pocket 4, with no obvious competition. That was, until the Luna.

I expect the vlogging camera market to be a tough nut to crack for Insta360, but I believe it has the necessary software to give it a go, and now, finally, the hardware with the new Luna Pro and Luna Ultra.

"Luna is a new space for us, because it's going to be the first time and we actually have a real vlogging tool on the market," Max tells me.

"It's going to be seriously considered by prosumers or professional creators. This market category is quite big already, right? But we think there's space that we bring some new things to it. A little bit of competition to it.

"At the same time, though, what we're not going to do is to compete on the price. It's definitely gonna compete more on the on the product itself. It's a higher-end solution. It's not price competition, we really want to compete on the product."

And how will Insta360 compete on product? For one, the Luna seemingly matches the latest DJI Pocket cameras, at least where headline features are concerned.

The single-lens Luna Pro rivals the Pocket 4, while the dual-lens Luna Ultra, which I am testing, squares up to the upcoming Pocket 4P.

Like DJI, both Luna cameras utilize a 1-inch sensor and 10-bit video recording, while the Ultra features a second 3x camera, as the Pocket 4P will. All these cameras are supported with 3-axis gimbal stabilization, too.

And while Insta360 is coming into this space years after DJI, it now has its five-star Mic Pro wireless mic to rival the DJI Mic 3. So far, the Shenzen-based pair looks evenly matched.

Purely matching DJI while not competing on price is clearly not going to cut it, though, especially for an unproven first-generation product. That's where the Luna's neat modular screen gives it the hardware edge.

I've tested the unique feature, and it is truly brilliant. The rotating touchscreen is part of a removable component which also includes the main camera controls; the zoom lever, gimbal joystick, and record button.

You can use the screen to view and control the camera remotely, complete with subject tracking, giving the impression of having a cameraperson. What's more, the unit is fitted with a microphone, meaning you can view, record, track subjects, and present to camera.

That's what 'competing on product' looks like, and this game-changing feature alone could be enough to tempt first-timers and DJI fans to switch.

Powering the hardware

Insta360 is coming into the space fresh, but behind the scenes, it has long made cutting-edge software the foundation of its camera tech, which is crucial, especially in the 360 camera space.

“The new generation of content creators want convenience, ease of use, simple sharing on TikTok, Instagram, and so on, and that’s where Insta360 excels due to the software excellence,” says Max.

"Software is the key reason why you choose our products. Not everybody has the time to go into the mobile app and edit their videos, reframe the moment — that’s an extra step in the workflow that a lot of people are not willing to spend time on. We think AI will ultimately be a solution to that.

“The software or AI can choose the best moment or the best shot, or even be trained to know what is your preference in terms of editing. It’s getting better and better. I recently used it [Insta360's app] for diving videos when I didn’t have time to do a lot of reframing, but it perfectly got me the right frame on the sharks and turtles and on myself, that I couldn’t have done better in this short amount of time.

"On the hardware side, you’re not able to iterate so fast, but on the software side, I think we can play out our advantage; we can move very fast.

"To be honest, I see camera technology going in this direction. In the future, it will be hard to differentiate yourself on the hardware side; you also need to invest in the software, because the software can also balance out a lot of the hardware deficiencies."

I've personally used Insta360's app for videos shot with its 360 cameras, such as the X5, and can testify how much it simplifies the editing process. The same software is being used for the Luna vlogging cameras and might just take out pain points for editing vlogging content.

Max talked up Insta360's software credentials, but in a way, he's also doing the Luna a disservice — my first impressions of the camera itself are very positive, and it's great to see some competition for the DJI Pocket series.

What is currently unknown is pricing — just how uncompetitive will the Luna be? We'll find out soon enough.

I spent the UK’s sweltering Spring bank holiday outside — getting sunburnt on every inch of my exposed skin and testing the brand-new GoPro Mission 1 Pro. Given GoPro’s history I was expecting an action camera, but was greeted by that and a rugged vlog camera that can handle (almost) any adventure you could throw at it provided you respect its limitations.

The Mission 1 Pro is one of a trio of new Mission 1 action cams and, like the best GoPros that came before it, is ready for action. The Sport POV mode is set up to perfectly capture your perspective as you tackle a mountain bike trail, for example, while subject tracking is ideal for following your partner as they race through woodland or down a slope (keeping them framed in the shot so you have one less detail to focus on).

Plus with the Dive mode and a design that’s waterproof to 66ft (20m) without a housing you can easily capture color-corrected underwater footage as you snorkel. Though for me it just provided some extra reassurance I wouldn’t ruin my camera as I snapped shots while my partner and I paddled around in the water just-off Brighton beach.

My weekend was a lot more relaxed than you might expect for a GoPro excursion, but the Mission 1 Pro still felt like a solid companion.

As I just mentioned its rugged design meant I was never worried about it getting damaged, and that same subject tracking is utilized effectively by its Vlog mode — which in conjunction with its cover screen makes it easy to capture selfie-style video as my partner and I wandered through the city’s tight lanes and gardens.

For pure quality, however, you can’t beat the 8K open gate capture which delivers generally high-quality 4:3 video that can be comfortably cropped to 16:9 or 9:16 based on your needs — or be used to clip 44MP photo stills so you don’t need to take yourself out of the moment to swap between capture modes.

The quiet champion of my days out wasn’t the camera itself, it was a new add-on: the point-and-shoot grip case. The three-part attachment makes it much easier to hold the Mission 1 Pro and use it like any point-and-shoot camera, and it can be picked up separately or as part of the Grip Edition Bundle — which costs $779.99 / £679.99 / AU$1,229.95 for non-GoPro Premium subscribers

Capturing quick shots here and there I felt no pressure to be choosy as I had plenty of battery life to eat through. GoPro promises the Mission 1 Pro’s 2,150mAh Enduro 2 battery can deliver over five hours of 1080p 30fps video (or over three of 4K 30fps) and this translated to me finishing my day with charge to spare — letting me refuel the GoPro overnight so it would be ready to go again in the morning.

Some of the less standard shooting modes, though, will be a bigger hit to your battery. I took a few slow motion clips which ate about 15% of my charge. The upshot, however, are ridiculously impressive frame rates — burst Slow-Mo captures offers up to 10 seconds of 1080p at 960fps capture, working out at 5m 20s playback time at 30fps), plus slightly slower frame rates are available at higher resolution.

These slow-mo shots also clearly exposed a couple of the Mission 1 Pro’s weaknesses: focus and zoom quality.

For some burst slow-mo I captured my partner Izzy moving back and forth on a swing but I didn’t realize I’d zoomed in on the shot — it was only to 1.6x but when watching footage back on my computer it was clear the digital crop didn’t pair well with the 1080p video quality.

My other, standard slow-mo footage of Izzy blowing a dandelion was instead ruined because I got too close to her. I wanted to get a better frame of the seeds drifting away but instead the plant was entirely out of focus — as I realised after the fact that tapping on the screen tunes to auto-exposure and not an auto-focus, and that there are no manual focus controls.

These issues appeared in plenty of my other shots too, especially my photos, as it became clear the point-and-shoot grip might have changed my perspective of the Mission 1 Pro but hadn’t actually changed how the hardware functions.

With the grip attached, I was treating the GoPro Mission 1 Pro like the Canon Powershot V1 I had recently been testing for an upcoming piece, when it isn’t the same kind of beast even if it felt the same in my hands.

That’s not to say the Mission 1 Pro is therefore bad — I think it’s pretty great — and the Grip Edition adds some excellent versatility to the snapper. You just need to respect the fact the Mission 1 Pro is still an action camera at its core: this leads to a rugged design that feels perfect for surviving most adventures, but there are some hardware nuances you’ll need to navigate as you vlog your experiences.

With my lessons learned I plan to keep testing the Mission 1 Pro as I try to crack this camera — be sure to look out for my upcoming in-depth review — but if you’re keen to pick one up today it’s currently up for preorder at various retailers for $699.99 / £599.99 / AU$1,099.95.

Action cams are primarily for video, but how do they fare for photography? It’s an area that leading manufacturers, such as Insta360 and DJI, have been exploring recently with a glut of quirky accessories.

Take the Photography Grip for the Insta360 X5. It transforms my favorite 360 degree action cam into a point-and-shoot — a use case that I wouldn’t necessarily have otherwise considered.

Or how about the optical viewfinder for the Insta360 Go 3S, which is now available in a Retro Bundle? This, again, changes its primary function as a tiny 4K camera into a waist-level stills shooter.

Third-parties are in on the act too — SmallRig makes a cage for the DJI Osmo Action 6, which significantly improves its handling for photography, and our reviewer Sam Kieldsen loved it.

I was curious about these accessories that turn some of the best action cams into point-and-shoots — are they simple novelties, or are they genuinely useful? How suited are action cams really for photography? I had to find out for myself...

Getting a grip

Photography with action cameras is certainly possible, but there’s no doubt that these types of cameras are primarily designed and equipped for video. However, the Insta360 X5 Photography Grip — which costs $49.99 / £47.99 / AU$87.99 and is available in black or white at Insta360's store — certainly improves the camera's handling for photography.

It fixes to the tripod mount on the camera's underside, and connects through the USB-C port — all you need to do is open the X5's USB-C door to 90-degrees and then pull the cover completely off (and find a safe place for it as you'll need it again for regular use!).

The X5's Photography Grip is comfy to hold and features a simple shutter release button. It aids shooting at awkward angles and framing elements such as leading lines, because it’s positioned away from the camera and gives an easy hold to frame shots in vertical and horizontal perspectives.

I especially enjoyed holding the camera vertically with the grip at the top. And given the X5 is fully waterproof (to 16ft / 5m), its lens can be submerged in water too — this very feature enables creative shot such as above and below water simultaneously with the lens half-submerged. (Given the USB-C door needs to be removed to attach the grip, however, you can’t fully submerge the camera with grip because that port is consequently exposed.)

Besides design, many action cameras actually have decent specs for photography; the Insta360 X5 is able to shoot 72MP stills that cover 360-degrees, or 36MP stills in a single lens mode, which was my primary concern with the grip.

Most action cameras have a wide-angle FOV, the X5 even more so. If you want telephoto shots, then action cams aren’t for you, period. However, for scenes that feature a point of interest close to the camera, they can offer truly dynamic perspectives. The X5 specifically has Ultra, Dewarp and Linear options — the latter corrects image distortions and was my top pick for everyday photography.

And the latest action cameras typically major on attractive color science, such as the Insta360 Ace Pro 2 with its Leica-inspired looks (for which there's an Xplorer Grip Pro kit like the one SmallRig makes for DJI, which costs $99 / £99 / AU$180). The X5's range of color profiles, however, are much more limited, but it can shoot in RAW format to make color grading easier after the event. I'd like to see more photography-first features added by a firmware update.

Action cameras are also small and discreet, making them somewhat suited to street photography. So, with its wide-angle perspective, waterproof design and small body, the X5 with grip can actually be a surprisingly powerful every day photography camera. That said, it needs to process photos faster too to be taken seriously as a stills camera.

A niche accessory worth trying?

The Insta360 X5 will still primarily be a video camera for me. The same can be said for the Insta360 Go 3S even with the cutesy optical viewfinder that comes in the new Retro Bundle (and which can be purchased separately if you already own the camera).

However, don’t write these cameras off for photography, especially action cams such as the Ace Pro 2 and DJI Osmo Action 6, which are better equipped for stills. If you want an altogether different use for your action camera, and enjoy shooting a wide perspective with the freedom of a small, lightweight and rugged build, you might just discover a new niche with the help of one of these accessories.

I’m not the only one trying action cameras specifically for photography, with these new accessories; photographer Geit Eero has demonstrated the Xplorer Grip Pro kit in action on Instagram (see above).

Peruse the links above for the best deals on the weird and wonderful world of action cam photography accessories — you might just find a new use for your action cam.

Would you use a GoPro, DJI or Insta360 action camera for photography? Do these accessories sway your thinking? Have your say in the poll and comments below.

• Insta360 reveals the Go 3S 'Retro Bundle' for its 4K thumb-sized action cam
• The bundle includes a new optical viewfinder and comes in two colorways
• It costs $300 / £279 / AU$470 (64GB) or $320 / £299 / AU$500 (128GB)

Insta360 has revealed one of the wackiest camera kits for 2026 — a ‘Retro Bundle’ edition of its thumb-sized 4K camera, the Go 3S.

We rate the original as the best ‘small’ 4K action camera — it's truly tiny and can slot into spaces no other camera can, or be rigged up to athletes and so on for a first-person POV of the action.

But unlike the original, which comes with a dock with flip up LCD display for composing images and remote control, the retro version feels more like a Polaroid.

You get the 4K camera, which also shoots 12MP stills, in one of two colorways, with a matching optical viewfinder dock instead.

The waist-level viewfinder mirrors the view in front for composing shots, is fully optical, and doubles up as a selfie mirror.

And if it wasn't obvious from the pictures, the camera itself has no screen, just a single button. That's right, this is a 4K digital video camera with no screen whatsoever, just the button — that's as retro as digital video cameras get.

A single press of the camera's button initiates video recording, a double tap takes a photo and so on, but if you need more control, that's where Insta360's app comes in.

The camera can still be paired with a smartphone through the Insta360 app, through which users can remotely control the camera.

And it's still the same Go 3S, with it's unique tiny body and video/photo skills, just wrapped in a different skin that's sure to appeal to analog lovers — call this the Polaroid-like video camera!

Insta360 sells a leather case for the retro bundle, which has a different aesthetic and feels like an odd match, but it looks good in its own right — you can see it in the gallery above.

The Go 3S Retro Bundle costs $300 / £279 / AU$470 for the 64GB version or $320 / £299 / AU$500 for the 128GB version. The latter feels like the obvious pick — you'll want as much internal storage as you can get because there's no card slot.

If you already own the Go 3S and like the sound of retro viewfinder, the viewfinder part can be purchased separately for $48 / £46 / AU$80, which is great to see.

What do you think, is this the kind of camera that appeals to you? Have your say in our poll above or in the comments below!

• SJCAM's new SJ30 budget action cam shoots 8K video, but just to 20fps
• There are plenty of upgrades over its mediocre predecessor
• It costs from $265 / £199

Interested in trying out an action cam? SJCAM has just announced the SJ30, an affordable adventure-centric camera with a unique dual-lens design.

Following on from 2024’s SJ20, the predictably named SJ30 features 8K video recording (but just for 20fps), 4K / 30fps, plus a host of other features that should appeal to beginner mixed-media content creators.

The IPX8-rated body of the SJ30 is waterproof to 17ft / 5m, which is increased to 98 ft / 30m with the camera fitted into an optional waterproof case. That’s right up there with some of the best action cameras on the market.

It also has a claimed battery life of seven hours – not a bad performance if it is able to live up to that number in the field. The caveat for this specification is that it's when pairing the SJ30 with the optional power handle, which can supply an additional 4,200mAh of juice. When used body-only, the maximum stated battery life drops to 150 minutes, shooting 4K clips in laboratory test conditions. This battery performance squares with the most obvious competitor, the budget-friendly Akaso Brave 8 Lite, which costs around the same.

The camera features a 2.51-inch touchscreen, which is able to flip through 180 degrees for shooting selfies and should come in handy for everyday vlogging needs. This is an upgrade from the SJ20’s 2.29-inch rear main touchscreen, which wasn’t articulated. Instead, on that previous model, users had to rely on a limited-capability 1.3-inch front screen. There’s no denying that the larger rear LCD offers an advantage in both size and resolution, but I wonder what impact the articulation might have on the rigidity of the body and its resistance to harder knocks while engaging in activities such as mountain biking.

That said, the press release points out the camera’s suitability for working 'in extreme conditions', across a temperature range from of -20°C to 60°C. So on paper at least, the SJ30 still seems built to take a beating, or at least some mild frostbite or sunstroke.

The headline feature, however, is the dual-lens design. The rationale behind this is that one lens sits in front of a 1 /2.0-inch sensor and the other, a marginally larger 1/1.8-inch chip that's fitted with a f/1.8 equivalent aperture. The latter is termed a ‘Starlight” sensor and the former, a “Daylight” sensor, allowing quality shots in all types of lighting.

Why it couldn’t simply have a single 1/1.8-inch sensor and the brighter lens, I’m not certain. If the larger aperture had been paired with the smaller sensor, I’d have understood that this was to allow more light gathering while keeping weight and costs down, but surely having two pairings is more expensive still?

Whatever, the night camera actually features a smaller aperture than the SJ20, which could be opened up to f/1.3. In that review, we weren’t that impressed by the low-light image quality, so it’ll be interesting to see if a new processor has allowed superior noise control.

Good value?

The SJ30 also makes use of a six-axis gyroscope and upgraded stabilization algorithms, as part of the upgraded SteadyMotion 2.0 system. I’m hoping this offers an improvement over the system used on the previous model, which didn’t do too much to help with camera shake in video footage. Another gyro-based function is the 45-degree horizon lock, which keeps footage level while riding over uneven terrain.

Although the SJ30 allows 8K video shooting, this is just to 20fps, an odd frame rate limitation that could cause issues if you hope to fit clips into the timeline of another video with conventional 24 fps or 30 fps frame rates.

No mention is given in the initial press material about photo resolution, although the SJ20 shot 20MP stills, so I’d be surprised in a camera of this level if this has decreased for the next generation. This falls below the DJI Osmo Action 4, which shoots 4K up to 120fps and 1080p up to 240fps and, being two generations old, is available for around the same price.

For improved sound quality, the newer camera includes a detachable wind guard and supports the SJCAM M4 wireless microphone, although we'll have to test this independently to see if its performance is up there with the best wireless mics. An interesting little feature is the magnetic quick-release mounting system for audio accessories, although how this performs riding along a bumpy trail, only time and a proper test will tell.

When you think of action cameras, SJCam might not be the first brand that comes to mind, but that hasn't stopped them from having lofty aspirations. The most attractive element of its action camera range is the price and the SJ30 stays on form, being available now for $264 / £195 (Australia pricing TBC). More information can be found at the SJCAM website.

• GoPro unveils its Mission 1 series of action cams, with three new models
• They all feature a new 1-inch 50MP sensor, GP3 processor and shoot 8K video
• An 'ILS' model features a Micro Four Thirds lens mount

GoPro's stock has been dwindling of late, especially with increased competition from DJI and Insta360, but the OG action cam maker is back with a bang with its new Mission 1 series of action cams.

This is the biggest GoPro shake-up since it went digital 20 years ago, with three 'professional' models to choose from; the Mission 1, Mission 1 Pro and the curious Mission 1 Pro ILS — the latter features a Micro Four Thirds lens mount and is directly compatible with hundreds upon hundreds of lenses.

Alongside the cameras, GoPro will launch new accessories, including its first wireless mic kit. And in case you missed it, GoPro recently revealed its own gimbal, so its range of accessories are ever growing.

I spoke with GoPro ahead of the announcement, and its spokesperson articulated how the brand has looked to address many of the perceived drawbacks to its current action cams, previously headed up by the Hero 13 Black.

Through a new GP3 processor, GoPro says the Mission 1 series of cameras will have industry-leading battery life and thermal performance – yes, they won't overheat even when static in a warm room – while a new 1-inch sensor is much larger than the one used in Hero Black models and will no doubt improve image quality, especially in low light.

Pre-orders for each model begin on May 21 and they will be fully available from May 28, with pricing TBC. There's plenty to unpack here, so let's take a look at the key features and what to expect.

Mission 1 / Mission 1 Pro

First up, the Mission 1 and Mission 1 Pro models. They are essentially the same, except that the Pro version (above, with lens hood) has a few extra capabilities, which I'll get onto.

Both cameras feature the new GP3 processor, a 1-inch 4:3 sensor and shoot 50MP stills and 8K 30fps / 4K 120fps open gate video (the 'Pro' version shoots 8K up to 60fps).

Previous GoPro action cams have offered great image quality in good light, but this new series looks to improve matters in low light with what GoPro says is 14 stops of dynamic range.

The bigger sensor and new processor also combine with higher 240Mbps bitrates, HLG-HDR and GP-Log 2 color profiles, plus 10-bit color depth for what should be the best quality images from a GoPro to date.

With a new Enduro 2 battery (which is backwards compatible with the Hero 13 Black), video record times are supposedly at least five hours at 1080p 30fps and three hours plus for 4K 30fps. They are also GoPro's toughest action cams yet, with waterproofing of 65ft / 20m and a bright 2.59-inch rear OLED screen.

It's slow-motion recording where the Pro version really stands out, thanks to its mind-boggling 960fps slo-mo video mode. This is available for 1080p recording, while the regular Mission 1 is limited to 240fps. At 4K resolution, the Mission 1 Pro can shoot down to 240fps, while the Mission 1 is capped to 120fps.

Audio recording looks impressive too; there a four internal mics and internal 32-bit float audio recording — these are very much pro features. And Bluetooth 5.3 lets you connect to compatible mics for clear audio, including GoPro's new wireless mic kit.

What you don't get with either model that the Hero 13 Black offers is the auto-detected lens mod setup — instead you just get the redesigned 159-degree field of view lens with hydrophobic coating so water droplets run off.

Mission 1 Pro ILS

Moving onto the ILS version — it packs the same photo and video skills as the Mission 1 Pro, the key difference being that it features a Micro Four Thirds lens mount, and as such it's only weatherproof and not fully waterproof like the fixed-lens Mission 1 Pro is.

This curious stroke of design means the ILS is more of a compact cinema camera than an action camera, though it does have a similar form factor to the other models.

Now I say 'curious' because there's a sensor size / lens mount format mismatch. The 1-inch sensor is smaller than the Micro Four Thirds sensor that the mount is designed for. A 1-inch sensor has a 2.7x crop factor, while Micro Four Thirds is 2x.

I don't think I've ever used a camera with a 1-inch sensor and Micro Four Thirds lens mount — I'm particularly intrigued by the ILS model and can't wait to give it a spin. That extra crop factor will limit lens choice for fans of a super wide-angle perspective, but on the flip-side the telephoto reach will be enhanced.

Perhaps making the ILS body a little larger and fitting it with a Micro Four Thirds sensor would have been the sensible thing to do, but there could be various upsides to this setup, and at the very least there are hundreds of lenses already available.

I asked GoPro if it plans to make its own lenses from the Mission 1 Pro ILS, but it predictably refused to comment.

There will be various Mission 1 series bundles on release, including a Grip Edition, Creator Edition and Ultimate Creator Edition, with more details to come in launch build up.

GoPro has just touched back down to earth following its NASA adventures on board the Artemis II — and now with its biggest product upgrades in decades, it very much feels like GoPro is back in the frame against DJI and Insta360. What do you make of GoPro's Mission 1 series? Make sure you vote in the poll below and let me know your thoughts!

• Solar eclipse image from Artemis II shot with 12-year-old action cam
• The 'greatest gift' moment recorded with a GoPro Hero4 Black
• The mission's gear choices continue to surprise camera fans

The Artemis II crew continue to send stunning images back to earth of key moments during its moon fly-by — not least of which include a solar eclipse from the far side of the moon.

Like other iconic images from the mission, the sight, never before seen by humans and described by crew member Victor Glover as 'the greatest gift' of the mission, was captured with the most surprising camera gear of all, at least to camera fans and so far as image quality goes.

Following the Lumix GH5 for take-off shots, the decade-old Nikon D5 DSLR for the incredible Earthset image and earth selfies with iPhone 17s, the solar eclipse was captured with an even older action camera, the GoPro Hero4 Black.

A full 12-years-old, the Hero4 Black was launched in 2014 and has long been discontinued, being replaced several times over, with the latest model being the Hero 13 Black.

It's one of a string of surprising gear choices, at least to camera fans who might have expected the multi-billion dollar mission to be equipped with the latest and greatest camera gear. So what do we know about the solar eclipse images and the gear used to record the epic sight?

I need a Hero

NASA describes the image named 'Eclipsed: A View from Orion', dated April 6, 2026, as the moon, backlit by the Sun during a solar eclipse, with the Orion visible in the foreground on the left. It also reveals the bright spot visible just below the moon’s bottom right edge to be Saturn, and the bright spot at the right edge of the image as Mars.

EXIF data on the NASA site reveals the camera gear and settings used to record the solar eclipse image. The Hero4 Black was set to manual white balance, auto exposure, ISO 800, and a 5-second exposure time.

The Hero4 Black was the first in the series of action cams with ProTune manual control, which has enabled a slow shutter speed, along with Bluetooth and WiFi support, though, of course, later models pack these features and more.

And it's not the only stunning image from the mission captured with the Hero4 Black. Unsurprisingly, GoPro has shared other key images on its Instagram (see above), pinpointing four moments.

We reached out to GoPro for comment about why the Artemis II mission opted for the 12-year-old action camera, and it said;

"Unfortunately, we are not in the position to go any deeper on these questions than what is publicly available — NASA has very strict guidelines on their brand, and we can’t speak on their behalf."

I'm sure the camera gear choices will be one of many questions posed to the crew upon its safe return to earth, and I, for one, will be keen to hear what they have to say.

For now, I'm marvelling at the incredible images shared so far, in the knowledge that there are plenty more images and moments yet to come.

• GoPro drops a teaser filled with cinematic clips, shot on its next camera
• There's a conspicuous absence of action footage, suggesting a new kind of camera
• The teaser follows the unveiling of a powerful new GP3 processor

Earlier this month, GoPro announced its first new processor in five years, promising that it will power its next generation of cameras, and not just upgrades of the action cameras that it's known for.

Now we've had a sneak peek at a new direction GoPro could be taking its product portfolio through a teaser on its YouTube and Instagram — and there's no way that a humble action cam could have recorded the cinematic footage being showcased.

A close-up of a human eye, slow-motion capture of flames, a telephoto shot of ferns touched by raindrops, plus a detailed image of the moon, are all overlaid with the caption 'Captured on the next generation of GoPro'.

The previous announcement unpacked the new GP3 processor, GoPro's first since the GP2, which debuted in the Hero 10 Black in 2021, saying it will 'usher in a new era of professional-level image quality, low-light performance, resolution and frame rates for small form-factor camera markets, including action cameras, 360 cameras, vlogging cameras, and ultra-premium, compact cinema-grade cameras.'

That same announcement also told us to expect this next generation in Q2 2026, so that should be any time in the next three months.

GoPro already makes some of the best action cameras and 360 cameras, such as the Hero 13 Black and Max 2, respectively, whereas vlogging and compact cinema-grade cameras would be new areas for the action cam giant. Based on the teaser, a cinema-grade camera could come first.

What is GoPro cooking?

Besides the teaser caption 'Find your focus', all the information we have to base speculation on is the clips shot on a next-generation GoPro.

It's not clear if the clips are taken with the same mystery camera or are a collection from a range of new cameras. I'd hazard a guess that it's a compact cinema camera with a more versatile lens than the wide-angle type used in GoPro action cams, possibly an interchangeable lens camera.

Of course, a closeup of the moon can only be captured with a telephoto lens, a detailed shot of a human eye with a macro lens, while the ferns and raindrops shot has pretty decent bokeh (the out of focus dappled light in the background), suggesting either a larger sensor than those in current GoPro cameras, or a wide aperture telephoto lens.

To me, that fern and raindrops shot looks like it is made using a camera with a sensor size likely similar to Micro Four Thirds (that's half the size of full-frame), while the range of shots suggests an interchangeable lens camera — so we could be looking at GoPro's first video-focused mirrorless camera.

Note that none of the sample videos are action-based, suggesting that no action camera is making the footage. However, if such a camera were also equipped with the rugged, waterproof design of GoPro's action cameras, it could be a unique offering.

Macro, telephoto, and shallow depth of field effects will all be new kinds of imaging for a GoPro product, and I'm really keen to see what kind of cinematic camera is creating these shots, or if indeed they are a showcase of what multiple GoPro cameras are capable of.

Reactions to the teaser on GoPro's YouTube range from "Here I was just contemplating swapping over to DJI, but this looks promising!" to "Come on GoPro! It’s time for a comeback," and "The people have been waiting!" What do you make of the teaser, and what kind of camera are you hoping that GoPro will unveil? Is GoPro 'cooking something special'? Let me know in the comments below!

The DJI Osmo Pocket 3 is a huge success story, seemingly in the hands of most creators and vloggers worldwide. And with good reason; the gimbal-mounted camera shoots super-smooth stabilized 4K video and packs neat features for solo creators, such as a swivel monitor for vertical or horizontal shooting and one-push selfies.

Yes, it's almost three years old now, and there's potentially the rumored Pocket 4 on the horizon — as a steady stream of leaks suggests — but the Pocket 3 is still a top performer today — and it just fell to a low price for the Amazon Spring Deal Days (and beyond, until at March 23 at least). The Standard Combo costs £329 at Amazon (was £389), while the Creator Combo costs £405 at Amazon (was £499).

Should it land, there's every chance the Pocket 4 will be a meaty upgrade of the Pocket 3, but I also expect it will also cost much more. And with the Pocket 3, you're already getting smartphone-beating stabilized video and a large 1-inch sensor for crisp-quality 4K content up to 60fps. Direct compatibility with DJI's superb wireless mics makes pro audio a cinch — and the Creator Combo comes with a DJI Mic 2 transmitter, making the bundle a bargain.

The Pocket 3 first launched for £489 for the Standard bundle, and has since dropped to £389 and now £329 in this sale price. I expect a potential Pocket 4 to launch for a similar initial price of around £500, so the Pocket 3 is likely to be the value pick.

A previous Pocket 4 leak seemingly revealed the design of the next-gen model to be largely the same, besides a couple of additional mystery buttons and an LED light (likely optional, and which could work with the Pocket 3).

There are also rumors that there will be two upcoming models, the Pocket 4 and a twin-lens Pocket 4 Pro. The New Camera reports that a Pro model will feature wide and telephoto lenses, 6K video up to 60fps, 4K video up to 240fps and support gesture control.

We're also expecting a wave of rival pocket gimbal cameras, from the Insta360 Luna to the Honor Robot phone revealed at MWC 2026

So where does this leave the Pocket 3, and should you buy it? I think there will be enough of a price gap for it to remain available, and for many solo vloggers it will serve their needs perfectly, and for a much lower price than the latest models.

For now, the Pocket 3 remains in top spot of my best vlogging cameras guide, and I recomend it in this deal, especially the Creator Combo.

Today's best DJI Osmo Pocket 3 deal

Other DJI Deals

Other standout DJI deals include older Osmo Action models, specifically the Osmo Action 4 and Osmo Action 5 Pro.

More of today's best Amazon Spring Deal Days deals

• Amazon Devices: Fire TV, Blink & Echo from £13.99
• Apple: AirPods & Apple Watch from £139
• Appliances: up to 30% off Ninja & De'Longhi
• Clothing: up to 50% off Sketchers & Crocs
• Essentials: from £5
• Gaming: up to 50% off PS5 & Switch games
• Headphones: Sony & Shokz from £59
• Health & Beauty: up to 60% off Philips & Oral-B
• Laptops: from £149.99
• Smart home: up to 50% off cameras & doorbells
• Smartwatches: Apple, Samsung & Huawei from £99
• Tablets: Fire & Galaxy Tabs from £59.99
• Toys: up to 30% off Lego
• TVs: from £139.99
• Vacuums: up to 30% off Shark & Vax

• The Ulefone RugOne Xsnap 7 has a unique party trick
• It comes with an action camera you can take out and use separately
• The phone is scheduled to launch in the middle of 2026

There's a case to be made that the best phones are somewhat lacking in terms of innovation these days, but that's certainly not the case with the Ulefone RugOne Xsnap 7: one of its rear cameras can be popped out and used as a standalone action camera.

The handset was recently shown off at MWC 2026, and is scheduled to launch in the middle of the year. We also know that it'll feature a 6.67-inch AMOLED display, a MediaTek Dimensity 8400 5G chip, 12GB of RAM, and 512GB of storage.

While this clearly isn't going to compete with the best action cameras in terms of size or video quality, there's a certain appeal in having a unit like this built right into your phone. When the camera is detached, you can use the handset as a remote control and viewfinder, before docking it again to recharge and transfer the footage.

Of course, this adds quite a bit of bulk to the phone itself, but Ulefone isn't trying to avoid that. The RugOne Xsnap 7 also features a hefty 9,000 mAh capacity battery as well, so this should last you plenty of time between charges.

'Designed for adventurers'

It's not clear what the actual specs of the action camera are, but the information provided by Ulefone does say that the other two rear cameras are a 50MP main sensor and a 64MP 'night vision' lens. There's also a 32MP selfie snapper around the front.

"This isn't just a smartphone; it is the world's first rugged device featuring a detachable magnetic action camera unit," promises Ulefone. "Designed for adventurers who live to capture the moment, the Xsnap 7 Pro merges high-performance mobile tech with professional-grade action camera DNA."

Having the choice of an action camera and a phone camera when shooting photos and videos sounds genuinely useful – not just a gimmick – and so we'll be interested to see the final form of this handset when it appears (and of course the pricing).

Honor has recently unveiled a phone with a gimbal camera inside it, which extends on a robotic arm, but we haven't seen the action camera idea before. Perhaps the idea of a modular phone might be about to make a comeback.

GoPro Lit Hero: two-minute review

GoPro is a name that's synonymous with the action cam market, with the brand having largely been responsible for the explosion in popularity of such cameras over the past two decades. The brand has come a long way since its first Hero camera, a 35mm film-compatible wearable model released in 2004.

Now the likes of the GoPro Hero 13 Black and GoPro MAX 2, are considered amongst the best action cameras available, and largely dominate the market. And despite rumors that the company intends to kill off the Hero Black range, GoPro has dismissed the speculation. In other words, the GoPro family seemingly has a bright future ahead. In fact, as I completed this review, GoPro announced the next generation GP3 processor which will power a new wave of GoPros for 2026 and beyond.

That being said, the direction of the range can sometimes take an odd turn, and one such example is 2025’s GoPro Lit Hero, a sort of replacement for the GoPro Hero (2024), which was itself a weird compromise of price over specification.

You certainly can’t criticize the camera’s portability — it’s one of the smallest and lightest action cameras you can find anywhere, and there’s no danger of it weighing you down whilst out on a cycle ride or when travelling. Before hopping on a plane, there was none of the usual "Should I, shouldn’t I?" dilemma I often experience when choosing what to take on a trip, and it was a simple case of "Why not?" and throwing it into my camera bag.

There haven’t been many compromises in terms of build quality, and the Lit Hero feels rugged despite its diminutive size.

However, the tiny screen makes changing settings a challenge, while there isn’t a lot of room for camera controls on the body, making the handling experience frustrating at times. The screen itself isn’t always easy to use for image previews and is quite fiddly. It’s not a camera you can use in a hurry, which is a problem given the type of content you’d probably shoot with it.

There's very little in the way of manual controls: if you just want a point-and-shoot camera, you'll be fine, but if you hope to take control over the image-making process, there isn’t much here to satisfy a creative appetite.

Image quality is passable, but not mind-blowing. The camera struggles in low light thanks to its tiny imaging sensor, and despite offering 4K shooting, footage is anything but pro-level. Stills and video are sharp enough, but quickly lose detail as the sensitivity is increased. Meanwhile, colors are quite natural.

Overall, the GoPro Lit Hero is an affordable entry to the action cam market, and is a good take-anywhere choice. It won’t draw too much unwanted attention, or take up room in a bag. The problem is that too much has been stripped away to facilitate the small size. If you were expecting a simplified Hero Black, with similar properties, just smaller, you would probably be disappointed.

I'm not sure who the Lit Hero was designed for, specifically. Yes, it's an entry-level camera, so beginners might benefit. However, the naming convention is confusing, and I'm uncertain as to why such a powerful LED was incorporated. It's also still not that cheap, which I fear is more because of the brand name than any real premium advantages it offers.

As a result, the camera doesn't really hit any target market well. It sounds mean, but it might be best suited for filmmakers who want a camera that they're happy to risk destroying in the pursuit of extreme shooting angles. Otherwise, I can't think of anyone in particular to whom I'd recommend the Lit Hero.

GoPro Lit Hero specs

GoPro Lit Hero: Price and availability

• Released October 21 2025 worldwide
• The GoPro Lit Hero retails for $269.99 / £239.99 / AU$419.95
• The Starter Bundle includes a Shorty mini tripod, bike mount and case for $344.99 / £304.99/ AU$539.95

The GoPro Lit Hero went on sale from October 21 2025 for a price of $269.99 / £239.99 / AU$419.95, but months later and with the next generation of GoPros set for 2026 it can be purchased for less. The camera is available in kits too, including the Starter Bundle, which includes a bike mount and camera case and retails for $344.99 / £304.99 / AU$539.95.

Other activity-specific bundles are available, such as the Water Activities Bundle ($332.99 / £296.99 / AU$519.95), Bike and Camp Bundle ($349.99 / £399.99 / AU$ 546.95) and a Kid’s Bundle for $359.99 / £322.99 / AU$ 572.95, which supplies a Shorty mini tripod, case and Flexible Grip Mount.

• Price score: 3.5/5

GoPro Lit Hero: Design

• Small 1.76-inch LCD touchscreen
• Waterproof to depths of 16ft / 5m
• Super-lightweight at 3.3oz / 93g

The Lit Hero certainly looks the part, and has many of the traditional design markers of a GoPro product. The rear of the camera is dominated by the 1.76-inch LCD screen, with no physical buttons or controls whatsoever. This isn’t unusual for an action camera, and the same is true of a higher-end model like the DJI Osmo Action 6. The difference there is the screen size, which at 2.5 inches is much easier to interact with and operate.

The monitor on the Lit Hero is so small that my fingertips dwarfed some of the icons, making the precise selection of settings tricky when on the move and when outside in winter, digits numb from the cold. The active area of the screen is much smaller than the back of the camera, too, so there really isn’t much control real estate to be working with. If, like me, your hands are on the large side, it’s something to be aware of if the Lit Hero is on your shopping list.

It’s also not the most detailed LCD I’ve ever used, and it’s not ideal for judging the sharpness of captured images and footage. A few times, I thought I’d got the subject in focus, only to find the camera had back-focused upon opening the images and footage on the large screen of my laptop.

The touch function is useful (well, actually essential as it happens), but it isn’t hugely responsive, and it can take a few taps to get the desired menu to open, or multiple swipes with wet or muddy fingers to scroll through previews. Overall, it’s definitely a good idea to download the dedicated GoPro Quik app onto your phone, via which you can more accurately quality-control your footage.

The rest of the body is incredibly simple, which is both a negative and a positive. On one hand, this means you have to rely on the tiny screen to operate most of the camera’s functions, frozen fingers or not, but it also gives the Lit Hero a reassuringly unintimidating layout for beginners. There aren’t so many buttons that you might be worried about accidentally changing a setting you subsequently can’t figure out how to reset.

The Polycarbonate and TPE (thermoplastic elastomer) construction material is easy to grip, with a good amount of texture to provide friction even when the camera is wet. At no point did I worry about it slipping from my hands while using it handheld.

The other inescapable side-effect of such a small body is that when handling it, even just to remove it from a bag, it’s easy to touch the lens and leave behind fingerprints. It’s easily wiped clean, but this can be irritating.

• Design score: 4.5/5

GoPro Lit Hero: Performance

• Quick startup for rapid shooting
• Lack of built-in digital or optical stabilization is frustrating
• Super-powerful LED lamp is too intense for most uses

The camera itself is quick to start up, which was something I was concerned about, given the expected shrinking of the processor assembly to allow for the Lit Hero’s tiny dimensions. There’s very little delay between pressing the power button on the top of the camera and it being capture-ready.

Focus is also quick, at least as far as I could tell from my ‘hit rate’, looking back through captured images – looking at the screen, it’s very difficult to see the focusing in action, especially given the wide focal length. This was impressively maintained in low light and I didn’t notice a significant increase in out-of-focus shots in poor ambient lighting.

A big downside for me is the lack of integrated image stabilization. Rather than using an optical or sensor-shift IBIS system, you must first transfer footage to your smartphone using the GoPro Quik app, then apply algorithmic stabilization there. I’m not a fan of digital stabilization anyway, but not having it applied in-camera means you can’t preview how the final footage will actually look at the point of shooting. It’s a laborious extra step that slows things down.

An added frustration is that the connection between my phone and the Lit Hero was fairly unstable. It kept dropping out, meaning that live previews of what the camera could see using my phone screen were so pixelated as to be largely useless. The transfer speeds were also predictably sluggish. Yes, it’s possible this is due to the age of my handset, or even a model-specific compatibility issue, but I’d experienced no such issue when pairing it to the Insta360 X4 Air and Insta360 X5 the day before.

The ‘Lit’ element of the camera’s name stems from the powerful LED torch on the front of the body. It’s really the only instantly noticeable change from the GoPro Hero (2024). I wasn’t sure a camera could ever be defined by its built in flash or continuous light, but oh wow, did this thing get my attention.

It’s inexplicably bright. For the size of the camera, the light output is impressive if not completely overkill. It’s so bright at the maximum setting that I found it impossible to perform a piece to the camera with it shining in my eyes. Of course, it might come in useful in dark conditions, but I found it just looked ugly in most cases. I found it helped when shooting underwater clips in a sediment-filled stream, but the exposure fall-off is very obvious and unsightly.

On a positive note, the battery life is decent, and I could easily get around an hour and a half of continuous use out of it, in chilly outdoor temperatures, before it ran out of juice. Since the battery is integrated and can't be swapped, this is good news.

I found the body warmed up pretty rapidly when shooting longer video clips; not problematic, but a little uncomfortable when using it handheld. I found the more powerful DJI Osmo Action 6 heated up less quickly after prolonged use.

• Performance score: 3.5/5

GoPro Lit Hero: Image quality

• 4K video looks good in brighter light, with natural color rendition
• Photo and video quality drop significantly at higher sensitivities
• No log mode for later color grading

With such a small (1/2.8-inch) imaging sensor at its heart, the Lit Hero is limited in its light-gathering capacity. As such, noise levels are quite high at every sensitivity. There are very few manual controls, with no true PASM modes that allow the user to manipulate exposure settings, meaning you’re at the mercy of the camera’s own decisions, often resulting in grainy footage.

While it’s easier to hide in fast-moving video, the mushiness of detail is clearly visible in stills. In daylight conditions, results are actually quite sharp, but this isn’t maintained for long as ambient light falls.

The autoexposure system is fairly dependable, and it was able to quickly assess each scene during my testing and correctly adjust the parameters to prevent obvious overexposure. Similarly, the auto white balance does a good job of keeping colors natural, even under mixed lighting. This is all good news since there’s little opportunity to amend these settings yourself.

I’d equate the experience and resulting images to those from a basic smartphone or compact camera – I wouldn’t recommend the Lit Hero for ‘serious’ still photography work, but it’s good enough for off-the-cuff content creation and vacation shots.

There isn’t much latitude for post-processing work either. Shadows can be blocked quickly, probably because the camera seems to be biased towards underexposure to keep the highlights in check, but it’s not a good idea to lift these too far. There is no Log mode so color grading must be applied to the pre-processed video, which can break down the tones if pushed too far.

• Image quality score: 3.5/5

GoPro Lit Hero: testing scorecard

Should I buy the GoPro Lit Hero?

Buy it if...

Don't buy it if...

Also consider

How I tested the GoPro Lit Hero

• I used the GoPro Lit Hero over one week, both indoors and out
• I worked in a range of lighting conditions and weather to test the durability of the body and functionality
• The camera was submerged to analyze the waterproofing capability

While I always like to subject action cameras to some degree of punishing conditions, I like to use them as I might as part of an average shoot for which it was designed. As such, I don't make a habit of dropping them out of windows or running them over with a Jeep.

Instead, I took the GoPro Lit Hero with me on several outdoor shoots, in a range of weather, from rainy to full sun. I used the camera to capture behind-the-scenes content of my shoots and environmental imagery. This included submerging it in a stream and getting it down and dirty in muddy undergrowth.

I left the camera recording for extended durations to test battery life and heat management. I shot both still photos and video, then processed these in Adobe Lightroom and DaVinci Resolve to see how much detail I could recover from the extreme ends of the tonal range. Images shown here are the unprocessed out-of-camera Jpgs and video (cut together in the case of the latter).

• First reviewed February 2026

The Osmo Action 4 isn't the latest DJI action camera, but that means you can pick up this highly-rated GoPro alternative for half the price of the latest model. And now, thanks to a new deal, you can snap up the Osmo Action 4 at Amazon for £169 (was £199) — the lowest price we've seen since Black Friday.

Released in August 2023, the Osmo Action 4 still boasts a fantastic set of specs. You've got a 1/1.3-inch sensor, 10-bit D-Log M colour performance, and superb low-light capabilities — all of which combine to provide superb video quality.

The popular action camera has only been £10 cheaper, which makes this one of the best deals we've ever seen. And if you're looking for a camera to capture your spring and summer adventures, then this Osmo Action is an absolute bargain.

Today's best DJI action camera deal

Four out of five stars was what we gave this action camera. You can read why in our full DJI Osmo Action 4 review, but if you're strapped for time, let me give you the rundown.

The 1/1.3-inch sensor delivers improved 10-bit 4K video quality and a D-Log colour profile. These qualities elevate image output and make it possible to perform extensive colour corrections. The larger sensor is also brilliant in low light, picking up more detail and with less noise.

Another standout feature of the Osmo Action 4 is the magnetic mounting system that enables mounts to be swapped out in a matter of seconds. Our reviewer called them "hassle-free mounts" and said they are superior to the mounting systems on many alternative models.

If you want the latest technology, then this deal won't be for you. Instead, head over to our best action cameras buying guide, where you can quickly narrow down your best options.

• Two new Insta360 cameras have been spotted
• These models have been teased by the Insta360 CEO
• There's plenty of speculation over what they could be

We have Insta360 to thank for some of the best action cameras in the business – as well as several other innovative gadgets – and it looks very much like we've got a couple more cameras from the company to look forward to in the near future.

Insta360 CEO Jingkang Liu has taken to Chinese social media site Weibo (via PetaPixel) to share a teaser image, alongside the caption "go to a new focal segment". That sounds like an upcoming camera to us.

As pointed out by The New Camera, there are actually two unknown cameras in this picture: the camera that we can see being used to frame a photo, and a second camera that's visible through the viewfinder of the first one.

We're well used to rumors and teases and hints for Insta360 products at this stage, but this is a sort of hybrid combination of an official unveiling and a product leak that we don't often see, and we're rather intrigued as to what it could be pointing to.

Camera spotting

The first camera in this image – the one that's being used to frame and take a photo – looks unlike anything Insta360 currently makes. PetaPixel speculates that it might be a compact, fixed-lens camera along the lines of a Canon PowerShot.

We can see some controls around the side of the viewfinder, which include buttons for toggling between video and photo modes, and a playback button for reviewing videos and photos captured by whatever camera this is.

As for the second camera that the first mystery camera is taking a picture of, The New Camera suggests this is a pocket vlogging camera along the lines of the DJI Osmo Pocket 3 (with the DJI Osmo Pocket 4 waiting in the wings).

That latter camera is probably closer to being launched – perhaps as early as February or March – whereas the compact digital camera may still be in the prototype stage. It seems that it won't be too long before we have more Insta360 cameras to enjoy.

Dreame began life as a robot vacuum brand, before going on to add other air-focused appliances like manual vacuums and hair dryers to its roster. It's only been around since 2017/18, but in that time it has established itself as a major player in these markets – it features prominently in both my best cordless vacuum and best robot vacuum rankings.

So I was excited to see what Dreame would be showcasing at CES 2026. I was expecting a new robot vacuum, perhaps some innovative air purifiers. What I was not expecting was for Dreame to announce its entry into literally every corner of the home. I'm not exaggerating – if you can think of a home appliance, Dreame now has one in its lineup.

It has a TV, soundbars, a projector, a surround sound speaker setup. There's a Dreame action camera, smart rings, smart glasses and a smartwatch. It has smart lights in all shapes and sizes. It has security cameras, smart locks and motion sensors.

There are fridges, a dishwasher, a microwave and a selection of ovens. There are air fryers, coffee machines, and a stand mixer. It has a washing machine, tumble dryer, and steamer. There's a chainsaw and a hedge trimmer, electric toothbrushes, razors, IPL machines and an LED face mask.

It's still at prototype stage, but there was even a car sitting incongruously on the Dreame stand.

The vision, according to the press release, is to evolve from "a standalone smart device brand to a comprehensive provider of connected lifestyles with an ecosystem now covering the home, garden, outdoors, and on the move". The tagline it's going with is "All dreams in one Dreame", which makes no sense at all.

Too far, too soon?

I've tested a number of Dreame gadgets, and have almost always been impressed, but I'm wary of this latest expansion. It all just seems too fast and too wide-reaching for it to have been done with the required care and expertise. The difficulty I've had in getting any information about the individual products I was most interested in hasn't reassured me any further.

Previously, Dreame's category expansions have made sense. There's crossover between the mechanics of a vacuum cleaner and a hair dryer, for instance. I can see how a brand that knows its way around a robot vacuum could also make a great lawnbot.

But I'm struggling to see how those skills might translate into coffee machines or TVs – both categories that are highly specific, and which require specialist knowledge and skills to excel in. The same goes for things like smartwatches and action cameras.

Of course, I haven't tested any of the new gadgets yet – I've only seen them displayed and demoed, which isn't a reliable way to judge any product. The proof will be in the testing, and I hope to be pleasantly surprised.

• Leaptic teases a new action camera for CES 2026
• It could rival the DJI Osmo Nano
• The teaser indicates the 'AI' camera will shoot 8K video

DJI and Insta360 could have a new rival on their hands, after a new Chinese company called Leaptic teased a modular action camera that will be unveiled at CES this week.

The teaser on X (formerly Twitter) reveals the silhouette of the '8K AI tiny action camera', and it looks a lot like the profile of the modular DJI Osmo Nano.

Like the Insta360 Go 3S before it, the Osmo Nano is a truly tiny thumb-sized action cam which can fit in tight spaces for creative angles and worn as a body camera, but being modular it also attaches magnetically to a pod with a screen for a traditional action camera design.

Leaptic's offering appears to have a strikingly similar design to the Osmo Nano, but we know precious little else about it other than will shoot video at a higher 8K resolution.

Another post shared on Instagram in September 2025 seemingly reveals Leaptic's AI action camera, if indeed this is the same camera, calling it a 'next-gen AI action camera redefining sports filmmaking', armed with a 'disruptive end-to-end AI concept'.

It says the camera will weigh just 35g, is equipped with voice control, plus it features what sounds like 'AI' subject and action detection and auto editing to speed workflow.

This all sounds intriguing, and with CES kicking off tomorrow on January 6, we'll soon have more concrete detail about the tiny 8K action camera from the horse's mouth, and if indeed it has what it takes to break into this competitive space.

TechRadar will be extensively covering this year's CES, and will bring you all of the big announcements as they happen. Head over to our CES 2026 news page for the latest stories and our hands-on verdicts on everything from wireless TVs and foldable displays to new phones, laptops, smart home gadgets, and the latest in AI.

And don’t forget to follow us on TikTok and WhatsApp for the latest from the CES show floor!

• The DJI Osmo Action 6 can now record in 8K
• This comes via a firmware upgrade with other goodies included
• You can update now via the DJI Mimo app

Have a read through our DJI Osmo Action 6 review, and you'll see we were very impressed with the action camera – it got four-and-a-half stars out of five – but the device is now even better, as its latest firmware upgrade ups the maximum video recording resolution to 8K.

News of the update was posted to Instagram by DJI (via PetaPixel), and you can see from the post that that 8K recording is now available at 30 frames per second, at a 16:9 aspect ratio. It's a pretty sweet free upgrade for owners of the camera.

There's more in the update too: it also adds the ability to upload footage direct from the camera to various cloud services, including OneDrive and Google Drive, or a personal NAS. This can be done automatically or manually as needed.

Owners of the action camera now have access to new film-style tone presets in Photo mode as well, plus additional customization options, and a few other minor tweaks (the grid overlay in Custom mode has been tweaked for the better, for example).

Better than ever

The DJI Osmo Action 6 was already one of the best action cameras on the market, and these new upgrades improve it even further. It offers excellent photo and video quality, in a wide range of lighting conditions, and an easy-to-use interface.

"With the Osmo Action 6, DJI cements its position as a real threat to GoPro's dominance in the action camera market," we wrote in our review. "The Osmo Action 6 is yet another step in the right direction for DJI."

If you own one of these cameras, you can get the new update through the DJI Mimo app – it should appear automatically as a prompt on screen inside the app, when it's ready (firmware 01.02.05.21 is the version you're looking out for).

It's another reminder that software updates don't just have to be about bug fixes: they can also bring with them genuinely useful improvements that add extra value for money when companies invest enough time and effort into them.

The Fujifilm X half was for me one of 2025's stand out cameras; a charming and unique digital compact that reimagines the half-frame film camera experience. It's a healthy dose of photography fun, but many felt it was a little overpriced at launch. Cyber Monday brings good news, therefore, and that's the first significant X half deal; the Fujifilm X half for $599 at Adorama (was $849) / Fujifilm X half for £499 at Amazon (was £699) – that's 29% off.

• Shop Amazon's full Cyber Monday sale

That deal is available for all three colorways; silver, charcoal or black, while Adorama adds a memory card and hard shell case at no extra cost for US shoppers.

It's not for everyone, but if you want a dinky compact with unique film photography-inspired features, then the X half is well worth a look, especially at this new price. For more cameras deals, my Black Friday Camera deals roundup is still worth looking at today. Also, make sure you check out TechRadar's live Cyber Monday coverage for other tech bargains.

Today's best Fujifilm X half deals

I enjoyed the Fujifilm X half so much that I wrote about it multiple times, including my X half review where I gave it a 4 out of 5 rating, and an ode to its film-roll mode which is one of the cutest camera features I've played with in years.

A word of warning; don't take the X half too seriously. It's not designed to be a serious photography tool, but a charming and outright fun camera. For example, the sensor is vertical format for the authentic half-frame photography experience, plus there's no RAW format stills, only 18MP JPEGs.

What we get instead are unique film photography-inspired features, such as the film-roll mode which locks in your color profile and deactivates the digital display until you use up the 'roll' – you only see the photos later once they are 'developed' in the mobile app. There's also a secondary LCD screen which can display your film roll (color profile) selection. It's all impossibly charming.

Design wise, the camera is properly dinky and weighs just 240g, and features a 1-inch 20MP sensor and fixed 32mm f/2.8 lens. If you want a 'proper' Fujifilm camera then look elsewhere, but for a little analog-inspired fun, the X half is the ticket. I highly recommend you read my review to find out more, and act on this deal while it lasts!

More Cyber Monday deals in the US

• Amazon: 45% off TVs, AirPods, air fryers & vacuums
• Apple: iPads, AirPods & MacBooks from $119
• Best Buy: $1,000 off TVs, laptops & headphones
• Dell: laptop deals from $249.99
• Home Depot: 40% off appliances, furniture, grills & tools
• Lenovo: 45% off laptops & tablets
• Lowe's: up to 30% off appliances, holiday decor & tools
• Samsung: up to $2,000 off appliances, TVs & phones
• Target: 40% off Christmas decor, clothing & furniture
• T-Mobile: up to $1,100 off latest iPhone 17
• Walmart: furniture, cheap TVs & vacs from $69
• Wayfair: 54% off Christmas, furniture & decor

More Cyber Monday deals in the UK

• Amazon: up to 66% off tech & essentials
• AO: up to £500 off Dyson, Bosch & Hisense
• Argos: up to 50% off appliances, tech & toys
• Boots: save on 1,000s of beauty products
• Currys: deals on Ninja, Shark & Lenovo
• Dell: laptops from £279
• Dyson: up to £550 off vacuums
• EE: Switch 2 bundles from £20/month
• John Lewis: up to 50% off tech & fashion
• Lego: sets & accessories from £2.99
• Samsung: deals on appliances & phones
• Very: up to 40% off tech, toys & fashion

Cyber Monday DJI deals are here, and there are impressive savings to be had for some of the best drones and action cams around – you'll find my hand-picked selection below.

• Shop Amazon's full Cyber Monday sale

DJI is seemingly intent on pricing out the competition – take the excellent Osmo 360 for $357.49 at Amazon US or just £296 at Amazon UK. It's DJI's first 360 camera that goes shoulder to shoulder with the Insta360 X5 and GoPro Max, and with this price cut it has every chance of becoming a best-seller.

Ot how about the Mini 4K for $239 at Amazon US / the Mini 4K Fly More Combo for £339 at Amazon UK? That's a deal worth considering especially if you're in the US where a DJI ban looms – a December 23 date has been set. Put simply, this could be your last chance to grab DJI deals before the products are stripped from stores.

(Not in the US or UK? Check out live prices for where you live at the end of this article.)

Cyber Monday DJI deals – US quick links

• DJI Osmo Action 4: was $289 now $199
• DJI Mini 4K: was $299 now $239
• DJI Osmo 360: was $509 now $357.49
• DJI Mavic 3 Pro: was $3889 now $2489
• DJI Mic Mini: was $89 now $45

Today's best Cyber Monday DJI deals in the US

DJI Cyber Monday deals – UK quick links

• DJI Osmo Action 4: was £279 now £159
• DJI Osmo 360: was £409.99 now £297
• DJI Mini 4 Pro Fly More Combo: was £979 now £689
• DJI Osmo Pocket 3: was £489 now £389
• DJI Mic Mini: was £55 now £42

Today's best Cyber Monday DJI deals in the UK

More Cyber Monday deals in the US

• Amazon: 45% off TVs, AirPods, air fryers & vacuums
• Apple: iPads, AirPods & MacBooks from $119
• Best Buy: $1,000 off TVs, laptops & headphones
• Dell: laptop deals from $249.99
• Home Depot: 40% off appliances, furniture, grills & tools
• Lenovo: 45% off laptops & tablets
• Lowe's: up to 30% off appliances, holiday decor & tools
• Samsung: up to $2,000 off appliances, TVs & phones
• Target: 40% off Christmas decor, clothing & furniture
• T-Mobile: up to $1,100 off latest iPhone 17
• Walmart: furniture, cheap TVs & vacs from $69
• Wayfair: 54% off Christmas, furniture & decor

More Cyber Monday deals in the UK

• Amazon: up to 66% off tech & essentials
• AO: up to £500 off Dyson, Bosch & Hisense
• Argos: up to 50% off appliances, tech & toys
• Boots: save on 1,000s of beauty products
• Currys: deals on Ninja, Shark & Lenovo
• Dell: laptops from £279
• Dyson: up to £550 off vacuums
• EE: Switch 2 bundles from £20/month
• John Lewis: up to 50% off tech & fashion
• Lego: sets & accessories from £2.99
• Samsung: deals on appliances & phones
• Very: up to 40% off tech, toys & fashion

If you're on a shoestring but still hoping to bag a superb action camera, then I have the Black Friday deal for you: the Osmo Action 4 Essential Combo for just $209 at Amazon (was $299) in the US, or the Osmo Action 4 Essential Combo for £159 at Amazon (was £279) in the UK.

Yes, DJI has since released the Osmo Action 5 and Osmo Action 6, but its product launches are so regular that cameras two iterations back, such as the Osmo Action 4, are still worth recommending today. After all, the Action 4 is only two years old and shoots some of the crispest 4K video you'll get from a tiny action cam, supported by some of the best waterproofing in the business – trust me I've personally tested it.

For the money, I reckon you'll struggle to find a better action cam. Need more ideas? I've also put together Black Friday DJI deals and Black Friday 360 camera deal roundups with a range of other discounted action cams, and make sure you check out TechRadar's live Black Friday coverage for other tech bargains.

Today's best DJI Osmo Action 4 deals

Why am I recommending an action cam that is two iterations old? Naturally, price is a factor – there are huge discounts on DJI's former flagship action cam so it can be had for much less than the Action 5 Pro and recent Action 6. And at two years old, it's actually not that old at all, and still measures up well today.

I was deeply impressed by the 4K-shooting action cam, as you can see in my DJI Osmo Action 4 review. In fact, I also wrote about why it's my favorite camera to take on vacation and it consequently secured a spot in my best action cameras guide, until it was replaced by its successor.

The fact that it went up against the GoPro Hero 12 Black and Insta360 Ace Pro back then, with better 18m waterproofing and a larger image sensor for better low-light performance, and those cameras are still much pricier today, says it all really – you won't get a better action cam for the money.

Still, if you'd like to find more options, I've included a couple of 360 camera deals below which are likewise older models that have been heavily discounted for Black Friday.

Other cheap action cam deals

More Black Friday deals in the US

• Amazon: 45% off TVs, AirPods, air fryers & vacuums
• Apple: iPads, AirPods & MacBooks from $119
• Best Buy: $1,000 off TVs, laptops & headphones
• Dell: laptop deals from $249.99
• Home Depot: 40% off appliances, furniture, grills & tools
• Lenovo: 45% off laptops & tablets
• Lowe's: up to 30% off appliances, holiday decor & tools
• Samsung: up to $2,000 off appliances, TVs & phones
• Target: 40% off Christmas decor, clothing & furniture
• T-Mobile: up to $1,100 off latest iPhone 17
• Walmart: furniture, cheap TVs & vacs from $69
• Wayfair: 54% off Christmas, furniture & decor

More Black Friday deals in the UK

• Amazon: up to 66% off tech & essentials
• AO: up to £500 off Dyson, Bosch & Hisense
• Argos: up to 50% off appliances, tech & toys
• Boots: save on 1,000s of beauty products
• Currys: deals on Ninja, Shark & Lenovo
• Dell: laptops from £279
• Dyson: up to £550 off vacuums
• EE: Switch 2 bundles from £20/month
• John Lewis: up to 50% off tech & fashion
• Lego: sets & accessories from £2.99
• Samsung: deals on appliances & phones
• Very: up to 40% off tech, toys & fashion

Black Friday is the perfect time to grab the best deal on a GoPro – I should know because I've been tracking prices for the last three years. This year, I've found price cuts on almost all of the models I'd actually recommend from personal experience, including the Hero 13 Black, brand new Max 2, plus older models such as the original Max. I've rounded up those deals below.

My top pick of all the GoPro deals right now is the Hero 13 Black Extended Power bundle for $349.99 at Amazon in the US (was $499.99) / or for just £299.99 at GoPro in the UK (was £469.99). You get a whole load of extra accessories in this bundle for very little markup from the standard camera-only bundle.

I’ve only included GoPro deals that I recommend, and I'm updating this page regularly throughout the Black Friday period with the latest prices and deals, because they are changeable and I want you to get the best deal. If you'd like to know what GoPro's competition is up to, I've also put together a best Black Friday DJI deals and a Black Friday 360 camera deal roundups, and be sure to swing by TechRadar's live Black Friday coverage for other tech bargains.

Today's best Black Friday GoPro deals in the US

• Amazon: Save $150 on Hero 13 Black bundles
• Best Buy: Grab the GoPro Max 2 for just $399
• GoPro: $110 off the Forest Green version of the Hero 13 Black
• Walmart: The Hero 12 Black for $299

Today's best Black Friday GoPro deals in the UK

• Amazon: Grab the original Max for just £149
• GoPro: Save £120 the Hero 13 Black, now just £279
• WEX: Save £100 on the new Max 2

More Black Friday deals in the US

• Amazon: 45% off TVs, AirPods, air fryers & vacuums
• Apple: iPads, AirPods & MacBooks from $119
• Best Buy: $1,000 off TVs, laptops & headphones
• Dell: laptop deals from $249.99
• Home Depot: 40% off appliances, furniture, grills & tools
• Lenovo: 45% off laptops & tablets
• Lowe's: up to 30% off appliances, holiday decor & tools
• Samsung: up to $2,000 off appliances, TVs & phones
• Target: 40% off Christmas decor, clothing & furniture
• T-Mobile: up to $1,100 off latest iPhone 17
• Walmart: furniture, cheap TVs & vacs from $69
• Wayfair: 54% off Christmas, furniture & decor

More Black Friday deals in the UK

• Amazon: up to 66% off tech & essentials
• AO: up to £500 off Dyson, Bosch & Hisense
• Argos: up to 50% off appliances, tech & toys
• Boots: save on 1,000s of beauty products
• Currys: deals on Ninja, Shark & Lenovo
• Dell: laptops from £279
• Dyson: up to £550 off vacuums
• EE: Switch 2 bundles from £20/month
• John Lewis: up to 50% off tech & fashion
• Lego: sets & accessories from £2.99
• Samsung: deals on appliances & phones
• Very: up to 40% off tech, toys & fashion

I’ve never seen a price cut of this magnitude for a 360 camera – the GoProMax for £149 at Amazon (was £349). That’s £200 off GoPro’s original 5.3K twin lens-shooter, which makes it the UK’s most affordable 360 camera.

That’s even cheaper than GoPro’s budget brand rival, the Akaso 360 for £169 at Amazon (was £199). Despite being six years old now, the Max for £149 is a steal, especially considering the twin sensor and stabilization tech inside.

But, is it a deal you should snap up? After all, the Max was recently supplanted by the Max 2 (which, by the way, is also on sale – grab the Max 2 for £349 from WEX). I’ve got into much greater depth about which 360 camera is best for you in my Black Friday 360 camera deals roundup if you’d like to find out more.

In addition to that roundup, you should check out my best 360 cameras guide which is packed with buying advice and which cameras I rank the highest. If you’re also on the hunt for other consumer tech deals, be sure to swing by TechRadar’s live Black Friday coverage. Happy shopping!

(Not in the US or UK? See today's best deals in your region below)

Today's best GoPro Max Black Friday deal

Should I buy the GoPro Max?

It might be six years old, but the GoPro Max was ahead of its time in 2019, delivering full 360–degree coverage in 5.3K resolution, supported GoPro’s incredible HyperSmooth stabilization, and a huge range of accessories for various shooting scenarios, including car mounts and selife sticks.

GoPro announced a 2025 version of the original Max with a couple of tweaks and a more competitive list price, but that has now been obliterated by this Max deal. Since then, the Max 2 has entered the fray, and it's a meaty upgrade with industry-leading 8K quality.

There’s no doubt that 360 camera tech has moved on since 2019, and this year has been a particularly busy one with the new GoPro Max 2 and DJI Osmo 360 challenging the Insta360 X5 to be the best of them all.

You won't get the best quality 360-degree video with the Max, for that you'll want one of the latest GoPro Max 2, DJI Osmo 360 or Insta360 X5 flagships. But, what you do now get with this huge price cut is the best value option available.

Other Black Friday 360 camera deals

Shop more of today's best Black Friday sales in the UK

• Amazon: up to 66% off tech & essentials
• AO: up to £500 off Dyson, Bosch & Hisense
• Argos: up to 50% off appliances, tech & toys
• Boots: save on 1,000s of beauty products
• Currys: deals on Ninja, Shark & Lenovo
• Dell: laptops from £279
• Dyson: up to £550 off vacuums
• EE: Switch 2 bundles from £20/month
• John Lewis: up to 50% off tech & fashion
• Lego: sets & accessories from £2.99
• Samsung: deals on appliances & phones
• Very: up to 40% off tech, toys & fashion

I've been searching for the best Black Friday camera bargains, and I must say that the tastiest deals are for the latest 360 cameras. I can't say that I'm surprised, now that DJI and GoPro are vying with Insta360 to be the top pick, while Akaso entered the fray as a budget alternative.

So which you 360 camera should buy? That decision is hardly any easier since all the cameras are on sale over Black Friday, although your wallet will be thanking you if you act this week rather than delaying. If we're purely talking price, it's a win for DJI right now – the DJI Osmo 360 costs $357.49 at Amazon (was $549.99), while it's £298 at Amazon in the UK (probably the best deal of all).

In the US, there's $100 off for the GoPro Max 2 which is now $399 (was $499) - while it sinks to a record low in the UK: $349 at WEX (was $449). Meanwhile, the Insta360 X5 drops to $464.99 in the US (was $549.99) and to just £409.99 in the UK (was £519.99) – both of those are record-low prices, and it's available for that price in black or white colorways. Oh, and there are even bigger price cuts on older models.

I've rounded up the very best 360 camera deals below, together with price tracking so you can get a feel for the deals. And if you're not sure where to start, do check out the Which 360 camera should you buy? section below. And for more tech deals, be sure to check out TechRadar's live Black Friday coverage.

(Not in the US or UK? You can find the best prices for the best 360 cameras via the links at the end of this roundup.)

Today's best 360 camera deals in the US

Today's best 360 camera deals in the UK

Which 360 camera should you buy?

DJI and GoPro revealed stunning 360 cameras this year – the Osmo 360 and Max 2 respectively – that both shoot 8K video with full 360-degree coverage. They present a serious challenge to the Insta360 X5 – the top pick in my best 360 camera guide, and while I reckon the X5 remains the best camera of its kind overall, DJI's Osmo 360 and GoPro's Max 2 have certain advantages of their own.

So should you be looking for the best deal or the best value? Based on the deals above, surely DJI is the option to go for? Not exactly – prices only tell one side of the story (and they do regularly change).

The Insta360 X5 and GoPro Max 2 both have a trick up their sleeves that DJI's Osmo 360 wishes it had – and that's cost-effective replacement lenses. Should either of the lenses get damaged, say in a nasty tumble – which is quite likely depending on what kind of use the camera gets and the bulbous design of those optics – you can swap them out with a low-cost replacement. Not so with the Osmo 360.

On this basis and with the slight price differences in the UK and US over Black Friday, I'm tempted to recommend the GoPro and Insta360 cameras over DJI's right now.

That's one feature covered, but you should also consider when and where you are likely to use each camera. In our in-depth reviews, we said the Insta360 X5 is the best overall package, that the Max 2 excels in bright daylight with its 'true' 8K image quality, while the Osmo 360 is a low-light champion. As you can see, the choice also comes down to how you'll use a 360 camera – thankfully we've reviewed each model and distilled that advice into our best 360 cameras guide.

Here's how each of the latest flagship 360 camera's key specs square up:

One more thing – do you actually need the latest gear at all? I'm asking because there are even bigger savings on older models, such as the Insta360 X4 and Go Pro Max (I've also included those deals above too), plus budget brand Akaso. For example, UK shoppers can now take advantage of a £200 saving on the GoPro Max now just £149 at Amazon.

However you look at it, it's a great time to be shopping for a 360 camera. For years, there was only one choice – Insta360 – but now we are spoiled with alternatives from GoPro, DJI, and Akaso.

Prices change regularly over Black Friday, so I've included live prices below for the best deals for all of these 360 cameras at the end of this article, for wherever you live.

Shop more of today's best US Black Friday sales

• Amazon: 45% off TVs, AirPods, air fryers & vacuums
• Apple: iPads, AirPods & MacBooks from $119
• Best Buy: $1,000 off TVs, laptops & headphones
• Dell: laptop deals from $249.99
• Home Depot: 40% off appliances, furniture, grills & tools
• Lenovo: 45% off laptops & tablets
• Lowe's: up to 30% off appliances, holiday decor & tools
• Samsung: up to $2,000 off appliances, TVs & phones
• Target: 40% off Christmas decor, clothing & furniture
• T-Mobile: up to $1,100 off latest iPhone 17
• Walmart: furniture, cheap TVs & vacs from $69
• Wayfair: 54% off Christmas, furniture & decor

Shop more of today's best UK Black Friday sales

• Amazon: up to 66% off tech & essentials
• AO: up to £500 off Dyson, Bosch & Hisense
• Argos: up to 50% off appliances, tech & toys
• Boots: save on 1,000s of beauty products
• Currys: deals on Ninja, Shark & Lenovo
• Dell: laptops from £279
• Dyson: up to £550 off vacuums
• EE: Switch 2 bundles from £20/month
• John Lewis: up to 50% off tech & fashion
• Lego: sets & accessories from £2.99
• Samsung: deals on appliances & phones
• Very: up to 40% off tech, toys & fashion

DJI and GoPro delivered stunning 360 cameras this year that both shoot 8K video with full 360-degree coverage and present a serious challenge to the Insta360 X5 – the top pick in our best 360 camera guide. While the X5 remains the best camera of its kind overall, DJI's Osmo 360 and GoPro's Max 2 have certain advantages of their own, and now they are arguably better picks given that they just received huge price cuts (depending on where you live).

There are currently no deals on the Insta360 X5, which means it is considerably pricier than rivals. But which of the two excellent value 360 camera alternatives would I pick? If we're purely talking price, it's a win for DJI right now – the DJI Osmo 360 costs $410 at Amazon (was $549.99), while it's £298 at Amazon in the UK (probably the best deal of all).

• Shop all early Amazon US Black Friday deals
• Shop all early Amazon UK Black Friday deals

The GoPro Max 2 remains at full price in the US – $499 - while it sinks to a record low in the UK: $349 at WEX (was $449). I'm keeping an eye on prices, which could change at any point over Black Friday.

So surely it's a home run for DJI then? Not precisely, because prices only tell one side of the story and they do regularly change...

Best deal or best value?

GoPro's Max 2 has a trick up its sleeve that DJI's Osmo 360 wishes it had – cost-effective replacement lenses. Yes, should you damage either of the bulbous lenses in the Osmo 360 – which is quite likely depending on what kind of use it gets – it'll need to go in for repair or get replaced.

Not so with the Max 2, because you can easily remove a damaged lens should your camera take a particularly nasty tumble and swap it out with a low-cost replacement. The Insta360 X5 has this feature too, by the way.

On this basis and with the slight price difference in the UK, I'm tempted to recommend the Max 2 to UK shoppers right now. There's a bigger price difference in the US currently, so it's a closer call.

And then there's the matter of when you are likely to use each camera. In our in-depth reviews, we said the Max 2 offers the best 'true' 8K image quality in bright daylight, but that the Osmo 360 is a low-light champion. So again, the choice comes down to how you'll use a 360 camera.

Here are how each camera's key specs square up:

Either way, it's a great time to be shopping for a 360 camera. For years, there was only one choice – Insta360 – but now we are spoiled with alternatives from GoPro, DJI, and even budget brand Akaso with the Akaso 360 (just $199 / £199, plus there has been deals for it every seasonal sale so far, so I expect a price cut is coming).

Prices change regularly, so I've included live prices below for the best deals for all of these 360 cameras, wherever you live.

Today's best DJI Osmo 360 and GoPro Max 2 in the US

Today's best DJI Osmo 360 and GoPro Max 2 deals in the UK

Shop more of today's best US Black Friday sales

• Amazon: 45% off TVs, AirPods, air fryers & vacuums
• Apple: iPads, AirPods & MacBooks from $119
• Best Buy: $1,000 off TVs, laptops & headphones
• Dell: laptop deals from $249.99
• Home Depot: 40% off appliances, furniture, grills & tools
• Lenovo: 45% off laptops & tablets
• Lowe's: up to 30% off appliances, holiday decor & tools
• Samsung: up to $2,000 off appliances, TVs & phones
• Target: 40% off Christmas decor, clothing & furniture
• T-Mobile: up to $1,100 off latest iPhone 17
• Walmart: furniture, cheap TVs & vacs from $69
• Wayfair: 54% off Christmas, furniture & decor

Shop more of today's best UK Black Friday sales

• Amazon: up to 66% off tech & essentials
• AO: up to £500 off Dyson, Bosch & Hisense
• Argos: up to 50% off appliances, tech & toys
• Boots: save on 1,000s of beauty products
• Currys: deals on Ninja, Shark & Lenovo
• Dell: laptops from £279
• Dyson: up to £550 off vacuums
• EE: Switch 2 bundles from £20/month
• John Lewis: up to 50% off tech & fashion
• Lego: sets & accessories from £2.99
• Samsung: deals on appliances & phones
• Very: up to 40% off tech, toys & fashion

My absolute favorite action camera just got a huge price cut for Black Friday 2025, especially where I live in the UK. You can buy the GoPro Hero 13 Black + Accessories Bundle for £244.99 at Amazon (was £449.99) – that's an incredible £205 off!

Shoppers in the US can grab a fab deal too – that same GoPro Hero 13 Black + Accessories Bundle costs $369.99 (was $479.99) at Amazon and GoPro.

• Shop all early Amazon US Black Friday deals
• Shop all early Amazon UK Black Friday deals

This is the lowest-ever price by a long way in the UK for a Hero 13 Black bundle, which includes 2x Enduro batteries, 'The Handler' handle, 64GB SanDisk MicroSD card, and a camera case. General prices for the Hero 13 Black increased in the US in June this year, and so this isn't a record-low price, but the deal price below is the lowest I've seen this year and is still very much worth your attention.

Today's best GoPro Hero 13 Black deal (US)

Today's best GoPro Hero 13 Black deal (UK)

Should you buy the GoPro Hero 13 Black?

Absolutely, especially at these sale prices for the Accessories Bundle, which are particularly good in the UK! And the Hero 13 Black remains in the top spot of my best action cameras guide, which says it all, really.

Yes, it is an iterative update of the Hero 12 Black – you can learn more about how the two flagship action cams compare in my Hero 13 Black vs Hero 12 Black article – but the new auto-detected Lens Mods feature takes GoPro's line of action cams in an exciting direction.

We still get 5.3K video with a versatile 8:7 aspect ratio sensor, plus incredible stabilization and a mature range of accessories. But the Hero 13 Black is a more polished effort than its predecessor, and it will remain the current model for some time yet, given that 2025 is officially the first year in a decade with no new Hero Black flagship.

Put simply, you won't get better action camera bang for buck than the Hero 13 Black right now.

Shop more of today's best US Black Friday sales

• Amazon: 45% off TVs, AirPods, air fryers & vacuums
• Apple: iPads, AirPods & MacBooks from $119
• Best Buy: $1,000 off TVs, laptops & headphones
• Dell: laptop deals from $249.99
• Home Depot: 40% off appliances, furniture, grills & tools
• Lenovo: 45% off laptops & tablets
• Lowe's: up to 30% off appliances, holiday decor & tools
• Samsung: up to $2,000 off appliances, TVs & phones
• Target: 40% off Christmas decor, clothing & furniture
• T-Mobile: up to $1,100 off latest iPhone 17
• Walmart: furniture, cheap TVs & vacs from $69
• Wayfair: 54% off Christmas, furniture & decor

Shop more of today's best UK Black Friday sales

• Amazon: up to 66% off tech & essentials
• AO: up to £500 off Dyson, Bosch & Hisense
• Argos: up to 50% off appliances, tech & toys
• Boots: save on 1,000s of beauty products
• Currys: deals on Ninja, Shark & Lenovo
• Dell: laptops from £279
• Dyson: up to £550 off vacuums
• EE: Switch 2 bundles from £20/month
• John Lewis: up to 50% off tech & fashion
• Lego: sets & accessories from £2.99
• Samsung: deals on appliances & phones
• Very: up to 40% off tech, toys & fashion

DJI Osmo Action 6: two-minute review

When you think of action cameras, GoPro will likely spring to mind before DJI. While it wasn’t a complete surprise that the latter company, best known for its drones, made the move into the action cam market, it's had to do a lot of work over the past few years to catch up, and offer something that stands out from the competition.

The GoPro Hero 13 Black is arguably the action camera all others will currently be judged against, so DJI’s latest model in the Osmo series, the Osmo Action 6, has a lot to prove. That said, the quality of its predecessors, most notably the Osmo Action 5 Pro, has been hard to ignore, and based on my experience with that camera I had great expectations going into this review.

Fresh from reviewing the entry-level GoPro Lit Hero and Insta360 X4 Air, I was immediately impressed by the Osmo Action 6’s user-friendliness; the menus are easy to navigate, and the screens are a breeze to work with. Images and video also look amazing on these high-quality monitors, so reviewing the fruits of my shooting sessions was a pleasure.

Image quality is superb, benefiting from a larger 1/1.1-inch sensor, which produces excellent detail and color rendition in good lighting and stand-out noise performance as ambient light levels fall. I’d happily use the Osmo Action 6 as my main carry-everywhere camera, or as a backup to a mirrorless system for capturing unique perspectives from places those larger cameras simply can’t go.

I thoroughly enjoyed using the additional accessories, such as the Macro Lens, ND Filter Set, and FOV Boost Lens, which make the whole system feel pro-grade and versatile. If you're a fan of the GoPro mods, you’ll be happy to see DJI making efforts to expand the modular compatibility of its action cameras. Once you add in the streamlined compatibility with the wireless DJI microphones, I see the Osmo Action 6 as an indicator of great things to come.

DJI Osmo Action 6 specs

DJI Osmo Action 6: Price and availability

• Released November 18; not available in US at launch
• Osmo Action 6 Standard Combo costs $379 / £329 / AU$669
• Osmo Action 6 Adventure Combo costs for $479 / £415 / AU$839

DJI's Osmo Action 6 is available now, priced at £329 / AU$669 for the Standard Combo, while the prices rises to £415 / AU$839 for the Adventure Combo which adds two batteries, an extra quick-release mount and locking screw, battery case and 1.5m extension rod to the standard bundle.

Like recent DJI products, it's not available in the US at launch. A DJI spokesperson gave us the following statement:

"The DJI Osmo Action 6 will not be officially available in the US market through official websites following the global launch on 18th November. DJI remains committed to the U.S. market and is optimizing our strategy to best serve our customers amidst evolving local conditions."

That said, I'm already seeing the Osmo Action 6 available for preorder at B & H Photo for $379 (Standard Combo) or $479 (Adventure Combo).

• Price score: 4.5/5

DJI Osmo Action 6: Design

• Larger 2.5-inch rear LCD
• IP68-rated weather and waterproofing
• Waterproof to 20m

If you’ve used the Osmo Action 6’s predecessors, such as the DJI Osmo Action 3 DJI Osmo Action 4, or DJI Osmo Action 5 Pro, there aren’t any drastic surprises in store for you design-wise. The body is a little bit larger, most notably in its width, measuring 72.8 x 47.2 x 33.1mm to the Osmo Action 5 Pro’s 70.5 x 44.2 x 32.8mm. It might be noticeable if you hold both cameras side-by-side, but in real-world terms it won’t make a huge difference to the handling experience.

The Osmo Action 6 remains super portable and lightweight, despite the inclusion of a larger sensor, which is impressive. As you’d expect from an action camera, it can be fitted into a coat pocket for easy transport or use on the move. However, fresh from testing the tiny GoPro Lit Hero, the Osmo Action 6 did feel quite chunky by comparison. This is a much higher-end product, however, featuring a larger CMOS unit, a lens aperture that's both adjustable and brighter, and a front LCD, all of which are missing from the entry-level GoPro.

I was immediately drawn to the 2.5-inch main LCD screen, which feels much bigger in use than the rival GoPro Hero 13 Black’s 2.27-inch monitor. Although this is still too small to get a truely precise idea of sharpness, it’s much nicer to look at than the screens on earlier models, and matches those on cameras like the Insta360 Ace Pro 2, which we ranked as the best premium action camera.

The screen itself was highly responsive in my tests, and I found it easy to access settings and navigate menus, even when the camera was wet or covered in a dusting of ground coffee (see the sample video below for context). I reckon I’d find it more practical to work with the Osmo Action 6 in cold weather than the native-portrait-orientation Insta360 X5 or Insta360 X4 Air.

Both the front and rear LCDs are crisp and easy to read in brighter light too. While smaller and lower-resolution, the front screen (1.46-inch, 342 x 342 pixels) is still useful, and doesn’t feel like an extra gimmicky feature that DJI threw in but which is ultimately pointless. I remember feeling that the front LCD on the GoPro Hero 9 Black was so laggy that there were times it was barely worth being there, for example.

The large shutter release is easy to locate without looking, speeding up operation. Also, I like DJI’s choice to place the microSD card slot in the battery bay, rather than alongside the USB-C port, something which proved fiddly and frustrating on the GoPro Lit Hero. I always appreciate integrated storage in a camera too, of which the Osmo Action 6 provides plenty at 50GB.

• Design score:4.5/5

DJI Osmo Action 6: Performance

• Impressive four-hour battery life
• Effective RockSteady 3 and 3+ stabilization with reduced cropping
• Excellent connectivity with external DJI mics

DJI claims a battery life of 240 minutes for the Osmo Action 6, similar to the Action 5 Pro. Shooting inside and out, I found that a single charge lasted about four hours using a mix of 1080p and 4K resolutions, across the various modes. This is impressive, although as the temperature dropped, so too did the battery life, so if you plan to work away from a power source for any length of time I’d still advise taking a few extra batteries.

The RockSteady image stabilization system also has an impact on battery longevity, although in my tests, this wasn’t anything major. The system itself is effective. While not a replacement for a gimbal, I found I could create commendable tracking shots free from micro vibrations. The same was true with POV walking shots.

The Osmo Action 6 continued to perform well after being submerged in water, with the screen remaining responsive. Once it was removed from the water the lens quickly repelled remaining droplets, as did the body, making the camera easy to dry off.

The camera features voice control, which is either ideal or an irritation depending on the environment. When it worked, being able to give the Osmo Action 6 a voice command such as “start recording” helped free up my hands, while reducing the amount of footage I had to trim as I positioned the camera for my shots. On several occasions, it didn’t respond, or I didn’t realise it hadn’t stopped recording after a command at the end of the shot. If the microphone is obscured in any way, it produces mixed results.

Speaking of sound, I was surprised by the quality of the internal microphone. While an external mic like the DJI Mic Mini gives you more versatility, as well as depth of audio, the built-in mic didn’t have the thin sound common to similar mics on other small cameras.

If you own the Mic Mini or DJI Mic 2, connecting them to the Osmo Action 6 couldn’t be easier. Simply pressing and holding the link button on the mics themselves until the indicator light flashes blue is all it takes to get audio recording off-camera, giving video that extra professional edge.

• Performance score: 4.5/5

DJI Osmo Action 6: Image quality

• Larger sensor enables better low-light performance than Osmo Action 5 Pro
• 10-bit and D-Log M modes enable pro-level grading
• Slightly aggressive default in-camera noise reduction/sharpening

Along with smartphones, I think that action cameras best demonstrate how far sensor and processor technology have come over the past decade or so. By mirrorless camera standards, the 1/1.1-type sensor housed in the Osmo Action 6 is small, at around 14mm on the diagonal, yet in my testing it produced better results than a high-end compact camera from circa 2014.

The Osmo Action 6 sees a big jump in sensor size from the 1/1.3-type CMOS of the Action 5 Pro, but uses a similar resolution of 38MP for still images.. This allows for greater pixel pitch (the distance from the center of one pixel to its neighbors), which benefits light-gathering capacity; the pixel size is 2.4 micrometers. An image measuring 7168 x 5376 is still quite a lot of pixels for this sensor format, but while I wasn’t amazed by the camera’s low-light performance, nor did I find it especially problematic.

Detail in stills becomes a little smudged from around ISO 800 and above, shooting in gloomy indoor lighting, but outdoors, or in direct artificial light, noise levels are kept at respectable levels for an action camera. Colors are also still quite punchy.

Video footage, meanwhile, is excellent in moderate low light. There is noise visible, but the grain size looks very fine, meaning it’s easier to ignore in areas of the image containing flat tones. I thought in-camera processing coped well, minimizing noise without obliterating texture.

I did notice that some quite excessive sharpening is applied in some circumstances, no doubt to counteract any noise-reduction related degradation. It isn’t a deal-breaker, but you might want to turn down the default sharpening (known as Texture in the Image Adjustment menu) for a more organic look.

The SuperNight mode is designed to produce a brighter image in low-light conditions by increasing the exposure digitally, then applying AI noise-reduction processes to minimize grain. This produces footage with significantly less texture, so I wouldn’t recommend it if your video is likely to be viewed on a larger screen, where this effect will be far more noticeable. In everyday shooting scenarios, or for social media, however, it captures brighter shadows, so it's useful for shooting around cities. There's a lot less distracting noise, too.

I enjoyed using the Slow Motion mode as a means of capturing share-ready footage in-camera; however, for professional uses, I’d recommend switching to a higher frame rate, shooting your footage, and manually applying the Slow Mo effect in editing.

I really appreciated the Color Recovery feature when shooting in D-Log M, which allows you to preview how the footage would look with a profile applied. This doesn’t bake in any edit settings, but merely gives you an idea of the final image after grading.

All of the shooting conditions mentioned above would be challenging for any camera, and once you take the DJI Osmo Action 6 out into bright daylight, the quality is superb. Combined with the flexibility of the Log mode, it’s possible to capture excellent levels of detail and natural colors.

GoPro Hero 13 Black users might bemoan the ‘limited’ 4K resolution here, in favor of the 5.3K available on that model, but 4K is fine in all but the most specific of situations. I still shoot in Full HD as standard when creating content for social platforms, unless I know that for some reason I’ll need to crop or recompose my frame in DaVinci Resolve. The workflow is faster, and viewers are unlikely to perceive a difference in Instagram Reels or YouTube Shorts, for instance.

• Image quality score: 4.5/5

DJI Osmo Action 6: testing scorecard

Should I buy the DJI Osmo Action 6?

Buy it if...

Don't buy it if...

Also consider

How I tested the DJI Osmo Action 6

• I tested a full production model running release firmware over several days
• I mounted the camera on the bundled 1.5-meter extension Rod or Dual-Direction Battery Handle
• I recorded videos in varying lighting conditions, both indoors and outside

To ensure I was able to get a true sense of the Osmo Action 6's capabilities, I shot in a range of lighting conditions. My indoor tests involved a vlog-style shoot, testing the sensor's high-ISO performance and the camera's temperature and water resistance (I placed the camera in a freezer and poured cold water over it for a unique POV). I then took the camera out into the countryside, where I filmed close to and underwater. These shoots also gave me the opportunity to use the optional macro lens and FOV Boost lens. All audio was captured using the in-camera mic. Footage was edited in DaVinci Resolve 20.

• First reviewed November 2025

• Insta360 reveals new accessories for its flagship Ace Pro 2 action camera
• Among them are a photographer's grip and a clip-on instant printer
• New lenses and in-camera Leica color profiles are added too

Insta360 just gave its flagship Ace Pro 2 action camera a major boost with a range of new accessories, including a photographer's grip, three lenses for different looks, and the bizarre crossover we didn't know we needed (and probably don't) – a clip-on instant printer. You can see the full setup in the image above.

Some of the new accessories feel sensible, such as the new cinematic, ultra-wide, and close-up lenses. Taking a page out of GoPro's book with its Hero 13 Black Lens Mods – a feature that I labeled the 'future of action camera design', users will be able to get anamorphic-style clips with the cinematic lens, and focus closer with the close-up lens. I can already feel GoPro's ire.

And then there's the Xplorer Grip Pro – a case with an integrated battery and ergonomic grip (see below). It's the type of accessory that Chinese phone brands have been delivering in recent years to improve the handling of their phones for photography, such as the excellent Xiaomi 15 Ultra photography kit.

Clearly, Insta360 wants the Ace Pro 2 to be a photographer's tool as well as an 8K action cam, and for users wanting a comprehensive action camera, it kind of makes sense.

The peculiar addition, however, has to be the clip-on Pocket Printer, which Insta360 says is the 'first made for an action camera–delivers instant, memorable keepsakes from any moment'. It prints 3-inch auto-laminated photos (54 × 82mm, with a 54 × 72mm printable area) using dye-sublimation technology, which Insta360 says 'matches the vibrant footage from Ace Pro 2' and are waterproof, dustproof, and fade-resistant.

I don't typically associate action cams with photography at all, let alone making instant prints from them on the go. This accessory I'm filing under 'don't knock it till you try it'.

Overkill or genius?

Between GoPro, DJI, and Insta360's latest flagship action cameras, I believe the Hero Black 13's swappable lenses to be the most exciting path for action cams, more so than the Ace Pro 2's 8K video skills. However, now you can get both with the Insta360 model, thanks to the three new lenses – each one directly inspired by (or imitating) GoPro.

I wouldn't necessarily think of using the Ace Pro 2 for photography, because its strength is undeniably video. However, the handling of the camera for photography would indeed improve with the new grip, while new Leica color profiles will no doubt assist in getting a strong look straight out of the camera, ready for print.

The printer, on the other hand – well, the jury is out on that one. I like the Instax Mini Link printers for on-the-go printing, but I wouldn't bring those into outdoor adventure moments.

There are now a number of Ace Pro 2 bundles available with these new accessories; the XPlorer Pro Bundle adds the new grip and additional battery and costs $519.99. The Flash Print bundle further adds the Pocket Printer, a Flip Screen Hood, and Classic Leather Case for $579.99 / £545 / A$1,049. The Ultimate Videography Bundle also adds the three new lenses and costs $739.99 / £725 / A$1,359. There are other bundles just with one of the lenses if you don't want all three, and all bundles are available immediately at launch, from November 12.

What do you think? Is the Ace Pro 2 with all these new accessories the ultimate action camera setup? Let me know in the comments below.

• DJI has announced a launch event for November 18
• We'll almost certainly see the DJI Osmo Action 6 make its debut
• Potential pricing for the action camera has leaked as well

Things are moving fast when it comes to the DJI Osmo Action 6: DJI has posted a teaser with a launch date for the long-rumored successor to the DJI Osmo Action 5 Pro, while global pricing for the action camera has leaked as well.

First, there's the official teaser, with the tag line "square up, nail the move". That's rather ambiguous, but we think it might refer to a square camera sensor – which, as per previous rumors, is likely to be a larger 1/1.1-inch size in this new model (potentially the same one as in the Osmo 360).

Less ambiguous is the launch date and time of Tuesday November 18, with events getting underway at 12pm GMT (that's 4am PT / 7am ET / 11pm AEDT). We will of course be ready and waiting to bring you the announcements as they're made.

The teaser image focuses on the main camera of the DJI Osmo Action 6, and judging by the animation it looks as though we're in line for a variable aperture this time around – the first time we'll have seen one on an action camera, and also something that's been previously rumored.

Global pricing leaks

Now to the unofficial updates, and Dealabs (via Notebookcheck) thinks that the starting price in the US will be $379. That compares to $349 for the DJI Osmo Action 5 Pro Standard Combo bundle, though of course the bundle details may differ.

The pricing will be £329 in the UK and €379 in Europe, according to the same tipster, with the more extensive Adventure Combo package coming in at $479 / £419 / €479 – that's a slight increase over the same bundle for the 2024 model camera.

This leak doesn't mention Australian pricing, but the DJI Osmo Action Pro 5 pricing was AU$599 for the Standard Combo and AU$769 for the Adventure Combo, so we can probably expect something along those lines or a little higher for the new model.

All the indications are that this is going to be quite a substantial upgrade, making the Osmo Action 6 very much a contender for our list of the best action cameras you can buy, and within a couple of weeks everything will be official – even as a potential US ban for DJI looms.

Insta360 X4 Air: two-minute review

It’s been just over six months since the release of the Insta360 X5, which showed up bang on cue to replace the highly praised X4 from 2024. The TechRadar team loved both of these models, placing them amongst the best 360-degree cameras, and you’ll see quite a few of them around the office. Now, in what may feel like Christmas come early for 360 video devotees, Insta360 has released the X4 Air, a smaller and even more portable package designed to fill a gap in the market.

Viewing the X4 Air side-by-side with the X5 – or the X4 for that matter – there are some fairly noticeable differences. Firstly, given the name, it’s no surprise to find that the X4 Air is smaller and more lightweight. If the X4 could fit easily into your coat pocket, the X4 Air can find a home in the pocket of your jeans, making it possible to travel through busy locations and be ready to capture video on the go without being noticed.

Despite the shrunken proportions, the body of the X4 Air retains the solid feel of the X4, and I was confident that the camera would fare better than I would in the city center rainstorm I was caught in during my testing.

The camera is quick and easy to set up and use, even if you have limited experience with videography or 360 capture. The screen is a little fiddly to use, given its small size, but this can be remedied by pairing the X4 Air with your smartphone and using the feature-packed Insta360 app to control the camera remotely. All of the menus are easy to navigate, and I had the camera customized to my requirements in no time.

The dual sensors in the X4 Air are smaller than those in the X5, but larger than the 1/2-inch units on the X4. I was greatly impressed by the dynamic range and noise performance of these chips in high-contrast and low-light settings. Colors were still punchy and shadows clean, despite the X4 Air not having the PureVideo Mode seen on the X5. The 8K footage looked fantastic straight out of the camera, and reframing using the app or Insta360 Studio desktop software was quick and easy.

There might not be enough reasons for X4 users to switch to the X4 Air, but assessed by itself, the camera is a great 360 shooting machine that made me fall back in love with the format. If you’re an avid explorer, or even a pro videographer looking to capture some more exciting angles, the X4 Air is a solid choice.

Insta360 X4 Air specs

Insta360 X4 Air: Price and availability

• Launched worldwide on October 28 2025
• Standard edition costs $399.99 / £359 / AU$639.99
• Starter Bundle available for $439 / £389 / AU$699.99

The Insta360 X4 Air was released on October 28 and is priced $399.99 / £359 / AU$639.99, which is quite a bit below the price of the X4 / X5 at launch ($499.99 / £499 and $549 / £519 respectively). Considering that the X4 Air is technically an update to the X4, this seems a fair price to pay for the larger sensor and access to the replacement lens system.

Beyond the standard bundle above, Insta360 is also offering the X4 Air in a Starter Bundle, which includes the camera, a 114cm Invisible Selfie Stick, Lens Cap, and an extra battery which, given the limited battery life, is definitely a useful backup. This option can be picked up for $439 / £389 / AU$699.99, which is good value to get you up and running.

• Price score: 4.5/5

Insta360 X4 Air: Design

• 45 x 112 x 35mm in size, 5.8oz / 165g in weight
• Waterproof to 49ft / 15m
• 2.5-inch screen, USB-C 3.0 input and microSD card slot

If you’ve used an Insta360 camera before, you’ll fall right into step with the X4 Air. It shares much of the design philosophy with its stablemates, just in a smaller package. Let’s not forget that the Insta360 X4 is by no means a large piece of equipment, so I was initially concerned that by minimizing the body further it would result in some impractical control layout compromises. However, the changes that have been made are sensible ones, and feel more like refinements of the X4’s layout than unappealing but necessary drawbacks.

The front of the X4 Air looks simple, and not unlike a compact smartphone, albeit with an oversized camera lens. The area is dominated by the 2.5-inch touchscreen, and below that a single round button that's assigned to shutter triggering by default. This replaces the dual-control design of the X4 and X5, giving the X4 Air a more streamlined feel.

I actually think I prefer having one large shutter button in the bottom-center of the camera body to the X4’s smaller shutter control at the bottom-left. During testing, I found it easier to find and press the large button without looking, a minor advantage to many prospective users, perhaps, but as a regular street and travel photographer, being able to get a camera up and running immediately as I pull it out of its case is something I’ve come to appreciate greatly.

As you’d hope for in an action camera, the build quality is robust, and capable of withstanding a few knocks and scrapes. Despite the reduced weight, the X4 Air doesn’t feel noticeably flimsier than the X4, another area I was concerned about, although I suppose Insta360 could only change the construction integrity so far before the camera stopped being fit for purpose.

I really like the textured grip pattern adorning the sides of recent Insta360 cameras. It gives the impression of solidity, and makes them feel like true tools made for outdoor use. On paper, I know action cams are often waterproof, but I often still have trust issues with submerging a valuable piece of technology; the X4 Air will go a long way to easing your nerves if you're like me.

Another major upgrade over the standard X4 is the replaceable lens system. New to the latest generation of Insta360 cameras, the ability to easily swap out a cracked or scratched lens for a new one yourself, without having to send the whole camera away for an off-site repair, saves both money and time. It’s a very neat concept that frees you to take a few more risks with your camera, placing it in some more extreme positions for exciting angles, for example, with less concern that you are about to write off your Insta360 completely. It’s a multi-step process that requires some practice to do confidently, but the additional $29.99 (£29.99) cost for a replacement kit is good value for the peace of mind it provides.

The X4 Air weighs exactly the same as an iPhone Air – surely no mistake on Insta360's part from a marketing point of view. At 165g, it’s not going to add a perceptible amount of extra load to your camera bag, and can even be transported in a coat pocket with ease when heading out for a day of exploring. Due to its size, I found myself taking the X4 Air with me everywhere, on the off chance a shooting opportunity presented itself.

• Design score:4.5/5

Insta360 X4 Air: Performance

• Quick focusing
• Intuitive reframing
• Disappointing 88-minute battery life

I was a little slow to embrace 360 video shooting, probably because I was put off by how fiddly I thought processing and editing footage would be (I’ve had some bad experiences creating virtual tours for assignments, which left me traumatized, obviously). Right from the off, working with the Insta360 X4 Air via the mobile app was a breeze, however. Once you go through the usual activation and connection processes, which require Bluetooth for two-way communication between your smartphone and the camera, you can use the phone screen to preview the scene in far more clarity than on the camera monitor.

It’s easy to pair your devices, and preview clips and images stored in the camera roll, while there's also the option to download files to your phone for editing. It is possible to work on files stored on your memory card mounted in the X4 Air, but this can slow down processing considerably. The app interface is fairly user-friendly, although some of the more advanced functions could feel a bit overwhelming to beginners.

In use, the X4 Air is highly responsive, being quick to start up and begin shooting. The audible ‘beep’ as the camera boots up is quite loud out of the box, potentially drawing some unwanted attention in quieter environments such as a museum or church; you can adjust the volume once the camera is on, although even after I'd muted it the tone still sounded on startup, which maybe have been an issue with my sample unit.

The touchscreen is nicely sensitive, and I experienced little to no lag when swiping to reframe 360-degree footage while recording. Admittedly, the preview image isn’t the highest quality you can find on a camera; it looks comparatively low-resolution if you’re accustomed to using a recent phone screen or interchangeable lens camera. Equally, the small size means tapping icons on-screen is a challenge if, like me, you have hands that are on the large side. This is why I’d recommend using your X4 Air paired to a phone instead, where practical.

The stated battery life of 88 minutes isn’t especially impressive, so carrying multiple replacements is a good idea if you’re away from home for any length of time. The charging time is fast though, meaning it’s easy to top up on power during a short coffee break at a cafe using the supplied USB-C cable. In my review sample, I found the USB connection quite loose, and some jiggling was required to ensure stable charging.

I did notice the X4 Air’s body heated up quite rapidly, even when not recording. I liked that the screen switches off automatically when not in use, to save battery, but keeping the camera on and at the ready for shooting means it still gets warm in the hand. It’s nothing extreme, but I do wonder how the camera would perform over extended shooting times in hot environments.

The camera is quick to focus, although again I’d recommend using a connected phone screen for assessing critical sharpness. The on-camera screen is too small for you to be completely confident that you have the subject in focus, although with such a deep depth of field at this focal length and given the smaller sensor, you don’t have to worry too much about obvious back-focusing.

• Performance score: 4.5/5

Insta360 X4 Air: Image quality

• New dual 1/1.8-inch sensors
• Can record 8K 30fps or 6K 50fps video or 72MP photos (360-degree)
• No PureVideo mode for low-light

With a sensor more than 1.6x smaller than the Insta360 X5's, you would expect a tradeoff in absolute image quality. Smaller pixels are the necessary compromise that allows the X4 Air’s diminutive size, and if you buy one, you’re likely doing so because a manageable size and weight are your top priorities. Considering the compact proportions of the camera body, Insta360 has done well to optimize the internal engineering, and the sensor is actually larger than the chip used in the X4 by almost a millimeter.

I jumped in at the deep end when testing the X4 Air, taking it to the low-light conditions of a Christmas-themed market at a local garden center. Despite the limited ambient light, footage was clean and detailed. Straight out of the camera there was very little discernible noise in shadow areas, and the image seemed sharp, free from the excessive mushiness that is the tell-tale sign of harsh in-camera noise reduction. Colors were also vibrant without being unnatural.

I genuinely think the video was superior in this area to that from my older semi-professional APS-C format DSLR cameras, which either made colors flat and dull in high-ISO footage, or wildly overcompensated by making them glow like a Tim Burton movie. This clip was quickly edited in the Insta360 Studio desktop app, which comes supplied with royalty-free music for social media use.

The dynamic range was perfectly acceptable, and while highlights tended to clip quickly in high-contrast lighting, the X4 Air did a good job of capturing shadow detail. I loved that a Log mode is available on the X5: I-Log produces a much flatter profile, allowing for more advanced color grading during post-processing while retaining more shadow and highlight data. This worked well, and although Netflix is unlikely to certify the camera any time soon, it does open up a wealth of cinematic styling opportunities. While this is not available on the X4 Air, there is a flat profile in its place, which isn't quite the same, but serves a similar function. Edited footage still offered more scope for color control than clips with pre-applied contrast and color profiles.

Meanwhile, the Active HDR mode and Adaptive Tone setting are highly effective at preserving highlights. It’s worth mentioning that HDR shooting isn’t possible above 30fps. The frame rate is also limited to 50fps rather than the higher 60p available on the X4.

Shooting outside in good light produced the best results. The automatic white balance system also copes well in direct sunlight, although taking full control over the color temperature is possible through the menu, giving you more consistency between clips. This gives 360 footage a truly immersive and life-like feel, perfect for capturing the essence of a location while traveling.

• Image quality score: 4.5/5

Insta360 X4 Air: testing scorecard

Should I buy the Insta360 X4 Air?

Buy it if...

You value portability above all else
There may not be much of a reason to switch from another recent Insta360 camera model, but if you regularly travel and want to be discreet in how you shoot, the X4 Air is a truly pocket-friendly video camera.

You need 8K video
Arguably, 8K is overkill for many users, but it does open up cropping and reframing possibilities. Getting 8K capability in such a portable package is great for high-end videography purposes on the go.

You're new to 360 video
The reduced price point compared to the X4 and X5 means the X4 Air represents an affordable entry point into the Insta360 system. You get many of the same great features, but with less investment, making it a good choice to test the water and see if this type of videography is your thing.

Don't buy it if...

You just bought an Insta360 X5
....unless you want both! While I wouldn't necessarily say the X4 Air is worth changing to if you already own an X5, which is the higher-end model, you might still consider owning both if you're a 360 fanatic and want a smaller backup body.

You want maximum image quality
While the image quality is impressive, the X5 has the larger sensor and benefits from PureVideo mode for low-light and night shooting. For professional use, you might value absolute image integrity over diminutive size.

Also consider

How I tested the Insta360 X5

• I tested a full production model running release firmware over several days
• I use the camera both mounted on an invisible selfie stick and handheld
• I recorded videos in varying lighting conditions, both indoors and outside

Having reviewed action cameras on and off for several years, I went into this test with high expectations. I spent roughly a week using the Insta360 X4 Air alongside an X5 for the purposes of a comparison. I shot footage on both cameras under the same conditions to evaluate how each camera handled noise and tonal range, then examined both out-of-camera footage and color-graded I-Log clips to evaluate image quality.

• First reviewed October 2025

• Another image of the DJI Osmo Action 6 has leaked
• The shot shows the camera on a motorcycle
• We might see an official launch in the next few weeks

It seems very likely that there'll be a new contender for our best action cameras list making its debut in the next few weeks, in the form of the DJI Osmo Action 6, and a new image of the device has now leaked out online.

As with many of the previous leaks of this camera, the image comes from well-known tipster Igor Bogdanov – but unlike the pictures we've seen before, this one shows the DJI Osmo Action 6 actually in a real world setting.

Previous shots of this action camera have looked like official renders used for retail listings online, whereas this one appears to be a marketing image showing the device fastened to the handlebars of a motorbike.

We can also see what looks very much like the DJI Osmo Action GPS Bluetooth Remote Controller, already available as an optional accessory for DJI cameras. The display shows 1 hour and 53 minutes of storage space left for 4K/30fps video.

Upgrades in store

Aside from this being an interesting shot of the DJI Osmo Action 6 actually in action, it doesn't really tell us anything new about the successor to the DJI Osmo Action 5 Pro – we've already seen the design, front and back, in earlier leaks.

By taking a close look at the renderings that have previously appeared online, we can see a variable aperture of f/2.0-f/4.0, and a camera sensor size of 1/1.1 inches (compared to the 1/1.3-inch sensor on the current model).

The camera is set to be quite a substantial upgrade then, but DJI hasn't yet said anything officially about the device, or when it might appear. There have been whisperings about Monday, November 10 as a launch date, so we'll have to wait and see.

Of course, treat these leaks and rumors with a pinch of salt, as usual – but these images are coming from a reliable source, and it would be a surprise if what we're seeing here isn't actually the final design of the DJI Osmo Action 6.

• More images of the DJI Osmo Action 6 have leaked
• They reveal some key camera sensor specs
• A launch date of November 10 has also been rumored

We're patiently waiting for the arrival of the successor to the excellent DJI Osmo Action 5 Pro, and as well as freshly leaked images of the upcoming DJI Osmo Action 6, we also have murmurs around a potential launch date.

A couple of posts on social media from well-known tipster Igor Bogdanov give us what could be our best looking yet at the much-anticipated Go Pro rival. It looks as though we may have a larger camera sensor here: 1/1.1 inches rather than 1/1.3 inches.

We can also see a variable aperture inscribed on the DJI Osmo Mobile 6: f/2.0-f/4.0. This would be another upgrade from the fixed f/2.8 aperture of its predecessor, and should mean more depth of field versatility in capturing shots, as well as better quality images and video, especially in low light.

The field of view appears to be the same, at 155 degrees, and it looks as though the screens on the action camera might be slightly larger than before, front and back – though it's difficult to be sure from these images.

Start the countdown

As for when we might see the DJI Osmo Action 6 break cover, according to The New Camera the launch date for the camera could well be set for Monday, November 10. That's a little later in the year than the current model, which launched in September 2024.

The same leak includes information on some bundles that could potentially be coming with the DJI Osmo Action 6: a filter set, a metal cage, and a metal grip kit. As usual, these will add various functions and features to the camera.

It would seem DJI has decided to ditch the 'Pro' moniker that was suddenly introduced for the 5th-gen camera, after the earlier models – including the DJI Osmo Action 4 – had gone without it. There was no standard Osmo Action 5 alongside the Pro version.

All of this will become official very soon, if these predictions are correct – and it would be a big surprise if the DJI Osmo Action 6 wasn't unveiled in the next couple of weeks or so, with the holiday shopping season and the end of the year fast approaching. If previous Osmo Action 6 rumors are also true, it could be the action camera to beat.

I'm going to get straight to the point – if you're looking for an action cam and have a budget of £200, then look no further than this early Prime Big Deal Days special – the DJI Osmo Action 4 at Amazon for only £189 (was £289).

Sure, it's not the latest model – but the Action 4 isn't all that different from the Action 5 Pro which costs significantly more, plus it's much cheaper than equivalent GoPro and Insta360 rivals too.

Yes, the rugged action cam is one of the best early bird deals ahead of Prime Big Deal Days which takes place on October 6 and 7. Be sure to bookmark that link for quick access to the best deals, and read on to find out why I recommend the Action 4.

Not in the UK? See today's best deals in your region below.

Today's best DJI Osmo Action 4 deal

I reviewed the DJI Osmo Action 4 back in the summer of 2023 and took it on holiday during that time, where it proved to be a perfect foil to my smartphone. In fact, I had so much fun with the camera during that coastal break, that I barely used my mirrorless camera.

Thanks to its rugged build and 18m waterproofing, I was able to take the "polished GoPro alternative with hassle-free magnetic mounts" to places I wouldn't dream of with my phone or mirrorless camera and capture memorable moments, like jumping into the ocean from rocks, kayaking and more.

Sure, the Osmo Action 5 Pro is now on the scene, but there's not a whole lot different between the cameras for most people, and the latest model is almost twice the price.

With the Action 4, you get crisp and silky smooth stabilized 4K video up to 60fps with rich 10-bit color depth and a flat D-Log color profile for rival-beating dynamic range, especially in low light thanks to its larger 1/1.3-inch sensor. Bright twin displays make composition easy, too.

It's not perfect – battery life is middling, while the 0.4m close focus is limiting for vlogging, but the Action 4 is tougher than most and has the serious tools to satisfy users of all skill levels.

Now for less than £200 at Amazon and Argos, the Action 4 is the budget action camera to get. If you are curious about what alternatives are available to you, then head over to my best action cameras buying guide where you'll find the latest and greatest action cams for different budgets and needs.

• 2025 is the first year in a decade with no new Hero Black action cam
• GoPro launched the Max 2 360 camera and the entry-level Lit Hero instead
• GoPro says the Hero Black story is not over

New GoPros in September is one of tech's few certainties, but 2025 just dealt out a big surprise – it will be the first year in a decade without a new Hero Black flagship.

Ready for the Hero 14 Black unveil, we instead received news of the new GoPro Max 2 and GoPro Lit Hero. The former 360 camera is the long-awaited successor to 2019's Max, while the latter is an upgrade of the entry-level Hero 2024.

We asked GoPro for comment about its Hero Black series plans, and its SVP Global Marketing and Communications, Rick Loughery, told us,

"For 2025, GoPro will continue with Hero 13 Black as our lead flagship camera. The speed of our tech innovation has been incredible over the last few years, and we believe Hero 13 Black remains one of the most advanced and capable cameras on the market.

"We are focused on prioritizing the camera that our GoPro community is most eager to add to their content toolkit, and this year it’s Max 2. And if 360 isn’t what you’re after, Lit Hero also satisfies the need for a more traditional action camera in this year’s lineup."

GoPro assured us that the Hero Black story isn't over. However, there could be testing times ahead for the action camera king, with speculation that DJI will launch the Osmo Action 6 soon, featuring a GoPro-beating 1-inch sensor, 8K video, and advanced smartwatch integration.

Is the legendary line of action cams slowing down?

GoPro set the action cam standards for years, delivering industry firsts in its flagship series of Hero Black cameras. Since 2016's Hero 5 Black, there has been a fresh model each year around September, culminating in the Hero 13 Black last year.

There have been recent signs that the series is slowing down, with the last few models bringing iterative updates and using the same stabilized 4:3 sensor for smooth 5.3K video. At the same time, fresh players have entered the scene: DJI and Insta360.

Currently, there's a tasty three-way battle for the best action camera, between GoPro's Hero 13 Black, the DJI Osmo Action 5 Pro, and the Insta360 Ace Pro 2.

Each brand has its own take on the format, and I'm actually a big fan of the latest GoPro, not least of which for its swappable lenses – one of GoPro's best new features in years. The Hero 13 Black is otherwise similar to the Hero 12 Black, which was also a super modest successor of the excellent Hero 11 Black.

To be clear, I don't mind GoPro extending the cadence of its flagship action cam series launches. I feel the same about leading smartphones by Apple, Samsung, and Google – do we really need a new model every year?

I'd rather GoPro take its time to work on meaningful upgrades for a future model, presumably a Hero 14 Black. It just feels strange that there's no new model this year – a new Hero Black is something we've got used to seeing each fall.

What do you think about GoPro's 2025 product launches and the absence of a new Hero Black flagship? Feel free to share your thoughts in the comments below.

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• Best 360 camera 2025: our top rated choices for capturing every angle
• GoPro launches a cheap action cam with a unique new feature that could give your 4K action shots a lift

• New Lit Hero updates the Hero 2024 with built-in LED lights
• There's also 4K video upgrades and now magnetic mounting
• It's available now for $269.99 / £239.99 / AU$419.95

It's September, which means two certainties in consumer tech: the latest iPhones and GoPros hit the market. Sure enough, the iPhone 17 series is here, and now it's GoPro's turn with two new models that join the action camera king's range: the Max 2 and the Lit Hero.

We've already tested GoPro's long-awaited 360 camera ahead of its launch – check out our Max 2 review for more details. As for the Lit Hero, it's an intriguing upgrade from last year's Hero 2024, continuing GoPro's smallest and cheapest entry-level Hero series.

The Lit Hero is a reasonable update with a unique new feature – built-in LEDs. The quad LED unit has three brightness levels and can cast a little fill light on your subjects. It looks especially handy for selfies.

Built-in LEDs look much more convenient than fiddling with GoPro's light mod, especially in a tiny action cam like the Lit Hero, which weighs just 2.9oz / 83g. Honestly, it's one of those moments that leaves me asking why hasn't anyone does this before?

Despite the predictable timing of two new GoPro action cams, there's a bigger surprise – this is the first year in a decade without a new flagship Hero Black model. It looks like those anticipating the Hero 14 Black will have a longer wait. We've been speaking with GoPro about the future of its flagship Hero Black series – stay tuned for that article coming shortly.

As for the Lit Hero, it costs $269.99 / £239.99 / AU$419.95, which means it's a little pricier than the Hero 2024, but less than the Hero 13 Black. Let's take a look at the other upgrades that the latest entry-level model brings.

A compelling entry-level action cam?

We could appreciate what GoPro was attempting with the Hero 2024 – to create a tiny and simple-as-can-be action cam. However, we felt there was one cut back too many for us to fully recommend last year's model.

Through a series of upgrades in an equally small and lightweight package, the Lit Hero looks to boost the series.

In addition to the quad LED light unit, the Lit Hero doubles 4K video frame rates up to 60fps. Lower that frame rate to 30fps and it's possible to shoot in a new 'tall' 4:3 aspect ratio in addition to the standard 16:9, making for better quality social cuts.

The Lit Hero also inherits GoPro's 3-in-1 mount design from pricier models such as the Hero 13 Black, which means magnetic mounting features. Quick mounting is a welcome upgrade for what is a simple action cam by design.

Elsewhere, it's as you were. Like the Hero 2024, the Lit Hero is waterproof up to 5m, has a non-removable Enduro battery, and it shoots 12MP photos, albeit boosted in low light with those LEDs.

We'll be sure to share our GoPro Lit Hero verdict soon after for our usual in-depth testing.

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• GoPro Hero review: the action camera king goes back to basics
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Gone are the days when GoPro fully ruled the roost on the action camera scene. In the last few years, we’ve seen new models launched for people who want to capture not only extreme sports, but their travels, friends, families, and everyday lives.

There are three main players locked into the contest these days. GoPro, Insta360, and DJI aren’t just competing on hardware, but also on their accompanying phone apps, software features, AI-powered editing, and innovative form factors.

Insta360 is a brand that's intent on empowering users to capture unique content that was previously impossible, making the process accessible to boot with its intuitive Insta360 app and quick-editing features.

DJI is the more serious toolmaker for creators demanding quality and a pro workflow. The Osmo Nano is designed to work seamlessly with its microphones, but the DJI Mimo app is also designed to remove the complexity from editing footage.

The Insta360 Go Ultra and DJI Osmo Nano were released on August 21 and September 23 respectively. They’re the two companies’ latest compact action cameras, and each gives you an impressive 4K/60fps video, and weighs just over 50g.

The big draw here is their versatile designs. Both products are made up of a smaller magnetic camera that attaches to a bigger dock with a touchscreen for remote control and playback. The cameras are near identical in weight, but where the Go Ultra looks squarer and thinner, the Osmo Nano is longer and fatter.

There’s so much more inside (and out) to differentiate these cameras, but you need to go beyond the specs sheet. I’ve fully reviewed both cameras in the real world (read my in-depth verdicts on both in my DJI Osmo Nano review and Insta360 Go Ultra review) by running, hiking, playing around at home and using a host of accessories to improve the camera’s experience.

In this article, I'll share what I’ve learned to help you decide between the two compact and fully wearable content creation machines.

1. DJI Osmo Nano vs Insta360 Go Ultra: Design and ruggedness

• Both cameras are waterproof to 10m
• Both cameras weigh around 52g
• Osmo Nano weighs 124g (with dock), G0 Ultra weighs 161g (with pod)

Each camera's design can be broken down into two components. The DJI Osmo Nano has a oblong camera unit on top that attaches to a 'Multifunctional Vision Dock' (catchy, and from now on I’ll just call it the dock) underneath with two clips and a magnet. The camera itself can be taken off and mounted magnetically on surfaces and accessories like hat clips and lanyards. The dock, with its OLED HD touchscreen, gives you remote control, scene display, charging, and file transfer.

The Insta360 Go Ultra also has a modular, two-part system: a standalone square camera and the 'Action Pod' (which I’ll call the pod), which join together with strong magnets. The pod has a larger flip-up touchscreen, and for this reason it's like a mirrorless camera interface or mini vlogging camera. In full form, it's not much smaller than a conventional action camera, so I think you need to be taking advantage of the standalone cam regularly to justify choosing it.

Both cameras are impressively portable and wearable, and there’s no noticeable difference between their solo weight (52g/53g); however, Osmo’s vision dock adds another 72g, and the GO Ultra’s action pod is an extra 108g, tripling the full heft of the combo, although I could still fit the Go Ultra in my jacket or jeans pocket.

What about ruggedness? Both cameras are operable down to 33ft / 10m), and both the Osmo Nano's dock and the Go Ultra's pod are IPX4 rated, meaning they're only protected from splashes. There's nothing in it from a specs point of view. I like that both models also have lens protectors, and if you crack or scratch these, you've only got the small cost of a replacement rather than having to buy a whole new camera.

What I love about comparing cameras and writing reviews is how the tech specs can fall away when you use a product in real life. For me, the Osmo Nano fell short of the Insta360 in its combo form – I found it was top-heavy enough to fall over on uneven surfaces. The Go Ultra, by contrast, is sturdy enough to stay upright on wonky walls, tree trunks and more for creative angles, and you can pull out the screen slightly to act as a clever tripod support.

Things are reversed when you use the cameras on their own. The Osmo Nano will stand upright or on its side, due to its thicker cuboid shape, while the Go Ultra has to be held, worn or mounted.

• Design winner: Draw

2. DJI Osmo Nano vs Insta360 Go Ultra: Performance and usability

• Osmo Nano has built-in storage; Go Ultra relies solely on a microSD card
• Osmo Nano has a 1.9-inch touchscreen; 360 Go Ultra screen is 2.5 inches
• The Nano camera lasts longer; the Go Ultra charges more quickly

The Osmo Nano is available with either 64GB or 128GB of built-in storage, which can be supplemented with a microSD card, while the Go Ultra relies solely on a microSD card. The Osmo Nano can take up to a 1TB card, where the Go Ultra supports cards all the way up to 2TB – perfect for creators who might be away from a computer for some time, or folks shooting a lot of content in one go. While this means you can shoot with the Osmo Nano straight out of the box, it's worth noting that the microSD card is in the dock rather than the camera itself.

The Osmo Nano has a 1.96-inch touchscreen, while the Go Ultra’s is 25% bigger at 2.5 inches. Personally, I love the extra real estate the latter gives you for framing shots and checking playback without having to revert to your phone screen, and I found the Nano's screen hard to read at times. Of course, this doesn't matter as much if you're mainly using the apps to see a live feed of what you're filming.

The Osmo Nano has a physical record button on both the dock and the camera, and you can enable gestures like taps and voice commands to start shooting hands-free. The Insta360 Go Ultra also uses gestures, such as a thumbs-up, and your voice to start recording, or you can control both from their respective apps. I my testing these features were reliable on both cameras, with the gestures being particularly useful in loud environments like a busy city center. The Nano's button itself was a little noisy to press down, even if it is more convenient when you're holding and carrying it around.

When it comes to battery performance, it's a nuanced picture. The Osmo Nano camera lasted considerably longer (I got 85 minutes at 1080p/24fps) than the Go Ultra (around an hour). But the Go Ultra charges significantly faster (12 minutes to 80%) than the Osmo Nano (20 minutes) – my test results here aligned closely with DJI's and Insta360's claims. Realistically, both of these are lightning quick to charge, but if you’ve run out of juice at a key moment, the Go Ultra will get you shooting again just that bit quicker; it just might not last as long in the first place.

Lastly, usability. The Insta360 Go Ultra is designed for all levels, but it's particularly user-friendly for beginners. As soon as you power up the camera, on-screen tips introduce you to buttons and explain how to perform tasks like starting a recording or taking a photo with QuickCapture. These walkthroughs got me up and running quickly, whereas the DJI Osmo – despite having fewer in-camera filters and modes – took longer and left me less confident.

• Performance and usability winner: Insta360 Go Ultra

3. DJI Osmo Nano vs Insta360 Go Ultra: Image quality

• Insta360 Go Ultra has bigger 1/1.28-inch CMOS sensor, shoots 50MP photos
• DJI Osmo Nano has 1/1.3-inch CMOS sensor, shoots 35MP photos

Both the Insta360 Go Ultra and DJI Osmo nano cameras have strong AI-powered software and stabilization, but the Go Ultra's slightly larger sensor, higher photo resolution, and higher bitrate (180mbps over 120mbps) give it the advantage on paper when it comes to measuring photo and video quality. Of course, real-life performance isn't always an accurate reflection of the tech specs.

I tested both cameras in bright light and used their respective modes in low light to see how the contrast, dynamic range and sheer resolution compared. Comparing footage straight out of the camera, in Auto Mode, and on as similar settings as I could choose, the Osmo Nano captured slightly darker clips. I noticed the Go Ultra would automatically expose the same to be lighter, especially in the sky, but render faces accurately, where the Osmo might be duller. This may be down to the fact that Go Ultra footage is skewed towards people and less editing, whereas the Osmo Nano's footage is designed to be edited more carefully.

I found both cameras equally good at adapting to changing light conditions. When I was walking from a tunnel into daylight, my skin was well exposed compared to the darker background – happy news for vloggers. Using each night mode offered usable results, but I think the Osmo Nano slightly wins here on dynamic range (see my video clips below).

Across the board, I found colors were captured accurately, too, although both cameras allow you to change white balance manually. Walking and running shots were both equally stable handheld, and with the camera worn on a pendant.

The Osmo Nano offers advanced shooters and color graders the option of 8-bit and 10-bit color (with four times the information) as well as DJI's D-Log M Profile to max out the dynamic range and preserve detail in bright and dark areas. For editors who might want to match video from the Osmo Nano to footage from other cameras (on bigger projects), this is a big advantage. Overall, though, for social media users and amateurs like me who just want accurate, stable video straight out of the camera, there's not much between the two.

• Image-quality winner: Draw

4. DJI Osmo Nano vs Insta360 Go Ultra: Sound quality

• Osmo Nano has two built-in mics, Go Ultra offers Voice Enhancement
• Osmo Nano records in 48kHz, 32 bits, AAC, Go Ultra records in 48kHz, 16 bits, AAC
• Both cameras are compatible with first-party wireless mics

The Insta360 GO Ultra records audio at 48 kHz and 32-bit bit depth in AAC format. There are four audio modes, including Auto Wind Noise Reduction with two strength settings, Stereo recording and Voice Enhancement – the latter working well for at-home vlogs and clips to camera. The DJI Osmo Nano records audio at 48 kHz with a 16-bit bit depth in AAC format, and it has two built-in microphones for stereo recording.

In theory, the Go Ultra's higher bit depth should give more dynamic range and better audio quality. In practice, I found both cameras recorded pretty clear, crisp speech indoors (and outside, when there was no wind).

I tried all the wind-reduction modes in the video below. You'll hear that both cameras could reduce the wind noise, but this also muffled other background sounds in the environment on the highest setting. I think the DJI Osmo Nano just pips ahead for clarity.

If you're looking to record high-quality audio (rather than recording clips just to put music over them for social reels), I'd recommend pairing these cameras with an external mic. The Go Ultra pairs with Bluetooth headphones like AirPods Pro 2 and even the DJI Mic Mini and Mic 2 (as well as Insta360's own version).

The Osmo Nano can connect directly to up to two DJI Mic transmitters without a separate receiver, making it easier if you're a creator who already uses the DJI ecosystem.

• Sound-quality winner: DJI Osmo Nano

5. DJI Osmo Nano vs Insta360 Go Ultra: Apps

• Both cameras have mobile and desktop apps with rich editing tools
• Insta360 mobile app has slightly better AI-assisted editing results

These cameras are ideal for capturing unique first-person views and immersive angles. But taking the footage is only half the story; the other half is how they can turn clips into a compelling watch for your viewers. DJI and Insta360 both have free smartphone apps for viewing and recording live footage, reviewing your clips, and then editing them. How you do this on each camera is a slightly different.

Insta360 has built a reputation for easy AI-assisted content creation, and the colorful Insta360 app reflects this. There’s an Explore tab with fun tutorials for inspiration on using your camera, an album to view your clips, and the all-important Edit tab. Feed it a few clips, select Auto Edit, and it’ll generate a polished video of highlights complete with transitions, music, and highlights. I found a few effects a bit cheesy, but overall, the results are brilliant if you want a quick shareable video in minutes – Instagram Reels, for example. There are manual controls to create refined results if you have more time to play.

DJI’s Mimo app is pitched at the brand’s existing pro audience. Visually, the app has a lot more black and gray, but the layout is similar to Insta360 at the bottom of the screen. A One-Tap Edit option analyzes clips to deliver simple videos, which are very usable and take little time to export in different formats. The manual editing tools feel a touch more advanced, with options like Color Recovery to fine-tune your grading.

Both apps are intuitive, but the DJI Mimo has a slightly steeper learning curve for newbies. Its focus on a technical manual workflow is better for users who want post-production control, rather than an app that takes over the hard work for you. Insta360’s AI-driven editing has the edge for beginners and users who are time-poor.

• Companion apps winner: Draw

DJI Osmo Nano vs Insta360 Go Ultra: Early verdict

I’ve fully reviewed the DJI Osmo Nano and Insta360 Go Ultra in the past few months, so each camera's perks and pitfalls are fresh in my mind. It would be easy to say that both cameras are great at what they do and are bound to please most action amateurs. But that's not a very helpful conclusion if you're still totally torn. While there's not much between these devices on balance, for a true recommendation, I'd ask how you shoot, and what you want from a modular action cam.

The DJI Osmo Nano is a tough camera to beat on the image-quality front, but Insta360's mobile app is slightly better when it comes to AI-powered auto-editing (and it has a bigger pool of accessories to choose from). I can’t deny that the Osmo Nano's built-in storage is helpful, but I never found it difficult to link the Go Ultra to my phone to edit content remotely (or quickly pop the microSD in my computer).

Although the DJI Osmo Nano and Insta360 Go Ultra are both relatively easy to use out of the box, the Go Ultra leads the way with tutorials and on-screen pop-ups to guide you when accessing menus, modes and filters for the first time. I can see beginners learning a lot from these walkthroughs.

To me, the Osmo Nano is a more serious action camera that streamlines functionality and has a smaller footprint in your bag. DJI's renowned image stabilization impresses as ever, and kept all my footage shake-free and level on runs, cycles, drives and more.

In its modular format, the Go Ultra acts like more of a friendly 'point-and-shoot' device, and even if you’re not experienced at shooting or making videos, it gives you confidence that the AI tools will help to create polished content without a deep dive into technical settings. The Osmo Nano’s integrated dock is convenient, but I think it sacrifices small size for ease of use – especially when tapping the screen to select settings.

As always, choosing between these two action-oriented cameras comes down to the needs of the creator. The DJI Osmo Nano is better for serious hobbyists or pros who want better (but there’s not much in it) image quality and post-production flexibility. The 10-bit D-Log M color profile and streamlined audio integration make it better for creators who already have a well-established workflow, especially if they already have DJI microphones and the app.

I loved using the Insta360 Go Ultra during testing. It's pricier than the Osmo Nano, but it’s a fantastic camera for a wide range of users, including families, as well as hobbyist creators who want a more friendly user experience. Its AI-driven software makes it an incredibly versatile and forgiving camera for capturing and sharing moments almost instantly.

You'll also notice how much cheaper the Osmo Nano is compared to the Go Ultra. It's really aggressive pricing on DJI's part. If there's not enough between the two cameras in terms of their capabilities and ease of use, then the final say could come down to pricing, in which case the Osmo Nano clearly wins.

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DJI Osmo Nano: two-minute review

The DJI Osmo Nano is the latest in the brand's line of action cameras. Rather than building on a predecessor it's a whole new concept in its own right, although it shares the same-sized 1/1.3-inch CMOS sensor as the DJI Osmo Action 5 Pro, which landed at the end of 2024.

The range of best action cameras is more diverse today than it was even just a few years ago. The one-block shops of design like the GoPro Hero 13 Black are still popular, for sensible reasons like ruggedness and extended battery times, but modular designs like the Osmo Nano and the new Insta360 Go Ultra are becoming more common.

Why? We don't just want to hold our action cams or use a fiddly mount to attach them to our bike handlebars anymore. The content creation universe is continuing to grow, and so is the number and variety of places where we need our cameras to go.

In a nutshell, the Osmo Nano is a light, wearable action camera. You can wear it around your neck, on your head, on a hat or helmet, plonk it on your car, bike, or even attach it to your dog. It's remarkably small, and at 52g it's a gram lighter than its main competitor, the Insta360 Go Ultra, released a month before it.

The product is modular in design and built as a two-piece system, with a tiny, standalone camera unit that pairs with the Multifunctional Vision Dock underneath. The dock acts as a remote, screen, and charging station, with a small but bright 1.9-inch display to help you compose shots and adjust settings.

These two parts join together via two clips and a strong magnetic system, and it's this magnet that also allows the camera to snap onto DJI's various accessories, for a wide range of hands-free, wearable mounting options.

Although the camera is a fully IPX8-rated unit that's waterproof down to 10m, the dock is only IPX4-rated for splash resistance, which limits its use in heavy rain or near a body of water – a totally rugged design this is not.

Inside the camera is a 1/1.3-inch CMOS sensor, which captures a dynamic range of up to 13.5 stops according to DJI. I haven't done any calculations with my test images on this, but I did find great levels of detail and color in bright sky highlights as well as darker, shadowy areas like tunnels. I was genuinely impressed by the level of detail and tone the camera could capture, particularly for a sensor this small (in full-frame terms).

• Check out our DJI Osmo Nano vs Insta360 Go Ultra write-up to see how the small action cams compare

For me, DJI has always been a brand for what I'd call 'serious' creators, and that's something I'm pleased to see the brand has leaned into with the Osmo Nano. There aren't any 'fun' filters or gimmicks in the menus. Instead, the settings are pared back to sensible and helpful options; voice controls and gestures to start recording all work very well to make hands-free shooting that much easier.

A big draw for professionals is the color performance. I was surprised to discover that the Osmo Nano can record in 10-bit color with D-Log M and HLG profiles – a pro-level feature that gives you more leeway for color grading in post-production, if you want to edit manually rather than relying on the automatic outputs from the DJI Mimo app. In 10-bit, I found videos were punchy but still well-balanced.

Performance-wise, the Osmo Nano delivers exceptionally well in some areas but underwhelms in others. The promise of rapid file transfer holds up, with the 128GB version clocking transfer speeds of up to 600MB/s over a USB 3.1 connection. This is a huge time-saver.

Battery life, however, is a clear limitation. While DJI claims up to 90 minutes from the camera and 200 minutes with the dock, I found that shooting at 4K/60fps got me closer to just 60 minutes of continuous recording. On the upside, the dock's ability to fast-charge the camera to 80% in about 20 minutes means you can be back to shooting in no time.

The RockSteady 3.0 and HorizonBalancing stabilization features work well for walking or light activity, and even when I tried recording star jumps and high-intensity workouts, the footage was stable in sports mode. Audio quality is good all-round too, and two built-in microphones capture immersive stereo sound, with decent but not brilliant wind reduction. Another plus for more advanced creators is the ability to pair the Nano with two mics separately, and you won't need receivers if they're from DJI.

While the image quality is good for a camera this small, it’s still bound by the limitations of its form factor. The fixed 143-degree ultra-wide field of view is great for first-person shots, but obviously lacks the versatility of a more zoomed-in lens. And while DJI's SuperNight mode for low-light shooting is better than ever, it's limited to 30fps and 8-bit color.

The Osmo Nano is pricing is really aggressive, coming in much cheaper than the Insta360 Go Ultra and the GoPro Hero 13 Black – and that's with built-in storage too, meaning you can start shooting straight out of the box.

It's not necessarily the most charming camera I've tested, but it's thoroughly dependable and sensible, and for that reason I found it growing on me, while the low price sweetens the deal. The DJI Mimo app is less intuitive than Insta360's, and AI edits are a little less exciting, but it's smart and stable, and puts a clear live feed with access to settings at your fingertips on your smartphone.

DJI isn't marketing the Osmo Nano for family users, and it lacks some of the fun features of the Insta360 lineup, plus Toddler Titan mode for capturing kids. While charging is fairly speedy it doesn't charge as quickly as its main competitor, the Insta360 Go Ultra, either, but the camera does last longer.

If you need a fully rugged and all-in-one device for more extreme sports or environments, the GoPro Hero 13 Black or the DJI Action 5 Pro might be a better choice. But this is a well-thought-out, truly wearable action camera for creators who want to experiment with unique perspectives, and need a B-camera for places their main camera can't go, for a B-cam price.

DJI Osmo Nano: specs

DJI Osmo Nano: Price and availability

• Launched worldwide on September 23 2025, except US
• Osmo Nano Standard Combo (64GB) costs £239 / AU$529
• Osmo Nano Standard Combo (128GB) costs £259 / AU$589

The DJI Osmo Nano was announced on August 23, 2025, and is now shipping from DJI’s online store and authorized retailers, including Amazon. It won't be available officially in the United States at launch. A DJI Spokesperson told TechRadar that "DJI remains dedicated to the US market and is optimizing our strategy to best serve our customers amidst evolving local conditions."

There are two standard combos to choose between, broken down by the internal storage capacity: the Osmo Nano Standard Combo at 64GB (£239 / AU$529) or 128GB (£259 / AU$589).

Each combo comes with the same content, including the Osmo Nano Camera, Multifunctional Vision Dock, Magnetic Hat Clip, Magnetic Lanyard, a protective case, USB-C cable (USB 3.1), and a Dual-Direction Magnetic Ball-Joint Adapter Mount. The protective case is more just a plastic sheath rather than substantial padded protection.

That price puts it way below the Insta360 Go Ultra Standard Combo ($449.99 / £369 / AU$759), which is more impressive given that you get built-in storage too. It's also less than the GoPro Hero 13 Black (now available for around $359.99 / £315).

• Price score 5/5

DJI Osmo Nano: Design

• Standalone camera is waterproof, dock is splashproof
• Magnetic base connects easily to mounts
• The camera weighs 1.83oz / 52g

The DJI Osmo Nano camera is oblong-shaped, about half as wide as it is long. It sits comfortably between your thumb and forefinger in either portrait or landscape mode, but I didn't find it as pocketable as the Insta360 Go Ultra because of its extra depth.

Without the dock, the Osmo is a light, wearable action camera at just 52g. Adding the dock, by way of two secure mounting clips and a magnetic, adds another 72g and turns the camera into a more complete action companion. It's small, but I found the combo top-heavy on uneven surfaces, making low-level shots without a mount more difficult.

There's just one built-in OLED HD touchscreen on the dock, rather than a screen at the front and back, or a flippable design like the Insta360 Go Ultra. This means you have to detach and remount the camera every time you want to go from shooting your environment to talking to the camera (if you want to see yourself, that is). Unlike the Go Ultra, which simply plops back into place with strong magnets, flipping the Osmo Nano around is a bit fiddly.

The design is gray and plastic, which is familiar territory for both DJI and action cams in general. The body is subtly textured though, meaning it's easy to grab onto with cold, wet or sweaty hands. Ruggedness is key for an action camera, but only the wearable part of the Osmo Nano is waterproof. The camera is IPX8-rated for submersion up to 10 metres underwater.

The dock is only splash, rain and likely sweat resistant, and I wouldn't fancy its chances in a heavy rain shower. This is a shame, because it limits potential usage and introduces a little caution to creativity when shooting. It's also a far cry from DJI's Action 5 Pro, which is verified down to 20m / 65ft.

While the dock isn't waterproof, you can use the whole product in temperatures of -20C to 45C (-4F to 113F), so you're good for everything from winter sports to desert treks. A lens cover screws over the main lens, so if you damage or scratch it a replacement costs a fraction of buying a whole new unit.

The Osmo Nano has just two physical controls: there's a big red record button on the top of the camera and another on one side of the dock. These also act as power switches, and they require some force to push down so that you're not likely to press them accidentally. That's it, other than a small flap that opens up on the other side of the dock to reveal the USB 3.1 port for charging and transferring files, plus the microSD slot, which takes up to a 1TB card.

I didn't find the DJI Osmo Nano as enjoyable or easy to navigate as other action cameras I've tested. You swipe up to access video settings, down for the main menu, and left to change the shooting mode. To toggle Pro Mode on or off, you tap the slider icon on the right side of the screen.

It's not rocket science, but at 1.96 inches the small screen means you need to be extra precise with your touch gestures to bring up menus and dial in settings. My partner – who has bigger hands and fingers than I – sometimes had to tap the screen a few times to activate settings.

The menus are mainly black and white with yellow accents, and I found this less eye-catching than the GoPro or Insta360 ecosystems, although that may be more a matter of personal preference. Some settings are also overlaid on the live picture and can be difficult to read. The camera doesn't have the same detailed tutorials and guides that you get when you start using the Insta360 Go Ultra, although I'm sure DJI fans will have no trouble finding their way around.

• Design score: 4/5

DJI Osmo Nano: Performance and features

• Quick-edit videos on the DJI Osmo Mimo app
• Standalone camera charges 80% in about 20 mins
• In-built storage and takes microSD cards up to 2TB

The performance of the Osmo Nano is hard to pin down. In some areas I felt it delivered exceptionally well, but in others it was a bit underwhelming. The rapid file transfer ended up being surprisingly helpful, and in my tests with the 128GB version DJI's claim of up to 600 MB/s transfer speed over USB 3.1 holds up, and I found it a huge time-saver compared to sending lots of files wirelessly.

The camera's battery life is a limitation, though, particularly when shooting at higher resolutions like 4K/60fps. I got closer to 60 minutes of continuous recording here – rather than the 90 minutes that DJI claims at 1080p/24fps – which isn't bad for its size, but lags behind the multi-hour endurance of larger cameras like the Osmo Action 5 Pro. The dock can top up the battery on the go, and I was also impressed by its ability to charge to 80% in just 20 minutes, especially if you're as bad as I am at remembering to charge your gear before a shoot.

You then get up to 200 minutes of 1080p/24fps video from the dock, but in reality, I found this closer to two hours once the screen and Wi-Fi are on and you've powered the camera up and down a few times.

If you tend to record short clips throughout a longer day, it's nothing to worry about. If you're the type of shooter to record continuously, you may lament the fact that there aren't replaceable batteries to swap out when you run out of juice. I left the camera running for my battery tests during a particularly warm day, and although it felt hot to the touch during, it never overheated to the point of turning off.

The Osmo Nano is equipped with DJI's RockSteady 3.0 stabilization and HorizonBalancing. It handles a fair amount of shake, but it's not on the same level as a dedicated gimbal like the Osmo Pocket series. In footage of fast-paced, high-impact activities like running on trails you'll still see some micro-jitters, but for walking shots it's pretty impressive.

Using different mounts will dictate how stable your results are. Using the pendant seemed to cause me more wobbles than handholding the camera, for example, but the head mount gave me super-smooth footage when running. It's worth noting that there are different levels of stabilization, with daily, sport, or anti-motion blur options. You can also turn off image stabilization to save battery, or if you're using a secondary DJI product to keep things stable.

The DJI Osmo Nano performs really well in remote shooting scenarios without a phone. The voice commands, like 'start recording', work almost instantaneously in a quiet environment, but require you to shout when it's loud (not a great look in a city center). I found that gestures worked well too, and I liked being able to pat the camera when it was powered off to start recording, or nod my head when it was mounted on my head. Much more subtle.

The Osmo Nano has two built-in microphones for stereo sound, and I found the audio straight out of the camera surprisingly immersive. It picks up sound from a variety of directions when you're shooting in a public place, but still hones in on your voice when you're speaking to the camera clearly.

Like all action cameras, the audio quality sounds muffled underwater, but the clarity returns more quickly than others I've tested when you pull the camera back out into fresh air. There are lower and stronger wind reduction modes, and both did a decent job of reducing disturbance when I captured some clips on a blustery countryside walk, without removing the noise entirely (see the clips below). My voice was clear and free from distortion, but it's not the perfect solution for clean audio; for that, you'll need a separate mic.

A major draw is the ability to connect the Osmo Nano directly to DJI's wireless microphones without needing a separate receiver. I haven't been able to try this yet, but I can see it being convenient for creators who want to capture high-quality audio, especially those already with DJI mics.

• Performance score: 4/5

DJI Osmo Nano: Image quality

• 1/1.3-inch sensor
• Video up to 4K/120fps and 35MP photos
• 10-bit D-Log M and HLG color profile options

The Osmo Nano has a 1/1.3-inch sensor, the same size as you'll find in the Osmo Action 5 Pro and just a fraction smaller than the one in the Insta360 Go Ultra. Video headlines include 4K at 60fps in 16:9 format, and 4K 120fps slow-mo footage, which expands to 1080p 240fps.

The specs are one thing, but the proof is in the pudding; or in this case, in the videos and shots you get from the camera. Overall, I think the image quality is good for an action camera of this size. As ever, it won’t completely replace a full-sized or full-frame camera, but that's not the expectation here. The fixed 143-degree ultra-wide field of view is perfect for first-person POV shots, and I could fit a whole wedding group in the frame (I don't have permission to include the sample shot in the review, sadly), but it's not easy to zoom in on the scene should you want to get closer in.

I tested the Osmo Nano in all weather and lighting scenarios. DJI touts the wide dynamic range of the Osmo Nano, but in direct sunshine I noticed some banding where the highlights had been clipped. You can see this in the video above, which was a test of the one-tap editing feature in the DJI Mimo app.

4K resolution is sharp and punchy, and even in 8-bit color mode the camera seems to capture vibrant blue skies and leafy greens, and handles quick changes in light (coming out of a dark tunnel, from indoors to outdoors) well; however, while I like a bit of lens flare, this is one area that could be handled better. It tended to keep my face exposed when I was talking to the camera, but this wasn't set up anywhere in the camera. If I were to generalize, I'd say footage comes out darker than Insta360's Go Ultra, possibly for greater leeway when editing, where the Insta option is designed for near-automatic use.

DJI's SuperNight mode does a decent job of reducing noise in low light, but it only works at up to 30fps and with 8-bit color, which might limit its utility for serious cinematographers. It’s the best night image quality in a wearable camera I’ve seen, but it’s still bound by the laws of physics – a smaller lens and sensor will always have certain limitations compared to a larger, more dedicated camera. There's some AI-smoothing being applied to reduce noise in low-light footage, but this is less obvious to the untrained eye, and less muddy than some night modes I've seen on earlier action cameras.

DJI's automatic horizon leveling (which can be calibrated) is pretty flawless, and the RockSteady image stabilization is most impressive in sports mode. To really test it out, I wore the camera on DJI's headband mount and recorded the first five minutes of a high-intensity workout. Throughout a gruelling round of burpies, star jumps and squats, the footage was stable and smooth (almost unnaturally so). Trail runs, dog walks, and cycle clips were all just as usable, but the handheld results are slightly more jittery than using a dedicated mount.

Photos from the camera have a medium-range megapixel count (the maximum resolution is 35MP and you can shoot in a 16:9 or 4:3 ratio), and as to their quality, I said the same thing about Insta360 Go Ultra's photo results: they're good enough to insert into videos, but I probably wouldn't use them for standalone social posts or prints as a creator. Consider them as an additive rather than a standalone feature, and you won't be disappointed.

Impressively, the Osmo Nano gives you the option of recording footage with a flat color profile (DJI's D-Log M setting), designed to preserve the maximum color and brightness info in the video file, especially in lights and darks.

While the footage out of the camera is desaturated in this mode, I found you had far more wiggle room to adjust the colors, contrast, and saturation to achieve a specific, cinematic look without losing any of the detail captured in the original scene. This is also going to benefit creators shooting a project with the Osmo Nano alongside other cameras who want their edited work to look consistent.

• Image quality score: 4/5

DJI Osmo Nano: testing scorecard

Should I buy the DJI Osmo Nano?

Buy it if...

You want a camera that 'disappears'
The Osmo Nano is small enough to be worn on a pendant, hat, or headband, thanks to its small size and weight. The magnetic mount allows for quirky mounting solutions like lamp posts, cars, and even washing machines.

You already own DJI products
To boost the sound quality, you can connect the Nano directly to two DJI microphone transmitters without needing a receiver. If you've already got a DJI mic, gimbal or camera, sticking with the brand also means greater familiarity with the app.

Don't buy it if...

You like a roomy LCD screen
At less than two inches, I found the Osmo Nano's LCD touchscreen a little small for composing shots and reviewing footage. You can use your phone for a larger live view, but this isn't always convenient.

You want a fully waterproof solution
The Nano's Vision Dock is only splashproof, and this made me uncomfortable while shooting in the rain or near water. If you're a real action lover, I'd recommend a camera with a more rugged build.

Also consider

How I tested the DJI Osmo Nano

• I tested the camera for two weeks pre-embargo
• I wore it on walks and runs, and mounted it for drives
• I recorded videos at all settings and in all modes

DJI sent me a full-production Osmo Nano for review around two weeks before its release date, and I used it at least once a day – often much more – during this period. I always like a camera to become a natural part of my workflow, rather than carrying out one intense period of testing, so that I uncover the nuances for a more informed and helpful review.

I tried all the camera's modes, used it with and without the dock, and mounted it on the magnetic pendant and headband. I mainly used the DJI Mimo app to edit footage right from my iPhone 15 Pro.

• First reviewed September 2025

• DJI tipped to reveal the Osmo Action 6 in October
• The flagship action cam could feature a rival-beating 1-inch sensor and 8K video
• Advanced smartwatch integration could also be included

Leaks about DJI's next flagship action cam suggest it could put the squeeze on rivals Insta360 and GoPro.

Touted as the Osmo Action 6, it could be the first camera of its kind with a 1-inch sensor, which will support 8K video, plus what looks like advanced smartwatch integration.

If the exclusive leaks shared by The New Camera prove accurate, a would-be Action 6 looks like it'll be the action camera to beat, with a sensor that dwarfs the ones used in the Insta360 Ace Pro 2 and GoPro Hero Black 13.

We've seen a 1-inch sensor in other DJI products, including the Osmo Pocket 3 vlogging camera and the recent Mini 5 Pro drone. However, it would be a new kind of sensor for action cams and could deliver next-level low-light quality.

Other topline features to whet the appetite are 8K video and slow motion 4K 120fps and 1080p 240fps recording.

Video capture looks set to be supported by DJI's Advanced RockSteady 4.0 with AI-enhanced HorizonSteady for 360° leveling, while there could be 64GB of onboard storage, plus a micro SD slot.

DJI will likely have to increase the physical dimensions of the Action 6 to house that larger sensor, but it's unclear at this time how much larger it will be versus previous models, or if it will otherwise keep the same rugged Action 5 Pro design, which includes industry-leading waterproofing.

In addition to those promising features, the Action 6 could deliver unmatched smartwatch integration.

Getting smart

The New Camera supposedly received images from a tester showing the DJI Osmo Action 6 pairing with a (generic) smartwatch.

Pairing with a smartwatch isn't exactly new – the Osmo Action 5 Pro can overlay key data from your Garmin or Apple Watch on your videos, such as speed, heart rate, and distance, making it an excellent choice for athletes.

However, the Action 6 Pro could offer next-level integration, and it could work with other models besides those from Garmin and Apple, depending on the Bluetooth features available in the watch.

For example, a smartwatch could act as an Action 6 remote control, meaning you can start or stop the camera recording and switch to different modes without physically touching the camera, complete with data overlays.

We can also expect a wider range of data integrated into your videos in real time. For example, when used with a Garmin device, users might also be able to get power, cadence, pace, and dive data.

While the Osmo Action 5 Pro felt like an iterative upgrade over the Action 4, the Action 6 could be a weightier upgrade this time around. And with a rumored October launch, I anticipate the leaks to ramp up to give us a clearer picture of what to expect.

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• The DJI Osmo Nano has leaked again
• We've got specs and images of the camera
• The device could launch next Tuesday

DJI isn't slowing down with the product launches: having just unveiled the DJI Mini 5 Pro, it appears that the DJI Osmo Nano is the next device in the pipeline, and details of the compact action camera have leaked again.

These details come from DroneXL, and are taken from an Australian retail website that seems to have published information about the DJI Osmo Nano camera ahead of time. The listed specs include an "all-new" 1/1.3-inch sensor, capable of recording 4K video at up to 60 frames per second.

The camera apparently offers a 143-degree field of view, and battery life is said to be around the 200-minute mark. The listing also states the device is waterproof up to a depth of 10 meters, without any additional casing or protection.

According to DJI's marketing copy, the DJI Osmo Nano "can be set up in multiple positions, helping you capture inventive angles and enjoy greater creative freedom". Based on this listing, there's at least the option of 128GB of storage on board.

Shooting modes and pricing

There's also a mention of two stabilization modes: Horizon Balancing for correcting horizon tilts, and a Rock Steady 3.0 mode that "effectively reduces camera shake while preserving the intensity and impact of movement".

Add in the images that accompany these specs, and it's a comprehensive preview of what's coming – and a good look at how the DJI Osmo Nano might take on the other smaller action cameras on the market, such as the Insta360 GO 3S.

This isn't the first leak we've seen around this device. The camera has actually shown up on DJI's own social media channels, while we've seen several leaked images too. A starting price of €369 (around $435 / £320 / AU$655) has been mooted.

There's a DJI launch event scheduled for Tuesday, September 23, where we should see one or more new products – including, very probably, the DJI Osmo Nano. We will of course bring you all the device details as soon as it's made official.

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• These are the best action cameras on the market
• DJI is taking a second swing at tiny modular action cams
• I've flown the DJI Mini 5 Pro and the DJI Mini 4K

• Leaked materials reveal first proper look of the rumored DJI Osmo Nano
• The mini modular action cam looks like an Insta360 Go 3S rival
• There will be two versions: 64GB and 128GB, with similar pricing to Go 3S

It looks like DJI is set to go head to head with Insta360 once again, with rumors suggesting an Osmo Nano is on the way, hot on the heels of the excellent Insta360 Go Ultra.

As a mini modular action cam, the Osmo Nano is a successor of sorts to DJI's Action 2 which was released in 2021, but fresh leaks reveal the new model's design and it looks like it has much more in common with Insta360's Go 3S, in fact, and less so the Go Ultra.

DJI tipster Jasper Ellens has shared (and translated) on Drone XL what looks like a slide from a presentation deck for the Osmo Nano, which gives us the first clear look of the pill-shaped action cam, together with a few of its features and accessories.

Ellens goes on to share the price and release date too, and we might not have long to wait...

DJI's most fun action cam yet?

Insta360 has developed the 'Go' series of magnetic mini action cams which can be mounted and placed into tight spaces that even regular action cams like the DJI Osmo Action 5 Pro and GoPro Hero 13 Black can't. And it's for this application that the Osmo Nano steps in.

There's the pill-shaped camera unit, which will ship in 64GB and 128GB versions and feature magnetic mounting on its back and sides. Furthermore, the magnetic polarity can be reversed for different applications – neat.

In addition to built-in storage, there will be an SD card slot, presumably in the screen unit, which will likely be able to view, control and record clips, both when attached to the camera unit or remotely via a wireless connection.

It looks like there will be plenty of accessories too, including baseball cap mounts and pet collar mounts for first-person / pet views.

Another slide seemingly reveals the price in euros: €369 for the 64GB version and €399 for the 128GB version – right in line with the Go 3S, and which could be the equivalent USD price and which could convert to around £339 / £369.

So when can we expect the DJI Osmo Nano? Ellens says to mark the calendar for September 10, as well as to look out for DJI Mini 5 Pro teasers.

It's not clear yet if DJI's Osmo Nano will supplant the Go 3S as the top mini action cam, but we'll be sure to give it a full test if and when it's launched. If it's anything like the Go 3S, it could be DJI's most fun action cam yet.

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Insta360 Go Ultra: two-minute review

Get drawn in by the fun magnetic system and tiny size, and be genuinely impressed by the quality of the 4K footage. That’s what happened when I tested the Insta360 Go Ultra, a product that takes the advancements made with Insta360's Ace Pro 2 and GO 3S and turns them into another (really) compact, pocket-sized camera system for adventurous creators.

I've been into action cameras since the first GoPros came out (terrifyingly, almost 20 years ago). But until recently, I've always found their bulky housings less than ideal in adventure-type scenarios (running up a mountain peak, or learning to surf, for example). The whole point of the Go Ultra is to unlock more creative opportunities without sacrificing portability.

Insta360 might be best known for its innovative 360-degree cameras, but it's a brand that’s becoming synonymous with challenging the norms of action cams, too. The Go Ultra is a frankly tiny, pocketable camera (at 1.9 oz / 53g), about the same size as an Apple Watch. It's a natural successor to the Go 3S (released in 2024), but not a replacement. At the time of writing, Insta360 told me that both cameras will remain on sale.

Like its predecessor, the magic of the Go Ultra is its modular design that combines a standalone camera and an Action Pod, giving you unique ways to shoot, charge and play. On the surface, the camera simply looks like a square version of the Go Ultra 3S, and powerful magnets on its base mount to the Action Pod (where the screen and buttons are) or numerous accessories and attachments. I even mounted the camera to our car, but that’s a story for another day.

However, inside its dark gray exterior are some notable improvements. The sensor is 221% bigger for better low-light capture, and a new 5nm AI chip delivers benefits to video quality using algorithms. The Go Ultra can shoot 4K60fps video, where the Go 3S was limited to 4K 30fps. And I found the PureVideo mode – that uses said AI algorithms to cut down on noise in low light – delivered good results at sundown, where my previous action cams struggled. The maximum wide 156-degree POV is great for group shots and selfies, vlogs and immersive action alike, and the view can be tailored to avoid a warped perspective.

This is a content companion for people with an active lifestyle rather than professional athletes. I found myself shooting more with the camera overall, simply because in one snap, I could have hands-free recording.

Like the Go 3S, the standalone camera is more rugged than the Action Pod. You can use it in freezing conditions and depths of 33 feet (10 meters) underwater, while the pod is only splashproof, which is a shame. Other rugged points for the camera include a replacement lens cap (helpful if you scratch it during activities) and a push-up cover to keep the memory card slot inside dry.

I love the simplicity of the Go Ultra’s design. Like the Insta360 Ace Pro 2, the flip-up touchscreen on the action pod is an alternative to the front-and-back solution on GoPro, and I found it more intuitive for vlogging. Handling is a three-button operation, with intuitive swipes for key menus on the touchscreen, and the magnetic mounting system is always satisfying and feels secure.

The Go Ultra's battery life was a sore point for me, and not as impressive as all-in-one rivals. I got around an hour of 1080p video recording from the standalone camera, but more than double when combined with the Action Pod. USB-C charging takes you from 0 – 80% in around 12 minutes, though, making up for the fact that the battery doesn’t last as long as Insta360 suggests based on their lab tests.

There's no built-in storage for content like the Go 3S has, but microSD cards up to 2TB are compatible, and it's so quick and easy to get footage off the camera using the Insta360 app on a smartphone. I don't think this is a problem (just an extra cost to bear in mind).

• Check out our Insta360 Go Ultra vs Insta360 Go 3S write up to see how the tiny action cams compare

Image quality is better than the Go 3S, with photos capped at 50MP instead of 9MP. And you get HDR video mode, too, with the option to apply 'Dolby Vision' to shot footage to give it more contrast and color. The usual video modes like Timelapse and Slow Motion work as expected, while new Toddler Titan mode adds fresh, immersive POVs. There are several new features aimed at families, including AI Family Moments to pull content of loved ones into a virtual album.

The camera's audio quality was surprisingly crisp in most scenarios, and voice-specific modes picked up my rambling very clearly, while a wind-reduction mode helped while running in a breeze. Although I haven't tested them, Go Ultra is also compatible with several external microphones designed for high-quality sound, including Insta360's Mic Air, and third-party Bluetooth mics like the DJI Mic Mini and AirPods Pro 2.

The Insta360 Go Ultra is hugely versatile, and I filmed in so many places, with so many perspectives, that wouldn't have been safe or possible with my iPhone alone. If you're a family wanting more creative holiday snaps, a creator feeling stuck with what you can shoot with a smartphone, or just someone with an active lifestyle, the Go Ultra feels like the ultimate lightweight and fun solution.

Insta360 Go Ultra: specs

Insta360 Go Ultra: Price and availability

• Launched worldwide on August 21 2025
• Standard bundle costs $449.99 / £369 / AU$759
• Creator bundle costs $499.99 / £409 / AU$839

The Insta360 Go Ultra was announced on August 21 2025 (after being teased on August 18) and is available to order now from DJI’s online store and major retailers like Amazon.

It comes with two different bundle options. The Standard Combo includes the camera, quick-release cord, magnet pendant, magnetic clip and a USB-C charging cable. It costs $449.99 / £369 / AU$759.

The Creator Combo bags you all of the above, plus a Mini 2-in-1 Tripod 2.0, Quick Release Mount and Pivot Stand. It costs $499.99 / £409 / AU$839. Although a lens cap is provided, you'll need to buy a separate pouch or case, as neither bundle includes one – and this feels a bit mean.

The pricing puts the Go Ultra at just a fraction more than the Іnѕtа360 X3 in the US and UK (when it's not on offer), which is now three years old, but that does offer 5.7K 360-degree capture over the Go Ultra's 4K. It's roughly the same price as the Insta360 Go 3S, but you get double the frame rate with 60fps video capabilities.

I think the Go Ultra is fairly priced. The GoPro Hero 13 Black is a strong competitor at around $359.99/£305, particularly if you want a traditional action camera and don't mind a bulkier design. There's no built-in storage, so factor in the cost of buying a microSD card before you can start filming.

• Price score: 4.5/5

Insta360 Go Ultra: Design

• Standalone camera is waterproof, operates down to -20C / -4F
• Strong magnetic base connects to Action Pod and range of handy mounts
• The camera weighs 1.87oz / 53g and is similar in size to Apple Watch

The Insta360 Go Ultra resembles a square version of its former self, the Go 3S (its only real rival). Where its predecessor was pill-shaped and about the size of a thumb, the Go Ultra is square and more than half as deep as it is wide, sitting neatly between your forefinger and thumb for quick handheld shots. That’s only half of the product, though. Without the Action Pod, the Go Ultra is one of the lightest action cameras you can buy at 1.87oz / 53g (14g heavier than the Go 3S). Using the Action Pod turns the Go Ultra into more of a traditional GoPro-style action camera.

The main difference is that there’s one flip-up LCD touchscreen, rather than a screen at the front and back. As an owner of the GoPro Hero 12 Black, this flip-up screen was a revelation to me, and I found it so helpful when filming walking shots and talking to the camera, or to see how a shot was framed when shooting with the standalone camera remotely.

No doubt it contributes to the Action Pod’s lack of waterproofing, though. The IPX8-rated camera can be fully submerged underwater, but the Pod is only resistant to splashes, limiting where you can take it. On this, I was always careful to dry the camera before popping it back into the Pod.

As far as durability goes, the camera is also freeze-proof down to -4F (-20C), so it’s ripe for snowsports. And a screw-on lens protector added peace of mind for me against lens scratches, given that a replacement is around $20 / £20. I’ve known so many action cameras in the past to fog up when filming underwater or changing temperatures quickly, but the lens guard has an anti-fog coating that avoided this particular pain point well.

I found the operation of the camera simple, which is a great thing because it lets you focus on the fun part of creating. The Action Pod has just three buttons: red up top for recording, a power button and a Q button to quickly switch modes on the right. There’s a raised button to release the standalone camera from its magnetic mount on the left (above a USB-C charging point), and I never found myself pressing this accidentally.

You really have to tug the standalone camera to release it from the Pod's magnets, which avoids unwanted drops. Underneath the Action Pod, there are two holes to fit the Go Ultra’s specific Quick Release Mount (sold separately, but very solid), for a secure fit to accessories like the brand’s Pet Harness. Attaching the camera to a pet harness was decidedly old school, with an action mount and screw system. But this kept it firmly in place, even after a lot of doggo rolling.

Navigating the camera’s menus is easy, too. When you first turn on the Go Ultra, you get a walkthrough of what gestures bring up which settings. It took me a few hours to remember which did which (old dogs), but it soon became second nature. A right swipe brings up playback for footage, and a right swipe lets you dial in more settings and switch between Auto and Manual Mode.

The touchscreen is bright, colorful and responsive, which makes changing settings – even with wet or cold fingers – straightforward. You can buy the Insta360 Go Ultra in either Midnight Black (model tested here) or Arctic White, but either way, the construction is from a rigid, matte plastic that seems scratch-resistant, and like it could take a few knocks and drops. It’s sensible action camera fodder.

• Design score: 4.5/5

Insta360 Go Ultra: Performance and features

• Quick AI-edited videos via the Insta360 app
• Standalone camera charges 80% in 12 mins
• Compatible with microSD cards up to 2TB

The Go Ultra is designed to work alongside the free Insta360 app, which pairs to the camera via its own WiFi network for remote operation. From here, you can also download, preview and edit videos on your smartphone. Other than installing some new firmware (released just before the camera), I was paired and ready to shoot from the app in under 10 minutes.

The standalone camera and Action Pod pair via Bluetooth when they're apart. I found the connection seamless, with no lag when changing settings or in the real-time view on the screen. Range can be an issue, though, both from the camera to the phone and from the camera to the pod. More than about five meters away, or underwater, the connection would dip out, and the camera would stop recording. It's not a dealbreaker, but it might limit more complex setups, especially if you're shooting somewhere wet.

The Go Ultra has a 6-axis gyroscope to measure the camera's movement and rotation, and through an algorithm, makes the video more stable and gives you a more even horizon. Image stabilization isn’t bad, but I found fast-moving objects needed a bit of extra help. When trail running, I got my best results by activating the Jitter Blur Reduction mode, plus Tilt Fix, which corrects uneven mounting by up to 10 degrees. It took me a while to discover both of these, and my first clips with the camera clipped to a hat (including this swimming clip below) were fairly wonky. Once activated, though, the results evened out nicely, and even clips of my dog lolloping at full speed looked stable.

The camera has a built-in microphone, and four modes for picking up sound – Stereo, Voice Enhancement, strong and weak wind reduction. I found the audio quality really impressive while walking in good conditions. My voice was picked up clearly when talking to the camera, and even in a busy city, the camera was able to isolate the sounds nearby rather than heavy traffic noises. If you use the camera in water, the audio will drop out, and the camera will need to dry enough before the clarity returns.

Like most action camera mics, there's an issue with wind noise disrupting the clarity (especially when running in breezy conditions), but the wind reduction setting did noticeably reduce this. It's a big advantage for serious creators to be able to boost the sound quality with an external mic like the Insta360 Mic Air, DJI Mic 2 and AirPods 4. Although without testing, it's hard to comment on the performance this would bring specifically.

I found all the camera's shooting modes and presets easy to get good footage with, partly because the camera does such a good job of explaining what each one does, without the advice feeling intrusive on the screen. It was also easy to control the camera with voice commands, "turn the camera off", "mark that" and hand gestures like making a peace sign to trigger a photo. I found that the standalone camera gets very hot after filming. Even after low-resolution clips, I felt it burning a hole in my shorts pocket, but this didn't cause any interruption in recording, so I don't think it's a major issue.

Once my clips were captured, I was ready to start editing my videos. Much like GoPro and DJI's accompanying editing apps, Insta360's version also features AI-assisted editing tools to pick out clip highlights. There are tonnes of presets to choose from – with funky names like Vibe City and Tunes and Travel – which do a fair job of creating quick, shareable clips by adding transitions and music.

There are helpful default export settings for platforms like WhatsApp, YouTube, Instagram, and TikTok, although you can customize export parameters. I enjoy editing manually, but the Insta360 app is so intuitive that I can see even total beginners getting creative right away. Some of these end up being a bit cheesy, but you can tailor the music and effects to suit your tastes. I've included an example of an AI-edited video below, with clips of my dog wearing the pet harness on walkies.

The Go Ultra's biggest downfall – and something we struggled with while testing the GO 3S – is battery life. The standalone camera has a 500mAh capacity, and the action pod 1,450mAh capacity – noticeably smaller than the 2,400mAh capacity on the Insta360 X5, but an improvement on the GO 3S' 310mAh and its 38-minute life. Also, unlike action cams with replaceable batteries, when you run out of juice, that means content creating is on hold until you can find a way to recharge.

Insta360 says you can get 70 minutes of footage out of the standalone camera. Adding the Action Pod gives you 200 minutes. But that's with Endurance Mode on, the LCD and Wi-Fi off, and for 1080 24fps video – conditions I don't think most normal shooters are going to replicate. When I tried shooting a video in 1080 30fps from full power, without all the caveats on the specs sheet, I got around 150 minutes with the pod and 45 minutes without. I don't think that's dreadful for a camera this small, and it's worth noting that a 10-minute charge took me from about 0-75% so I was ready to shoot again. But it's something to consider if you're away from power for long periods, or looking to shoot continuous cycles, runs and hikes for longer.

• Performance score: 4/5

Insta360 Go Ultra: Image quality

• New 1/1.28-inch sensor with AI chip
• Captures 4K video up to 50fps and 50MP photos
• Low-light video mode with PureView

Insta360 has given the Go Ultra a bigger 1/1.28-inch sensor than the Go 3S, the idea being that this is capable of capturing more detail in low light. The Go Ultra also supports video capture up to 4K 60fps and 1080 240fps for slow-motion, plus new HDR that can be applied to clips and stills. Unsurprisingly (because this is a super user-friendly camera), there's no option to shoot in a flat profile for more color grading scope during post-production. But that's no problem, as I think most users will stick to editing in the Insta360 app anyway. Beyond the specs, what do the results look like in real life?

Going into testing the Go Ultra, I think my expectations were too low for a camera of this size. I found video quality to be brilliant in all 10 modes, but footage was sharpest and most vibrant in abundant sunshine. In the camera's Standard color preset (there are 8 in total, including Vibrant and Urban) videos were still colorful and had decent detail in the shadow and highlight areas, although the contrast ratio wasn't good enough to expose a very bright sky like a sunset, and a dark foreground, in one shot.

It's easy to switch the Go Ultra to Manual exposure mode, where you can take control of the shutter speed, ISO (100–6400) and white balance yourself. I found this most helpful for stationary shots, but wouldn't recommend it to beginners. In short – and unlike my mirrorelss camera – Auto mode saw me through all shooting scenarios, and I rarely felt the urge to take over. The joy of this camera is in its simple opration.

The camera adapts quickly to rapid changes in light, such as coming out of a shady forest into an open field. And I found that useful when I was running in the countryside, moving quickly, where i didn't want the picture to be shrouded in darkness for a few seconds. Being summer, I did a lot of shooting in direct and dappled sun, and found that lens flare was handled well, too.

Big talking points of the Go Ultra’s video capabilities are the new additions of Active HDR and PureVideo. Like SuperNight on the DJI Osmo 360, it's designed to enhance the quality and sensitivity of low-light shooting. It's somewhat limited to automatic settings and 4K 30fps, but you can shift the exposure up and down in increments. Walking around a city at night, I was able to pick up plenty of detail in the buildings, street lights and the sky, although I think there's some aggressive denoising AI going on inside the camera, as the footage did look a bit muddy at times.

Photos from the camera have a seemingly high megapixel count (the maximum resolution is 50MP or 37MP with a 16:9 aspect ratio), which is a big bump up from the Go 3S' 12MP in 4:3 (9MP in 16:9). In practice, I'd say that's more than adequate for slotting into videos, or uploading to social platforms, but I wouldn't want to make big prints from them. At the camera's widest field of view, you get a 14.27mm equivalent in 35mm terms – expansive enough to get groups in the frame, or to shoot yourself while walking. If you're not a fan of the warped action camera look, a Linear POV does a great job at giving you a more natural wide-angle, good for vloggers.

Overall, I'm impressed by the quality of Go Ultra's footage. It's in line with an action cam that's this portable, and the addition of HDR to video as well as photos (with Dolby Vision for an extra boost) delivers polished videos you can safely deliver to friends, family and your social channels.

If I were a professional creator, I wouldn't rely on this camera to cover all my video needs. But it excels at what it's designed for – being small, getting places other cams can't, and remaining user-friendly for beginners. The battery life is lacking for extended shooting durations, and night footage is still overcooked with PureVideo mode. But Go Ultra's video is good in most areas, and does appear to be an improvement over the 3S in low light (I haven't tested them side by side, so can't say for sure). With its kid and pet-friendly design, I think Insta360 has found the right balance for casual creators with an active lifestyle.

• Image quality score: 4/5

Insta360 Go Ultra: testing scorecard

Should I buy the Insta360 Go Ultra?

Buy it if...

You want to balance performance with portability
Video quality is high, but not the best of all action cameras out there. But the Go Ultra can also go places other action cameras can't, at least without tonnes of extra mounts.

You don't mind shorter battery life
I spent time shooting shorter clips on the Go Ultra, and recharging it little and often. If you plan to capture all-day events or sustained activities like rides or hikes, the battery life might be a limiting factor.

Don't buy it if...

You want the smallest action camera
The Insta360 Go Ultra is small, but not quite as tiny as the Go 3S. At almost 15g less, the Go 3S might unlock even more possibilities.

You want a fully waterproof solution
The Action Pod is only splashproof, a fact that made me uncomfortable while shooting. If you shoot a lot of wet content, I'd go for a fully waterproofed model.

Also consider

How I tested the Insta360 Go Ultra

• I tested a full production model for three weeks
• I mounted the camera on my hat, handlebars, and even my dog
• I recorded videos during the day, sunset and after dark

Insta360 sent me a review sample of the Go Ultra Standard Bundle about three weeks before the official release date. This gave me enough time to test all the camera's modes and mounting options, including those with and without the Action Pod, as well as with the magnetic clip on my hat and the magnetic pendant on hikes in the countryside.

Insta360 also supplied a large version of their pet harness, and I attached the camera to my dog out on walkies to see what footage looked like from the POV of a bouncy Flatcoated Retriever.

I used the Go Ultra wild swimming in a local river to test the waterproofing, tried it running, and even attached it to our car as we drove along a country lane. I shot in bright sunshine, at sunset and night – essentially, in all the lighting conditions I could think of for creators. I edited content straight from the camera to the Insta360 mobile app on my iPhone 15 Pro, as well as manually taking footage from the built-in SD card and editing it on my iMac.

• First reviewed August 2025

• Images of the DJI Osmo Nano have leaked
• The device is a compact action camera
• It could be launched in the coming weeks

It's not easy to keep up with all the DJI product launches and rumors of launches at the moment, and the latest device to leak online is the DJI Osmo Nano: a super-compact action camera that seems to be a successor of sorts to the DJI Action 2.

Well-known tipster Igor Bogdanov (via Notebookcheck) has posted pictures supposedly showing off the DJI Osmo Nano, and it certainly looks small. It also looks quite different to anything we've seen before in this category.

However, we don't get much beyond the images, so there's no word yet on specs, camera quality, price, or anything else. Based on the designs shown here, it seems the gadget may have a detachable display, like the DJI Action 2.

Based on previous leaks, it seems the DJI Osmo Nano is scheduled to launch around August or September time, so it could really turn up any time from now. It would join an action camera range headed up by the DJI Osmo Action 5 Pro.

DJI past, present, and future

The most recent camera we've had from DJI is of course the 360-degree DJI Osmo 360, going head to head against the Insta360 X5 (with the GoPro Max 2 apparently set to gets its official unveiling sooner rather than later).

We've also just had the launch of the first ever robot vacuum from DJI, in the form of the DJI Romo. It's already been a busy 2025 for DJI, and we're expecting a flurry of drone launches in the coming months as well.

Among those launches we're apparently going to see a 360-degree drone from DJI, which would be the first from the company. As you would expect, Insta360 is providing competition here too, with the already announced Antigravity drone.

It's probable, but by no means certain, that the DJI Osmo Nano will be launched separately from any other products in the DJI pipeline – but we'll have to wait and see when it appears, and how it fits into the current DJI camera range.

You might also like

• New leaks hint at the DJI Mini 5 Pro specs and design
• DJI Osmo 360 vs Insta360 X5
• I rarely see a drone as game-changing as this one

Agfaphoto Realimove MC3X review: two-minute review

DJI practically invented the idea of the gimbal camera, but other makers including FeiyuTech, Benro (for a while) and now Agfaphoto have joined in with their own designs. They're all based on a small camera unit mounted permanently on a compact 3-axis gimbal, with the screen, controls, battery and other electronics built into the handle.

Gimbal cameras provide both stabilization for handheld video and the kind of smoothed-out camera movements you see in movies. They work on the same principle as gimbal stabilizers for regular cameras, but are a fraction of the size and weight. I’ve used a DJI Pocket 2 for a long time, and I love the way you can create professional-looking camera movements without a lot of heavy and expensive gear.

The latest DJI Osmo Pocket 3 leads the field in the gimbal camera market, but it’s pretty expensive, coming in at around the same price as an entry-level mirrorless camera, and the Agfaphoto Realimove MC3X undercuts it considerably. It does sacrifice a few features compared to the more expensive Pocket 3, but not everyone will need DJI’s fancy features, and would rather spend a good deal less on a more basic option.

The main compromise with the Realimove MC3X is the sensor size. The 1/2.5-inch 8MP sensor is pretty small, and while its 4K video looks very good when you’re filming outdoors in good light, I did find it got noticeably softer in low light at higher ISO settings.

The MC3X also has a fairly limiting 0.3m-infinity focus range. That sounds like it should be fine, but it’s equipped with a wide-angle lens, so sometimes I had to move in really close to fill the frame with an object, and then found it went out of focus.

The Realimove MC3X can’t match the DJI Pocket 3’s frame rates, either. Its maximum frame rate for 4K video is 30p, which effectively means you can’t shoot slow-motion 4K and have to drop the resolution to 2.7K for 60p recording and full HD for 120p slow motion. It’s not the end of the world, but it’s an example of where costs have been cut. It did mean that if I planned to combine regular and slow-motion video in a project, I’d probably have to film the whole thing at a lower resolution to avoid upscaling compromises when splicing together different resolutions later in my video editor.

I also found the MC3X’s face-tracking a little unreliable, and while the digital zoom is easy to operate with a rocker lever on the side, zooming in looked a bit jerky, so I think I’d probably set the zoom before filming rather than while I was recording.

It’s good to get all the criticisms out of the way early, though, because the Realimove MC3X also has some really good features. The biggest is the rotating 3.5-inch display, which is way bigger than the thumbnail-sized screen on my Pocket 2, and bigger even than the screen on the Pocket 3.

What this means is that you can still see clearly what you’re filming, even with the camera at arm’s length, and also if you’re filming yourself with the camera reversed. It’s hard to overstate how useful this is.

You leave the screen in its vertical position for vertical video, or rotate it 90 degrees for horizontal video. It switches orientation automatically, and I found this really intuitive. Rotating the screen horizontally reveals physical buttons for adjusting the gimbal direction, and using these is much more effective than using the virtual on-screen controls, which I found a bit unresponsive.

The other thing I really like is that you can set all the important controls directly on the camera, so while there is a free companion app, I never felt the need to use it. You can swap between pan-follow, pan-tilt-follow and free-follow modes in the menus with just a few taps.

Here's a sample movie I shot with the Realimove MC3X to show its video quality, panning smoothness and audio.

I found the gimbal movement smooth and progressive – and you can change the speed in the menus if you need to. Occasionally the gimbal did get confused if I dropped my hand between bits of filming and the gimbal ran out of movement, but it only takes a moment to recenter when you’re ready to start filming again.

Perhaps the biggest issue for me was everyday practicality. The large screen is very welcome, but it does mean the body is quite wide and, while you can put the MC3X in a pocket, it does leave the gimbal head feeling quite exposed while the unit is powered off – I’d be happier if the gimbal axes were locked when the camera is off, but then it’s the same for my Pocket 2, so I can’t say much.

But the Pocket 2 and Pocket 3 do come with protective slimline hard cases which don’t add much to the size and do protect them in your pocket or bag. The Realimove MC3X doesn’t have this. It does come with a fitted hard case that also accommodates the cables, but it’s pretty big and there’s no way this is going to fit in a trouser pocket.

So I do think this Agfaphoto gimbal comes with compromises. It’s a lot cheaper than the DJI Pocket 3 but it’s not hard to see what you’ve had to sacrifice. I’d say it’s a great buy for anyone who would like to try out a gimbal camera without splashing too much cash – and the results can be very good. So good, in fact, that you might be glad you didn’t spend more.

But if you are a little more serious about filmmaking and need a wider choice of framerates, better video quality (especially in low light) and a little more design finesse and practicality, you might end up upgrading to the DJI Pocket 3 after all.

Agfaphoto Realimove MC3X review: price

The Agfaphoto Realimove MC3X is on sale in the UK for £299 but with US availability and pricing yet to be confirmed. It’s a decent enough camera, but while it’s a lot cheaper than the DJI Pocket 3, you might find the older DJI Pocket 2 even cheaper. The screen is smaller, but the Pocket 2 is a better camera. This puts the Realimove MC3X in awkward territory. Yes, it’s cheaper than its main rival but it’s also a good deal less sophisticated. It’s quite good for the money but it is quite basic.

Agfaphoto Realimove MC3X review: specs

Should I buy the Agfaphoto Realimove MC3X?

Buy it if...

Don’t buy it if…

How I tested the Agfaphoto Realimove MC3X

I had the Realimove MC3X for several weeks and tested it in many different scenarios. I checked its ability to maintain a level pan-follow orientation with height changes and following a fast-moving pet dog through long grass (very fast-moving!), and also the smoothness of its panning movements, what I’d call a ‘sideways pan’ while walking, and its stability when filming and walking in typical vlogging style, and it did all these things pretty well.

I also wanted to find out what the video quality was like both in bright daylight and dimmer indoor conditions, which is where I would expect a smaller sensor to start to struggle – and sure enough, it did.

I didn’t set out to test the battery life, but I did come away impressed, as I spent a couple of hours at a time filming sequences to stitch together into a move, and the battery indicator hardly budged. I think I got it down to about half during my longest session.

GoPro might steal most of the headlines, but they're not the only big name in town. When it comes to the best action cameras, we have a lot of love and respect for DJI, and right now, you can get one of their best cameras for a record-low price. The Osmo Action 4 is at Amazon US for $209 (was $299). The deal is also available at Amazon UK for £165 (was £279).

This UK deal is an Amazon Prime Day deal, whereas the US offer is available to non-Prime members as well.

The Osmo Action 4 might be a couple of years old, but its large sensor and impressive processor make it an absolute pro in low-light settings. We also love the magnetic mounting system, which enables super-fast change-ups. Get it now at a record-low price.

Today's best DJI Osmo Action 4 deals

In our DJI Osmo Action 4 review, we called the camera "a polished GoPro alternative with hassle-free mounts" and rated it four out of five stars. DJI is a company that has repeatedly pushed the boundaries of what is possible, and that is evident in the specs and performance of the Osmo Action 4.

One of the biggest selling points is the magnetic mounting system that enables mounts to be swapped out in a matter of seconds. Our reviewer also loved the larger and better sensor that delivers improved low-light performance over the Action 3.

The Action 4 also promises a full 160 minutes of runtime, which is impressive given that most action cameras seriously struggle in this area. Touchscreens on the front and back also elevate the overall user experience.

If this isn't the deal for you, then our best action cameras buying guide is well worth a look. We've got top picks based on budget, resolution, and durability.

• A new, official GoPro Max 2 teaser shows it's finally gearing up for launch
• The 360-degree action cam has been in the works for years
• It'll compete with the recently-leaked DJI Osmo 360 and Insta360 X5

The GoPro Max 2 has been in development for so long it's almost gained mythical status, but the 360 camera is finally ready to officially launch – as some new teaser images have just confirmed.

GoPro shared the two Max 2 images, which show two skydivers using the camera, across all of its social media platforms including X (formerly Twitter). They were accompanied by the one-word tagline "dropping", which suggests we could finally see the camera soon.

The images don't tell us a huge amount about the true successor to the original GoPro Max, which launched way back in 2019. Like the GoPro Hero 13 Black, the camera body has a finned heat sink on the front to help it avoid overheating. The Max 2's lens also appears to be more centralized than on its predecessor.

GoPro's long-awaited camera will be dropping into an increasingly crowded space. The battle for the title of best 360 camera has heated up recently, with the arrival of the Insta360 X5, recent leaks unmasking the DJI Osmo 360, and Akaso today revealing the cheapest 360 camera so far, the Akaso 360.

But despite the growing competition, GoPro remains the most recognizable name in action cameras – so we're looking forward to seeing what the incoming Max 2 brings.

Analysis: the competition can only be good for 360 camera fans

The GoPro Max 2's backstory isn't a promising one. GoPro originally told us its Insta360 rival was "in the works" way back in September 2023, almost two years ago. Then in May 2024 it was slated for a launch by the end of that year, only to then slip to 2025.

So why the long delay? GoPro hasn't yet gone into specifics, but it's no secret the company has been struggling recently. Earlier this year, CEO Nick Woodman voluntarily waived his salaryto help the company, but GoPro's stock and revenue have both tanked over the past year.

Still, it's good to see the Max 2 finally skydive in through some dark clouds. While it will likely struggle to eclipse Insta360's latest flagships (the Chinese company has launched four iterations of its flagship 360-degree camera since the original Max), the Max 2 will hopefully bring some new features like interchangeable lenses and improved software to make it a good fight.

The good news for GoPro is that the benefits of 360 cameras still can't really be replicated by smartphones. Shooting everything around you and then pointing the camera wherever you want afterwards is still a very helpful editing trick. And the 360 camera space will benefit from having a rejuvenated GoPro in the mix – even if its Chinese rivals have learned how to thrive in the post-action camera world.

You might also like

• The best action camera for 2025: top cameras for adventures
• Akaso unveils cheapest-ever 360 camera, but I'd pick the older Insta360 X3 with 45% off over Prime Day
• Don’t buy a 360 camera – the new DJI Osmo 360 just leaked again, and it’s expected to launch imminently

I head up action camera reviews for TechRadar and trust me, Insta360 makes some of the best models on the market – a number of which have just fallen to record low prices for Prime Day. One standout deal is for a former flagship 360 camera, the Insta360 X3 for $249.99 at Amazon US or £259.99 at Amazon UK, with other bundles available.

The Insta360 X3 is now two generations old, with the Insta360 X5 currently our top 360 camera pick. However, the older model remains an excellent option, with 5.7K HDR video and up to 33ft / 10m waterproofing, especially now it's half the price of the current model.

There's a price drop for the X4 too, alongside the Ace Pro (Insta360's regular action camera) and the Go3S (its versatile, thumb-sized 4K camera). These are some of the best camera deals I've seen this year – and I've included links to the lowest prices below. Insta360 has told us these deals will be live until July 15. If you're set on the latest model, the X5, there are the first discounts on that model too, but only small price cuts.

• Check out Amazon's full sale

We've also rounded up the best tech deals available this year in our Amazon Prime Day live hub – so do also check that out for the latest deals as they drop.

Today's best Insta360 deals in the US

• Insta360 X4: was $499.99 now $349.99 at Amazon
• Insta360 X3: was $449.99 now $249.99 at Amazon
• Insta360 Ace Pro: was $349.99 now $239.99 at Amazon
• Insta360 Go3S: was $399.99 now $319.99 at Amazon
• Insta360 X5: was $549.99 now $519.99 at Amazon
• Insta360 Ace Pro 2: was $399.99 now $329.99 at Amazon

Today's best action camera deals in the UK

• Insta360 X4: was £499 now £349.99 at Amazon
• Insta360 X3: was £449.99 now £259.99 at Amazon
• Insta360 Ace Pro: was £429.99 now £227.99 at Amazon
• Insta360 Go3S: was £349.99 now £279.99 at Amazon
• Insta360 X5: was £519.99 now £493.99 at Amazon
• Insta360 Ace Pro 2: was £399.99 now £319.99 at Amazon

Amazon's early Prime Day sale in the US - quick links

• Amazon Devices: 50% off TVs, Ring & Fire Sticks
• Apple: AirPods + iPads from $99
• Back to school: deals from $5.99
• Beauty: 80% off toothbrushes & skincare
• Headphones: $120 off Bose, Apple & Sony
• Health: electric toothbrushes from $24.99
• Kitchen: 54% off Ninja, Nespresso & Keurig
• Laptops: record-low prices from $175
• Tablets: iPads and Samsung from $54.99
• Toys: 40% off Lego, scooters & Toniebox
• TVs: cheap TVs from $59.99
• Vacuums: Shark, Bissell & Dyson from $49.99

Amazon's early Prime Day sale in the UK - quick links

• Amazon Devices: up to 50% off Echo & Ring
• Appliances: Ninja & De'Longhi from £29.99
• Gaming: Nintendo Switch 2 – in stock now
• Headphones: Anker & Sony from £15.98
• Health: up to 68% off Philips, Remington & Oral-B
• Home: fans from £12.99
• Laptops: Lenovo, Asus and HP from £159.99
• Phones: up to 20% off Apple & Samsung
• Tablets: Lenovo & Samsung from £119
• Toys: up to 50% off Lego & Mattel
• TVs: cheap TVs from £109
• Vacuums: Shark and eufy from £99
• Wearables: up to 25% off Huawei & Samsung

• Leaked image shows a rounded square design and a large lens
• Hints at a wireless charging dock but no modular design
• Suggests Insta360 is soon to release its next action camera

Insta360’s next action camera model might just have surfaced. And if the leaked image is accurate, the camera maker could be plotting a serious design shake-up.

Rumored to be the Go 4, the new camera doesn’t look like an obvious successor to the Go 3S, which we rate as the best modular action camera. In fact, it doesn’t look like any Insta360 camera I’ve used before.

Shared by @Quadro_News – a usually reliable source – the leaked photo shows a miniature camera with a rounded square design and a large lens dominating one corner.

Crucially, the product pictured in the leak is comprised of a single unit. Unlike the Go 3S, there’s no obvious separation between camera and screen block.

I’ve used both the Insta360 Go 3 and Go 3S. What impressed me about them was their modular design. Each is a tiny, thumb-sized camera which you can wear magnetically or slot into the Action Pod, for proper GoPro-style framing with the flip-up screen. They are an effective hybrid solution for creators who shoot first-person content: lightweight and discreet by default, with the option of deeper control when needed.

But with this new design, it looks like Insta360 is heading in a different direction. One without an Action Pod.

No more modular?

A closer inspection of the leak reveals details that raise further questions. There’s a visible indicator light, plus what looks like a front-facing audio grille. There’s also a smaller circle, which could be another light or possibly a sensor. A diagram posted along with the image hints at capacitive touch control on the front of the unit.

Interestingly, the camera in the image is held above what appears to be a dock. There’s speculation that this could be a wireless charging station, though whether it’s a consumer accessory or a development rig isn’t clear.

What we can’t see anywhere is the back of the camera. That begs a bigger question: is there a screen at all?

There’s a world in which Insta360 could be developing an all-in-one camera that strips things back even further than the Go 3S. That might sound like a step in the wrong direction, but there’s logic here. The Insta360 Go series is all about lightweight, wearable cameras for social creators. If this new model keeps things ultra-portable while improving audio, touch control and battery life, it could offer a more streamlined, potentially more affordable solution.

That could well appeal to POV creators who rarely use the screen block and are happy to rely on smartphone app connectivity for framing or editing after the fact. It’s also worth noting that the Action Pod supplied with previous versions wasn’t waterproof. By adopting an integrated design, Insta360 could be favoring durability and portability over total control.

Another factor at play here is the DJI Osmo Nano, itself a dinky, modular camera targeting the same audience. Rumored for a July launch, that device seems to pick up where the Osmo Action 2 left off, with a small camera unit that attaches magnetically to clothing and can pair with an optional screen module. The potential twist is that DJI appears to be embracing modularity just as Insta360 may be phasing it out.

Don’t count Insta360 out just yet, though. It’s possible this new design is part of an alternative line entirely – not the Go 4, but a different wearable camera aimed at filling a new niche. Or it might be a prototype of the Go 4 that simply doesn’t show the modular elements. Until we see the full picture, we won’t know whether the Action Pod is in or out.

Still, I wouldn’t be surprised if an official launch is imminent. The leak shows a device that looks pretty far along in the development process. And with the Go 3S launched back in June 2023, it’s about due an update given Insta360's recent prolificacy. If the DJI Osmo Nano does hit shelves in July, along with DJI's first-ever 360 camera, expect Insta360 to respond quickly.

Until then, all we can do is speculate. But one thing’s clear: both DJI and Insta360 are in the fight for the wearable camera crown. Watch this space.

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• Leaked images show a tiny, modular wearable camera
• Suggests the DJI Osmo Nano will rival the Insta360 Go 3S
• Release date rumored for next month, ahead of another new Insta360 model

They might be grainy, but leaked images of the DJI Osmo Nano have got me excited. If the stills are legit – and they look pretty convincing – DJI could be about to launch its smallest, most wearable action camera to date. That’s big news if you’re a creator who shoots first-person content for social. It also looks set to stir things up in the action cam market.

Judging by the images, which you can see in the embedded X post below, the rumored Osmo Nano is gunning for the Insta360 Go 3S. This magnet-mounted action camera sets the standard for hands-free filming. With a tiny design and flexible mounting options, it allows you to capture creative POV footage with ease. For that reason, it takes top modular honors in our list of the best action cameras.

Based on the leaked DJI Osmo Nano stills, it has a similarly sized camera unit which can magnetically attach to clothing. There also seems to be an optional modular screen block for those who want to frame shots or review footage on the fly. Of course, DJI hasn’t confirmed anything – but the leaks come from a reliable source. The product certainly looks the part.

DJI to go?

The leaked images – originally posted to Chinese social media before being picked up by DJI leaker @Quadro_News – show the camera clipped to the front of a t-shirt, likely held in place by a magnetic backing. Due to the low resolution of the stills, it’s hard to tell if there is a protective casing.

Of course, DJI has form when it comes to modular action cameras. The DJI Action 2 launched back in 2021 with an innovative modular design. It broke away from the established GoPro-style form factor, in favor of a small, square camera unit which could magnetically attach to different modules, including a battery and display block.

While the Action 2 had its fans, it wasn’t the most convincing proof of concept. It ran hot and struggled in low light. Waterproofing didn’t extend to the modules, either. In short, it didn’t nail the first-person use case. Ultimately, DJI returned to a traditional action cam design with the DJI Osmo Action 3.

That’s why the Osmo Nano leak is so exciting. It feels like DJI’s second swing at something which could genuinely disrupt the wearable camera space. It also represents a diversification for DJI: not content with going up against GoPro in the mud-and-glory market, it suggests DJI is also keen to cater to casual creators.

If you vlog, cook or just want to record content from a natural, human perspective, the Osmo Nano could be the most interesting DJI product in years. A featherweight, clip-and-forget action camera that leaves your hands completely free? That’s a different proposition to anything in its line-up.

The people in the leaked images also appear to be wearing microphones, which suggests that the DJI Osmo Nano will support audio recording via a wireless mic, such as the DJI Mic Mini. That was a feature missing from the Osmo Action 2 – and one already offered by the Osmo Action 5 Pro.

Of course, there are still a lot of unknowns. We don’t know the specs, video resolution, stabilization or battery life. We don’t even know if ‘Osmo Nano’ is the final name. After all, DJI has dropped and revived the Osmo branding before. But the form factor alone suggests a very different product to DJI’s contemporary cameras. If accurate, it could be the start of a new line aimed at creators who care more about portability than control.

I’ll be watching closely for more details. If it really is a first-person camera that blends DJI’s imaging chops with Insta360-style wearability, the Osmo Nano could become the wearable camera to beat. Part of that will come down to reliability and the user experience, factors that I’ll only be able to assess when it becomes available for review.

Based on other leaks, I won’t have to wait long to find out: as we reported recently, the model could break cover as early July 2025, alongside the DJI 360 – rumored to be DJI’s first 360-degree camera.

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With the release of the Osmo Action 5 in 2024 and rumours of an Action 6 in 2025, you can now pick up the DJI Osmo Action 4 at Amazon for only £189 (was £279). It might have been released two years ago, but it's still one seriously capable action camera, and at this record-low price, it's hard to pass over.

The large sensor makes it incredible in low-light settings, something that even the best action cameras have traditionally struggled with. Additionally, a magnetic mounting system for quick change-ups makes it ideal when trying to capture even the most demanding shots.

Today's best DJI Osmo Action 4 deal

In our DJI Osmo Action 4 review, we gave the action camera a solid four stars and called it "a polished GoPro alternative with hassle-free mounts". When you're out on a shoot, the last thing you want is to get bogged down unscrewing the current mount before screwing in a new one. By that point, you might have missed the shot. The Osmo Action 4 mounts are magnetic and can be swapped out in seconds.

Our reviewer also spoke very highly of the larger and better sensor that delivers improved low-light performance over the Action 3. This makes it a very versatile action camera indeed.

The Action 4 also promises a full 160 minutes of runtime, which is impressive given that most action cameras seriously struggle in this area. Touchscreens on the front and back also elevate the overall user experience.

If you want to see what other options are available to you, then head over to our best action cameras buying guide. We've got top picks based on budget, resolution, and durability.

I've tested all of the best action cameras and one of my favorites from the last two years has to be the DJI Osmo Action 4. In fact, I loved it so much that I penned an article about why it's my favorite camera to take on vacation. Since then, DJI has launched the Osmo Action 5 Pro, which is great news for deal hunters because the Osmo Action 4 has fallen to its lowest ever price – under $200 / £200 for the first time.

If you're looking for an action camera deal, then try the Osmo Action 4 Essential Combo for just $199 at Amazon (was $289) in the US. It's the same story in the UK – the Osmo Action 4 Essential Combo for £189 at Amazon. Trust me, I've checked all of the current action camera deals, and this is the only deal that I haven't seen before, and is my top pick for the Amazon Spring Sale.

• Shop Amazon's full Spring Sale

Today's best DJI Osmo Action 4 deal US

Today's best DJI Osmo Action 4 deal in the UK

If you need further convincing, check out my in-depth DJI Osmo Action 4 review. At the time, it went up against the GoPro Hero 12 Black and Insta360 Ace Pro and held its own with a larger sensor that delivered better low-light performance, plus higher-rated waterproof depths, up to 18m.

All of those models have since been updated with next-gen models, so the picture looks a little different now – check out my GoPro vs DJI vs Insta360 article. Honestly, I didn't think the Osmo Action 5 Pro was such a big upgrade over the Action 4, and the latest model costs a lot more.

That makes these lower-than-ever prices for the Action 4 all the more appealing. It's available in no less than 11 different bundles at DJI's store, or you can get it for slightly less at Amazon if you're happy with the Essential Combo or Adventure Combo. This is the action camera deal to get at the Amazon Spring Sale.

Amazon Big Spring Sale - quick links

• Amazon Devices: up to 40% off Kindle & Echo
• Appliances: up to 30% off Nespresso and Ninja
• Headphones: Bose, Anker and Beats from $19.99
• Health: 45% off Oral-B, Crest & Philips
• Laptops: from $169.99
• Phones: up to $300 off Google and Samsung
• Smart home: Ring and Blink from $17.99
• Tablets: Fire tablets from $59.99
• Toys: up to 30% off Lego and Marvel
• TVs: cheap TVs from $74.99
• Vacuums: up to $400 off Shark and Roborock

• Two new DJI action cameras have leaked
• The DJI Osmo Action 6 should succeed the Action 5 Pro
• And the DJI Osmo 360 will be a 360-degree model

A successor to the DJI Osmo Action 5 Pro and the first 360-degree action camera from DJI could both be launching very soon, according to new leaks – which means our guide to the best action cameras may need a significant refresh.

These leaks come from well-known tipster @Quadro_News, who has posted several images of the DJI Osmo Action 6 and the DJI Osmo 360 being tested. It's quite hard to make out the details, but you can see something of the camera designs.

The tipster hasn't attached any specs or other information alongside the shots, but our DJI Osmo Action 5 Pro review should give you some idea of what to expect from one of these devices – it's an action camera we've been very impressed by.

If the DJI Osmo Action 6 is able to add some notable improvements, then it's going to be another serious competitor for GoPro to worry about. GoPro itself launched a more affordable 360-degree camera just a few days ago.

The rumors continue

This isn't the first time we've heard about these two new cameras from DJI. The DJI Osmo Action 6 leaks started just three months after the DJI Osmo Action 5 Pro was unveiled, though again there wasn't much to go on in the way of details.

The "Pro" addition to the name was new last year – we didn't get a standard DJI Osmo Action 5 – but it seems it's getting dropped for the next model. We'll have to wait and see if that makes any difference to how premium this device ends up being.

As for the DJI Osmo 360, rumors around this 360-degree camera have been rumbling along since last October. It would be the first camera of this type from DJI, going head to head with the likes of the Insta360 X4 and GoPro's models.

We've even seen mockup designs of the DJI Osmo 360, which could take advantage of the delays that we've seen with the long-awaited GoPro Max 2. Watch out for either or both of these DJI cameras launching in the near future.

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One-minute review

It looks like a GoPro with its mounting case and front-facing screen, but the Akaso Brave 8 comes at a more modest price, with image quality that will meet the demands of most users. With 2x batteries, a dual charger, a remote control, and a range of mounts, it has everything you need out of the box.

During my review, the small front-facing screen made it easy to vlog adventures, whilst the rear touchscreen was responsive enough to touch to make changing settings easy. However, there are also negatives; the image stabilization in-camera is good, without being great, but the so-called SuperSmooth option, which requires processing in the accompanying camera app, isn't a patch on what GoPro offers; and the improvement over the Brave 8's in-camera stabilization is modest. The app is useable but clunky in places, and the sound recording could also be improved.

Overall, the Akaso Brave 8 is a solid little action camera with all you need to get started; the video quality is good, and the stabilization ok if you aren't hammering the camera on a bike, be it pedal or motorized. The problem is that older generation GoPro Hero cameras can still be purchased new in some places for around the same price, and more recent ones will solve many of the faults of the Akaso Hero 8. So, whilst it is cheaper than the GoPro Hero 13 Black, those thinking about the Akaso Hero 8 may want to step back a GoPro generation or two instead. For ideas of other options check out our best action cameras guide.

That said, Akaso is an emerging brand, and its products regularly seem to be discounted or have extras, such as memory cards, also offered as part of the package. So if the stabilization and audio issues won't affect you significantly, it may be worth keeping your eyes open for an offer.

Akaso Brave 8: price and release date

The Akaso Brave 8 is available via Amazon and, at the time of writing, is priced at $289.99, but there is the option of a promotional $50 money-off voucher. In the UK, the kit also includes at 64GB Micro SD card and is £244.99, not including a £40 off voucher promotion.

Keep an eye out for deals and limited-time offers on Amazon, particularly during sales periods when additional memory cards or money-off vouchers may be applied.

Akaso Brave 8 specs

Akaso Brave 8: design

The Akaso Brave 8 action camera adopts a familiar design: let's be honest, it is a GoPro clone in a market that is already flooded with GoPro competitors. However, even at a glance, you can tell that it is far from a cheap knock-off, with a rear touchscreen, front facing screen, all packaged in a body that is waterproof up to a depth of 33ft / 10m.

Size-wise the Akaso Brave 8 measures 63x45x36.5mm which overall makes it slightly smaller than the GoPro Hero 13 Black, which measures 71.8 x 50.8 x 33.6mm

Behind the 16mm f/2.5 lens sits a 1/2 inch size sensor. As a comparison, the GoPro Hero 13 uses a 1/1.9inch sensor, which means the two sensor sizes are comparable. The sensor can capture images at up to a 48MP resolution, and video can be captured at up to 4K 60fps. If you want to shoot timelapse videos, then these can be captured at 8K resolution, whilst moving timelapses (hyperlapses) can be captured at 4K 30fps.

If slow motion is more your thing, then 2.7k footage can be captured at up to 120fps and Full HD can go to an impressive 200fps.

All of that footage is saved on to Micro SD cards, and the Brave 8 can accept cards with a capacity of up to 512GB. In terms of speed, my review sample of the Akaso Brave 8 was supplied with an Akaso-branded 64GB Micro SD XC UHS I card with U3 rating, meaning the card had a minimum write speed of 30MB/s - which is the same as a V30 card.

The layout of the camera is straightforward; there is a rear touch-sensitive screen, as well as a smaller square front screen that sits alongside the lens. There are just three buttons on the camera with the power/display button on top and a Recording start/stop button. On the side is the Mode button.

The Micro SD card socket and a USB-C socket are located on the side of the camera, behind a well-sealed waterproof door. The USB-C socket can be used to power the camera or charge the battery.

On the bottom of the camera is an equally well-sealed battery compartment. Akaso supply two batteries, each with a capacity of 1,550mAh, which is a little less than the 1,900mAh batteries of the GoPro Hero 13 Black. However, credit to Akaso for supplying two batteries so that you can always been filming and charging, which, as I found out, is needed with this camera.

The extra battery is just one of a whole host of supplied accessories, including a tiny USB-C dual battery charger, so you can charge both batteries at the same time. A remote control is also included, as well as a camera mounting frame/case, a GoPro style mount, a helmet mount, a handlebar mount, an adhesive pad, a zip tie, a strap, and a lens cloth. It is a very solid set of accessories.

Akaso Brave 8: performance

Overall, the Akaso Brave 8 performed very well, especially considering its price. However, it wasn't without its quirks, and we will discuss those shortly.

Of course, the main thing is the video quality. I did most of my shooting in the 4K / 30fps setting, which produced quite nice footage that is on par with what you would expect for an action with a sensor of this size.

Key to a lot of action cameras is, of course, stabilization performance, and there are three different modes to choose from. The first is no stabilization. Then, there is a Normal, an in-camera stabilization mode with a six-axis gyroscope that applies the EIS 4.0 algorithm to stabilize the footage electronically. Finally, there is a Super Smooth option. This mode records all of the gyroscopic information but doesn't apply any of it in the camera; instead, you upload your clip to the app, where the gyroscopic data is read, and then stabilization is applied.

I found that the difference between the Normal stabilization and the Super Smooth stabilization wasn't as dramatic as I thought it would be. In most circumstances, I believe that users are probably better off just sticking to the Normal option, which softens rather than completely smoothing out any bumps or shakes. The extra step of uploading and applying Super Smooth in the app seems like a significant additional effort for a very little extra reward. Here, the camera falls way behind the stabilization that the latest GoPro cameras offer.

A decent amount of settings allow control of the video image. You can change the exposure metering to any one of several modes, and there is exposure compensation should you wish to make adjustments, which I did.

Generally, the camera produced images with a good exposure. I did tweak it a few times in extreme conditions. For example, filming in a forest could be pretty dark, with the bright light coming through the trees, causing the image to be dark, and then at other times, with no sky in the shot, it lightened the image quite a lot. I found myself making +/-0.3EV changes to the image to balance this out. What it was good at was getting the exposure correct when a face was in the scene, which is great for vlogging and filming your adventures. I advise experimenting with the different metering settings and seeing what suits your needs best.

In addition to exposure compensation, you can also change the ISO sensitivity, sharpness, plus there are two color settings - Normal or Vivid. It may not be the most comprehensive in terms of all the color settings or image styles. Still, it is good enough for the basics, particularly if your goal is capturing memories rather than producing cinematic experiences.

Some lasting memories I captured included filming my children running in and out of the sea on holiday. I put the Brave 8 on a selfie stick and shot low-angle shots of them running and jumping over the waves. The waves sometimes smashed over the camera, completely submerging it in salty Atlantic water. After a few months, the camera still works perfectly fine, with no adverse effects from the sand or saltwater.

The in-camera microphone recorded voices clearly enough, but it should be noted that wind noise was picked up quite significantly, even when it wasn't obviously windy. I wouldn't think of using the audio if I was on a motor or pedal bike. Additional microphones can be attached via USB-C, but sadly, the camera has no mounting points.

The touchscreen worked well and was responsive, with onscreen buttons and navigation presenting no problem. I found it was easy to change settings and navigate the menu.

As well as the included remote control, there is also the option to control the camera via voice commands. Again, I tried this - it is especially useful when you have the camera mounted to a helmet. The real trick is remembering the exact commands that you have to say to start and stop recording and to make sure that you say them clearly.

I didn't take many images with the camera as the video aspect is more appealing to people, but the photos look okay. There are problems with exposure, which is largely due to the sensor's small size. There didn't seem to be much HDR processing going on in terms of lightening shadow areas or pulling back highlights like you would get with a smartphone these days.

Given it is a wide-angle lens, you probably want to stick to the 48MP resolution just in case you do want to crop in a little bit more as images are very very wide on the camera.

As you would expect, there are further record modes, such as being able to shoot a time-lapse video or a time-lapse photo, that I'll be honest I didn't delve too much into, however, I did have a quick play around with them, and there seems to be quite a long interval between the images taken to create a time-lapse video, so I wouldn't use it for any activities such as mountain biking or running or skiing or anything like that. If you want to create a little clip of a ride, you're better off using the Hyperlapse setting for that, while the timelapse mode is better for things you would traditionally use a timelapse for, such as clouds passing over city scenes.

Overall, I am pretty impressed with the image quality and features that the Akaso Brave 8 offers. However, it lacks the finesse and quality you expect from a GoPro, DJI, or Insta360 action camera. Sadly, the image stabilization will be a letdown for those wanting super steady footage. Similarly, the microphone and audio processing need some tweaking to bring it up to scratch.

However, Akaso will be a budget action camera brand to keep an eye on as they have a solid foundation on which to build, particularly as some of the issues can be updated via firmware or more power processing in a future camera.

Should I buy the Akaso Brave 8?

Buy it if...

Don't buy it if...

How I tested the Akaso Brave 8

• I used the camera for a couple of months in a variety of situations
• I filmed a hike I did in British Columbia
• I tested the waterproof properties by filming on the beach and in the sea

I used the Akaso Brave 8 for several months as a compact camera to film family events and vacations. I even used it a few times to film my kids playing in the sea, which allowed me to test the camera's waterproof qualities.

On a trip to British Columbia, Canada, I turned the camera on myself, using a selfie stick to film myself while hiking and mounting it on a small tripod while swimming in a glacial lake.

Finally, I used one of the included mounts to attach the camera to my bike helmet. With my iPhone mounted to the bike, I could monitor what was being filmed using the Akaso app.

At various points during the camera's use, I connected it to my smartphone to check footage and add stabilization to specific videos. I also used the voice control options and the physical remote control.

First reviewed January 2025