I’ve been playing Final Fantasy Resonance for the past few weeks, and it is a delightful love letter to the Final Fantasy series — a beautiful turn-based role-playing game (RPG) that blends new and old across its gameplay and aesthetics to create an adventure I have adored every second of.

While it might have its roots in a now defunct mobile gacha game — Brave Exvius — don’t hold that against it. The only holdover is the core story. Everything else, from the gameplay to the wide world map to explore to the visual style, has been overhauled — the pay-to-play elements are gone too; all unlocks are completely free

The end result of this total rebuild is a classic-feeling RPG that is somehow just as at home among 2026’s gaming lineup as it would have been among one from decades ago.

There are some tweaks I’d make here and there: mostly to Visions, and to the story that’s a little predictable, but neither of these issues has sapped the joy from what is easily among the best Nintendo Switch 2 games I’ve played this year (it’s also releasing on Xbox Series X, Xbox Series S, PS5 and PC).

Back to basics

After spending decades finding ways to mix up the turn-based action it popularized, Final Fantasy Resonance returns the series to a much more classic interpretation of it. When it’s their turn to act your party and enemies get to make a basic Attack, spend MP to perform some kind of special Skill action like casting a spell, Summon a powerful esper to fight by their side, or use an item from the party’s bag — with the order characters go determined by their speed.

It facilitates a slower and more tactical approach to engaging enemies than the action-focused gameplay of more modern Final Fantasy entries, which pairs nicely with Resonance’s less traditional combat mechanic: Stagger.

Dealing enough damage to your foes that’s a flavour they’re weak to will fill their meter and Stagger them — they’ll lose their go that turn if they haven’t acted yet, will take more damage until the next round, and whoever staggered them will get a second action.

If you Stagger every enemy at once, you enter a Sweeping Stagger — your whole party will get a second action, and you’ll be able to deliver a powerful Resonance attack. This sees one of your equipped Visions rush forward to deliver a cinematic finishing blow — showcased by a 3D cinematic that briefly takes you out of the game’s HD-2D style.

Resonance isn't just Final Fantasy meets Octopath Traveler. It might seem that way based on my description so far — seeing as it borrows Octopath’s visual identity and a core aspect of the series’ Break and Boost system

But besides the nuances of Resonance’s Stagger system, which make it different from what Octopath offers, you’ll also find this game’s plot is quintessential Final Fantasy — more on that in a moment — and it takes a different approach with its Job / Class system through Visions. They feel more like weapons you swap in and out than a Class you’ll want to perfect and stick with.

Visions are (mostly) manifestations of the core Final Fantasy games’ protagonists which aid your party in combat: performing the Resonance attacks I mentioned earlier, but also unlocking a separate list of actions and abilities for the party member they’re equipped to. Most skills you’ll only have access to while the Vision is actively deployed, but there are also permanent unlocks to earn by mastering a Vision — letting you mix and match aspects of Visions on a single party member to craft your ideal champion.

As I mentioned, this will feel a lot like Jobs from other Square Enix titles, but because so much of a Vision’s identity is lost from your character when you unequip it — most permanent Mastery unlocks are more generic, yet still useful, abilities like improving stats — I’ve found it better to see Visions as Equipment. Before entering a tough fight, you might want to swap out your loadout to best suit the challenge ahead — such as equipping your party with water attack dealers when facing off against a fiery foe.

A medley or overstuffed buffet?

Taking everything I’ve said so far, you might fear Final Fantasy Resonance would turn out to be a mess.

It combines aspects of several games (Octopath Traveler, Brave Exvius, and classic Final Fantasy). It jumps between 3D and HD-2D visuals across different cinematics. There’s just over two dozen Visions to master, each their own skills to augment the base abilities your party develops. You can call forth powerful Summons to deal even more damage to your foes. There’s a giant map to explore, bursting with secrets to discover in every corner. There are main quests and side missions to complete over tens of hours, as well as secret boss fights and a coliseum to become the champion of.

It’s a lot, yet Final Fantasy Resonance never felt like a mess.

Square Enix shows a mastery of the HD-2D art style. The world's environments are stunning, character sprites are expressive, and there are some amazing 2D spectacle across the game’s cutscenes and attack animations. The animatics feel fan-made in a good way — full of expression, and getting as much as possible from the medium.

The flashes of 3D work surprisingly well to augment special moments. Rather than feeling incongruous, the 3D Vision Resonance attack and Esper Summon cinematics give these abilities an appropriately otherworldly aspect.

Games which let you throw everything and the kitchen sink at your enemies have a habit of feeling too easy. However, playing on Expert difficulty, I found fights (especially boss fights) were a challenge — one I could overcome, but not without playing tactically. Button mashing and praying won’t save you here.

These different abilities also built up gradually over time. This let me get to grips with systems before some new aspect was thrown into the mix.

And when the gameplay is so engaging, and the visuals so beautiful, I had no problem adventuring back and forth to complete side quests and seek out every secret hiding in the world.

Close to perfection

If I must find fault with Final Fantasy Resonance, it would be in two areas.

The first is that while I love a lot of the Visions system, it struggles for much of the mid-game because it focuses too much on the main Final Fantasy protagonists who are (let’s face it) pretty samey. This is showcased by the fact that the majority of them are classified as Commando or Breaker types.

The precise builds and abilities do change, but for example there aren’t many supportive Healers amongst them — meaning building out a dedicated support character in your party is a little tough at times as you’ll either need to stick with a Vision you’ve mastered, or accept your party will be multi-classing early on.

Given how useful some Mastery abilities are, you’ll want to multiclass to some extent (Tronn’s ability to halve MP costs is one you need to unlock for as many characters as possible as soon as possible), but given the game says the Vision system offers you the freedom to customize the party however you want, I was a little disappointed that the reality doesn’t quite match this.

Secondly, I’d say the plot is Final Fantasy in its purest form. There are crystals, war between ancient mystical powers and new age technology, sacrifice for the greater good, twists and turns that reveal secrets about the characters’ and the world’s past, and an awful lot else that is a little cliché.

The story is certainly good enough to keep me engaged; it's just nothing special.

Though as I’ve said, neither of these gripes kept me from adoring Final Fantasy Resonance. Every time I sat down to write this review I had to force myself to not reach over for my Nintendo Switch 2 to play another five minutes — and like any good game my attempts to set time limits on myself never succeeded in keeping my play sessions shorter than a few hours at a time.

While it is available on several consoles and PC, my Nintendo Switch 2 has been superb. If you have a choice, this is where I’d recommend playing, as it runs so smoothly, it’s easy to chip away at quests while on the go, and you can still enjoy a beautiful big-picture experience when the handheld is docked.

Should you play Final Fantasy Resonance?

Play it if…

Don’t play it if…

Accessibility features

Besides the features built into your console of choice, Final Fantasy Resonance has no accessibility features baked into it.

However, as a turn-based RPG, gameplay can be as slow as you need. It doesn't matter if you take five seconds, five minutes, or five hours to lock in an action, and unlike games such as Clair Obscur: Expedition 33, there are no active parry or dodge mechanics that require precise timing on the player's part.

How I reviewed Final Fantasy Resonance

I reviewed Final Fantasy Resonance for around 30 hours on my Nintendo Switch 2. Predominantly, this was with base system hardware in handheld mode — plugging away on trips, my commute, and while relaxing on the couch — but I did experience the big-screen docked mode for several hours on my 4K Fire TV (relying on an 8BitDo Ultimate 2 controller for inputs).

In all modes, the game ran smoothly, and I never regretted my decision to play the game on the least powerful system it’s launching on.

First reviewed October 2026

Audeze Maxwell 2 ANC: one-minute review

The Audeze Maxwell 2 ANC is simply a fantastic version of an already world-beating wireless gaming headset. While it shares an awful lot with the ‘original’ Audeze Maxwell 2 that launched earlier this year, the addition of genuinely excellent active noise cancellation (ANC) means that it offers an enhanced experience compared to its brethren.

The design and build remain very similar to that older model, with the big, weighty earcups sitting comfortably over your ears while the leather headstrap keeps things secure. Controls are also nearly identical, bar the addition of the ANC button on the front of the left cup. It’s a sturdy and robust build which gives great confidence, but if you’re in any way wary of weighty sets, then the Maxwell 2 ANC might be a bit much for you — it’s a chonker at 19.75oz / 560g.

However, the heft is unequivocally worth it in my opinion: when it comes to performance, the Maxwell 2 is absolutely fantastic. The non-ANC Maxwell 2 is my pick for the best-sounding gaming headset money can buy right now, and the ANC variant sounds just as brilliant in all scenarios across different platforms.

The ANC itself is a welcome addition and a genuinely impressive one, blocking out all exterior noise in my testing, as well as offering a transparency mode. The quality of the ANC makes it perfect for busy environments, or just achieving maximal immersion in your games.

This is up there with the absolute best in the premium ANC business — like the SteelSeries Arctis Nova Pro Omni and Nova Elite I tested in recent months — and I can’t recommend it more if it fits in your budget for PC, Xbox, or PS5.

Audeze Maxwell 2 ANC: Price and availability

• List price: $429 / £429 / AU$699
• Chunky increase in price over the non-ANC model
• Priced alongside competitors from the likes of SteelSeries, but above other wireless contenders

The Maxwell 2 ANC is more expensive than its ‘regular’ counterpart: it’s $100 / £90 / AU$130 more. With only a few features that are different from its non-ANC brother, its value proposition will be called into question.

For that price, it’s above the likes of the SteelSeries Arctis Nova Pro Omni (a direct competitor to the Maxwell 2), which is a headset with excellent ANC and one I really would recommend as well.

More broadly, you can still get models such as the brilliant Turtle Beach Stealth Pro 2 headset for comfortably less, and other planar magnetic driver gaming headsets like the wired Asus ROG Kithara are cheaper still (though aren’t quite like-for-like).

As a result, the Audeze Maxwell 2 is a premium headset package, and the combination of its awesome planar magnetic driver audio and the great ANC makes it a sizable investment in the gaming headset market — though still much less than the SteelSeries Arctis Nova Elite. If the best gaming audio and ANC are both must-have features for you, then the Maxwell 2 ANC will still offer what you want and earn its price tag.

Audeze Maxwell 2 ANC: Specs

Audeze Maxwell 2 ANC: Design & features

• Robust build with a great feature set that builds on predecessor
• A little heavier than the non-ANC headset
• Weaker battery life

Note: I've removed a small comment from this section that talked about the Maxwell 2 ANC's dongle being smaller than the non-ANC headset dongle. This was incorrect, and they are the same size; I have removed the comment to reflect that.

The Maxwell 2 ANC gives great confidence with its build. It feels robust, solid, and able to withstand a knock or a drop (something I can attest to), and a lot of that comes from its weightiness. Some folks might immediately associate ‘heavy gaming headset’ with ‘bad,’ but I really think that is a grave misconception and something drilled into us by the marketing of other brands.

In reality, the design and build are so nicely done that it offsets the weight, and the comfort too — largely down to its new memory foam cushions and ventilated leather head strap — means that I’ve never really noticed wearing the Maxwell 2 ANC for even the longest sessions.

In terms of on-board controls, the left cup houses the volume dial, the game-chat mix dial, an audio jack, a USB-C port, a mic port, and the new ANC button. The right cup has the mic mute switch and the power button, which also doubles up as the Bluetooth pairing button. Simple. The dual microphone is very welcome, and it means you can deploy the Maxwell 2 ANC for entertainment and music, and still rely on something for comms, without plugging in the detachable boom mic.

The head tracking features provided by Embody Immerse Gaming Hive and Dolby Atmos Rendered compatibility are fun and a novelty, though they still feel a little niche for me.

The most notable thing in the features of the Maxwell 2 ANC, however, sadly, is that the battery life has taken a dive compared to the regular Maxwell 2. While the non-ANC version could get you 80-odd hours of use, the ANC version is limited to about half of that with ANC off, and 35 hours with ANC on.

It’s perfectly serviceable and still provides you with comfortably more than a full day, but it is a shame the difference is so massive.

Audeze Maxwell 2 ANC: Performance

• Incredible audio quality across all games
• Excellent ANC performance that doesn’t kill bass
• Comfortable to wear, plus a really solid mic

The Audeze Maxwell 2 ANC is simply fantastic when put to the test. The gaming audio it provides is every bit as good as the audio I love from the regular Maxwell 2.

No matter what I’ve been playing, the Maxwell 2 ANC provides thumping combat sounds, beautifully crisp environmental audio, and rich, rounded soundtracks. It’s a joy to use as a media and entertainment pair of headphones too, with music singing clearly into my ears. Planar magnetic driver audio really is something else.

Backing this up is the microphone combo, which ensures I’m clear and crisp with my teammates even in the most frantic of online multiplayer battles.

Key to the audio sounding so good all the time is that the main USP of the headset, the ANC, doesn’t kill bass like almost every other ANC I’ve tried in my years of testing.

This means that you really are getting uncompromising audio, and some very effective ANC too; it’s excellent for immersion, and even in a busy household with a few people, I’ve been unbothered by external noise. This is undoubtedly aided by Audeze’s SLAM (Symmetric Linear Acoustic Modulator) tech, which is proven to assist in bass performance.

The weight of the headset doesn’t impact the performance of the Maxwell 2 ANC from a comfort perspective either. It might be heavier than other headsets, sure, but it’s never been uncomfortable on my head, even in the longest of sessions. I've almost come to prefer it over lightweight models you totally forget you’re wearing.

Elsewhere, I will say that by default the Maxwell 2 ANC can be quite quiet, which was a mild annoyance, though easily solved on PC or PS5 by manually adjusting the volume. The companion Audeze app on desktop and mobile has also been handy, facilitating firmware updates and allowing for EQ tinkering.

All in all, the Maxwell 2 ANC has all that is great about the non-ANC variant and adds excellent ANC. If you have to have the latter and are eyeing up the best version of the best-sounding headset, then this is the one to get.

Should I buy the Audeze Maxwell 2 ANC?

Buy it if...

Don't buy it if...

Also consider...

If the Audeze Maxwell 2 ANC doesn’t feel like it’s going to hit the mark for you, then these are the two alternatives I’d look to right now.

How I tested the Audeze Maxwell 2 ANC

• Tested over the course of a few months
• Compared with other headsets, including the non-ANC version
• Used across PS5 and PC games, on mobile, and for music, work, and entertainment

I’ve used the Audeze Maxwell 2 ANC as my go-to PS5 headset for a few months now, playing the likes of Assassin’s Creed Black Flag Resynced, Resonance: A Plague Tale Legacy, Marvel’s Wolverine, and Tom Clancy's The Division 2 and Warhammer 40,000 Space Marine 2 with friends online, as well as regularly using it on my PC when not using my SteelSeries Arctis Nova Pro Omni headset — a competing headset that has been great for comparison.

On my Acer Predator Orion 5000 gaming PC (supplied by Acer), I’ve tested the Maxwell 2 ANC not only with everyday usage like work calls, music, and TV, but also with games like Cyberpunk 2077, Frostpunk 2, Crusader Kings 3, and a preview of a game or two under embargo.

First reviewed July-October 2026

Read more about how we test

CRKD Nitro Deck 2: One-minute review

The CRKD Nitro Deck 2 is primarily billed as a Nintendo Switch 2 controller for handheld use, but it offers a lot more besides. It's CRKD’s follow-up to the Nitro Deck and Nitro Deck+, two previous accessories aimed at the original Nintendo Switch.

The CRKD Nitro Deck 2 has a functional design focused more on ergonomics than style, although some of the colorways add some panache; the Pal Grey variant I reviewed, for instance, harked back to retro Nintendo controllers, thanks to its colorful face buttons and darker grey accents.

The Nitro Deck 2 fits to the Switch and Switch 2 by clamping on the sides of the unit, rather than actually connecting to the Joy-Con 2 slots. A small button on the back clicks and twists to tightly grip your console, and tight it is; even when I held it upside down, my console didn’t move an inch. You can then connect to your console wirelessly via Bluetooth or wired by using the included U-shaped USB adapter.

CRKD’s mobile app can be used to remap the inputs of the Nitro Deck 2, as well as enable the ‘No Deadzone’ mode for the joysticks. Its interface is clear and easy to use, and I didn’t experience any bugs. One downside, though, is that you have to reconnect to the app every time you open it by holding two buttons for three seconds, which limits the convenience of back-and-forth adjustments.

All the buttons feel great, providing plenty of clicky feedback and responsiveness. The back buttons are awkwardly placed, though, and I found myself accidentally triggering them on occasion.

The real highlight of the Nitro Deck 2, though, is its joysticks. Not only are they precise and responsive, but they also feature dials that let you adjust their tension at any point, which is an excellent design choice and should allow any gamer to get their preferred feel.

Unfortunately, poor ergonomics detract from the Nitro Deck 2’s otherwise positive performance aspects. Not only do the pads angle inwards at the bottom, contrary to the majority of gamepads, but it’s also heavy when loaded with a console. These factors can make it cumbersome and awkward to use, especially when trying to game upright.

The Nitro Deck 2 is easy to pair to the Switch or Switch 2 via Bluetooth, although it takes a while to reconnect to your console after sleeping. Reconnection is quicker in wired mode, but it’s still not instantaneous. It was also easy to pair with PC and Android devices, although it’s a shame you can’t switch between them without having to pair each time.

The battery life of the Nitro Deck 2 is reasonable, lasting for as long as CRKD claims (15-20 hours), according to my testing. It’s a small inconvenience that you have to charge it separately from your console, though.

When you consider all that it offers, the Nitro Deck 2 represents good value. Not only are you getting handheld pads for the Switch 1 and Switch 2, but you’re also getting protection for your console, a standalone controller you can use with other platforms besides Nintendo’s, and a kickstand. Comfort issues do hamper the experience somewhat, but if you don’t mind holding a weighty unit, the Nitro Deck 2 is a fine choice as a versatile gamepad.

CRKD Nitro Deck 2 review: Price & availability

• $89.99 / £89.99 / AU$161
• Available now in multiple colorways
• Good price for a versatile handheld gamepad

The Nitro Deck 2 costs $89.99 / £89.99 / AU$161 and is available now in four colorways: Smoke Black, Pal Grey, LRG Fusion, and White. It comes with a USB cable, a double-ended USB adapter, and a legacy adapter for Switch 1 compatibility. The joystick caps and D-pad hat are replaceable, but no extra sets for either are included in the box.

This is a reasonable price for a unit that’s not only a Switch and Switch 2 handheld case and handheld controller, but also a standalone gamepad for PC and mobile, both wired and wireless.

You won’t find many more complete solutions for your Switch 2 than this, or even third-party substitutes for the Joy-Con 2 controllers, save for a few examples, such as the Mobapad M12 HD and M12S. A more left-field alternative to the Nitro Deck 2 is the GameSir G8+, a Bluetooth mobile controller that doesn’t officially support the Switch 2, but users have reported compatibility with the system.

If you just want a more comfortable handheld experience for your Switch 2 while sticking with the Joy-Con 2 pads, the Genki Attack Vector is a reasonably priced solution that offers three sets of grips as well as a backplate cover. What’s more, it can remain attached to your console when docked.

CRKD Nitro Deck 2 review: Specs

CRKD Nitro Deck 2 review: Design & features

• Functional looks
• Solid build quality
• Basic but effective mobile app

The Nitro Deck 2 has an appearance that’s more about function than form, with its soft edges and curves being more about ergonomics than aesthetics. It’s a fetching piece of design nonetheless, and the Pal Grey finish of my review unit added a retro appeal, with its dark grey accents and colorful face buttons alluding to the classic SNES controller.

The build quality is respectable, too. Although the plastic shell didn’t initially strike me as being particularly premium, I quickly felt its solidity and sturdiness once I held it in my hands. The sliding mechanisms for both pads operate smoothly as well.

Rather than the pads of the Nitro Deck 2 actually attaching to each Joy-Con slot on the Switch or Switch 2, they simply clamp to the sides of the console without actually inserting into these slots. To tighten the clamp, you simply push and twist the button on the rear of the unit. This requires a fair amount of force, and so does releasing it to remove the console, but I wouldn’t say it was overly arduous, and it’s worth the effort for the secure fit it provides.

When attached, the Switch 2 fits snugly and securely; I had no worries about it coming loose, as there wasn’t a hint of looseness. The unit also aligns precisely with the dimensions and contours of the Switch 2, although my one small gripe is that accessing the game card flap can be fiddly, as there’s little room to reach down to lift it up. This isn’t an issue when the Nitro Deck 2 is attached to the Switch 1, though, since the flap on that console opens the other way.

Speaking of which, the Nitro Deck 2 fits just as well to the Switch 1 as it does to the Switch 2. Thanks to the included legacy adapter, its USB-C port is still accessible, so you can still have a wired connection between the console and the Nitro Deck 2. This wired connection to both the Switch 1 and 2 is handled by another adapter, a double-ended U-shaped USB-C jack, that slots into the bottom of the Deck and the console.

The Nitro Deck 2 also features a kickstand on the back, allowing you to use your console with another controller. This is made of metal and feels very solid. It’s also very sturdy when open, and it folds flush into the back of the Deck. It can be a little difficult to release it from its clip, but this is a small price to pay for its secure fastening.

To customize the inputs of the extra shoulder and back buttons, you can use the M button in combination with others to alter the mapping. However, you can also use CRKD’s mobile app, where you can remap every button, as well as enable a ‘No Deadzone’ mode for the joysticks in order to increase their sensitivity.

The app is clearly laid out and easy to navigate, and I didn’t experience any bugs or glitches, which was somewhat of a surprise given the poor rating it has on app stores. For some bizarre reason, though, it only operates in landscape mode, but more frustrating is the fact that switching between the app and your console isn’t exactly a seamless experience; you have to hold the Home button and the left D-pad button for 3 seconds every time you go back to the app after exiting it.

CRKD Nitro Deck 2 review: Performance

• Excellent joysticks
• Awkward to use upright
• Some connectivity issues

While its grips may look ergonomic, I struggled to get entirely comfortable with the Nitro Deck 2. Partly, this is due to the sheer weight of the unit when loaded with a console, which makes holding it upright a chore, even for short periods.

But the other half of the problem stems from the grips’ orientation. They protrude outwards at the top rather than at the bottom, running counter to the best Nintendo Switch 2 controller shapes, and are at a less natural angle for your hands. I did acclimatize to their form somewhat, but I was never entirely at ease with it.

I also found the back buttons awkward to use, as they were too low down to align with my natural finger placement around the grips. Their low travel and resistance meant there were times when I accidentally triggered them, too.

These issues aside, though, the Nitro Deck 2 offers fantastic performance. The face buttons are clicky and satisfying to use, while the D-pad is very comfortable thanks to its circular hat. Its floating design also meant presses had plenty of travel, which in turn created good feedback. I found the shoulder buttons were easy to reach and use as well.

The best input of all, though, is the joysticks, which feature dials at their bases for adjusting resistance on the fly. This is a great idea and one I wish more controllers implemented. Looser settings allow for easy maneuvering and quick flicks, while tighter settings give you more control and precision.

The Nitro Deck 2 also features motion controls. I found these to be accurate and responsive when aiming with the bow in The Legend of Zelda: Tears of the Kingdom, although using them in handheld mode isn’t exactly practical, given the whole console moves with your hands.

Unfortunately, I did experience some small connectivity issues with the Nitro Deck 2. Although pairing with my consoles was a relatively quick process, it can be slow to reconnect when you wake your console. It activated quicker when I used a wired connection, but it wasn’t instant.

The Nitro Deck 2 worked just as well with my Switch 1 as it did with my Switch 2. It’s a shame, though, that the aforementioned legacy adapter doesn’t support console charging. I’m not sure whether this was a particular issue with my review unit or a known limitation, but either way it’s a shame from a convenience perspective.

As for other platforms, I had no issues connecting or using the Nitro Deck 2 with PC or my Android smartphone via Bluetooth, although hot-switching isn’t possible, with pairing required each time you move between devices.

The battery life of the Nitro Deck 2 is reasonable — according to my testing, it lasts about as long as CRKD claims it can, which is between 15 and 20 hours. However, it’s a shame you can’t charge your console and the Deck with a single cable, as there’s no passthrough feature.

Should I buy the CRKD Nitro Deck 2?

Scorecard

Buy the CRKD Nitro Deck 2 if…

Don't buy it if…

CRKD Nitro Deck 2 review: Also consider

How I tested the CRKD Nitro Deck 2

• Tested for over a week
• Used on various platforms
• Relied on extensive gaming experience

I tested the Nitro Deck 2 for over a week, using it with both the Switch and Switch 2, as well as with a PC and my Android smartphone. I tested both wired and wireless connections. I also tested CRKD’s companion mobile app.

I played games such as Super Mario Bros. Wonder and Castlevania: Belmont’s Curse, both of which are good tests for the responsiveness of the buttons and comfort of the D-pad. I also played The Legend of Zelda: Tears of the Kingdom, which is a great test of all facets of a controller, including the motion controls.

I’ve been gaming for decades and have plenty of experience testing controllers and other peripherals for numerous platforms, including the Switch and Switch 2. I’ve also reviewed other Switch 2 accessories, including handheld grips.

• Read more about how we test
• First reviewed October 2026

There are few studios I respect more in the gaming world than Double Fine. Founded by industry legend Tim Schafer way back in July 2000, the mastermind behind adventure game classics like Grim Fandango and Full Throttle has spent the past 26 years making a range of games that have you doing everything from jumping into people’s brains to becoming a rock legend to using Russian dolls to solve puzzles.

Every single thing this developer creates is so unique, and none more so than Psychonauts 2.

And I love this delightfully unorthodox platformer not just because of its excellent characters and imaginative level design, but also because of the hard journey it went on to see the light of day after six long years of development. Now I consider most video games a miracle, but not all video games have a 23+ hour documentary showing exactly how they were made and all the things people sacrificed to make them so special.

You owe it to yourself to watch it, more so now that Double Fine has parted ways with Microsoft and is yet again stepping into the world as an independent studio with so much left to give. Enough about that for now, though; let us touch on everything that makes Psychonauts 2 such a masterpiece now that I’ve hit the credits for the first time.

Insane in the membrane

The concept of being able to read the minds of those around you and even jump into their brains to root around sounds thrilling at first, but I bet it doesn’t take long before you stumble across mountains of trauma and terrible opinions.

But what if you could change people by delving deep into their subconscious and pulling on a few strings? That’s exactly what our hero Razputin "Raz" Aquato must do as a newly minted member of the Psychonauts, who also happens to come from a family of eccentric circus performers who are horrendously allergic to water. That explains the gaudy green skin and penchant for 3D platforming.

Psychonauts 2 starts incredibly strong as you’re yeeted into the head of a paranoid dentist harbouring the location of a long-lost psychic supervillain. If you’re afraid of rotting teeth or the idea of someone rooting around in your chompers with sharp objects, this level totally isn’t for you, but goodness me, is it gorgeous.

I’m filled with a feeling of proud disgust as I grasp onto a zipper of teeth using my telekinesis, only to pull it down to reveal a new area, while bouncing across a squishy yet jagged mixture of gums and teeth resembles a video game equivalent of a SpongeBob SquarePants close-up gag.

It’s gross, needlessly detailed, yet instantly endearing. Thankfully, the remaining levels in Psychonauts 2 are equally as impressive but don’t make you want to lose your lunch. I’ll never forget helping a brain in a jar regain his physical form by reuniting his senses, who almost happen to play in a rock band pulled straight from the psychedelic 1960s, or the Casino Hospital, where sentient syringes are rolling the dice to try and have a baby.

Every level is a platforming masterclass that begins with a central premise before using that foundation to offer up stellar obstacles and puzzles which are always challenging enough to feel rewarding. During my first playthrough, I became obsessed with collectibles, leaving the beaten path behind in favour of hard-to-reach areas or consistently backtracking to make sure nothing was left behind. That’s the sign of a great platformer — each level is an utter joy to traverse the first time round before evolving into a familiar playground awash with secrets.

What color is the sky in your world?

Beyond how good Psychonauts 2 can feel to play, it’s the writing and characters that occupy this platformer that help it rise to another echelon of greatness. Raz may be a psychic hero, but he’s also a naive little kid with so much left to learn about the world, which makes having to constantly fix the mistakes made by adults around him a smidge awkward.

This acts as an effective springboard for Schafer and his team to tell nuanced stories surrounding issues like alcoholism, depression, grief, and what it means to be human. The game world is held up by eccentric psychic realism, but the way it narratively expresses itself couldn’t be more real if it tried.

Throughout its seven-year tenure with Xbox, Double Fine never managed to release another game of this magnitude as it opted for smaller, more experimental titles like Kiln and Keeper. But I’ve no doubt that Schafer is currently hard at work on a new project as creative director or project lead, whether this ends up being a new IP or a sequel to something fans love.

It’s the sort of experience it will need to produce in order to succeed as an independent studio in today’s climate, where even a single failed project can usher in a studio’s sudden demise. Its enduring history and legions of hardcore fans sadly don’t make it immune to this fate.

I’m not saying I want Psychonauts 3 — although that would be lovely — but the medium would be far darker if Double Fine stopped creating games like the idiosyncratic platformer.

It offers so much heart, so much purpose, and showcases what video games are capable of outside of chasing trends and retreading nostalgic old ground. We simply don’t have nearly enough experiences like it in the modern era, so hopefully Double Fine’s current Amnesia Fortnight campaign will produce something just as spectacular.

Platformers of this depth and caliber are hard to come by these days unless you’re being made by Nintendo, so if you’re after an emotionally satisfying adventure that will stay with you for years to come, I can’t recommend Psychonauts 2 enough. Oh, and be sure to give the documentary a watch as well. If we make enough noise, maybe we’ll be crowdfunding the third game sooner than we think.

• Secretlab has announced its new Titan Evo and Magnus Pro League of Legends K/DA collection
• The virtual pop group returns with new music, and Secretlab is celebrating with a themed gaming chair and standing gaming desk
• Both are wreathed in rich burgundy flame and the K/DA iconography

Secretlab is expanding its Secretlab Titan Evo and Magnus Pro series with a new League of Legends collection inspired by the game's virtual pop group, K/DA.

K/DA has officially made a comeback after years away with a new album consisting of four tracks, 'Firestarter,' 'Never Going Back,' 'Watch Me,' and 'Girls,' and to mark the occasion, Secretlab has announced its stunning new Titan Evo gaming chair and Magnus Pro desk, launching today at Secretlab.

"The comeback we’ve all been waiting for," Secretlab announced. "Celebrate the return of K/DA, the virtual global pop supergroup within the iconic League of Legends world, with the brand newSecretlabLeague ofLegends K/DA Firestarter Collection."

Wreathed in rich burgundy flame, black leather, and the iconography for the members of K/DA, including Ahri, Kai'Sa, Evelynn, and Akali, the Titan Evo League of Legends Firestarter edition also features gradient embroidery and silver frame motifs on the side wings.

The Secretlab Titan Evo is one of the best gaming chairs on offer, designed with patent-pending cold-cure foam, a pebble seat base, and four-way L-adapt lumbar back support to ensure comfort for long gaming sessions.

The Titan Evo can also be paired with the Magnus Pro League of Legends Firestarter edition, the first standing desk in the K/DA collection. Featuring fire wrapped around the entire frame and the same iconography of the group's members, the desk also offers a matching cable management bundle with hot metallic pink anchors.

The Secretlab Magnus Pro features built-in power, cable management, and a controller, and is one of TechRadar Gaming's picks for the best standing desks money can buy right now.

• A permanent, physical Pokémon store is set to open in the UK
• The Pokémon Company says the London store will open its doors “by 2029”
• It's set to be the first permanent physical retail space for the brand outside of Asia

The Pokémon Company has announced that a permanent, physical Pokémon store will open in London, United Kingdom, by 2029.

This space will be the first permanent physical retail space for the brand outside of Asia. The Pokémon Company has described the upcoming retail space as “the ultimate destination for Pokémon fans,” with a bunch of exclusive merchandise and “one-of-a-kind experiences” to be offered.

In a statement, The Pokémon Company International’s chief product and experience officer, Gaku Susai, said: “We are always exploring new opportunities that help us create unique and memorable experiences for our fans. This new London store will give visitors the chance to step into the world of Pokémon, whether they’re discovering the brand for the first time or have been Trainers for years”.

In addition, The Pokémon Company said that the London store will be “the first of several permanent Pokémon stores” it’s planning to launch outside of Asia, so it’s safe to assume that we can expect more locations to be revealed in the near future.

We’ve seen a number of pop-up stores appear in the UK recently, and these have proven to be very popular. For example, at the beginning of 2026, a pop-up opened in The Natural History Museum, London, with apparel, stationery, and even a brand-new exclusive plush put on sale that saw fans arrive in droves.

I have no doubt that a permanent residence for the highest-grossing media franchise in history will see its fair share of success too.

As a huge Pokémon fan, I’m very excited about this news, and I’m looking forward to tracking down merch of my favorite pocket monsters… I’m especially hoping there’ll be a Maractus plush.

Are you excited to explore the new Pokémon store when it opens? What are you hoping to see in stock? Let us know in the comments!

Nintendo Switch Sports Resort is here, and this new first-party Nintendo Switch 2 exclusive has big shoes to fill.

You see, when Wii Sports entered the scene 20 years ago, it was a total phenomenon. It was a smash hit thanks to its simplistic yet addictive gameplay, enticing players of all ages…even your grandparents could get involved.

Its successor, Wii Sports Resort, expanded on the formula, adding more sports, more depth, and more precise controls. And Nintendo Switch Sports Resort is attempting to do the very same for a new generation — to refine the relatively basic Nintendo Switch Sports and create a more fleshed-out experience, all while retaining that sense of widespread appeal for players of all ages.

But can Nintendo Switch Sports Resort pull off this seemingly daunting task? I’ve spent about 15 hours playing the game solo, with friends, and with fellow gaming journalists online, and this is my verdict.

Getting sporty on Switch 2

The original Nintendo Switch Sports was a decent overall experience. It was a bit thin at launch and lacked single-player replayability, but the version we know today has a solid lineup of events, with fairly responsive controls, and is a good party game to enjoy with friends. And luckily, it feels like Nintendo Switch Sports Resort has fixed a lot of the issues I had with its predecessor.

Let’s start off by talking about the sporting variety on offer. There are 12 core sports available here. You’ve got some classic options like Basketball, Bowling, Boxing, and Tennis, as well as some Leisure Sports, such as Power Cruising and Prop Plane. What’s more, there are two sports that have never been seen in previous entries — namely Skateboarding and Thumb Wrestling.

I found that all 12 of the included sports were great fun to play. Let’s start with the returning events. Sports such as Basketball and Tennis are much unchanged, but feel incredibly tight and enjoyable, with accurate motion controls and multiple modes, such as Three-Point Contest for the former and a slower-paced Laid-Back Match for the latter. Bowling, Golf, and Volleyball are similarly unchanged, and continue to be a favorite for my pals and me, with plenty of laughs and tense moments.

Some of the returning sports feel far more refined, though. The biggest example of this is Boxing. Gone are the days of randomly flailing your disconnected gloves to down your opponent. Now, Boxing feels far more tactical. You have a stamina bar; it's far easier to land uppercuts and hooks, and picking the right moment to land your knockout punch is crucial.

It’s a similar story with Table Tennis, which, in my view, is the most fun sport in the game. At higher levels, you’ll need to be incredibly strategic with your slice shots to recover back to the centre and perfect your timing to hit shots right onto the table edge. The Return Challenge mode is also a whole lot of fun, and honing your accuracy to beat your high score feels super rewarding.

Archery is another highlight, with the Joy-Con 2 controllers providing pinpoint precision when aiming for the target. There are also some hidden targets to discover, adding plenty of replay value to the sport. Other sports, like Power Cruising and Prop Plane, translate nicely onto Switch 2 as well, and although the latter asks you to hold the Joy-Con 2 in a slightly bizarre way, it’s fairly comfortable and effective after you get used to it.

Out with the old, in with the new

We’ll get onto the new events in just a moment, but before we do that, let’s talk about something that irked me a little. Some of the events from the original Nintendo Switch Sports have been cut.

Yes, it’s out with the old and in with the new, as three events — Badminton, Chambara, and Football (or soccer) — are no more. This is a shame, as these were all among my favorite sports last time out. Football in particular is a big miss — it provided a chaotic, all-action multi-player experience with tense last-minute theatrics. Will these sports return in some kind of update or DLC? Quite possibly. But I would’ve loved to have seen them here at launch.

Anyway, no point in crying over spilt milk, eh? After all, the newly added sports are a blast. Thumb wrestling is a truly bizarre addition, and I can’t believe that Nintendo managed to make this feel fun. You have to hold your thumb against your opponent's hand to enlarge it, and then pin them down to attain victory. I feel like they missed a trick by leaving out ‘one, two, three, four, I declare a thumb war’ as the countdown, but otherwise, no complaints here.

I can see skateboarding dividing opinion, but I had good fun with it. This mode makes use of the Switch 2’s mouse mode capabilities, and this works surprisingly well. Whether I was lifting the Joy-Con 2 to jump or trick, tilting to steer, or pushing back to accelerate, movement always seemed to be accurate. The Skate Sprint mode is definitely the highlight here; tricking to gain speed, sneaking up behind your opponents, and grinding on railings is a whole lot of fun.

What I would say, however, is that the Free Play mode could’ve been better. The world that you skate around isn’t empty or anything, but I wish there was more to do and explore. The Sightseeing Tour is also a little lacking; you’re tasked with collecting photos, which isn’t the most thrilling experience — I would’ve preferred the option to collect customization parts for my board or character instead. This also applies to the Prop Plane and Power Cruising modes, which have Free Play options as well.

Oh, and a quick note on online play, which was very enjoyable in my experience. Here, you can expect highly responsive, smooth controls. Even though my home Wi-Fi is far from great, I ran into no performance issues whatsoever when linking up with a couple of other gaming journalists online — vital when playing reaction-based sports like Table Tennis and Volleyball.

A more replayable sporting experience

Nintendo Switch Sports Resort has made one other key addition that helps it to totally surpass its predecessor, that being Island Crown.

Island Crown is a primarily single-player experience, where you have to rise up the ranks in a particular sport and challenge the island champion. Initially, your foes will seem laughably weak, but as you climb up the table, some highly skilled challengers will stand before you. If you manage to beat the island champion, you’ll have the opportunity to face a legendary Mii from the Wii era…I won’t spoil the identity of these, though; I’ll let you discover them for yourself.

This mode has kept me coming back to Nintendo Switch Sports Resort time after time. You get new customization options as you improve your rank; the challenge of beating tough opponents is highly compelling, and the mode serves as an excellent way to develop your sporting prowess. This is the sort of single-player replayability that the original Switch Sports was crying out for, and I absolutely loved it.

I’ve mentioned customization options a few times in this review, so let’s talk about them. By playing sports, you’ll earn points which you can spend at the item center to get a random title, hairstyle, costume, or such things. Previously, you could only earn points online to customize your character — meaning you’d need a Nintendo Switch Online subscription, but no longer. Now, you can earn points offline too, and I loved a lot of the straight-up weird customization options available. I mean, come on, just look at my character.

You can either customize your standard character or a Mii that’s saved on your Switch 2 console. But I never deviated from the standard option. I’m afraid that the Miis just look so out of place in this game, with this visual style...and I feel like it’s time to let them go. Maybe they should simply remain as a relic of a bygone era.

More generally, I would say that the visual style of Nintendo Switch Sports is a bit lackluster. It misses the personality and sauce of the Wii era titles, and goes for a more ‘streamlined,’ modern look which ends up feeling a tad soulless. Even the menus are a touch dull, and given that this is a Nintendo game, I expected more flair, and perhaps a few nods to the company’s most beloved IPs to add even more charm.

The quality of the visuals is generally strong, though, and frame rates are consistent in docked or tabletop mode. I did notice a few texture loading issues in tabletop when playing Prop Plane, but this was fairly minor.

Otherwise, though, I’m coming away from my experience with Nintendo Switch Sports Resort feeling largely positive. The bolstered single-player replayability, enjoyable new sports, refined classics, and brilliantly responsive controls ensure it's a hit that’s especially great for multiplayer mayhem.

It’s a shame that some sports were cut, and I’m still not sold on this series’ visual direction, but just like Wii Sports Resort, this entry succeeds in building on its predecessor with additional depth and versatility. So, if you’re looking for a fun sporting experience to add to your Switch 2 library, this is well worth picking up.

Should you play Nintendo Switch Sports Resort?

Play it if…

Don't play it if...

Accessibility features

You can change the dominant hand for each individual sport, alter camera controls for Prop Plane and Skateboarding, and turn on Shot Assist for Golf, which makes it easier to hit the ball accurately. Otherwise, there aren’t many ways to customize your experience in Nintendo Switch Sports Resort, with no colorblind modes or alternate control schemes available.

How I reviewed Nintendo Switch Sports Resort

I spent 15 hours playing Nintendo Switch Sports Resort, trying out Island Crown mode in single-player, as well as a number of core and Leisure Sports via local and online multiplayer.

For the most part, I played in docked mode, with my console connected to the Sky Glass Gen 2 TV and the Marshall Heston 120 soundbar. However, I did dabble in some tabletop mode gameplay, and used the JBL Live Beam 4 to enjoy in-game audio.

More generally, I’ve spent years reviewing gaming software and hardware here at TechRadar. I’ve reviewed a number of Nintendo Switch 2 exclusives, including Fire Emblem: Fortune’s Weave, Yoshi and the Mysterious Book, and Kirby Air Riders. I've also logged more than 50 hours on the original Nintendo Switch Sports, which I directly compared against its newly released successor.

First reviewed October 2026

When the remake of Resident Evil 4 launched in 2023, it was met with universal acclaim, even netting a Game of the Year nomination. And that came as no surprise to me. This is a brilliant entry in Capcom’s legendary series, packing in spectacular survival horror gameplay, a massively engaging story, and a memorable cast of characters.

And now, Resident Evil 4 (Gold Edition) has arrived on Nintendo Switch 2. I’ve put about 20 hours into the game, during which time I’ve played through a good chunk of the main story and completed many a request. So how does this game hold up on Nintendo’s hybrid platform? Here’s everything you need to know.

Let me start by saying that the core Resident Evil 4 remake experience is incredible. Leon is a charming and likeable protagonist, the gunplay is excellent with a fantastic suite of weapons to choose from, and the narrative is top-class too. Sure, this entry perhaps lacks the chilling, claustrophobic atmosphere of its predecessors, but there’s plenty of high-octane action segments, fun puzzles, and big scares to experience. So if you haven’t played this game just yet, I highly recommend it.

A remake that's great on the go...but has a few graphical gremlins

How exactly does this title perform on Switch 2, though? Well, between this game and the other two entries recently ported to Nintendo Switch 2 — Resident Evil 2 and Resident Evil 3 — Resident Evil 4 is the one that has the highest amount of performance issues. This is totally understandable — it’s a newer release than the other two entries and carries a higher technical demand — but this isn’t quite the definitive way to play through Leon’s adventure.

So, let’s take a look at some of the blemishes I noticed on this port. The largest of these relates to texture pop-in. Whether I was playing in handheld or docked mode, some visual elements — such as trees or cliffs — would appear lower in resolution from a distance, and suddenly appear more detailed and intricate as I drew closer to them. Is this a major issue? Not really. It had no impact on my ability to vanquish my foes. But it’s something I did encounter regularly, and it could sometimes make the experience a little less immersive.

In addition, I encountered a few frame drops throughout my playthrough. When I ventured into a cave with a purple flickering flame, the game appeared to run less smoothly. This only lasted for a second or two, but it happened a good handful of times during my time with the game. Like the Resident Evil 2 Switch 2 port, and the Resi 3 Switch 2 port, the motion of some distant enemies appeared shaky, with some noticeable frame drops. With that said, combat was generally very smooth, and I rarely found said frame drops to give me a disadvantage in skirmishes.

Another thing worth noting is that this version of the game supports motion controls, something I was really hoping to see in the recent ports of the game’s predecessors. This is a most welcome inclusion, giving fans of gyro aiming another way to play…but it could’ve been implemented more effectively. While vertical aiming feels precise and responsive, horizontal movement is sluggish by comparison. Still, traditional controls work like a dream, and there are a number of schemes you can choose from in the Options menu to suit your personal preferences.

I want to be clear: this game doesn’t perform badly, not by any means.

For the most part, Resident Evil 4 plays nicely on the Switch 2, with largely smooth performance and solid graphical fidelity, especially in docked mode. Of course, some textures look a bit less refined in handheld mode, but the dark and dismal environments still translate over nicely. The game also has HDR support for enhanced contrast, and character models look pretty sharp too. And all in all, I found the port to be totally serviceable — just expect an experience closer to the PS4 version than the PS5 one.

In the end, the Nintendo Switch 2 port of the Resident Evil 4 remake is decent. A lot of the issues, like pop-in and occasional frame drops, feel relatively minor in the grand scheme of things, though I wish motion controls felt more precise. Still, you get generally smooth performance, good visual fidelity, and all of the major DLC bundled in, including the excellent Separate Ways.

Is this the definitive way to play through Leon Kennedy’s journey? Perhaps not. But if you want to experience Resident Evil 4 on the go, this Switch 2 port is a perfectly fine option.

Should you play Resident Evil 4 for Nintendo Switch 2?

Play it if…

Don’t play it if…

Accessibility features

The options menu allows you to make a few changes to your experience, with a range of camera options, a number of control schemes including motion aiming, toggle or hold run modes, and a range of voice and text languages available. What’s more, you can change the color of the reticle, laser dot sight, and biosensor scope, alter HUD opacity, and tone down damage display if you’d prefer.

How I reviewed Resident Evil 4 for Nintendo Switch 2

I put more than 20 hours into the Resident Evil 4 remake on Nintendo Switch 2, during which time I played through the main story and completed as many requests as possible while playing in both docked and handheld mode.

The vast majority of the time, I played the game docked, with my Switch 2 connected to the Sky Glass Gen 2 TV and Marshall Heston 120 soundbar. I also dabbled in handheld gameplay now and then, though, and used my JBL Live Beam 4 earbuds to experience the game’s virtual spatial sound.

More generally, I’m an experienced gaming hardware and software reviewer, and have been testing all kinds of games and accessories at TechRadar for years now, where I serve as a Senior Reviews Writer. I’ve reviewed all sorts of Nintendo Switch 2 titles, from major first-party releases like Fire Emblem: Fortune’s Weave to ports like Yakuza Kiwami. I’ve also played a number of Resident Evil games, including the Switch 2 ports of the Resident Evil 2 and 3 remakes.

First reviewed October 2026

Following its expansive Gamescom 2026 demo, I just got to experience a much more linear segment from Final Fantasy VII Revelation set right at the start of the new game — it sets Cloud and the gang up to finally face the biggest twist from the original, albeit a lot earlier than they did in 1997.

The demo itself was pretty short — I blasted through in around 30 to 45 minutes — but I got to play around with the new party members Vincent and Cid (the latter formally joined as an active combatant at the start of the demo), and most of my team were utilizing the new FITS system (Revelation’s version of the Job / Class system used in other Square Enix games).

Though I want to focus on the story content.

The party finds themselves in the North Crater, the impact site of the asteroid which brought Jenova to the game’s planet. Here they find even more of the black-robed figures they’ve been following for the past three games — including Broden, the former SOLDIER and inn manager you meet in Kalm during Rebirth — and yet again Cloud is racked with headaches and visions of Sephiroth, tormenting him about his past.

Players of the original will know where this is going, but before I go into any more details, here’s an obligatory SPOILER WARNING. We’ll be talking about Final Fantasy VII’s biggest twist after Aerith’s death below, and if you somehow don’t know it yet and don’t want to get spoiled, you’ve been warned.

While my demo cuts things a little short, it shows Sephiroth forcing Cloud to remember he isn’t really a SOLDIER, just as he does in the og FF7.

He’s pointing out inconsistencies like Cloud’s lack of a SOLDIER ID number on his arm (something all the others have), comments that he must have the “wrong man” when attempting to reminisce with Cloud, and finally making him, Barret, and Tifa relive the Nibelheim incident one last time — and we see differences from the version from Rebirth, as Zack features, and one of the Shinra guards that was with the group before is suddenly missing…

Barrett even comments on how happy Cloud looks when posing for a photo, saying he looks like a “whole other person.”

SOLDIER no more…

As a reminder for anyone who hasn’t relived the FF7 narrative recently, or who is unfamiliar with the plot and doesn’t care for spoilers, Cloud was actually just your regular Shinra grunt — those (lowercase) soldiers we’ve been dicing up since the opening of Final Fantasy 7 Remake.

He was there at the Nibelheim incident, but as backup for the actual SOLDIERs Sephiroth and Zack Fair. Embarrassed that he didn't achieve his SOLDIER dreams, Cloud hides his face from Tifa and others in the village, which is why she told Aerith that she doesn’t remember seeing him on that mission during the events of Rebirth.

We already know from Rebirth that things don’t go according to Shinra’s plans on this mission, and in the original continuity we know that Cloud is able to defeat a weakened Sephiroth using Zack’s Buster Sword (it seems likely this is what happens in the Remake continuity too, though we haven’t had explicit confirmation, and we’ve already seen more than a few plot details shift between the two timelines).

Following the victory, Cloud and Zack are picked up by the mad Shinra scientist Hojo, who proceeds to experiment on the pair using Mako and Jenova cells in the hope they’ll become clones of the slain Sephiroth — or at least gain strength comparable to him.

Cloud’s mind is broken by these experiments, but Zack is able to hold himself together and rescue himself and Cloud — making it all the way to Midgar with his unconscious friend before Shinra catches up with them. In the original, this is where Zack is gunned down, though in at least one timeline (which we see in Remake and Rebirth) Zack is somehow able to survive the onslaught.

Back to the original version, however, left for dead by the grunts, Cloud eventually recovers enough to pick up Zack’s weapon, mourn his friend, and carry himself the rest of the way to Midgar — where he bumps into Tifa, and he is convinced into helping Avalanche on the mission Remake starts with.

The trauma caused by years of experimentation and the loss of his friend causes Cloud’s mind to build itself back incorrectly. His memories aren’t just his own, but an amalgamation of his and Zack’s — making Cloud believe he is indeed a First-Class SOLDIER.

The truth is out

Thanks to Hojo’s test, Cloud becomes as physically strong and agile as a First-Class SOLDIER, and earns their ‘Mako eyes’ — a glow associated with Mako-enhanced folks — which is why he’s able to pass as one so effectively.

But Rebirth already poked holes in his story. In the Nibelheim flashback, we see multiple instances of Cloud behaving unlike himself — with the party noting he sounds a lot more upbeat and happy-go-lucky than he is with them, and Tifa admitting to Aerith that Cloud wasn’t one of the SOLDIERs she remembers being on the expedition with her.

Revelation looks set to finally burst Cloud’s bubble in the Remake continuity, but interestingly this looks set to happen at the game’s intro rather than at its climax as it does in the original.

What impact this will have on the party’s dynamics — trust in Cloud already seems to be at an all-time low thanks to the visions and strange behaviour caused by his connection to Jenova — and for Cloud himself is yet to be seen.

But it’s another sign that Final Fantasy VII Revelation is just as unafraid to mix up the game’s timeline as previous entries, and I, for one, am excited to see what giving the party more time to digest this twist will mean for the adventure when it finally lands on April 8, 2027.

I’ll say one thing for EA Sports FC 27: it’s not the same game as EA Sports FC 26.

That reads like a compliment — and in some respects, it is — but where previous entries in EA’s long-running football simulator series shipped with minor improvements and equally minor frustrations, FC 27 takes bigger swings that flip between successful, insignificant, and occasionally experience-worsening in their execution.

I wish I could package that sentiment into a neat metaphor (‘a mixed bag’ is too hackneyed), but I can’t — so here’s the Cliffs Notes version of my review:

EA’s shiny new mode, The Grounds, is a hollow imitation of NBA 2K's The City. Ultimate Team is objectively better than it was in FC 26, but is still geared towards card-collecting youngsters and time-rich YouTubers. Career mode is the best it’s ever been, but is oddly prone to breakage by the same new features that make it better. And the overall FC gameplay experience is more challenging than before, but more rewarding as a result.

Still with me? I’ll run through each of those mini-verdicts as you read on, but you get the idea: EA Sports FC 27 is immense fun in parts, dull in others, and a generally quite confusing entry in a series that rarely changes so much from one year to the next. But hey, change is good... right?

Around The Grounds (and out again)

This year’s big new addition to the FC franchise is The Grounds — an ‘open-world’ reimagining of the series’ Clubs mode in which you can compete with friends or randoms in both stadium- and street-based challenges.

I put ‘open-world’ in quotation marks because The Grounds is not so much a free-roam experience as a third-person menu-hopping one. The idea of exploring three “cultural hubs of football” sounds cool, but in reality, these hubs are little more than poorly rendered maps populated by lifeless NPCs (non-player characters), Riddler Trophy-style Drop Kick Targets, and PvP waiting areas.

The game modes available within The Grounds are fun enough — there are traditional 11v11 matches, FIFA Street-style cage matches, and more casual mini-games like the basketball-inspired Bucket Ball — but the ‘open-world’ aspect of the experience adds little beyond longer wait times (because you now have to travel from A to B on foot) and the ability to customize your pro’s wardrobe with licensed clothing. At a price, of course.

I won’t lie: I did have a good time building my pro and was excited to get out into The Grounds’ virtual world. But once I’d played a handful of matches and completed enough Alex Hunter-ordered errands to buy myself a cool headband (Kylian Mbappé, Paulo Dybala, and Chloe Kelly are the other ‘mentors’), the novelty of this new open-but-actually-closed game mode quickly wore off.

With enough friends in tow, I can imagine The Grounds being a lot of fun, and I don’t criticize EA for trying something genuinely new with FC 27. I’m just not sure The Grounds actually is all that new — it’s more like Clubs with an extremely elaborate menu system.

Players for points

Opening Ultimate Team (FUT) for the first time in FC 27 feels like walking into a nightclub sober. You’re immediately hit with a barrage of menus, cards, and checklists, which is a frankly disorienting experience until you remember that this is exactly what FUT has been like for several years now.

Still, once you get over the customary nausea, there are some genuinely neat improvements to be found in this year’s edition of EA’s most popular (and profitable) mode.

My favorite addition is Streamlined SBCs (Squad Building Challenges). These are essentially SBCs that swap the starting XI puzzle aspect for a cumulative target score — each player in your club has a value, and you need to exchange enough players to reach that score. You don’t need to worry about formations, positions, or chemistry; instead, Streamlined SBCs are purely a numbers game.

Traditional SBCs are still present and correct in FC 27 — I personally enjoy the challenge of completing the weekly Marquee Matchups SBC — but with Streamlined SBCs, EA has acknowledged that most players aren’t fussed about the puzzling they require. Streamlined SBCs are for those who, understandably, want to snag the SBC reward in as little time as possible. But I appreciate that EA has kept both SBC types in the game.

The Gallery is a less meaningful but otherwise harmless addition to FUT. It’s a sticker book-style card-collection feature that tracks every player who’s ever passed through your club and encourages you to curate these players into graded sets. Doing so earns you trinkets and cosmetics (boring), but also Gallery Tokens (less boring), which can be spent on special Hall of FUT players like Loïc Rémy, Adebayo Akinfenwa, and Marouane Fellaini.

Honestly, the Gallery interface is as dizzying to navigate as everything else in FUT, but at least there are tangible player rewards to be gained from taking the time to understand it. I just wish The Gallery were available in the FC 27 Web App, so I could kill time grading cards while on my evening commute, and not while playing FC 27 proper.

Jockey down the line

It’s a little hard to give a comprehensive verdict on gameplay in FC 27, since EA is tweaking the mechanics all the time, but broadly speaking, the biggest gameplay changes apply to defending and set pieces.

On the former, there’s now less AI assistance, so computer-controlled players on your team (i.e., those you haven’t switched to yet) won’t auto-tackle an opponent, meaning you’ve got to be quicker on your L1/LB draw and smarter with your tackle timing. Jockeying is faster for all players as a result, which also makes the Jockey PlayStyle less overpowered than it was in FC 27.

As someone who’s better at defending than attacking, I’m all for these defensive changes — and the redesigned corner kicks system also puts more importance on defenders in this year’s game.

There’s now a longer pause between the taking of a corner kick and the ball’s arrival in the box, and — finally! — you get manual control over player positioning within the box itself. This change means corners are now skill-based rather than luck-based, which is absolutely what they felt like before (even if EA would never say so).

I spend most of my time playing the Authentic gameplay preset in Career mode, which is a different kettle of fish entirely, but for those who play Competitive in FUT, I’d say defending and corner kicks have seen the most noticeable tweaks in FC 27.

Skilled dribblers now ride challenges more effectively, too, but this isn’t such a significant gameplay tweak in my experience — but then again, I haven’t played too many online matches in FUT, which is where you’re likely to come up against the dribble-happy duo of Ousmane Dembélé and Lamine Yamal. I’ll pray for your controller.

The Art of the Deal

After fulfilling my testing-time obligations in The Grounds and Ultimate Team, I couldn’t wait to dive into FC 27’s refreshed Career mode. And judging by the view counts on EA’s YouTube Deep Dives for the game (the Career Deep Dive has the most views by a margin of over 1 million ), there’s a good chance that you, too, are more interested in FC 27’s slower-paced managerial simulator than any of its other modes.

The big changes this year apply to transfers. The awkward 3D negotiation scenes have been replaced with FIFA 13-style 2D negotiations, primarily because there’s a lot (and I mean a lot) more negotiating to be done in FC 27.

Previously, you’d offer a sum of money for a player, and if the selling club accepted your price, you’d then negotiate personal terms with the player in question. That was it. Two steps. You could pretty much buy any player for any club if you had the funds to do so.

In FC 27, transfer negotiations are far more realistic — for better and worse.

Now, if you’ve got your eyes on a player, you first have to send an inquiry to determine whether their current club is willing to sell them. The players themselves can also reject your advances if they’re simply not interested in joining your club — regardless of the money you might’ve been prepared to pay them and their club. If you’re rejected, you won’t be told the reasons why, but EA says player decision-making is based on tactical fit, club finances, form, historical rivalries, and long-term club philosophy.

And trust me: you will get rejected a lot. Or at least I was while playing as Everton. I couldn’t convince 80% of my transfer targets to even come to the negotiating table, and even when I did get close to signing a target, they’d invariably be stolen at the last minute by a bigger rival (Newcastle, for instance, accepted my offer for Harvey Barnes, but Barnes rejected me to join Chelsea on deadline day. Mercenary!).

If you do get to the negotiation stage, there are some nice new ways to structure deals, including with transfer instalments, agent fees, and performance-based bonuses. But I was honestly surprised by how difficult it was to sign players generally.

You can make transfer negotiations easier — they’re set to strict by default when you start a save — but actually, after the initial difficulty shock, I came to enjoy the challenge. Sure, I didn’t get most of my initial transfer targets, but that struggle made my eventual signings — Patrik Schick, Lucas Bergvall, Dan Ballard, and Raúl Asencio on loan — feel more rewarding as a result. It also felt very Everton to be rejected or outbid so frequently.

One big negative, though, is that players are absolute prima donnas in FC 27 Career mode — and their stinking attitudes can sometimes present a real headache.

It’s entirely possible that large groups of players hand in transfer requests at the same time because, as per the new minutes system, a player with 41% or higher stamina expects to play. If they don’t, they get annoyed and request a transfer. That (sort of) makes sense, but it’s particularly problematic if you like to simulate lots of matches, as the computer will only play high-stamina players (think 70% stamina and above).

I’ve seen some streamers complain that the game’s liberal transfer request system has ground their Career saves to a halt, and even if you can appease your unruly squad, it’s not particularly enjoyable to feel like virtual players are managing you, rather than the other way around.

Unexpected Events are back in FC 27, too, and these random scenarios — like Abrupt Retirement or Urgent Family Leave — can similarly disrupt the flow of a season.

I’m all for being tested as a manager, but Career mode feels particularly patience-testing this year — it’s more rewarding in places, sure, but it would be nice to play five straight matches without an injury, a mutiny, or an unmissable family funeral.

Dynamic Overall is a more positive addition to Career mode in FC 27. It’s essentially a dynamic rating system that causes player ratings to fluctuate throughout the season instead of staying fixed. Form, morale, and fitness can all make a player’s rating go up or down, and transfer values are impacted by big changes in rating.

In my Everton save, Tyler Dibling played so well so consistently that his rating went from 74 to 83 in a matter of months — that seems ridiculous on paper, but it’s actually representative of how player values change drastically in real life. Good feature!

Should you play EA Sports FC 27?

Play it if...

Don't play it if...

Accessibility features

Like its predecessors, EA Sports FC 27 offers a comprehensive suite of accessibility options, including settings for subtitles, button remapping, color blindness, and increasing the size of the player indicator. It also features a dedicated High Contrast Mode for low-vision and cognitively disabled players.

All of these accessibility options can be found in a dedicated Accessibility Settings tab. The game has six difficulty levels — Beginner, Amateur, Semi-Pro, Professional, World Class, Legendary, and Ultimate — and features support for 21 languages.

How I reviewed EA Sports FC 27

I played EA Sports FC 27 for a month, having received the game a few days ahead of its official Early Access release on September 18. During that time, I had access to all modes and features and was able to compete against real-world players who also had early review access to the game.

I played on PS5, using a standard DualSense controller, on a Samsung QN95A Neo QLED 4K TV. I’ve played every EA Sports football title since FIFA 13, and also reviewed FIFA 22, FIFA 23, EA Sports FC 24, EA Sports FC 25, and EA Sports FC 26 for TechRadar Gaming.

First reviewed: October 2025.

• 007 First Light will launch on Nintendo Switch 2 on March 18, 2027
• The edition was originally scheduled to launch this year but was delayed
• IO Interactive says it will continue "refining the game's optimisation and performance" in the lead-up to the game's release

IO Interactive has finally announced that 007 First Light will launch on Nintendo Switch 2 on March 18, 2027.

The release date is much later than initially promised — IOI originally said the Switch 2 edition would arrive this year after the game's PS5, Xbox, and PC launch in May — however, it's now said that the delay allowed the team extra time to address performance issues and that it will continue to improve optimisation in the following months.

"Since announcing additional development time to ensure the quality of experience players expect, IO Interactive has brought hands-on builds of 007 First Light to both Gamescom and Tokyo Game Show, where players and press had their first opportunity to experience Bond's world running on Nintendo's hardware," IOI said in a statement.

"Player response from both events has been positive, reflecting the progress being made across the game as development continues toward launch."

The studio added that "the development team will use the coming months to continue refining the game's optimisation and performance on Nintendo Switch 2, ensuring it meets the standard players expect at launch."

On top of a Switch 2 release date and a new gameplay trailer running on the hardware, the 007 First Light – Deluxe Edition is now available for pre-order for $69.99 / £69.99.

The Deluxe Edition offers the Gleaming Lighter, Gleaming Earphones, Gleaming Dart Gun, and Gleaming Pen gadgets, plus four additional outfits, including the Day of the Dead, the Desert Explorer, the Silent Anchor, and the Gentleman Operator.

In addition, the 007 First Light - Special Edition on Switch 2 is also available exclusively at Amazon, giving players access to the Classic Tuxedo.

Anyone who pre-orders the game on Switch 2 will also receive early access to the GoldenEye Suit at launch.

IOI released 007 First Light's first major free downloadable content (DLC) earlier this month, which included New Game Plus, Photo Mode, and a brand-new "00" difficulty level, among other activities.

Funselecktor Labs Inc. is known for its minimalist yet vibrant takes on various forms of motorsport, starting with Absolute Drift in 2015, followed by Art of Rally in 2020 and Golden Lap in 2024. Now, the independent studio is tackling offroading, but rather than competing against the clock or other drivers, over the hill is about exploring an open world on your lonesome (or with a friend or three) at your own pace.

Taking inspiration from the recent wave of cozy games, over the hill doesn’t have concrete aims or objectives as such. Rather, you simply pootle around the various maps to discover various points of interest and earn Pebbles, the game’s currency, to upgrade your vehicle to better navigate the environment.

Off the beaten path

over the hill sticks to the same cardboard-cutout aesthetic of the developer’s past efforts. Textures are flat and basic, but they’re elevated by the pastel colors and lush lighting effects, with environments drenched in pinks, oranges, and greens that invite players to explore them.

There are two main regions to choose from at the start of a game: Canada and Algeria. Each has its own sub-areas (three for Canada and two for Algeria), featuring all kinds of terrain and climates; you’ll see rain, snow, and sandstorms, which naturally affect your driving and navigation abilities, adding an extra element of challenge.

The music complements the visuals perfectly. The in-game radio gives you four ‘albums’ to choose from, each representing a certain flavor of ambient, from synth-heavy pieces to folksy guitar numbers, all with gentle melodies to lull you as you play. I was impressed with the score’s production value, given that it merely serves to subtly set the mood as you play.

This is a game low on story and characters, but high in vibes — specifically of the zen variety. Aside from the Buddha statue that acts as your tutorial guide, the only other character is Crazy Günther, the hippie mechanic you visit to customize your vehicle. His textual dialogue (there’s no VO) adds a small amount of flavor to an otherwise purely functional NPC, and it chimes well with the gentle tone of the game.

Once you learn the basics in the brief tutorial, you’re left to explore the world. Campsites are the chief points to discover, as they act as the game's main fast travel hubs. You can also use them to fast-forward time, useful if you want to wait for a different time of day or skip certain weather events.

Other points of interest in the maps include crates that unlock cosmetic features for your vehicle, as well as scenic points from which to take photographs. You can also find Trial Challenges to complete, which take you along treacherous routes of varying lengths to test your off-roading skills, and find wildlife to snap. These discoveries and activities earn you Pebbles.

Pedal to the metal?

If you’re looking for a fast and furious off-roading experience, over the hill isn’t it. Instead, it takes a considered, sedate approach to the sport, one that rarely rewards harebrained driving and impatience. Speeds are slow at the best of times, with second gear being the highest. True to real life, vehicles have both low and high range gears, with the former being used to give you better control and traction on slippery surfaces and steep slopes. Such surfaces are indicated organically via the game’s visual style, without making it too obvious by overtly highlighting them.

Anyone who’s played MudRunner or SnowRunner will be in familiar territory with over the hill. As long as you’re in the right gear range, you don’t have to worry too much about being sensitive with the throttle; you’ll either make it up a slope or you won’t, regardless of how you modulate the throttle. Steering is fairly laborious as well, with the wheels being slow to turn and recenter on most vehicles, which only adds to the challenge of navigating around obstacles. I’ve never been offroading in real life, but this is how I’d imagine 4x4s to handle.

When the going gets too tough, you can use various bits of equipment to get you out of tight spots. First and foremost of these is the winch. A single button press will fire it at the tree you’re looking at (as long as it’s in range), and holding that same button will reel you towards it. You can also slacken the winch with another button, useful when you want to descend rather than ascend. If you want more control, you can use the winch in manual mode, which lets you choose which side of your vehicle to winch from and which tree to anchor to within a certain radius.

The winch can be used as many times as you like and is always in your inventory. Other tools, though, have to be selected before you enter a map; if you want to alter your loadout while playing, you’ll need to visit the mechanic. They’re also single-use items, although you select multiple instances of them, and they replenish whenever you visit a campsite. Among them are a portable anchor, which you can winch onto when there are no trees around, and two wooden planks to lay across small gaps or on the ground to give you more traction. These are a little fiddlier to use, as it can be a chore to line them up with your wheels, and misaligning them even slightly can easily result in your vehicle slipping off them. Still, they’re very useful and rewarding when you find yourself stuck. Other tools include a portable camp, a repair kit, and a car jack for righting your vehicle if you roll it over, which is easily done.

There’s a respectable number of customization and upgrade options for your vehicles. There are a variety of vehicle bodies to choose from, ranging from classic 4x4s and wagons to more utilitarian and industrial models — and yes, there’s even a campervan. The differences between them are more than cosmetic, as they each have their own speed and handling characteristics, despite the game not actually listing these stats. The selection is resolutely vintage, with no model looking beyond the 90s at best. Most are inspired by iconic real-life vehicles, too, as suggested by their menu descriptions.

You can personalize your vehicle with a large number of trinkets, unlocked via the crates you find throughout the world. Sadly, however, the paint options are more limited. As for upgrades, you can improve attributes such as speed, grip, protection, and tool capacity — all of which you’ll need to do if you want to explore every area completely. Again, though, the upgrades are limited in their stages, and you’ll find yourself maxing out your vehicle’s potential quite quickly.

Riding shotgun

While over the hill offers a good time solo, it’s more fun with friends. Having companions by your side (you can have up to four players in a server) not only takes some of the burden out of exploration, but also introduces the possibility of mischief. This is because you can winch to each other’s vehicles, which is obviously a big help when one of you is stuck in the weeds, but also allows you to pull each other off cliffs and into rivers. However, in order not to put the winch-ee at too much of a disadvantage, they can de-winch themselves at any point.

You can also explore independently if you so wish, and fast travel for one doesn’t mean fast travel for all, which gives everyone greater flexibility to explore. The whole experience ran smoothly during my testing; I didn’t encounter any problems with connectivity or lag, save for one occasion when my friend’s framerate dropped considerably, but Funselektor said this is a known issue with the preview build I played, so it’s entirely possible it’ll be rectified before launch. For most of my time in both single- and multiplayer, the game ran very smoothly, even at Ultra settings. The only real bug I experienced concerned some input clashes when I remapped certain buttons, but this was easy to work around.

Perhaps my main gripe with over the hill is that there’s just not that much to do. And while the central act of driving over rough terrain is fun thanks to the skill and problem-solving nous it requires, the mechanics lack real depth to sustain the game for long periods in the face of little additional activity. There’s not quite enough feel and feedback from slipping and sliding on loose ground to make it as engaging as it could be, and the lack of any sort of drifting mechanic — guaranteed to amplify the fun of any driving game by a factor of ten — is a real shame, especially since Funselektor has great form in this area, if its previous games are anything to go by.

I can only hope that future updates will add more to the driving and DLC will arrive to give players more to do. But for now, over the hill remains a fun time to while away an hour or so, but not much more than that.

Should you play over the hill?

Play over the hill if…

Don't play it if…

Accessibility features

There are no accessibility features to speak of in over the hill. Subtitles for dialogue are on by default, since there’s no VO, and the closest the game comes to offering any comfort features is letting you disable motion blur.

How I reviewed over the hill

I played over the hill for about 10 hours, seeing most of the main areas and features the game had to offer. I was also given a save file by Funselektor with all areas, upgrades, and customizations unlocked.

I mainly played solo, but I also tested online multiplayer by playing with a friend. I played on a gaming PC with an AMD Ryzen 7 7800X3D processor, an RTX 5070 GPU, and 32GB of RAM. I played mostly with a controller, but I also tested its mouse and keyboard controls.

I’m a fan of racing and driving games, and I’ve played similar off-roading games, such as SnowRunner. I also played a lot of Art of Rally, one of Funselektor’s other titles.

First reviewed October 2026

While a lot of fans have been mixed on Capcom’s remake of Resident Evil 3 since its initial release in 2020, there’s no denying that it's an incredibly tense survival horror experience that’s filled to the brim with high-octane action. And now, you can experience Jill Valentine and Carlos Oliveira’s terrifying journey on the go, thanks to a new Nintendo Switch 2 port.

I’ve spent more than 10 hours playing Resident Evil 3 on Nintendo Switch 2, experiencing the main story in full. So, is it a port that’s worth your time and money? Here’s my take.

For the most part, I want to focus on the quality of this port on Nintendo’s latest hybrid system, but before we delve into that, I’d like to share a few thoughts on the remake of Resident Evil 3 in itself.

Nemesis is coming for you...

I played through the Resident Evil 2 remake right before this entry, and while there are a lot of similarities in terms of the combat, resource management, environments, and visuals, they have a few striking differences.

Above all, Resident Evil 3 feels far more focused on the action — it feels like you’re constantly on the run, blasting through zombies, and rushing to save the people of Raccoon City. In some ways, this works to the game’s advantage: the horrifying Nemesis is a truly daunting foe, the high-paced gameplay is engaging from start to finish, and the explosive set pieces make this entry feel truly cinematic.

However, the fast pace and distinct action focus come with its drawbacks. The game’s runtime is very short — you’ll easily finish this one in about six hours. On top of that, the overall narrative feels a bit thin, and there are very few puzzles. Ultimately, Resident Evil 3 is still a blast, and its likeable cast and engrossing gameplay make it worth playing alone — it just doesn’t quite have the depth of some of the best entries in the series.

Anyway, let’s talk about how this title plays on Switch 2 specifically. And good news — the Resident Evil 3 remake runs very well on this system. The Switch 2 edition targets 60 frames per second (fps), and I enjoyed smooth frame rates in both docked and handheld mode with barely any noticeable drops. Yes, the movement of some distant enemies could appear a little shaky — something I also saw in the Resident Evil 2 remake on Switch 2 — but even the most action-packed segments of the game were silky smooth.

While you could probably get a more premium visual presentation from a gaming PC or PS5 Pro, the game’s graphics also translate well onto Nintendo Switch 2 after calibrating HDR. The dark, moody environments look sharp and intricate in docked mode, with character models looking pleasantly detailed. Contrast is solid too, with colors popping against the dismal city streets, though it’s worth noting that in handheld mode there’s a noticeable (yet understandable) hit to graphical fidelity — though the game still looks very decent overall.

The game also controls nicely, and you can switch between a few different schemes in the options menu, although it would’ve been neat to see gyro aiming, which worked well on the Switch 2 edition of Resident Evil Requiem. There’s also no mouse mode integration, and more generally, it would’ve been nice to see this version play to the Switch 2’s strengths a bit more. One thing that I did like, though, was the Switch 2’s virtual spatial sound, which provides an expansive, almost three-dimensional soundscape when you’re battling through hordes of zombies.

In the end, then, it’s easy for me to recommend the Resident Evil 3 remake on Switch 2. While the graphics won’t wow you in handheld mode and the core game isn’t without its flaws, it consistently runs at a stable frame rate, visuals are strong in docked mode (and still more than adequate in handheld), and the action-packed gameplay is sure to keep you absorbed in the game from start to finish.

Should you play Resident Evil 3 for Nintendo Switch 2?

Play it if…

Don’t play it if…

Accessibility features

The options menu allows you to make a few changes to your experience, with a range of camera options, three separate control schemes, toggle or hold run modes, and a range of voice and text languages available. What’s more, you can change the color of the reticle, laser dot sight, and dot display, alter HUD opacity, and tone down damage display if you’d prefer.

How I reviewed Resident Evil 3 for Nintendo Switch 2

I sunk just over 10 hours into the Resident Evil 3 remake on Nintendo Switch 2, during which time I finished the main story and tried playing in both docked and handheld mode.

Most of the time, I played the game docked, with my Switch 2 connected to the Sky Glass Gen 2 TV and Marshall Heston 120 soundbar. I did try out handheld mode from time to time, though, and used my JBL Live Beam 4 earbuds to experience the game’s virtual spatial sound.

More generally, I’m an experienced gaming hardware and software reviewer, and have been testing all kinds of games and accessories at TechRadar for years now, where I serve as a Senior Reviews Writer. I’ve reviewed all sorts of Nintendo Switch 2 titles, from major first-party releases like Fire Emblem: Fortune’s Weave to ports like Yakuza Kiwami. I’ve also played a number of Resident Evil games, including the Switch 2 port of the Resident Evil 2 remake.

First reviewed October 2026

The remake of Resident Evil 2 is considered by many to be among the greatest games in Capcom’s legendary survival horror series, and it’s really not hard to see why. Stellar gunplay, immersive environments, a killer cast, and big scares…this entry has it all. And now you can experience it on the go like never before, with the game finally launching on Nintendo Switch 2 in its Resident Evil 2 Deluxe Edition form.

I’ve played the entirety of Leon and Claire’s stories, dabbled in some extra modes, and tried the title out in both docked and handheld mode.

So, if you’re wondering how the game runs and plays on Nintendo’s latest hybrid system, you’re in the right place. Here’s how I’d rate the Resident Evil 2 remake on Nintendo Switch 2 after more than 20 hours of gameplay.

Experience a legendary remake on the go

While I’m mainly here to talk about Nintendo Switch 2 performance, I’ll get this out of the way first: the Resident Evil 2 remake is survival horror at its finest. This game conjures up a truly daunting atmosphere, with haunting and iconic areas like the Raccoon City Police Station and sewers translating beautifully into a modern, HD format. The gunplay is incredibly smooth and satisfying; you truly have to manage your resources carefully if you want to survive, and everything from random skirmishes through to major boss fights feels phenomenally tense. Pair that with a set of likeable characters, an ambient soundtrack, and rewarding exploration, and you’re looking at a true classic of the genre.

But how well does this top-tier Resident Evil title translate onto Nintendo Switch 2? Very well, thankfully.

First of all, let’s talk performance. While a platform like PS5 Pro may still offer a technically superior experience, I never felt like I was sacrificing much with this Switch 2 version. This version targets 60 frames per second (fps), and my frame rates were delightfully consistent, and gameplay felt smooth, even during higher-octane action segments — when docked or in handheld. Sometimes, the movement of distant enemies seemed a bit choppy, but this never affected my ability to blast them down, and I never realized any similar issues during crucial close combat situations.

It’s a similar story when it comes to visuals too. The game looks solid on Nintendo Switch 2 with HDR support. Dark and gloomy city streets and ambiently lit indoor areas appear detailed and faithful, while character models such as the Tyrant look polished and sharp. As you’d expect, some textures don’t look quite as refined in handheld mode, with elements like Claire’s hair slightly lacking in definition, but the game still looks clear with decent contrast and lighting.

Resident Evil 2 also controls nicely on Nintendo Switch 2, with multiple schemes available through the Options menu. Whether I was using my Turtle Beach Rematch Wireless Controller or playing handheld, it was easy to switch weapons during combat, sprint past zombies, or sort through my inventory. This title also supports HD Rumble, which at times can feel a little overassertive, but overall adds to the immersion nicely. You also get virtual spatial sound, which works brilliantly, especially with headphones.

Something that this title does lack, though, is control schemes that make use of the Switch 2’s unique hardware. For instance, there’s no motion-controlled aiming, which would’ve been a nice touch for those who enjoyed it on Resident Evil Requiem, for instance. There isn’t any mouse mode functionality either, so you’ll be using traditional controls throughout the game. For me, this isn’t a huge problem — I prefer standard right stick aiming, but it would’ve undoubtedly been good to see this game make the most of the Switch 2’s hardware.

When all’s said and done, this is a very competent port of a fantastic survival horror game, and it only helps the Switch 2 establish itself as a major destination for third-party titles as well as big-hit Nintendo releases. Whether you’re new to this series or you’re a long-time fan, this is a great way to experience Resident Evil 2 at home or on the go.

Should you play Resident Evil 2 for Nintendo Switch 2?

Play it if…

Don’t play it if…

Accessibility features

There are a number of ways to customize your experience in Resident Evil 2, with customizable camera options, three distinct control schemes, toggle or hold run modes, and a wide array of voice and text languages to pick from. In the display section, you can change the color of the reticle, laser dot sight, and dot display, alter HUD opacity, and even turn damage display levels down if you’d prefer.

How I reviewed Resident Evil 2 for Nintendo Switch 2

I spent more than 20 hours with Resident Evil 2 on Nintendo Switch 2, during which time I completed both Leon and Claire’s stories, played some of the extra modes like The Ghost Survivors, and played in both docked and handheld mode.

For the most part, I played the game docked, with my console hooked up to the Sky Glass Gen 2 TV and Marshall Heston 120 soundbar. However, I did indulge in some handheld action here and there, and used my JBL Live Beam 4 earbuds to enjoy virtual spatial sound on the go.

More generally, I’m a seasoned gaming hardware and software reviewer, and have been testing all kinds of games and accessories for years here at TechRadar, where I serve as a Senior Reviews Writer. I’ve reviewed all sorts of games on Nintendo Switch 2, from major first-party releases like Fire Emblem: Fortune’s Weave to ports of awesome action games, such as Yakuza Kiwami 2.

First reviewed October 2026

Slaying vampires always feels good, and 2D action-adventure and exploration game Castlevania: Belmont’s Curse is no exception. The first entry in the iconic horror platformer in more than a decade, Evil Empire and Konami have crafted a love letter to past titles that, while not changing much of the formula, delivers an experience worthy of the Belmont name.

Despite a fantastic animated adaptation (and great spinoff series with Nocturne), Castlevania has been six feet under as Konami barely revisited the series. Seldom for tie-ins with Dead Cells and re-releases, so fans were ready to sink their fangs into a new title.

Fortunately, it would come from the Dead Cells team, Evil Empire. Its mastery of the craft with the Metroidvania genre made it a safe but effective pick to hand the Vampire Killer whip to. And, lo and behold, they ran with it and made something fans will love.

You must whip it, whip it good

Surprisingly, the game is a sequel of sorts to both Netflix’s Castlevania and Castlevania 3: Dracula’s Curse. As Rose Belmont, the daughter of Trevor Belmont and Sypha Belnades, she is tasked with stopping the newfound dangers flooding Paris.

With her father’s guidance and all the Belmont tactics, she’ll discover the root of it all, as well as how she and her mysteriously cursed arm fit into things.

Castlevania: Belmont’s Curse does go a good distance with its narrative, but it doesn’t reach too high. It’s got some twists, turns, and great moments, though it can feel sparse. Of course, most of the fun will come from your experience dashing and slashing, but it can feel uneven with its cinematic counterparts. Still, it’s serviceable enough for you to want to keep playing and see more.

Rose Belmont, as the daughter of Trevor and Sypha, is a pretty likeable protagonist. She’s not one-note by any means and struggles with her emotions, especially with the spotlight now on her. However, it’s the supporting cast that provide her with what she needs to be a worthy Belmont.

Without spoilers, her Confidantes will be her moral compass, and it’s up to her to choose which direction she wants to go in. Props go to many of the fantastic performers in the game, as everyone works perfectly with their respective characters.

A missable little pile of secrets

Once you set foot off the docks of the Seine, you’re instantly thrust into classic Castlevania gameplay: slay monsters and maneuver through obstacles. There are small tutorials, but for the most part, Paris is an open book, and you’re free to flip through the pages almost immediately.

Action-wise, it also harkens to classic Castlevania, with Rose using a variety of weapons to kill the many creatures of the night. There are many types of weapons, from the iconic whip to flashy gauntlets. Finding new versions of them throughout the world is always a treat, as it never disappoints when you equip them and test them out. Personally, the whip was a go-to, as it rewarded distance with better damage output, though the spear was a close second.

Also, with Rose’s abilities, which she’d earn after certain bosses, it unlocks various attacks, like throwable crosses or pillars of fire. It leaves customization very open, letting you play how you’d like in terms of combat.

Without going into spoilers, Rose’s journey goes beyond the confines of Paris into various regions. Each of them has some theme and gimmick that makes them memorable in both a playing sense and a backtracking sense. As this is a Castlevania game, you will find yourself going back to certain locations to find secrets and clues for other locations. Luckily, with new abilities like an air dash and, of course, a grappling hook whip, you’ll be able to do so easily and rapidly.

That said, the level design in Castlevania: Belmont’s Curse is phenomenal. Traps and platforming take advantage of Rose’s abilities, including ones she earns throughout her adventure. It takes precision and good reflexes to maneuver through them, and it never gets old. It can get frustrating, though, especially if you’re going back and forth a ton. Still, finding what you need after a seemingly impossible challenge feels so good.

Slaves to our family’s wishes

As the first new 2D Castlevania in decades, there have been noticeable increases in graphical fidelity since then.

Belmont’s Curse blends 2D with 3D to bring a Dead Cells-like style to the gameplay and look. It does keep the drawn silhouettes of characters for dialogue, but in-game cutscenes are all flat 3D. While the pixelated depth in past titles like Symphony of the Night and Order of Ecclesia is sorely missed, Evil Empire’s redesign works well with the series and fits right in.

Frame-rate-wise, there were rarely any hiccups during the playthrough. There was a stutter or two during certain moments with tons of monsters, but it was pretty seldom. However, there were a handful of glitches with the audio, as it would cut in and out and, often, restart with each level transition. While rare, some glitches with the gameplay, like phased-out enemies or awkward platforming, would happen.

It’s also important to mention that it can be quite a difficult game. The series is known for being brutal, and Belmont’s Curse is no exception. A death can bring you way back and reset tons of progress. It’s a worthwhile challenge, but it is one that takes time and patience. Bosses will be the bane of many people’s existence, as some of them, especially late-game ones, are super difficult. It can feel a bit overkill, but it’s nonetheless satisfying to whittle them down and then finally get the last laugh.

In short, Castlevania: Belmont’s Curse is classic Castlevania brought to the modern age. Evil Empire and Konami have crafted a title that, while it’s not the huge blockbuster many would hope for, is a well-done action platformer. It doesn’t go too far outside the box, but it makes the most of what it does have.

With fantastic level design and combat, the franchise is in a position to return to its glory days and its bloody reign over the action platformer genre.

Should you play Castlevania: Belmont’s Curse?

Play it if...

Don't play it if...

Accessibility features

While the game touts its difficulty, there are available accessibility features to lessen it. There are also various visual adaptations for thicker outlines or colorblind mode. In addition, subtitles are available in different languages, as well as voice-overs. However, despite some accessibility, some things, like one-hit-kill traps, exist and can be frustrating.

How I reviewed Castlevania: Belmont's Curse

I played Castlevania: Belmont’s Curse for around 16 hours, seeing much of the game’s map, bosses, and secrets. I also got many of the available weapons and spells, as well as heart and mana containers. In addition, I did play the demo, which was released prior to the game’s release, and transferred the save file from that to the full title.

I played the game on a base PS5 with the DualSense Wireless Controller and HyperX Cloud 3 wired gaming headset, all on a Roku 4K TV.

First reviewed October 2026

• Nintendo has confirmed its commitment to physical games
• The statement comes as Sony abandons physical media
• “We go off of what the consumer prefers,” Nintendo declared

Physical game releases are becoming increasingly rare these days, but one company that still plans to sell its titles this way is Nintendo. The Japanese gaming giant confirmed as much in an interview that might come as some relief to fans of disc-based media — although don’t take it as a guarantee that things will stay this way forever.

Speaking to Brazilian interviewer Rodrigo Coelho, Bill van Zyll, Vice President & General Manager of Nintendo Latin America, explained that, “There are no plans to ditch physical [media]. We know how much the fans like it as well.”

Nintendo’s van Zyll gave the example of the Nintendo Switch 2, for which games are available in both digital and physical formats. That's something Nintendo appears to be committed to continuing, at least for the time being, which could help to assuage the concerns of some fans.

Nintendo fans on social media seemed hopeful about the revelation. “Maybe there is window for cartridges to make a comeback in some capacity,” mused one on Reddit, while another proclaimed that “I have no plans to abandon Nintendo. The system works!” “I hope Sony takes notice,” wrote a third, referring to Sony’s decision to completely abandon physical games by 2028.

Good news — for now

Of course, there’s no way to know exactly how long Nintendo will remain devoted to physical games for. As van Zyll said in the interview, “historically, we’ve been very agnostic. We go off of what the consumer prefers and take that into account very heavily”. While that might mean physical releases are here to stay at the moment, van Zyll’s response doesn’t rule out a change of approach in the future if consumer tastes shift.

With that in mind, it’s worth considering that Take-Two CEO Strauss Zelnick has previously noted that “Our business is well over 90% digitally distributed,” which explains why GTA 6 is going to be an entirely disc-less launch. While Graft Theft Auto players and fans of Nintendo games are two quite different groups, I wouldn’t be too surprised to see Nintendo follow Take Two’s example in the future.

If you are a keen collector of physical games, and prefer to own hard copies of every title you play, Nintendo’s announcement will be great news. But with the industry increasingly heading in the digital direction, you might want to pick up hard copies of your favorites, just in case Nintendo decides to change course.

Revisiting one of Omega Force’s most beloved works via Dynasty Warriors 3: Complete Edition Remastered has been interesting. I got into the series quite late, so I’ve never had the same reverence for the earlier games that many other fans do. I’m happy to say that has changed with this remastered version.

This is a very different game compared to modern entries like Dynasty Warriors Origins or Hyrule Warriors: Age of Imprisonment. Objectives are straightforward, battles (for the most part) tend not to last as long, and your KO count per battle is much lower than the thousands you rack up in newer installments.

Satisfaction lies elsewhere in Dynasty Warriors 3: Complete Edition Remastered. It trades bombastic theatrics and ‘rule of cool’ battlefield domination for a more grounded approach. Instead of tearing across battlegrounds like a Category 5 hurricane, you’ll need to pick your fights more carefully and move with your army. Even basic peons are far more aggressive in this game, so ditching your allies isn’t exactly the wisest decision.

There are some cool quality-of-life additions, such as being able to counter enemy Strong and Special attacks with your own. A handy checkpoint feature lets you rewind the battle to key moments if you die, and there’s an honest-to-goodness dodge button that helps even the odds and can even be followed up with a counter if timed correctly. Alternatively, you can set the entire game to a ‘Classic’ mode, ditching all of this in favor of the original gameplay experience.

It’s an incredibly thoughtful remaster in that regard, offering options for newcomers, purists, and everyone in between. The visual facelift is nice, but not overbearing. Plus, additional content from the Xtreme Legends expansion is included here, too, making Dynasty Warriors 3: Complete Edition Remastered an extremely beefy package for its relatively budget price tag.

Same as it ever was?

Dynasty Warriors 3: Complete Edition Remastered, as ever, presents a loose interpretation of Luo Guanzhong’s Romance of the Three Kingdoms. Which in itself is a romanticization of this turbulent wartorn era of Ancient China.

As an earlier entry, Dynasty Warriors 3 pretty much gives you the highlights rather than delving deep into character drama or motivations. It’s quite refreshingly simple, though individual playable officers do get their own cutscenes, endings, and the like.

You’ll spend the majority of your time in Musou Mode — effectively the game’s campaign. You will then choose an officer from one of four factions: Wei, Wu, Shu, or Other. The latter of which featuring officers with no set affiliation like Lu Bu, Dong Zhuo, and Diaochan.

Each officer has their own bespoke Musou Mode route, though some are longer than others. Even so, your goal on each map typically boils down to defeating a key enemy officer, while ticking off smaller objectives to boost your side’s morale or rob the enemy of powerful weaponry.

That might sound repetitive, and it can be if played over longer sessions. However, I think Dynasty Warriors 3: Complete Edition Remastered is tailored to shorter bursts of play, and the bite-sized Musou Mode campaigns for each officer support that. Playing through a campaign will bolster that officer’s stats, as well as earn them new weapons and equippable items — the latter of which can be shared between all officers.

Part of the beauty of Dynasty Warriors 3: Complete Edition Remastered is that it feels like a snowball of unlockables. You’ll routinely be bagging new playable officers, more powerful weapons, and potent rare items should you meet their conditions during a stage.

Some stages can also grant you an officer’s fourth or fifth weapon. These are extremely strong, but are typically gated behind higher difficulties and some rather stringent objectives so be sure to bring upgraded officers and plenty of patience for these.

Old and new

One of my favorite things about Dynasty Warriors 3: Complete Edition Remastered is that it has options for basically everyone. You can play the entire game in either modern or classic modes. Classic is just that: Dynasty Warriors 3 as it played on the PlayStation 2, for the most part. No fancy extras. Does it feel a bit dated? Yes absolutely, but I’m happy it’s here as an option for purists.

The more modern take applies a bunch of quality-of-life changes and gameplay additions. As mentioned at the top, these include Strong and Special attack counters, a dodge, and a quick mount option for your horse. It helps the game feel a lot more fluid, in my opinion.

Was I still getting juggled to death by lowly peons for daring to take on an officer on my lonesome? Yep. More than a few times. But ultimately I did appreciate the more humbling experience here when I’m so used to treating enemy armies like mowing the lawn in more modern Musou games.

What’s nice is that if you’re somewhere in the middle — say, wanting a hybrid modern/classic experience — Dynasty Warriors 3: Complete Edition Remastered supports that. Quality-of-life additions can be toggled individually in the options menu, allowing for a widely customizable experience.

Additions aside, Omega Force has elected to keep the original game’s amazing soundtrack and cheeseball dialogue fully intact. I love this because there are some truly hilarious line deliveries across cutscenes, and the overt mispronunciation of officer names just adds to the charm of it all. Battles have been spiced up with combat lines from later entries like Dynasty Warriors 8, though, which is a nice touch.

Should I play Dynasty Warriors 3: Complete Edition Remastered?

Play it if…

Don't play it if...

Accessibility features

There aren't any dedicated accessibility toggles in Dynasty Warriors 3: Complete Edition Remastered such as subtitles or colorblind modes. However, individual game settings can be toggled based on preferences. These include target-facing assists, dodging, power guards, and strong attack counters.

How I reviewed Dynasty Warriors 3: Complete Edition Remastered

I played Dynasty Warriors 3: Complete Edition Remastered for 15 hours on PC via Steam for this review. Being a remaster of an older title, my Nvidia GeForce RTX 5060 was more than enough to run the game on maximum settings with zero hitches or issues.

My gamepad of choice was the Valve Steam Controller (2026), and I often hooked up my RIG 900 Max HS gaming headset to enjoy the game's banging soundtrack and corny dialogue sequences.

The majority of my playtime was spent in the main Musou Mode, unlocking characters, weapons, and optional rare items. Though I did delve into the Free and Challenge modes for a change of pace, too.

First reviewed October 2026

Over the years of multiple house moves and life events, I've somehow managed to keep hold of my original Legend of Zelda: Link's Awakening DX cartridge on Game Boy. My actual Game Boy handhelds and various other Pokémon games have all, disappointingly, been lost to time — but that one cart has stuck around. For the last two weeks, I've finally had something to play it on.

I'm talking about the latest ModRetro Chromatic Transparent: an updated version of its homage to the original Game Boy that's capable of playing all original Game Boy and Game Boy Color game cartridges, as well as ModRetro's own re-releases.

What's even more interesting is that this new version of the Chromatic doesn't just come in several transparent colorways, but also sports a much lower starting price of $149.99 / £139.99 — that's $50 / £45 cheaper than the original version. Plus, a copy of Tetris is still included with all purchases.

I've been bouncing between that classic block-based puzzler and probably one of my favorite Zelda adventures over the last couple of weeks to test out the Chromatic — and I'm super-impressed with the swish little handheld.

As much as I love the idea of playing retro games on original hardware, there's no denying the impact of some of the huge improvements the Chromatic makes over the classic Game Boy.

The design is one thing, which is made up of a see-through plastic shell that weighs just 6.2 oz (176g), making it slightly lighter and more comfortable for longer gaming sessions.

But the real highlight is the screen. It maintains the same dimensions and resolution as the original Game Boy, but upgrades it to an IPS backlit LCD with scratch-resistant Gorilla Glass. That means you get a sharp and clear image in all conditions, so long gone are the days of waiting for the next streetlight to pass to see the screen on nighttime journeys.

Overall, it just works incredibly well as a modern refinement to an iconic handheld that I grew up spending many hours on during long journeys and holidays. It makes me wish I'd taken better care of my old library of Game Boy games so that I could try them all out again now.

Maybe, though, like the Chromatic M64 before it, this will inspire me to start building another collection of retro games.

If you're interested in picking one up, the new ModRetro Chromatic Transparent is available to buy now for $149.99 / £139.99.

• SteelSeries and KontrolFreek have announced a new Fortnite gaming accessories collection
• Each product is inspired by Fortnite's most iconic mascots, including Peely and Fishstick
• The SteelSeries Arctis Gamebuds | Fortnite Peely Edition, for example, feature a reimagined design in banana peel yellow

SteelSeries and KontrolFreek have teamed up with Epic Games to deliver the ultimate gaming accessory collection for Fortnite fans.

The officially licensed peripheral collection, launching today, is "designed to bring the iconic game to players’ real-world gaming battle stations," and consists of ten accessories and hardware pieces from across a multitude of gaming gear categories.

Inspired by Fortnite's most iconic mascots, like Peely and Gudd, Fishstick, Supply Llama, and Water Sprites, the collection includes headsets, earbuds, mice, mousepads, PBT keycaps, Performance Thumbsticks, Thumb Grips, and more.

Additionally, every SteelSeries item comes with a special in-game code for the likes of emotes, Outfits, and Pickaxes.

The Arctis Gamebuds | Fortnite Peely Edition, priced at $219.99 / £179.99, has received a full redesign with a banana-yellow finish and a unique charging case design; this comes with a code for the in-game Oro Outfit.

Meanwhile, the Aerox 3 Wireless Gen 2 Mouse | Fortnite Storm Edition brings a vivid multi-color splash to any setup, complete with a lightning-embossed scroll wheel and honeycomb pattern inspired by the Storm. Priced at $129.99 / £119.99, fans can also claim a code for the Frozen Bear Pickaxe.

PC players can also customize their keyboard with the PBT Keycaps | Fortnite Fishstick, Guff, Supply Llama Editions, which are priced at $79.99 / £69.99 and designed in collaboration with Epic Games. Players can also claim the in-game Statuesque emote.

You can check out the full SteelSeries and KontrolFreek collection below, alongside their prices.

SteelSeries Fortnite Collection:

• Arctis GameBuds | Fortnite Peely Edition – $219.99 / £179.99 / EMEA €199.99
• Arctis Nova 3 Wireless PC/Xbox | Fortnite Sprite Edition - $129.99 / £119.99 / EMEA €129.99
• Aerox 3 Wireless Gen 2 Mouse| Fortnite Storm Edition - $129.99 / £119.99 / EMEA €129.99
• QcK XXL | Fortnite Battle Bus Edition – $49.99 / £44.99 / EMEA €49.99
• QcK L | Fortnite Fishstick & Guff Editions – $29.99 / £29.99 / EMEA €34.99
• PBT Keycaps | Fortnite Fishstick, Guff, Supply Llama Editions – $79.99 / UK £69.99 / EMEA €79.99
• Artisan Keycap | Fortnite Edition - $79.99 / £79.99 / EMEA €89.99

KontrolFreek Fortnite Collection:

• Fortnite Aim Boost Kit | Durrr Burger Edition with Collector’s Burger Box Case - $34.99 / £34.99 / EMEA €34.99
• Fortnite Performance Fishsticks | Fishstick Edition – $19.99 / UK £19.99 / EMEA €19.99
• Fortnite No-Slip Thumb Grips | Supply Llama Edition – $14.99 / UK £14.99 / EMEA €14.99

When you think of the biggest Nintendo games, images of Link’s green tunic, Mario’s blue dungarees and Princess Peach’s pink dress invariably come to mind. Yet where mascots Samus, Starfox and Kirby won the battle for players’ hearts, it was 2006’s Wii Sports that truly conquered the world’s wallet.

Bundled with Wii consoles outside of Japan,Wii Sports shifted a mind-boggling 82.9 million units, cementing itself as the third best-selling video game to date. By all rights, Nintendo’s Sports series should be a titan on par with Grand Theft Auto, yet despite Wii Sports' ubiquity, its patchy sequels have never come close to the same impact.

Where the original Wii Sports succeeded on novelty and sheer simplicity, its sequels struggled to expand the formula, adding mini-games without any of that trademark Nintendo soul. This time around, Nintendo has decided to give the faceless brand a likeable character of its own — Wuhu Island.

Taking place on an open-world version of the glistening isle (first seen in 2009’s Wii Sports Resort), Switch Sports Resort on Nintendo Switch 2 immediately oozes the good-time feel of an all-inclusive holiday with its most inviting dose of sun, sea, and sports yet.

Welcome (back) to Wuhu Island

The first stop on my sporty getaway is a testament to that breezy vacation feel — a tour of the island itself. Taking to the skies in the Pilotwings-esque Prop Plane mode, I grip the Joy-Con 2 between my fingertips, soaring across the sun-drenched isle like I’m steering a paper airplane.

Swerving serenely through photo spots to collect rings isn't a deep experience on its own, but it’s a breezy scene-setter for this motion-controlled holiday — adding a juicy extra dish to Switch Sports Resort’s bountiful buffet. The only thing missing from this all-inclusive getaway is the free drinks.

Where its predecessor, Switch Sports, launched feeling sparse, Switch Sports Resort has 12 different playable events right from the off. When it comes to competitive new sports, Thumb wrestling is a clear highlight. As I hold the Joy-Con 2 in a thumbs-up position, careening around, the playground favourite is surprisingly tactical.

Able to gently lower your thumb to bait your opponent, thumb war becomes a tense mind game, as you attempt to lure your opponent into a trap with a feigned press by flicking your thumbnail down. While only ever considered a ‘sport’ by grubby-fingered five-year-olds, this needlessly in-depth virtual recreation leaves me grinning.

The new Power Cruise then sees me taking to the seas in a jet ski, soaring across the ocean as I collect coins, leaving me pining for a Wave Race revival. Playing this single-player, it’s hard to get a good read, but I think there’s definitely strong multiplayer potential here.

Boarding, boating, and mouse mode magic

Skateboarding was another pleasant surprise during my return to Wuhu Island. Skateboarding uses mouse mode, with players dragging the Joy-Con 2 to simulate kicking with your leg and flicking the controller off the surface you’re resting it on to jump.

This laid-back island tour swaps Prop Planes sky views for the sidewalks, letting you grind rails and get big air as you scoot around collecting wheels and discovering postcard-filled photo spots.

It’s an impressively detailed environment, allowing me to peer inside a basketball hall before ollieing over a slew of sunloungers. I think we can all agree that mouse mode has been a bit of a letdown overall, yet outside of simulating a mouse in strategy games, using the mouse as a skateboard is oddly the most convincing support I’ve experienced on Switch 2 thus far.

Of the returning sports, Archery seems to have been tweaked the most. With your bowstring’s pull no longer shackled by the length of the Wii nunchuck’s cable, I can now draw my arrow back further, battling the wind to get the perfect shot as I loose my arrows into a selection of different targets.

Archery feels newly fiddly, but in a way that suggests depth rather than clumsy controls. A special mode sees the archery target divided into different colours, with players only aiming for the colour that corresponds to their avatar.

Of the other returning sports, 2026’s version of boxing feels pleasingly precise, with uppercuts, blocks and jabs landing with far improved accuracy over the Wii and Wii MotionPlus days.

Tennis is just as brilliant as I remember it being on a 480p CRT TV, with table tennis also feeling more nuanced, improved motion controls ensuring that back-and-forth rallies feel more frantic than ever.

Last(ing) resort?

Online multiplayer (first introduced in 2013’s little-played Wii Sports Club) makes a welcome return, giving solo players something to get stuck into alongside Island Crown, a new single-player mode that sees you forming a feud with a named NPC rival, challenging different CPU opponents in order to climb up each sport’s ranks.

After grin-inducing 45 minutes skating around Wuhu Island, soaring through the skies and challenging rivals to a thumb war, I leave my demo won over by its summer holiday charm. Where Wii Sports felt weirdly clinical, Switch Sports Resort looks to inject some much-needed personality into Nintendo’s stalled series.

Whether there’s enough here to keep players waggling for tens of hours still remains to be seen, and while it would be almost impossible to replicate that first Christmas when elderly relatives were whopping their offspring at Wii Tennis, so far, Switch Sports Resort is shaping up to be the best Sports title Nintendo has put out in years.

As the entire gaming industry rearranges its calendar to avoid Rockstar’s impending juggernaut, another long-gestating title has quietly emerged from the shadows – 1666: Amsterdam.

Hitting Steam Early Access in August this year after 13 years of development hell, this tale of kittens and covens is the brainchild of Assassin’s Creed 1 & 2 and Prince of Persia: The Sands of Time director Patrice Désilets.

Revealed during 2026’s Summer Games Fest, this tale of sorcery and witchcraft immediately turned heads. As a hooded wiccan soared across thatched rooftops and ducked and weaved her way between soldier-ridden canals, crimson curses and talking cats teased an exciting, thematically unique-looking adventure. Yet despite its refreshing spin on open-world traversal, this time-bending tale took its first steps into existence all the way back in 2011.

"It’s been a long journey,” reflects Désilets with a warm but weary smile, sitting opposite me in a brightly-lit cardboard office, erected in the business area at Gamescom. Picking up the controller to proudly show off his gothic adventure, he takes one of the game’s dual protagonists for a covert stroll down a packed Amsterdam canal street, before shaking off her civilian disguise and raining hex-induced havoc on the screaming populace.

Once championed as THQ’s Assassin’s Creed beater, the inspiration for 1666 first took hold on a 2011 holiday to the Dutch capital. “Walking around, seeing the houses in Amsterdam. It’s really a level design city,” recalls Désilets, ”I could picture an Assassin’s Creed there…there's a facade, and all the mystery. Then I passed a building inscribed with ‘Anno 1666.’ and immediately I thought, 'What if I do a game about the Devil set in Amsterdam?'"

The Devil’s in the details

Originally envisioned as a cinematic Satan simulator, 1666: Amsterdam was meant to be the more gothic-feeling spiritual successor to Désilets’ 2010 smash hit game, Assassin's Creed: Brotherhood.

Thanks to his previous pedigree, publisher THQ was in, and so he spent the next two years crafting what we’ll affectionately call ‘The Devil’s Creed’. Yet like many deals made involving the devil, it soon appeared that Désilets Lucifer-staring epic was afflicted with a thematically fitting curse. “I started working on it for two years, then THQ went bankrupt.” Désilets recalls.

With THQ then suddenly snapped up by his old employers, Ubisoft, Désilets found himself briefly back at the Assassin’s Creed publisher, who almost immediately let him go – leaving poor old Lucifer trapped in development hell. Fiercely fighting his former employers for the rights back, Désilets eventually regained custody of his demonic baby in 2016. “…we got everything back…the 3D, all the concept art, and some animation,” Désilets grins. Yet in the years that had passed, something had changed for Désilets.

Despite having grafted to reacquire his IP, as time passed, Désilets no longer found himself excited about writing a game starring the devil’s apprentice. The reason? He was put off by a certain hit 2016 TV show. “Lucifer, the TV series, came out, and meanwhile, I'm like, 'Is it really the subject matter I want to attack?” shrugged Désilets. While Désilets had fallen out of love with the devil, he still found himself drawn to the idea of an evil-infested 17th-century Amsterdam. “What if there was a witch hunt going on in Amsterdam in 1666?” Désilets posited, as a new story unfolded before his eyes, “The only thing that I really kept was this idea of also doing 1999 [a dual time period alongside 1666], playing off two sides of the same coin: reflection and duality. That's when I pitched it to my team in January 2020, and [I] rewrote almost everything.”

Processing phobias through polygons

Thanks to being forced into remote work during the pandemic, retooling 1666 took the team at Panache six long years. While the initial Satan Sim was a Désilets-led project through and through, with his newest studio having previously made the 2011 survival game Ancestors, he’d grown to trust his team at Panache, letting their ideas help remould his 2011 original prototype in unexpected ways. “It’s funny, because it’s really a team game, yet in some ways, if we go back to my original PowerPoint, it's crazy how similar it is.”

Yet for all its violence, hexes and history, there is a familiarly agile, gravity-defying protagonist at the centre of Panache’s latest. "... I feel like I'm always doing the same game ... about traversal…” laughs Désilets, “the cat is my way to play with verticality [here]... Even in Ancestors, where you were an ape in a clan, it was still this sheer pleasure of going around a 3D world. Once I analysed myself: 'Why is this always in my fucking games?' "Because I've got vertigo! In real life, I can't climb – so maybe that’s why [you climb in my games]. Don't ask me to climb anything. It's a joke in my family.”

While soaring across canals as an agile Wiccan - or darting across rooftops as a black cat - provides the vertical thrills that Désilets physically can't enjoy in real life, 1666 departs radically from the traditional Assassin's Creed formula in one surprising way. “Each time you fail, there's a reshuffle of your abilities. You must continue your investigation with a different set - that’s where the roguelite element appears,” explains Désilets. “You might fail as a fighter and come back leaning towards witchcraft, so you have to think differently. You go through the challenges the way you want - it's your game, man. If you want to spend six hours in a row being the cat, I don't care.”

Swapping polish for collaboration

“You're not supposed to do [Early Access] with a narrative game,” shrugs Désilets, “But we're giving you roughly between 10 to 15 hours' worth of narrative-driven, open-world-ish content... [and] our goal is to have 1.0 by the end of next year, with console releases at the same time.”

For Désilets, the old way of shipping a game was done out of necessity, not choice, with the Assassin’s Creed veteran always wishing that he had more player feedback and additional time to refine his art.

“There was a time in game development when the game was finished... There was nothing you could do — no patches. That time drove me crazy.” Says Désilets . “Now... give me feedback…and then I can tweak. This is what game making is all about: having a dialogue. Yes, I can make a really badass character like Altaïr, but if you take the pad and make him turn around in circles, the badass character is gone because you're the one finishing the game. It's a co-creation.”

Narrative-driven games usually rely heavily on cinematic polish to pull players in, making 1666’s rough-around-the-edges Early Access release a peculiar sight. Yet in an industry plagued by ballooning budgets and sweeping studio closures, launching a single-player adventure this way might not just be an anomaly- but a canny survival strategy.

“I do my games with my team a bit in a bubble,” says Désilets when I ask him about the precarious current state of the industry. “I'm not always in those conferences. I'm not totally sealed off from what's going on, but you walk around, there’s an energy here…that reminds me of the old times... and lots of quality new games. Maybe we can attract new gamers into what people liked in 2007 when they first played Assassin's Creed. It's got that vibe, right?”

Belkin Travel Bag for Nintendo Switch 2: review

Belkin’s Switch 2 travel bag is designed to carry your console and its various accessories in comfort, while providing protection from the elements and more.

As Switch 2 cases go, it's a somewhat plain affair. While the slight ruching of the outer material lends it a rugged appearance, and the green and lilac colorways are more lively than the black variant, there’s little in the way of branding or fanfare. This may disappoint those looking to make more of a statement, but those looking to stay discreet will no doubt be pleased with Belkin’s utilitarian approach.

Its materials, though, should appeal to everyone and rank among the best Nintendo Switch 2 accessories on this front. The outer fabric is soft and smooth, which, along with its ergonomic form and minimal weight, makes it very comfortable against your back. It’s not unlike something you might find lining a piece of outdoor kit — although it’s worth noting that Belkin doesn’t mention anything about the bag being water- or even splashproof.

The shoulder strap is also well made. It too feels smooth and comfortable; it didn’t dig into my collarbone, as such straps often do, despite lacking a padded covering. There’s more than enough adjustability to accommodate a broad range of user heights and preferences. Admittedly, actually adjusting the buckle can be a little hard sometimes, but this is a price I’m willing to pay in return for a secure fit.

What’s more, you can easily wear the bag over any shoulder, thanks to two fastening points at the bottom. You can attach it to either of these via the plastic carabiner at the end of the strap, which is strong enough to be secure, yet still easy to unhook when needed, thanks to the angling of the mechanism that makes it easier to push in.

In addition to the shoulder strap, there’s also a carrying handle at the top. This is slightly padded and soft in the hand, making it comfortable to hold.

The main compartment has a fair amount of space inside, with enough room to fit multiple accessories, including the Nintendo Switch 2 dock, controllers, power cables, and more. Its wide opening makes for easy access, too, thanks to the zips that run almost the entire length of both sides. They operate very smoothly, and I rarely experienced any snagging.

Within the main compartment are three others. One is designed for the console itself, and is lined with an exquisitely soft felt that prevents your screen from scuffs and scratches. A hook-and-loop strap goes over the top, which is quite slack, even with your Joy-Cons attached. However, the snug fit of the pouch itself is sufficient to keep your console in place.

What’s more, this slackness is actually a positive, since it allows you to store your console with bulkier, third-party controllers attached. For instance, I managed to fit the console in with CRKD’s Nitro Deck 2 attached.

Attached to the outside of the console compartment is another compartment that contains the game card sleeve, which is easily removable. The sleeve fits a reasonable 10 cards, but there are other Switch 2 cases that hold more, such as Turtle Beach’s PlayTrek 2-in-1 case (14) and PlayTrek travel case (12).

The compartment itself isn’t felt-lined, but it still has a soft material. You’ll struggle to fit much in the pouch inside, and anything bulky will compromise the space needed for the adjacent console compartment.

For such items, the netting opposite is more appropriate. It’s big enough to fit cables, power adapters, and both Joy-Con 2 controllers, although probably not all at the same time. And while the netting expands a fair amount, it has a tendency to sag when it’s fully loaded, even if the items in question aren’t particularly heavy. I also noticed that pointed items, such as paper manuals and the like, can stick right through its holes — a minor gripe, but one worth pointing out nevertheless.

On the outside of the bag, there’s a simple zip pocket on the front, which covers almost the entire length of the bag and is roomy enough to fit a few larger items, but you won’t fit items such as the dock, for instance.

On the matter of protection, the bag has a fair amount of cushioning on the bottom — which Belkin describes as an “impact-resistant base” — and around the sides. However, there’s less on the front and back, and since this isn’t a hard shell case, I wouldn’t be confident piling heavy items on top of it.

But if you don’t need this level of sturdiness, Belkin’s travel bag offers a lot more besides, and for a reasonable price at that. If you’re in the market for a light and comfortable over-the-shoulder bag for your Switch 2 and its accessories, it’s a fine choice that’s hard to beat.

Belkin Travel Bag for Nintendo Switch 2 review: Price & Specs

Should I buy the Belkin Travel Bag for Nintendo Switch 2?

Scorecard

Buy it if…

Don't buy it if…

Belkin Travel Bag for Nintendo Switch 2 review: Also consider

How I tested the Belkin Travel Bag for Nintendo Switch 2

I tested Belkin’s travel bag for a couple of days, making sure to fill every compartment, fasten every zip, and adjust the strap length across its full range, as well as attaching it to both hook points. I carried it around on my commutes, fully loaded with the Switch 2 and numerous accessories.

I filled the bag with cables, manuals, and the Joy-Con 2s. I also stored the console with the CRKD Nitro Deck 2 attached to test the capacity of the console storage compartment.

• Read more about how we test
• First reviewed: October 2026

Monster Hunter Wilds: Ascendance promises a fresh expedition into the skies, with players summoned there by the resurgence of ancient dragons and the promise of upgraded weaponry. At Tokyo Game Show 2026, I went hands-on with this upcoming expansion, getting up close and personal with the downloadable content's (DLC) interconnected aerial archipelagoes and battling against two brutal monsters with the use of the brand-new Boost Bracer.

The demo opens in a camp, with the reliable Alma serving up two important quests: Hunt the Alpha Araketa, a level 2 monster, and Slay the Teostra, a level 5 monster. Before jumping straight into the hunt, though, it only felt right to check things out at home first. The camp itself is a visual marvel in keeping with the high standards set by the base game — something here about how it looked; check demo vids online.

The demo is keen to focus on gameplay, though, and understandably offers little in the way of non-player character (NPC) chatter. Still, I was pleased to find a small jump across a ravine hides a barrel-rolling side game that, while unnecessary, was a fun side activity nonetheless. But I digress; it was finally time to break some monster parts.

Falling with style

The first expedition dropped me on a jagged island floating high above any visible Earth, where I was set to track the Araketa. The design of the space lands somewhere between James Cameron’s Pandora and the ruins of a medieval coastal castle. Rocky structures hang in the air above my eyeline, with aggressive tree roots tunnelling through them and disrupting their typical form.

As I came upon an unnervingly empty open area, I spied what looked like petrified dragon wings and tails buried in the white rubble, the blistering blue sky illuminating the stone and casting a dusty screen — so much so that I could almost feel my throat dry up as I stepped through the chalky stone.

Eventually, I spotted the Alpha, but it wasn’t alone. Typical of head honchos, the beast had two underlings, identical in species but much smaller in size.

New to Monster Hunter, the Araketa is a wyvern with a smooth, stone-like exterior painted with what looks like a turquoise-and-yellow platter pattern. Unlike a typical dragon-faced beast, the Araketa features a bulbous, boulder-like head, two wings with sharp claws at the back, and a long, winding tail. While beautiful, the most important note is that all three of these extremities are used in combat.

As I entered the battlefield and alerted the trio to my presence, the Alpha let out an ear-splitting screech before taking battle formation. As one of the underlings jumped up into the air, the Alpha and the second monster flew towards me at a startling pace. In no time, their attacks began, the younger creature attempting to headbutt me with its hammerhead, while the Alpha flanked me from behind.

Diving side to side, the Alpha then took its turn, digging its claw into the earth and performing a spin attack that knocked me off balance. As I regained my footing, the third skybound monster, which had been suspiciously absent, used its momentum to swoop down and take a swipe, too. It was overwhelming, but exhilarating.

My weapon of choice for this battle was the Insect Glaive, which proved useful for platforming around their bombardment. Thankfully, as I started to feel overwhelmed, I remembered I had a new tool to flex: Boost Driver attacks.

Another new addition to Monster Hunter Wilds is that players now wear a Boost Bracer, which enables weapon-specific special attack types. At the bottom of your screen, you’ll see a gauge with three charge slots. As you attack the monster, these slots will illuminate light blue, indicating you have charge. When in position, you can press R1, circle, and triangle in tandem to unleash a visually striking brutal attack.

For the glaive, this saw my character throwing his body into a series of explosive shifting sweeps. Beyond the spectacle and boosted damage, the upgraded moves did well to reset momentum, and I was particularly pleased to see I didn’t need any specific resources to harness its power.

As the battle drew to a close, I had just enough time to look around and take in the ambient wildlife of the new biome, spotting all kinds of creatures from rocky-backed alligators to fluffy, chicken-like birds.

Among the structures, I also got to experience the new wind mechanics mentioned in the marketing material and made use of my Seikret to dive across them, which was fun if not a little rigid — perhaps I’ll have more control in the full release.

The belly of the beast

The second quest sent me to a wholly oppositional location. Instead of blue skies and white rock, I was met with sludge and volcanic ash plumes rising from various organic chimneys dotted across the horizon. This area was composed of tones of grey, occasionally disrupted by orange or red illuminations.

The castle ruins had also been swapped out for what looked like giant pots, akin to Elden Ring's Iron Fist Alexander if he fell into some wet tarmac. Unlike the ambient wildlife of the first area, there was little more than Sisyphian dung beetles here, continuously rolling a solitary ball up a hill.

Descending to the bowels of the cave system, I spotted my prey, slumbering amongst fire and brimstone. Unlike the Araketa, the Teostra isn’t new to the franchise, with the elder dragon appearing in Monster Hunter World and long before that in Monster Hunter 2. However, it is the beast's first appearance in a long time, and he’s packing some serious heat this time around.

Before I could begin my barrage, a pop-up on screen alerted me to an unskippable step — if I didn’t drink a cool drink, I would lose health during the fight, presumably from boiling alive in my own skin. I’m happy to report that ignoring this message was a silly mistake, and it wasn’t long before I fainted and was forced to make the descent again.

Salve applied; I dove headfirst into what already appeared to be a complicated fight. Double my height, the Teostra’s feline form was blazing, its attacks involving a mixture of fizzing fire bombs and cat-like swipes. When used in tandem, it became steadily overwhelming, and I was pleased I had my attention-stealing Palico to draw away some of the heat, both literally and metaphorically.

To keep from burning alive, I leapt in and out of its proximity, buckling its back legs and taking huge swaths of damage — safe to say, in the twenty minutes I had to win, I was not successful. Thankfully for the sake of my pride, as I returned to the camp a loser, I noticed the player next to me was struggling against the Teostra as well; even with a different weapon and impressive dexterity, they failed to kill the beast in the time allotted.

It’s clear Monster Hunter: Wilds Ascendance intends to escalate the hunting in the base game, enabling players to wield powerful tools in environments designed to genuinely test their preparation and survival skills. As someone who dropped off the base game after hitting credits, this expansion provides more than enough reason to kit back up and head into its refreshed, uncompromising world.

Monster Hunter Wilds: Ascendance is releasing in 2027.

• CD Projekt Red originally wanted to add Geralt's silver chain to The Witcher 3: Wild Hunt, but there were technological constraints
• Songs of the Past game director Jakub Rokosz says modern tech allowed the team to finally add it in the upcoming expansion
• Rokosz says the 11-year time difference between the base game and Songs of the Past has made a huge difference

CD Projekt Red couldn't implement Geralt's silver chain in The Witcher 3: Wild Hunt due to technological constraints, but modern technology finally allowed it to add the weapon in the upcoming Songs of the Past expansion.

In an interview with TechRadar Gaming at Gamescom, Jakub Rokosz, Fool's Theory CEO, Songs of the Past game director, and former Witcher 3 senior quest designer, explained that the chain, which first appeared in the first Witcher game, was something CDPR originally "always wanted to bring" to the third installment.

"There were numerous conversations that we [had where we] would want to do the chain even during the base game, but it was impossible from a technological standpoint to do it properly," Rokosz said. "Back then, the way the combat, the targeting, the camera, the enemies were implemented, it would require too much of an overhaul just for one feature."

CDPR didn't have the tools to overhaul these features for one weapon; however, working on the remaster and Songs of the Past with today's updated tech allowed the team to bring the chain to life.

"When we started working on Songs of the Past and the remaster at the same time, we knew that we were going to be touching up on various things, and all of a sudden the chain became a reality," the developer said.

"Also, one other thing is that the physics and animation technology had to go a little bit forward in time. And trust me, 11 years is a lot of difference. So now we were actually able to make the animations of the chain feel very natural, very fluid, and simulated very easily. Whereas 11 years ago, we would probably have to animate it by hand, with all the animations."

Senior quest designer Despoina Anetaki added that, "from a practical standpoint," it's challenging to work with so many animations for a huge game like The Witcher 3.

"When it comes to the remaster, it's a lot of things already, so you can focus on new things, right? And this was a good opportunity for the chain," Anetaki said. "I think it's a really cool weapon."

Geralt's crossbow can be switched out for the silver chain, and players can use it on flying enemies, enemies in water, and for crowd control, with Anetaki saying she thinks fans will love it.

"It's a very versatile weapon, and I think it's gonna fulfill that butcher fantasy for a lot of people, especially those who have read the books and are imagining a badass Geralt with a chain. I think it's gonna be very good for them," she said.

Rokosz added that it was important to make sure the chain wasn't "a gimmick item" you get in Songs of the Past and wanted it to be "a very important piece" of a witcher's arsenal that can be used in the base game and previous expansions, with Anetaki saying that it is something that is "woven into the narrative."

Songs of the Past doesn't have a release date yet, but it's slated to launch in 2027.

• The Witcher 3: Wild Hunt lead writer Marcin Blacha has explained what it takes to create a worthwhile Witcher remake
• He says CD Projekt Red needs to "stay true to the spirit" of the original game
• However, the remake has to appeal to a new audience using modern technology

CD Projekt Red VP of narration and story director Marcin Blacha has revealed the secret to making a worthwhile Witcher remake, and it's about balancing what made the original game good with appealing to a new audience.

During a panel at Logitech Play 2026 attended by TechRadar Gaming, Blacha, who was a lead writer on The Witcher 3: Wild Hunt, explained that the studio needs to "stay true" to the 2007 original, but also design a fresh experience for gamers who didn't play it.

"The secret is to identify what was good in the original game, and find a way to retell it to the audience that, for some reason, cannot participate in this experience," Blacha said. "Those are two different things, and each of them is difficult on its own, because it's not that easy sometimes to recreate this experience."

The writer went on to discuss what the studio calls "Act Four" of The Witcher 1, which takes place in a rural lakeside region "that is very folklorish" and "full of beautiful landscapes," but said it's difficult to recreate that feeling again because it's a different experience for every player and can be "a little bit vague."

"To create a good remake, you need to identify what was good and find a way to recreate it using newer technology, [while] staying true to the spirit of the original game," Blacha added.

The Witcher remake is in development at Fool's Theory and will utilize Unreal Engine 5, as CD Projekt Red is currently all hands on deck making The Witcher 4, the first game in a new trilogy of Witcher games that it wants to release within a six-year time frame.

CDPR has also just launched The Witcher 3: Wild Hunt – Remastered, which offers a massive collection of improvements that promise an entirely new experience for the decade-old role-playing game (RPG).

Nihon Falcom is on a real hot streak right now, and it’s showing no signs of slowing down with Trails in the Sky 2nd Chapter. The remake of 2006’s acclaimed Japanese role-playing game (JRPG), The Legend of Heroes: Trails in the Sky SC, is packed full of excellent quality-of-life updates that are sure to delight veteran players and newcomers alike, with full English voice acting, a visual overhaul, and modernized combat.

But just how good is Trails in the Sky 2nd Chapter? Should you play it? Here are my thoughts after countless hours of gameplay.

I absolutely loved this game’s predecessor, which launched last year and was among the best RPGs released in 2025. Yes, Trails in the Sky 1st Chapter was a phenomenon, supplying a beautiful blend of action and turn-based combat, silky smooth performance, and a brilliantly revamped UI. I sunk so many hours into that game, and so I was delighted to find that everything I loved about 1st Chapter transferred across to this follow-up.

A first-rate follow-up

I’ll start by talking about gameplay, which feels just as tight and refined as it did in 1st Chapter. You can rush around the world and attack enemies with Arts and basic attacks in Quick Battle. This is great if you want to mow through enemies — especially weaker ones — without having to spend too long strategizing, and it feels incredibly rapid and responsive. Being able to hack, slash, and whack your foes in a flash means that the game feels well-paced, and longer dungeons don’t seem too daunting.

However, you also have the choice to partake in turn-based Combat Battles to vanquish your opponents, and this is where a lot of the depth comes in. You have to carefully manage your Craft Points (CP) and Energy Points (EP), which enable you to use brutal physical and magical attacks and support options, while also carefully positioning your units to manage health.

It's also crucial to keep an eye on turn order to avoid getting KO’d before you unleash your attacks, choosing when to steal bonuses from your foes to heal or deal critical damage, and when to launch a deadly all-out team attack.

As you can gather, there are a lot of mechanics to consider, and there’s plenty of depth to be found in command battles. But perhaps the most important thing is to manage your Orbments properly.

Orbments string a number of gems together, known as Quartz, which determine the Arts that you can use in battle. Carefully curating your Orbments for each character is crucial, and I had an absolute blast tinkering around to build the ideal build for every boss.

By travelling the world and taking on optional battles and quests, you can unlock some seriously powerful Quartz too, which makes exploration feel truly rewarding.

This may seem like a lot to take in at once — especially for newer players. But don’t worry — there are plenty of difficulty options to choose from to fit your desired level of challenge. There’s everything from Very Easy to Nightmare (one for the true sadists). I selected Advanced this time out, which is somewhere between Normal and Hard, and while the road got tough at times, the Orbment system gave me all the tools I needed to shield my allies from devastating attacks.

Hey bro, wya?

The follow-up from the 1st Chapter is seamless gameplay-wise, and also in terms of narrative.

You can watch a recap of the first game if you want a refresher (or if you missed it entirely), and you’re reminded that Joshua (the protagonist Estelle’s adopted brother…lover? Both?) has fled. I won’t delve into the reasons why in this review, but essentially, Estelle decides to attend a specialist training camp to bolster her skills and track him down herself. It sounds pretty basic, but the story is pretty engrossing, actually. Like the first game, there are deeper political elements to explore, and you get to learn more about the mysterious secret society, Ouroboros.

The narrative remains gripping throughout, and there is no shortage of characters who join Estelle on her journey, be they returning faces like the travelling musician and romantic Olivier or the alcohol-loving Senior Bracer, Scherazard.

Voice acting is strong across the board, and breathes so much life into this colorful and charismatic cast. Some of the more low-key parts of the story and side content are only voiced partially, though, meaning you can get one character narrating their thoughts aloud while others sit in silence with text boxes. This was also in Trails in the Sky 1st Chapter, and can create a slightly awkward atmosphere in moments, though I understand this is more of a nitpick.

It’s also worth noting that this is a true anime-inspired JRPG with all of the melodrama and theatrics that you’d expect from the genre dialled up to 11. While this produces some stronger emotive moments and a good amount of comic relief, it may feel overbearing for some players. A few characters, like Anelace, go on pretty long monologues about the importance of wearing pretty bows while facing your foes. The wandering priest, Kevin, likes to let Estelle know how pretty she is about 10 times in the space of five seconds during the game’s opening section, too.

While this is by no means something that ruins the experience, I did find some of the characters a little unlikeable. So yes, some dialogue can feel superfluous at times, and it can also stretch on for quite a while. But there is a speed-up mode, and there’s nothing stopping you from skipping over the less crucial dialogue segments.

Robustly revamped for the modern era

On top of what I’ve already mentioned, Trails in the Sky 2nd Chapter is filled with a slew of masterful modernizations that really make the game click.

Like last time out, the UI has been considerably revamped and feels incredibly intuitive to sift through, while also looking great. Managing items and skills is seamless and easy, and you can access your quest list, recipe book, and the map in an instant. The speed-up option is also very welcome if you want to fly through your quick battles or travel over a long distance when fast-travel isn’t available.

The visuals are also great once again. Shimmering water, rich forest environments, and character models all look spectacular, at least on the PS5 version I played. By default, the game runs at silky 60fps with next-to-none hiccups whatsoever, but you can also play in performance mode, which targets 120fps at the expense of some graphical fidelity. This is perfect for fast-flowing action combat and exploring vast open areas. Loading screens are also incredibly brief, and I continue to be blown away by how well these games play on modern platforms.

One more thing I absolutely love about this remake is its stellar soundtrack. There’s an eclectic mix of delicate acoustic tracks, funk-infused high-energy tunes, and grandiose, hard-hitting battle themes that totally immerse you in the land of Liberl. Again, you have the option to pick between standard, arranged, or original background music – something that long-time fans no doubt appreciate.

All in all, Trails in the Sky 2nd Chapter is another exceptional remake that effortlessly maintains the strong momentum its predecessor picked up. Gameplay is varied, depth-filled, and addictive; the narrative is engaging, and the quality-of-life upgrades make it feel almost like a brand new game — all while carrying over the beloved aspects of the source material. Sure, the game’s melodramatic nature might not be to everyone’s taste, but if you’re a fan of the JRPG genre and want an epic adventure to sink your teeth into, then look no further.

Should you play Trails in the Sky 2nd Chapter?

Play it if...

Don't play it if...

Accessibility features

You can adjust the subtitle language to English, German, French, or Spanish, and select either English or Japanese voice acting. There are a number of ways to customize the camera’s behavior, too, such as normal or inverted configurations, camera movement speed, and camera distance.

On top of this, there are difficulty options, including a Very Easy mode if you just want to focus on the game’s story. Unfortunately, there is no colorblind mode.

How I reviewed Trails in the Sky 2nd Chapter

I spent two weeks playing through Trails in the Sky 2nd Chapter, during which time I played through the main story, took on a bunch of side quests, and sunk hours into exploring the land of Liberl.

For the most part, I played the game on my PS5 while connected to the Sky Glass Gen 2 TV and my Marshall Heston 120 soundbar. However, from time to time I dipped into the title on my PlayStation Portal remote player, and had the Sonos Ace Ultra headphones connected to listen to in-game audio.

More generally, I’ve spent years reviewing gaming software and hardware at TechRadar, where I serve as a Senior Reviews Writer. I reviewed the previous game in this series, Trails in the Sky 1st Chapter, and have covered a wider range of JRPGs here, including Fire Emblem: Fortune’s Weave, Dragon Quest I & II HD-2D Remake, and The Adventures of Elliot: The Millennium Tales.

First reviewed September 2026

• The Witcher 3: Wild Hunt – Remastered's patch notes have been released
• The update will offer all-new animations and an improved skill system
• A new accessibility preset called Bard's Ballad also offers a more tailored gameplay experience

The Witcher 3: Wild Hunt – Remastered is officially here, and CD Projekt Red has released the long list of improvements that promise an entirely new experience for the decade-old role-playing game (RPG).

The patch notes detail a ton of upgrades, from better visuals, transmogrification, an expanded photo mode, updated textures, PS5 Pro support, and more. Some pretty impressive animation improvements that are sure to make my new playthrough feel even more immersive have also been added. Geralt's animations during combat, idling, and riding Roach have all been refined; new finishers have also been added, and ladder climbing, jumping, and vaulting are now "more responsive" and "fluid."

The skill system has also been completely rebalanced, and " Skills are now organized into a skill tree, and each skill has three ranks," while others have been renamed to better reflect their effects, and I can't wait to try out new builds.

One of the most notable additions to the remaster, included in the accessibility features, is the Bard's Ballad preset, which can be enabled when starting a new game on "Just the Story" difficulty or mid-game.

"It is designed to reduce cognitive load for players who experience mental fatigue or have difficulty concentrating," CDPR explained. "It streamlines gameplay by simplifying certain mechanics and disabling select features for a smoother, more focused adventure."

On top of that, players can customize the preset by enabling or disabling some options that I've always wanted and would normally need mods for. Those options include Vitality Regeneration Boost, Infinite Breath, Unlimited Item Durability, Unlimited Boat Durability, Faster Boats, Toggle Witcher Sense, and probably my favorite out of the bunch, Ignore Item Weight.

I typically play on normal or higher difficulties in The Witcher 3, but for my latest playthrough I'm quite eager to try out the Bard's Ballad preset for the added customization that comes with it.

There are plenty more quality-of-life, modding, UI/UX, gameplay, and visual improvements to discover in The Witcher 3: Wild Hunt - Remastered, which is now available and is free for current owners of the game. Players who also own only the base game can claim the two included expansions, Hearts of Stone and Blood and Wine, at no extra cost.

• The Golden Joystick Awards 2026 nominations have been announced
• Voting is open now until October 23, with winners to be revealed on November 11
• The nominations include some of our favorite games of the year, including Resident Evil Requiem and 007 First Light

The nominees for the 44th annual Golden Joystick Awards have been officially announced across 21 categories, with games like Resident Evil Requiem, Big Walk, and 007 First Light leading nominations.

Public voting is now live and will remain open until October 23 at 4pm PT / 7pm ET / 0:00am BST. Fans can vote for their favourite games of 2026 in 21 categories, including Console Game of the Year, PC Game of the Year, Most Wanted Game, and more.

Winners will be revealed during the ceremony on November 11, with the Ultimate Game of the Year shortlist to be announced on October 26.

"With the hugely-anticipated GTA 6 set to launch a week after our live show, the 44th annual Golden Joystick Awards is delighted to share its most diverse and creative nominees line-up yet," said Daniel Dawkins, content director of Golden Joystick Awards at Future.

"Indie hits Big Walk, Dispatch and Mina the Hollower sit alongside AAA blockbusters such as 007 First Light, Forza Horizon 6 and Resident Evil Requiem. This year, no single game dominates the field, this is one of our most open and unpredictable years yet - making your vote more influential than ever in deciding our winners. We’re thrilled to debut a new look for the Golden Joystick Awards, embracing the iconic joystick trophy that traces all the way back to our inception in 1983. Gaming has changed so much in the following 43 years, but not the creativity and determination of those who sacrifice so much to share the games we love so much."

The Golden Joystick Awards 2026 - Nominations

Console Game of the Year

• 007 First Light
• Fire Emblem: Fortune's Weave
• Forza Horizon 6
• LEGO Batman: Legacy of the Dark Knight
• Nioh 3
• Onimusha: Way of the Sword
• Pokémon Pokopia
• PRAGMATA
• Resident Evil Requiem
• Saros

PC Game of the Year

• Big Walk
• Crimson Desert
• Escape from Tarkov
• Esoteric Ebb
• MECCHA CHAMELEON
• Mewgenics
• Order of the Sinking Star
• Star Wars Zero Company
• The Blood of Dawnwalker
• Valheim

Best Audio Design

• Big Walk
• Marathon
• Onimusha: Way of the Sword
• Rhythm Heaven Groove
• SAROS
• Star Wars: Galactic Racer

Best Early Access Game

• Dead as Disco
• MENACE
• skate.
• Slay the Spire 2
• Subnautica 2
• WARDOGS

Best Game Adaptation

• Devil May Cry (Season 2)
• Exit 8
• Fallout (Season 2)
• Iron Lung
• Mortal Kombat II
• Resident Evil

Best Game Expansion

• Cult of the Lamb: Woolhaven
• DAVE THE DIVER - In the Jungle Content Pack
• DOOM: The Dark Ages | Revelations
• Quake: Dawn of the Machine
• The Alters: Last Variable
• World of Warcraft: Midnight

Best Game Trailer

• Battlefield 6 x Top Gun: Carrier Strike Cinematic Trailer
• Big Walk - Release Date Announcement
• Cairn - Launch Trailer
• MOUSE: P.I. For Hire | Official Launch Trailer
• Prove You're Human - Announcement Trailer
• Resident Evil Requiem - Evil Has Always Had A Name

Best Gaming Hardware

• Logitech G PRO X2 SUPERSTRIKE
• Razer Viper V4 Pro
• Secretlab ATLAS
• Sony INZONE M10S II
• Steam Controller
• Turtle Beach Stealth Pro II

Best Indie Game

• Big Walk
• Denshattack!
• Esoteric Ebb
• Mixtape
• Mouse: P.I. for Hire
• Order of the Sinking Star
• REANIMAL
• Sovereign Tower
• Titanium Court
• Valheim

Best Indie Game - Self-published

• Cairn
• Fields of Mistria
• MECCHA CHAMELEON
• Mewgenics
• Mina the Hollower
• Perfect Tides: Station to Station
• Phonopolis
• Rhythm Doctor
• The Incident at Galley House
• Vampire Crawlers: The Turbo Wildcard from Vampire Survivors

Best Lead Performer

• Aaron Paul - Robert Robertson III, Dispatch
• Angela Sant'Albano - Grace Ashcroft, Resident Evil Requiem
• Anna Demetriou - Sophia, Resonance: A Plague Tale Legacy
• Liam McIntyre - Wolverine, Marvel's Wolverine
• Patrick Gibson - James Bond, 007 First Light
• Will de Renzy-Martin - Coen, The Blood of Dawnwalker

Best Supporting Performer

• Frankie Kevich - Zoe de Vera, Control Resonant
• Grace Saif - Diana, Pragamata
• Lennie James - John Greenway, 007 First Light
• Terry O'Quinn - Richard, Silent Hill: Townfall
• Troy Baker - Nathaniel Essex, Marvel's Wolverine
• Vic Michaelis - Runa Blask, Star Wars Zero Company

Best Multiplayer Game

• ARC Raiders
• Big Walk
• Marathon
• MARVEL Tōkon: Fighting Souls
• MECCHA CHAMELEON
• Valheim

Best Remake / Remaster

• Assassin's Creed Black Flag Resynced
• Gothic 1 Remake
• Metal Gear Solid: Master Collection Vol.2
• Star Fox
• The Witcher 3: Wild Hunt - Remastered
• Trails in the Sky 2nd Chapter

Best Soundtrack

• 007 First Light
• Crimson Desert
• Dispatch
• Lumines Arise
• Mewgenics
• Mixtape

Best Storytelling

• 007 First Light
• Dispatch
• Fire Emblem: Fortune’s Weave
• Silent Hill: Townfall
• The Blood of Dawnwalker
• ZERO PARADES: For Dead Spies

Best Visual Design

• Control Resonant
• Forza Horizon 6
• Orbitals
• Phonopolis
• Resonance: A Plague Tale Legacy
• Saros

Most Wanted Game

• Alien: Isolation 2
• ANANTA
• Black Myth: Zhong Kui
• EXODUS
• Fable
• Final Fantasy 7 Revelation
• God of War Laufey
• Intergalactic: The Heretic Prophet
• Kingdom Hearts 5
• METRO 2039
• NO LAW
• Persona 6
• Resident Evil Veronica
• STRANGER THAN HEAVEN
• Stuntman: Hollywood
• The Expanse: Osiris Reborn
• The Witcher 4
• Tides of Annihilation
• Tomb Raider: Legacy of Atlantis
• Total War: Warhammer 40,000

Still Playing - Mobile

• Balatro
• Genshin Impact
• Honkai: Star Rail
• MARVEL SNAP
• MONOPOLY GO!
• NTE: Neverness to Everness
• Old School RuneScape
• Pokémon GO
• Roblox
• Sky: Children of the Light
• Tom Clancy's Rainbow Six Mobile
• Wuthering Waves

Still Playing - PC & Console

• Apex Legends
• Fortnite
• GTA Online
• HELLDIVERS 2
• HITMAN World of Assassination
• Minecraft
• No Man's Sky
• Palworld
• The Elder Scrolls Online
• Warframe
• World of Warcraft
• Call of Duty: Warzone

Studio of the Year

• CAPCOM
• Frogwares
• House House
• IO Interactive
• Nintendo EPD
• SQUARE ENIX

There are many audacious and commendable feats in gaming. Taking down Consort Radahn, platforming through the Path of Pain, filling your entire Pokedex, to name but a few. However, despite personally doing all these things, one task chewed me up and spat me out repeatedly. One that, on paper, isn't all that tough at all.

The task: To get through Act One of the mammoth CRPG, Baldur's Gate 3 (BG3).

The 'act one syndrome' brought on by the sheer volume of content and the steep learning curve of BG3 is something that just about everyone has endured at some point when exploring Faerûn.

However, I feel I have been wearing this albatross around my neck for quite some time. While watching others take second laps around Faerûn for a Dark Urge run, unburdened by this plight of mine.

BG3 has been the loud, obnoxious gnawing at the back of my mind. The bane of my backlog, and at some point, I snapped.

Operation: get act one done

On paper, it's far from a Herculean task. After all, if you really want to, you can hop off the Nautiloid and head straight for the Githyanki Crèche if you choose. But ignoring the slew of content and the abundant, overlapping 'what ifs' is just too tall a task for a completionist such as myself.

I've gone back to the BG3 well a grand total of seven times. Each time, I fell at the first-act hurdle, but for different reasons.

At first, it was simply overzealous confidence and ineptitude. There was an underlying issue in that my understanding of Dungeons & Dragons principles was severely lacking.

As a result, there were many hour-long battles that inevitably led to a full party KO and a painful restart. Poor decisions compounded with each new dialogue exchange. This culminated in a heated exchange with a deceptively powerful frog, and the first of many save files to be abandoned. RIP Ignacius, my first Tav to fall.

Then came the attempts to right that wrong. A YouTube brush-up on DND systems here and there, a few tweaks to the starting build, and it would all surely work out fine.

It did not.

There was an inevitable and foolish overcorrection, a choice to play a build that simply wasn't fun to use, especially for a novice like myself. Monks sound great on paper, as you can let your fists solve all problems. Until you’re starved for Ki and left helpless. So, with that, another save file bit the bullet. RIP Falconhoof.

You would think at this point, with so much Baldur's Gate 3 act one experience behind me, success was all but guaranteed. But then, like a pesky Kobold leering from the shadows, a menacing creature I call my wife said, in hushed tones, 'That looks fun; will you show me how to play?' Thus beginning a co-op campaign led by a D&D novice, acting as a sage for an even bigger novice.

Safe to say, this blind leading the blind dynamic was about as successful as Lae’zel would be headlining at the Comedy Cellar. So, we dug a twin grave for my wife's Tav and poor, unfortunate Arcane Michael.

It was these constant setbacks that set the wheels in motion for even more attempts to go awry. Because the dynamic shifted from a state of wonderment and curiosity to an attritional, transactional slog, as scenarios, battles, and pivotal choices repeated again and again, lacking the weight they once had.

Much like Tav, I too was infected with a parasite acting as a ticking time bomb. At some point, the tedium, or the ennui, would set in, and I would succumb to that parasite's mind control. Forcing me to exit the game, uninstall it, and relegate BG3 to the back of the backlog again.

Mercifully, this affliction doesn't come part and parcel with a tadpole insertion through the eye socket, but it’s unpleasant nonetheless.

Finding my Faerûn flow state

Returning for my eighth crack, things had to be different. So, I put those wheels in motion. I cooled off for an entire year, forgetting large portions of the opening act in the process. I researched the most fun, accessible build to play relative to the most recent patch. I even passed on some hot and fresh releases, devoting all my time and energy to breaking through.

But above all, I knew that if this was ever going to work, I would need to learn how to let go. To let decisions shape the experience rather than relying on save-scumming, embrace the rough and the smooth in equal measure, and find the mental fortitude to push on towards new and exciting things.

As someone who wants to see everything a game has to offer, ponder over every decision, min-max at every opportunity, and somehow manage to accurately roleplay while juggling all of this. I was still skeptical that it would all click into place. But against all odds, in honor of my newborn son, my Halfling Rogue, Lorcàn, was born, and before long, I could see the Shadow-Cursed Lands on the horizon.

With a streamlined build that allowed me to rely on Luck, overpowered stealth, and flexibility to multiclass. No combat encounter felt like an insurmountable task, and no conversation felt like an inevitable road to a failed dice roll. My half-pint Halfling fittingly gave me the glass-half-full mindset I needed.

Minthara and her goblins were vanquished: shoved down a chasm to their doom. The party shone a light on the Underdark's mysteries. I left that demonic frog to their own devices. But above all, the insurmountable pressure to finally leave Act One had dissipated and this is an accolade I place in my personal trophy cabinet of gaming feats.

The city of Baldur's Gate awaits, and finally, I feel that curiosity and magic again.

• Alien: Isolation 2 principal environment artist Archie Whitehead says the Xenomorph uses legacy animations that Creative Assembly designed for the first game
• He explains that the studio didn't have the technology to implement it at the time
• The sequel animations have been improved so the alien is "more responsive"

Alien: Isolation 2 principal environment artist Archie Whitehead has revealed that the game's Xenomorph uses improved legacy animations that Creative Assembly designed for the first game but didn't have the technology to implement 12 years ago.

In an interview with TechRadar Gaming at Gamescom, Whitehead confirmed that working around the alien's intelligence will be a core part of gameplay—even with the added exterior environment—and if players use a flamethrower or repeatedly hide in lockers, their actions will be less effective against the Xenomorph.

But the developer said the fear of hiding from the alien isn't just about its intelligence, but about how players perceive it visually; he explained that its animations and transitions have been improved from the first game, making it scarier.

"Intelligence is about perception," Whitehead said. "It's about what the player sees. If the alien was a cube sliding around, it might still kill you; it might still be scary, but you probably wouldn't perceive it as that intelligent if it was just a rotating cube, right?

"Obviously, the model, the character, the mesh for it; it's much more improved. There's a lot of layers there that I can't talk about the specifics, but it's more responsive, more reactive. It's really, really terrifying."

Whitehead went on to reveal that the Xenomorph uses animations and transitions that were initially designed for the first game, but Creative Assembly "didn't have the technology at the time" to use them. However, they've been polished for the upcoming sequel.

He explained that he chatted with animation director Simon Ridge, who worked on the first game, and saw some legacy animations that appeared to be unused, but were "really scary" and "amazing transitions" where the alien was looking at the player.

"I was studying when the original came out, so I wasn't on the first game," he said. "So, I was coming to this as a big fan, and I was chatting to him, and he was showing me these legacy animations he had, and I was like, 'I played the original a lot of times, I don't recognize these animations.'

"The vision was there, but they didn't have the technology at the time [or] whatever exactly they needed to implement it."

He added that this is a "benefit" for the sequel coming out 12 years later instead of immediately after the first game.

"We're able to use that kind of stuff, and obviously it's still going to be polished up, and it's a new setup and everything," he said, "but it's one of the things that makes it [the Xenomorph] feel smarter is its reactivity; making it feel like it's not just looking at the player, it's not just pointing its head in your direction. You feel like it's looking at you, and that's the kind of stuff that, again, when they show it off within the team, everyone's getting chills, and it's super exciting. We're super excited to show you."

Alien: Isolation 2 will be available on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC. A release date hasn't been announced.

• Creative Assembly says Alien: Isolation 2's protagonist will offer "a new perspective to the franchise"
• Blake is a Weyland-Yutani employee, with principal environment artist Archie Whitehead saying the Japanese side hasn't been explored a lot
• Principal UI artist Laura Mauterer says Blake isn't like any other Alien protagonist and "is such an interesting character to explore"

Alien: Isolation 2 will offer a totally new perspective on the Alien franchise by telling a story from the viewpoint of Yutani employee Blake, and Creative Assembly believes players will love her.

Speaking to TechRadar Gaming at Gamescom, principal environment artist Archie Whitehead and principal UI artist Laura Mauterer discussed what they're most excited for players to experience in the upcoming sequel, highlighting the game's protagonist, Blake.

Blake works for Weyland-Yutani Corporation, a mega-conglomerate and the major human-led antagonist throughout the sci-fi series, but is employed specifically on the Yutani side of the company.

It's a viewpoint that hasn't been showcased during the horror franchise before, and something the developers were eager to explore in depth.

"Weyland-Yutani is an English-Japanese-speaking company, and it's something that the Japanese side, I feel like, doesn't really get explored that much," Whitehead said. "It's something we're trying to explore more here because Kurosaki, it's the name of the station [the game's setting], so I'm very interested in players to discover: 'How does that influence the world and the people living in it?'"

Mauterer added that Blake is "awesome" and "brings such a new perspective to the franchise in total," and her being an employee of this mega-corp will be a much different experience from the first game, where the characters were ordinary people.

"If you think back to the first game or even the first movie, it's truckers in space, right? It's ordinary people doing average things," Mauterer said. "They're not powerful. They're expendable. No one cares for them. They have to care for themselves.

"But now we have Blake, who is a very Weyland-Yutani employee, and that means that she has some power, right? But when you hear in the trailer that the Japanese voice is telling her, 'You made a mistake. This is your last chance.' She was sent to Kurosaki against her will, and she wants to do well. She wants to be there to redeem herself."

Talking more about the story, Mauterer explained how characters in the prologue will talk to Blake with respect and "you can get a sense of her standing," but all Blake is focusing on is trying to redeem herself. That's why when she heads to the crash site and accidentally unleashes the Xenomorph onto the colony, she's made yet another mistake, which the developers said will make Blake an interesting character to play.

"That dichotomy, she is such an interesting character to explore," Mauterer added. "And I think the players will really get to know her and love her in the journey; they will make out their own journey [as well]. We tell a larger story, obviously, but similar to the first game, every player will have their own way of telling the 'in-betweens' between that [main] story, and will be so interesting to see."

Alien: Isolation 2 doesn't have a release date yet but will launch on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

• Rayman Legends Retold brand producer Loïc Gounon is interested in making more games in the series
• Gounon says, "The plan was that we want to restart the franchise," using the latest version of Ubisoft's engine
• He suggests that the upcoming remake could be the start of something new "if everything goes according to plan"

Rayman Legends Retold brand producer Loïc Gounon believes the series has a future and said he's interested in making new games using Ubisoft's latest tech.

The upcoming remake of the beloved 2013 hit reinvents the hand-painted 2D adventure as a full 3D side-scrolling platforming experience. It's powered by the studio's proprietary Snowdrop engine, while still utilizing the original game's UbiArt Framework.

It looks like a completely new game, though with the familiar elements that made the original a critical success, and according to Gounon, "The plan was that we want to restart the franchise" using the latest version of this technology.

"Without an engine, you don't make a game," Gounon told TechRadar Gaming. "Without a team, you don't make a game. So the initial point has been: we need to rebuild the team, and we need to adopt a new engine. As we were starting to think about that, we also considered a brand new game, but we've also been humble about what we could achieve."

The developer wasn't shy about sharing his dreams for the series, saying, "We believe that this IP has a future," and that Rayman Legends Retold could be the start of something new "if everything goes according to plan."

He also indicated the move to 3D allowed the team to build its bank of 3D assets, which sounds like something that would come in handy for any future projects.

Rayman Legends Retold arrives on December 3, 2026, for PlayStation 5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

Rayman Legends Retold looks to bring the platforming classic into the modern age, with a smattering of new levels, fully revamped visuals, and expanded cinematics featuring full voice acting for the very first time.

Released back in 2013 to critical acclaim and still beloved by fans, it's certainly an unusual choice for a remake. Where most developers opt to return to titles with obvious issues, or ones that are no longer readily accessible (Rayman Legends is fully playable on PS5, Xbox Series, and Switch 2 via backward compatibility), it's hard to think of many ways this platformer could be improved.

As it turns out, the decision was more about the future of the Rayman franchise than looking back at the past.

"The plan was that we want to restart the franchise," explains brand producer Loïc Gounon after a recent hands-on event.

"Without an engine, you don't make a game. Without a team, you don't make a game. So the initial point has been: we need to rebuild the team, and we need to adopt a new engine. As we were starting to think about that, we also considered a brand new game, but we've also been humble about what we could achieve."

In the gaming industry, remakes are often used to help new teams become acquainted with an existing intellectual property and build the skills needed to tackle development of future entries.

Just look at Metroid: Samus Returns, the 3DS Metroid 2 remake that led to series newcomer MercurySteam being given the reins for the Nintendo Switch installment Metroid Dread (and again, with the upcoming Metroid Ravenous for Switch 2).

Gounon adds that while the team behind Retold does still have some of the original Legends devs, they felt that "the balance between remaking a beloved game while bringing innovation to it was the best starting point" for everyone.

New coat of paint

One of the starkest differences between the original Legends and Retold is the shift from a hand-painted 2D look to a fully 3D art style – albeit one that largely maintains the side-on perspective. It's a move that Gounon suggests shows where the franchise is headed overall.

"Rayman started on PlayStation with a 2D game at a time when most games were 3D. Then Rayman 2 and Rayman 3 were 3D games in the rendering, but also in the gameplay. Then Origins went back to full 2D: 2D rendering and 2D gameplay," he explains.

"The thing is, when you've got a 2D engine and are in 2D rendering, it's less easy to make a 3D game afterwards. So, as part of thinking about the franchise for the future, two things that came to mind really early were that we want to go back to the adventure DNA of the franchise, and we don't want to [stop ourselves from] going towards a 3D adventure."

If you think of Legends Retold as a jumping-off point for the franchise going forward, the whole project begins to make a lot of sense.

Gounon doesn't shy away from saying that "we believe that this IP has a future" and that this remake is only the beginning "if everything goes according to plan" and it proves popular. He even indicates that part of the move to 3D was so the team could build a bank of 3D assets, presumably for future use.

Although it's clear that Legends Retold is geared towards new players, Gounon says the team has gone to great lengths to maintain the overall feel of the original game so as not to disappoint returning players. This even involves utilizing the original game engine, UbiArt Framework, underneath all the shiny new graphics powered by the latest version of Snowdrop.

"What's a bit particular about this project is that we did not want to mess with the game feeling: all the characters reacting, the physics, etc. We knew that the muscle memory you have with a platformer — we can't mess with it. It's a constraint of Rayman, and so is the level design. There's a quality of level design that's unmatched, on par with the best games in the world, like Mario," he begins. "So we knew we couldn't mess with the quality of the level design or the game's flow and the physics.

"What we decided to do is that everything that's happening — game mechanics and flow — is powered by UbiArt Framework. UbiArt is also doing the 2D animation and 2D drawing, but as we were going 3D, we integrated UbiArt Framework game logic within the game logic of Snowdrop.

"Snowdrop is handling all the animation, the character art, the environment art, and the audio. All that new visual layer on top of the gameplay logic is Snowdrop.

"Basically, we've got the best of both worlds, meaning a great engine to make levels and gameplay, which is UbiArt Framework, and also maintaining the quality of the original game because it's the same thing running under the hood, within an engine that allows for fully-fledged 3D rendering."

A matter of taste

As with any big change, the new art direction has had its critics. "Nothing can outdo the beautiful hand-drawn style," reads one of the highest-rated comments on the original reveal trailer, but Gounon is confident that skeptics will be won over once the game is in their hands.

"Some people will always have a personal attachment to something they loved, especially when it's something super special that got 90+ on Metacritic, and it's highly subjective. That's totally okay, and to be fair, when you love something, you don't want it to change," he begins.

"I think it's natural. Then I think we will prove what 3D is bringing. I think once you start playing the game, and more people see the game, hear character voices, [watch] the fully animated 3D cutscenes, I think they will get why we are making it."

He adds that he's excited for players to see more of the game in the build-up to release and promises, "It's not a simple remake; it's more than that."

There will be a bit of a wait, however, with the game recently delayed until December 3, 2026, when it will launch for Nintendo Switch 2, PS5, Xbox Series X and Series S, and PC.

• Creative Assembly says Alien: Isolation 2 is still influenced by the iconic film, despite the outdoor setting
• Principal environment artist Archie Whitehead says the environment had to be showcased "through the lens of someone from the 1970s"
• Principal UI artist Laura Mauterer says the team is "not reinventing the wheel" and is still using a lot of inspiration from the first movie and game

Alien: Isolation 2 is still inspired by the first Alien movie, even though the game features a new outdoor setting; Creative Assembly had to make sure the environment felt authentic to its iconic retro-futuristic aesthetic.

Like Ridley Scott's 1979 Alien, Alien Isolation takes place inside a space station, isolating the player in a claustrophobic environment as a Xenomorph hunts them. However, the sequel features an outdoor colony world and the confines of a Weyland-Yutani outpost, giving the studio a new opportunity to expand exploration and find new ways to adapt the movie's iconic style.

Speaking to TechRadar Gaming at Gamescom, principal environment artist Archie Whitehead didn't want to spoil the setting too much, suggesting players are in for some surprises as they explore the game's outdoor mining colony, with principal UI artist Laura Mauterer explaining that the team is "not reinventing the wheel" and is still using a lot of inspiration from the first movie and the first game.

"The first movie is the lens we're looking through everything at," Mauterer said. "It's our guiding step. And when it comes to new, we're really excited about introducing new retrofitting tech," she added before using a CRT computer as an example of how it would be damaged in an outdoor setting.

"I can maybe give you an idea of our approach to it," she said. "We think about it now that you have to be indoors and outdoors; obviously, things need to adapt. I have a CRT monitor on my workstation as my third monitor; there are holes on the top in the back. Obviously, if I put that outside and it's raining, it's gonna go kaput, right? So, we need to make sure that we're adapting the things that we have seen in the first movie and in the first game to be believable in this outdoor environment. [So] it makes sense."

Whitehead added that it has to be showcased "through the lens of someone from the 1970s" because things like LEDs and LCD panels didn't exist back then.

"As an environment artist, I'm making design decisions all the time when modeling something about the shapes used; where's a vent, where's this?" Whitehead said, adding that it would be easy to add "generic" shapes, but he and the team used movie set photos and imagery to "dissect" how to build these assets players will see in the environment.

"Sometimes it feels like yogurt pots," he joked. "It's a lot of vacuum form shapes. They even had some parts of it; I think it was a bomber from the Second World War. They got some stuff from the scrapyard.

"So looking at what they had and working out how to recontextualize those things when creating a new design, and just making sure that whenever we reference stuff, we don't reference anything from beyond that point because those manufacturing techniques and those materials didn't exist yet, so they shouldn't be here."

Alien: Isolation 2 will be available on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC. A release date hasn't been announced.

• Principal environment artist Archie Whitehead says Alien: Isolation 2's custom lighting and audio tech allowed it to create a more "realistic" atmosphere
• He says just using Unreal Engine 5 wasn't enough, since the engine is "optimized for usually quite bright scenes"
• Custom lighting allowed the team to design "reactivity" in the environment

Alien: Isolation 2's custom audio and lighting technology has enabled Creative Assembly to create a more authentic atmosphere that it couldn't fully achieve with just Unreal Engine 5.

In an interview with TechRadar Gaming at Gamescom, Creative Assembly principal environment artist Archie Whitehead and principal UI artist Laura Mauterer shared more about developing the sequel with Unreal Engine 5 and the studio's custom technology, which it previously told us was an "evolution" of what fans are familiar with.

"For horror, audio and lighting are the two Powerman things," Whitehead said. "Unreal gave us a great base, but we felt that to do certain things, it [custom tech] really, really helps."

One of those things, particularly with lighting, was "reactivity," which would offer visual effects from things like weather and other environmental assets, creating a more realistic atmosphere.

"We wanted a thunderclap, like fire flickering, sirens spinning, all of that stuff," he continued. "We felt that a custom solution would give us that perfect frame response that you want in that really, really dark environment. You know, Lumens [UE5's global illumination and reflections system] is optimized for usually quite brighter scenes."

The developer explained that the team struggled with showcasing metals in the game's darker exterior environment, saying, "Metals in virtual worlds are really difficult."

He added, "The color of metal is actually just what's being reflected, right? And the problem is all of our scenes are really dark, so for the metal to behave properly, it's quite a tricky balance to strike. So that's one of the things that our lighting system helps us with."

The game's audio system has also improved, with Whitehead reiterating that it's an "evolution" of what the first game offered, but was iterated on again and again.

"Since then, it's been used for other CA projects, so it's quite mature," he said. "And it creates a kind of spatial setup of the world. And what that means is, when a sound happens in a room that is — a vent away from you or something — that sound is being reverberated around, and you get a really, really realistic response, and hopefully a really, really terrifying version of that sound."

Alien: Isolation 2 is now in development and will launch on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

DBrand Killswitch Nintendo Switch 2 review

The DBrand Killswitch for Nintendo Switch 2 is the ultimate protective solution for your shiny new hybrid system. Rather than being a traditional carrying case, it acts as a permanent protective shell for your system, keeping it shielded at all times. I’ve spent a few days gaming with the Killswitch for Switch 2 now, so here’s how I’d rate it.

First of all, I have to applaud the ease of setup. The main case is incredibly easy to pop on. I just had to remove a couple of adhesive strips on the case, push it onto my system, and bam — it was done. The Joy-Con 2 controllers also slot into individual cases, and there’s a protective cover for the system’s kickstand that sticks on seamlessly.

The case has gaps for all of the crucial elements like volume controls, the power button, the USB-C slots, and vents. I also appreciated how slim the protective case felt — sure, it adds a bit of depth, but it doesn’t make the console feel too broad.

Like a lot of the best Nintendo Switch 2 accessories, the Killswitch feels very high in quality, and plenty durable. It also offers great ergonomics, with the textured case and its curved feel making the system incredibly comfortable to use in handheld mode. I tried playing a wide variety of games, including Mario Kart World and Yoshi and the Mysterious Book, and whether I was turning tight corners or exploring a mystical area, the system never felt unwieldy or chunky.

Although the case adds some bulk to the Switch 2, you’re still easily able to use it in docked mode. That’s because the Killswitch comes with a dock adapter. Just place it onto the Switch 2’s usual dock, and you’re good to go. It has 4K 60Hz passthrough, so you can still enjoy the best Nintendo Switch 2 games without compromise, meaning it serves as a super-convenient solution.

You get a few extras depending on the Killswitch variant that you select. I went for the Travel pack, which also includes stick grips and a travel cover. The grips push on without difficulty, and they have a tactile, secure feel that makes gaming feel as easy as ever. The travel cover is a neat inclusion too, and has ten slots for Nintendo Switch 2 or Nintendo Switch games.

So, it’s safe to say that I’m a big fan of the Killswitch for Switch 2. But there’s one thing worth considering. It’s pretty pricey. The Killswitch starts at just under $60 for the Essential package, which comes with the main case, a skin, and the dock adapter. But if you get the Everything variant, which also adds the stick grips, travel cover, two screen protectors, and a Joy-Con 2 controller holder, it's just under $155. That’s an awful lot to pay for the fully protective package any way you shake it.

One other minor thing worth noting is that the protective case and stick grips are a little susceptible to picking up dust and fibers. This didn’t bother me all too much, but I did realize the grips were a little grimy after an hour's worth of use. Not a dealbreaker, but worth pointing out.

But I’ll be clear. The DBrand Killswitch for Switch 2 is an excellent protective option for your console, and I won’t be taking it off my system any time soon. If you want excellent durability, seamless setup, and flexibility for handheld and docked play, it’s a top-class choice.

DBrand Killswitch Nintendo Switch 2 review: price & release date

• Prices start at $59.95
• Released in June 2025

The price you’ll pay for the Nintendo Switch 2 variant of the Killswitch will vary depending on the model you select. Typically, it’s $59.95 for the Essential pack, $99.85 for the Travel option, $134.80 for the Ultra variant, and $154.75 for the Everything package. I have seen the Killswitch go on sale at times, though, so it’s worth checking DBrand’s site for discounts. The Killswitch for Switch 2 was released in June 2025.

Should I buy the DBrand Killswitch Nintendo Switch 2?

Buy it if…

Don’t buy it if…

DBrand Killswitch Nintendo Switch 2 review: also consider

How I tested the DBrand Killswitch Nintendo Switch 2

• Spent a week testing the Travel bundle
• Made use of all the accessories
• One of a vast number of Switch 2 accessories I’ve tested

I spent a week testing the DBrand Killswitch for Nintendo Switch 2, and kept it on my system everywhere I went.

I tried dropping my system from a controlled height to judge its durability, and made use of all of the accessories in the Travel package, including the dock adapter, game card holder, and stick grips.

More generally, I’ve spent years testing gadgets here at TechRadar, where I serve as a Senior Reviews Writer. I’ve reviewed a vast amount of Switch 2 accessories, from cases like the Hori Adventure Pack to controllers such as the Turtle Beach Rematch Wireless Controller, and have been a Switch 2 owner from day one.

• Read TechRadar’s reviews guarantee
• First reviewed: August 2026

Charles Cecil wants to make one thing clear: “I'm not anti-AI.”

The veteran British developer behind the legendary 1996 point-and-click game Broken Sword: The Shadow of the Templars speaks to TechRadar about AI's divisive role in modern game development - and, in particular, how it was used in the upcoming remake of the sequel, Broken Sword - The Smoking Mirror: Reforged, due out in 2027.

The original, a commercial success selling 759,000 copies, sees American tourist George Stobbart team up with freelance journalist Nicole Collard to track a mysterious Mayan stone across Paris, London, and Central America. This remake doesn't use AI, and, according to Cecil, there's a very good reason for that.

AI don’t think so

“I think AI has its place,” Cecil says. “It's just not relevant in our games because we want human animation, human characterization and human expression, and that's much better done by humans.”

A perfect example of that lies in the game's hand-drawn art, all of it redone for Broken Sword - The Smoking Mirror: Reforged.

This hugely labor-intensive process encompassed roughly 55,000 frames of animation, more than the 30,000 of Broken Sword: The Shadow of the Templars’ 2024 remake.

“George opens the newspaper and kind of just glances at the screen,” says Cecil, referring to the actions of the game's protagonist in an early scene. “He's looking at the viewer, and that's what human beings do. That is not something that AI can do.”

In low-res, eyes were just dots on a face. In high-res, eyes are windows to the soul and therefore have to be animated with precision and intent. Where applicable, artists were free to add flourishes, using their own interpretation to fill in the gaps.

For instance, the painting of Professor Oubier hanging on the wall in the rapidly burning study was always too pixelated to see clearly. Now, however, you can make out exactly what he looks like in 4K, at 36 times the original resolution, all while a visibly uncomfortable George jostles his rope bindings.

Developer Revolution Software didn't stop there. The team redrew scores of items that never really made much sense. Take the poison dart, which now looks less like a playing dart and more like something shot out of a blowpipe.

Human revolution

Despite the decision to abstain from AI use for the most part, it wasn't entirely absent. AI was used for the initial round of upscaling before artists added detail by hand, with backgrounds scanned as black-and-white layouts for them to build on using the originals as references. AI was more of a tool than a creative device.

“We experimented with AI for the first one, and we used AI to upscale and then redraw the characters. And as I say, it can upscale, but it can't put any character in.”

That's largely thanks to the luxury of time. The first game needed to be made in a year or risk cancellation. Revolution Software sprinted to the finish line, but made a few shortcuts along the way.

One oversight was 40 voice lines that were recorded and packaged in the game's files but never used. Now, in Broken Sword - The Smoking Mirror: Reforged, fans can finally hear them (one line involves George asking the Parisian waiter about the tequila worm in his pocket).

Another infamous example occurs in the Game Boy Advance version. “You have a choice to go to Spain or Syria,” says Cecil. “If you do one, you can finish the game, and it's fine. If you do the other, it takes you there, but you can't then finish. There's a bug that doesn't allow you to finish…It's an awful, awful bug. I mean, it's absolutely shocking.”

An AI might have spotted such mistakes, but then again, you could argue mistakes are what give art humanity. If nothing else, they make for a great story.

But the remake is far from a bug-fixing exercise. Instead, it's an opportunity to make the game better. Where most remasters seek to preserve the subject, Broken Sword - The Smoking Mirror: Reforged is almost an act of excavation.

“All of these things we now have the time to do,” says Cecil. “Because what Revolution has done for the last 15 years is we've self-published all our games. And I can decide when we’re going to spend a little bit more time getting this, right? Is it worth it?”

The devs found time to add features, too, like a new three-tier hint system that actively monitors your progress and feeds you steadily more obvious tips so you're not stuck for too long. The final tip tells you outright what to do. Thankfully, purists can turn it off.

Meanwhile, Nintendo Switch 2 players get four different control schemes: touchscreen, gamepad, one Joy-Con 2 detached and used as a mouse, or a versatile combination of everything.

Plus, there’s something Cecil has personally wanted to add for 30 years: a beautiful, detailed map of Paris. This is used to aid player navigation instead of having them rely on clunky icons. With everything in the game, these feel like choices made by humans, not AI.

“We've really gone out of our way to produce something that, in my view, is completely future-proof, because people were playing the first one 30 years ago, and millions and millions of people have played that game. And my ambition is that in 20 years' time, a fourth generation will be playing again.”

“Going forward,” he continues, “people are going to seek out human-crafted art. You know, there's going to be that sense, because obviously we all have a human connection with each other.”