• Capcom doesn't think it will be impacted by the physical game market's decline
• The Resident Evil publisher says "approximately 90% of our unit sales are digital" and it doesn't "anticipate a significant impact at this time"
• Sony recently announced plans to end the production of game discs

Capcom has revealed that 90% of its unit sales are digital, so it's unlikely to be significantly impacted by the steady decline of the physical game market.

Things are not looking great for physical media. We recently learned that Sony plans to end physical disc production by January 2028, a decision that has driven a huge wedge between it and the PlayStation fanbase.

Organizations like the Entertainment Retailers Association (ERA) have also condemned the plan, calling it "a triumph of corporate convenience over consumer choice" and said that "the industry should be embracing every legitimate way consumers want to buy games, not narrowing their choices."

"Digital distribution has transformed gaming and is hugely popular, but it should complement physical formats, not replace them," CEO Kim Bayley said. "Consumers deserve the freedom to choose how they buy their entertainment. Removing discs doesn’t represent progress – it simply removes choice. That’s bad for gamers, bad for retailers and ultimately bad for the long-term health and preservation of our games industry."

With Sony seemingly steadfast in its decision despite the backlash, there's also speculation that the PS6 could be an all-digital console. Xbox is also reportedly working on a disc-to-digital feature, which would allow players to digitize their existing physical Xbox game library, and it all seems to be pointing towards a future where digital will reign over physical media; analysts also determine that the $7.2 billion second-hand video game market could be in danger as a result of Sony's decision.

While some game companies are willing to fight to keep physical games alive, others such as Capcom don't necessarily see it as a negative for the company, for now.

During its latest investor Q&A (via IGN), the Resident Evil publisher responded to a query about whether it would be impacted by these recent developments to the physical game market.

"Approximately 90% of our unit sales are digital," Capcom said. "We do not anticipate a significant impact at this time."

In its Q1 financial results, the publisher also revealed that Resident Evil Requiem has now sold over eight million units, noting that the series continues to "increase in popularity with a broad, global audience while sales of the previous titles in the series also grew steadily due to pricing initiatives." However, it's unclear what the divide is between digital and physical sales.

Elsewhere, Sony is reportedly notifying consumers of its decision to end physical disc production in less than two years, with new labels on PS5 consoles.

• Ghost Recon Wildlands is getting a new 60fps 4K resolution mode for current-gen consoles and PC
• Additional gameplay and UI features have also been added "to improve immersion"
• Game director Benjamin Lemaire says the team wanted to "give more tools to imagine scenarios while respecting the game systems"

As Tom Clancy's Ghost Recon series celebrates its 25th anniversary, Ubisoft has announced a free Ghost Recon Wildlands 60fps 4K resolution mode for current-gen consoles and PC, alongside other gameplay improvements.

Revealed during the Ghost Recon 25th anniversary showcase today, the 60fps 4K resolution update will be available on PS5, Xbox Series X, Xbox Series S, and PC.

Ubisoft Bordeaux's creative director Olivier Leonardia and game director Benjamin Lemaire shared more details about the patch, explaining that the team has "listened to all your comments and suggestions" and wanted to deliver on the feature.

But that's not all. The development team went "further" and delivered something called "Ghost Parameters," new gameplay and UI features for both casual and role-playing enthusiasts.

"We wanted to find new ways to improve immersion," Lemaire said, "to give more tools to imagine scenarios while respecting the game systems."

Some of these tools include features that were previously exclusive to the Ghost and other PvE modes, such as authentic reloading, the choice between one or two primary weapons, and optional friendly fire "to enable more realistic play."

"It basically gives more freedom to create the craziest possible scenarios," the game director explained.

On the UI side, players can tune more game elements to their liking, including an intel HUD, input reminders, deactivating the glow on highlighted items and weapon crates, deactivating the preview of throwable items, and more.

The update also adds a time of day feature, a way to define weather controls and fix it to your preference, "so if you want to play a specific mission or scenario at night in the rain, you can do so."

On top of all this, difficulty levels are changing to presets, so players can tweak difficulty parameters however they like. Whether that be adjusting the health regeneration delay, enemy endurance, or vehicle breakability, this option offers "more freedom and a more personalized experience."

Alongside these new features and 60fps/4K resolutions, Ubisoft has launched a free-to-play downloadable content (DLC) for Wildlands, featuring a new story mission and a "complex antagonist" known as La Llorona.

• A new Ghost Recon game is in development
• Ubisoft is asking players to sign up for its Ghost Recon Insider Program for closed testing
• A free Ghost Recon Wildlands DLC, Last Rites, has also been released

Ubisoft has confirmed that a new Ghost Recon game is in development as it launches a free story mission for Ghost Recon Wildlands titled Last Rites.

Announced during the Ghost Recon 25th anniversary showcase today, the publisher confirmed that "For the past few years, we've been building the next chapter of Ghost Recon," and it's now ready for private testing.

"We want to deliver a fun, fresh experience that stays true to everything that defines Ghost Recon: tactical action, large scale operations, credible military storytelling, and of course, the Ghost Unit," said Live Producer Irina-Gabriela Popa.

With the launch of the new Ghost Recon Insider Program, players who sign up at via the official website will get early access to closed tests and provide feedback to the development team.

Alongside news of a brand new game and the return of the fan-favorite Predator mission, Ubisoft has also released Last Rites, a free-to-play downloadable content (DLC) for Wildlands, featuring a new story mission.

In Last Rites, players will face a new threat named La Llorona in Bolivia, a "complex antagonist" with a dark backstory, on the path to redemption, but also revenge, as well as her cultists, Los Penitentes.

"We crafted this new experience with a view to keeping players on the back foot. So think low visibility, difficult terrain, little to no support, and new gameplay elements that introduce a new kind of danger," said creative director Olivier Leonardia.

"As for La Llorona, players will progressively come to realize that things are not exactly as they were when they started the mission. As they gradually peel off the layers of her world, the mission shifts into something far more unsettling."

Leonardia added, "Ghost Recon wouldn’t be where it is today without the passion, dedication, and feedback of its community over the past 25 years. With Last Rites, we wanted to create an experience that honours that legacy—something that feels authentic to longtime Ghosts, celebrates what makes this franchise special, and reflects our appreciation for the players who have been with us every step of the way."

Ubisoft has also confirmed that a 60fps 4K resolution mode for current-gen consoles and PC, alongside other gameplay improvements and features, will be added to Wildlands.

To celebrate the series' anniversary, Ghost Recon Wildlands and Ghost Recon Breakpoint will be free to play from August 6 to August 10, and fans can claim Ghost Recon: Future Soldier for free on PC through Ubisoft Connect from August 6 to August 13.

In September, the Ghost Recon Breakpoint 25th Anniversary Bundle will also be available and will include free items such as the M4A1 Tactical Brown, Wolf Enhanced Helmet, and Opheis Mk.II Hunter.

A new entry in Capcom's cult-classic Onimusha franchise has been a long time coming, and there was no better time than now for its resurgence, during the developer's largely successful RE Engine era.

So far, it seems that the resurgence will pay off extremely well: I spent three hours with the upcoming demon-hunting slasher, Onimusha: Way of the Sword, and I came away absolutely amazed by just how well Capcom has taken the formula from previous entries and modernized it brilliantly.

Onimusha: Way of the Sword absolutely shines within every combat encounter, with its weighty, methodical, and stylish sword clashes. It very much reminds me of From Software's Sekiro: Shadows Die Twice, which might sound concerning for those who aren't fans of excessively hard souls games.

You can throw that thought out, though: Way of the Sword is a challenging but very accessible and enjoyable experience, with a variety of boss battles that will test your mettle.

However, with enough practice via boss rematches or against standard enemies in training arenas, similar to previous entries, you'll become accustomed to its combat in no time.

Poised to be the best yet

Rasho-gan's boss battle was intense; a clash with one of the best-designed demons in the game I saw. The opening cutscene was creepy, and it quickly became apparent how cruel the demons are. (Video credit: Capcom)

Onimusha: Way of the Sword is poised to be the best entry in the franchise, without a doubt. It's fair to say that potential acclaim is heavily carried by Capcom's magical RE Engine, responsible for major hits like Resident Evil 4 (2023), Resident Evil Requiem, Monster Hunter World, and other titles in both franchises for almost a decade.

Visuals are at their best in Onimusha: Way of the Sword. Character models, environment details, and the art style all lend to the immersive samurai demon-hunting experience Capcom is trying to deliver — but it's not just about visuals.

I spoke highly of the animations during combat in my coverage of the public demo. After the three-hour preview, I'm convinced that Onimusha: Way of the Sword will set a new standard for sword clashes and how detailed they are.

The 'Issen' technique (evident in the video above) was a core aspect of combat in previous titles and is back and better than ever. It allows players to perform a deadly counterattack right before an enemy attack, and it was a maneuver I spent plenty of time practicing during the preview.

It's not easy to pull off, as it requires very precise timing, but it comes in clutch when outnumbered or facing off against the three tough bosses during my preview (which I won't spoil), by doing plenty of stagger damage. Once I unlocked Chain Issen, I could take out multiple enemies in rapid fashion — and the new flashy and stylish animation makes it so much more satisfying.

Byakue is the hardest boss I've come across in Way of the Sword so far, with constant erratic and unpredictable movements. You've got to have your guard up at all times against this one. (Video credit: Capcom)

My mention of stagger damage is important because Onimusha: Way of the Sword's combat, especially during boss battles where parries are pivotal, reminds me very much of From Software's Sekiro: Shadows Die Twice. Again, this isn't a souls-like, so don't expect much similarity to Sekiro elsewhere, and thankfully, Way of the Sword is much more forgiving for mistimed parries.

However, the sword clashes with bosses like Byakue are incredibly well designed, with audio and visuals that are fantastically gripping, creating the same back-and-forth flow that worked so well in Sekiro.

The great thing is that it seems as though Capcom has used Sekiro as inspiration for combat and built on it, adding extra details like a brief slowdown and zoom when a perfect parry is performed, creating openings for further attacks.

Onimusha: Way of the Sword is also not heavily reliant on parries in normal enemy encounters or boss battles, thanks to the presence of perfect dodges and Issen. Those three elements combined make for a pleasant experience — and outside of the practice arena, there are side quests you can take on for non-player characters (NPCs) with semi-open hubs (similar to Resident Evil 4's boat segment) to explore.

Wind-Whipper is a secondary weapon, but it's certainly a room clearer. It saved me numerous times when encountering more formidable foes while travelling across one of the game's semi-open hubs. (Video credit: Capcom)

Perhaps the only worry I do have is that Way of the Sword seemingly won't have any other primary weapons for Miyamoto Musashi, the main protagonist, to wield. There are indeed secondary weapons, but they are seemingly limited to Oni Armaments, which can only be used when their meters are filled when engaging in duels.

Don't get me wrong, those secondary weapons like the Two Celestials (dual blades) and the Wind-Whipper spear-like weapon I unlocked in my three-hour run are great — but I'm hoping there are enough skills for Musashi's katana to keep gameplay fresh through the game's runtime.

Either way, I'm incredibly excited for Onimusha: Way of the Sword's launch on September 4, 2026, releasing on PS5, Xbox Series X, Xbox Series S, Nintendo Switch 2, and PC — and I'm sure it will be yet another massive hit.

• Grand Theft Auto 5 actor Robert Bogue says he auditioned for over 60 GTA 6 roles
• He says he "badly wanted to work on GTA 6," but Rockstar Games never called him back
• Bogue is known for playing FIB agent Steve Haines in GTA 5

Grand Theft Auto 5 actor Robert Bogue has revealed that he auditioned for more than 60 roles in Grand Theft Auto 6, but Rockstar Games never called back.

This comes from a recent chat conducted by X user Burak, who direct messaged Bogue on Instagram to ask him questions about GTA 6 (via IGN).

The actor, who is known for playing FIB agent Steve Haines in GTA 5, revealed that he auditioned for over 60 characters, big and small, but Rockstar didn't respond or provide any other feedback.

"I'm a little bit down on Rockstar right now," Bogue told Burak. "I had such a great time working with them. [...] I so badly wanted to work on GTA 6. I must've auditioned for over 60 characters. Some were big, some were small. I didn't care. I just wanted to be in it. I didn't get any of them, and they never called me about any of them. I was so disappointed.

"I thought maybe they have an unofficial policy where they don't reuse actors, because I thought, 'You're gonna say no to me 60 times? Even for a small character?' So, I'm a little frustrated by them. I feel like someone who's in love with a girl and then she just dumped me."

Bogue stated he doesn't know any details about GTA 6 beyond what's been released to the public, and following the chat, said that he didn't want to put Rockstar in hot water with his comments, but it was the truth.

"I'm sorry to throw Rockstar under the bus publicly about how many auditions I've had, but the truth is the truth," he said. "At the end of the day, the actor's life is about rejection. It's just, sometimes you need a victory once in a while."

GTA 6 arrives on November 19 for PS5, Xbox Series X, and Series S.

In case you missed it, Rockstar just announced that a special presentation for GTA 6 will be revealed on August 27. Titled Grand Theft Auto 6: An Extended Look, the video will premiere on Netflix and later be available on YouTube.

• Rockstar Games has announced the Grand Theft Auto 6: An Extended Look
• It will premiere on Netflix on August 27 and later launch on YouTube
• The extended look could finally reveal gameplay

Rockstar Games has announced that a special extended look at Grand Theft Auto 6 will premiere on Netflix later this month.

There are four months to go until the biggest game launch of all time, and seemingly out of nowhere, Rockstar has revealed that the 'Grand Theft Auto 6: An Extended Look' will be released on August 27, amid Gamescom 2026.

While there are no details to confirm what exactly this extended look entails, we know it will premiere on Netflix at 3PM ET / 12PM PT / 8PM BST and later launch on the studio's YouTube channel at 9PM ET / 6PM PT / 2AM BST.

Fans have been eagerly awaiting Trailer 3, so the premiere may finally showcase just that, or the much-anticipated gameplay deep dive. However, given that it's releasing on Netflix, the event seems like a big deal and could suggest a documentary-style video.

I imagine it could be similar to a behind-the-scenes developer film, something reminiscent of Naughty Dog's Grounded documentaries for The Last of Us and The Last of Part 2, which will ramp up the game's marketing phase.

Rockstar also hasn't confirmed the duration of the extended look, so we'll have to wait and see what's in store.

The announcement also came with brand new GTA 6 artwork, showing off the game's co-protagonists, Lucia and Jason, wearing balaclavas in front of a gas station.

GTA 6 launches on November 19 for PS5, Xbox Series X, and Series S.

• The actors behind Resident Evil Requiem's Leon S. Kennedy and Grace Ashcroft, Nick Apostolides and Angela Sant’Albano, will co-host the Future Games Show at Gamescom
• The showcase will feature more than 40 games from AAA and indie studios
• Fans can expect "exclusive gameplay reveals and brand-new trailers for some of the most exciting upcoming games"

The Future Games Show at Gamescom 2026 has found its co-hosts in Resident Evil Requiem stars Nick Apostolides and Angela Sant’Albano.

Apostolides and Sant’Albano played Leon S. Kennedy and Grace Ashcroft in the most recent Resident Evil entry, and they will reunite once more on August 26 for the Future Games Show at Gamescom, which begins at 10AM PDT / 1PM EDT / 6PM BST / 7PM CEST / 1AM CST.

"I’m thrilled to be co-hosting the Future Games Show at Gamescom alongside Angela Sant’Albano on August 26!" said Apostolides. "I can't wait to share an incredible lineup of games with fans around the world. Whether you’re into pulse-pounding horror, samurai adventures or anything in between, we’ve got first looks, exciting reveals and plenty of surprises in store. Join us for one hell of a show."

The showcase is expected to feature more than 40 games from some of the industry's biggest AAA and indie studioes, including a behind the scenes look at Tides of Annihilation from Eclipse Glow Games, a closer look at samurai swordplay action game Onimusha: Way of the Sword, and an interview with Neon Giant for their immersive open-world game on their new immersive open world game NO LAW.

"I'm thrilled to be joining Nick Apostolides to co-host the Future Games Show at gamescom on 26 August," Sant’Albano said. "We’re putting the zombie-dodging to one side to bring you world premieres, exclusive gameplay reveals and brand-new trailers for some of the most exciting upcoming games. Nick and I can't wait to share it all with you - see you there!"

FGS Live From Gamescom will immediately follow the main showcase on August 26, hosted by the FGS editorial team, and feature more world premieres and exclusive trailers, as well as news and interviews from the Gamescom show floor.

To round out the event, the FGS Best Of Gamescom broadcast will kick off on August 30 and take viewers to the show floor to wrap up the best games of the event.

You'll be able to tune in and watch the Future Games Show at Gamescom 2026 at Twitch, YouTube, X, TikTok, Facebook, and GamesRadar+.

SteelSeries Arctis Nova Pro Omni: One-minute review

The most succinct way to describe the SteelSeries Arctis Nova Pro Omni gaming headset is that it feels like a 2026-ified version of its excellent predecessor, the Arctis Nova Pro Wireless — one of my favorite gaming headsets ever.

The Omni is a fantastic wireless gaming headset and offers a whole heap of improvements and enhancements over its older brethren, and in its own right, will tick every box most gamers can think of. Each feature that’s been tweaked or upgraded might not be huge in isolation, but every single one adds up, and it absolutely is greater than the sum of its parts when everything’s considered.

The design and build will be very familiar to anyone who’s used any of the Nova line, as it shares identical design language and aesthetics, while retaining a robust build quality you can have confidence in. The GameHub dongle is also identical in form to the one found on the SteelSeries Arctis Nova Elite and the Nova Pro Wireless, but is boosted to offer an upgraded level of connectivity: you can connect and mix up to four different inputs on the Omni, which is somewhat ludicrous but offers excellent versatility.

The audio quality, microphone, and overall performance of the Omni is spectacular, and can’t really be faulted. I think I might just prefer the bottom-end audio of my Audeze Maxwell 2 over the Omni, but that’s nitpicking as the overall audio experience is fantastic, no matter which platform you're connected to. Being able to change EQ on the fly with the Arctis Companion App is a great boost over the Nova Pro Wireless and an excellent feature of modern Nova headsets.

It’s an excellent headset, no doubt, but its pricing and the fact that Nova Pro Wireless will still be available mean the Omni’s place in the lineup is a little muddy for me. It performs fantastically, offers the full set of gaming headset features you could ask for, but I’m just not totally convinced it’s a great value option right now.

In isolation, however, this is a fantastic multiplatform wireless gaming headset and probably the one to go for if you really want the maximum flexibility and versatility.

SteelSeries Arctis Nova Pro Omni: Price and availability

• List price: $399.99 / £349.99 / AU$799
• Closely priced to the Nova Pro Wireless, which will inevitably be cheaper
• Way under the Nova Elite, but in direct competition to headsets like the Audeze Maxwell 2

In isolation, the Arctis Nova Pro Omni is pretty well placed price-wise at $399.99 / £349.99. However, its position alongside the rest of the Nova lineup raises an eyebrow.

A large part of this is because of the continued availability of the headset that the Omni feels like it was made to replace: the Nova Pro Wireless. With the latter now readily available for far less than the Omni’s list price, I think — as a fan of both — that the value proposition of the Omni is lessened.

Unless you really really want the four-device connectivity (as opposed to two), and really want the latest and greatest in a SteelSeries headset without going for the much more premium Nova Elite, then I still think the Nova Pro Wireless is going to be a better value purchase for you. Especially if you’re on just one platform.

The Omni is also up against formidable competition outside of its own brethren at this price point. My absolute favorite headset right now, and my top pick ever in terms of pure audio quality, the Audeze Maxwell 2 is in the same price territory and would be my recommendation for someone prioritizing that.

Then there’s also the likes of the Turtle Beach Stealth Pro 2, and the Sony Inzone H9 2 in the $300-ish zone, along with the likes of the Fractal Scape and the Razer BlackShark V3 Pro that come in slightly cheaper and all offer incredible wireless gaming headset experiences with a host of features.

Having said all that, the Omni does do a lot in and of itself to justify its price tag as a high-end, brilliantly flexible and top-performing wireless headset. It will definitely be the best wireless option in this part of the Nova lineup when or if the Nova Pro Wireless ceases to be made, but until then it’s not a slam dunk for me.

SteelSeries Arctis Nova Pro Omni: Specs

SteelSeries Arctis Nova Pro Omni: Design & features

• Class-leading set of features and connectivity options
• Reliable and fantastic build quality and battery solution
• Very much from the Nova line of SteelSeries headsets

Straight out of the box, you’d be forgiven for thinking that the Omni really is a Nova Pro Wireless in disguise, as all the parts are there. That isn’t a criticism, as the Omni is simply another SteelSeries headset cut from the Arctis Nova cloth.

It’s a familiar design to anyone who’s seen or held a Nova headset, but it does have a tangible level of robustness and solidity that instils confidence — I’ve already dropped my unit a few times, but you wouldn’t be able to tell. The ear cushions are incredibly comfortable too, and I’ve been able to wear this headset for full work days without ever fully realising it too.

The GameHub is basically the same as on other Nova headsets that use it, but there are a few more options within the OLED display, and the addition of a texture to the navigation wheel is a welcome touch.

It’s this kind of small design change that’s present in a few areas across the Nova Pro Omni too: the multi-function volume wheel on the left cup has a new texture to it, the ear cushions are thicker and more padded compared to the Nova Pro Wireless, the mic is new and improved, and so on.

On top of intuitive controls, Arctis Companion App integration, boosted connectivity (Bluetooth 5.3 features here), greater battery life, and quicker fast charge, and more, all the Omni’s improvements over the Nova Pro Wireless do stand on their own feet, and, importantly, add up to a wonderfully designed and feature-filled wireless gaming headset that will offer everything even those with three consoles and a PC could ever want.

SteelSeries Arctis Nova Pro Omni: Performance

• Fantastic SteelSeries audio quality out of the box
• Every upgrade feels worthwhile
• Audio quality and overall performance still close to its predecessor

In terms of performance, the audio is the least difficult thing to cast an opinion on: it’s fantastic. Once again, this is from the SteelSeries Arctis Nova line so shares in all the excellent out-of-the-box audio quality the series is known for and does not disappoint in any way.

What’s more, the audio is now Hi-Res certified, and on PC you’ll be getting 96kHz/24bit, which is a sheer, immersive joy to behold in games like Cyberpunk 2077, and even the atmospheric noises in Frostpunk 2 are detailed and clear. But even away from that, on PS5 Pro (Sony’s console can’t take advantage of 96kHz audio), the gaming audio delivered by the Omni is, predictably, a treat.

Sea shanties, explosive ship combat, and swashbuckling sword action in Assassin’s Creed Black Flag Resynced are fantastically vivid and rich; the audio in 007 First Light is even more cinematic and bombastic; and even audio in older online games like my go-to, Tom Clancy’s The Division 2, is elevated excellently, with enemy audio presented accurately, and the action and soundtrack mixed perfectly.

The ability to change EQ presets for individual games and preferences via the Arctis Companion App remains a brilliant feature too, expanding the Omni’s already excellent versatility.

On top of that, being wireless but plugged into a host of different devices as well as Bluetooth on my phone was very handy — in my particular setup. If you do have a multi-device setup and are looking for one headset that can be used on all of them with ease, even if not simultaneously, then this is a quality feature. For others on single-device setups, this is a bit overkill.

Away from games, music and entertainment is superb on the Omni, and using it for work calls - and multiplayer gaming sessions — with its new (compared with the Nova Pro Wireless) omnidirectional ClearCast Pro mic is brilliant. I found the overall quality of the mic to be excellent, though its omnidirectional design did mean a little more background noise escaped to my friends down the line at times, and it’s certainly a big step up over the Nova Pro Wireless’ microphone.

The way the headset feels to use is also a notable step up over the Nova Pro Wireless, and thus feels closer to the Nova Elite too. The wheel on the left ear cup is incredibly pleasing to use, the GameHub that offers more options is intuitive and easy to use, the new ear cushions are thicker and more comfy than the Pro Wireless (but only just), and there’s also improved ANC which I found worked well, as well as a hoist of boosts to Bluetooth (up to 5.3), longer battery life on the batteries and faster quick charge, and a few more to boot.

Each of the improvements over the Nova Pro Wireless do add up to something much greater than each in isolation.

Should I buy the SteelSeries Arctis Nova Pro Omni?

Buy it if...

Don't buy it if...

Also consider...

If the SteelSeries Arctis Nova Pro Omni might seem overkill in some departments, then check out these two fine offerings as alternatives.

How I tested the SteelSeries Arctis Nova Pro Omni

• Used as a daily driver for a few months
• Tested on PC, PS5, and mobile
• Deployed across a host of games, as well as daily work calls and more

The SteelSeries Arctis Nova Pro Omni headset has been my sole unit for gaming on PS5 and PC, as well as work tasks and calls, for the best part of three months.

I have used it to play a bunch of 007 First Light, a full review playthrough and subsequent platinum playthrough of Assassin’s Creed Black Flag Resynced, and a whole host of Tom Clancy’s The Division 2 on PS5, and also dived into Cyberpunk 2077, Frostpunk 2, and Crusader Kings 3 on Acer Predator Orion 5000 gaming PC (supplied by Acer) teamed with a productivity monitor and an Acer Predator X32QFS gaming monitor (also supplied by Acer).

For a lot of that game-time testing, the Omni was connected to my PC and PS5 simultaneously on one setup, deploying its multi-connectivity. I was then also able to use it for all my work calls, and listening to music.

During this time, I was able to directly compare the Omni with some other gaming headsets I had to hand, such as the SteelSeries Arctis Nova Pro Wireless and Nova Elite, as well as the Audeze Maxwell 2 and Maxwell 2 ANC.

First reviewed May-August 2026

Read more about how we test

• Secretlab has revealed new skins for its Pokémon Titan Evo collection
• Three new skins inspired by Grass-, Fire-, and Water-Type Pokémon will be included in the collection
• The designs highlight fan-favorite Pokémon Venusaur, Charizard, and Blastoise

Following the launch of its Secretlab Pokémon Collection for its Titan Evo gaming chair, Secretlab is expanding the collaboration with three new Pokémon-inspired skins.

The Secretlab SKINS Pokémon Pixel Art Collection celebrates Grass, Fire, and Water-Type Pokémon, including the fan-favorite First Partner Evolutions: Venusaur, Charizard, and Blastoise.

Each design is tailored to each Pokémon, with stunning green, orange, and blue gradients that fade from light to dark along the backrest. Patterned panels along the side feature more pixel art themed after Grass, Fire, and Water-Type Pokémon, like Arcanine, Bulbasaur, Vaporeon, and many more.

"The Secretlab SKINS Pokémon Pixel Art Fire-Type Edition sports a scorching hot look, just like Charizard's Flamethrower," reads one description. "Charmander, Charmeleon, Arcanine, Rapidash, Flareon, and more round out the fiery company."

The designs rendered in adorable pixel art for Venusaur, Charizard, and Blastoise are featured in the middle of the chair, showcasing your chosen Pokémon.

Currently, the Pokémon Titan Evo collection includes the Pokémon Pikachu Edition, the Pokémon Eevee Edition, and the Pokémon Gengar Edition.

"We wanted this chair collection to speak to the inner child in all of us, while still being elevated with craftmanship that would appeal to our now grown-up selves," said Secretlab senior product graphic designer Irene Tee of the chair designs.

With these three new Pokémon Secretlab skins, you can easily slip the sleeve over a Titan Evo chair, one of the best gaming chairs you can buy right now, and you're done.

• GTA 6 fans claim to have spotted an easter egg in GTA Online
• A painting seemingly portrays GTA 6's map
• Fans are convinced it was intentionally placed by Rockstar

Grand Theft Auto 6 fans are convinced they've spotted an easter egg for the game's map in GTA Online.

The long-awaited Rockstar game is four months away, and while we may have recently received a ton of new information about GTA 6 following its pre-order release, Trailer 3 is still nowhere in sight, despite comments from Take-Two Interactive CEO Strauss Zelnick suggesting the game's marketing campaign should kick off this summer.

In the meantime, fans are spending their time unpacking every single frame of the first two trailers, trying to find anything new, including a split-second nod to fan-favorite Vice City character Tommy Vercetti.

Now, fans claim that an easter egg has been slipped into the latest GTA Online update, The Kortz Center Heist. Redditor JaneBunnFan posted their find on the GTA 6 subreddit, showing a framed painting, which honestly looks like an abstract green blob to me, but the user is convinced it's the GTA 6 map, Leonida.

Others seem to agree, with one fan suggesting that if you rotate the image at a certain angle, it looks like GTA 6's fan-made mapping project.

"100% has to be. They said their marketing is going to be creative," one fan said.

Others put their Adobe Photoshop skills to use to compare their scales, while others have marked off certain shapes from the painting to show the similarities to the map, claiming that it could be Lake Leonida, not the entire map.

"OKAY SO..." another user began, "If you zoom in, crop, rotate approximately 200 degrees, reverse it by mirroring the image (which makes sense to do because it’s hanging on the wall. Mirrors hang), you DEFINITELY get what looks to be a shape similar to what the GTA VI mapping project has come up with and therefore we must conclude…. I BOTH HATE AND LOVE THIS SUB."

GTA 6 officially launches on November 19, but physical copies don't come with a disc, but a digital download code. Despite the initial controversy surrounding the decision, reports suggest that the physical edition is a top seller at multiple retailers.

Trailer 3 could arrive this month if Rockstar goes ahead and follows its Red Dead Redemption 2 playbook.

• Microsoft's disc-to-digital feature for Xbox consoles will reportedly release this month
• The Verge reports that the feature will allow developers to bring their Xbox 360 games to "Xbox PCs", handheld devices, and "next-gen Xbox devices" like Project Helix
• A 2027-2028 "gradual" rollout is expected "across next-gen devices"

Microsoft's rumored disc-to-digital feature, which would allow players to digitize their existing physical Xbox game library, will reportedly roll out this month and be available for Project Helix.

That's according to a leaked document obtained by The Verge, which appears to show a roadmap of features scheduled for release over the next few months, into next year, and into 2028.

Last month, sources familiar with Microsoft's plans claimed the company was working on a way for Xbox users to digitize their physical games. It was reported that the feature would allow users to insert a compatible disc, install, and play the game, granting them a digital entitlement on their account.

The feature would work with Xbox One and Xbox Series X discs, not with Xbox 360 or original Xbox consoles. However, it was suggested that some Xbox One discs might not work.

The Verge now reports that Microsoft will allow developers to bring their Xbox 360 games not just to Xbox consoles, but "Xbox PCs", handheld devices, and "next-gen Xbox devices" like Project Helix.

Developers can opt in to making their old-gen titles backward compatible, giving them control over prices and whether they would be available on Game Pass.

As per the roadmap, the feature is scheduled for a "gradual" rollout between 2027 and 2028 "across next-gen devices," while the "full launch" of original Xbox games on PC via Game Pass or the Xbox Store is set for October 2026.

The outlet also said a public beta for the disc-to-digital program was set for July, with general availability for all Xbox One and Series X owners slated for August. It's understood that Microsoft originally planned to test the feature with Xbox Insiders last month, but the beta was delayed, and now it’s unclear if the August general release is still on course.

Elsewhere, Xbox Series X and Series S prices have increased once again in the UK. The Xbox Series X 1TB All-Digital version will now cost £619.99, up from £449.99, while the disc edition will go up from £499.99 to £669.99.

• Earlier this year, Microsoft confirmed that the price of Xbox consoles would rise in August, but did not reveal how much they would cost in the UK
• Now the prices are public, and the reaction has been overwhelmingly negative
• It follows a wider trend of increased prices driven by the sharp rise in the cost of RAM

Earlier this year, Microsoft confirmed that it would be raising the prices of its Xbox consoles worldwide in August, but it left the prices outside of the US a mystery. Now the price hike has actually arrived, we know how much everything now costs in the UK — and it's pretty bleak.

The price of the once entry-level 512GB Xbox Series S has shot up by £130 to an eye-watering £429.99. That's more than the newer Nintendo Switch 2 system, which retails for £395.99.

A 1TB Xbox Series X is now £669.99 (up from £499.99), meaning that there's only a £120 difference between it and the competing PlayStation 5 Pro, which costs £789.99 despite offering significantly more storage and more powerful specs.

You can see all the price changes below:

Here are the new prices in the US, which were announced back in June, for comparison:

The raised prices come as the consumer electronics market is being squeezed by a global RAM shortage, which has caused the cost of key components to skyrocket. Market analysts have also said that the US-Israel war with Iran could further compound issues.

The price of other devices like laptops, phones, and tablets has also risen, but video game consoles are often sold with slim, or sometimes no, margin, which makes manufacturers particularly susceptible to rising costs.

Back in April, Sony raised the prices of its PlayStation 5 consoles by $100 / £100, citing "continued pressures in the global economic landscape". Only Nintendo has not put up the cost of its hardware since it released, though a former employee has warned that it is "inevitable."

Although part of a wider trend, the reaction to the new Xbox prices has still been overwhelmingly negative. A user on gaming forum Resetera described it as the "final nail in the coffin" for Xbox, which has struggled with sharply declining sales year-over-year.

"Makes no difference, no one is buying them either way," wrote another commenter, with others remarking on how difficult it can be to even find any Xbox products on sale in stores in Europe.

Even users that have already bought systems at lower prices seem worried: "My main concern is if a console breaks I can't afford another," one added.

Microsoft Flight Simulator 2024 has become a bit of a meme in my house. It’s basically the only game that my non-gaming partner and I were equally excited about on its release. Every time I’ve gotten my hands on a new gaming machine, the immediate question was ‘can it run Flight Simulator?’, to which the answer was always, regrettably, no.

Which is why when I recently picked up a second-hand Xbox Series X and subscribed to Game Pass Ultimate, there was a lot of excitement when I realized we could finally play Flight Simulator in all its graphical glory. I jumped at the chance to finally lose my chocks, slip the surly bonds of earth, and crash my plane into the face of god.

What a wonderful world

My eldest brother was a bit of a Flight Sim nerd back in the day. So my impression of flight simulators was pretty firmly defined by their late 1980s incarnations — essentially just some flat polygons and super-aliased lines in two-point perspective, accompanied by a bunch of truly incomprehensible dials. Having utterly ignored the development of flight simulators ever since, it’s safe to say that when I saw how far they’d come in the last almost four decades, it was a bit of a shock to the system.

A lot of the praise that was heaped on Flight Simulator 2024 when it was released centered on how gorgeous the graphics were. And even playing now, some two years down the line, that praise holds up. Lighting effects are exquisite, with sunsets over enormous bodies of water like Lake Titicaca looking almost absurdly true to life. Weather effects and realistic day/night cycles only emphasise this, making the world around you feel fluid and organic.

But the biggest graphical draw for me is knowing that there’s a whole world meticulously rebuilt from satellite data for me to soar over. Flying down the Grand Canyon, the scale is still absolutely breathtaking, and I couldn’t resist the temptation to gun my little prop plane down over all the rapids in the Colorado River. Likewise, when I flew over Machu Picchu, the landscape is truly stunning, and there’s a real joy in winding along the surrounding valleys, watched over by lofty mountains. The level of detail is genuinely mind-blowing.

While cities aren’t quite as perfectly rendered as the landscape — the game’s algorithm makes a lot of assumptions when filling in the gaps from the satellite data — visiting places you know well is genuinely a bit uncanny. I landed my little prop plane in my street, and it felt a little surreal to stare at my own front door when I was sat mere feet away inside. Flight Sim also does a wonderful job of recreating local landmarks: it was so fun checking out Bath’s Royal Crescent, even if the game’s algorithm insisted on popping little corner shops at the base of every Georgian townhouse.

Given it’s based on satellite data, some areas are a little less exciting than others. For example, I decided to check out the thick Congolese rainforest and was rewarded with a flat, unbroken canopy for 100 miles in every direction. I know, right? Bro shocked a rainforest contains trees. But not every journey is going to be a scenic smorgasbord, so some flights are going to be more droolworthy than others.

Still, playing Flight Simulator 2024 is one heck of a visual treat. And I would regularly fire up the game just so I could check out a favorite landmark or explore a new patch of sky.

Brace for landing

Okay, so we’ve established that Flight Simulator 2024 is a very pretty game. But there’s a reason there are as many flying enthusiasts working toward getting their pilot’s license as there are casual sightseers playing the game. Because, underneath all the gloss and sheen lies the cold steel endoskeleton of an unflinchingly brutal simulator.

Having invested 12 hours in Flight Simulator 2024 so far, I’ve gone from being truly, hauntingly terrible at it to simply being really bad. Honestly, I’ve heard the word ‘stall’ so many times at this point, I’ll likely still wake up with it echoing in my ears in my sweat-drenched retirement home bed some half a century from now. Even though I’ve now qualified for my commercial licence, I feel nothing but pity for the virtual passengers that board my plane, as I know they have at best a 40% chance of reaching their destination in one piece.

Part of the reason for this is that the simulation is just staggeringly realistic. There’s an enormous number of variables to manage, all of which you can manage via controller shortcuts or direct from the cockpit controls, if you really want to double down on the masochism. Get the balance of these slightly wrong — for example, getting your pitch a few degrees off or mismanaging your throttle — and you’ll find yourself losing height too fast or hearing the Cessna 172’s dreaded ‘stall’ warning.

Don’t get me wrong. I’ve stopped making truly cringeworthy mistakes. I no longer get screamed at by air traffic control for failing to radio for clearance to hit the runway or drop out of the air ten seconds after takeoff because I’ve set my throttle too low. I’m pretty good at using trim to maintain my attitude while at cruising altitude, and I can comfortably use dead reckoning to navigate my way along my intended flight path.

But I still find landing a painful and protracted process of plate spinning that I understand in principle and yet rarely manage to nail in practice. I think I’ve hit the perfect glide path, only to find myself coming in far too low, forcing me to gun my throttle like Maverick just to avoid myself ending up a smear on the cliff face. Or I execute what I think is the perfect flare to raise my nose as I hit the tarmac, only to realize I’m going too fast and rapidly jackknife my plane face down into the runway. As Douglas Adams remarked, it’s not the fall that kills you: it’s hitting the ground at 85 knots.

All of this sounds like it should be deeply frustrating. And it is. But it’s also weirdly compelling: the more I flop off the end of the runway like a cat dripping off the edge of a table or bounce around on the tarmac like a drunken rabbit on a trampoline, the more I double down and want to nail it the next time. Because there’s something exciting about the unlimited horizons beckoning you onward.

When Sony announced that it would no longer be producing physical PlayStation discs from 2028, the response was not positive, to put it lightly. Yes, PC gaming may now be almost entirely digital, and things have certainly been moving in a similar direction with consoles over the last few years, but ceasing production of physical games entirely? It’s a significant step many didn’t want to happen so soon.

PlayStation fans have been vocal in calling out the negatives of Sony’s decision, specifically what this means for game ownership, preservation, and collectors who enjoy buying physical. The company has been reticent to address the backlash, but the comments section of every blog entry, social media post, or trailer release since the announcement is full of anger, pleas to reverse the decision, and glib remarks at Sony’s expense.

For anyone, like myself, who has enjoyed building a collection of physical games over the years across multiple console generations, it’s devastating news.

And I don’t think Sony’s refusal to address any of the feedback is helping matters. Yes, we’ve seen fan uproar dissipate into nothingness with countless hot-button issues in a matter of days in the past — but the vociferous fans don’t appear to be going away right now.

But I think some companies aren’t letting physical games go anywhere either.

A new challenger approaches

“What we've seen and what I have taken from all of the discourse is that there is an incredible passion for physical games and other physical objects. The digital space can never provide the same kind of satisfaction that people get from a tangible good.”

This is the view of Amanda White, co-founder of iam8bit. After starting out hosting pop culture workshops, the company has since produced countless pieces of video game merch and memorabilia over the past 20 years, as well as vinyl releases for popular soundtracks and physical editions for games across several platforms. Yes, they have standard boxed releases for games on PS5, Xbox, and Switch, but the company truly stands out for its jam-packed and reverential physical collector’s editions.

Scroll through the store now, and you’ll see a copy of Lies of P that comes with a wood-carved and hand-crafted marionette puppet, a Blue Prince bundle that includes printed versions of two memorable picture books from the game, and a The Outer Wilds set featuring a traveller’s bag and a replica of Chert’s bandana.

If you’ve played and are a fan of any of those games, you’ll immediately understand the connection between the extras that are included and the game itself, and why people are willing to part with their cash to own something that they can add to a collection, display at home, or carry around with them.

“We started to realise that there was something that people saw as incredibly valuable in these tangible goods,” Amanda explains of the company’s origins. “These unique tangible goods held memories for them that related to these community experiences they were having.

“So, we want to put in the extraordinary effort required to get the gasps of delight when something lands in someone's mailbox and they open it and experience it for the first time.”

Let's get physical

It’s the same fan passion that drives Limited Run Games: a similar outfit that’s published over 1,000 physical and digital game releases since its inception in 2015. Its motto, ‘Forever Physical’, defines the exact mindset of the PlayStation fans who are disappointed with Sony’s pivot to a fully digital future and what’s lost by moving in this direction.

“I think you're losing a key part of the experience, right?” suggests Brendan Madigan, CFO and General Manager at Limited Run. “Because, obviously, the actual media is a key part of that, and I think that's where we, at Limited Run, have a responsibility to our fans to innovate and to improve the experience.”

“I think where our fans have been clear in what they want is that they want collectible products that hold value, and they want the product to be an experience,” he continues. “I’ve always viewed our product as different from a retail offering anyway, because it's highly collectable, it’s very curated, with tonnes of added features and pack-ins to it. The delivery mechanism will always change…but nothing changes about the core experience that the collector wants to have.”

It comes down to the fact that the physical offering from the traditional industry has only grown more sparse over the years. Open a PS5 or Nintendo Switch game box now and you’re more often than not presented with the sad sight of a lonely disc or tiny cartridge set into an empty expanse of plastic. You’re lucky if you get a quick start guide, or a sheet of paper with a DLC code. A full manual? You must be joking.

Similar to iam8bit, the store pages of Limited Run are filled with physical game releases that span the entire range of consoles and generations — from bulky NES cartridges to the slim cases of Nintendo Switch titles.

The products that stand out most, again, are the most recent limited edition launches, with games like Tomb Raider, Silent Hill, and Star Wars Zero Company in beautiful presentation boxes that are filled with soundtrack CDs, trinkets, posters, and other unique extras relevant to the game or its universe.

Sales figures discussed by analysts might paint a grim picture for physical releases, but iam8bit and Limited Run both emphasize just how quickly some of their releases sell out — and how even restocks of older products that were brought back by fan demand are scooped up in no time. The audience and the demand do not appear to be shrinking from their perspective.

Digital is inevitable, but there is hope

As for fans signing petitions trying to convince Sony to reverse its decision, Limited Run’s Chief Operating Officer, Nic Ashford, is unfortunately not hopeful for the outcome they're seeking, but does see what they're standing for as an opportunity.

“Look at the numbers; they're not going to change, they're not going to go back. They can't afford to and it doesn't make sense. But that doesn't mean a company like Limited Run couldn't come in and say, look, we certainly know that 350,000 people want you to keep this going, and it could go up. How about working with us to come up with a solution that works?

“We've got to find the right solution for the number of people who are out there in the minority who still buy physical product,” says Nic. “Some might say, outside the industry, that’s a somewhat flawed business model. But, in fact, it isn't, because those people who seek that type of product will always seek that product out.”

He likens it to this wider push, primarily from younger generations, who want to reconnect to the physical world in our increasing digital age. In the same way that 4K Blu-ray, CDs, and, of course, vinyl, are all in various states of resurgence, it seemed inevitable that video games would also be swept up in this growing demand for and appreciation of physical goods.

“We have, over the last couple of years, set this company up in preparation for this moment,” continues Nic. “Physical is something that we’re intrinsically involved in, and we've been aware that this was going to be coming for several years — practically over a couple of decades. So, we focused on making things more of an experience for the fans and adding value.

“They are actively going out and seeking a connection with something real, something you can hold, something you can touch, and that you can own. That's encouraging. Today's generation and the next generation of physical buyers are going to be people who have that or grow into that, but they'll have a component of nostalgia in there as well.”

Blowing on the cartridge is here to stay

Nostalgia brings me nicely onto another aspect of why physical games are so important to many — one that grows even more important as gaming and console generations keep moving forward. Preservation.

If you buy a game digitally, then there’s the fear that it could disappear and no longer be accessible at any moment. Sure, Sony isn’t going to turn off PS5 game downloads any time soon, but the PlayStation Store on the PS3 and PS Vita is about to close.

And while the company has promised downloads will be possible “for the foreseeable future,” there’s always the thought in the back of your mind that, eventually, they’ll switch it off for good.

So, being able to scan your shelf or dive into a box and find that old copy of something you’ve been craving to play is clearly a driving factor for many physical game buyers — be it a rare PS1 cult classic like Parasite Eve 2, a slightly dusty but incredibly valuable Conker’s Bad Fur Day N64 cart, or a copy of Pokémon Red on the Game Boy that you last remember playing by the light of streetlamps in the back of a car.

One company whose goal is to preserve classic games and ensure you can play them as authentically as possible is ModRetro.

It started by launching the Game Boy-inspired Chromatic and just recently launched the M64, a modern take on the Nintendo 64 that I found was a terrific way to play that console’s games in 2026.

“We wanted to basically design these exactly with this core intention to preserve the authenticity of the gameplay experience,” explains ModRetro CEO Torin Herndon. “That's also why we publish games and re-release games, too. In terms of retro games, the collecting of them is a bigger thing than the playing of them, and one of the goals of ModRetro is to make those games playable again and make them accessible again.”

Original Game Boy and Nintendo 64 cartridges are simply slotted into the Chromatic or the M64 as you would with any standard version of the respective console.

And while some modern quality-of-life touches make things easier or smoother compared to the classic consoles, you’re effectively playing the exact same physical game that you may have owned for years or picked up in a second-hand store earlier that day. With a digital-only future upon us, that won’t be possible.

“The thing that's upsetting to people on the surface is this idea of ownership: that if you don't physically own a game where the game is on physical media, it can easily lose support at any moment. It can effectively be taken away from you in some sense,” says Torin in response to the reaction to Sony’s announcement. “And given that you paid AAA prices for some of these games, that is not a super consumer-friendly option.

“Obviously, these companies don't have a choice but to move away from physical media, because the overall business model of these companies is kind of reliant on having moved away from them in the first place. Most of the physical media that you can buy is actually just a key that allows you to unlock the game and download it.

"That’s another thing that I think is interesting, maybe more interesting even than ownership, is that back in the day these games were baked onto physical media and were more reliably baked before you bought it.”

Overcoming tech challenges

That’s less of an issue when we’re discussing the Game Boy and Nintendo 64 games that ModRetro is focused on, but there will come a point when these same conversations will be happening about more modern games that are reliant on day-one updates and DLC.

The topic is big enough for a different discussion entirely, but it’s a challenge that companies like iam8bit and Limited Run Games also need to be aware of with physical media in the modern era.

Jon Gibson, co-founder of iam8bit, responds to this by saying: “We've been on the side of positivity always, and we're looking at this from a perspective of, OK, you can't change what you can't change. But how can we pivot to embrace what we do so well and to give fans things that they will enjoy and cherish and love in that physical form?

“We hope that 20 years from now, 30 years from now, 50 years from now, people are going to find a copy of a game, or a record, or a CD that we minted that they had never heard of and they give it a shot. They pop it into their console, or they put it on the record player. That's really exciting to think about that we helped to give that thing staying power, whereas, otherwise, it might be deleted digitally when a licence expires.”

That optimism is echoed by Amanda. “As John said, we're going to lean into this aspect of what we already do and have been doing for 20 years, and we'll continue to do it. If that means we need to pivot a little bit so that we're making goods that are sitting beside PlayStation products, rather than direct physical PlayStation games, then we'll do that. We’ll still do our best to make those fans happy and build a robust experience around the IP they love.”

What’s clear speaking to iam8bit, Limited Run Games, and ModRetro is that the passion for games is there in abundance, as is the drive to provide their fans of today and in the future with ways to experience and enjoy the games they love in a physical form, not just as the ones and zeros they’re made from.

Square Enix is gearing up to kick off a brand new era of Final Fantasy 14 with the release of the Evercold expansion. The beginning of the "Godless Realms Saga" story arc, it arrives after the epic conclusion of a decade-long saga, and follows on from Dawntrail which laid the groundwork for this new adventure.

Game producer and director Naoki "Yoshi-P" Yoshida has already teased the new threat players will face in the DLC, which I'm beyond excited for, as well as a number of incredible quality-of-life system updates, new content, and improvements to outdated gameplay features.

It's looking to be a mighty expansion that will hopefully draw in even more players when the massively multiplayer online game (MMO) officially hits Nintendo Switch 2 next month, but there are a few things I'm particularly eager to experience.

Buckle up, we're saving the world again

Final Fantasy 14 story spoilers ahead

After a decade of buildup, the Shadowbringers and Endwalker expansions saw the pieces of an overarching story finally come together and conclude the Hydaelyn-Zodiark saga, resulting in one of the best Final Fantasy stories ever to be told.

While some events were wrapped up with resolute endings, some lingering questions were left open that presented new possibilities for the MMO, and it all starts with the Reflections: mirror worlds created by the Sundering, a great calamity that saw the Source shattered into 13 Shards.

Players have visited other Reflections in past expansions, but in Evercold we'll visit the Fourth Reflection, which was beset by a calamity of ice. This means an entire new world to explore, and from the trailers and concept art, it appears that SE is leaning heavily into the fantastical style I adored in Shadowbringers and Endwalker, and drawing from what looks like Norse mythology for inspiration.

A new, unexpected threat to all Reflections has also emerged with the recent release of Patch 7.5, the Solstice, which will bring about the natural Rejoining of the Shards and threatens to wipe out all life on the Source and its Reflections.

"In the time of the Ancients, Etheirys was divided across ten and three reflections to avert a terrible calamity," the expansion description reads. "Thus, for twelve thousand years did the star survive, and by its enduring hope did the Warrior of Light at last thwart its Final Days. Yet victory comes at a cost, and fate now demands its due.

"Faced with the new threat of the Solstice, the Warrior of Light is summoned to the Fourth reflection. But what do they hope to gain from wandering a world lost to ice?"

It's a bold move on the writers' part to thrust players back into a situation where they'll be dealing with the end of the world again; however, Dawntrail's subsequent patches have done a great job of building the foundations to make it a story worth telling.

I'm a FF14 player who looks forward to new story content most of all, and in Evercold, with the way the main scenario has been playing out, I'm certain our trip to the Fourth will open new avenues to explore and deepen the lore of the Ancients, which had been drip-fed to us over the years. In particular, the mystery behind the creation of Ethos, the key that opens up the path to these Reflections, and how this new ability to world-hop will play into the larger story.

Alongside these huge stakes, we've got a new "big bad" to face, the Winterers and the Ascian Halmarut, who are working in the shadows to prevent the Solstice.

Halmarut is unique in that she is sympathetic to mankind's current state and will do anything to ensure it survives the Solstice; however, her plan of controlled Rejoinings comes at the cost of mass death and destruction, believing that it's better to sacrifice some lives so humanity has a chance. But as the Warrior of Light, we can't go along with that idea.

Interestingly, unlike other Ascians before her, Halamurut encouraged the player to find their own way to deal with the Solstice. The Ascian was only introduced in recent patches, but given how superbly the writers developed its past villains (namely the best Final Fantasy baddie ever, Emet-Selch), I'm eager to see how SE will handle another multidimensional antagonist with a world-ending goal.

Raid content galore

FF14 has always excelled at crossover raid content, whether that be the Yorha: Dark Apocalypse Alliance raid series, developed in collaboration with Nier developers Yoko Taro and Yosuke Saito, or the major raid series inspired by previous Final Fantasy games, like Final Fantasy 3, Final Fantasy 8, Tactics, and more.

Dawntrail's major Alliance raid series, Echoes of Vana'diel, wrapped up with the latest patch, a 24-player crossover celebrating Final Fantasy 6, that offered incredible bosses and a challenging yet rewarding experience.

For Evercold, SE revealed that the Alliance raid series will be based on the hit series Evangelion, titled "Ghosts of Desire", which acclaimed director and animator Mahiro Maeda will join as a special guest artist and designer. Like the Nier raid series, I'm expecting a high-quality experience with some unbelievable boss encounters that push the boundaries of the MMO; however, I'm more excited about the eight-player raid series SE has just announced at FanFest EU.

In the next expansion, FF7 Remake series director Naoki Hamaguchi and Yoshi-P took to the stage to unveil "Beyond the Lifestream," a FF7-themed raid series.

It feels like I've waited years for a proper FF7 collaboration, and the series will come just in time for Final Fantasy 7 Revelation, the final installment in the remake series.

Ahead of Evercold's release, FF14 will also be getting a FF7-themed adjacent feature in the MMO's Gold Saucer on October 28, Keybound Brawler, a new mini-game that will reward players with a glamour bundle inspired by Tifa and Barret's outfits from FF7; a teaser for what's to come.

While SE has yet to share the full raid details, I'm expecting the usual crossover gear (I'm begging for Cloud, Sephiroth, and Aerith outfits, please!), elaborate boss fights inspired by some of FF7's most iconic moments; a confrontation with Safer-Sephiroth while a remixed medley of the FF14 and One-Winged Angel themes plays in the background is surely a given.

Raid maps are also always incredible in FF14; I remember my first time entering the first raid of the YoRHa series and being blown away by the scale of the set pieces and attention to detail, so with Hamaguchi's team working alongside the FF14 team, I'm anticipating something next-level; hopefully a recreation of the dystopian metropolis of Midgar?

It's time for improvements

FF14 has been running for more than a decade after it was rebooted into A Realm Reborn in 2013. Since then, the MMO has seen innumerable changes, including to Jobs, a huge graphics overhaul that modernized the game's visuals, not to mention the upcoming expanded character customization options that players have been yearning for.

But some things have always remained the same, primarily the battle system and activity features. With the release of Evercold, FF14 will receive a significant overhaul with the introduction of the 'Reborn' and 'Evolved' modes.

Reborn mode will be based on the current combat system and Job mechanics, while Evolved mode offers greater emphasis on "job identity", updating combat rotations and changing some abilities, and will only apply to existing Jobs.

It's an exciting new change, because while Jobs occasionally get rebalanced, this is the first time the game is getting a significant gameplay revamp that will allow long-time players to experiment with a new way of playing, and newcomers have two options at their disposal.

What's more, the expansion will also see an overhauled gear progression system with the introduction of 'Adventurer Activity.' In its current state, FF14 requires players to log in every day to complete daily roulettes to earn XP and accrue their weekly cap of 450 Allagan Tomestones, which are exchanged for high-level gear; however, this can be a downside, especially for players who can't log in every day.

With Adventurer Activity, this redesigned framework will change from a daily to a weekly-based reward system, remove the exhausting grind of completing daily roulettes, and instead offer more player freedom.

Adventurer Activity (which may look like a battle pass system, but Yoshi P insisted it absolutely is not!) will let players complete a series of missions to amass activity points instead, whether it be dungeons, PvP, Trials, and more, and SE is even considering allowing unearned points from previous weeks to be collected if players miss out.

This is perfect for people like me who sometimes don't really feel like running roulettes and also gives players a chance to explore other content they wouldn't normally engage with.

Final Fantasy 14: Evercold will arrive in January 2027 for PC, PS4, PS5, Xbox Series X and Series S, and Nintendo Switch 2.

• Control Resonant lead gameplay designer Sergey Mohov isn't worried about launching the game close to GTA 6
• He says the game's release date has been locked in for a while
• Mohov explains that "It's not really been a big consideration for us"

Remedy Entertainment isn't worried about launching Control Resonant so close to Grand Theft Auto 6.

GTA 6 is the most anticipated game of the year, if not of all time, and is on track to earn over $5 billion by the end of its launch week, so it's understandable if some studios want to avoid releasing their games so close to its launch for fear of being overshadowed.

After Rockstar Games formally announced that its game will arrive on November 19, Playground Games delayed Fable to February 2027 "so it can have the dedicated moment it deserves."

However, games like Marvel's Wolverine and Phantom Blade Zero are still locked in for their Fall releases, so not every studio is worried about competing with GTA 6 or is happy with the amount of breathing room they do have, at least.

Speaking in an interview with TechRadar Gaming about the upcoming release of Control Resonant, lead gameplay designer Sergey Mohov explained that he's looking forward to GTA 6 like everybody else, but doesn't think the game's launch affects Remedy "at all."

"Honestly, first of all, personally, I'm looking forward to GTA as much as everybody else," he said. "I'm a fan of [GTA] Vice City. But I don't think it's affected us at all, to be honest."

Control Resonant launches on September 24, which is eight weeks before GTA 6, so the Rockstar game shouldn't overshadow the former, and Mohov explained that Remedy's release date has been "locked in for a while."

"We expect it to be a very complete experience on day one when it comes out," he said. "We've been planning to release this game in September, for as long as I can remember. It's not really been a big consideration for us."

He added, "Obviously, this is a really exciting year to be a gamer. We're gonna be playing all of these [games] same as everybody else, but hopefully, you pick up, and your readers pick up Control Resonant as well."

Control Resonant will be available for PS5, Xbox Series X, Xbox Series S, and PC.

Loath as I am to say it, the future of gaming platforms isn’t looking so rosy right now. Windows is increasingly becoming more recalcitrant, constantly throwing hurdles in the faces of PC gamers in the form of performance-ruining updates and unsolicited AI implementations. And in the console world, Sony has irked everyone by ditching physical games from January 2028, while the recent bout of mass layoffs at Xbox belies its ‘back on track’ messaging.

Meanwhile, Valve appears to be going in the opposite direction. It already has a big advantage in the form of Steam, near enough the default storefront and launcher for PC gamers everywhere. Why, it’s generated an estimated $11.1bn in gross revenue in the first half of this year already. With pockets as deep as these, and without having to divert its earnings to shareholders (given it’s still, for now, a private company), that’s cash it can invest in expansion.

So is now the perfect time for Valve to break out, capitalize on its competitors’ floundering and shoot its shot at making SteamOS the next big platform?

SteamOS vs Windows

There’s no question that SteamOS has been quite the success already. This is almost entirely thanks to the success of the Steam Deck, Valve’s hugely popular device that launched in 2022 and kickstarted a mini revolution in handheld gaming. It runs SteamOS 3, which is based on the Arch Linux distribution and far superior to its initial Debian iterations. These were used on the original Steam Machines of 2015, and are no doubt part of the reason for the discontinuation of the units in 2018.

The big advantage of SteamOS 3 is its support for Proton, the compatibility layer that allows Windows games to run on Linux devices. Although it predates the Steam Deck, Proton found its calling on the handheld, proving a lot of doubters wrong by running a large library of modern games well on a small, portable device. Even AAA titles such as 007 First Light and Cyberpunk 2077 are perfectly playable, along with plenty of others.

But Valve is no longer confining its operating system to the Steam Deck and Steam Machine. It’s recently expanded support to ARM, AMD and Intel devices, which means it can run on more devices such as the Lenovo Legion Go S and the Asus ROG Ally. Chris Hewish, a former Executive Producer at Activision and current President of gaming MoR Xsolla, explains the advantages of running SteamOS on such devices over Windows 11.

“With the SteamOS 3.8 release in June, Valve officially took the OS beyond the Steam Deck to the ROG Ally line, and Lenovo's Legion Go family, and early Intel support is starting to pull devices like the MSI Claw into the fold," he tells me. "On the same hardware, reviewers keep finding it ahead of Windows 11 where handheld players actually feel it: battery life, sleep and resume, and an interface built for a controller instead of a desktop squeezed onto a seven-inch screen.”

So, does the continued success of SteamOS rely on expanding to more hardware? Greg Weller, Head of Gaming Partnerships at Generation Media, and someone with over 20 years of industry experience — which includes stints at Rockstar Games and Bethesda Softworks — thinks so.

“The opportunity is significantly bigger if SteamOS continues to be device agnostic," he says. "The Steam Deck proved Valve could build a fantastic hardware experience, but the bigger strategic opportunity is allowing consumers to carry their Steam ecosystem across multiple devices rather than tying it to one piece of hardware.”

He continues: “We're seeing the same evolution across other entertainment sectors, like music, film and television, which have largely moved beyond device-specific experiences. People increasingly expect their content to follow them rather than the other way around. So, Valve hardware can absolutely remain the benchmark experience, but if SteamOS becomes the connective layer between a player's library, identity and multiple devices, that's a much bigger opportunity.”

However, not everyone in the industry shares this view. “SteamOS’ success largely depends on Valve's hardware for now and how far they actually push the OS itself,” says André Pimenta Ribeiro, CEO and co-founder of Anybrain, whose behavioral AI tools are used in popular online games such as Arc Raiders and The Finals.

He adds: “SteamOS’ success largely depends on Valve's hardware for now and how far they actually push the OS itself. I think Valve’s best case here is to grow to a broader, more casual audience through its own hardware and by offering its massive library to the mainstream player base, rather than exporting SteamOS to more devices in general. Once Valve hardware or SteamOS reach more mainstream adoption, then opening up the ecosystem makes sense. For now it feels mostly like a development play.”

Sticking points

If SteamOS wants a larger slice of the gaming pie, though, there are certain obstacles it needs to overcome. Hewish points to one of the system’s major sticking points: its incompatibility with games requiring anti-cheat tools.

“Kernel-level anti-cheat either does not run on Linux or has not been enabled there," he says. "Until the biggest competitive games work reliably through Proton, SteamOS is not a no-compromise choice. It is an 'as long as you don't play those games' choice, and those games are some of the most played in the world.”

Another problem is what Hewish calls “hardware breadth,” explaining that: “Windows still has the deepest compatibility layer for the long tail: niche peripherals, capture cards, VR headsets, external GPUs. If the reports about official GeForce support come to pass, that closes a meaningful piece of the gap, since SteamOS has effectively been an AMD platform until now.”

Of course, the other advantage of Windows is that once you’re done gaming, you can switch to using it as an everyday computer. “SteamOS is deliberately narrow, a console-like shell, and that focus is a strength on a handheld,” says Hewish. “But if it wants to take on Windows more broadly, the path into desktop mode for a browser, schoolwork, or a spreadsheet has to get smoother.”

SteamOS vs consoles

But what about SteamOS as a console competitor? The revitalized Steam Machine launched in June this year was hotly anticipated, and looked like a serious contender to the PlayStation-Xbox-Nintendo triumvirate. Russell Kay, a former Grand Theft Auto developer and Head of popular 2D engine GameMaker, believes it was a success in bringing SteamOS to a wider audience.

“In the living room, SteamOS is now a proper alternative to a console,” he says. "The library is already there, and so is the audience. Millions of people have a huge digital collection sitting on Steam, and SteamOS finally gives them a way to put that under the TV instead of on a console. That's a real advantage no other platform has.”

However, he says: “The real problem is the price — Steam Machines cost more than a console. A gap that’s unlikely to close anytime soon thanks to the rising cost of RAM and hardware.”

And there are other issues for SteamOS in the console space. Hewish explains: “The Steam Machine needs reasons to exist beyond ‘runs your existing library’. Consoles win on curation and exclusives as much as hardware. That fight is about habit and content, not benchmarks. Close the anti-cheat gap and keep the hardware momentum, and ‘the default handheld OS’ is realistic within a couple of years. [But] the living room is a longer climb no matter what the software does.”

Ribeiro, meanwhile, thinks: "[Valve] can make a splash against this weaker console market, but right now it's still a niche system for a specific subset of people — growing beyond that depends on where they take it. Valve is known for doing its own thing, and that’s not always conducive to serving the broader global ecosystem of casual players. I think it makes sense from the perspective that they want to grow beyond a distribution platform, but the extent of impact and its longevity is still to be seen.”

He concludes: “I already see Steam devices akin to consoles, such as the Steam Deck and Steam Machine. I wouldn’t replace my Windows PC or mobile device with it, but vs the existing console ecosystem, that’s more a toss-up.”

The future of SteamOS

It seems fairly clear-cut, then, that SteamOS is clearly leading the way when it comes to handheld gaming. But a push beyond that realm to usurp Windows or seriously challenge consoles is less certain.

Ultimately, Hewish sees it this way: “Windows still wins in two places: games with kernel-level anti-cheat, and anything you want to do that is not gaming. And in the living room it is early days. The new Steam Machine only started shipping at the end of June. So I would put it this way: [SteamOS is] a genuine competitor on handhelds today, and a credible but very young challenger in the living room.”

Of course, the high price of the Steam Machine certainly dampened its appeal. The consensus seems to be that while it was a capable device, it was too expensive to present a viable challenge to the living room market. Of course, the seemingly interminable RAM crisis threw a spanner in the works, even crashing the Steam Deck’s party thanks to a price hike that put a serious dent in its sales. But the fact remains the PS5, Switch 2, and Xbox Series X|S all undercut the Steam Machine considerably.

But perhaps there’s hope yet for the Gabecube and other SteamOS implementations besides handhelds. After all, Hewish makes the point that having one platform dominate isn’t especially useful for game developers.

He says: “If you make games for a living, you do not actually want any single platform to win outright, even one you like. Concentration is where leverage goes to die. When one storefront or operating system controls the path to players, it eventually controls the terms, the fees, and the relationship. The healthiest ending to this story is not SteamOS replacing Windows. It is real competition at the platform layer, because that is what forces every gatekeeper to treat developers and players better. SteamOS taking a real share does exactly that.”

He further adds: “My bet is SteamOS becomes the preferred choice for people buying a device specifically to game, and Windows holds wherever one device has to do it all.”

Weller sees another benefit to the gradual permeation of SteamOS.

He says: “SteamOS has already established itself as a credible competitor, but not in the way people traditionally define competition. Rather than trying to replace Windows or persuade console players to switch overnight, SteamOS is reducing friction between players and the game libraries they've already invested in, allowing people to take their Steam ecosystem into more places and devices.”

“This reflects a much bigger shift happening across entertainment. Historically, consumers bought hardware first and then built a content library around it. Now, they're increasingly buying into ecosystems. Players care less about the operating system they're using and more about whether their games, saves, achievements, friends and purchases move seamlessly between devices.”

Gaming ecosystems have become important for another reason. “Our research found 72% of players discover games through social media, 67% through YouTube and 53% through platform stores such as Steam, PlayStation Store and Xbox Store," Weller explains. "Platform ecosystems have become both the storefront and the discovery engine. So SteamOS isn't simply an operating system but another touchpoint within a much broader ecosystem.”

“Valve's long-term competitive advantage has never been selling games, but focusing on the surrounding ecosystem: community features, recommendations, cloud saves, and overall experience of staying connected to your library. Those are the areas where Valve can continue to differentiate, rather than relying on exclusivity.”

The point about community features is an important one. The community around Steam has played a major role in the platform cultivating its loyal fanbase and the general good will of gamers. Its openness to mods and add-ons via its Workshop is a large part of this. And, as Kay points out, although games purchased on its storefront do contain DRM, “[it has] been one of the better stories when it comes to DRM". So if SteamOS wants to expand its horizons beyond handhelds, it needs to retain the element that sets it apart from other, closed-off gaming platforms.

Do you think SteamOS is going to be the next big platform in gaming? Vote in the poll below, and if you want to say more, why not leave a comment as well?

Are you a fan of CD Projekt Red's The Witcher game series? Have you ever fantasized about what type of character you'd be if you were somehow sucked through a magic portal and found yourself in the fantasy world of The Continent? Do you think you'd be a princess, a bard, a sorceress, or even a witcher?

A brand-new The Witcher 3: Wild Hunt expansion, Songs of the Past, has been announced, and it's launching sometime next year. While we don't have plot details yet, the story will once again follow Geralt of Rivia ahead of The Witcher 4.

This means an all-new journey to experience with everyone's favorite witcher, and, hopefully, one that will feature the return of the rest of the gang, like Ciri, Yennefer, and Dandelion.

CD Projekt Red has promised to share more about Songs of the Past next month, so we'll have to wait and see.

In the meantime, I've put together a fun little personality quiz that will help you figure out which Witcher character is your kindred spirit. Are you the protective, titular witcher himself? His daughter, Child of Destiny and cabale fighter, Ciri, or the fierce sorceress Yennefer? Maybe you're the merciless King of the Wild Hunt...

Everyone has a favorite, but which character are you really? Find out below.

Did you get the character you expected or someone completely opposite to your expectations? Let us know in the comments!

When I first caught a glimpse of The Adventures of Elliot: The Millennium Tales, it sparked a great sense of anticipation within me. After all, Square Enix and Claytechworks were collaborating to bring a brand new HD-2D RPG to the table, which appeared to combine sprinklings of classic Zelda titles with the visual, sonic, and environmental grandeur from series such as Mana and Dragon Quest.

I’m a huge fan of the HD-2D graphical style, and massively enjoyed recent releases such as Final Fantasy: The Ivalice Chronicles and Dragon Quest 1 & 2 HD-2D Remake, but I still wasn’t quite sure if I’d love The Adventures of Elliot. Was the action combat going to be polished and engaging enough? Was the world going to deliver the spectacle and appeal conjured up with other series? Would the narrative have me hooked?

Well, after playing the game for more than 25 hours now, I have an answer to all of those questions. Here’s what I made of The Adventures of Elliot: The Millennium Tales.

The good: combat that exceeds expectations

Let’s start by addressing my curiosity surrounding combat in The Adventures of Elliot — just how good is it? Well, I’m pleased to report that I had a lot of fun with the action in this game. It clearly pulls on 2D Zelda, with real-time combat that challenges you to use a variety of weapons to overcome your foes.

You can equip two weapons at once, and while I typically used my sword for close range attacks and bow for projectiles, I found genuine utility in a lot of equipment, be that bombs, a hammer, spear, and more. Combat feels fluid, responsive, and well balanced. You can also defend or parry with a shield, and using this to avoid big damage can be crucial.

There’s a pretty fast, high-octane feel to battles, big or small, and by defeating multiple foes in a row, you can build up a streak to obtain better drops. This adds a layer of fun to combat, and gives you a genuine reason to seek out and destroy random creatures in your vicinity — I had a lot of fun pushing myself to get that streak as high as possible.

Combat is absolutely at its best during boss fights, though. These can offer genuine challenges, and often require you to switch up attacks, defend with care, and employ a variety of weapons to get the win. The satisfaction I got when evading a robotic titan’s assault and slashing it to smithereens with my blade was nothing short of exhilarating.

What’s more, you can customize weapons with something called Magicite, which imparts specific abilities to help you wipe out the opposition with greater ease. This is executed very well, and helps you to raise attack power, unlock elemental attacks, and extend the reach of your attacks, for instance.

By spending more Tul (the in-universe currency), you can use more Magicite, and this helps you scale in terms of power as the game unfolds, making progression feel natural and well-paced.

Other gameplay elements are solid too. Platforming isn’t a massive part of the game, but feels precise and smooth. Your companion for most of the journey, Faie, also has abilities such as dashing and warping, which make traversing environments and taking down enemies even more varied and seamless, and you can unlock more of — and improve on — said abilities as the game progresses.

The not-so good: a narrative missing its spark

So, the gameplay in The Adventures of Elliot is a hit, in my book. The brilliant bosses and close contests against frogs, robots, slugs, and more kept me coming back for more. But unfortunately, some things made me feel reluctant to indulge in long, uninterrupted play sessions — namely, the game’s narrative and dialogue.

Simply put, the story in The Adventures of Elliot lacks the spark that I was looking for. It often feels flat, lacking moments of surprise and suspense, and its largely predictable plot points paired with sluggish and dull dialogue meant that I was tempted, at times, to skip through a few scenes — something I never do with story-driven RPGs.

On top of this, the cast of characters is surprisingly weak for a Square Enix game. The protagonist, Elliot, feels somewhat hollow, and spends much of the game telling people to follow their heart, chase their dreams, and to believe in themselves. To be blunt, it feels a bit sappy, and despite his striking appearance, he’s actually quite an uninteresting lead.

A lot of the other characters are written in a slightly wooden way, too. Elliot will meet them, they’ll reveal something that troubles them — be that isolation, missing a loved one, or seeking connection with others — the hero will do something to assist them, and then you move on. As a result, characters often lack nuance or depth, and it feels hard to care about the various individuals involved.

Like a lot of other players have pointed out online, your companion, Faie, is also rather irritating. She speaks up…a lot…and her hand-holdy, pointless interjections can feel grating. You can mute your companion, thankfully, which is a good thing given that the fairy’s high-pitched tone is still haunting me.

Much of the game is centered around time travel, another element that could’ve been handled more effectively in my view. A lot of the environments look identical across different eras, and enemy variety can be pretty limited across time as well.

I did like the discoveries you could make across different ages, though, and hunting for new weapons in the various dungeons, and general exploration, was pretty enjoyable. My critique here, however, is that the puzzles within various areas are very easy, and require little effort to overcome. Therefore, anyone seeking out the ingenious design of classic Zelda dungeons may be left wanting more.

Final thoughts: a new IP with growing pains

The Adventures of Elliot still nails a lot of the fundamentals, with a beautiful soundtrack, gorgeous HD-2D visuals, and a neat UI. But when I look at the full package, I’m left feeling conflicted.

While the combat is slick and enticing, the underwhelming story and lack of variation in environments and enemies slightly disappointed me.

Although I still had a decent time with The Adventures of Elliot, and I enjoyed its delicious HD-2D graphics and high-octane battles, it’s clear that the new IP has gone through a few growing pains. And unfortunately, its forgettable characters and lacking dialogue bring the overall experience down a touch, meaning it doesn’t quite hit the highest of heights.

Should you play The Adventures of Elliot: The Millennium Tales?

Play it if...

Don't play it if...

Accessibility features

There are a number of ways to customize the experience in The Adventures of Elliot: The Millennium Tales. There are a handful of text languages, and you can swap between English or Japanese voices. You can alter text display speed, and set dialogue to auto if you want to watch scenes unfurl naturally.

There are a range of difficulty modes too, and you can remap controls to your liking for a more custom experience. Unfortunately, there’s no colorblind mode, or similar.

How I reviewed Dragon Quest I & II HD-2D Remake

I spent more than 25 hours playing through the main story and side quests in The Adventures of Elliot: The Millennium Tales. I played on Normal difficulty in this instance.

For the most part, I played the game on my PS5, which is connected up to my Sky Glass Gen 2 TV and Marshall Heston 120 soundbar. However, I occasionally dipped into the title on my PS Portal, and used the Sennheiser CX 80U to enjoy in-game audio while on the go.

More generally, I’ve reviewed a wide range of games here at TechRadar, though my main focus has been on RPGs, including Square Enix titles like Final Fantasy: The Ivalice Chronicles and Dragon Quest 1 & 2 HD-2D Remake.

First reviewed: July 2026

• The Star Wars Zero Company cast has been revealed
• The player character Hawks will be played by Jonathan Freeman (masculine) and Erica Luttrell (feminine)
• The Clone Wars stars Matt Lanter and Dee Bradley Baker will also return to voice Anakin Skywalker and a new Clone Trooper, Trick, respectively

Bit Reactor and Lucasfilm Games have revealed the stacked cast for Star Wars Zero Company, featuring some very familiar, fan-favorite voice actors from The Clone Wars.

Announced ahead of San Diego Comic Con on StarWars.com, it's confirmed that the player character, Hawks, will be played by Goliath actor Jonathan Freeman (masculine) and Erica Luttrell (feminine), who has also starred in another Star Wars game in the past, Squadrons.

"As the leader of Zero Company, an unconventional outfit of professionals for hire from across the galaxy, which includes a Clone Trooper, a Mandalorian, a Jedi Padawan and more, players must hunt down and stop Kundri Fathom (Rekha Sharma), the ruthless leader of the Separatist-aligned cult known as the Infinite Coil," a press release informs us.

In Zero Company, players will meet a collection of characters beyond their team members, and they're all played by some amazing talent.

Some of these characters include Kabb Uppercut, played by Arcane's JB Blanc; Jae Mordant, played by Judy Alice Lee of Marvel Rivals; and Neesh Renark, played by Marvel's Spider-Man 2's Jim Pirri. There's also D.C. Douglas, best known for Mass Effect 2 and Star Wars Jedi: Survivor, who will play M-3VO ('Meevo').

The game will also feature two veteran Star Wars voice cast performers, Matt Lanter and Dee Bradley Baker. Lanter played Anakin Skywalker in the hit animated series The Clone Wars and will reprise this role in Zero Company.

Baker is best known for voicing the Clone Troopers in the show, including Captain Rex and Commander Cody, as well as others in The Bad Batch, but will star in Zero Company as the Clone Trooper, Trick.

You can read the full cast list below:

• Hawks (Masculine): Jonathan Freeman
• Hawks (Feminine): Erica Luttrell
• Kundri Fathom: Rekha Sharma
• Trick: Dee Bradley Baker
• Anakin Skywalker: Matt Lanter
• Runa Blask: Vic Michaelis
• Kabb Uppercut: JB Blanc
• Jae Mordant: Judy Alice Lee
• Cly Kullervo: Alex McKenna
• Bennic Halloren: Leo Howard
• Visser: Dylan Kenin
• Tel-Rea: Nicole Rainteau
• Neesh Renark: Jim Pirri
• M-3VO / Meevo: D.C. Douglas
• Typhon: Hunter Smith

Star Wars Zero Company launches on August 27 for PC, PlayStation 5, Xbox Series X, and Series S.

Bit Reactor has confirmed that the turn-based tactics game will take 30-40 hours to beat, "depending on your difficulty level and experience with the strategy genre," and it won't feature a New Game Plus mode.

• Someone may have ported Grand Theft Auto 5 to Nintendo Switch
• Performance appears poor and reaches 22FPS at most
• It makes me wonder what Grand Theft Auto 6 could look like running on Switch 2

While we wait for Grand Theft Auto 6, someone has seemingly managed to port Grand Theft Auto 5 to the Nintendo Switch.

The port was apparently created by M0jso and posted to Reddit, where footage apparently shows a native v2699 (2023) version of the 13-year-old game, running on the original Switch, albeit rather poorly.

The performance overlay shows that the frame rate reaches 22FPS at most, and declines to 11FPS in some places, but it does appear to be playable.

A user explained that the footage had been taken down a while ago, but it looks like the project is in progress again. M0jso showcased more videos on X, explaining that rendering can be broken in some places, crashes are frequent, but they have seemingly managed to play GTA 5 on a real Switch console.

However, overall, performance appears poor, and the odds of the game reaching console or PC-level quality seem slim. It made me wonder what GTA 6 could look like running on the Nintendo Switch 2, a more advanced system that boasts 4K and 1440p resolutions and 60FPS.

For now, Rockstar hasn't shared any plans to port the game to Switch 2 - a PC version hasn't been announced either - but we've seen demanding games such as Cyberpunk 2077 and Hogwarts Legacy functioning on the console with minor frame rate issues.

That being said, GTA 6 will be a massive game, with a map possibly even bigger than Cyberpunk 2077 and GTA 5's. Not to mention the dense locations and level of detail that PS5 and Xbox Series X will also need to contend with.

While the game's performance features haven't been revealed yet, reports have claimed that it's likely to run at 30FPS on PS5 consoles due to CPU limitations, which could make the likelihood of a Switch 2 port rather slim.

According to Digital Foundry, GTA 6 running at 60FPS on current-gen might be pushing it, but a 40FPS mode could be possible.

There's still just under five months to go before the game launches on November 19, so we could learn more about performance, potential graphics modes, and even get a third trailer soon.

The Halo series is in an awkward spot right now. With 2021’s Halo Infinite being the last major release, the franchise’s status as a system seller isn’t as strong as it was two decades ago. Halo: Campaign Evolved is a safe yet surprisingly competent remake of Halo: Combat Evolved that attempts to bring back the glory days.

My earliest memory of Combat Evolved on the original Xbox was when I could barely read. My dad was visiting his university friends from back in the day, and he left me with their college-aged children. I remember getting absolutely cooked in PvP, as the only video game I had ever played before that point was Pokémon.

25 years later, I’ve played every major Halo release, and even revisited 2011’s Halo: Combat Evolved Anniversary remaster to see how it fared before diving into Campaign Evolved. When playing these two back-to-back, they really put into perspective how much small changes could yield substantially different experiences.

The same old story

Like the original game, Halo: Campaign Evolved follows the space marine Master Chief after his starship, the Pillar of Autumn, crash-lands on a large ring world. The Covenant alien race wants to destroy Earth, and it's up to Master Chief, along with his AI companion Cortana, to fight back against them. It’s the same exact story told in the original. Although it’s not particularly deep, it sets up an enticing universe that makes you eager to discover more about the Covenant, as well as the secrets of this new ring world.

Campaign Evolved offers three new bonus missions that, together, act as a prequel to the events of the main story. Here, Master Chief and Sergeant Johnson join up, and the duo infiltrates an enemy ship to steal some data that could point them towards the Covenant’s home world. In these missions, Master Chief doesn’t have Cortana yet and is surprisingly more of a chatterbox than his usual stoic self. He and Sergeant Johnson constantly exchange quips — Johnson’s sarcasm juxtaposes well with the Chief’s more nonchalant attitude.

However, it’s tonally inconsistent. Without going into spoilers, the ending doesn’t explain Master Chief’s stoicism in the following events of Campaign Evolved. Chief’s demeanor here would fit better in a post-Bungie universe, where the series became more character-driven beginning with Halo 4. But as a prequel to the original trilogy, his frequent yapping feels out of character.

Additionally, the three missions trade the original’s streamlined level design in favor of the more modern Halo combat arena approach. Large-scale firefights across long structures and domes are everywhere. Halo is no stranger to enemy skirmishes, but they were kept at close to medium range encounters. I won’t lie and say I didn’t have fun playing these, but I just wish Halo Studios kept the new levels more uniform with the original’s design philosophy.

The prequel missions also reintroduce the Jiralhanae brutes, which were first introduced in Halo 2. These furry monstrosities are a nice change of pace when considering that enemy variety was limited in the original.

Back to basics

The first-person-shooter gameplay isn’t as revolutionary as it was back in 2001, but I enjoyed going back to the more boots-on-the-ground experience compared to flying around everywhere with Chief’s grappling hook in Infinite. There are so many small adjustments and additions to the gameplay that actually made me take modern Halo gameplay mechanics for granted.

For starters, you can now hijack enemy vehicles, something you couldn’t do in the original or even the Anniversary remaster. You instead had to either shoot the enemy piloting the vehicle first, or blow it up, hoping that it was still operable afterwards. When I replayed Anniversary ahead of Campaign Evolved, years of muscle memory conditioned me to hijack a vehicle, only to remember that Chief can’t do that and subsequently get run over and die!

Along with the typical weapons like the pistols, assault rifles, and rocket launchers, Campaign Evolved includes new weapons found in later Halo games like the Needle Rifle and the Brute Spiker.

These new weapons actually feel more of a fit for the bonus missions. The Needle Rifle almost felt like a cheat code when I used it during the main campaign. Energy Swords were also in the original game, but Chief couldn’t pick those up. Now he can, and I never got tired of hearing the satisfying sizzling plasma every time I pulled it out. Effectively doubling the total weapon count, the minute-to-minute gunplay is more varied and fun than ever.

The radar now also shows an arrow up or down on red dots to indicate whether an enemy is above or below you. Verticality was always a personal issue for me in these games, so this is much appreciated. Power-ups can be held like in Infinite, letting you activate them when you want rather than in older Halo games where they activated upon pickup. This had a tangible impact on how I approached certain levels compared to the original, like Truth and Reconciliation, where I could choose the optimal time to turn invisible and sneak past enemies.

On the surface, these changes may seem minuscule. But when actually playing Campaign Evolved, I came to appreciate the gameplay iterations that came with later Halo games.

The human connection

Whereas the original only supported two-player co-op, Campaign Evolved can support up to four. This increase makes shootouts even more hectic and exciting, especially during the bonus missions where having a full team fits the combat design ethos. Online co-op is an easy process, as all you need to do is invite other players to your fireteam. Crossplay between PC, PlayStation, and Xbox players is a big plus too.

Performance is solid, even with bullets and explosions going off every second, although cutscenes can lag sometimes.

You can also find skull collectibles scattered throughout the campaign, which are gameplay modifiers that make your runs easier or harder, like enabling infinite ammo or disabling your sprint function. There’s a whopping 42 skulls to find, so not only do finding the skulls add more replayability to the campaign, but also turning them on does too.

The biggest letdown of Campaign Evolved is the lack of any PvP multiplayer. It’s a staple of the Halo series that makes this remake feel a bit lesser.

Even with the lack of PvP multiplayer, Halo: Campaign Evolved is comfortably the best way to play the first Halo adventure with all the bells and whistles that come with the modernized features of later games. The new bonus missions are fun if not a bit uneven. Campaign Evolved feels good to play, whether solo or with friends.

Should I play Halo: Campaign Evolved?

Play it if...

Don't play it if...

Accessibility features

Halo: Campaign Evolved has an extensive suite of accessibility features. This includes text options like subtitles, HUD text, and voice chat text size. You can also adjust font, line spacing, and dialogue color for friends and foes.

There’s screen narration with volume and speed sliders, as well as color filters. You can adjust color correction strength, brightness, and contrast. Furthermore, you can turn on and off screen shake, flashing effects, and motion blur. For crosshairs, you can change the size, color, opacity, and thickness to see what works best for you.

There are also options to change directional damage indicators, navigation points, and even teammate markers to make finding things easier. Things like voice chat volume, widget opacity, and fade-out timer can be adjusted too.

How I reviewed Halo: Campaign Evolved

I played about 15 hours of Halo: Campaign Evolved (and counting) on Xbox Series X with a SANSUI 34-Inch Curved Gaming Monitor UWQHD. I finished the campaign, finding as many collectibles as I could along the way. I also played through the three prequel missions, as well as participated in a few missions with other reviewers in co-op.

First reviewed July 2026

• Star Wars Zero Company will take 30-40 hours to beat the main campaign
• The game won't feature New Game Plus mode, romance systems, or branching story paths
• Post-launch content is also unconfirmed at this time

Bit Reactor has confirmed that Star Wars Zero Company will take up to 40 hours to finish, and it won't have a New Game Plus mode.

The single-player turn-based tactics game is one of my most anticipated titles of the year, and ahead of its launch next month, the studio has conducted a community Q&A to answer a long series of questions.

One of the first questions asked how long the campaign will be, and lead producer Caydence Funk has confirmed that "Depending on your difficulty level and experience with the strategy genre," it's estimated that it can take between 30 and 40 hours for the average player to beat.

It's also confirmed that the story will be linear with no romance systems or branching paths.

"While we are excited about pushing the genre forward with a more cinematic approach, this is still a turn-based tactics game at its heart where adept skill and strategy are needed to overcome tense combat challenges," Bit Reactor said. "That said, there are story moments that can alter based on who you have in your squad, but the overall story is a linear one from beginning to end."

Personally, 40 hours is the ideal length, and a linear story means I can experience everything the story without having to worry about missing out on additional storylines.

"As far as exploration goes, yes, you’ll have the ability to explore a section of some planets prior to engaging in turn-based combat on them," the studio added.

"This is a minor facet of the game that we feel adds a unique, immersive quality to Star Wars Zero Company. These small segments are a chance for you, as Hawks, to conduct the espionage that Zero Company excels at, and are main-story-only segments that can affect the subsequent combat by granting Intel and Advantage Points."

Unfortunately, the game won't launch with New Game Plus mode, so new playthroughs will have to be completely fresh, "but players will unlock certain customization options on subsequent playthroughs" through progress.

Zero Company is set during one of my favorite Star Wars eras, the Clone Wars, so I'm very excited to experience a new story during this time period.

We can expect battles across the galaxy with the Separatist Alliance, a team consisting of a Clone Trooper, a Mandalorian, a Jedi Padawan, an Umbaran sniper, and more, as well as the appearance of Anakin Skywalker.

Customization will also play a big role in the game, and while players can't have an entire team of Clone Troopers, Bit Reactor confirmed that you'll have access to Clone armor cosmetics with the ability to customize your team's armor from the start. Outfits don't impact gameplay, but Clone Trooper helmets will provide a voice modulation effect, which sounds neat!

Even cooler, The Clone Wars TV series voice actor Dee Bradley Baker will provide his iconic voice to the character Trick and additional Clone Troopers, but the full cast has yet to be announced.

As for additional content, good news, there are no plans for microtransactions to be added to the game; however, the "Arc Trooper" Armor Set is only part of the "Grand Army of the Republic" Cosmetic Pack for the Deluxe Edition, but players will still have access to other cosmetic options in the base game.

The game also won't have mod support, and "right now" post-launch content isn't confirmed because Bit Reactor is "focused on making the best game we can at launch."

Star Wars Zero Company launches on August 27 for PC, PlayStation 5, Xbox Series X, and Series S.

From the scourge of Generative AI to the RAM crisis, from PlayStation axing discs to Xbox cutting legendary studios off at the knees, it seems like gaming is under attack from every angle. The industry is in dire straits, with studios seemingly no longer able to bank on the success of AAA blockbusters or Live Service behemoths like it used to. Even the biggest game ever, the upcoming Grand Theft Auto 6, has had a troubled announcement, with its $80 price tag and discless contents getting people’s backs up.

It’s easy to feel helpless when seemingly insurmountable problems hit a medium you love, and speaking out feels like you’re merely howling into the void. But based on historic events, it's true that when enough gamers make themselves heard — and when they vote with their wallets — positive changes can occur, bad decisions can be reversed and better futures can be laid. Hey, even Xbox rolled back its Game Pass price hike (to an extent).

So we want to hear from you — which issue are you most concerned about? Participate in our poll below and tell everyone what you think. No doubt many if not all of these issues are interconnected. For instance, I can’t help but laugh at the cruel irony of the RAM being used to power the Gen AI tools for the purposes of developing games more cheaply is pushing up the price of the systems for playing those games. Of course, there’s no easy fix to any one of them, but we’ll follow up by dissecting the results and discussing the potential routes to bring gaming out from the dark place it’s currently stuck in.

8BitDo Ultimate Mobile Gaming Controller - Xbox Edition: One-minute review

The 8BitDo Ultimate Mobile Gaming Controller - Xbox Edition takes the brand’s existing wireless mobile controller grip and makes a couple of surface-level changes.

The overall shape, style, and functions remain, but official Xbox licensing sees the Turbo button swapped for a dedicated Xbox button. It retains the $49.99 / £43.99 / AU$89 price tag of the original, meaning it's significantly cheaper than alternatives like the Backbone One or GameSir G8.

The Hall effect joysticks and triggers from the original are still here too, with clicky bumpers and what 8BitDo describes as a refined D-pad, though it felt pretty standard to me. For Xbox Cloud Gaming specifically, which is what I imagine most gamers would turn to this option for, it’s excellent on the whole. Cruising the streets of Japan in Forza Horizon 6 across iOS, Android, and Mac was smooth and responsive, with no perceptible latency over its wireless Bluetooth connection. The telescopic grip is the most secure I've seen in this category, confidently holding an iPhone 17 Pro with a case without any flex or creaking, and it’s comfortable enough for longer sessions.

The problems start when you step outside cloud gaming and into native mobile titles. Call of Duty Mobile refused to recognize the controller on both iOS and Android, and games that do work natively, like Fortnite, display PlayStation button prompts on screen despite the controller's physical ABXY layout and Xbox branding. The two back paddle buttons, a feature prominently listed on the spec sheet, also weren't recognized in any game or cloud gaming scenario I tested.

The core experience, however, is a pleasant one. If Xbox Cloud Gaming is your primary use case, the 8BitDo Ultimate Mobile Gaming Controller - Xbox Edition is close to a bargain. For native mobile gaming, the experience is a harder sell, and you’d be better off exploring other options on our list of the best mobile controllers.

8BitDo Ultimate Mobile Gaming Controller - Xbox Edition: Price and availability

• List price: $49.99 / ~£43.99 / AU$89
• Retains the same price as the original and undercuts similar competitors
• Available in white or black from 8BitDo and retailers

The 8BitDo Ultimate Mobile Gaming Controller - Xbox Edition launched in July 2025, half a year after the non-branded version, keeping the same $49.99 / £43.99 / AU$89 price. You’ll find it at a range of retailers, though 8BitDo is keen to push you towards Amazon, as well as from its own online store.

It’s worth checking out different options because at the time of writing, 8BitDo's store has it on sale for $38.99 in the US, making an already competitive price even more attractive.

For context, the Backbone One 2nd Gen runs $99.99, and the GameSir G8 Wireless sits at $79.99, so even at full price, the 8BitDo undercuts its closest competitors by a comfortable margin.

If you’re not too fussed about that Xbox tie-in, it’s worth noting that the original version of this controller now shares the same iOS and Android compatibility and has been spotted as low as $25 on sale. The day-to-day differences are extremely minor, so if budget is a concern, it’s worth keeping an eye on both.

8BitDo Ultimate Mobile Gaming Controller - Xbox Edition: Specs

8BitDo Ultimate Mobile Gaming Controller - Xbox Edition: Design and features

• The most secure phone grip I've tested in a mobile controller
• Hall effect sticks and triggers are impressive at this price
• Quite a small overall profile

The 8BitDo Ultimate Mobile Gaming Controller - Xbox Edition carries that familiar 8BitDo styling with rounded edges everywhere that almost look like they’re gently melting. It’s not, thankfully, and build quality is good across the board.

The textured rubber surface on the back of the phone deck is a highlight with a fun input-themed pattern, and the small amount of texture on the back of the main grips feels nice under your fingers. It’s available in your choice of black or white. I’ve been testing the former, and it’s a magnet for greasy marks, and I can see it getting shiny over time. Keep a microfibre cloth handy.

I don’t have massive hands, but the 8BitDo Ultimate Mobile Gaming Controller - Xbox Edition feels slightly small to hold, and it’s the length of the main grips that is the culprit. The left stick falls in a natural position, but the right one ends up nearly at the base of my thumb, and I essentially had to claw-grip the right side to reach it. It's not a dealbreaker, though coming from the stock Xbox Wireless Controller or even another mobile grip like the GameSir G8, it’s certainly a downgrade in comfort.

Where this controller definitely impresses is the phone deck. The telescopic action extends smoothly, and in testing, it held both my phones in a reassuringly sturdy way. This is the first mobile controller grip I've tested that confidently holds both a super slim POCO X5 Pro 5G and a chunky iPhone 17 Pro with a case still on without any sense that the phone might pop loose. There are no replaceable pads or removable elements to fiddle with; it’s just a good base design that’s wonderfully fit for purpose.

Feedback from the bumpers is sharp and clicky, with a responsiveness that feels better than you'd expect at this price point. The face buttons are a more standard fare, neither exceptional nor disappointing, though they are a little rattly. The D-pad has a noticeable wobble before the input registers, though the actual click is short and responsive once it fires.

There are Hall effect sticks and triggers on offer here, which is impressive for the price, and the sticks feel great with just the right amount of resistance. The triggers have a good level of detail but have a quirk: both left and right complete their full input range before the trigger is physically all the way down, leaving roughly 5% of dead travel at the bottom of the press. They don’t have the longest travel to begin with, so it’s a shame not to be using all of it.

8BitDo Ultimate Mobile Gaming Controller - Xbox Edition: Performance

• Xbox Cloud Gaming works excellently across iOS, Android, and Mac
• Native mobile game compatibility is highly inconsistent
• Back buttons weren't recognized in any scenario I tested

Given its name, it should be no surprise that the 8BitDo Ultimate Mobile Gaming Controller - Xbox Edition is at its best when playing games via Xbox Cloud Gaming. I’d even go so far as to say that if you’re not a Game Pass subscriber, you can probably stop reading now and look to another mobile grip instead.

Initial pairing to devices is straightforward, and thankfully, there are no multiple connectivity modes to fumble with like on the GameSir G8 Bluetooth. The whole experience works smoothly out of the box, and I didn’t even need to consult the user guide for pairing mode instructions. I took a punt on holding a button until a light flashed, and I was right.

Switching the controller between devices wasn’t quite so simple, though admittedly my testing environment is a real stress test for this kind of thing. I attempted to jump around between my iPhone, MacBook Air, and Android phone, and things got rather temperamental.

The controller seemed to want to cling on to a previously paired device, even if Bluetooth was now switched off on it, so moving between a phone and a laptop usually required repairing from scratch rather than reconnecting to a previously paired device. If you’re not hopping back and forth as I have been, this won’t be an issue, though after a few days of testing I’ve ended up with four separate "Ultimate MGX" entries in my Android Bluetooth list.

No matter which of those devices I was connected to, the Xbox Cloud Gaming experience was excellent. I drove around Japan in Forza Horizon 6 without a hitch; the controls were responsive, and there was no noticeable Bluetooth latency.

The triggers offer plenty of granular control for working the throttle, though that dead zone at the end I mentioned earlier took some getting used to when it came to small throttle lifts around high-speed corners. There's no rumble or vibration support, but I’ll happily admit I didn't miss it. Cloud gaming and mobile titles rarely lean heavily on haptic feedback anyway.

Steam had a love-hate relationship with the controller, depending on the platform. Connecting to my MacBook Air over Bluetooth had Steam recognizing it as a different, previously paired controller, which then failed to work in-game. Plugging it in via USB-C looked promising at first with macOS referencing it by name, but it was never seen by Steam or Xbox Cloud Gaming.

Windows fared much better across both Steam and cloud; over USB-C, it was instantly set up as a general XInput device, fully mapped and compatible with both.

8BitDo Ultimate Mobile Gaming Controller - Xbox Edition gains a dedicated Xbox home button on the front, replacing the turbo button from the standard version. When in the cloud gaming app, this button opens the guide just like it would on console; outside cloud gaming, it’ll open either the Apple Gaming app or act as a home button on Android. It’s a nice-to-have sort of feature rather than a game-changing one, but I’ll admit I did use it a few times in testing and wouldn’t have looked twice at a turbo button.

The moment you step into native mobile games, however, things start to get messier, and you’re at the mercy of individual developers. Fortnite recognized the controller immediately on both iOS and Android, and the gameplay experience was responsive and reliable. But the on-screen button labels display PlayStation symbols (Circle, Cross, Square, Triangle) despite the controller's physical ABXY layout and Xbox branding.

That’s a little awkward. This usually happens because the controller identifies itself as a generic gamepad rather than as an actual Xbox controller, which means the Xbox licensing doesn't extend to how games see it. Call of Duty Mobile, one of the biggest mobile shooters on the planet, simply doesn't recognize the controller at all. Not on iOS, not on Android, and there’s no hardware mapping workaround either.

Depending on your play style, the back paddle buttons are perhaps the most frustrating limitation. They're physically well-designed, nicely positioned, and require just the right amount of force to trigger, but they weren't recognized in any scenario I tested. Not in Fortnite, not in cloud gaming, not anywhere. Even after binding them to specific inputs through the 8BitDo Ultimate Software V2 app, games simply didn't see them.

Speaking of the app, it’s incredibly basic and falls far behind competitors in this space. Firstly, there are confusingly two versions on the App Store; V1 doesn't recognize the controller at all, and V2 requires you to manually select and pair your controller model during setup despite the device already being Bluetooth-paired to your phone.

Once you're in, the customization options are barebones: button remapping, dead zone adjustments, and trigger tuning. It worked on both iOS and Android, though anything you configure is device-specific and doesn’t save on the controller itself.

Shoudl you buy the 8BitDo Ultimate Mobile Gaming Controller - Xbox Edition?

Buy it if...

Don't buy it if...

Also consider...

Here are two strong alternatives to weigh up.

How I tested the 8BitDo Ultimate Mobile Gaming Controller - Xbox Edition

• Spent several days testing across multiple devices and platforms
• I tested native mobile games, Xbox Cloud Gaming, and Steam on Mac and Windows
• Tried the companion app on both iOS and Android

I tested the 8BitDo Ultimate Mobile Gaming Controller Xbox Edition with an iPhone 17 Pro and a POCO X5 Pro 5G for mobile gaming, as well as a Mac and Windows PC for cloud gaming and Steam. I tested native mobile games, including Fortnite (on both iOS and Android), and attempted Call of Duty Mobile on both platforms. Cloud gaming testing focused on Forza Horizon 6 via Xbox Cloud Gaming on all devices.

I evaluated the companion app experience on both iOS and Android, including firmware checking, profile setup, and button remapping. I tested the back paddle buttons across multiple scenarios, including native games, cloud gaming, and through the 8BitDo Ultimate Software V2 app. I also tested the controller's behavior on Steam, including calibration and in-game recognition.

Read more about how we test

First reviewed July 2026

• Four original Xbox titles just arrived on PC
• The games are all available to buy or via any Xbox Game Pass plan
• They're part of a new Xbox backward compatibility on PC program

Microsoft just launched a new Xbox backward compatibility on PC program that makes it possible to officially play a selection of original Xbox games on Windows for the very first time.

As detailed in a new Xbox Wire post, the program is geared towards both traditional laptops and desktops in addition to handheld PCs such as the ROG Xbox Ally and Xbox Ally X and currently includes four games: Blinx: The Time Sweeper, Conker: Live and Reloaded, Crimson Skies: High Road to Revenge, and Fuzion Frenzy. These can be purchased individually or accessed with any Xbox Game Pass plan (yes, even the budget-oriented Essential tier).

All of these titles have never been officially released on PC before. They were, however, already available on Xbox consoles via backward compatibility and if you have previously purchased a license on Xbox One or Xbox Series X and Series S it will now carry over to PC.

They're not just basic ports either. There are new graphics features like up to 4x resolution upscaling, vsync, anisotropic filtering, and enhanced anti-aliasing. A new achievement system is also in the works and will be added to these four titles some time in the coming months.

The release of these games is presumably just the beginning, and I'm hoping that we will see more and more original Xbox exclusives come over to PC. It not only gives consumers a convenient way to experience classic games on a new platform, but also forms an important part of digital preservation by keeping these releases readily accessible on modern hardware.

It's also a big win for PC gamers, who previously would have had to shell out for dedicated Xbox console hardware in order to play these releases.

If you're interested in checking any of them out, you can see the minimum and recommended system requirements below to make sure your machine is up to scratch.

Minimum system requirements:

• GPU: Nvidia GTX 950 or AMD Radeon RX 550 or Intel UHD 770 or Intel Arc A310
• CPU: Min 4 Cores Intel Core i3-8100 or AMD Ryzen 3 1200 or AMD Ryzen Z2 A Processor
• RAM: 8GB
• OS: Windows 11

Recommended system requirements:

• GPU: Radeon RX 68005 or Nvidia GTX 1070 Ti or Intel Arc A770 
• CPU: 6 cores and 12 threads Intel Core i5-10400 or AMD Ryzen 5 3600 or AMD Ryzen AI Z2 Extreme 
• DirectX Version: DirectX12 API, Hardware Feature Level 11 
• GPU VRAM: 8GB 
• OS: Windows 11

Also make sure that your operating system and drivers are up to date.

• Xbox users face account recovery issues ahead of the all-digital console future
• Xbox support offered help to more users after one had their account deleted after being hacked
• Some gamers are now hesitant to buy any of Microsoft's digital games or software

Sony's disc-less future for PlayStation consoles commences in 2028, and unsurprisingly it's left gamers unsettled, with Microsoft reportedly following in a similar direction. Unfortunately, it comes at a time when a digital future looks unsafe and insecure.

As reported by GamesRadar, Xbox has recently offered support to gamers who have lost access to their accounts due to hackers, in order to recover access to game libraries. This is directly involved with the case where one user had their 25-year-old Microsoft account hacked, and subsequently deleted, losing access to tons of personal OneDrive data and games.

In a response to the user, Joshua Khane, and the initial account deletion post, the Xbox support account issued an apology, stating it is actively working to 'restore access' to Khane's purchases, despite the account deletion email stating that it was 'irreversible'. Notably, it also highlighted that its 'DMs are open' for other users facing account recovery issues.

However, that's not done enough to satisfy users, as most suggest that Xbox support's DMs are simply full of bots, while others suggest that buying games on any of Microsoft's gaming ecosystems might be a risky move.

One user stated: "I was not affected by this, but watching the developments makes me feel very unsafe as an Xbox customer. Not sure if I should keep buying games and software from Microsoft if this is the way I'll be treated if my account ever gets hacked."

Most importantly, the drama arrives ahead of a disc-less console future, not just for Sony PlayStation users. Microsoft's Project Helix is reportedly set to feature a disc-to-digital function, known as 'Positron', allowing gamers to turn discs into permanent digital copies.

Xbox issues with account deletion after being hacked, and over 500 movies instantly removed from user libraries on PlayStation, aren't doing much to instil faith in users on both ecosystems to trust in an all-digital future.

It's now evidently clear that once physical game copies are out of the picture, users' access to games will be at the disposal of Microsoft and Sony, and that explains why gamers are continuously voicing their frustrations — but it's hard to say if those complaints will change anything.

• Assassin's Creed Black Flag Resynced game director Richard Knight is keeping future content plans under wraps for now
• He says post-launch support "doesn't feel like a crazy bet"
• He hopes fans will continue playing the game after Grand Theft Auto 6 launches

Assassin's Creed Black Flag Resynced game director Richard Knight can't confirm if the title will receive post-launch content yet, but he hopes players will continue playing after Grand Theft Auto 6 releases.

In the same interview with YouTuber JorRaptor where Knight confirmed that Resynced will get a New Game Plus update at some point, the director was asked to discuss the game's post-launch roadmap and the plans moving forward.

"I can't say anything officially, but you know, it doesn't feel like a crazy bet," Knight said.

"We definitely need to support the game. We need to fix bugs. Sorry for anyone running into bugs. They hurt. They're painful for us, too. And we do want to add some quality-of-life stuff. So it's a pretty reasonable guess."

Then, as if considering the stiff competition when the game launches on November 19, he joked, "Also, please play us when GTA 6 comes out.”

As the first Assassin's Creed remake, it's unclear what the future holds for the game compared to new titles like Shadows and Mirage. While some hope for a remake of the original game's Freedom Cry expansion, Knight has said that it's still early days and plans aren't set in stone.

The director teased that there are team members who have "[DLC ideas," but balancing and updating the core game is currently the focus.

"Beyond that, I just want to say our focus with Black Flag remake has always been Edward," he added. "He's the kind of heart soul of the original game, and so you know maybe there could be more to tell there too."

Assassin's Creed Black Flag Resynced is now available on PS5, Xbox Series X and Series S, and PC.

• Star Wars: Knights of the Old Republic remake will reportedly be re-revealed later this year
• A content creator reports that development at Saber Interactive has been "ramping up" and going "smoothly"
• Recent reports suggest the game could launch in 2028

Five years after being announced, Star Wars: Knights of the Old Republic remake will reportedly be re-revealed later this year.

That's according to reliable Star Wars insider and YouTuber 100% Star Wars (via Bespin Bulletin), who addressed reports that the KOTOR remake could launch in 2028.

In a new video, 100% Star Wars claims that Saber Interactive sources said the game's "best-case scenario" was a mid-to-late 2027 launch to coincide with the 50th anniversary of Star Wars, but a 2028 release window would align with the original 2003 game's 25th anniversary.

"A reveal later this year has been planned," 100% Star Wars said.

The KOTOR remake was announced in 2021 and was originally being developed by Aspyr Media. However, development was paused for some time before the project was eventually handed over to Saber Interactive in August 2022.

When asked about the game's progress earlier this year, Saber's chief creative officer, Tim Willits, said, "Yes, it is still in development. That's all I can say."

Aside from the teaser trailer revealed five years ago, we haven't heard or seen anything else about the game since, but according to 100% Star Wars, development has been smooth sailing since Saber took up the reins.

"I know about the extremely positive development cycle since the game has been at Saber since 2023," the YouTuber said. "Development on the game has not only been ramping up, but it’s been going extremely smoothly over the past 3 years since Saber started from scratch.

"They’ve been hiring some extremely high-end talent from across the industry and Saber is very much a unified front when it comes to the development of this game with resources and talent being pulled from all over the company."

While we wait for the KOTOR remake, Star Wars fans can look forward to Star Wars: Fate of the Old Republic, a role-playing game (RPG) from Arcnaut Studios being led by KOTOR and Mass Effect trilogy director Casey Hudson.

A new turn-based single-player game, Star Wars: Zero Company, from Bit Reactor will also launch this year on August 27, as well as Fuse Games' Star Wars: Galactic Racer, which arrives on October 6.

• Xbox chief strategy officer Matthew Ball confirms Gears of War: E-Day and Clockwork Revolution "are just the first" exclusive Xbox titles
• Xbox chief content officer Matt Booty says, "There has to be a reason for people to buy an Xbox"
• Ball says this plan doesn't mean every Xbox single-player game will be console exclusive

Xbox has confirmed that the Microsoft-owned company is looking to expand its console-exclusive portfolio, and Gears of War: E-Day and Clockwork Revolution won't be the only two exclusives coming to Xbox consoles and PC.

During the Xbox Games Showcase 2026 last month, Xbox CEO Asha Sharma announced that The Coalition's next Gears of War game will be an Xbox console exclusive, meaning the game won't be coming to PlayStation 5.

Later, Clockwork Revolution, inXile Entertainment's steampunk role-playing game (RPG), will also drop PS5 and launch exclusively on Xbox Series X, Series S, and PC.

Xbox began exploring multi-platform a few years ago, but amidst Microsoft's major Xbox restructuring, which included mass layoffs of 3,200 people, and what Sharma is calling a "reset" of the business, it seems things are reverting to the way things used to be with an emphasis on console exclusivity.

According to Xbox chief content officer Matt Booty, who discussed the matter with GamesRadar, "There has to be a reason for people to buy an Xbox," and console exclusives can act as "a reward" for players.

Xbox chief strategy officer Matthew Ball also confirmed that Gears of War: E-Day and Clockwork Revolution won't be timed exclusives, unlike games like Starfield, but "permanent ones," and the company is looking to embrace exclusivity more.

"I can assure you, Gears of War: E-Day and Clockwork Revolution are not the only titles we're planning," Ball said. "To grow a platform like ours, you have to have exclusive games and services. These are not going to be the only two titles."

Ball added that "large live-service titles" will be multiplatform moving forward, but suggested that this won't mean every Xbox single-player game will be console exclusive.

For instance, Fable will launch on PS5, Xbox and PC on the same day, along with Halo: Campaign Evolved, which is the first Halo game to ever release on PlayStation.

"I wouldn't overly fixate on single-player," he said. "I think that's a good rule of thumb, but it certainly isn't something that's carved in stone."

The executive explained that Microsoft has a "framework" for deciding which games will be exclusive and which ones will be multiplatform and recognizes "this approach is not obvious to all of our players, and we are committed to making this clearer."

Razer Hammerhead V3 HyperSpeed: two-minute review

The first thing I thought when I pulled the Razer Hammerhead V3 HyperSpeed gaming earbuds out of their box was “Wow, these are ugly.”

Not exactly the strongest first impression, but it’s unavoidable when each bud has a weird, bulbous design that gives them an appearance like a pair of obese AirPods. The shiny black plastic material looks cheap, as does the printed Razer logo on the outside, which (despite all the Razer Chroma branding on the box) is just a decal that doesn't illuminate.

They’re thankfully not uncomfortable to wear, but even in your ears they’re nowhere near as stylish as similarly priced competitors like the SteelSeries Arctis GameBuds.

With much flatter sound, they’re significantly less versatile (especially if you’re after a pair of gaming earbuds that you can also use to listen to music) and offer fewer features than that model to boot, with inferior active noise cancellation (ANC) that fails to block out most background noise when you’re out and about.

The Razer buds’ biggest benefit is the use of the latest Bluetooth 6.0 standard, which allows for ultra-low-latency connectivity with compatible devices and is ideal if you’re a serious mobile gamer looking for something to use with the latest phones. The included 2.4GHz Razer HyperSpeed Wireless dongle is also impressively compact and offers similar low-latency performance on PC, PlayStation 5, and handhelds like the Nintendo Switch 2.

This alone might be worth the compromises elsewhere if you’re a really serious mobile gamer, though there are a few more things worthy of praise. The included case is well-designed and feels pretty high quality, with an attractive RGB strip that is illuminated to denote pairing or charging status. I also really like how you don’t have to take the dongle if you want to use it: simply plug the case into your machine, and you’re ready to go, which makes it basically impossible to leave behind.

Find the Razer Hammerhead V3 HyperSpeed gaming earbuds at the right price - and they could be a good pick.

Razer Hammerhead V3 HyperSpeed review: price & availability

• Costs $129.99 / £129.99 / AU$229.95
• Available via Razer right now
• Availability at other retailers seems spotty

The Razer Hammer V3 HyperSpeed gaming earbuds cost $129.99 / £129.99 / AU$229.95 if you buy them directly from Razer, which is where I would recommend getting them, as stock at other retailers seems spotty.

If you do choose to buy from the likes of Amazon, be mindful not to accidentally purchase the cheaper Razer Hammerhead V3 X or older Razer Hammerhead True Wireless X model, as they look very similar.

At this price, the earbuds are going head to head with the likes of the SteelSeries Arctis GameBuds, which originally launched at $159.99 / £159.99 / AU$359 but are now regularly discounted to around $130 / £100 in the US and UK.

Even factoring in the added $30 / £30 at full price, I think the Arctis GameBuds are much better value. They offer a much more stylish design, versatile sound that you can easily customize with hundreds of selectable EQ profiles, in addition to slightly better overall battery life.

Razer Hammerhead V3 HyperSpeed review: specs

Razer Hammerhead V3 HyperSpeed review: design and features

• Look bulky and dated
• THX Spatial Audio support
• Case is good

You should know by now that I’m not a big fan of how these earbuds look. They have a basic stemmed in-ear design with quite a bulbous body constructed from shiny black plastic and a cheap-looking green Razer decal on the back. They honestly look like something you’d buy on Amazon for under 50 bucks rather than a product from a premium gaming brand.

The case is much better, at least. It’s large, but still easily pocketable, and has a pleasant matte texture to its exterior and a very robust hinge with satisfyingly strong magnets. There’s a subtle strip of LED lighting on it as well, which lights up in an attractive rainbow pattern when the case is opened. It also illuminates different colors to denote charging or pairing status, battery level, and so on, which makes it surprisingly practical as well.

Inside the case, there’s plenty of space for the two earbuds and a little slot for the compact HyperSpeed Wireless dongle. When in the case, the dongle is nestled inside a Type-C port with passthrough connectivity. This means you can plug the entire case directly into your PC or console in order to pair the buds, which is pretty handy and helps keep everything in one place.

Aside from this, the Razer Hammerhead V3 HyperSpeed gaming earbuds don’t have a particularly expansive feature set compared to the offerings of other brands. The earbuds support ANC and a transparency mode, in addition to automatic pausing when removed from your ears. The compatible software offers three default EQ profiles (for gaming, music, and movies, respectively) plus the ability to create your own.

On PC, the buds come with a license key for THX Spatial Audio, which simulates 360-degree sound decently well and is a solid bonus.

Razer Hammerhead V3 HyperSpeed review: performance

• Sound is okay
• ANC is poor
• Decent battery life

Although it is impressively low-latency and thus suited for competitive gaming, I found the sound of the Razer Hammerhead V3 HyperSpeed to be so-so compared to similarly priced alternatives. In the default gaming preset, the bass is plenty punchy, but they lack clarity and sounds quite muffled in the high end. It’s good enough for the likes of PUBG: Battlegrounds or Counter-Strike 2, but would be an incredibly poor fit for more story-driven titles.

The music-listening experience is bad, and no amount of EQ tweaking could remedy the uninspiring sound. I would recommend swerving the default music EQ as well, as it’s absolutely rancid and tanks not only the bass but also the low mids, leading to sound that’s not dissimilar to that produced by the free earbuds you get on an airplane.

Alternating between the Razer Hammerhead V3 HyperSpeed and the SteelSeries Arctis GameBuds, there is simply no contest: the SteelSeries pair sounds better no matter what you throw at it, and the fact that it can handle music too means that you don’t need to buy a second pair to use with your phone.

The ANC also underperforms compared to alternatives, be they the GameBuds or others such as the Sony Inzone Buds. It fails to block out much background sound and even struggles to drown out the consistent, low noise from a desk fan. If you want to take these on a plane, just forget about it.

The microphones are okay, but not particularly reliable. With any kind of background noise, they can begin to struggle to pick up your voice - which had me relying on my desktop mic instead. Touch controls are quite awkward as well. They feel unresponsive and struggle to pick up inputs, leading to frequent accidental pauses or skips if you’re trying to use them for your tunes.

The battery life is at least one area where the Razer Hammerhead V3 HyperSpeed doesn't disappoint. I easily managed 7-8 hours per charge with the buds, and the case holds enough to fully top them up about four times when you're on the go.

Should I buy the Razer Hammerhead V3 HyperSpeed?

Buy it if…

Don’t buy it if…

Razer Hammerhead V3 HyperSpeed review: also consider

Here are two more compelling options to weigh up.

How I tested the Razer Hammerhead V3 HyperSpeed

• Tested for multiple weeks
• Used with PC and mobile
• Compared to other gaming earbuds

I tested the Razer Hammerhead V3 HyperSpeed gaming earbuds for multiple weeks across both PC and mobile, playing a range of different games.

This included plenty of Call of Duty: Black Ops 7, PUBG: Battlegrounds, Battlefield 6, Forza Horizon 6, Grand Theft Auto 5, and more, in addition to mobile titles like Neverness to Everness, and Call of Duty Mobile.

Throughout my time with the buds, I compared the experience to my hands-on testing of other gaming earbuds, including the SteelSeries Arctis GameBuds and other products featured on our best gaming earbuds guide.

Read more about how we test

First reviewed July 2026

When developer Campo Santo released Firewatch in 2016, it was an unexpected hit. A debut title launching from a tiny indie studio with zero combat and doing really well is usually the stuff of fantasy, but Firewatch surpassed expectations – and it certainly surprised me.

Firewatch follows Henry, a man with a harrowing past. His wife, diagnosed with early-onset dementia, has been moved across the world to be cared for by her family. So, Henry makes a complicated decision to throw himself into an even lonelier situation by becoming a fire lookout in an expansive national park. He’s searching, perhaps, for an answer to all his problems.

It’s one of those games that doesn’t sound incredibly captivating. I mean, how hard can living in a remote tower looking out for flames really be? But it’s Firewatch’s narrative-driven storyline where the true magic lies, carrying you on an unsuspecting journey over a number of hours.

For some players, it could be a dull proposition. If I’m honest, 10 years ago, I wasn’t really into solely storytelling games. My brain worked a lot faster, and I was heavy into The Witcher 3: Wild Hunt (and I’m still busy writing my feature wishlist for The Witcher 4). Yet, I played Firewatch on a whim, and it changed my mind.

Still burning bright

As the From the Backlog series launched, it felt like the perfect excuse to replay it. Oh, and the fact it’s celebrating its 10th anniversary!

The biggest surprise for me was how little I remembered. I had forgotten the immediate depth the narrative throws at you as conversations unfold on screen. I almost felt like I’d never played the game at all. I became lost in thought about whether I actually paid enough attention the first time around.

Everything I loved back then was still here – the art style, the mystery, and the problem-solving. But, as I’ve told people over the last ten years that they should play Firewatch, I’ve always been at a loss when it comes to explaining why. Now, I know exactly why. While Firewatch presents as a game that’ll follow just Henry, it’s the conversations he holds over his radio with Deliah, another lookout based across the park, that are utterly captivating.

Like Rob Dwiar’s Eastshade retrospective, Firewatch is a lesson in how to slow down wrapped up in a video game. This second time around, my mid-30s brain appreciated the pace, and for a replay, it almost felt like I was playing an entirely different game.

Solitude and substance

Through voice acting alone, they banter, swear, and even flirt at times. There are laughs shared, memories unravelled, and a deep connection sets itself firmly at the center of the game.

Perhaps it’s because you’re alone, or perhaps it’s because Campo Santo knew how to make you care, but whatever it was, it still works. Delilah’s constant reassurance (and occasional squabbling) over the radio is so much richer when there’s absolutely nothing to distract you. I realised I’ve been searching for this same feeling in games over the last decade.

I’ve played titles from What Remains of Edith Finch to, most recently, 2026’s Will: Follow The Light, but while their storytelling is enchanting, nothing looks the way Firewatch does. Something about the vibrant hues and vintage aesthetic makes me listen, and it turns out, all I needed was a replay to remember how intense and emotionally compelling the story really is.

As the days passed in my fire lookout tower, I didn’t want the story to end. I didn’t want to bury Firewatch for another ten years. And yet, after a handful of hours, it had come to an end once again.

At least, I thought, I’m finishing this time round safe in the knowledge that if I played again in 2036, I’d still get to feel the same way about this game. Oh, and I’ll also remember that I’ll always be bad at reading maps.

• Bethesda Game Studio has shared a major update
• The announcement confirms two Fallout remasters in addition to further Starfield support
• The developer is also teaming up with Obsidian Entertainment for a new Fallout title

Bethesda Game Studios has just shared a major update, confirming that it will continue supporting Starfield, and is currently working on remasters of both Fallout 3 and Fallout: New Vegas.

"We love making these worlds as much as you love playing in them. Today, we want to share what's next," begins the latest post on the Bethesda website.

It adds that the company is "investing more deeply in the worlds players love" — but what exactly does that mean?

First, the developer says its latest release, 2023's Starfield, will continue to receive updates and support throughout the coming year with gameplay improvements, new story content, and "additional updates" planned.

The popular Fallout series is also receiving plenty of love. Fallout 5 is currently in development, though it's still a "long-range destination" in the early phase of production that will likely take many years to complete. In the meantime, however, players will be able revisit the worlds of both Fallout 3 and Fallout: New Vegas in the just-announced remasters.

There's no word on when those will release either, but I imagine they're not too far away — particularly that Fallout 3 remaster, which has been rumored to be in the works for years.

The post goes on to confirm that Bethesda is partnering with New Vegas developer Obsidian Entertainment on a "new Fallout project". This is presumably the New Vegas sequel teased in reports earlier this month that suggested the two teams were collaborating on a new title.

Of course, upcoming RPG The Elder Scrolls 6 is also mentioned, and described as the studio's "primary development focus today." As expected, however, a release date is not mentioned, and the title is still likely half a decade away.

All of this comes just over a week after Microsoft announced that Xbox, Bethesda's parent company, would be undergoing the "most significant restructure" in its history with a total of 3,200 jobs lost over the coming months.

In an email sent to Xbox employees, CEO Asha Sharma said that while the move would be "painful" it would allow the brand to to focus on "higher priority projects" with its Activision, Bethesda, King, Mojang, and Xbox Game Studios teams — a strategy already evident in the high-profile releases announced today.

• Assassin's Creed Black Flag Resynced director Richard Knight says staff have "DLC ideas"
• He explains that the main game is the team's focus right now and doesn't know whether the Freedom Cry DLC will get a remake
• Knight also revealed that New Game Plus is in development

Assassin's Creed Black Flag Resynced game director Richard Knight has revealed that staff on the development team have downloadable content (DLC) ideas, but is uncertain whether the Freedom Cry expansion will get a remake.

In an interview with YouTuber JorRaptor, Knight was asked if the team is actively exploring additional post-launch content, such as a remake of the DLC Freedom Cry, which is set 15 years after the main game and stars Edward Kenway's friend and quartermaster, Adéwalé.

While Knight acknowledged that the 13-year-old DLC is beloved not just by fans but by the team, plans for the game's future are uncertain. He explained that it's focused on updating the base game for now, but revealed that team members do have "DLC ideas."

"The reception has been amazing, but it's still so early right now," Knight said. "I know some folks on the team have DLC ideas. We need to balance those out with our future and then updating the core game."

"But beyond that, I just want to say our focus with Black Flag remake has always been Edward," he added. "He's the kind of heart soul of the original game, and so you know maybe there could be more to tell there too."

The director couldn't comment further on plans or on a potential DLC, only that the team has its hands full right now.

In the same interview, Knight also confirmed New Game Plus is in the works, but couldn't offer a release date.

"This is the one thing I can say: Yes, we're working on that right now," Knight told JorRaptor. "For sure. It's one of the first things. Partly because Shadows has already built their version, so it's considered a low-risk feature for us. We're still doing the work, so I can't promise exactly a day or anything, but we're definitely working on this one. It's just such a natural thing."

When asked if the Shadows' New Game Plus made it easier for the Black Flag Resynced team to add the feature to the game, he joked that Simon Lemay-Comtois, associate game director of Shadows, "did the hard work" of introducing it in the first place, and it gives the Black Flag Resynced team "something to look at."

"We have different challenges in terms of how that works," he said. "We can't skip to the hideout, necessarily. But we're looking into it."

On the possibility of the game having extra rewards for New Game Plus, like in Shadows, Knight suggested the game is still in early development, but, "If it's up to me, yes."

"There's still production discussions about what we can do and how much time it takes," he said. "Every item we make needs a model. Sometimes it needs cloth sim. All sorts of things."

In terms of a release date for the mode, he added, "I really can't promise anything – just to say it's at the top of the list of things. There's a lot of things. Some are harder than others, but it's something we definitely want to get done."

Assassin's Creed Black Flag Resynced is now available on PS5, Xbox Series X and Series S, and PC.

• Richard Knight, director of Assassin's Creed Black Flag Resynced, has explained why hidden blade combat was removed from the remake
• He says the team "prioritized core combat"
• Knight adds that the team is also monitoring player feedback but "can't make any promises"

Assassin's Creed Black Flag Resynced director Richard Knight has explained why the newly released remake of the 2013 game doesn't feature the original's hidden blade combat.

Black Flag Resynced is built from the ground up and features very little of the original code, but offers a faithful recreation that honors the original story, characters, and world. Many aspects have been changed to modernize the decade-plus-old game, including a revamp of the fight system, which notably does without Edward Kenway's hidden blade combat, which allowed the assassin to take down multiple enemies in a swift chain-kill.

In an interview with YouTuber JorRaptor (via IGN), Knight revealed why the team chose to scrap the feature, explaining that it wasn't a priority.

"During development, if you looked at Edward — he's so powerful right now and has so many tools, and so we prioritized core combat because we needed to nail that," he said.

"Something like throwing weapons, while it's cool, it's just like, 'He already has ten ways to kill somebody.' So, given the cost to reinvent the feature and rebuild it from the ground up with today's characters, rigs, and animations, there's a lot more that goes into it. It was just lower-priority for us."

Edward's hidden blade combat was a pretty cool feature of the original game, so understandably, a lot of fans were a bit miffed to discover the remaster ditched it.

However, additional comments from the director suggest that the development team could make some changes in the future.

"We can't make any promises, [but] we're listening to the community," Knight said. "We're interested in what people want the most.”

Assassin's Creed Black Flag Resynced is now available on PS5, Xbox Series X and Series S, and PC.

TechRadar Gaming's Managing Editor Rob Dwiar rated the game four stars in his review, calling it "a great remake of a classic game and does a great job of walking the tightrope between respecting the original source material and introducing new content and modernizing aged features."

• Market research firm Newzoo reports that Grand Theft Auto 6 has "the strongest pre-order campaign ever recorded"
• The game earned roughly $180 million in digital pre-order sales across the US and the five largest European markets during the last week of June
• It's estimated GTA 6 will achieve $3.3 - $5.2 billion in cumulative global sales by the end of launch week

Grand Theft Auto 6 reportedly achieved the strongest pre-order period ever and is on track to earn over $5 billion by the end of its launch week.

That's according to video game market research firm Newzoo, which released a new analysis reporting that the upcoming Rockstar title earned roughly $180 million in digital pre-order sales across the US and the five largest European markets during the last week of June.

These markets represent 69% of lifetime console players for GTA 5, which Newzoo used as a guide to estimate that the total global spend was around $260 million in the first week of pre-orders, concluding that this "kicks off the strongest pre-order campaign ever recorded."

"That is a massive sum with major implications for how GTA 6's total sales should be forecast," the firm said. "Placed on the sales curve GTA 6 is likely to follow, that puts it on pace for $3.3 - $5.2 billion in cumulative global sales by the end of launch week."

The report states that popular titles, such as Cyberpunk 2077 and GTA 6, follow three sales curves: the "brand-new IP," the "sequel with performance uncertainty," and "the proven sequel - a known quantity." GTA 6 "will most closely resemble the proven sequel curve," and will see linear growth as we get closer to release, with Newzoo predicting that the first-week pre-order sales account for roughly 5.8% of the total sales by the end of the game’s launch week.

With this being said, the firm believes GTA 6 could reach $4.5 billion in sales by the end of its first week on sale, which is roughly 51 million copies sold.

GTA 6 is the most anticipated game of all time, but it Newzoo noted that, contrary to social media reports, the game "has not done a billion dollars in pre-orders 21 weeks out" from launch.

"This is absurd. Given how pre-order curves look, nothing ever has and nothing ever will in the near future," Newzoo said. "What the data actually shows is $180 million in digital pre-order spend across the US and the five largest European markets in the final week of June, translating to a global opening week of roughly $260 million, with most of the ramp still ahead."

It added, "Run that figure through the plausible band of pre-order curves, and GTA VI is on track to book between $3.25 billion and $5.2 billion in week-one launch revenue. Even at the most conservative reading, namely that GTA 6 front-loads harder than any major title in our dataset, it lands at a tremendous number by any historical standard."

GTA 6 officially launches on November 19, but physical copies don't come with a disc, but a digital download code. Despite the controversy surrounding the move, a recent report suggested that the physical edition is a top seller at multiple retailers.

• Former PlayStation boss Shawn Layden says developers need to lead with innovation to justify the increasing cost of consoles
• He says studios are "limiting our reach just because of the games we’re building now"
• While Grand Theft Auto 6 will be a hit, Layden says "there are a lot of people in the world who really don’t care" about it

Former PlayStation boss Shawn Layden thinks studios need to start investing in unique games that entice a wider audience to justify the increasing cost of consoles.

The price of hardware has been rising over the past few years. We can blame the rising cost of manufacturing, the shortages driven by AI data centers eating up all the components, or inflation. For whatever reason, the current landscape is a mess, and the next generation is bound to be expensive.

As Sony and Microsoft hike the price of current-gen systems, despite the PS5 and Xbox Series X and Series S being six years old, analysts suggest that the PS6 and next Xbox could cost as much as $1000. It doesn't sound out of the realm of possibility when you consider Valve has just launched the Steam Machine, a console-PC hybrid, for the same cost.

From what little we know about the PS6, we can expect technical improvements over the PS5, which could mean better ray-tracing and higher frame rates. With PlayStation's plan to end physical disc production in 2028, analysts predict that it could also be an all-digital console, sadly.

But would this justify a $1000 price tag? According to Layden, who spoke about the changing industry in an interview with Kotaku, it doesn't, and Sony will need to lead with software innovation to draw in gamers instead.

“I mean really, how much more ray tracing can you put in there?” he said. “And will my eyes actually see 120 frames per second?”

Layden can't say what the PS6 will look like compared to the PS5 since he hasn't worked at Sony since 2019, but if there's a chance the technical gap between the two consoles is too narrow, software is where things need to change.

"I think we’re already kind of limiting our reach just because of the games we’re building now. I mean, variety and range seem to be narrowing," Layden said. "Most games are falling into a standard set of buckets."

He pointed to the genres of games we've been seeing over the years, including zombie apocalypse and space-marine games, action titles with "guys with really long swords and not much armor and dragons."

Layden then brought up GTA 6, and while he acknowledged that the game is going to be a massive hit, some gamers don't care about it.

"So, you see those categories and coming around that, of course, Grand Theft Auto is going to be like an asteroid piercing the atmosphere and hitting the gaming universe with great force and power," he said. "But there are a lot of people in the world who really don’t care about Grand Theft Auto, the non-gaming community."

He continued, explaining, "We talk about how big we are, $220 billion, $250 billion industry, but our social impact is the reverse. Everybody has a favorite song. That’s probably the least revenue-generating entertainment category, music, compared to gaming and film and television. But yet it has the widest impact. And so gaming, it’s huge on the revenue side of things, but it’s a very select group that are doing it.

"We’re getting more money from the same people all the time and not necessarily bringing in new people into the experience. And if these people who aren’t in the gaming experience have already said ‘we don’t care about Call of Duty, we don’t care about Grand Theft Auto, we don’t care about Gran Turismo,’ doing more of those same games is obviously not going to appeal to those people either."

While Layden thinks discoverability is one facet of the issue, the main problem is creativity, and if developers "close ranks" and continue making shooters by appealing to what the "base user" wants, things will be fine, "but we won’t get any bigger. We won’t bring any more people into the tent. And that’s probably bad."

He added, "We need to bring out more games for more people, which means actually you have to have more people making games and in different places and different experiences. I want to find out what games from Uruguay look like and what kind of game designers we have in Bulgaria."

• Dragon's Dogma 2 producer Naoto Oyama says Performance Mode will reach 60FPS on console ahead of the Dark Arisen release
• Oyama says the Switch 2 version will hit 30FPS and "even higher"
• He adds that Capcom's RE Engine has been "a really great fit" for Switch 2

Dragon's Dogma 2 is coming to Nintendo Switch 2 later this year alongside the launch of its Dark Arisen expansion, and Capcom has been making some major improvements to the base game in preparation.

Speaking in an interview with Eurogamer about the process of porting the fantasy role-playing game (RPG) to Switch 2, producer Naoto Oyama said that Capcom's RE Engine "has actually been a really great fit for Nintendo Switch 2."

He explained that the team has been able to use knowledge of previous Switch 2 ports, like Pragmata and Resident Evil Requiem, and the improvements made to the RE engine to create a solid port for Dragon's Dogma.

"Because this is an internal [Capcom-owned] engine, we've been able to accumulate knowledge and know-how from other teams," Oyama said. "And that means that the improvements that are made to the engine with each title, and the different features that are added with new games, get to stay with us - and we get to benefit from them on future titles. It's a really positive cycle for us."

The producer confirmed that the team has also been working to improve the game's overall performance, not just on Switch 2, but also on the launch PlayStation 5 and Xbox Series X and Series S platforms.

"In particular, we've been trying to find as many small tweaks as we can make so we can build up and have a big performance improvement on consoles when it comes to Performance Mode itself," he said, adding that this will be a feature of the August title update, allowing the game to reach 60FPS in Performance Mode on console.

Oyama continued, confirming that the game can reach 30FPS on Switch 2 and "even higher" during many scenes.

"That means that, commensurately, all that effort we've put into the PS5 and Xbox Series X/S versions of the game also pays off in the Switch 2 version," he said, "and we're currently seeing a minimum 30 frames per second rate performance on that hardware (and, in many scenes, it's even higher!).

"So it's a little while to go until the game releases, but it's exceeding our expectations on Switch 2, and I hope the players agree that we've done a great job again with bringing this game to that platform."

Dragon's Dogma 2: Dark Arisen, which introduces a new region, Norgan, new armor, weapons, dungeons, and more, launches on October 9.

• Aston Martin just revealed the Dreadnought, a digital-only military SUV designed exclusively for Call of Duty: Modern Warfare 4
• It features rugged armor plating and a powerful V12 engine
• The vehicle will feature in the game's DMZ mode and the free-to-play Warzone battle royale

Legendary luxury car manufacturer Aston Martin has just revealed the Dreadnought, a heavily armored all-wheel drive SUV said to offer "supercar levels of performance" and "elite tactical performance" on the battlefield.

Its Chiltern Green painted body combines rugged military armor plating with advanced aerodynamics to deliver a powerful combination of both speed and protection, while the interior includes luxury elements like an Oxford Tan leather dashboard and golden gear lever.

Under the hood, it boasts a mammoth V12 engine and comes with a unique range of combat-oriented features such as dedicated weapons storage and reserve fuel tanks.

Its name is intended to conjure images of the HMS Dreadnought, a famous 20th-century British vessel that was so significant it spawned a whole new class of battleship.

The catch? It's not a vehicle that you will actually be able to buy; it's a digital-only concept that's been designed exclusively for the upcoming video game Call of Duty: Modern Warfare 4.

According to the car maker's chief creative officer, Marek Reichman, designing the vehicle posed a "not inconsiderable challenge" to reimagine what Aston Martin could be in a virtual world where "the only limit is imagination."

Although the car is fictional, Reichman said that it was imagined as "a vehicle living in the real world" throughout the design process, and therefore "feels genuinely real."

You'll be able to go behind the wheel of the Aston Martin Dreadnought in Modern Warfare 4's DMZ mode when the game launches on October 20, 2026. It will also appear in the free-to-play battle royale Call of Duty Warzone.

Fans attending the upcoming Fanatics Fest in New York will be able to see a full-size model of the car in the flesh at the Call of Duty stand.

• The Blood of Dawnwalker director, Konrad Tomaszkiewicz, says a delayed next-generation would be beneficial for Rebel Wolves
• Tomaszkiewicz says it's "easier" to work with the current generation and PC
• He says two more builds would multiply "the amount of work you need to do"

The Blood of Dawnwalker director Konrad Tomaszkiewicz isn't worried about the impact of what a delayed next-gen could mean for Rebel Wolves because working on the current-gen consoles is "easier."

It's unclear when the next-generation hardware will launch. Rumors suggest that the PS6 could launch as late as 2028, which would make it eight years between the start of the current generation, with Project Helix, the next Xbox console, also eyeing a 2028 release.

With console prices increasing due to manufacturing costs, not to mention the RAM shortages caused by a rise in AI data centers, there's a chance the next-gen consoles will be highly expensive.

While Sony and Microsoft have yet to reveal how much their new hardware will cost, a delay in the next generation could be on the table as the companies wait for things to settle down and for consoles to become affordable again.

This would also mean studios won't have access to next-gen tech for quite some time to develop their games, which would force them to stick with current-gen.

However, for The Blood of the Dawnwalker studio, Rebel Wolves, this would actually be beneficial to the development team.

The Blood of the Dawnwalker is the first installment in Rebel Wolves' dark-fantasy role-playing game (RPG) series, launching later this year, and has already teased a sequel set in a modern timeline.

When asked by Eurogamer whether the next console generation being delayed would be an issue for the studio and the future of the game series, the director said, "It doesn't at all."

"To be honest, it's even better for us," Tomaszkiewicz explained, "Because when you have the game, and you know the systems and the features adjusted to these particular consoles, you know what you need to do. Always, a new platform is a new challenge: you need to learn it, you need to know what are your borders, what you can do, what you cannot do. And also, it's an additional build you need to create that you need to take care of later."

The director continued, saying that since The Blood of the Dawnwalker has four builds - PS5, Xbox Series X and Xbox Series S, and two PC builds, it's already a ton of work for testers, so another console generation to work with would be another challenge.

"Let's say we have four builds, and later on you want to deliver a patch for the players. You need to be sure that these changes work on the Xbox, on the PlayStation, PC one, and PC two," Tomaskiewicz said.

"When you have next-gen, you're adding an additional two builds, and it multiplies the amount of work you need to do. It sounds easy but you need to know that there is a group of testers who need to test every platform separately - not only this particular change but whether the whole game has no blockers, if you can finish it from the beginning to the end, and so on and so on.

"It's a huge effort, to be honest, and if we work on the consoles we have right now, it's easier, because we know how many builds we have and it's easier to manage."

The Blood of Dawnwalker launches on September 3.

Assassin's Creed Black Flag Resynced is here, and it looks like this remake has been a massive success. Ubisoft says that it’s already sold more than two million copies, with players all around the world discovering (or rediscovering) its wonderful 1700s Caribbean setting and all the twists and turns of its engaging pirate story.

Our own Resynced review saw the game awarded four stars out of a possible five, praising its many modernized mechanics and just how faithfully it adapts the 2013 original. Although the main review was handled by our resident Assassin’s Creed expert, Managing Editor Rob Dwiar, I’ve spent the last few days pouring hours into the game and am having an excellent time so far.

I’m almost halfway through now, and there’s already so much to like about it, as you’ll see with some of the highlights below, but also one little thing that’s been bothering me.

The visual upgrades are a huge success

You don’t need to have put Resynced side by side with the original Assassin's Creed 4: Black Flag to appreciate just how much of an improvement the new visuals are. It’s no hyperbole to say that this is the best-looking emtry to date, edging out the already stunning Assassin's Creed Shadows thanks to its smaller but more detailed world.

The opening sequence has you parkouring your way through a lush tropical rainforest, showing off incredibly dense plants and little details like dangling vines that really help sell the setting. The gorgeous ray-traced lighting dances through the canopy superbly, light scattering down onto the little pools of water that are dotted throughout the jungle and reflecting off them realistically.

If you examine the layouts in detail, there have been loads of changes, but key elements from the original level layouts have been preserved smartly, like the fallen tree trunks that protagonist Edward Kenway darts across, so everything feels just right.

It’s the same story when you reach the city of Havana, which feels larger and more bustling than ever before. The streets are packed full of non-player characters (NPCs) wandering around, chatting to one another, moving crates, or standing around market stalls to give the impression of a lived-in world.

As for the open sea, I don’t think another game has nailed the waves quite this well. The water physics are phenomenal, with countless waves that stretch off into the horizon. The sea here looks far brighter than the original game ever did, but rather than taking away from the atmosphere, I appreciate how inviting it makes it all look. This is a world that’s just begging to be explored.

The visual overhaul extends to the game’s cutscenes. The wooden 2013 character models are no more, replaced with far higher fidelity versions that look much more convincing. Faces are no longer stiff and awkward-looking, either, thanks to enhanced motion capture, making it much easier to get stuck in and immerse yourself in the story.

Refined combat means swashbuckling feels better than ever

Going into Resynced, having seen a handful of trailers, I was quite worried that the combat would feel like that of Assassin's Creed Mirage: awkward, clunky, and a throwback to the systems of the older games in all the worst possible ways. Thankfully, when I actually got my hands on the game, it was immediately clear that my concerns were misplaced.

The combat system here is like the simplicity of the original game’s mechanics merged with all the style and flair of the fights in Shadows. Enemies have decently sized health bars or shields now, which you can whittle down with sword strikes before hitting a perfect parry to trigger a stylish finisher. This isn’t your only option either, as abilities like the rope dart or kick let you quickly stagger tricky enemies without breaking your flow.

There’s a fantastic rhythm to all of it, and I’ve found that charging in with my swords drawn has quickly become my favorite way to tackle encounters. It certainly helps that the most frustrating instant-fail parts of missions have been entirely reworked as well, giving you more freedom than ever to experiment with Edward’s arsenal.

There's finally no modern-day nonsense

Rob lamented the loss of some of the modern-day content, but I’m in the exact opposite camp. I think taking it out was the right decision, as the diversions into the modern setting are some of my least favorite parts of older Assassin’s Creed games.

I’ve always found the series’ whole meta narrative incredibly tedious — filling what would otherwise be grand adventures with a barrage of pointless conversations between characters that I’m convinced nobody ever cared about. Can anyone earnestly say that Desmond Miles is the best Assassin’s Creed character? No, and he just takes up precious time that we could be spending with someone actually entertaining and charismatic like Ezio Auditore da Firenze.

The modern-day stuff was especially bad in the original Assassin’s Creed 4: Black Flag, casting you as an unnamed game developer working for a company controlled by the evil Templar Order. Wandering around a plain office block reading files and chatting with a handful of annoying coworkers is indescribably dull — I enjoy games that let me escape from my daily life, not recreate it.

Yes, the segments do introduce a little bit of satire, riffing on some of the more ridiculous events of the alternate history plot, but otherwise you’re not really missing anything with their removal.

Like Shadows, there are still some elements of the overarching narrative here as well for those that really care: the intro makes it clear that the game takes place in a simulation, and there are plenty of documents that reference the modern Assassin vs Templar struggle (on top of new Animus Rift challenges that explore interesting ‘What if’ scenarios connected to Edward’s life).

Thankfully, that’s all optional, so it can be promptly ignored if, like me, you’d rather focus on the historical fantasy.

But I wish the UI was a little more distinct

It’s clear that Resynced draws quite heavily on Shadows both technologically and mechanically (in addition to a healthy splash of Skull & Bones for the parts where you’re at sea). This, of course, isn’t a problem in and of itself, as Shadows is clearly an excellent foundation to build upon, but I do wish that the design of the menus and UI was more distinct.

There have been some tweaks for sure, like the position of different elements and the icons of map markers and so on, though to me lots of it still looks a little bit too similar - the loading screens are the scale, and the inventory menus are practically identical, for example, as are prompts when you’re being seen while in stealth. Both games even use the same fonts throughout.

It’s definitely not a big deal, but it all leaves Resynced looking more like a Shadows DLC than a remake of an older game at its most surface level. A more imaginative UI that drew more from the original Assassin’s Creed 4 and less from the most recent instalments would really help give Resynced more of a distinct identity.

Assassin's Creed Black Flag Resynced is out now for PC, PlayStation 5, and Xbox Series X and Series S.

Reflecting on my time with Tomb Raider: Legacy of Atlantis at Summer Game Fest 2026, I really can’t wait to fight more dinosaurs and solve more puzzles as Lara Croft once more — but I’m yearning to see more to get a better idea of the reimagining at work.

Playing one area complete with lush rainforest setting, puzzles, waterfalls, and dinosaurs, I, first and foremost, was instantly having a great time, and the experience scratched both my Tomb Raider and my Uncharted itch.

However, it was quite a self-contained preview, and my overwhelming emotion after finishing it — after basking in its beauty, at least — is that I really need to see more to get a better handle on the reimagining and the specifics of how that differs from a remake. I got a glimpse into Lara’s Peruvian adventure, but not much more.

Welcome to the jungle

What I can categorically say, however, is that this is a reimagination for the modern day, well and truly. The visuals are stunningly beautiful, and the rendition of the jungle that this iteration of Lara Croft finds herself in is exquisite.

The lush and verdant vegetation, beautifully detailed ruins, and fabulous water effects all combine to make for a really beautiful setting, and this may be the best-looking Lara Croft game ever once it comes out — which is saying something after the Survivor trilogy. Full of secret tunnels and routes, as well as overgrown passages to cut down and spectacular jumps to make across ruins and walkways, the game’s environments are set to be spectacular playgrounds.

The core of the segment I previewed involved Lara solving an ancient water and gear puzzle to progress past a giant gate, and presumably open a route to find treasure. The challenge itself was well done and featured a good mix of what I would call the b*****d-hard puzzles of older games, with some parts that were more intuitive. It felt well-balanced between giving you hints and giving you nothing.

Such was the attraction of the area and to explore all it had to offer, the inner looter in me took great glee in searching every nook and cranny for shiny ornaments, trinkets, and secrets, but I was left wondering whether these are just things to be found and stuffed away in a menu, or whether these, hopefully, are secrets that lead to something greater or play into side quests, or similar. One can only hope.

It’s got the moves

Lara herself is a joy to play again, and this version did not disappoint. Wonderfully voiced and acted by Alix Wilton Regan, I really felt like this version of the icon felt more ‘human’ than ever before.

Away from some gravity-defying jumps, this mainly came from a weightier, more realistic move set that felt more grounded. Even the flair moves and acrobatics felt believably human through my controller. She also feels more vulnerable, less of a video game behemoth with overpowered guns, and much more breakable, which adds a bit of peril too.

The modernization of Lara’s tools feels well done; gadgets are intuitive to use and helpful without spoon-feeding you too much, while they are also well implemented in terms of how they look on screen, with a scan’s net wrapping around ruins, for example.

Lara also has a new focus ability to add to her modern skillset that works a lot like bullet time from Max Payne and is satisfying to use — and to build up, by deploying well-timed dodges and acrobatic moves.

This all came to the fore toward the end of my preview when I encountered some iconic enemies: dinosaurs! Taking on three velociraptors with only Lara’s trusty handguns shone a light on how much skill you need to dodge and acrobatically move out of the way of attacks, but also how valuable it is to use the focus ability to gain an edge.

Finishing the preview with the famous Tyrannosaurus Rex chase scene was a thrill too, and in this new beautiful guise, the game managed to brilliantly capture the adrenaline-fueled, panic-ridden affair spectacularly. If this is a microcosm of the spectacle and adventure that’ll fill the entire game, then it’ll be a special ride; and as a result, it really does feel like the time is right to jump back into Lara's boots.

Having said all that, I really would like to see more to get a proper, meatier look at what this reimagining is going to look like on a grander scale. The mix of modern takes on gameplay, action, and combat mixed with some old-school approaches that hark back to the origins of one of gaming’s finest icons has got me incredibly keen and excited to see how more of it comes together.

Until we hear more, though, I’ll just have to wait until the game releases on February 12, 2026, for PlayStation 5, Xbox Series X and Series S, and PC.

• The PlayStation and Xbox One versions of Dying Light: The Beast have been cancelled
• Techland says the game "was built from the ground up to take full advantage of current-generation hardware"
• The decision "reflected the technical realities of development and our commitment to delivering the best possible experience"

Techland has announced that Dying Light: The Beast will no longer be released for last-generation consoles.

The latest entry in the survival horror series launched in September last year for PlayStation 5, Xbox Series X and Series S, and PC, and it was Techland's plan to eventually bring the game to PlayStation 4 and Xbox One at a later date.

Now, in a statement shared on X today, the studio confirmed that it has "made the difficult decision" to cancel the ports "after careful consideration."

"Dying Light: The Beast was built from the ground up to take full advantage of current-generation hardware. Its open world, advanced visuals, and fluid combat and traversal all depend on processing power and memory that previous-generation consoles simply cannot provide," Techland said.

"As development progressed, it became clear that bringing the game to those platforms would require compromises that would prevent us from delivering the experience we set out to create."

It continued, saying the decision wasn't a "matter of choosing to leave those platforms behind" but rather one that "reflected the technical realities of development and our commitment to delivering the best possible experience."

"We know many of you were looking forward to playing on PS4 or Xbox One, and we are truly sorry for the disappointment this causes. Anyone who was expecting to play on either platform will be eligible for a refund. Thank you for your understanding and continued support."

In TechRadar Gaming's Dying Light: The Beast review, reviewer Christian Guyton said the game "went from potential expansion to a fully-fledged sequel, and although its origins are on full display in its narrative and protagonist, it never feels constrained by them."

"It’s not reinventing the wheel," Guyton wrote. "Techland has a solid formula that mixes traditional open-world action sandbox elements with a solid parkour-based movement system and high enemy density, so it’s understandable that The Beast wouldn’t be too much of a deviation from the norm. Still, the new setting is a breath of fresh air, and it still feels fantastic to dropkick a zombie off a roof."

A new edition of the game, Dying Light: The Beast Restored Land, was released earlier this year and included the base game, all post-launch content, and the 'Restored Land' survival mode.

• We can exclusively reveal The Fight of the Braves from the Resonance: A Plague Tale Legacy soundtrack
• Composer Olivier Derivière describes it as 'one of the most epic tracks' on the whole soundtrack
• Resonance: A Plague Tale Legacy releases on August 27, 2026

Action-adventure game Resonance: A Plague Tale Legacy is the next game in the brilliant Plague Tale series, and we've got one of the tracks from its soundtrack to reveal exclusively right here.

It's the one track that composer Olivier Derivière describes as "the most contrasted score from [the] A Plague Tale series". The Fight for the Braves is an intense and pulsating song that goes big on percussion, crescendos, and haunting choral vocals. A cheery tune this is not.

Derivière says, "The Fight of the Braves is one of the most epic tracks on the OST. We needed something truly glorious to capture the spirit of the ancient Minoan warriors. Rather than relying on a full orchestra, the rousing energy of the magnificent Amalgamation Choir, combined with thunderous percussion, perfectly conveys the relentless challenge ahead."

Derivière goes on to say that, "The echoing musical phrases also beautifully depict the deep connection between Sophia and that distant era, a mystical resonance traveling across the ages."

The soundtracks to the first two Plague Tale games are some of my absolute favorites from recent years, and perfectly aligned with the games' bleak and dark stories. From what the composer says about the wider soundtrack, it sounds like we're in for something special.

“Resonance, although part of A Plague Tale universe, is a very different game and therefore needed a fresh musical approach without leaving the core emotions and musical traits of the franchise,” explains Derivière.

Using musicians and vocalists from Cyprus and Greece to get an authentic feel, the Amalgamation Choir were sought out to create a spell-binding score to accompany Sophia's adventure.

The Resonance: A Plague Tale Legacy soundtrack will launch on music streaming services and be available for digital download alongside the game on August 27 this year.

• Call of Duty: Black Ops Season 5 has been revealed
• The update drops on July 23, 2026
• Big additions include new weapons, maps, and modes

With Call of Duty: Modern Warfare 4 on the way, Activision has revealed the next batch of content coming to 2025's Black Ops 7 and the free-to-play Warzone battle royale.

As detailed on the Call of Duty blog, the major additions include five new multiplayer maps, three of which drop alongside the season's launch on July 23.

The one I'm most looking forward to is Jubilee, an all-new 6v6 environment set in a rural Japanese town. It's joined by Frequency, a remaster of a Black Ops 4 map, and a remake of Black Ops 2's iconic Dig (itself a version of World at War's Courtyard).

The two other maps, Turbo Tilt and Freerun: Descent, will be added in the subsequent Season 5 Reloaded update.

A wealth of new modes

Some new limited-time modes are dropping as part of the update as well: Overdrive Domination (a twist on the classic Domination mode that incorporates the power-up stars from Overdrive), Gauntlet Rush (which rotates between five distinct game modes), and, in the mid-season, the return of Cranked Moshpit.

It wouldn't be a new season without some fresh weapons and attachments, and the ones coming in Season 5 are some of the wildest yet.

At launch, you'll be able to unlock the FG42 assault rifle, a modernized version of the WW2 weapon with serious damage and almost no horizontal recoil, and the dual Gremlin SMGs, which trade the ability to aim down sights for extreme firepower and mobility.

Later in the season, the Mammoth LMG is being added and, true to its name, it's a massive gun with two high-power barrels that fire continuously in addition to a new mace melee weapon.

On the attachment side, completing weekly challenges will unlock the likes of the Jäger 45 Grid-Breaker Kit — a crazy pistol conversion that turns your side-arm into a portable EMP blaster — or the M34 Novaline Garand Conversion that transforms the futuristic burst-fire rifle into an old-fashioned top-loaded one.

If you're keen to dive in, Black Ops 7 is available now for PC, PlayStation 5, PlayStation 4, Xbox Series X and Series S, and Xbox One.

• Former Rockstar Games producer John Ricchio thinks Grand Theft Auto 6 will be "monstrous" in scale
• He says the developer tends to make every game bigger than the last
• However, he wouldn't want to work on the game because of how ambitious it is

Former Rockstar Games producer John Ricchio believes Grand Theft Auto 6 will be a massive game and is glad he isn't working on such an ambitious project.

In a new podcast interview with Kiwi Talkz, where the developer discussed his time at Rockstar and the crunch culture that came with the role, Ricchio was asked whether there was any part of him that wanted to work on GTA 6, or if thinking about the project stressed him.

"I think the fact that every single time they do a GTA, it's like ludicrously bigger than before is like something that I think about," Ricchio said. "I can only imagine the size of GTA 6. It must be monstrous, or if not monstrous, it's probably way more detailed."

GTA 6 will have a much larger Vice City map, allowing players to explore several regions of Leonida. There will also be a ton of open-world activities and features to access, including car shops, clothing stores, hairdressers, safehouses, as well as boats that players can take on the water.

The developer suggested that if Rockstar "kept the same footprint as GTA 5, which was significantly bigger than GTA 4, significantly bigger than RDR [Red Dead Redemption] and continued to build upon that framework, GTA 6 will be a massive game.

"Between RDR and GTA, I think they were continually growing the size of the world, which is a big deal, right?" he said. "It's a lot more stuff to build. It's a lot more performance to deal with. There are a lot of considerations with going with a bigger world, but it really does make you feel like you're in a place, right? It makes you feel like you're in a huge place."

For this reason, Ricchio jokingly added, he's "pretty happy" he's not working on the game.

"Not that it wouldn't be cool to work with those people. I still think about my Rockstar teams all the time," he said.

"It is really difficult, and it's a hard period of your career when you're working that hard on something, and getting to the end and then getting to have people be really excited about what you've done is just magic, it is so rewarding.

"I'll never forget some of the play with the public events for Max Payne or for RDR, and even GTA, we were involved in very specific pieces, but just having people so excited about what you've made or being a part of something. It is so incredible. It is such a good feeling to make something, to spend a lot of time [on something] and have people appreciate it."

Ricchio continued, saying if he was still at the studio and working on GTA 6, he wouldn't be "amenable" to how things operate currently, which would "probably lead to an exit for me."

"I've learned a lot about different ways that you can do things and different ways to build successful, kind of hard projects, and it doesn't require that way to do it on the backs of burning people out," the developer said. "Clearly it works, and they make games that do really well, and I expect GTA [6] to do really well even at the higher price point."

• Future Games Show will return for Gamescom 2026
• The main showcase will begin on August 26, followed by the FGS Live, and the FGS Best Of Gamescom will air on August 30
• Future Games Show at Gamescom will feature world premieres, new trailers, and more

The Future Games Show will officially return next month for Gamescom 2026 with three digital showcases.

Future Games Show at Gamescom will air the same day the industry event kicks off, on August 26, and feature new announcements from "some of the industry’s most creative studios," including world premieres, exclusive trailers, developer deep dives, and brand-new game demos.

The recent Future Game Show Summer Showcase in June included 40+ games and 11 world premieres, and reached over 17.8 million live and launch-weekend views, so viewers should expect some more exciting game reveals.

FGS Live From Gamescom will immediately follow the main showcase on August 26, be hosted by the FGS editorial team, and feature more world premieres and exclusive trailers, as well as news and interviews from the Gamescom show floor.

To round out the event, the FGS Best Of Gamescom broadcast will kick off on August 30 and take viewers to the show floor to wrap up the best games of the event. Those tuning in can also expect exclusive booth tours, developer interviews, and a recap of Gamescom’s most exciting announcements.

All three digital shows can be watched on Future Games Shows' Twitch, YouTube, X, TikTok, Facebook, and GamesRadar+.

"The Future Games Show is the best place to discover new games, from indie gems like acclaimed-puzzler Blue Prince to AAA blockbusters such as sci-fi RPG Exodus," said Daniel Dawkins, Content Director of Future Games Show at Future. "Our Summer Showcase delivered 3.72 wishlists per live viewer, comfortably outperforming industry averages, thanks to our super-engaged viewers.

"Since launching in 2020, we have been proud to showcase the industry's most exciting titles alongside premier hosts like Troy Baker, Alix Wilton Regan and Ben Starr. This Gamescom, we are delivering three massive digital showcases packed with the latest news and world premieres for PC and consoles. Don’t miss it!”

• One of the original Xbox founders, Laura Fryer, suggests Sony is stripping away game ownership via an all-digital future
• It comes after PlayStation announced physical game discs won't be produced starting from January 2028
• Fryer claims Sony let Rockstar 'take the heat' by announcing a digital-only GTA 6 first

Sony is still under fire after its latest announcement of a future all-digital future for PlayStation games, as physical game copies are due to be axed — and not only are consumers livid, some gaming industry veterans are too.

As reported by Notebookcheck, Laura Fryer, one of the original founding members of Xbox, has recently condemned Sony's announcement ending physical game discs for future PlayStation games, and highlights the threat the move poses to game ownership.

The announcement from Sony has since resulted in major backlash regarding game ownership from thousands online, including a slight pushback (or support for physical media) from indie game developers like Astrolabe Games.

In this case, Fryer hasn't been shy about noting just how dangerous the end of physical game discs will be once 2028 arrives, especially since rumors suggest Microsoft may follow in a similar direction with its next Xbox console.

"Digital is convenient until someone else decides you've had enough, and there are some games and movies where I will never have enough of them," Fryer stated, which is arguably a valid statement since Sony recently removed over 500 purchased movies from users' libraries.

It's worth noting that Rockstar Games recently opened GTA 6 pre-orders, with the announcement that there won't be a physical copy of the game, which Fryer highlights as an important step to Sony's latest plans, stating: "Sony waited for Rockstar to make the first move, take the heat, and now they're going all in to make this the new normal."

Fryer even references Don Mattrick's infamous statement regarding an 'always online' Xbox One console experience, as she suggests that this is what Sony, Microsoft, and, frankly, Hollywood are doing today.

"When was the last time you put a disc in and the game just worked without a big download? All the major players, Sony, Microsoft, even Hollywood, they're all aligned here. Digital kills the used market, and it stops your old library from competing with new games on the next console."

That 'always online' future is closer than it ever has been, and with Sony also shutting down PS3 and PS Vita stores in 2027. That means whenever the PS6 (or future PlayStation consoles) eventually becomes a retro console like the PS3, there will be no way to play games on the system unless it's via digital means — and that directly eliminates game ownership completely.

If you love cinematic action games like The Last of Us, then there’s one upcoming release that should be on your radar. Summer Game Fest 2026 gave me the opportunity to go hands-on with Blood Message, which seems set to deliver a killer mix of gripping stealth, visceral melee combat, and intense set-piece moments.

Set in Ancient China, it follows a nameless hero and his son on an epic 1,000-mile journey through the scorching deserts of East Asia towards the historical city of Chang'an to deliver a vital message. The pair must survive against impossible odds, navigating vast sieges and escaping the clutches of relentless enemy forces.

An epic journey

Because this is the first single-player title by Naraka: Bladepoint developer 24 Entertainment, I had no idea what to expect when I sat down for my demo.

Showcasing an early segment of the game, the demo opens with our protagonist searching a house, desperate to recover an important letter as hostile soldiers comb through the surrounding town. The high production values are immediately apparent: everything here is rich in detail, with plenty of high-fidelity objects for you to pick up and pore over. The architectural style of the building around you is striking as well, with clay walls, sandy floors, and thatched reed roofs.

While Ancient China is certainly becoming a more common setting in games, I can’t think of the last time I saw its arid desert regions depicted. I’m desperate to explore more of its tantalizingly exotic environments and soak in the unique aesthetic.

Playing with a DualSense Wireless Controller, I also quickly appreciate how the movement feels very fluid and benefits from some impressive animation that, like The Last of Us Part 2, looks seriously cinematic and realistic without sacrificing responsiveness.

It’s not long until I find myself in combat against a group of foes, and it’s just as excellent. You have a heavy attack and a light attack, plus the ability to parry. This is by no means a unique formula, but the impeccably slick way that the protagonist interacts with the environment leads to some of the most gripping encounters that I’ve ever experienced. There’s a real meatiness in your swings, which realistically causes enemies to trip and stagger.

Attacking a foe next to a stacked wooden shelf will send them tumbling into it, knocking objects onto the floor and stunning them for a moment. Launch a heavy kick while your opponent is standing in front of a table, and they’ll be pushed right over it onto the floor, creating vital distance when you’re surrounded. Fail to deflect an incoming strike yourself, and you’ll often be forced onto your knees, tapping a button to pelt anything heavy that’s within arm’s reach to give you a few moments to escape.

Although my combat time was limited, I was still impressed by the variety of ways in which fights could unfold, particularly when there was an allied companion in the mix. There were definitely some moments that felt scripted, like when two enemies locked swords with me at the same time near the end of a brawl to trigger a climactic struggle. That’s not necessarily a bad thing, as it helps introduce unexpected and exciting moments.

I really enjoyed going in with my sword drawn, but most of the time, combat is entirely optional thanks to a robust stealth system. This is another area where Blood Message feels similar to The Last of Us Part 2, forcing you to scurry through long grass and crouch in cover to avoid patrols. Get behind one of your quarries undetected, and you can initiate a brutal takedown, though be warned that any wrong move risks thrusting you straight into open combat.

At certain points, getting seen is inevitable, triggering bombastic chase sequences that have you sprinting away from barrages of arrow fire, scrambling up ledges, and leaping over perilous gaps. The path you need to take always feels very intuitive, though there are a few little alternative routes sprinkled throughout if you want to experiment.

Everything I played could easily rival the output of a developer like Naughty Dog, and with Blood Message set to release on consoles and PC, this should be at the top of gamers’ wishlists.

• Take-Two Interactive has its next quarterly finanical report scheduled for August 7
• The report will take place before the market open, which is unusual for Take-Two
• Fans are hoping for a new GTA 6 update

Rockstar Games' parent company, Take-Two Interactive, has quite an important day coming up, and fans are hoping for a new update on Grand Theft Auto 6.

We are four months away from the launch of the most highly anticipated game of all time, and so far we've seen exactly zero seconds of in-depth gameplay.

So what's next? It's said that this summer will kick off the big GTA 6 marketing push, but aside from pre-orders going live and an updated Rockstar website filled with screenshots and detailed game features, we're still waiting for Trailer 3.

However, as spotted by GameSpot, Take-Two will release its next quarterly financial report on August 7, which suggests we'll learn at least something about the game.

Typically, these financial reports are followed by a Q&A session with investors and are usually held after the market closes at 4 PM ET.

This August 7 report, however, will be released before the market opens, at 9:30 AM ET, and will be followed by a conference call at 8 AM ET. This is unusual for Take-Two, but it hasn't explained why it's doing it this way this time.

Whether there will be a pre-order sales report or a date for the next trailer, we'll have to wait and see, but fans on Reddit are hoping the financial report could kick things into high gear.

"Rockstar said summer will be the biggest marketing for them I don’t see this happening so far," one fan said, with another writing, "Trailer 3 moment passed, if they were going to drop it, we would have seen it by now. I honestly think the next step is a gameplay trailer."

We also have Gamescom 2026 in August, which means another month of game announcements, so Rockstar may finally drop a new trailer during this time.

GTA 6 officially launches on November 19 for PlayStation 5, Xbox Series X and Series S, but pre-loading begins on November 12 if you choose to pre-order.

A recent report claimed that physical copies of the game are flying off the shelves, despite the fact that they don't come with a disc but rather a digital download code in the box, which has caused some controversy.