What’s interesting about asking your AI to find bargains for you on Amazon Prime Day is that it takes into account what it knows about you from previous chats. The AI I use the most is ChatGPT, so that’s the one that knows the most about what I’m actually interested in and might be looking to buy.

I’ve also talked quite a bit to Gemini and Claude though, so I was interested to see what all three recommended for me, and how their advice differed.

I thought I’d start with Gemini, and it did a pretty good job. Interestingly it ignored laptops completely and instead went for three categories: Audio & Wearables, Storage & Creators and Smart Home & Productivity.

For Audio and Wearables, Gemini recommended the Sony WH-1000XM5 Headphones, which it claimed were 50% off. “If you've been holding out for premium over-ears to block out the world while working”, Gemini told me “this is likely their lowest price of the year.” When I clicked through to the deal the WH-1000XM5 were actually 20% off, for $198 (was $248) / 36% off for £179 (was £279), which is still not bad, but not as good as Gemini initially said it was.

It also recommended the Beats Solo 4 “if you prefer something lighter for travel or active use”. Again Gemini claimed these were 50% off, and this time it proved accurate with the Beats Solo 4 at $99.95 (was $199.95) / £99 (was £199.95)

Finally, it recommended the Oura Ring 4 “for screen-free health, sleep and stress tracking, the latest Oura ring is heavily discounted at up to 44% off”. The actual deal came in at 48% off for the metallic Oura 4 at $259 (was $499) / 34% off £232 (was £349).

ChatGPT’s recommendations for Amazon Prime Day

Next I turned to ChatGPT, which turned in a solid performance that was based more on what I was interested in. It knows I’d been searching for a Copilot+ AI laptop, so it recommended a few, including the Lenovo Yoga Slim 7X 14-inch laptop and the Samsung Galaxy Book6 Pro, however, they weren’t part of the Amazon Prime Day sale.

Generally speaking, ChatGPT seemed less clued into the idea of Prime Day and finding discounts than Gemini did.

Interestingly, ChatGPT did find a couple of Prime Day deals I'd be interested in. It said that I should invest in an Amazon Kindle Scribe, simply because it thought I'd find one useful: “You write constantly, generate article ideas constantly, and are working on a Tai Chi book. Scribe is one of those rare gadgets that actually changes how people capture ideas. Kindle devices are among the heavily discounted Prime Day categories this year.”

I’ve got to admit. I hadn’t considered a Scribe before, but I'm starting to like the idea.

One other recommendation that ChatGPT surprised me with, which it described as a "sleeper purchase" was for a 360-degree camera, the Insta360 X4 Air Starter Bundle. Sadly, again there was no Amazon Prime Day deal for it on the US Amazon site, but there was a 26% discount on the UK site with the Insta360 X4 Air Starter Bundle at £289 (was £389).

The idea of a 360 degree camera is that you never need to aim the camera again. You'll always get the shot. All you need to do is hit record, enjoy the moment, and pick the best angles later in the app. I think they're really for capturing live action shots, for when you're doing something dramatic.

It's an interesting idea, but perhaps a stretch too far for me.

Claude picks the deals

Finally, I turned to Claude, the AI which knows the least about me. Unsurprisingly it opted for some fairly generic Prime Day deals on tech.

It noted that the Apple AirTag 2 (second-gen) is at its lowest-ever price — a single one for around 17% off, at $24 and a 4-pack for 26% off, at $89.

It also noted that the AirPods Pro 3 are also on sale, at $179.99 (was $249)

Which AI knows you best?

But while ChatGPT gave me the best recommendations, both Gemini and Claude found some interesting suggestions for me. Of course, if I told the AI exactly what I was looking for the suggestions would be been more accurate, but the point of the exercise was to see what it thought I'd be interested in.

I think my little experiment proved that the amount of time you spend talking to an AI pays off in the long run, with more personal and useful recommendations that actually reflect what you’re most interested in.

When it comes to finding deals for events like Amazon Prime Day, the fact that ChatGPT knows me best resulted in some surprisingly accurate recommendations for me. Okay, I'm still not 100% sure I've got use for a 360-degree camera, but perhaps I just need to broaden my horizons. I definitely want to get a Kindle Scribe, though.

It looks like Amazon Prime Day is going to be an expensive one for me.

More Prime Day deals in the US

• Amazon Devices: Fire Sticks & Echo from $18
• Amazon Haul: viral gadgets, tech & appliances from $1.99
• Apple: MacBooks, AirPods & AirTags from $29
• Beauty: 50% off toothbrushes & hair tools
• Cheap TVs: smart TVs from $69.99
• Garden: tools, mowers, planters from $24.99
• Headphones: 50% off Beats, Bose & Samsung
• Laptops: Apple, HP & Dell from $199
• Mattresses: Sealy, Serta & more from $186
• Patio: outdoor furniture, rugs & decor from $19.99
• Sports: 50% off fitness gear, treadmills & clothing
• Vacuums: Dyson, Shark & Bissell from $34

More Prime Day deals in the UK

• Amazon Prime: get a 30-day free trial
• Amazon Devices: Fire, Ring & Blink from £13.99
• Amazon Haul: up to 30% off
• Apple: up to 33% off AirPods & Apple Watch
• Appliances: up to 45% off Ninja & Tefal
• Beauty: up to 60% off Philips & Oral-B
• Essentials: household goods from £5
• Fans: from £20
• Fashion: up to 50% off
• Gaming: £90 off PlayStation 5
• Headphones: up to 50% off Beats & Sony
• Laptops: from £149
• Tablets: Samsung & Lenovo from £79.99
• Toys: up to 25% off Lego and Tonies
• TVs: from £129.99
• Vacuums: up to 40% off Shark & Roborock
• Wearables: up to 30% off Garmin & Oura

Insta360 Luna Ultra: One-minute review

Despite being Insta360’s first vlogging camera with multiple Insta360 firsts, the Luna Ultra, overall, feels like a polished and bold product. Its triple chipset ably supports powerful features — especially the gimbal-stabilized 8K 30p video with 10-bit color depth and 4K 120p slow motion video recording, Log color profile, autonomous subject tracking autofocus and 32-bit float audio.

With dual 20mm f/1.8 and 60mm f/2.0 lenses, each with its own sensor, you truly are getting two cameras in one. And having enjoyed the Luna's ultra-wide and impressive 3x telephoto versatility for a month, it will be hard for me to go back to a single-lens compact vlogging camera.

The detachable remote module — which features the two-inch OLED touchscreen, main camera controls and built-in microphone — has, understandably, won many admirers. It's such a clever and well-implemented design feature that truly enhances the user experience, especially for solo vlogging.

Initially I had a few minor niggles navigating various camera settings, and it certainly paid dividends to spend time customizing the Luna Ultra to the way I like to shoot. It's also notably bulkier than DJI's Pocket 4 vlogging cameras, and pricier than single-lens alternatives.

Despite its infancy in this space, Insta360 has to its credit already produced crucial supporting accessories — including tripod and battery grips, plus the Insta360 Mic Pro wireless mic for top quality audio — meaning you can stick within the Insta360 ecosystem and enjoying the best possible user experience and compatibility, including full Bluetooth support.

Yes, DJI has been in the compact vlogging camera space for much longer and has refined its Pocket series with every iteration, but the Luna Ultra enters with a bang and is an impressive alternative.

Insta360 Luna Ultra: price and release date

• Full release on June 12 2026
• Available in black or white with prices starting at $769.99 / £649 / AU$1,229.99
• Multiple bundles to choose from, including the Creator Bundle

"We're not going to compete on price" is what Insta360's co-founder Max Richter told me at a pre-launch event for the Luna Ultra, the company's first vlogging camera and DJI Osmo Pocket series rival.

And the Luna Ultra is much pricier than previous Pocket cameras. However, those were single-lens models and, like DJI's most recent Pockets, the single-lens Pocket 4 and dual-lens Pocket 4P, the Luna comes in two varieties: the single-lens Pro and the dual-lens Ultra.

Prices for the Ultra start at $769.99 / £649 / AU$1,229.99. That’s a fair whack more than the latest single-lens models, but you are truly getting two cameras in one device.

Insta360 sent me the Creator Bundle to review, which includes multiple extras such as the Mic Pro transmitter and battery grip and costs $969.99 / £829 / AU$1,549.99. I expect the dual-lens Osmo Pocket 4P to cost less than the Luna Ultra, but it won't be available in the US because of the DJI ban.

Both Luna models are available in black or white versions, and in a further variety of bundles that cater for various use cases; Standard, Essential, Endurance, VLOG, POV and Creator.

• Price score: 4/5

Insta360 Luna Ultra specs

Insta360 Luna Ultra: design

• First compact vlogging camera to land with dual lenses, ahead of the Pocket 4P
• Similar design cues to the DJI Pocket series (but a little larger), with stick-like form factor and camera supported by a three-axis gimbal
• Unique detachable controller which includes a two-inch OLED screen and built-in mic

The Luna Ultra’s form factor is familiar — it's a bit like the compact, stick-like design of DJI’s Pocket series. DJI isn’t happy about it, by the way; it has filed a lawsuit accusing Insta360 of patent violations (which Insta360 has responded to with a countersuit).

However, there are some key design differences. Lunas are slightly larger than Pocket models. Not majorly so, but the difference is clear when you hold them side by side as I did (albeit the dual-lens Ultra alongside the single-lens Pocket 4).

In practice, I didn’t really feel that the Luna’s extra weight and size negatively affected its handling — it’s easy in the hand for on-the-go vlogging. If you want the absolute smallest option, however, DJI is your best best. Even the dual-lens Pocket 4P is smaller.

There’s a good reason why the Luna cameras are bigger, and that’s for a super clever and unique feature: a detachable remote control, which is a module that packs the camera's main controls and rotatable two-inch OLED screen. Simply squeeze the red buttons on either side of the Luna, and the module pulls away from the body.

The module has a 20m transmission range and operates exactly the same way as if it’s on the camera, with the touch display offering a remote view, and the main camera controls on hand, including gimbal, zoom and record. Transmission range is impacted by the surroundings — I found the feed froze inside 15 meters when other people passed in front of me in a busy urban space — but I could see it happening on the screen in my hand and could rectify the situation.

What’s really neat is that the module has a built-in microphone, so you can easily check your frame and present to the camera. It’s certainly better than using the on-camera mic, though a wireless mic such as Insta360’s own Mic Pro with its customizable E Ink display is an even better pick for audiophiles. The camera has direct Bluetooth support for this mic and Insta360’s Mic Air. The video below gives an idea of what the module is like to use remotely.

I really appreciated how much easier it was to frame my shots with the controller module in hand. There’s also smart subject tracking and autofocus (more on this in the performance section), meaning the camera can track you as you move around, within the gimbal’s range, keeping you or your subject centered in the frame. Controlling the Luna using the module and tracking is like having your own cameraperson filming you, provided you can find a secure surface to rest the camera on or a support to fix it to.

On that note, the Luna Ultra can stand freely on flat surfaces, while the battery grip, which extends battery life plus the physical height of the camera, features tiny flip-out tripod feet for extra stability.

The battery grip is larger than the regular tripod grip and extends the battery life of the camera, which was already impressive being rated at up to four hours of 1080p filming. Not bad for a 1,550mAh unit that can be recharged to 80% in just 23 minutes.

At first I had a few niggles with the handling of the Luna Ultra from how it comes straight from the box. Beyond finding it physically clunkier than the Pocket 4, I needed to change various settings to taste, such as its behavior when rotating the two-inch touchscreen.

Overall, however, I can't find much fault with the Luna Ultra's design, which is seriously impressive for a first generation product.

• Design score: 4.5/5

Insta360 Luna Ultra: Performance

• Triple chipset, with 4nm and AI chips ensures smooth operation
• Smart subject tracking and autofocus, but it's not perfect
• Can get a little warm when using the most powerful features

The Luna Ultra is equipped with a triple chipset, comprising powerful 4nm and AI chips. As such, I never really experienced any performance issues, even shooting a lot of 8K video (though never for more than 10 minutes at a time).

The camera does get a little warm when using power-hungry features such as 8K video, and I did see a lag when switching from the 12x zoom back to 1x using the stepped zoom control on the touchscreen. However, those were my only issues.

In addition to regular 8K video, the Luna Ultra has a range of shooting modes, including; Slow Motion up to 240fps (in Full HD), Timelapse, TimeShift and Barrel Roll. I've included some slow motion clips in a sample video below.

Both Luna cameras accept a micro SD card up to 1TB, and include 47GB internal storage — less than DJI’s Osmo Pocket 4 / 4P, which have more than double the capacity. I shot plenty of video clips and photos directly onto the internal memory, and still had plenty of space left over — the maximum 120Mbps bitrates of video files are fairly low and don't take up too much memory.

And there’s plenty more for audiophiles, namely a decent wind guard for the camera’s internal four-mic array, plus 32-bit float audio. This pro-level setting avoids clipping, and is ideal for unpredictable and noisy environments, but for simpler audio edits, the 24-bit setting is probably your best bet.

The quality of the detachable module's built-in mic impressed me, though for the clearest pickup it's pretty fussy about how close you hold it and the angle it's pointed in.

Subject tracking is impressively sticky, though I did find that it switches to a new subject a little more easily than the DJI Pocket 4. In one situation, I was walking with the camera tracking me when other people came between me and the camera and tracking stopped.

In another scenario as I held a product up to the camera for it to focus on, the camera focused back on my face in the background all too keenly when I came back into view. In such a scenario, I think DJI's tracking performs better.

• Performance score: 4.5/5

Insta360 Luna Ultra: Image and video quality

• Dual 20mm f/1.8 (1-inch sensor) and 60mm f/2.0 (1/1.3-inch sensor) cameras are effectively like having a decent zoom
• 8K 30p and 4K 120p video with color grading-friendly I-Log profile — a first for Insta360
• 9MP photos are decent enough, especially in RAW format, and can be upped to 37MP in UltraPhoto mode

The Luna Ultra ups the ante in this camera category with 8K video — double the resolution of the Osmo Pocket 4, which shoots in 4K. It’ll shoot 8K up to 30fps, complete with Dolby Vision (aka HDR) and I-Log color profile.

This is the first Insta360 camera with Log, a flat color profile that pros like to use to maximize the color grading potential and for the most dynamic range possible from their camera, which in this case is up to 14 stops.

DJI has billed the Pocket 4P as having 17 stops dynamic range with its new D-Log2 profile — I look forward to comparing the footage of both cameras to see which is better once I have my hands on the Pocket. 4P.

Insta360 thinks its night mode is superior to DJI, with its PureVideo mode boosting dynamic range in 4K 60p videos. That’s another comparison test I’m looking forward to conducting. From the shots I've taken at night in this mode, detail looks impressively sharp, though of course no match for the quality of daytime footage.

Insta360’s Leica partnership goes beyond the Luna’s Leica-branded lenses and into various Leica color profiles. If you like the simplicity of attractive color profiles with no need for color correction, then the Luna has some great alternatives to Log.

I was impressed with the 3x telephoto camera — provided the subject isn't too far away, it's possible to throw depth of field for punchy portraits. I'm talking upper body shots with notable shallow depth of field.

The zoom of that lens can be further extended with a 6x 'lossless' zoom, a term that suggests you shouldn't notice a drop in image quality — I certainly didn't. I can't say the same for the 12x digital zoom setting, which looks a little more pixelated on close inspection. Still, that 12x zoom is a handy addition should you really need to zoom closer.

Honestly, having enjoyed the variety of two lenses in such a small camera, and how impressive the quality of the telephoto camera is (the sensor is bigger than the main sensor in most smartphones), I know I'll struggle if I have to go back to a single-lens compact vlogging camera.

Video is, of course, the primary use for the Luna Ultra, but it shoots decent-quality 9MP photos too, in JPEG and RAW format, albeit with just eight-bit color depth. I've included a couple of scenarios below, taking JPEG and RAW (DNG format) photos simultaneously at night and in daylight, with the 1x and 3x lenses.

I haven't edited the RAWs so you can see the kind of processing that takes place for JPEGs. All the photos are 9MP, but there is also an UltraPhoto mode which quadruples resolution to 37MP.

Insta360 Luna Ultra photo gallery

• Image and video quality score: 5/5

Insta360 Luna Ultra: testing scorecard

Should I buy the Insta360 Luna Ultra?

Buy it if...

Don't buy it if...

Insta360 Luna Ultra: also consider

How I tested the Insta360 Luna Ultra

• Insta360 supplied me with the Luna Ultra Creator Bundle, which includes 2x grips, Mic Pro transmitter, soft carry case and more
• I tested the camera regularly for a month shooting day and night, mainly focusing on video content. I've tried the monitor in various configurations
• I was testing the DJI Osmo Pocket 4 simultaneously, and could draw comparisons

I had early access to the Luna Ultra Creator Bundle ahead of its launch, and tested the kit out over the following weeks before writing this review. During this review period, I also had the single-lens DJI Osmo Pocket 4, meaning I was able to make comparisons.

The camera shoots decent still photos with RAW format editing flexibility, but my main focus video performance. I've shot horizontal and vertical vlogging-style videos in the various resolutions and frame rates available in each format, and experimented with various color profiles.

I've made sure to try out all of the accessories supplied to me and the various configurations of the detachable monitor. I've checked the camera and detachable monitor's audio quality, and how easily and reliable it pairs with an Insta360 Mic Pro wireless mic.

• First reviewed: June 2026
• Read more about how we test

• Insta360 launched the Luna Ultra 8K vlogging camera on June 10
• DJI filed a lawsuit on the same day, claiming Luna had copied its DJI Pocket 3, only for Insta360 to file countersuits two days later
• Because of the ongoing DJI ban in the US, Insta360 could enjoy unrivaled availability there

No sooner has Insta360 unveiled its first vlogging cameras, the Luna Ultra and (upcoming) Luna Pro — which look set to enjoy unrivaled access to the US market because of the DJI ban — than DJI has filed an Insta360 lawsuit in the US, claiming they "blatantly copy" its Pocket 3.

For years, DJI has enjoyed near total dominance in the compact vlogging camera market with its hugely popular Osmo Pocket series, but now it faces two very real challenges: access to the US market, and the first serious-rival product.

DJI's latest and best vlogging camera, the Pocket 4, was launched in April this year, but the polished Pocket 3 successor is yet to make it to the US, given that DJI is on the FCC's 'Covered list', which currently affects any DJI products with a camera, not just its drones. So it's unlikely to hit US stores any time soon.

Meanwhile, Insta360 Luna cameras have made quite the impression. Despite being a first-generation product, the Luna Ultra is polished, and features a neat modular design that DJI Pocket cameras lack — check out my first impressions of the Luna Ultra, which I've been testing at length.

Now DJI is going straight for the jugular with its lawsuit, demanding that Luna cameras are banned. I've tested both cameras, and the user experience is very similar, but the crux of the situation is whether or not Luna cameras actually violate design and utility patents, as DJI claims in its lawsuit.

Insta360 has now filed two countersuits against DJI, related to "patents covering technology used in gimbal and 360-degree cameras". In a statement provided to TechRadar, Insta360 also defended its Luna cameras, saying "Luna Ultra is the result of years of independent R&D, not a response to any competitor's product."

The DJI / Insta360 rivalry just went up a notch

I spoke with Insta360 co-founder Max Richter at a pre-launch Luna event, and he told me the company was "not going to compete on price", but on premium and exclusive features. Specifically he was referring to the Luna's innovative removable remote, which features a 2-inch OLED screen, camera controls and built-in mic. Right now in the US, however, Insta360 doesn't need to rival DJI at all, because it has a clear field in that market.

But Insta360 faces a potential headache in the form of DJI's lawsuit. Petapixel reports that DJI has filed two patent lawsuits against Arashi Vision Inc. — which does business as Insta360 — covering two alleged violations of design patents and four utility patents.

The lawsuit claims that Luna cameras closely copy the design and features of the Osmo Pocket 3, claiming that “Insta360’s new Luna line of gimbal cameras, including but not limited to the Luna Ultra, supporting accessories, and the Insta360 mobile application (collectively, the “Accused Products”) blatantly copy DJI’s patented inventions wholesale.”

The suit adds: "From its silhouette to its feature set, the Accused Products mirror what DJI has spent the better part of a decade engineering and patenting for its innovative handheld gimbal camera systems.

"The visual similarity between the Accused Products and the DJI Osmo Pocket 3 design is striking. [As shown below,] the Accused Products share the same general proportions, the same gimbal-on-handle architecture, and the same component arrangement as DJI’s Osmo Pocket 3."

As for the four utility patents, DJI says that Insta360 Luna cameras and accessories "copy key features that make the DJI Osmo Pocket unique in the marketplace including DJI’s innovative subject-tracking technology, seamless gimbal-mode switching allowing the camera’s shooting direction to follow user movement of the handle, and a 'locked' mode to maintain a fixed shooting direction regardless of how the handle is moved."

DJI was clearly ready with this lawsuit, given that it was filed on the day the Insta360 Luna Ultra became officially available for purchase in leading US stores, including B&H Photo.

Many US-based vloggers will likely be watching the case with interest — they're already missing out on the excellent DJI Pocket 4, and they must be hoping that they won't also be denied the chance to buy Insta360's Luna cameras.

Now the rivalry has been raised another notch, with Insta360 filing its countersuit.

Insta360's response

In a statement provided to TechRadar, Insta360 founder and CEO JK Liu struck a defiant tone in his response to the DJI lawsuit and Insta360's countersuit, saying about the Luna cameras:

"Development began in 2020, with earlier Insta360 products including the ONE R, Link Series webcams, and Flow Series gimbals helping shape the technology and design direction behind Luna Ultra. DJI filing lawsuits on the same day we launched Luna Ultra speaks volumes — exposing their fear of competition from a highly competitive product."

Regarding the countersuit, the statements reads:

The company asserts that DJI infringed its patents relating to gimbal stabilization, gimbal directional control, camera smooth stabilization, telemetry overlay, and panoramic video stabilization. These technologies are incorporated into several major DJI products, including the Osmo Pocket series, Ronin/RS series, Osmo Mobile series, and Osmo 360.

Liu said, "We are fully committed to protecting our innovations and will take decisive action to defend our intellectual property from infringement."

• Insta360's Luna Ultra is a modular 8K compact vlogging camera
• It rivals the upcoming dual-lens DJI Pocket 4P
• The single-lens Luna Pro is yet to be fully unveiled

We now have the full picture of Insta360's first compact vlogging camera and DJI Pocket rival, after the Luna Ultra hit online stores yesterday (June 10), with prices starting at $769.99 / £649 / AU$1,229.99.

I've already shared my first impressions of the dual-lens 8K video camera, but Insta360 limited what could be shared ahead of its launch. Now all can be revealed — but you'll have to forgive the timing and nature of my coverage, because Insta360 hastily brought forward the launch from the previously-set embargo that I was working to.

I can now reveal that the Insta360 Luna Ultra packs two cameras which are stabilized by a 3-axis gimbal. The 1x main f/1.8 camera shoots 8K 30p video with Dolby Vision (HDR) and 4K 120fps slow motion, and features a 1-inch sensor (Insta360's largest yet, matching DJI) with 14 stops of dynamic range. (DJI has separately teased 17 stops dynamic for its upcoming Pocket 4P.)

The 3x telephoto f/2.0 camera works with a smaller but still decent-sized 1/1.3-inch sensor, and offers a 6x lossless zoom and up to a 12x digital zoom. I've tried both cameras extensively, and the telephoto camera is able to throw depth of field nicely for upper-body vlogging.

The Ultra is equipped with I-Log color profile — a feature pros demand for color grading flexibility, and another complete first for Insta360, plus Insta360's triple processing chips and latest AI subject tracking, which works pretty darn well.

I'll share more about the Luna Ultra's features in my upcoming in-depth review, but until then, let's look at how it handles compared to the Pocket 4.

Clearing up the Luna / Pocket 4 confusion

Insta360 is going hard with its first vlogging cameras, the single-lens Luna Pro and dual-lens Luna Ultra. The latter is available now, while the Pro's launch date is yet to be confirmed. Insta360 changed the Luna Ultra launch date several times due to a "rapidly changing competitive landscape," and it was eventually brought forward to a week earlier than the date I was working to. I've been testing the product for several weeks, and will publish my in-depth review as soon as I can.

DJI's latest single-lens vlogging camera was launched last month — check out my in-depth Pocket 4 review. It's no secret that the Pocket 4P is coming soon — DJI teased the dual-lens vlogging camera at Cannes Film Festival recently.

So, both brands will have single-lens and dual-lens vlogging cameras in their product lineups soon. But what we have right now is DJI's single-lens Pocket 4 and Insta 360's dual-lens Ultra, which makes direct comparisons tricky — it's like pitting a featherweight against a heavyweight in terms of versatility.

That being said, we know enough about the specs of all four cameras, and I've had enough time to get a feel for the design of the Luna Ultra and Pocket 4, to make some early impressions.

Luna Ultra versus Pocket 4

This isn't a fair comparison — the Luna Ultra is a pricier model with dual-lens versatility that will rival the upcoming Pocket 4P. But it's Insta360's first foray into a vlogging camera market, which has been dominated by the DJI Pocket series for several years. In that respect, the Luna Ultra feels surprisingly polished.

The Pocket 4 is the smaller of the two, and the Pocket 4P will be smaller than the Luna cameras too. It's not a big difference in size, and the extra bulk of the Luna Ultra hardly effects its handling, plus it's to facilitate a unique, game-changing feature — a detachable 2-inch OLED screen.

The screen is part of a module which also includes the camera's main controls. It has up to a 20m transmission range, and can be used to view and control the camera, and of course to initiate recording.

Given that the Luna Ultra features advanced subject tracking, you effectively have an autonomous camera that can track you while you move, within the limits of the gimbal's range. The module also features a built-in microphone, which is super handy too for vlogging, even if you still might want a wireless mic like Insta360's 5 star-rated Mic Pro for the best quality audio.

This modular functionality is a bit like the Insta360 Go 3S and its Action Dock / DJI Nano action cams, and clearly an advantage over the Pocket 4. The Pocket 4 has its own tricks mind you, such as its magnetic LED light which directly attaches to and is powered by the camera.

Both cameras are compatible with useful accessories, such as wireless mics. Yes, DJI has had skin in the game for longer, and boasts a solid ecosystem, but Insta360 is hardly lacking either.

As for the single-lens and dual-lens varieties, the latter are indeed like having two cameras, and will set the benchmark for compact vlogging camera quality, potentially persuading new users over using their smartphones. They're much pricier than the single-lens varieties, though — as we now we know, having seen how much the Luna Ultra costs.

How do the two cameras sounds to you? Is the dual-lens version overkill, or what the format needed? Let me know in the comments below, and make sure you vote in the poll above — and check back in for my in-depth coverage, coming soon.

Insta360 invited me to a hands-on event for its upcoming Luna Pro and Luna Ultra vlogging cameras, during which time I had the opportunity to test the dual-lens Ultra version and speak with the 360 camera manufacturer's co-founder, Max Richter.

I quizzed Max on everything from branching out into a new market dominated by DJI, to what Insta360's competitive advantages are and how a surprising number of Insta360 fans are using their action cams for photography.

There's still a lot we don't know about the Luna cameras ahead of their full unveil, and I'm restricted with what I can share because of a staggered embargo. Nonetheless, my conversation with Max shed a little light on where the innovative camera manufacturer is heading.

Rivalling DJI

Insta360 and DJI are launching new action cameras and compact video cameras at breakneck speed, seemingly leaving the likes of GoPro behind when it comes to innovation, even if GoPro recently announced its trio of Mission 1 cameras.

The 360 camera space is very much dominated by Insta360, who commands almost 70% market share, despite DJI announcing its own Osmo 360, and GoPro, its Max 2.

And the same can be said for DJI and compact vlogging cameras — its Pocket series has sold by the bucketload for years, the latest model being the Pocket 4, with no obvious competition. That was, until the Luna.

I expect the vlogging camera market to be a tough nut to crack for Insta360, but I believe it has the necessary software to give it a go, and now, finally, the hardware with the new Luna Pro and Luna Ultra.

"Luna is a new space for us, because it's going to be the first time and we actually have a real vlogging tool on the market," Max tells me.

"It's going to be seriously considered by prosumers or professional creators. This market category is quite big already, right? But we think there's space that we bring some new things to it. A little bit of competition to it.

"At the same time, though, what we're not going to do is to compete on the price. It's definitely gonna compete more on the on the product itself. It's a higher-end solution. It's not price competition, we really want to compete on the product."

And how will Insta360 compete on product? For one, the Luna seemingly matches the latest DJI Pocket cameras, at least where headline features are concerned.

The single-lens Luna Pro rivals the Pocket 4, while the dual-lens Luna Ultra, which I am testing, squares up to the upcoming Pocket 4P.

Like DJI, both Luna cameras utilize a 1-inch sensor and 10-bit video recording, while the Ultra features a second 3x camera, as the Pocket 4P will. All these cameras are supported with 3-axis gimbal stabilization, too.

And while Insta360 is coming into this space years after DJI, it now has its five-star Mic Pro wireless mic to rival the DJI Mic 3. So far, the Shenzen-based pair looks evenly matched.

Purely matching DJI while not competing on price is clearly not going to cut it, though, especially for an unproven first-generation product. That's where the Luna's neat modular screen gives it the hardware edge.

I've tested the unique feature, and it is truly brilliant. The rotating touchscreen is part of a removable component which also includes the main camera controls; the zoom lever, gimbal joystick, and record button.

You can use the screen to view and control the camera remotely, complete with subject tracking, giving the impression of having a cameraperson. What's more, the unit is fitted with a microphone, meaning you can view, record, track subjects, and present to camera.

That's what 'competing on product' looks like, and this game-changing feature alone could be enough to tempt first-timers and DJI fans to switch.

Powering the hardware

Insta360 is coming into the space fresh, but behind the scenes, it has long made cutting-edge software the foundation of its camera tech, which is crucial, especially in the 360 camera space.

“The new generation of content creators want convenience, ease of use, simple sharing on TikTok, Instagram, and so on, and that’s where Insta360 excels due to the software excellence,” says Max.

"Software is the key reason why you choose our products. Not everybody has the time to go into the mobile app and edit their videos, reframe the moment — that’s an extra step in the workflow that a lot of people are not willing to spend time on. We think AI will ultimately be a solution to that.

“The software or AI can choose the best moment or the best shot, or even be trained to know what is your preference in terms of editing. It’s getting better and better. I recently used it [Insta360's app] for diving videos when I didn’t have time to do a lot of reframing, but it perfectly got me the right frame on the sharks and turtles and on myself, that I couldn’t have done better in this short amount of time.

"On the hardware side, you’re not able to iterate so fast, but on the software side, I think we can play out our advantage; we can move very fast.

"To be honest, I see camera technology going in this direction. In the future, it will be hard to differentiate yourself on the hardware side; you also need to invest in the software, because the software can also balance out a lot of the hardware deficiencies."

I've personally used Insta360's app for videos shot with its 360 cameras, such as the X5, and can testify how much it simplifies the editing process. The same software is being used for the Luna vlogging cameras and might just take out pain points for editing vlogging content.

Max talked up Insta360's software credentials, but in a way, he's also doing the Luna a disservice — my first impressions of the camera itself are very positive, and it's great to see some competition for the DJI Pocket series.

What is currently unknown is pricing — just how uncompetitive will the Luna be? We'll find out soon enough.

Action cams are primarily for video, but how do they fare for photography? It’s an area that leading manufacturers, such as Insta360 and DJI, have been exploring recently with a glut of quirky accessories.

Take the Photography Grip for the Insta360 X5. It transforms my favorite 360 degree action cam into a point-and-shoot — a use case that I wouldn’t necessarily have otherwise considered.

Or how about the optical viewfinder for the Insta360 Go 3S, which is now available in a Retro Bundle? This, again, changes its primary function as a tiny 4K camera into a waist-level stills shooter.

Third-parties are in on the act too — SmallRig makes a cage for the DJI Osmo Action 6, which significantly improves its handling for photography, and our reviewer Sam Kieldsen loved it.

I was curious about these accessories that turn some of the best action cams into point-and-shoots — are they simple novelties, or are they genuinely useful? How suited are action cams really for photography? I had to find out for myself...

Getting a grip

Photography with action cameras is certainly possible, but there’s no doubt that these types of cameras are primarily designed and equipped for video. However, the Insta360 X5 Photography Grip — which costs $49.99 / £47.99 / AU$87.99 and is available in black or white at Insta360's store — certainly improves the camera's handling for photography.

It fixes to the tripod mount on the camera's underside, and connects through the USB-C port — all you need to do is open the X5's USB-C door to 90-degrees and then pull the cover completely off (and find a safe place for it as you'll need it again for regular use!).

The X5's Photography Grip is comfy to hold and features a simple shutter release button. It aids shooting at awkward angles and framing elements such as leading lines, because it’s positioned away from the camera and gives an easy hold to frame shots in vertical and horizontal perspectives.

I especially enjoyed holding the camera vertically with the grip at the top. And given the X5 is fully waterproof (to 16ft / 5m), its lens can be submerged in water too — this very feature enables creative shot such as above and below water simultaneously with the lens half-submerged. (Given the USB-C door needs to be removed to attach the grip, however, you can’t fully submerge the camera with grip because that port is consequently exposed.)

Besides design, many action cameras actually have decent specs for photography; the Insta360 X5 is able to shoot 72MP stills that cover 360-degrees, or 36MP stills in a single lens mode, which was my primary concern with the grip.

Most action cameras have a wide-angle FOV, the X5 even more so. If you want telephoto shots, then action cams aren’t for you, period. However, for scenes that feature a point of interest close to the camera, they can offer truly dynamic perspectives. The X5 specifically has Ultra, Dewarp and Linear options — the latter corrects image distortions and was my top pick for everyday photography.

And the latest action cameras typically major on attractive color science, such as the Insta360 Ace Pro 2 with its Leica-inspired looks (for which there's an Xplorer Grip Pro kit like the one SmallRig makes for DJI, which costs $99 / £99 / AU$180). The X5's range of color profiles, however, are much more limited, but it can shoot in RAW format to make color grading easier after the event. I'd like to see more photography-first features added by a firmware update.

Action cameras are also small and discreet, making them somewhat suited to street photography. So, with its wide-angle perspective, waterproof design and small body, the X5 with grip can actually be a surprisingly powerful every day photography camera. That said, it needs to process photos faster too to be taken seriously as a stills camera.

A niche accessory worth trying?

The Insta360 X5 will still primarily be a video camera for me. The same can be said for the Insta360 Go 3S even with the cutesy optical viewfinder that comes in the new Retro Bundle (and which can be purchased separately if you already own the camera).

However, don’t write these cameras off for photography, especially action cams such as the Ace Pro 2 and DJI Osmo Action 6, which are better equipped for stills. If you want an altogether different use for your action camera, and enjoy shooting a wide perspective with the freedom of a small, lightweight and rugged build, you might just discover a new niche with the help of one of these accessories.

I’m not the only one trying action cameras specifically for photography, with these new accessories; photographer Geit Eero has demonstrated the Xplorer Grip Pro kit in action on Instagram (see above).

Peruse the links above for the best deals on the weird and wonderful world of action cam photography accessories — you might just find a new use for your action cam.

Would you use a GoPro, DJI or Insta360 action camera for photography? Do these accessories sway your thinking? Have your say in the poll and comments below.

Insta360 might be the dominant force in 360 cameras, but the brand just stepped out of its lane in a major way — and muscled into DJI territory — with its first vlogging camera, the Luna.

The Luna rivals DJI’s unique Pocket series of gimbal-stabilized 4K vlogging cameras. With no obvious competition, the DJI range has sold by the bucket-load for years. But with Insta360 adding its own unique features, could DJI see some proper competition at last?

I’ve been testing the Luna ahead of its official launch, and while I can’t share everything I know about the Luna yet, nor any sample footage I've taken, there are a few details I can reveal. First up, Luna comes in two varieties, the single-lens Luna Pro and the dual-lens Luna Ultra, which are clearly set to rival the DJI Osmo Pocket 4 and the recently teased / soon-to-be launched Pocket 4P respectively. Both Luna versions are available in black or white colorways, and the pricing is yet to be confirmed.

I’ve been using the dual-lens Ultra version which, like the Pro version, features a 1x main wide-angle f/1.8 lens and 1-inch sensor — that’s the largest sensor in an Insta360 yet, and matches DJI — but also adds a 3x telephoto camera.

Users can punch in with that telephoto camera for a 6x lossless zoom — meaning that there should be no obvious degradation in image quality — and up to 12x with a digital zoom, a total of five zoom steps.

We don’t have concrete details of the DJI Osmo Pocket 4P yet, but from the early teasers it seems as though DJI is taking the same dual-lens approach as the Luna Ultra, so the rivalry is about to get real. Who gets there first with a world-first dual-lens vlogging camera, we’ll have to wait and see.

Naturally, the Luna cameras are supported with 3-axis gimbal stabilization like the Pocket cameras. In another first for Insta360, they offer 10-bit color depth and an I-Log color profile, again matching the specs of the DJI Pocket (though which one has the better-looking footage is another matter).

All of the above suggests that Insta360 is ready to go toe-to-toe with DJI, but that’s not even the most exciting part about the Luna.

The feature that DJI wishes it had

The Luna has a modular design party trick that DJI wishes it had: a multi-function removable screen, and it’s brilliant. You simply press in buttons on either side of the screen to release it from the camera body, and then you can see what the camera is seeing remotely, complete with the record, zoom and joystick controls.

Here’s where things get really clever — the Luna’s removable screen features a built-in microphone, so you can use it to remotely view yourself, compose the shot, and present to camera.

What’s more, the Luna features subject tracking. With a double tap on the screen of your intended subject, the camera will then track them, keeping them centered in the frame as they move about.

Pair those features — a removable screen with microphone and subject tracking — and you truly can be a one-person show, gaining the impression of a cameraperson tracking you as you walk around the scene (though of course you will need to find a suitable surface to rest the camera body on or mount it to a support).

The removable screen is such a neat feature, especially for solo creators, but also when you’re traveling with friends or family and would like to take selfies.

What makes the Luna even more compelling as a DJI Pocket alternative is that Insta360 has recently launched new accessories, including the recent Mic Pro wireless mic (see above), which we awarded a maximum 5 out of 5 rating in our review. These excellent accessories mean that you don’t need to mix and match brands to get top quality video and audio — Insta360 now has its own complete ecosystem for vlogging.

Yes, DJI has been making vlogging cameras for longer than Insta360 and I expect it to continue dominating the space for some time — reports suggest the Pocket 4 took a huge 72.5% of total video camera sales in Japan last month, despite it being launched in the third week of the month — in the same way that DJI launched its own Osmo 360 to rival Insta360, but Insta360 still has almost 70% total market share. However, the Luna might just do things differently enough to persuade first timers or DJI fans to switch.

I’m excited to share more Luna details with you when the full embargo lifts. But what do you make of the features I have been able to share — game-changer or gimmick? How does the Luna look compared to the Pocket 4? Have your say in the comments below.

Insta360 Mic Pro: one-minute review

The Insta360 Mic Pro is Insta360's flagship wireless microphone system, and it enters the crowded small wireless mic sector with two features that its rivals (most notably DJI) simply can't match: a customisable E-ink display on each transmitter, and a three-microphone array that uses digital signal processing (DSP) to simulate different polar pickup patterns.

The E-ink screen is the more immediately striking of the two. Via the Insta360 app, you can push any image you like to the circular 1.22-inch, 6-colour display and it'll stay there persistently, even when the transmitter is powered off. And unlike an OLED display, E-ink consumes power only when refreshing the image, not while showing it, which means it adds almost nothing to battery drain. It's a clever and well-executed idea.

The selectable polar patterns are perhaps more interesting in theory than they proved in practice during my testing. The Mic Pro's three-microphone array uses DSP to synthesise four distinct modes: omnidirectional, super-directional, cardioid and figure-8. These are not true multi-capsule configurations (they're digitally constructed from omnidirectional inputs) but the differences are real. In everyday use, though, I found myself leaving the mic in omnidirectional mode most of the time. Where the polar patterns become more useful is when you mount the Mic Pro on a camera's cold shoe and switch to cardioid or super-directional mode, turning it into a passable on-camera directional mic — something DJI's Mic series doesn't allow for.

Elsewhere, the Mic Pro's spec sheet impresses: there's 32-bit float internal recording, 32GB of onboard storage, NPU-powered AI noise cancellation, timecode sync, up to 400m wireless range, and impressive multi-channel flexibility with 4-to-1 and 2-to-4 configurations. That last one — distributing two transmitters to four receivers simultaneously — may be particularly valuable for multi-camera productions.

In my testing, the feature that impressed most was the noise cancellation. Tested against a running fan in my office, the Mic Pro's Strong noise cancelling setting completely eliminated the background drone, easily outperforming the DJI Mic 3 in the same conditions. There are some minor design caveats worth noting, but the Mic Pro's core audio credentials are excellent.

Insta360 Mic Pro: price and release date

• Launched May 19 2026
• Priced from $99.99 / £89 / AU$159.99 for single transmitter
• Available in three options

The Insta360 Mic Pro is available now in three configurations. The entry-level option (£89 / $99.99 / AU$159.99) gives you a single transmitter only, which makes sense if you're buying into the Insta360 camera ecosystem and/or connecting directly via Bluetooth, or recording on the transmitter's own internal storage. The middle-tier 1 TX + 1 RX bundle (£179 / $199.99 / AU$319.99) is the obvious choice for solo creators, while the full 2 TX + 1 RX kit (£279 / $329.99 / AU$529.99) adds a second transmitter and charging case for two-person setups.

For context, the DJI Mic 3, the Mic Pro's closest competitor, currently retails at £269 for the 2 TX + 1 RX bundle, making the Insta360 £10 more for broadly comparable headline specs, though with genuinely different feature sets.

Insta360 Mic Pro: specs

Insta360 Mic Pro: Design

• Transmitter's E-ink display can be customized
• Clip or magnetic attachment
• Receiver features small OLED screen

The Mic Pro transmitter is a small cylindrical puck 38mm in diameter and just 12.2mm tall with the E-ink display taking up one face entirely. It weighs 19.7g without its clip or button magnet attached, making it light enough to clip to a lapel without dragging on clothing.

That E-ink display is the first thing anyone will notice about the Mic Pro, and rightly so. At 1.22 inches with a 197 PPI resolution, it's sharp enough to render logos and text cleanly, and its six-color capability means branded graphics translate well. The persistent display could be a practical boon for multi-mic setups where visual identification of TX units matters – and because E-ink draws power only during refresh, it barely contributes to battery use. It's a well-thought-through implementation of a novel idea.

For mounting, the Mic Pro follows the now-familiar dual-approach used by DJI and others: a small clip for collars, caps and lapels, and a button magnet for direct attachment to thinner fabrics. The Mic Pro clip doubles as a cold shoe adapter that lets you mount the transmitter directly onto your mirrorless camera — effectively transforming it into an on-camera directional microphone when paired with the cardioid or super-directional pickup mode. As far as I'm aware, this isn't something DJI's Mic series supports, and it expands the Mic Pro's versatility for run-and-gun filmmakers.

The receiver is a conventional rectangular unit with a cold shoe clip, USB-C and 3.5mm outputs, and a small display for monitoring levels and settings. It's not especially compact by current standards (it will feel a little awkward when plugged into your smartphone, for instance), but it does the job.

The charging case is where things get a little more mixed. It looks smart, with a transparent front panel that shows you what's inside — two TX units, one RX, plus dedicated spaces for clips and magnets, and two smartphone adapters. My concern is a practical one: that transparent panel will attract fingerprints and may scuff with regular use. The hinged opening also took some getting used to; it's not quite as smooth or intuitive as DJI's case designs.

There are two other niggles worth mentioning. First, there's no dedicated space in the charging case for the 3.5mm audio cable — a small but irritating omission. Second, the Mic Pro's included windshields don't fit inside the charging case either, which means they (like the audio cable) will need to go in the carrying pouch instead. DJI's windshields fit neatly inside the Mic 3 and Mic Mini 2 cases, which is a design touch that makes a difference if you're packing light.

On the subject of what's in the box: as mentioned, a soft zip-up carry pouch is included, big enough to fit the charging case plus cables and windshields. It's a welcome inclusion. Less welcome, for those like myself using older iPhones, is the absence of a Lightning adapter as standard — though with Apple's transition to USB-C, it's hard to be too surprised that Insta360 has made the Lightning plug an optional extra.

Insta360 Mic Pro: Performance

• 10 hours battery life (transmitter), 11 hours battery life (receiver)
• Up to 400m range
• Superb two-level noise reduction

The Mic Pro's audio quality is superb. Recordings are clean and clear, with a 48kHz sampling frequency and 24-bit wireless transmission that's standard for the class. 32-bit float recording is also supported but as always with these kind of mics, it applies only to internal onboard recordings, not to the live wireless signal.

That said, those internal recordings — stored on the transmitter's 32GB onboard memory — could come in very useful for demanding content creators. 32-bit float means you can recover audio from unexpectedly loud events in post without clipping or distortion, and the available recording durations are generous: up to 44.8 hours of 32-bit mono, or 22.2 hours of 32-bit stereo. The stereo internal recording capability (available due to the transmitter's three-mic array) is also a nice touch for recording ambient soundscapes and ASMR-style captures, and unique to the Mic Pro in this category.

The four selectable polar patterns — omnidirectional, super-directional, cardioid and figure-8 — are generated by combining the inputs from three microphone capsules using DSP rather than using discrete capsules for each mode, and I found the results to be good but not transformative. The differences between modes are audible, but in most recording scenarios omnidirectional will serve you perfectly well. Where pattern selection becomes most valuable is in cold shoe mounting: in super-directional or cardioid mode, the Mic Pro functions as a credible on-camera directional mic, giving you a single piece of hardware that covers both lavalier and shotgun mic duties. It could be very handy for solo creators looking to reduce the amount of kit they have to carry around.

The noise cancellation is where the Mic Pro most clearly distinguishes itself from the competition on audio quality, however. The system offers two levels — Weak and Strong — driven by an onboard NPU. In my testing with a fan running continuously in my office, the Strong setting completely eliminated the noise, with no audible trace remaining in the recording. I tested the DJI Mic 3 in the same conditions and found it less effective; the Mic Pro's Strong mode outperformed it clearly. Weak mode also did a solid job, which is important because there are real-world situations in which Strong mode can't be activated (such as when you're recording without a receiver).

The Mic Pro can pair directly with Insta360 cameras including the X5, X4 Air, Ace Pro 2 and Go Ultra via Bluetooth, delivering 48kHz audio without a receiver. In theory, it's a good way to cut down on complexity for anyone who owns a recent Insta360 camera. In practice, however, I found that when testing with an Ace Pro 2, I couldn't access noise cancellation or adjust the Mic Pro's settings (apart from gain) through the camera menu. It's possible this will be addressed through firmware updates but at the time of writing, DJI's OsmoAudio ecosystem integration feels considerably more complete and polished.

The maximum range from transmitter to receiver is quoted at 400m in open conditions, matching the DJI Mic 3, and the battery life of 10 hours for the transmitter and 11 hours for the receiver should see through a full shooting day with ease. A five-minute fast charge delivers 1.5 hours of additional use, too.

Should I buy the Insta360 Mic Pro?

Buy it if…

Don’t buy it if…

Insta360 Mic Pro: also consider

How I tested the Insta360 Mic Pro

• One week of testing indoors and outdoors
• Connected to Panasonic Lumix GH6 and Insta360 Ace Pro 2
• Tested indoors and outdoors

I've had plenty of time to test the Mic Pro in a range of scenarios and configurations: indoors and outdoors, in noisy and quiet environments and paired with the Panasonic Lumix GH6 mirrorless camera and the Insta360 Ace Pro 2 action camera. I've been able to test it clipped it to my clothes as well as mounted on the GH6 like a shotgun mic, and I was also able to compare its performance and noise cancelling capabilities directly with those of the DJI Mic 3.

• First reviewed: May 2026
• Read more about how we test

This week was a big one for software as we got official (and unofficial) teases for the next iteration of Android and iOS.

We also heard that the seemingly ill-fated Trump Phone might actually be coming after all, though we wouldn't be surprised if it gets delayed again by the time you're reading this.

Before you catch up with this week’s tech news, why not test yourself on last week’s seven biggest tech stories to see how well you were paying attention? Take the quiz below.

7. The Trump phone has landed?

Last week, we highlighted reports that the Trump Phone looked to have cemented itself in the vaporware category — with its new terms of service suggesting that a device may never actually ship, and that preorders don’t guarantee you a product. That now seems to have changed as the company announced "Phones start shipping this week!!!”

Now, until devices are in the hands of the people who bought one you’ll forgive us for remaining skeptical — the device’s release date has been shifted a few times now, and some people with preorders have been told shipping deadlines previously that have then been missed.

We write ICYMI on Friday, so it’s very possible that by the time you read this on Saturday morning, the Trump phone situation will have shifted yet again, but hopefully, this is the end of the Trump Phone saga. Though we can’t shake the feeling, this might merely be the close of act one.

• Read the full story: The long-promised Trump Mobile Phone is slated to arrive in consumers' hands this week

6. Philips made TV immersion cheaper

Smart lighting doesn’t just come with added convenience; it can also be a home entertainment immersion booster with gadgets like the Philips Hue Play HDMI Sync Box 8K — though if you’re after something more budget-friendly, Philips just debuted a non-Hue sync box.

The Philips Smart Lighting HDMI Sync Box 2.1 comes in two sizes — one for 55 to 65-inch TVs, and one for 75 to 85-inch TVs — and, instead of working with the HUE system, it integrates with WiZ-branded tech.

At under half the launch cost, this lightning solution could be perfect for the more budget-conscious amongst you who still want the immersion factor offered by TV sync tech once it starts rolling out in June.

• Read the full-story: Sync your lights with your TV for a lot less cash

5. Claude cracked a crypto wallet

A Bitcoin owner who believed he had permanently lost access to nearly $400,000 worth of cryptocurrency says Anthropic’s Claude AI helped recover the funds after more than a decade. The user had originally bought 5 Bitcoin when the cryptocurrency was worth around $250 each, but later changed the wallet password while in college and forgot it. After years of failed attempts — including trying trillions of password combinations — the owner uploaded files from an old computer into Claude as a final attempt.

It was able to locate an older wallet backup file that existed before the password change happened. Combined with an old mnemonic phrase the user had recently rediscovered, the recovered wallet file finally allowed access to the Bitcoin again.

• Read the full story: Claude AI helped a Bitcoin owner recover nearly $400,000

4. The Insta 360 Go 3S went Retro

This week, we saw the wackiest camera kit of 2026 so far: a Retro bundle of the Go 3S.

The action cam is ideal for when you need something tiny — it can slot in just about any small space, much easier than its rivals — but this kit makes it resemble an old Polaroid. You’ll get a viewfinder dock to help you compose shots (it doubles as a selfie mirror), but no LCD screen.

If you want a more modern feel and easier composition, the camera can still be paired with a smartphone via the Insta360 app.

The Go 3S Retro Bundle costs $300 / £279 / AU$470 for the 64GB version or $320 / £299 / AU$500 for the 128GB version. The latter feels like the obvious pick — you'll want as much internal storage as you can get because there's no card slot.

• Read the full-story: Insta360 reveals one of the wackiest camera kits for 2026

3. Ninja’s Slushi got twice as nice

What’s better than one Ninja Slushi? How about two side-by-side so that you can make dual-flavored, multicolored iced drinks at home? This week, Ninja released the Slushi Twist, which makes two different types of slush at the same time, then dispenses them in an attractive swirled pattern. Having two freezing chambers means it has a much larger capacity than the original Slushi, making it perfect for parties.

The Slushi Twist is on sale now in the US for $399.99, and although we don’t have international release dates yet, I’m sure it won’t be too long before it’s available worldwide. It certainly proved popular, and the first batch of stock sold out within hours. Don’t worry, though, you can sign up on Ninja’s website to be notified when more arrive.

• Read the full-story: Ninja doubles the freezing fun with the new Ninja Slushi Twist

2. iOS 27 was teased

Siri 2.0 has been a long (long!) time coming, but Apple’s revamped voice assistant finally looks set to debut in iOS 27 – and this week, we got a better idea of what it might actually look like.

According to Bloomberg’s resident Apple tipster Mark Gurman, Siri 2.0 will largely live within the Dynamic Island and display transparent results cards in response to your queries. If you need to go deeper into a query, you’ll be able to swipe that results card to bring up an iMessage-like chat interface, and there will also be a dedicated Siri app, where you can access your conversation history or upload images and documents.

Other rumored iOS 27 features include an updated, AI-powered Spotlight Search tool and a redesigned Image Playground app, so it sounds like Apple could finally be about to take its seat at the AI table.

• Read the full-story: Siri 2.0 could arrive with iOS 27

1. Android 17 was showcased

Just a week before Google I/O kicks off, the Android team dedicated an entire show to debuting new features set to drop with Android 17, a boatload of Gemini integrations, and an entirely new platform.

In terms of Android 17 is set to bring a lot, including a new take on curbing screen time and easing phone addiction called Pause Point. Rather than just locking you out of an app, it might show photos or suggest a breathing exercise. There's also an easy way to film screen recordings with your own talking head in the corner, which might be really handy for content creators.

Gemini Intelligence is set to make AI even more useful and helpful across a whole barrage of tasks, and honestly, it sounds pretty close to what Apple promised with Apple Intelligence. This new suite of AI functionality that's integrated at the system level of the OS will also be found on forthcoming Googlebooks. Essentially, these new laptops run a combination of Android and ChromeOS. And while this is a ton, it's likely we'll hear even more about it at Google I/O.

• Read the full-story: 7 best Android 17 upgrades announced at The Android Show

• Insta360 reveals the Go 3S 'Retro Bundle' for its 4K thumb-sized action cam
• The bundle includes a new optical viewfinder and comes in two colorways
• It costs $300 / £279 / AU$470 (64GB) or $320 / £299 / AU$500 (128GB)

Insta360 has revealed one of the wackiest camera kits for 2026 — a ‘Retro Bundle’ edition of its thumb-sized 4K camera, the Go 3S.

We rate the original as the best ‘small’ 4K action camera — it's truly tiny and can slot into spaces no other camera can, or be rigged up to athletes and so on for a first-person POV of the action.

But unlike the original, which comes with a dock with flip up LCD display for composing images and remote control, the retro version feels more like a Polaroid.

You get the 4K camera, which also shoots 12MP stills, in one of two colorways, with a matching optical viewfinder dock instead.

The waist-level viewfinder mirrors the view in front for composing shots, is fully optical, and doubles up as a selfie mirror.

And if it wasn't obvious from the pictures, the camera itself has no screen, just a single button. That's right, this is a 4K digital video camera with no screen whatsoever, just the button — that's as retro as digital video cameras get.

A single press of the camera's button initiates video recording, a double tap takes a photo and so on, but if you need more control, that's where Insta360's app comes in.

The camera can still be paired with a smartphone through the Insta360 app, through which users can remotely control the camera.

And it's still the same Go 3S, with it's unique tiny body and video/photo skills, just wrapped in a different skin that's sure to appeal to analog lovers — call this the Polaroid-like video camera!

Insta360 sells a leather case for the retro bundle, which has a different aesthetic and feels like an odd match, but it looks good in its own right — you can see it in the gallery above.

The Go 3S Retro Bundle costs $300 / £279 / AU$470 for the 64GB version or $320 / £299 / AU$500 for the 128GB version. The latter feels like the obvious pick — you'll want as much internal storage as you can get because there's no card slot.

If you already own the Go 3S and like the sound of retro viewfinder, the viewfinder part can be purchased separately for $48 / £46 / AU$80, which is great to see.

What do you think, is this the kind of camera that appeals to you? Have your say in our poll above or in the comments below!

• We've got another glimpse of the Insta360 Luna Ultra
• It looks like it will offer a removable remote control unit
• The official launch of the camera doesn't seem to be far off

We know that the Insta360 Luna Ultra is on the way, as it was officially teased back in February – though details on the vlogging camera remain scarce. A new leak has given us a good look at the device and some of its specs, and revealed one of its smartest features.

The leak comes courtesy of Notebookcheck, and shows off the packaging of the camera as well as a couple of hands-on photos. We can see the device in both white and black, and it seems there will just be one Luna Ultra model (so no standard Luna).

There are two key details we can glean from these images: the incoming camera does offer a dual-lens setup, and will indeed support video up to a resolution of 8K, both of which had already been expected or leaked.

As for the main party trick, it's a detachable remote control model, which you can disconnect from the camera and use wirelessly — so you'll be able to manage recording and see what's in the frame without actually being right behind the device.

Insta360 vs DJI

That detachable module might just help the Insta360 Luna Ultra stand out from the recently launched DJI Osmo Pocket 4, which we've reviewed here. The DJI camera is an impressive bit of kit, but it does top out at 4K video recording.

What's on the way from Insta360 would up that to 8K, as well as giving you the ability to put the camera down in one spot and then control it from anywhere — a feature that's also been specifically mentioned by well-known tipster Igor Bogdanov.

There's still a lot we don't know about the Insta360 Luna Ultra though, including the all-important price point, so it's too early to make judgments yet. For reference, the DJI Osmo Pocket 4 starts at £429 / AU$749 (and isn't available in the US).

According to Notebookcheck, reviewers already have their Insta360 Luna Ultra units to test, so we should hear more about it soon. Meanwhile, the reveal of a Pro version of the DJI Osmo Pocket 4 is also rumored to be imminent.

Your 360 camera — or 360 drone — has a new hidden talent: the ability to build eerily accurate 3D models of real places and objects, with almost zero effort from you.

It's all down to a process known as 3D Gaussian Splatting, made more accessible than ever by a cloud platform called Splatica. And I've tried it, using both my Antigravity A1 360 drone and Insta360 X5 360 camera to recreate rooms in my house and landmarks in my hometown. Here's how it works, how easy it is to use, how much it costs – and what I think of it.

How 3D Gaussian Splatting works

At its core, 3D Gaussian Splatting is a method for reconstructing a real-world environment as a fully navigable 3D scene, using nothing more than video footage as its raw material. When you feed footage into the system, it first analyses the frames to work out where the camera was positioned at each moment – a process called structure-from-motion. From that, it builds a rough point cloud: a sparse, skeletal map of the space.

The clever part comes next. Rather than trying to construct traditional polygon meshes and textures the way a game artist would, the algorithm instead populates that point cloud with millions of tiny mathematical shapes called Gaussian ellipsoids. You can think of them as small, semi-transparent blobs, each precisely sized, oriented, and colored to represent a fragment of the scene's geometry and lighting. Stacked together in their millions, these ellipsoids collectively "paint" a photorealistic picture of the environment.

What makes 3DGS stand out from earlier techniques is how efficiently it handles the rendering side. A previous approach called Neural Radiance Fields, or NeRF, could produce stunning results but was notoriously slow to process and render. Gaussian Splatting sidesteps many of NeRF's bottlenecks by using a highly parallelizable architecture, meaning modern GPUs can tear through the calculations at speed.

The result is real-time rendering of scenes that look almost indistinguishable from the original footage – complete with accurate lighting, reflections, and fine surface detail. And crucially for Splatica's workflow, 360-degree cameras are an ideal capture tool for this process: their full-sphere field of view means the algorithm has data from every angle of a space simultaneously, leaving far fewer gaps or blind spots in the final model than a standard camera pass could ever achieve.

What do you need to create your own scenes?

Which brings me neatly to a discussion of the gear you can use to create your own Splatica scenes. Currently, it supports Insta360 cameras and the Antigravity A1 (which uses Insta360 tech). I used the Insta360 X5 camera as well as the A1 to create scenes, but the Insta360 X2, X3, X4 and One RS will also do the job.

Splatica's website gives detailed information on the camera settings you should use for the best results, and on the camera moves you should attempt while capturing the scene. Slow, even movements are recommended for the best results, with the camera recording multiple passes of the same subject at different heights. The idea is to capture your chosen subject from several angles to cover any potential blind spots.

Crucially, each scene must be created from a single, continuous clip – ideally two to four minutes long when using an Insta360 camera, or three to five minutes long while using the Antigravity A1. Longer clips are supported, but aren't described as optimal – perhaps because they'll take longer to process?

For my first Splatica scene, I decided to keep things simple. I grabbed my Insta360 X5, mounted it on its selfie stick, tweaked the camera settings to the tutorial's suggestions and proceeded to record a single 8K 30fps video of my living room, skirting it in an anti-clockwise direction three times at three different heights (chest level, hip level and overhead), as well as walking diagonally across the center of the room, then capturing one final skirt of the room at chest height in a clockwise direction.

The resulting clip was three minutes long, and a chunky 4.29GB in size. I uploaded it to the Splatica website, which took about an hour on my rather sluggish copper wire broadband, then waited. Splatica takes a few hours to create scenes, but it's possible to get a rough idea of how the process is going by viewing your gallery page on the site, which shows a progress bar over the scene. Being that it was late afternoon when I uploaded the video, I decided to return the next morning to check.

The next day, when I clicked on my living room scene, my first feeling was one of disappointment: the Splatica site threw up an error message. But thankfully it seems to be a Chrome browser issue (as no other scenes would load on Chrome, either); when I cut and pasted the link into Safari everything loaded up just fine – and the result was far more impressive than I'd been expecting.

Splatica had rendered a crisp and detailed 3D replica of my room, with accurate colors, where text on bookends and magazine covers was easily legible. All trace of me, meanwhile, was removed – the software appears trained to recognise moving people and erase them from the creation process.

You can view the scene here.

Visually, there's certainly an element of patchiness to things rather than true-to-life detail across the whole scene – it's quite painterly, in my eyes – but given how fast and painless the creation process is, I think that's totally acceptable. I can see now why Splatica is such a hit in the real estate community.

In a web browser, Scenes can be "flown" through with your mouse or keyboard, to be viewed from different angles. You can save up to 10 of your favorite angles, or "poses" as Splatica calls them, then fly through these as an animated sequence. It's also possible to download the scenes in PLY file format, for viewing in 3D model software on your computer, where they'll appear as a ghostly apparition displaying every single point of reference captured by the camera.

Up, up and away

My second test was a little more ambitious – I decided to strap on the FPV goggles and take the Antigravity A1 for a flight around a local landmark: the small lighthouse at the mouth of Ramsgate's Royal Harbour (UK). Because of the goggles (annoyingly, there's no other way to fly the A1 than using them), UK drone laws meant I had to bring along a spotter. So that's one aspect of this process that I don't particularly like – hopefully Splatica adds support for the DJI Avata 360 soon, so that I can create more aerial scenes without the need to bring a companion along.

The recording process is a little more challenging here, due to the increased verticality of the scene and the A1's idiosyncratic motion-based flight controls, which even as a highly experienced drone pilot, I've always found awkward and unintuitive. Now, having to pilot the drone at a steady speed along a relatively narrow flight path, I found them even more of a challenge.

Feeling that the A1's waypoint-based flight mode might come to my rescue, I built my ideal flight path first, dropping key waypoints, then had the drone autopilot along it – the idea being that this would keep things smooth and even while recording the video.

Sadly, this didn't work out: the drone's close proximity to the lighthouse – Splatica advises you to fly as close as safety allows to your subject, in order to capture the most detail – caused the autonomous flight to immediately cancel itself. So in the end I had to fly it manually, spiralling around the lighthouse several times in FPV mode before completing a wider loop of the scene and landing. You can see the results below, or view the scene in your browser here.

So, is Splatica worth it?

Splatica isn't cheap, and unless you really need it for some commercial purpose or have oodles of disposable income to play with, it's going to be hard to justify the cost. Otherwise, it feels like yet another expensive monthly subscription that'll part you from cash which is probably best spent on essentials like food and bills.

Still, I can't deny that the process of creating these scenes has been a lot of fun, as well as opening my eyes to just how powerful our modern day cameras can be. If your 360 camera is gathering dust right now, Splatica is probably the best excuse to pull it off the shelf and get back outside with it.

As someone who records vlogging content using smartphones, there's a glaring issue that's difficult to overcome; the selfie camera is the easiest option, as you can properly frame your shot using the screen, but that's usually the worst camera on your phone, while the best camera is around the back.

Quality matters to me so, a lot of the time, I flip the phone around and just guess my framing. Sometimes it works out, sometimes it doesn't — but so far, the solutions I have tried are far from ideal.

The idea that has previously made the most sense to me is a monitor that can mount to the rear of your phone to give you a preview of what you're recording. I've tried a few different versions, and SmallRig's attempt impressed me the most, but it's still a pain to use.

It connects to your phone wirelessly, which is a nice idea, but this wireless connection introduces latency, and it gets worse the longer you record for. It also lacks touchscreen controls, the screen isn't particularly bright, and the battery life isn't too impressive, either. It's still useful, but there's a lot of room for improvement.

Thankfully Insta360 has just stepped into the frame with its own solution, the Snap Selfie Screen, and it seems like it might address all of these issues. I've been testing it out for the past week to see how it stacks up.

Meet the Insta360 Snap Selfie Screen

The Insta360 Snap Selfie Screen has the same goal as the other models I've tried, but it does a few things differently. Firstly, it's a wired solution, powered by the phone, with no internal battery. As a result, it's able to be much slimmer and lighter, which makes it easier to bring with you.

Insta360's products have always impressed me with their thoughtful design touches, and the Snap Selfie Screen is made with the same attention to detail. It comes with a built-in screen cover to prevent scratches during transportation, and it flips around to cover your phone screen and prevent accidental touches when the Snap is in use.

The cable is permanently attached, but it has a built-in magnet that snaps to the screen cover and stops it from flopping around in your bag. It's not something that's strictly necessary, but it makes for a more polished experience. Insta360 is good at that.

As for how it works, it couldn't be easier. You attach the USB-C cable to your phone, a pop-up appears asking if you want to cast your display, you choose "Cast" and off you go.

The Snap Selfie Screen has MagSafe-compatible magnets inside, and if you have an iPhone, or an Android with a compatible case, you just slap it on the back of your device. If not, Insta360 includes a stick-on adapter ring in the box.

The Snap Selfie Screen has a touchscreen display, and if you're on Android, it'll just work instantly. On iPhone, you have to go to accessibility settings and enable "Zoom" to get it to function. It seems like a bit of an awkward workaround, but hey, it works.

What it's like to use

The best thing about the Insta360 Snap Selfie Screen is that it's convenient. You can set up to record yourself in a matter of seconds, and you can control everything from the monitor, rather than having to flip around to the main screen whenever you need to change a setting.

By contrast, with a wireless monitor, you need to set up a screen cast, which can be fiddly and varies from brand to brand. You'll also be contending with latency, and with an iPhone, the latency is so bad at 4K that it's basically unusable.

There are no such issues with Insta360's latest offering, but there is something you should be aware of. Not all phones support display output over USB-C, so you'll need to check carefully if it'll work with your phone before ordering.

I'm not just talking about budget phones, either. You'd be surprised how many premium handsets lack the feature. Vivo's X300 FE, despite being a brand-new flagship-series release, is not compatible, for instance.

The screen-covering flap is a great addition that helps with usability. There's a special area that blocks touch inputs, and so long as you train yourself to keep your fingers in that spot, it makes one-handed vlogging much more comfortable.

I can't help but wish this flap was removable, though. It's permanently affixed, and while it magnetically keeps itself closed when the screen isn't in use, it can flop around annoyingly if you aren't holding it in the intended fashion. It makes using phone clamps a little fiddly, too. Nothing some scissors can't fix, I suppose.

The Insta360 Snap Selfie Screen is easily the brightest selfie monitor I have tried, and that makes a massive difference when you're shooting outdoors. It's also the only one I've seen with the option of a built-in fill-light.

If you choose the pricier of the two models (which is the version I'm testing), you'll get a diffused LED border that surrounds the display, plus two buttons for controlling the color temperature and brightness level.

I'm not the biggest fan of on-camera lighting, so I haven't found myself turning it on very often, but it'll almost certainly look more flattering than the built-in LED flash on your phone. Plus, if you find yourself needing to vlog in a really dark location, it could save the day.

Should you buy one?

While I haven't been shy about the shortcomings of selfie screens like this, the truth is, I use them all the time. Being able to use the larger sensors on the rear of your phone makes such a dramatic difference to the quality of your videos. Until more manufacturers start putting screens on the back of phones (or dramatically improve the quality of selfie cams), accessories like these are a necessity for any mobile creator.

The Insta360 Snap Selfie Screen, while not flawless, is by far the best implementation I have come across. It walks all over my previous favorite from SmallRig, and it'll be staying in my kit bag for the foreseeable future.

It's more convenient, it's brighter, it's easier to use, and it's the most thoughtfully designed. Plus, it's not significantly more expensive than any of its competition. If you're in the market for a selfie screen, the Insta360 Snap is now the obvious choice.

I've spotted some great webcam deals over at Amazon that are perfect for professionals and content creators who want to look their best and feel confident presenting on camera.

My number one pick has to be the Insta360 Link 2 4K webcam, now £159 (was £200) at Amazon. But it's not the only webcam that's got a big discount in the surprise Tech Week sale.

• Shop the whole Tech Week sale at Amazon

Alongside a range of Insta360 deals, Logitech and Obsbot have also cut prices on HD and 4K webcams. So, while the Insta360 Link 2 is my top choice - it earned 4.5 stars in our review, after all, you can check out all my favourite deals on webcams below.

Today's best Insta306 webcam deal

The Link 2 is a phenomenally good 4K webcam (and even better at this price). We scored it 4.5 stars out of a possible 5. It's compact, elegantly designed, with a high-quality build. Video quality is also exceptionally high, letting you stream up to 4K UHD at 30fps.

It's jam-packed with essential features, including AI motion tracking that keeps you in the frame, gesture controls for operating the camera functions hands-free, and DeskView, which lets you flip the camera to look straight down at your desk.

One of the most interesting features we found in our review is the whiteboard mode. If you're lecturing or presenting (as our reviewer was), this is a golden tool. Place corner markers on your whiteboard, and with a single gesture, the Link 2 automatically zooms and corrects the whiteboard’s angle to fill the frame for your viewers.

The only real issue we found was the AI noise-cancelling microphone, which was decent, but if you're using this for more than business calls, you'll likely want to get a dedicated mic or use a headset with a built-in microphone.

Overall, though, it's a superb 4K webcam that's tailored for professional use - from business meetings and presentations to content creation and streaming.

It's worth quoting this passage from our review in full, so you know what to expect:

"Having used the Insta360 Link 2 for a couple of lectures and web meetings, it’s very obvious that the video streaming quality is exceptionally high, with all the usual blurred backgrounds and AI-enhanced self-beautification features. What makes this one of the best webcams I've used is that when it's used as a mini PTZ on top of your monitor, able to follow you around (unlike the similar but static Insta360 Link 2C). For all manner of streaming uses, this is actually a relatively affordable option, with features comparable to many more expensive alternatives."

For more picks, see our guide to the best webcams we've tested.

Insta360 Link 2 webcam review gallery

Also consider: More webcam deals

• Shop all webcams at Amazon

• An intriguing new Insta360 camera has just leaked
• It looks like a traditional Micro Four Thirds mirrorless model
• The camera has been spotted once before

Just days after GoPro introduced a new action camera with a Micro Four Thirds lens mount — making it compatible with hundreds of external lenses — a new camera from Insta360 has leaked that promises to keep the Micro Four Thirds trend going.

The leak comes from Reddit (via 4/3 Rumors), and we get a decent look at the design of the device. There's no viewfinder here, but Insta360 seems to have kept everything relatively compact, and we get the white finish that Insta360 is keen on for its cameras.

We have actually seen a leak for this camera before, back in January when Insta360 CEO Jingkang Liu posted a mysterious shot to social media: it showed this camera in action, with the rear screen on display while a photo was being framed.

That previous leak pointed to 20MP photo capture and a fixed or interchangeable f/1.8 lens, but it now seems a Micro Four Thirds mount could be on board. The software interface looks to be similar to the one we're already familiar with from the Insta360 Ace Pro action camera.

Either 'hideous' or 'fresh'

A new M43 camera, from insta360. The rumor turns out to be real. from r/M43

While plenty of questions remain around this camera — such as whether the mount will come with autofocus and aperture control for existing MFT lenses — it's likely to be welcomed by those who have been missing new models in this specific category.

Reactions online have been somewhat mixed, with various commentators describing it as "hideous", "fresh", and "infinitely more useful... than whatever GoPro just released". Another more positive reaction was "this is amazing for mft [Micro Four Thirds]", with the argument being that it could fill a gap left by both OM System and Panasonic in the system for a truly compact mirrorless camera. We're going to reserve judgment until it's actually been made official.

Given Insta360's track record, this is likely to be beginner-friendly, while also trying to do enough to tempt the more professional crowd as well. Vloggers will no doubt be interested, as they will in the upcoming Insta360 Luna that's already been previewed.

With Micro Four Thirds camera launches few and far between in recent years, it's interesting that both GoPro and Insta360 are now investing in the technology again — but we'll have to wait and see what the demand for these models is like.

• Expect the DJI Osmo Pocket 4 on April 16
• The vlogging camera has been long rumored
• Insta360 is also launching the Luna soon

The build-up to the launch of the DJI Osmo Pocket 4 has been a long and busy one, but we now have an official date for the unveiling of the vlogging camera — while further leaks appear for a rival device from Insta360.

DJI has posted a teaser clip to social media that tells us the DJI Osmo Pocket 4 will launch on Thursday, April 16. The reveal begins at 12pm GMT, which works out as 4am PT / 7am ET / 9pm AEST in Australia, so get your calendars marked accordingly.

The camera isn't mentioned by name, but we do get a pretty good glimpse of it, with the tagline "the world in my pocket". In Japanese, the tagline translates as "the world expands", which may hint at expanded camera sensor capabilities.

As Notebookcheck points out, that hints at a wider native focal length on the new camera, together with support for the Open Gate standard, as offered by the iPhone 17 Pro — it means more of the sensor area can be used for filming.

DJI vs Insta360

The official announcement hasn't stopped the DJI Osmo Pocket 4 leaks from appearing. Regular tipster Igor Bogdanov (via Notebookcheck) has posted more renders of the camera ahead of time, showing its tweaked design—with two extra console buttons.

Among the other upgrades that have been tipped are improvements to the 1-inch sensor that allow in more light and improve photo and video quality, and an additional camera a potential possibility for a Pro version of the device.

However, DJI might immediately have some competition for its new camera. Again we're indebted to Igor Bogdanov for the leak, this time for the Insta360 Luna: it's described as a "more interesting" version of what DJI is about to unveil.

The Insta360 Luna is official, sort of, having already been announced — but we don't know exactly when it's going to go on sale, or any of the specs we can expect. For consumers though, more choice and more competition is most definitely welcome.

• Insta360 CEO unveils Luna vlogging camera at its annual conference in China
• "Luna" has two lenses and apparent modular design
• It's tipped to launch in first half of 2026, priced between $499 and $699

Insta360 CEO Liu Jingkang dropped something of a bombshell at the company's annual conference this week by unveiling the Insta360 Luna, the company's first pocket gimbal camera. Liu emphasized that the device is "definitely not another pocket camera," which tells us exactly what Insta360 has in its crosshairs: DJI's hugely popular Osmo Pocket stabilized vlogging camera series.

Set to arrive in the first half of 2026, the Luna enters a market that DJI has dominated for years. But rather than simply aping the formula that made the Osmo Pocket 3 a hit, Insta360 appears to be taking a different tack – one centered around a dual-camera setup.

Two cams are better than one

Yes, the most obvious difference between the Luna and the DJI Osmo Pocket 3 is right there on the former's face: it sports two cameras instead of one. This dual-lens design opens up some intriguing performance possibilities. I say "intriguing" because, well, we don't know exactly how the two-camera setup will function.

Insta360 hasn't revealed full specifications yet, but if I'm speculating the dual-lens setup suggests potential for improved depth sensing, better subject tracking and creative shooting modes that simply aren't possible with a single camera. It's worth noting that rumored specs for the upcoming DJI Osmo Pocket 4 suggest it will launch with a single camera module, with a dual-camera "Pro" version potentially arriving later.

If the Luna arrives on the market first with dual cameras out of the box, that's a real head start in the features department – and one that could appeal to content creators looking for something beyond the standard vlogging camera formula.

Beyond the dual cameras, the Luna seems set to embrace a modular design philosophy that contrasts with DJI's more rigidly integrated approach. Earlier leaks at The New Camera suggest interchangeable components and batteries, which could make Luna more adaptable over time – though I'll need to see the final product to judge whether this adds genuine value or merely complexity. I'd also expect the wireless Insta360 Mic Air to be fully compatible with the Luna, in much the same way the DJI Mic series works with the Pocket series.

Can Insta360 compete with DJI's empire?

Insta360 is entering a market where DJI sits as the undisputed ruler. The Pocket series is beloved by vloggers and content creators for good reasons: refined stabilization, excellent image quality and a mature ecosystem of accessories.

Expected to land somewhere between $499 and $699 (£370 to £515), the Luna should be competitively priced against the Pocket 3 and rumored Pocket 4. But pricing alone won't win this battle; Insta360 will also need to deliver on stabilization performance, image quality and software polish – areas where DJI's years of refinement really tell.

That said, Insta360 isn't without advantages. The company has proven it can compete with DJI in similar markets (and it already sells excellent stabilized, gimbal-mounted cameras – they're just webcams rather than handheld) and DJI's ongoing regulatory challenges in the US have created uncertainty for some buyers. If the Luna delivers impactful dual-camera features and integrates smoothly into the Insta360 ecosystem, I think it could appeal to both first-time buyers and creators looking for an alternative to the DJI Pocket series.

Competition is healthy, and it cannot hurt consumers if Insta360 shakes up a category that's been relatively quiet since the arrival of the Pocket 3. Whether its dual cameras prove to be a gamechanger or merely a gimmick will depend on execution – something I'll only know once a review unit lands on my desk.

For now, vloggers and content creators have an interesting choice ahead: stick with the proven DJI Pocket formula, wait and see what the Pocket 4 brings, or take a chance on Insta360's two-eyed challenger.

• Two new Insta360 cameras have been spotted
• These models have been teased by the Insta360 CEO
• There's plenty of speculation over what they could be

We have Insta360 to thank for some of the best action cameras in the business – as well as several other innovative gadgets – and it looks very much like we've got a couple more cameras from the company to look forward to in the near future.

Insta360 CEO Jingkang Liu has taken to Chinese social media site Weibo (via PetaPixel) to share a teaser image, alongside the caption "go to a new focal segment". That sounds like an upcoming camera to us.

As pointed out by The New Camera, there are actually two unknown cameras in this picture: the camera that we can see being used to frame a photo, and a second camera that's visible through the viewfinder of the first one.

We're well used to rumors and teases and hints for Insta360 products at this stage, but this is a sort of hybrid combination of an official unveiling and a product leak that we don't often see, and we're rather intrigued as to what it could be pointing to.

Camera spotting

The first camera in this image – the one that's being used to frame and take a photo – looks unlike anything Insta360 currently makes. PetaPixel speculates that it might be a compact, fixed-lens camera along the lines of a Canon PowerShot.

We can see some controls around the side of the viewfinder, which include buttons for toggling between video and photo modes, and a playback button for reviewing videos and photos captured by whatever camera this is.

As for the second camera that the first mystery camera is taking a picture of, The New Camera suggests this is a pocket vlogging camera along the lines of the DJI Osmo Pocket 3 (with the DJI Osmo Pocket 4 waiting in the wings).

That latter camera is probably closer to being launched – perhaps as early as February or March – whereas the compact digital camera may still be in the prototype stage. It seems that it won't be too long before we have more Insta360 cameras to enjoy.

Insta360 Wave: 30-second review

Getting started with the Insta360 Wave isn’t as straightforward as simply plugging it in and getting started, as options on the device need to be selected. In the instructions, it says to plug the USB cable into your laptop or PC, and it should appear on the desktop with the relevant software ready to be installed. To make it appear, however, you need to activate USB mode on the device by navigating the touchscreen menu to settings, then to USB mode, and tapping file transfer. Once this is done, the unit will appear as a drive, and you can install the software; it’s just initially not that clear. Alternatively, you can download the software directly from the Insta360 website, which circumvents the issue.

After the Insta360 Wave Controller software has been downloaded and updated, you’re then set and ready to start using the speakerphone. The easiest use in most scenarios is to just hit record as soon as a call comes through or if you’re in a face-to-face meeting and need to record minutes for later reference. The small circular interface is well laid out, with a large record button that you simply tap to start and tap again to stop; it really couldn’t be simpler. You can also set it up to integrate with most conferencing apps, such as Teams and Zoom.

If you need to make any adjustments to the settings, that’s all easy enough. Just swipe up on the device menu, tap settings, and all the settings for the unit are there. If you’re connected to your computer, you can use the Insta360 Wave Controller to access the same.

One thing to point out, like with many devices these days, is that you need to sign up for an online account to fully utilise the device and features, especially the AI ones. You get 300 minutes of AI transcription free per month, but anything beyond that requires a subscription.

If you need more than 1,200 minutes a month, there are packages to add even more AI transcription time. Through this test, I found the 300 minutes to be more than enough as an individual; however, in a business environment, I can see that time quickly evaporates. The audio clarity when recording was exceptionally good, and I particularly liked the ability to choose how the microphones pick up audio, with Omni, cardioid, supercardioid, figure-of-eight, and stereo patterns available. These can be selected through the audio settings by switching from standard noise reduction to original sound.

Through the test, I was impressed with the clarity boost compared with using a laptop microphone. As I was testing the Insta360 Link 2 at the same time, the two paired exceptionally well, one boosting video streaming well beyond what was possible with the laptop webcam, and the speakerphone dramatically enhancing audio quality, not just when seated at the desk, but also when standing away from both the camera and speakerphone.

The Insta360 Wave is one of those devices you never realise you need until you start using it. The AI transcription is incredibly useful. While the 300-minute limit without a subscription may be restrictive, it should suffice for most people. What I really liked was the quality of the audio pickup, especially at a distance. This meant that if you’re standing in front of a whiteboard during a web meeting, the audio clarity remains exceptionally good. With different mic pickup styles, you can also maximise audio pickup quality in a variety of situations, be that face-to-face meetings, online phone calls, or lectures.

While the initial setup, especially connecting to Bluetooth and Wi-Fi, wasn’t as straightforward as with some other Insta360 devices (which are usually extremely simple), once everything was in place, the device worked seamlessly, and I didn’t have to think about it. It was just there, ready to be used whenever needed to record all the details and provide a transcription afterwards.

Insta360 Wave: Price and availability

• How much does it cost? £279 / $299
• When is it out? Now
• Where can you get it? Widely available

The Insta360 Wave is widely available for $299 / £279 from Insta360. It is also available in bundles, including one featuring the Link 2 webcam, so you have both an audio and visual option.

I'm also seeing it available via Amazon.com, Amazon.co.uk, and other online retailers.

• Value: 4 / 5

Insta360 Wave: Specs

CPU: AI DSP
Storage: 32GB internal
Ports: USB-C
Connectivity: USB-C, Bluetooth 5.0, optional wireless dongle
Audio: 8 MEMS microphones, beamforming, 5 pickup modes
Camera: Link 2 (Optional Extra)
Size: Ø64.3mm Raised: 248mm, Collapsed: 198mm
Weight: 580g
Accessories: USB-C cable, optional dongle, carry pouch (varies by bundle)

Insta360 Wave: Design

The design of the Insta360 Wave is quite unique. It's clean, cylindrical black design looks exceptionally futuristic, and once powered on, the main column levitates, revealing a small touchscreen interface on the base.

In terms of size and weight, it’s a little heavier than expected for such a small device, measuring 64.3mm in diameter and 198mm in height, rising to 248mm when activated. The weight comes in at 490g, reinforcing the premium quality of the unit.

The touchscreen interface enables fast access to recording and audio settings. While it's only 1.82 inches, it’s extremely responsive and clear.

The Insta360 Wave has been designed for the professional market, for conferencing and meetings, either online or face-to-face, and has several AI features built in. Packed inside the cylindrical design is an advanced AI chip, 8-MEMS microphones offering 48kHz for hi-fi quality audio, voice-optimised speakers suited to human voice rather than music, and a unique floating form factor.

The cylindrical design makes it extremely easy to position, ideal for meetings, whether seated around a boardroom table or presenting online. With AIGC (Automatic Gain Control) switched on, the speakerphone is able to pick up audio even at a distance, up to 16 feet. Through this test, even at a good 2–3 metres, audio pickup was exceptionally good.

The design is also sleek and compact, and Insta360 has included a carry bag in the package, highlighting that this device is not just for office use but can be taken out and about. Another great feature is that it’s not only powered via USB; it also features an internal battery, enabling use via Bluetooth with almost any compatible device.

One of the big features here is the audio pickup. By default, the speakerphone is set to noise cancellation, but switching to original sound allows you to choose from five precision-engineered pickup patterns: Omni, cardioid, supercardioid, figure-of-eight, and stereo, depending on your situation.

The design has also been developed to be fully compatible with the Insta360 Link 2, so if you want to enhance both visuals and audio, the two pair together to offer a far superior audiovisual experience than you’d expect from a standard laptop webcam.

Another big advantage is the 32GB of storage, allowing you to record meetings directly to the device for later playback. This audio can be transcribed into text using the AI features, and it’s clever enough to separate different speakers so you can assign them names.

The AI transcription goes further, generating smart notes and a summary of the entire meeting. If there’s something you need to ask about what was said, you can use the AI chat feature.

• Design: 4.5 / 5

Insta360 Wave: Features

On the surface, this just looks like a rather uniquely designed desktop speakerphone, something to pick up your audio and play it back. However, this is an AI-enhanced speakerphone that goes beyond traditional options.

First and foremost, audio quality is essential. It has an 8-MEMS mic array with beamforming to pick up audio. You have a choice of five mic pickup patterns: omnidirectional (360° coverage), cardioid (front-focused, ideal for online meetings or podcasts), supercardioid (ambient noise suppression), figure-of-eight (interviews), and stereo (wider sound for personal music projects).

Through the test, one feature that impressed me from the outset was the AI noise suppression with AGC (auto gain control) and echo cancellation. Once activated, you can walk away from the mic, and the unit balances the audio, improving quality without the usual echo. You don’t need to stay near the mic; you can wander while talking, with little fluctuation in volume or clarity for those listening.

You can control settings either directly via the touchscreen or via the Insta360 Wave Controller software or app. These provide the same level of control. You can connect via USB-C, Bluetooth 5.0, or an optional wireless dongle.

This speakerphone also includes 32GB of onboard storage, allowing you to record conversations for playback or archiving, and it is exceptionally easy to use.

Most people, I would imagine, will connect via USB, but it also has a 9,800mAh battery for up to 12 hours of wireless use.

The Insta360 Wave can either be used standalone or integrated with the likes of Zoom, Teams, Meet, OBS, and more. In this review, I used it with Teams and Google Meet.

• Features: 4.5 / 5

Insta360 Wave: Performance

Over the years, I’ve looked at plenty of Insta360 devices and, generally, they’re exceptionally easy to set up and use. However, getting started with the Insta360 Wave was not initially as straightforward as I had anticipated.

Checking through the instructions, all I needed to do was plug the USB cable into my MacBook Pro, and it should have been instantly recognised and usable. But this didn’t seem to be the case. It also stated that once the USB cable is connected, the device should appear as a drive so the Insta360 Wave Connect application could be installed, which would give access to all the settings. However, all it seemed to do was activate the Wave, play its dramatic start-up sound, and display the touchscreen and options, but no connection to the Mac.

The touchscreen is exceptionally well laid out and highlights the software you need to install, prompting you to connect via USB. As I’d already done this and nothing was working, I was at a bit of a loss. Then I noticed the settings option, tapped it, scrolled down, found the USB mode option, tapped that, and instantly it connected to my laptop. I could then download the software and get started.

To be honest, once the software was installed, everything from that point was straightforward, and when rechecking, I noted that downloading the software directly from the Insta360 website also circumvented this setup issue. Once connected, the device was ready to use. As I started to record a voice call coming through on Teams, it was extremely easy and straightforward, and the audio quality at the other end was reportedly excellent.

After the meeting had finished, I was able to take the recording through to the AI features. This requires unlocking and activating the AI, at which point you start to realise it’s also a subscription-based model. However, to start with, you do get 300 minutes of transcription that you can activate. Even though I used this device quite heavily during the review, I didn’t exceed that limit. I do, however, try to keep my meetings short.

The first part of the test was checking the connectivity options. Using the USB, once I’d figured out the USB mode, was straightforward. Pairing the device with Bluetooth devices was equally easy. Included in the box was a wireless dongle you can plug into your desktop or boardroom machine, giving you a faster connection than Bluetooth. There was a bit of working out to do regarding connectivity, but it wasn’t too difficult. USB-C was by far the easiest, once I’d worked it out.

From that point on, all the features were straightforward to use. While the speakerphone is the main feature, the AI integration is exceptional. Testing this after a meeting, I clicked on the Insta360 Wave Connect icon on my MacBook Pro, then clicked the ‘AI View Recordings’ button. This took me to the Insta360 page online, which lists all the files recorded on the Wave. I could then click the file I wanted and was given an instant summary of the meeting and a full transcript of what was said. On the right-hand side, the AI assistant allowed me to ask, for example, “At what time did someone say ‘time for lunch’?”, and it highlighted that moment, and what they wanted for lunch.

What I really liked was that you could use the AI system to format the content of the meeting the way you wanted. During one discussion with a colleague online, we set out the action points. After the meeting, I asked the AI assistant to list out my colleague’s action points, copied them, and emailed them across. I’d already noted them on paper, but this quick copy-paste streamlined the process, and there was an option to share directly.

I also liked that afterwards I could switch to USB mode, now that I’d found it, and copy the recorded file over to the archive for future reference, essentially recording my business practices.

Another feature I found interesting was the ability to change the mic pickup with those five presets. Switching between them through the touchscreen was relatively easy. They do make a difference, although not as much as I’d hoped. Still, the level of audio pickup was exceptionally good. While echo and noise reduction are included, the audio quality is clearly tuned for speech, not music. Playing any kind of guitar or instrument to record sounded okay, but not as good as a dedicated mic.

While I used the option to manually adjust the mic, I found that, for the most part, the auto mode, AI beamforming, did a great job. Whether I was sitting in front of the mic or in a small boardroom-style meeting with three people, it adapted to our audio needs exceptionally well. I also really liked the fact that it’s small and compact. While it was mostly used in the studio, we took it out with us, even during lunch. We popped it on the table and used it as a dictaphone, then transcribed our lunchtime meeting with exceptional clarity, especially using the AI assistant to cut out anything irrelevant to work.

Essentially, the AI transcription is what makes this unit so powerful. It not only transcribes spoken words into searchable text that can be interrogated, but it can also identify different speakers, enhanced through voiceprint training. It can generate smart summaries and action points, which I personally find extremely useful, and you can export the transcription text to send to everyone in the meeting.

It’s worth pointing out what it can’t do. While it can play back audio recordings, it doesn’t have text-to-voice functionality, so it won’t read the text aloud. It also won’t act like a voice assistant. A few people asked whether it was like Alexa or Siri, but it’s not. This is a speakerphone with AI enhancements. It also doesn’t transcribe in real-time without recording first, and that recording needs to go to the cloud; it’s not done on-device.

• Performance: 4.5 / 5

Insta360 Wave: Final verdict

When the Wave first arrived, I was unsure about how useful a device like this would be. But in reality, once you start using it, the ability to record meetings is handy, and to then get an almost instant transcription you can interrogate via AI is extremely useful.

While this is aimed at businesses, anyone who works for themselves or in a small business environment would find a unit like this very helpful. The only things that may hold some people back are the price and the initial setup, which can be a little confusing but ultimately isn’t complex.

There are a few things to consider: first, the setup. It’s not complicated, but it’s not well documented in the manual. Then there’s the subscription model. While you get a decent amount of transcription and AI features for free, after 300 minutes, you’ll need to upgrade. For most small businesses, 300 minutes a month of meeting time isn’t a huge amount. This will only suffice for those working solo or self-employed before the paid upgrade is required.

Even with these small drawbacks considered, I feel this is still an exceptional device. The final thing to really consider is the price, nearly £300 / $300 is expensive, even more so if you factor in the Link 2 on top for a complete solution.

Where the Insta360 Wave’s strengths lie is in voice-focused tasks: meetings, content creation, or any professional who needs to record audio. It’s a great solution. With AI enhancement, noise cancellation, and the ability to switch between mic patterns, it will provide far better audio than your laptop. When you combine it with the Link 2, while expensive, it becomes a superb all-round audiovisual solution for online and face-to-face meetings or content creation.

Should I buy a Insta360 Wave?

Buy it if...

Don't buy it if...

For more conferencing essentials, we've reviewed the best webcams and the best cheap webcams around.

Insta360 Link 2: 30-second review

The Insta360 Link 2 is, for all purposes, just a standard external webcam that features a magnetic articulated mount, making it easy to position on top of your laptop or monitor. For desktop users with standard monitors, this gives you a webcam for live conferencing, streaming or any other situation where a camera is required on your computer. For laptop users, while most will have an inbuilt webcam, this not only elevates the quality of the built-in option but also adds more advanced features.

These features include 4K video streaming, fast AI tracking, and functions such as DeskView and whiteboard mode, which I'll go into in more depth later in the review. The standout feature, however, is that the camera itself is mounted on a fully articulated gimbal, similar to those found on drones. This means that, rather than being in a fixed position, it can actually track you around the room, in the same way as larger PTZ cameras.

What stands out here is that Insta360 has made this camera as easy to use as any other plug-and-play webcam. Once it's plugged in, it will be recognised in exactly the same way. Straight out of the box, you can use hand gestures to start tracking, as well as to switch the camera on and off.

However, it's only once you install the Insta360 Link Controller that the full feature set becomes available. More advanced features, such as DeskView, allow you to flip the camera to look straight down at your desk. So, if you're trying to show others paperwork or images that you have on your desktop, it does require a physical rotation and the addition of the tripod and head accessory.

If you're holding a lecture or you're in a meeting and you have a whiteboard where you're drawing examples for others to follow, then the whiteboard mode will automatically select the whiteboard and make that full screen, so it's not just a small area within the stream. The setup for this requires markers, but it’s again simple to set up.

Having used the Insta360 Link 2 for a couple of lectures and web meetings, it’s very obvious that the video streaming quality is exceptionally high, with all the usual blurred backgrounds and AI-enhanced self-beautification features. What makes this one of the best webcams I've used is that when it's used as a mini PTZ on top of your monitor, able to follow you around (unlike the similiar but static Insta360 Link 2C). For all manner of streaming uses, this is actually a relatively affordable option, with features comparable to many more expensive alternatives.

Insta360 Link 2: Price and availability

• How much does it cost? £299 / $399
• When is it out? Now
• Where can you get it? Widely available from Insta360 and online retailers.

When you consider that you can pick up a relatively decent webcam for around $50 / £50, jumping to nearly $200 / £200 is quite a leap, so this camera won’t be for everyone.

However, if you compare that price against dedicated PTZ cameras, against which this camera holds up well, then it offers exceptional value.

At present, the camera can be purchased directly from Insta360, Amazon.com, Amazon.co.uk, and other online retailers.

• Value: 4 / 5

Insta360 Link 2: Specs

Connectivity: USB-C Cable (USB 2.0) or USB-C to USB-A adapter
Audio: Dual noise-cancelling mics
Max Video resolution: Landscape: 4K@30/25/24fps, Portrait: 4K@30/25/24fps
Camera: 1/2" sensor, 4K @30fps, HDR, 2-axis gimbal
Size: 69 × 41 × 45 mm
OS Compatibility: Windows 11, macOS
Accessories: USB-C cable, USB-A adapter, monitor mount, tripod thread mount

Insta360 Link 2: Design

Insta360 has made its name in the 360° action camera market, and with the success of those cameras, they have now ventured into the business arena with products like the Insta360 Link 2 and the Insta360 Connect, which I looked at last year.

The design is minimalistic and extremely elegant, with its black plastic body being of exceptionally high quality. What makes this camera stand out against other webcams is the fact that the camera itself is mounted onto a physical gimbal that enables it to rotate around 270º, rather than being fixed like more standard models.

The camera is extremely small and compact – designed to sit or perch on top of your monitor. While slightly larger than most webcams, measuring 71.3x58.9x38 mm and weighing just 101.5g (or 166.5 g with the magnetic mount attached), it remains portable.

The magnetic mount unfolds and hooks over the top of your monitor, with plenty of width and adjustability, allowing it to fit both the slim profile of the latest MacBook Pro and older 4K design-ready monitors in the studio. Once the mount is hooked onto the monitor, the Link 2 simply attaches to the top.

If you're running a class and want the camera positioned on a desk like a PTZ camera, the unit’s design allows that as well. You can fold the mount down flat to add weight and position it neatly on a desktop or surface.

The mount gives you a good range of options, and there is a tripod thread on the base of the magnetic mount if you need it, although the tripod and mini head are an additional cost.

Next to the lens is a large circular LED that shows the camera status. It glows green when ready and flickers when gesture control or advanced features are used. It integrates seamlessly with online conferencing software like Google Meet.

• Design: 4.5 / 5

Insta360 Link 2: Features

As you’d expect for a camera costing this much, and despite being a similar size to your average webcam, there’s a lot more on offer here than just fixed-position HD live streaming.

The first standout feature is its ability to stream up to 4K UHD video at 3840 × 2160 at 30fps, a significant increase from the usual. It’s a bit of a shame that it doesn’t go up to 60fps, which would be more useful for exercise classes or lectures involving more movement.

To ensure the best possible quality, the webcam also has a larger 1/2" sensor, offering better low-light performance, which is definitely ideal for lecture theatres and offices.

As mentioned earlier, it features a mechanical 2-axis gimbal, very similar to those used on drones, for pan and tilt, though not roll, as the assumption is that the camera will sit on a level surface.

Alongside the plug-and-play nature, the Insta360 Link Controller software allows manual and automatic adjustments. Within it, you can beautify your appearance, blur or replace backgrounds, and enhance vocal audio. It also enables advanced features.

DeskView rotates the camera to look down at your desk or keyboard. If you're drawing or showing paperwork, it frames and composes the desk view without scanning.

The whiteboard mode zooms and composes around a whiteboard, filling the screen for viewers. It’s quick to set up and very effective once configured.

You can also rotate the camera to portrait mode for mobile viewers, though this requires manual repositioning using a tripod. The software then automatically recognises the new orientation for streaming.

AI enhancements also include auto-framing and exposure, ensuring clarity.

• Features: 4 / 5

Insta360 Link 2: Performance

Getting started with the Link 2 is extremely straightforward. First, download the Insta360 Link Controller app for Windows or macOS. Once installed, pop the camera onto the magnetic mount, place it on your monitor, and plug in the USB-C cable.

The camera spins briefly to calibrate before resting in its ready-to-use position, with the lens and large green LED facing you.

Even before diving into advanced features, you can open your streaming app of choice, Zoom, Google Meet, etc., and select the Insta360 Link 2 as your video and audio source. On both the MacBook Pro and Windows 11 desktop I tested, it was instantly recognised.

The difference between the MacBook Pro’s built-in webcam and the Insta360 Link 2 was instantly apparent. The clarity and visual quality were far superior. On a casual morning call, a colleague immediately remarked that the image quality seemed noticeably better, particularly in the lower light of the office.

However, I did find that the audio pickup wasn’t quite as good as my usual mic but was on a par with the MacBook Pro’s built-in mic, so I reverted to using the usual mic instead of the Link 2’s during calls.

During that initial call, I tested the tracking features. Using hand gestures to get the camera moving was exceptionally quick and easy. My colleague did find the camera's small movements a little disconcerting at first, but quickly adjusted. I moved around the studio to highlight items without having to pick up my laptop, which avoided the usual shaky footage. The Zoom also focused smoothly on my location.

I’ve used PTZ cameras in the studio before for online lessons, and this small monitor-mounted version worked just as well. I’ve used similar devices, and the Link 2 is definitely in line with the likes of the OBSBOT Tiny 2.

You can use the webcam without the software, but installing it unlocks features like AI beautify, background blur, and custom backgrounds, all of which are of much higher quality than those built into most apps.

These features, including smart whiteboard mode, DeskView mode, and AI tracking, are what justify the higher price tag. The AI tracking is perhaps the most impressive. A simple tap on the circular icon on the front of the camera activates it. The green LED flashes to confirm activation, and the camera begins tracking. This works without the software – it’s built into the hardware.

To stop tracking, tap the icon again, and it reverts to a standard webcam. The pan and tilt are smooth and not jerky, keeping up well with movement. Even after walking out of frame, the camera was able to pick me up again smoothly as I re-entered.

Visual quality was excellent in both well-lit and dim conditions. Once the software is installed, double-tapping the front button on the Link 2 activates AI tracking with gesture controls, although I opted to set the tracking to Auto in the controls. Holding a flat hand up starts and stops tracking, though you must avoid covering your face, or the camera won’t be able to track properly.

The whiteboard mode is particularly impressive. The box includes corner markers for your whiteboard. Stick them in place, and with a two-finger gesture, the camera automatically zooms and corrects the whiteboard’s angle so it fills the frame.

If you're not using your own whiteboard, there's also a detection mode that scans for a board and then zooms and crops the image. This works well, although you may need to pause briefly while it recomposes. If the composition is off, you can manually adjust the four anchor points and confirm, and it then reframes accordingly. This feature is especially useful, and it works not just in the Insta360 Link software but also with external streaming apps.

Some features, like DeskView and portrait mode, are more manual than expected. For DeskView, use the mount to angle the camera downward. The software then helps correct the shot and orientation. Switching between landscape and portrait is also manual – you physically rotate the camera using the provided mount, and the software adjusts the feed for correct output.

There’s also a mobile app. If your camera is connected to your PC and your phone is on the same network, you can then control the camera remotely. This is especially handy during presentations. I found I could quickly switch from tracking to whiteboard mode, zoom, and start/stop tracking. That said, I mostly relied on gesture controls, which worked well once everyone on the calls was used to me signalling at an invisible entity.

I also liked the virtual joystick on the mobile app, which gave even more control over camera movement.

By the end of testing, I was impressed by most aspects of the camera. The only weak point was the microphone quality, which didn’t quite match that of the mic I usually use, but that said, it was still of decent quality. Another point when moving around with the audio was that while the camera compensates for volume, there is some perceptible drop in clarity.

Still, compared to fixed webcams, the PTZ-style camera makes sense if you're mobile during presentations or livestreams, and that audio is still a level up when compared with the MacBook Pro that I’m using.

• Performance: 5 / 5

Insta360 Link 2: Final verdict

Small, AI-enhanced PTZ-style webcams are exceptionally useful – but they’re not cheap compared with standard external or built-in options. While the video streaming quality is high and the AI features genuinely add value to online presentations, the cost may be prohibitive and the features overkill for occasional business meetings.

However, if you’re making online content, streaming, conducting lectures or classes, then having this small camera absolutely makes sense. It really is like having your own personal camera operator in the room. The tracking is smooth and subtle, without being distracting for viewers.

The video quality stands out. With the ability to beautify your appearance, blur or replace backgrounds, and customise your setup via the Insta360 Link software, it offers all the features you'd expect – just at a higher 4K quality.

It is, however, a shame that the 4K resolution is limited to 30fps. Just a small upgrade to 60fps could make a noticeable difference in motion smoothness. Still, for most use cases, especially with normal-paced movement, 30fps is more than enough.

My only real issue was with the mic quality, which, while adequate, didn’t quite match the MacBook Pro’s built-in mic. That said, it was still far better than the audio from my PC, and most people would find it more than acceptable.

Throughout testing, it became clear that for standard business meetings, the quality of the visuals was far better than my standard MacBook Pro’s camera, which just meant the people I was speaking to got me in greater visual clarity than normal. However, it really comes into its own when running lectures; the mini PTZ-style camera proved extremely useful. AI tracking with gesture control felt intuitive, and I appreciated the ability to control it via my phone. Whiteboard mode also stood out, not just for me, but for anyone using it in a business setting, thanks to its ability to detect, crop, and compose the board quickly and accurately.

This camera might be overkill for some, but in many situations, especially for educators or professionals delivering online classes, its advanced video streaming capabilities make it a valuable tool.

Should I buy a Insta360 Link 2?

Buy it if...

Don't buy it if...

For more options, we've also reviewed the best cheap webcams around.

• Leaptic teases a new action camera for CES 2026
• It could rival the DJI Osmo Nano
• The teaser indicates the 'AI' camera will shoot 8K video

DJI and Insta360 could have a new rival on their hands, after a new Chinese company called Leaptic teased a modular action camera that will be unveiled at CES this week.

The teaser on X (formerly Twitter) reveals the silhouette of the '8K AI tiny action camera', and it looks a lot like the profile of the modular DJI Osmo Nano.

Like the Insta360 Go 3S before it, the Osmo Nano is a truly tiny thumb-sized action cam which can fit in tight spaces for creative angles and worn as a body camera, but being modular it also attaches magnetically to a pod with a screen for a traditional action camera design.

Leaptic's offering appears to have a strikingly similar design to the Osmo Nano, but we know precious little else about it other than will shoot video at a higher 8K resolution.

Another post shared on Instagram in September 2025 seemingly reveals Leaptic's AI action camera, if indeed this is the same camera, calling it a 'next-gen AI action camera redefining sports filmmaking', armed with a 'disruptive end-to-end AI concept'.

It says the camera will weigh just 35g, is equipped with voice control, plus it features what sounds like 'AI' subject and action detection and auto editing to speed workflow.

This all sounds intriguing, and with CES kicking off tomorrow on January 6, we'll soon have more concrete detail about the tiny 8K action camera from the horse's mouth, and if indeed it has what it takes to break into this competitive space.

TechRadar will be extensively covering this year's CES, and will bring you all of the big announcements as they happen. Head over to our CES 2026 news page for the latest stories and our hands-on verdicts on everything from wireless TVs and foldable displays to new phones, laptops, smart home gadgets, and the latest in AI.

And don’t forget to follow us on TikTok and WhatsApp for the latest from the CES show floor!

Welcome to another In Case You Missed It (ICYMI) round-up, which we do every week to make sure you're fully caught up with all the big stories that have been breaking in the world of technology over the last seven days.

It's been a bumper week this week – as it is every week – and we've seen an important upgrade for ChatGPT, a new retro film camera from Kodak, an update on the US ban for DJI, a tease about the 'future of wearables' from Garmin, and more besides.

Of course, it's peak time for the Black Friday deals as well, so you'll find links to a pile of discounts and deals further down this page (or head here for the best UK deals too). If you're in the market for a new piece of tech, now might be the perfect time to pick it up. But first, here are the rest of the week's biggest stories...

7. Kodak gave us a gloriously retro 35mm film camera

Say hello to the Snapic A1, a new 35mm film camera from Kodak that offers multiple exposure shooting, a 25mm three-element glass lens, a maximum aperture of f/9.5, and manual focus, all wrapped up in a plastic build with a retro aesthetic.

The camera tips the scales at a mere 117 grams, comes in two colors (Rhino Grey and Ivory White), and costs $99 (that's around £75 / AU$150), with a neck strap and pouch included. Given the sample photos provided, we're cautiously optimistic about performance, too.

• Read more: Kodak reveals affordable 35mm film camera that's a glorious blast from the past

6. Garmin teased the ‘future of wearables’

What is Garmin working on? One of the company's official social media pages posted and then pulled a teaser for a new device, promising the 'future of wearables' – and there's been plenty of speculation online about what the teaser could be referring to.

Based on the brief glimpse we get in the teaser image, it looks as though the upcoming device could be a slim smartwatch rather than the Whoop competitor Garmin is rumored to be working on – but we won't know for sure until Garmin makes it official.

• Read more: Garmin just teased a new device it's calling the 'future of wearables' – and it's coming soon

5. ChatGPT got a voice mode upgrade

The voice mode inside ChatGPT now works much more seamlessly with the text mode, so you can switch between them more easily. We've already given the new interface a whirl, and came away impressed by how much it improves the user experience of the AI bot.

We've got all the details you need to know about the newly revised and improved voice mode, including how to switch back to the old interface, and exactly what the differences are if you're signed up for one of the ChatGPT subscription plans, compared to free users.

• Read more: ChatGPT's voice mode just got a major upgrade – here are 5 things you need to know

4. Insta360’s all-seeing drone got a launch date

Insta360 has a new 360-degree drone called the Antigravity A1, which should make for some spectacular in-flight views, and some fantastic subsequent photos and videos. The drone was actually announced in August, but now we have an on-sale date too.

You'll be able to place your order for the Antigravity A1 on Thursday, December 4 – and it's going to be available worldwide, so you should be able to get hold of one. In the meantime, DJI is strongly rumored to be working on its own 360-degree drone device.

• Read more: Forget DJI – Insta360's exciting Antigravity drone just got an on-sale date and it's soon

3. OpenAI’s first gadget took a step closer to reality

It's no longer a secret that OpenAI and its CEO Sam Altman, in partnership with ex-Apple design chief Jony Ive, are working on a device that will let you carry ChatGPT around with you at all times – but we're still waiting to find out what it looks like and what it'll cost.

Those questions remain unanswered, but we do know the gadget is getting closer to a launch. Altman has now gone on the record saying the device should feel like a "cabin by a lake" compared to an iPhone – whatever that means – and will be launching within the next couple of years.

• Read more: Sam Altman says his new AI device should feel like a 'cabin by a lake' – not an iPhone

2. DJI warned us about its imminent US ban

Time is rapidly running out for DJI to avoid having new products banned in the US – not because any security audit has found it to be a threat to US national security, but because no security audit at all has taken place, with a December 23 deadline fast approaching.

DJI has now posted a full update on the current situation for its users, and is asking for their help to avoid a ban. Find out what the ban will mean for DJI if it eventually comes into force, and that will happen to the products you've already bought after that date.

• Read more: DJI explains what its looming US ban means for your drones – and says time is quickly running out

1. We hand-picked the best Black Friday deals

We take Black Friday deals hunting very seriously here at TechRadar, and our team of experts has been hard at work looking across the biggest retailers on the web for the holiday season discounts that you should be taking advantage of across this week.

We're not just looking for the most significant discounts out there – though that's part of it – but we're also picking out the best gadgets and products on the market, and finding them at the lowest prices. You can be sure that all of these deals are worth your while.

• Read more: The best Black Friday deals in the US and the best Black Friday deals in the UK

• New teaser video reveals official launch date for Antigravity drone
• Price and bundle details still under wraps
• The A1 is a sub-250g drone packing Insta360's camera tech

If, like us, you've been awaiting the Antigravity A1 with bated breath, it's time to exhale. The company just released a short teaser video revealing the 360 drone's launch date – and it's very, very soon.

According to the video, the A1 will be available to order on December 4 2025. Unfortunately, the price and details of any of its bundles are still unconfirmed, but we've been told you will be able to buy the drone on that date.

TechRadar Cameras Editor Tim Coleman had the opportunity to fly a pre-release version of the Antigravity A1 over the summer, and declared it "the most exciting drone for years" with "heaps of potential" due to the way it delivers a completely different flight and video capture experience to existing camera drones from the likes of DJI.

He pointed to the A1's immersive flying style, which uses FPV-style goggles and a motion controller, as a key reason for its appeal. Apparently, it's so simple that a child could master it, particularly given the drone's suite of safety features (including both GPS-powered return-to-home and object sensing) and modest top speed.

The real creative magic happens after your flight ends and you enter the editing process.

The A1 runs on the same "shoot first, frame later" camera technology as the best 360 cameras from Insta360, allowing you to set angles, fields of view and more using the accompanying mobile and desktop apps.

This means you don't need to stress too much over capturing everything during the flight, but can instead point the camera exactly where it works best in post-production. It's a huge departure from the way traditional camera drones operate, and Tim described it as a potential game-changer.

One potential issue Tim mentioned in his hands-on piece was the possibility of a high price given the fact that the A1 will be sold with a headset and motion controller, so we're eagerly awaiting more news on that. We'll know more next week – and you can expect a full, in-depth review of the Antigravity A1 here too.

DJI not to be outdone

We should also mention that, if rumors are to be believed, the Antigravity A1 might not be the only 360 camera drone in the works.

Market leader DJI is strongly tipped to be prepping its own drone, dubbed the DJI Avata 360, for launch – potentially even by the end of this year.

The Avata 360 will reportedly carry a similar video setup to the DJI Osmo 360 camera, with dual 1/1.1-inch CMOS sensors supporting 8K 50fps capture as well as 38MP still photos. As always, we'll bring you updates on this as we get them.

• Insta360 gave gold keycaps worth $45,000 each to top employees
• More than fifty gold keycaps have been handed out since 2019
• Employees once received gold bars, coins, and stickers as celebration gifts

Popular webcam manufacturer Insta360 has turned workplace rewards into a spectacle with another bumper round of present-giving.

The Shenzhen-based imaging firm recently handed out gold keycaps valued at up to $45,000 each to select employees during China’s ‘Programmer’s Day.’

The move marks the continuation of a tradition that began four years ago, and has seen more than fifty such prizes awarded.

A gold-plated workplace tradition

As the price of gold has risen, so has the value of the gifts, turning each year’s celebration into a talking point across China’s tech industry.

What might sound like a marketing stunt has actually evolved into part of what observers now call an established gold culture within the company.

Past celebrations included a 50-gram pure gold bar given to a competition winner and a gold coin presented to a newly married employee couple.

Even interns received gold stickers during the firm’s tenth anniversary in July 2025.

The pattern has earned Insta360 the local nickname “gold factory,” a title that blurs admiration with disbelief, and founder Liu Jingkang insists the symbolism is intentional, not excessive.

He says each golden keycap represents the idea that every keystroke “turns the stone into gold,” linking the reward to creative effort and innovation.

Liu believes gold conveys reliability and stability, traits he considers essential in both employees and technology.

Yet, for outsiders, the line between genuine appreciation and calculated branding appears increasingly thin.

Lavish gestures like these can spark loyalty but also invite scrutiny over whether such displays distract from the company’s long-term business focus.

Away from the glamour of precious metal, Insta360’s real strength lies in imaging technology.

Its Insta360 Link is one of the best webcams for content creators with strong performance in video conferencing and online collaboration environments.

The company continues to push updates with AI-enhanced features that improve user experience for both professionals and hobbyists.

However, despite these technological strides, its gold-heavy corporate image now risks overshadowing the very innovation that made it successful.

Via Toms's Hardware

• Insta360 reveals new accessories for its flagship Ace Pro 2 action camera
• Among them are a photographer's grip and a clip-on instant printer
• New lenses and in-camera Leica color profiles are added too

Insta360 just gave its flagship Ace Pro 2 action camera a major boost with a range of new accessories, including a photographer's grip, three lenses for different looks, and the bizarre crossover we didn't know we needed (and probably don't) – a clip-on instant printer. You can see the full setup in the image above.

Some of the new accessories feel sensible, such as the new cinematic, ultra-wide, and close-up lenses. Taking a page out of GoPro's book with its Hero 13 Black Lens Mods – a feature that I labeled the 'future of action camera design', users will be able to get anamorphic-style clips with the cinematic lens, and focus closer with the close-up lens. I can already feel GoPro's ire.

And then there's the Xplorer Grip Pro – a case with an integrated battery and ergonomic grip (see below). It's the type of accessory that Chinese phone brands have been delivering in recent years to improve the handling of their phones for photography, such as the excellent Xiaomi 15 Ultra photography kit.

Clearly, Insta360 wants the Ace Pro 2 to be a photographer's tool as well as an 8K action cam, and for users wanting a comprehensive action camera, it kind of makes sense.

The peculiar addition, however, has to be the clip-on Pocket Printer, which Insta360 says is the 'first made for an action camera–delivers instant, memorable keepsakes from any moment'. It prints 3-inch auto-laminated photos (54 × 82mm, with a 54 × 72mm printable area) using dye-sublimation technology, which Insta360 says 'matches the vibrant footage from Ace Pro 2' and are waterproof, dustproof, and fade-resistant.

I don't typically associate action cams with photography at all, let alone making instant prints from them on the go. This accessory I'm filing under 'don't knock it till you try it'.

Overkill or genius?

Between GoPro, DJI, and Insta360's latest flagship action cameras, I believe the Hero Black 13's swappable lenses to be the most exciting path for action cams, more so than the Ace Pro 2's 8K video skills. However, now you can get both with the Insta360 model, thanks to the three new lenses – each one directly inspired by (or imitating) GoPro.

I wouldn't necessarily think of using the Ace Pro 2 for photography, because its strength is undeniably video. However, the handling of the camera for photography would indeed improve with the new grip, while new Leica color profiles will no doubt assist in getting a strong look straight out of the camera, ready for print.

The printer, on the other hand – well, the jury is out on that one. I like the Instax Mini Link printers for on-the-go printing, but I wouldn't bring those into outdoor adventure moments.

There are now a number of Ace Pro 2 bundles available with these new accessories; the XPlorer Pro Bundle adds the new grip and additional battery and costs $519.99. The Flash Print bundle further adds the Pocket Printer, a Flip Screen Hood, and Classic Leather Case for $579.99 / £545 / A$1,049. The Ultimate Videography Bundle also adds the three new lenses and costs $739.99 / £725 / A$1,359. There are other bundles just with one of the lenses if you don't want all three, and all bundles are available immediately at launch, from November 12.

What do you think? Is the Ace Pro 2 with all these new accessories the ultimate action camera setup? Let me know in the comments below.

Gone are the days when GoPro fully ruled the roost on the action camera scene. In the last few years, we’ve seen new models launched for people who want to capture not only extreme sports, but their travels, friends, families, and everyday lives.

There are three main players locked into the contest these days. GoPro, Insta360, and DJI aren’t just competing on hardware, but also on their accompanying phone apps, software features, AI-powered editing, and innovative form factors.

Insta360 is a brand that's intent on empowering users to capture unique content that was previously impossible, making the process accessible to boot with its intuitive Insta360 app and quick-editing features.

DJI is the more serious toolmaker for creators demanding quality and a pro workflow. The Osmo Nano is designed to work seamlessly with its microphones, but the DJI Mimo app is also designed to remove the complexity from editing footage.

The Insta360 Go Ultra and DJI Osmo Nano were released on August 21 and September 23 respectively. They’re the two companies’ latest compact action cameras, and each gives you an impressive 4K/60fps video, and weighs just over 50g.

The big draw here is their versatile designs. Both products are made up of a smaller magnetic camera that attaches to a bigger dock with a touchscreen for remote control and playback. The cameras are near identical in weight, but where the Go Ultra looks squarer and thinner, the Osmo Nano is longer and fatter.

There’s so much more inside (and out) to differentiate these cameras, but you need to go beyond the specs sheet. I’ve fully reviewed both cameras in the real world (read my in-depth verdicts on both in my DJI Osmo Nano review and Insta360 Go Ultra review) by running, hiking, playing around at home and using a host of accessories to improve the camera’s experience.

In this article, I'll share what I’ve learned to help you decide between the two compact and fully wearable content creation machines.

1. DJI Osmo Nano vs Insta360 Go Ultra: Design and ruggedness

• Both cameras are waterproof to 10m
• Both cameras weigh around 52g
• Osmo Nano weighs 124g (with dock), G0 Ultra weighs 161g (with pod)

Each camera's design can be broken down into two components. The DJI Osmo Nano has a oblong camera unit on top that attaches to a 'Multifunctional Vision Dock' (catchy, and from now on I’ll just call it the dock) underneath with two clips and a magnet. The camera itself can be taken off and mounted magnetically on surfaces and accessories like hat clips and lanyards. The dock, with its OLED HD touchscreen, gives you remote control, scene display, charging, and file transfer.

The Insta360 Go Ultra also has a modular, two-part system: a standalone square camera and the 'Action Pod' (which I’ll call the pod), which join together with strong magnets. The pod has a larger flip-up touchscreen, and for this reason it's like a mirrorless camera interface or mini vlogging camera. In full form, it's not much smaller than a conventional action camera, so I think you need to be taking advantage of the standalone cam regularly to justify choosing it.

Both cameras are impressively portable and wearable, and there’s no noticeable difference between their solo weight (52g/53g); however, Osmo’s vision dock adds another 72g, and the GO Ultra’s action pod is an extra 108g, tripling the full heft of the combo, although I could still fit the Go Ultra in my jacket or jeans pocket.

What about ruggedness? Both cameras are operable down to 33ft / 10m), and both the Osmo Nano's dock and the Go Ultra's pod are IPX4 rated, meaning they're only protected from splashes. There's nothing in it from a specs point of view. I like that both models also have lens protectors, and if you crack or scratch these, you've only got the small cost of a replacement rather than having to buy a whole new camera.

What I love about comparing cameras and writing reviews is how the tech specs can fall away when you use a product in real life. For me, the Osmo Nano fell short of the Insta360 in its combo form – I found it was top-heavy enough to fall over on uneven surfaces. The Go Ultra, by contrast, is sturdy enough to stay upright on wonky walls, tree trunks and more for creative angles, and you can pull out the screen slightly to act as a clever tripod support.

Things are reversed when you use the cameras on their own. The Osmo Nano will stand upright or on its side, due to its thicker cuboid shape, while the Go Ultra has to be held, worn or mounted.

• Design winner: Draw

2. DJI Osmo Nano vs Insta360 Go Ultra: Performance and usability

• Osmo Nano has built-in storage; Go Ultra relies solely on a microSD card
• Osmo Nano has a 1.9-inch touchscreen; 360 Go Ultra screen is 2.5 inches
• The Nano camera lasts longer; the Go Ultra charges more quickly

The Osmo Nano is available with either 64GB or 128GB of built-in storage, which can be supplemented with a microSD card, while the Go Ultra relies solely on a microSD card. The Osmo Nano can take up to a 1TB card, where the Go Ultra supports cards all the way up to 2TB – perfect for creators who might be away from a computer for some time, or folks shooting a lot of content in one go. While this means you can shoot with the Osmo Nano straight out of the box, it's worth noting that the microSD card is in the dock rather than the camera itself.

The Osmo Nano has a 1.96-inch touchscreen, while the Go Ultra’s is 25% bigger at 2.5 inches. Personally, I love the extra real estate the latter gives you for framing shots and checking playback without having to revert to your phone screen, and I found the Nano's screen hard to read at times. Of course, this doesn't matter as much if you're mainly using the apps to see a live feed of what you're filming.

The Osmo Nano has a physical record button on both the dock and the camera, and you can enable gestures like taps and voice commands to start shooting hands-free. The Insta360 Go Ultra also uses gestures, such as a thumbs-up, and your voice to start recording, or you can control both from their respective apps. I my testing these features were reliable on both cameras, with the gestures being particularly useful in loud environments like a busy city center. The Nano's button itself was a little noisy to press down, even if it is more convenient when you're holding and carrying it around.

When it comes to battery performance, it's a nuanced picture. The Osmo Nano camera lasted considerably longer (I got 85 minutes at 1080p/24fps) than the Go Ultra (around an hour). But the Go Ultra charges significantly faster (12 minutes to 80%) than the Osmo Nano (20 minutes) – my test results here aligned closely with DJI's and Insta360's claims. Realistically, both of these are lightning quick to charge, but if you’ve run out of juice at a key moment, the Go Ultra will get you shooting again just that bit quicker; it just might not last as long in the first place.

Lastly, usability. The Insta360 Go Ultra is designed for all levels, but it's particularly user-friendly for beginners. As soon as you power up the camera, on-screen tips introduce you to buttons and explain how to perform tasks like starting a recording or taking a photo with QuickCapture. These walkthroughs got me up and running quickly, whereas the DJI Osmo – despite having fewer in-camera filters and modes – took longer and left me less confident.

• Performance and usability winner: Insta360 Go Ultra

3. DJI Osmo Nano vs Insta360 Go Ultra: Image quality

• Insta360 Go Ultra has bigger 1/1.28-inch CMOS sensor, shoots 50MP photos
• DJI Osmo Nano has 1/1.3-inch CMOS sensor, shoots 35MP photos

Both the Insta360 Go Ultra and DJI Osmo nano cameras have strong AI-powered software and stabilization, but the Go Ultra's slightly larger sensor, higher photo resolution, and higher bitrate (180mbps over 120mbps) give it the advantage on paper when it comes to measuring photo and video quality. Of course, real-life performance isn't always an accurate reflection of the tech specs.

I tested both cameras in bright light and used their respective modes in low light to see how the contrast, dynamic range and sheer resolution compared. Comparing footage straight out of the camera, in Auto Mode, and on as similar settings as I could choose, the Osmo Nano captured slightly darker clips. I noticed the Go Ultra would automatically expose the same to be lighter, especially in the sky, but render faces accurately, where the Osmo might be duller. This may be down to the fact that Go Ultra footage is skewed towards people and less editing, whereas the Osmo Nano's footage is designed to be edited more carefully.

I found both cameras equally good at adapting to changing light conditions. When I was walking from a tunnel into daylight, my skin was well exposed compared to the darker background – happy news for vloggers. Using each night mode offered usable results, but I think the Osmo Nano slightly wins here on dynamic range (see my video clips below).

Across the board, I found colors were captured accurately, too, although both cameras allow you to change white balance manually. Walking and running shots were both equally stable handheld, and with the camera worn on a pendant.

The Osmo Nano offers advanced shooters and color graders the option of 8-bit and 10-bit color (with four times the information) as well as DJI's D-Log M Profile to max out the dynamic range and preserve detail in bright and dark areas. For editors who might want to match video from the Osmo Nano to footage from other cameras (on bigger projects), this is a big advantage. Overall, though, for social media users and amateurs like me who just want accurate, stable video straight out of the camera, there's not much between the two.

• Image-quality winner: Draw

4. DJI Osmo Nano vs Insta360 Go Ultra: Sound quality

• Osmo Nano has two built-in mics, Go Ultra offers Voice Enhancement
• Osmo Nano records in 48kHz, 32 bits, AAC, Go Ultra records in 48kHz, 16 bits, AAC
• Both cameras are compatible with first-party wireless mics

The Insta360 GO Ultra records audio at 48 kHz and 32-bit bit depth in AAC format. There are four audio modes, including Auto Wind Noise Reduction with two strength settings, Stereo recording and Voice Enhancement – the latter working well for at-home vlogs and clips to camera. The DJI Osmo Nano records audio at 48 kHz with a 16-bit bit depth in AAC format, and it has two built-in microphones for stereo recording.

In theory, the Go Ultra's higher bit depth should give more dynamic range and better audio quality. In practice, I found both cameras recorded pretty clear, crisp speech indoors (and outside, when there was no wind).

I tried all the wind-reduction modes in the video below. You'll hear that both cameras could reduce the wind noise, but this also muffled other background sounds in the environment on the highest setting. I think the DJI Osmo Nano just pips ahead for clarity.

If you're looking to record high-quality audio (rather than recording clips just to put music over them for social reels), I'd recommend pairing these cameras with an external mic. The Go Ultra pairs with Bluetooth headphones like AirPods Pro 2 and even the DJI Mic Mini and Mic 2 (as well as Insta360's own version).

The Osmo Nano can connect directly to up to two DJI Mic transmitters without a separate receiver, making it easier if you're a creator who already uses the DJI ecosystem.

• Sound-quality winner: DJI Osmo Nano

5. DJI Osmo Nano vs Insta360 Go Ultra: Apps

• Both cameras have mobile and desktop apps with rich editing tools
• Insta360 mobile app has slightly better AI-assisted editing results

These cameras are ideal for capturing unique first-person views and immersive angles. But taking the footage is only half the story; the other half is how they can turn clips into a compelling watch for your viewers. DJI and Insta360 both have free smartphone apps for viewing and recording live footage, reviewing your clips, and then editing them. How you do this on each camera is a slightly different.

Insta360 has built a reputation for easy AI-assisted content creation, and the colorful Insta360 app reflects this. There’s an Explore tab with fun tutorials for inspiration on using your camera, an album to view your clips, and the all-important Edit tab. Feed it a few clips, select Auto Edit, and it’ll generate a polished video of highlights complete with transitions, music, and highlights. I found a few effects a bit cheesy, but overall, the results are brilliant if you want a quick shareable video in minutes – Instagram Reels, for example. There are manual controls to create refined results if you have more time to play.

DJI’s Mimo app is pitched at the brand’s existing pro audience. Visually, the app has a lot more black and gray, but the layout is similar to Insta360 at the bottom of the screen. A One-Tap Edit option analyzes clips to deliver simple videos, which are very usable and take little time to export in different formats. The manual editing tools feel a touch more advanced, with options like Color Recovery to fine-tune your grading.

Both apps are intuitive, but the DJI Mimo has a slightly steeper learning curve for newbies. Its focus on a technical manual workflow is better for users who want post-production control, rather than an app that takes over the hard work for you. Insta360’s AI-driven editing has the edge for beginners and users who are time-poor.

• Companion apps winner: Draw

DJI Osmo Nano vs Insta360 Go Ultra: Early verdict

I’ve fully reviewed the DJI Osmo Nano and Insta360 Go Ultra in the past few months, so each camera's perks and pitfalls are fresh in my mind. It would be easy to say that both cameras are great at what they do and are bound to please most action amateurs. But that's not a very helpful conclusion if you're still totally torn. While there's not much between these devices on balance, for a true recommendation, I'd ask how you shoot, and what you want from a modular action cam.

The DJI Osmo Nano is a tough camera to beat on the image-quality front, but Insta360's mobile app is slightly better when it comes to AI-powered auto-editing (and it has a bigger pool of accessories to choose from). I can’t deny that the Osmo Nano's built-in storage is helpful, but I never found it difficult to link the Go Ultra to my phone to edit content remotely (or quickly pop the microSD in my computer).

Although the DJI Osmo Nano and Insta360 Go Ultra are both relatively easy to use out of the box, the Go Ultra leads the way with tutorials and on-screen pop-ups to guide you when accessing menus, modes and filters for the first time. I can see beginners learning a lot from these walkthroughs.

To me, the Osmo Nano is a more serious action camera that streamlines functionality and has a smaller footprint in your bag. DJI's renowned image stabilization impresses as ever, and kept all my footage shake-free and level on runs, cycles, drives and more.

In its modular format, the Go Ultra acts like more of a friendly 'point-and-shoot' device, and even if you’re not experienced at shooting or making videos, it gives you confidence that the AI tools will help to create polished content without a deep dive into technical settings. The Osmo Nano’s integrated dock is convenient, but I think it sacrifices small size for ease of use – especially when tapping the screen to select settings.

As always, choosing between these two action-oriented cameras comes down to the needs of the creator. The DJI Osmo Nano is better for serious hobbyists or pros who want better (but there’s not much in it) image quality and post-production flexibility. The 10-bit D-Log M color profile and streamlined audio integration make it better for creators who already have a well-established workflow, especially if they already have DJI microphones and the app.

I loved using the Insta360 Go Ultra during testing. It's pricier than the Osmo Nano, but it’s a fantastic camera for a wide range of users, including families, as well as hobbyist creators who want a more friendly user experience. Its AI-driven software makes it an incredibly versatile and forgiving camera for capturing and sharing moments almost instantly.

You'll also notice how much cheaper the Osmo Nano is compared to the Go Ultra. It's really aggressive pricing on DJI's part. If there's not enough between the two cameras in terms of their capabilities and ease of use, then the final say could come down to pricing, in which case the Osmo Nano clearly wins.

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Insta360 has just announced the Go Ultra, its most advanced miniature action camera yet. With a new sensor and processing chip on board, the Go Ultra promises to outstrip all other tiny action cams on the market when it comes to image quality – including Insta360’s own Go 3S, released just last year.

Up until now, the Insta360 Go 3S has been our favorite miniature action camera – and possibly the most fun camera available. Its minuscule size and weight allow it to get into spots other cameras – even other action cameras – simply can’t go, and it was the first model in the Go series able to capture 4K video.

It’s a hard camera to beat, so how does the new Go Ultra top it? We’ve completed an in-depth Insta360 Go Ultra review and gone through the spec sheets with a fine-tooth comb to see where the differences lie – and determine why you might want to swap your Go 3S for a Go Ultra. Or not…

1. Video and photo quality

The major glow-up comes on the image quality front, with the Go Ultra toting a new 1/1.28-inch sensor – that’s an astonishing 221% larger than the Go 3S’s 1/2.3-inch sensor.

Paired up with a 5nm AI chip (also new), this allows the Go Ultra to offer 4K at up to 60fps (the Go 3S topped out at 30fps), as well as special modes like PureVideo for low-light shooting and Active HDR (both of which require the frame rate to be dropped to 30fps or below). The Ultra also supports more efficient H.265 video encoding, while the 3S only supports H.264.

There’s good news for photographers, too: the Go Ultra can shoot higher resolution still photos at a maximum resolution of 8,192 x 6,144 pixels, as opposed to the Go 3S’s 4,000 x 2,250 pixels.

2. Audio quality

The Go Ultra also ups the specs on the sound recording front, with its built-in mics supporting 48kHz / 32-bit AAC audio. The Go 3S’s maximum audio quality is 48kHz / 24-bit AAC.

It’s also worth noting that the Go Ultra will support a direct connection to the new Insta360 Mic Air wireless microphone. The Go 3S does not support it currently, although we suppose compatibility could be added via a future update.

3. Size and weight

There’s one key area where the new camera doesn’t beat the Go 3S. Due to its larger sensor requiring more space, the Go Ultra standalone camera unit weighs 1.87oz / 53g and measures 1.8 x 1.8 x 0.7in / 46 x 45.7 x 18.3mm. The Go 3S is lighter and smaller: 1.38oz / 39g and 1.0 x 2.1 x 1.0in / 25.6 x 54.4 x 24.8mm.

For a camera where the tiny size and weight are a major selling point, the slight increase in bulk might well put some people off. I’m not saying the Go Ultra is big or heavy (it’s very small for a 4K 60fps camera), just that it’s not as brilliantly tiny as its predecessor.

4. Battery life

On paper, the Go Ultra wins this round. Its standalone camera features a 500mAh battery offering up to 70 minutes of recording runtime, while its Action Pod battery has 1,450mAh capacity offering a total of 200 minutes runtime.

That’s a lot better than the respective 310mAh / 38-minute recording runtime and 1,270mAh / 140-minute runtime of the Go 3S and its Action Pod.

5. Storage

There’s a clear difference in the two cameras’ approaches to storage. The Go 3S is only available with built-in storage, and buyers get a choice between 64GB and 128GB versions. The Go Ultra’s slightly larger design, however, means it has room for a microSD card slot so, while there’s no built-in space, it can be equipped with as much as 2TB of storage.

That could come in highly useful if, for example, you were travelling, as it could mean you wouldn’t need to delete or offload footage as regularly.

6. Price

It’s new and it’s shiny, so of course the Insta360 Go Ultra costs more than the Insta360 Go 3S. The Go Ultra Standard Bundle (which features the camera, the Action Pod, a magnet pendant, a quick-release safety cord and a magnetic clip) costs $449.99 / £389 / AU$759, and its Creator Bundle (all of the above plus a mini tripod, quick-release mount and a pivot stand) costs $499.99 / £429 / AU$839.

The Insta360 Go 3S has been recently reduced, with its Standard Bundle (which features a 64GB Go 3S camera and Action Pod, lens guard, magnet pendant, pivot stand and easy clip) now costing $319.99 / £279.99 / AU$719. That’s a great price for a 4K action camera that’s only just over a year old.

So there you have it – the key differences between the new Insta360 Go Ultra and its predecessor the Go 3S. What do you think? Does the Go Ultra’s larger size detract from its appeal, or are those extra video capabilities enough to convince you to switch? Let us know in the comments section below – and don't forget to read our full, in-depth Insta360 Go Ultra review first.

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• The Antigravity A1 drone has just been officially announced
• It can shoot 8K 360 footage with first-person flight
• The drone has a sub-250g weight for restriction-free flying

Today sees the official announcement of the Antigravity A1 drone – and it’s a bit of a game-changer.

Billed as the world’s first 360 drone, the A1 is a small, lightweight flying camera with similar 360-shooting skills to an Insta360 X5. And no wonder, given that it’s been co-developed by Insta360.

Our cameras editor Tim Coleman has already had some hands-on time with the drone, and you can read his initial Antigravity A1 impressions – but if you just want the straight need-to-know facts on the drone, we’ve assembled the key info below.

1. It’s the world’s first 360 drone (sort of)

Antigravity are touting the A1 as the world’s first 360 drone, and that’s correct – technically, at least. It is the first all-in-one 8K 360 drone to be announced as of the time of writing.

It has, however, been possible to add 360 video capture to certain DJI drones via the Insta360 Sphere, a 2022-released accessory that works in much the same way as the A1’s camera setup.

It’s fair to say that the Sphere was Insta360’s precursor to what we’re seeing in today’s A1 launch – but far less polished. You can see what our resident drone expert James Abbot made of it in his hands-on Insta360 Sphere review.

2. It flies a lot like the DJI Avata

The Antigravity A1 is designed to be flown using the Vision goggles and Grip controller, which sound a lot like the user-friendly FPV flying method pioneered by the DJI Avata and Avata 2.

Manual FPV flight is a highly tricky skill to master, and mistakes can spell a catastrophic plunge into the ground. But the Avata’s method of using a head-tracking controller and motion-tracking sensor – just point the on-screen target where you want the drone to fly – made FPV-style flight a lot simpler and a lot less risky.

The A1 seems to take a similar approach, but with less speed than the Avata. In our hands-on preview, Tim Coleman described the resulting flight experience as “child’s play”:

“Use the joystick to point the little '+' symbol to where you want to fly and the drone adjusts its path. Motion also works – point the controller up to ascend, extend it sideways to turn, and so on. It's not quite FPV flight thrills, especially given the drone's modest top speeds, but it is a fine introduction to drone piloting.”

3. You’ll need an app to create shareable videos

With a traditional camera drone, the video is wherever you’ve pointed the camera. With the A1, everything around it is recorded, so you’ll need to point the (virtual) camera in post-production.

This is done with an app. In a pre-release event, Tim turned to the Insta360 Studio app, which will be familiar with users of the Insta360 X5 and other X series cameras, to reframe his 360 footage into dynamic camera moves. You can use the app to flip the horizon, create a “tiny planet” by zooming right out, or put the viewer in the pilot’s seat by using an FPV-style angle.

Insta360’s mobile app will presumably also be compatible, and if so, you can expect AI-assisted editing too. This takes over shot selection, reframing, transitions and even adds background music, serving up a shareable clip in a matter of seconds.

4. It doesn’t skimp on safety

The A1 is designed with new drone pilots and families in mind, and as such comes with obstacle avoidance and automatic return-to-home to ensure it doesn’t fall foul of aerial mishaps. It even includes a payload detector that prevents take-off if unauthorized modifications or extra weight is added.

And there’s good news for those who want extra protection. Antigravity has also informed us that it's working on propeller guards for the A1, which will be available as an optional accessory.

5. It will launch globally in January 2026 – but the price remains TBC

Antigravity is remaining tight-lipped about the final pricing, launch bundles and regional availability of the A1, but will say that it’s scheduled to launch “globally” in January of next year.

That’s a long time to wait, but in the meantime the company is running a “co-creation project”, inviting creators to submit their best ideas for how to use the drone and its capabilities.

Successful applicants will be sent a pre-release A1 drone to test and use for content creation, and will have the chance to win a share of a $20,000 prize fund.

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DJI has dominated the drone space for years with the best consumer drones for just about every type of user, experience level and price point. However, a startup brand called Antigravity has created something DJI hasn’t but must wish it had – the world’s first 360 drone.

I flew the new Antigravity A1 drone on two separate occasions ahead of its launch, and the piloting experience felt truly immersive if a little tame, while the aerial videos it can make are totally unique and dynamic.

Incubated by DJI rival Insta360, the Antigravity A1 shoots 8K video with complete 360-degree coverage and weighs less than 250g, which puts it in the restriction-free weight category. In a nutshell, it’s a flying Insta360 X5 – and that’s huge.

I’ve already experienced what the X5 – which tops of our list of the best handheld 360 cameras – is capable of, namely the cool video effects you can easily create using the Insta360 Studio app. And it’s these same skills, but with aerial capture thrown into the mix, which make the Antigravity drone so exciting.

What's 360 flight like?

In a word, immersive. And more specifically to the Antigravity A1 – extremely easy.

To fully experience the Antigravity A1 360 drone you’ll want the accompanying Vision Goggles – which are in themselves an impressive bit of tech – plus the Motion Controller. That's the recommended bundle, which you can see pictured above.

The drone itself looks like any other beginner quadcopter, save for its front-facing sensors and twin cameras – one of which faces directly up, the other directly down.

The profile of the drone, plus the positioning of its propellors and cameras, are intentional, being designed in such a way as to (with the help of smart algorithms) provide a complete 360 view without the drone and its propellors in the shot – impressive stuff.

It's no exaggeration to say that flying the A1 is child's play. Overcome the disorientation caused by wearing the goggles as the drone takes to the sky, and you'll quickly get to grips with the Motion controller, and how to use it to control the drone's altitude and flight path.

Use the joystick to point the little '+' symbol to where you want to fly and the drone adjusts its path. Motion also works – point the controller up to ascend, extend it sideways to turn, and so on. It's not quite FPV flight thrills, especially given the drone's modest top speeds, but it is a fine introduction to drone piloting.

The manual input for flight moves would be a whole lot slicker with twin controllers, and more thrilling with a genuine FPV mode (fully manual) – we're told both of those features are in the pipeline.

What's essentially new is the ability to independently control flight, viewing and recording at the same time – they aren't linked, as is the case with all other types of drones.

The view through the goggles is smooth and crisp, and being able to look all around as opposed to just to the front feels like an entirely new drone flight experience – you can hover the drone and take the time looking around to really soak in the view. I can totally see this 360 drone being used for immersive tourism, allowing the user to experience places from aerial perspectives.

Your spotter can see the view too – one of the goggle's eyes has an Apple Vision Pro-like outward-facing screen which displays what the drone is seeing (see image gallery, below).

You won't be able to keep up with fast-moving action – the A1's top horizontal speed is a modest 16m/s in its sports mode, or 10m/s and under in any other setting and for ascent / descent. This doesn't feel like the drone for newbies wanting to pick up flight skills and enjoy the thrills – it's more of a controlled, beginner-friendly piloting experience, complete with level 5 wind resistance.

The A1 is fitted with all the safety tech you'd hope for, including object sensing, GPS / Galileo / BeiDou positioning, plus return to home. Its auto landing gear is super-cute too, extending from the drone as you approach the ground for a secure landing and to protect lens on the drone's underside.

A new kind of aerial filmmaking – for better and for worse

I'm used to flying capable DJI drones and filming what the drone's front-facing camera sees. You're conscious that if the action exits the shot, you lose it, or, that if your piloting skills are a little rough round the edges, that'll be evident in the footage.

There are no such concerns with the Antigravity A1. You don't even need to see the action, just get close to it, because 360 cameras see all around so you can shoot first, frame later.

It took me a while to treat the A1 differently in the way that I flew it, because I'm so used to keeping the action in the shot. But not needing to do that transformed the experience as a pilot, for better and for worse.

On the plus side, the videos I made felt slicker and smoother, thanks to editing. The downside is that flight is much less involved, in that you don't need the skills to track subjects, frame the shots or pull of flight moves – you just need to get close enough, and the editing software will do the rest.

If you want easy, the A1 is it, but if you want the thrills and spills, FPV drones like the DJI Avata 2 are more for you.

Editing – where the magic happens

It's possible to create high-octane aerial footage from this slow and steady drone, by harnessing the power of the Insta360 Studio editing suite to process its 360-degree 8K video footage.

Provided you're in the right place, footage can be reframed to focus in on the action and track subjects – in my test case some speedy cars on a race track – and transformed with popular effects such as 'tiny planet'.

Mimicking FPV-like rolls give the impression of extreme flight skills from what in reality is a drone flying in a straight line, while rapid horizon-to-sky flip transitions work a treat for transporting the viewer from one location to another.

Yes, it's the editing suite where the magic really happens, rather than being down to your piloting skills, and clips can be exported in any popular aspect ratio, such as social media-ready vertical aspect. Much of the time you are in effect 'cheating' with these video effects, but the results look amazing, and the possibilities are truly exciting.

So it's a home run for Antigravity, then?

Not quite. Immersive as the drone is with its complete 360 view seen through its high-quality headset, the actual flight experience is a little tame for anyone other than beginners. Given the A1's modest top speeds, this isn't an experience for the thrill seekers in the way FPV flight can be.

While official pricing has yet to be confirmed, the experience won't come cheap either. You've got the drone itself, packing 360 camera tech – that's twin sensors and lenses, which is twice as much hardware as a beginner drone like the DJI Mini 4K.

Add in the headset, which is an impressive bit of gear, plus the motion controller, and the price effectively doubles again. Antigravity is absolutely right to include all of those components, and to pitch this for beginners in the sub-250g category, but the A1 is likely to be an expensive toy.

Still, there's no other drone that can do what the Antigravity does... yet. I expect DJI to respond fast, especially now that it's got skin in the 360 camera game with the Osmo 360. It won't let a rival enjoy all of the spoils for long, especially when the results look this good.

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In all my years of life, the thought of adding a webcam to my computer hadn’t once occurred to me. I’ve always just stuck with my built-in laptop camera and hoped for the best, and in fairness, that’s usually done an OK job for video calls.

But recently I reviewed the Insta360 Link 2C, and after integrating it into my setup, I could never ever go back to my standalone laptop cam. If you're somebody who takes a lot of video calls, streams video, creates content, or teaches online, I’d argue a webcam is an absolute must-have.

So, what exactly makes an external webcam so special? Here are 3 improvements the Insta 360 Link 2C has made to my work life; the key benefits to acquiring one of the best webcams.

1. Massively improved picture quality

A lot of laptop webcams lack the higher resolution picture quality that you can get with a top quality external option. My 1080p Windows Surface camera, for example, has nothing on the 4K quality of the Insta360 Link 2C.

Sure, you won't see premium 4K video with every video calling platforms, but if you’re a content creator or you simply want a top-tier look, 4K support is going to be a game-changer. If you take a video on the Link 2C, for example, you can get up to 4K 30fps quality – though models like the Elgato Facecam Pro can even offer 4K 60fps recording.

When switching between my Insta360 webcam and my built-in laptop camera, the former was so much better at highlighting finer details – aspects like individual hair strands, facial hairs, and markings on my face, for instance. So, if you want to show yourself in the best possible light, grabbing a 4K webcam could make a huge difference.

2. Better tracking and framing

I also really appreciate my Insta360 Link 2C's ability to track my movements and keep my face centered during any video call. The Link 2C makes use of auto-framing and AI tracking technology, which is ideal if, like me, you’re a fidgety person or moving around a large space.

What’s more, the Link 2C makes use of gesture controls, which enhance the quality of tracking. For instance, you can make an L shape with your hand and move it up or down to zoom in or out respectively. On top of that, you can hold your palm up to the webcam, which then frames the shot to your face – pretty useful!

But wait…I’m not done yet, because the Link 2C makes use of enhanced Phase Detection Auto Focus, which seamlessly captures details of objects you hold up.

Finally, there’s a whiteboard mode, which keeps anything on which you’re writing squared and in focus. If you need to be animated and use props on camera, say for online tutoring, that kind of functionality is transformative.

3. Detailed filters and customizability

Finally, I want to shine a light on the high levels of customizability you can unlock with a great webcam like the Insta360 Link 2C.

If you tap into the Insta360 Link Controller software, you can play around with a variety of picture settings including contrast, exposure, and white balance (all that good stuff). In addition, you can activate a number of filters, including blur, bokeh, and even makeup.

All of these options are most welcome if you want to optimize your picture for low-lit rooms, say, or if you want more granular control over your appearance on-screen. Luckily, a lot of other webcams offer this degree of personalization – even cheaper alternatives like the Obsbot Meet SE.

So, do you own a webcam? I’d love to hear how it’s made a difference to your setup, and which models you’ve enjoyed using, so make sure to get chatting in the comments.

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• Reports claim DJI’s first 360 drone will weigh under 250g
• It's allegedly based on similar 8K camera tech to the Osmo 360
• The launch is tipped before the end of 2025

DJI is widely expected to release one new ultra-lightweight drone this year, with the hotly-anticipated DJI Mini 5 Pro seemingly gearing up for a 2025 launch. But if recent online rumblings are to be believed, though, the company might actually be announcing two models by the end of the year – with one being an entirely new type of drone based around a 360 camera.

We’ve already had official confirmation that Antigravity is prepping its own lightweight 360 drone powered by Insta360 camera technology – although just via a teaser, with specifics remaining unknown for now. And, if a report at Notebookcheck is accurate, it’ll have a competitor right off the bat.

The report details rumors coming out of China that claim DJI is working on a similarly lightweight drone (under 250g, to ensure it stays in the regulation-dodging sweet spot) that will also offer 8K 360 video recording, using a mechanical three-axis gimbal to hold its camera.

The camera, apparently, will built on similar foundations to the hardware inside the recently-released DJI Osmo 360, the company’s first 360 action camera.

A flying Osmo 360?

The Osmo 360 is an excellent 360 camera (I know because I’ve tested it for our DJI Osmo 360 review), using two 1/1.1-inch sensors married to two ultra-wide fisheye lenses and a gaggle of clever software tricks to create panoramic 8K videos with a minimum of effort.

These videos can then be reframed in DJI’s companion apps (either the DJI Mimo mobile app or the DJI Studio desktop app) before being exported for sharing or use in other editing programs.

A flying version of the Osmo 360 that manages to remain under 250g sounds almost too good to be true, particularly if it’s going to have two large sensors on board. I suspect we may see smaller sensors on the drone, in order to keep weight below that key 250g mark.

If the reports are correct, DJI seems to have a busy few months ahead. The company is also tipped to be releasing the DJI Mic 3, a new model in its popular wireless microphone range, as well as the DJI Osmo Nano, a small modular action camera, and the DJI Romo, the company’s first ever robotic vacuum cleaner.

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This week DJI and Insta360 had a Freaky Friday situation as they announced a 360 camera and a drone respectively, tech the other is usually known for.

We also heard that OpenAI is scared of its next AI, and the UK faced the Online Saftey Act.

You can catch up on these stories and more in this week's catch up of the seven biggest tech news stories.

7. We Found My Skechers

This week, Skechers debuted the new Find My Skechers. They look like your run-of-the-mill sneakers on the outside, but hidden in each heel is a cutout that’s perfect for an Apple AirTag.

This Bluetooth tracker can then be used to help you keep track of your child if you’re out in an unfamiliar place, or help you locate any lost shoes, whether they were misplaced while out and about or while getting ready in the mad rush to get to school.

Though when we polled parents, the reactions were mixed. Predominantly because the target age range – toddlers and young children – outgrow their shoes every six months to a year. At their cheapest, Find My Sketchers cost $52 a pop, which is a lot to regularly shell out.

• Read more: These new sneakers have a secret AirTags compartment

6. The UK faced the Online Safety Act

This week Britain was hit by the latest provisions of the Online Safety Act, introducing age verification measures designed to help prevent young people accessing age inappropriate content. However the new requirements have frustrated many adults.

A petition to repeal the UK Online Safety Act garnered over 450,000 signatures in just a few days, and some have tried all sorts of workarounds including attempting to game the system with Death Stranding’s photo mode.

Most people are onboard with the idea behind the rules, but aren’t keen on needing to share their ID with websites – especially foreign websites – as they’re worried their data might be mishandled. Despite the concerns, the Government has said it won't be repealing the measures.

• Read more: Over 450,000 Brits want to repeal the UK Online Safety Act

5. Google Home's crisis got worse

Last week, we reported on a growing number of complaints about Google Home devices, with the smart home gadgets failing to deal with commands properly or throwing up other bugs.

This week, it seems the problem got worse, with many reporting their voice controls for smart lights were now completely broken and not working at all.

The situation has gotten so bad that US law firm Kaplan Gore has announced it has "begun investigating a possible class action" against Google because so many users are now reporting broken functionality, despite most of these devices having worked fine in the past.

• Read more: Google Home devices are continuing to break

4. DJI Osmo 360 landed

The 360 camera space has been dominated by Insta360 for years, but it finally has some proper competition following the arrival of the DJI Osmo 360. What's more, they could soon be joined by the GoPro Max 2, which was recently teased by GoPro.

Considering it's DJI's first foray into the market, the Osmo 360 impresses straight off the bat, delivering what DJI says are several industry firsts, the most notable of which are its twin 1-inch sensors with 8K video recording up to 50fps. Those sensors are effectively twice the size of the Insta360 X5's, our current favorite 360 camera, and should give DJI's model the upper hand for image quality, especially with richer 10-bit color depth.

Based on specs, the Osmo 360 has the edge over the X5, but it's real-world use that matters the most, and the X5 is our favorite model for a reason. It has stellar battery life, and its lenses can be replaced in the event of damage. We are currently conducting our hands-on versus of the two models, and it's making for a titanic battle.

• Read more: Can DJI's first 360 camera dethrone the X5?

3. Insta360 revealed the world’s first 360 drone

DJI isn’t used to having competition in the skies, but this week, its first serious rival for years flew into town. The undisputed king of 360 cameras, Insta360, has announced its new Antigravity platform, which will soon give us the first drone with a 360-degree camera.

Okay, but what’s the benefit of a flying, all-seeing camera? The main one is that, in theory, you won’t need to worry about perfectly shooting aerial videos as you fly, because you’ll be able to reframe them later. We’re looking forward to experiencing that in person when the Antigravity drone fully launches later this month.

• Read more: Has DJI just met its match? Insta360 unveils Antigravity – the world’s first 360 drone

2. ChatGPT helped us study

ChatGPT has added a new feature called Study mode to its paid-for and free accounts that turns the famous chatbot into an unpaid study tutor for your kids. Parents often panic about ChatGPT being used by their children to avoid actually learning anything, but Study mode is different. It’s pretty safe for kids to use because it teaches them how to arrive at the answer, rather than just giving them the answer. It’s more of an interactive back-and-forth chat about the question being posed, which encourages them to learn as they go.

Of course, you don’t need to let your kids have all the fun with it. You can use Study mode yourself to learn any new subject. Having the ability to turn ChatGPT into a proper tutor is pretty handy, so whatever it is you want to learn – whether that’s a new language or how to code – now you’ve got the perfect excuse to get started.

• Read more: OpenAI added Study mode to ChatGPT, even for free accounts

1. OpenAI was scared by its AI

OpenAI CEO Sam Altman revealed details about his company's testing of GPT-5 (the next-gen brain for ChatGPT) by saying he got scared by the AI, and comparing it to The Manhattan Project.

The over-the-top analogy might evoke some level of keen scientific minds coming to a major breakthrough, but his other comments made OpenAI seem either reckless or incompetent.

Even if he's exaggerating, we don't know if either of those descriptions should be attached to the kind of company that might decide how next-gen AI power is deployed.

• Read more: OpenAI's CEO says he's scared of GPT-5

• Antigravity's Insta360-powered first drone is focussed on simplicity
• 360 drone with 'immersive flight' is set for August launch
• It will shoot 8K video and weigh under 250g

There’s a new player entering the drone game, and I couldn’t be more excited. This week’s announcement (or should that be “pre-announcement”?) from Antigravity teasing its forthcoming 360 drone means that market leader DJI is about to get a major rival.

The Antigravity drone, developed by Insta360 and some unspecified third parties, isn’t a straight-up competitor to DJI’s range; it’s instead taking things in a different direction. By offering 8K 360-degree capture of everything around it – like a flying version of the superb Insta360 X5 camera – this is the first ever drone to offer immersive all-around capture out of the box.

Details are scant at the moment, but Antigravity’s press release promises to “replace the technical complexity inherent in both drone flying and 360-degree videography with expressive, story-first experiences that are easy to master yet exceptionally powerful.”

Ease of use is clearly going to be a major marketing point of this first Antigravity drone, with the release going on to mention intuitive, family-friendly operation aimed at people who don’t have time to learn “complex flight controls and aerial content creation”. And that focus on simplicity and ease of use is hugely exciting to me.

Simply does it

Don’t get me wrong – I love the power and advanced capabilities of DJI’s premium drones like the Mavic 4 Pro, and learning how best to use them to create impactful aerial photographs and videos. As someone who has been reviewing drones ever since the original DJI Phantoms were released over a decade ago, I’ve had plenty of time to master quadcopter flight. And, let’s face it, it’s not like DJI’s drones are particularly difficult to fly, thanks to their plethora of built-in safety features, wind resistance and automated flight modes.

But the idea of an ultra-focussed, low-complexity drone designed purely for 360 video is also compelling – even if it’s, for now, all just marketing talk with few concrete details. Antigravity is making some bold claims – and it has to, if it wants to attract attention in a market absolutely dominated by DJI.

However, I can already spot two key areas in which the Antigravity drone keeps things simple. The first is its weight, which we know will be under 250g. That means it’s free from many of the restrictions and rules governing drones. In the US, drones under 250g are exempt from FAA registration for recreational use, while in the UK they don’t require a Flyer ID, can be flown closer than 50m to uninvolved people and can be flown at residential, recreational, commercial and industrial sites. Less paperwork and more scope for flying are always welcome.

You might be thinking, “but DJI makes sub-250g drones too” – and you’d be right. The DJI Flip, DJI Neo and the DJI Mini range of drones all fall into the ultra-lightweight category, so this isn’t an area where Antigravity can differentiate itself. Where it can, however, is with 360 video.

Because the Antigravity drone’s camera design captures everything around it, all the time, the user doesn’t need to point the camera at a particularly subject when flying. The user just flies, lets the 360 camera do its thing and then, later on, can reframe the video to ensure that it’s pointing in the right direction. You’ll never miss a shot. This isn’t something we’ve ever seen integrated into a drone before, and truly sets the Antigravity apart from its competitors.

If I can forget about restrictions and forget about camera control, then all I need to worry about is putting the Antigravity drone in the right places. That’s a huge win in my book – and I can’t wait to take this new drone for a test flight.

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• Antigravity is incubated by Insta360
• A world-first 360 drone with 'immersive flight' is set for August launch
• It'll shoot 8K video and weigh less than 250g

Insta360 and DJI are entering each other's worlds this week, with Insta360 today unveiling Antigravity – a 360-degree drone years in the making – and DJI set to launch its first 360 camera on July 31. Pass me the popcorn.

Antigravity's philosophy is simple: 360 immersive flight with the world's first 360 drone. And the project has a leg up given that it is incubated by Insta360 – the world's leading 360 camera maker.

Details are thin on the ground; we know the upcoming drone will introduce 'several world-firsts in drone design', that it is set for an August launch; that it'll shoot 8K video; and that it will weigh less than 250g, which makes it accessible to beginner and expert pilots alike.

If the first 360 drone is effectively a flying Insta360 X5, then we're in for a treat, especially with the dynamic videos that could be created using 360-degree footage, in addition to the new kind of flying experience.

Antigravity's two-page press release is filled with lofty promises. "Incubated by Insta360 in collaboration with third parties, Antigravity develops powerful 360 drones that are immersive, creator-ready, and easy for anyone to fly – whether capturing family moments, weekend adventures, or creative projects," the press release reads.

"Its mission is to make drone flight more inclusive, expressive, and fun. By combining 360 capture with intuitive control systems, Antigravity is pioneering a new category of aerial exploration and storytelling."

Leaked prototype

Antigravity's press release centers on its brand vision, with little by way of product info. However, we've seemingly caught a first glimpse of the upcoming drone in a leaked video shared by Insta360 tipster @Quadro_News on X (formerly Twitter).

We don't yet know the name of the new drone that is "set to revolutionize the industry", but the 360 drone prototype appears to have twin cameras for complete 360-degree coverage – one that faces directly up, the other directly down.

There's also twin sensors on the front of the drone, which are presumably for object sensing – that's a handy flight safety feature.

We don't yet know if or how the upcoming 360 drone will shoot 360 footage without the propellors in the shot, nor how the drone will be controlled beyond what Antigravity calls "intuitive control systems" – that could mean any or all of a mobile app, remote controller or headset.

A propellor-less view will be crucial to the whole experience – and looking at the tall design that we've seen in prototypes, it could allow for that. Still, all will be revealed in the coming weeks, as the new Antigravity drone will be unveiled in August.

It's certainly an altogether different kind of drone to what you'll find in DJI's portfolio, and potentially one of the biggest shake ups in the drone market for years. I reckon combining 360 camera and drone worlds into a single product makes total sense, if carried out effectively.

Antigravity wants to "own" the 360 drone space. If its first product is a success, I'd expect a ticking clock on that ownership – especially with DJI's track record and how it's about to enter the 360 camera space.

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Watch out, DJI – there appears to be a surprise new drone competitor waiting in the wings. At least that’s what a new set of leaked Insta360 images suggests.

The images, posted on X (formerly Twitter) by serial tech leaker Igor Bogdanov, show two disguised drones apparently made by Insta360. One appears to be an ultra-lightweight DJI Neo-style model with built-in propeller guards, while the other is slightly larger with fold-out propeller arms, similar in shape to the DJI Mini or Air ranges.

Both models are wrapped to hide their designs, but the wrapping on the larger model clearly says ‘Antigravity’. Is this the name of Insta360’s drone range, or just a codename for the in-development drones? We’ll have to wait a while to find out.

We’ll also have to wait and see what features and specifications the two Insta360 drones might offer. The smaller of the two offers no visible clues whatsoever in its shape or design, but the larger, folding model appears to have an upward-facing fisheye lens on top. We assume there's a similar lens arrangement, facing downwards, on the bottom.

Sphere of destiny?

This instantly reminded us of the Insta360 Sphere, the almost-forgotten, 2022-released drone camera designed to be mounted on the DJI Air 2S or DJI Mavic Air 2.

Featuring both up- and downward-facing ultra-wide cameras, the Sphere worked in much the same way as Insta360’s action cameras like the X5: recording two separate videos, it would seamlessly join them (and remove all visible trace of the drone) into a single 360-degree video that could be edited and reframed later.

Bringing class-leading 360 video creation to the skies might be a sure-fire way for Insta360 to set itself apart from DJI in the drone market. Then again, DJI is also rumored to be launching its first 360 camera soon.

Despite its thorny relationship with the US government, DJI is currently head and shoulders above its drone competitors, offering the biggest and best drones for consumers. For Insta360 to grab a share of this pie, the company might have to release something slightly different – and these new drones just might represent a shift from what we’ve seen so far.

What would you hope to see from Insta360’s first camera drones? Let us know in the comments below.

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• A new packaging leak for the DJI Osmo 360 has revealed its potential specs
• The leak suggests it will shoot 8K/30p video and offer 10-bit color depth
• It could also cost slightly less than the Insta360 X5

This year's battle of the 360 cameras is heating up nicely – and a new leak for one of the main contenders, the DJI Osmo 360, has just given us a solid glimpse of how it might compare to the class-leading Insta360 X5.

The packaging leak, first shared by the reliable Quadro_News on X (below), shows what appears to be the final retail packaging for DJI's debut 360 camera. And that box handily includes a list of Osmo 360 specs, which appear (on paper, at least) to be slightly better than the current top dog in our guide to the best 360 cameras.

Despite the size of this leak, one of the most important specs – sensor size – remains unclear. The back of the box says the Osmo 360 is capable of "1-inch 360 imaging." But further down, the small print says "when capturing 360 content, Osmo 360's CMOS sensor features an imaging area equivalent to that of a 1-inch CMOS sensor."

Precisely what this means isn't yet clear. Previous leaks have suggested that the Osmo 360 could have square sensors, which might explain DJI's "equivalent to" language for the imaging area. Either way, we'll likely have to wait for the official launch to get confirmation.

The rest of the leaked specs compare well to the Insta360 X5 (see table below). The Osmo 360 will seemingly be capable of 10-bit color depth – if so, it could offer greater editing flexibility than its Insta360 rival.

There's also the promise of 120MP stills and a claimed battery life that looks strong when you consider it's quoted for 8K/30p video shooting.

How about price? As @JasperEllens noted separately on X, the leaked Osmo 360 box was seen in an Australian store, so its pricing (starting at AU$759 for the standard bundle) is for that region. Exactly how that will convert for the US and UK remains to be seen, but in theory it compares well to the Insta360 X5.

The X5 starts at $550 / £520 for its standard bundle, which doesn't include accessories like an extra battery, charging case, selfie stick, or lens guards that all come in the Essentials bundle. If we use the Osmo 360's Australian pricing as a guide, it should start at somewhere around the $500 / £500 mark.

How do the Osmo 360 and X5 compare?

There's obviously a lot more to 360 cameras than just their specs. Software is particularly important to the experience, as editing is essential when you need to turn 360-degree videos into traditional 'flat' ones.

But based on the leaked specs and pricing, DJI certainly seems to be entering the 360 space competitively. That isn't surprising – Insta360 has dominated 360 cameras for years ,and its latest fifth-generation flagship is excellent, so the Osmo 360 will need to be a strong start for DJI.

If it does edge out the Insta360 X5 in some areas (10-bit recording, stronger low-light performance) for a slightly lower price tag, that'll be good news for anyone who's looking to buy a 360 camera. And potentially bad news for GoPro, whose Max 2 is now imminent.

Insta360 certainly seems to be on the defensive, recently launching a big, battery-boosting firmware update for its flagship camera, alongside some new accessories and a new BMW Motorrad Edition of the X5 for motorcyclists. Let the 360 camera battle commence.

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• “Summer Update” firmware adds battery life boost and improvements to exposure and low-light performance
• ND filters, Ultra Battery and custom-designed lenses now available
• Plus a suite of enhancements for motorcycle riders

I’m a huge fan of the Insta360 X5, calling it the “best overall 360 camera currently on the market” in my review from earlier this year. Its large image sensors make it the first 360 camera I’d be happy to use at night, its lenses are tougher than ever (and easier than ever to replace if you do damage them) and its simple controls and AI-assisted editing make it a joy to use.

But Insta360 isn’t resting on its laurels when it comes to the X5. Hot on the heels of the impressive Insta360 Mic Air, the wireless microphone add-on announced a few weeks ago, the company has just launched a “Summer Update” for the camera, comprising not only a major firmware update but a range of new accessories and even a new special limited edition of the camera for motorcyclists. The upshot seems to be that the best 360 camera is about to get even better.

Let’s start with the firmware update. Firstly, it boosts battery life by adding the power-saving Endurance Mode to 8K recording (which increases battery life to “just under two hours” of continuous recording) and improving Endurance Mode performance for 5.7K recording (increasing recording time from 185 minutes to 208 minutes when shooting at 5.7K 24p).

It also brings in a new feature called AdaptiveTone, designed to improve exposure in tricky lightning situations where part of the scene is very dark and part is very bright – such as shooting from a shady interior into a sunlit exterior. Previously, the X5 used the same lighting data for both lenses, but AdaptiveTone records it independently, automatically balancing the exposure, preserving both highlight and shadow detail and keeping things looking natural. It sounds a little like HDR, which the X5 already offers, so I’m eager to test it out and see what it can do above and beyond that.

The third and final headline improvement is that PureVideo, Insta360’s low-light video mode, is now available when using the X5’s single-lens mode. It was previously only available for 360 video, so this feels like a correction that brings the single-lens mode into line with its dual-lens counterpart.

New Insta360 X5 hardware coming too

Insta360 is also launching a raft of new accessories for the X5, starting with a set of ND filters – the first designed specifically for a 360 camera. The X5 ND Filters Set contains three pairs of filters (ND16, ND32 and ND64), giving users more control over exposure on bright, sunny days. These can be attached to the X5’s lenses in the same screw-on way as the lens guards, and should enable motion blur for fast-moving footage.

There’s also a new X5 Custom Replacement Lens Kit, which features artwork displayed on the lenses. Users can upload their own patterns, use pre-made patterns or use AI to create them. This seems merely cosmetic.

Insta360 has also launched a new Ultra Battery for the most demanding of users. With 2,800mAh capacity, it adds about 17% extra runtime to the X5, taking it to just under four hours when recording at 5.7K 24p quality using Endurance Mode. The Ultra Battery costs $49.99 (UK and Australia price TBC).

The final new accessory announced is the Invisible Dive Case Pro, which offers better optical quality than the existing X5 dive case as well as buoyancy control, which allows users to keep the camera floating in place underwater. There’s no release date for this yet, but it should be coming soon.

Alongside the Summer Update, Insta360 also announced a new BMW Mottorad Edition of the Insta360 X5. This limited-edition bundle, aimed at motorcyclists, features a different design, Ultra Battery and Mini Remote allowing riders to control the camera without taking their hands off the handlebars.

It also comes with some motorcycle-specific software enhancements, which I suspect will be rolling out to all Insta360 X5 cameras with the above firmware update. Immersive Shake Stabilization is a new mode of image stabilization that preserves some natural shake and tilt, in order to add some sense of speed and terrain, while Plate Blur will automatically blur out your bike’s license plate in footage. There’s also integration for Sena headsets.

All of the above seem set to cement the Insta360 X5 as the best all-round 360 camera on the market – for now, at least. With the GoPro Max 2 teased and DJI reportedly preparing its own Osmo 360 camera for launch, there could be other strong contenders on the market by the end of this summer.

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• This leaked Insta360 camera could be the Go 4 – and the design has me asking questions

Prime Day sales might be over, but there are still some killer deals to be had on action cameras, for today at least. Insta360's biggest-ever sale is due to end today, with stand-out deals including the Insta360 X3 for $249.99 at Amazon US or £259.99 at Amazon UK, with other bundles available.

The next-generation Insta360 X4 is also on sale for a record-low price of just $349.99 at Amazon US or £349.99 at Amazon UK, while the GoPro Max (2025) is also at new low price of $299 or £278 at Amazon. These aren't even the cheapest 360 cameras – the Akaso 360 was launched last week for just $199 / £199.

These prices are ridiculously low for feature-packed cameras with tricks your phone doesn't have, but even so, should you act now before it's too late?

There are further alternatives to the above too, including the Insta360 X5, which is the best 360 camera available, plus exciting new models tipped to be on the horizon by DJI and GoPro.

The way I see it, there are five buying options to consider – let's run through each one, while further down the page I've included links to today's best prices.

1. The world's cheapest 360 camera – the Akaso 360

• Just $199 / £199
• Not waterproof

It's the cheapest-ever 360 camera and an excellent performer, especially considering this is Akaso's first 360 camera. However, despite being launched just last week, the Akaso 360 feels dated versus other 360 cameras in this roundup.

If your budget can stretch a little further, the Insta360 X3 is even the better option. It also shoots 5.7K video with complete 360 coverage and handy invisible selfie-stick skills, but the X3 goes two steps further – it can shoot detail rich HDR video, plus it's waterproof to 33ft / 10m.

The Akaso 360 isn't waterproof, which means it's the only camera in this roundup that can't truly be classed as an action camera. Still, if you have no intention of submerging your 360 camera, then the Akaso 360 is easily the lowest-price option

2. Older Insta360 models

• X3 from just $249 / £259
• X4 from $349 / £359

In my opinion, the best value 360 cameras today are the Insta360 X3 and X4. The older X3 shoots 5.7K video and uses the same Insta360 editing apps as the X4, plus it's around $100 / £100 cheaper in the sales. It's the second-cheapest option today and a better camera than the Akaso 360, given it's waterproof and can shoot lovely HDR video.

The X4 was Insta360's first 8K camera to capture 360 footage, and it a sizeable upgrade of the X3. If you can stretch to $350 / £350, then the X4 is probably the best option overall for features, performance and price.

3. Go for GoPro still?

• GoPro Max (2025) uses old tech from the original Max
• It is much cheaper than the original Max

This year, GoPro announced a revised version of its original Max 360 camera, which was launched as long ago as 2019. Since then, Insta360 has launched several new models and has advanced 360 camera tech to become the market leader. It was a little disappointing, therefore, to see such small updates in the Max (2025).

That being said, there was a big price drop for the 2025 edition, which brought GoPro's 360 camera in line with the Insta360 X3, and the two models are pretty similar in terms of capability, with 5.7K video and superb stabilization powers.

The Max (2025) also has a big price drop in the sales and it's only a little more than the X3 – now just $299 / £278 – which could make it the better option of the two if you prefer GoPro in general, although the X4 is a much more capable shooter.

4. Splash out on the latest model

• Insta360 X5 costs $519 / £493 today
• It's a minor update of the X4, but with one game-changing feature

The X5 is a decent update of the X4, but many users will feel there's not enough to justify the extra outlay, especially given the X4 is that much cheaper in the sales today.

Both cameras shoot the best quality 8K 360 video that I've seen, with the X5 being better in low light with its new and larger twin sensors. However, there's one killer feature that could make the X5 the best value option in this roundup, even though it's the priciest pick – and that's swappable lenses.

In the event of damage, it's possible to swap the lenses out of the X5 for new ones, which are available as an extra purchase from $35 / £27. If you shoot outdoor sports and the like, then there's a high chance that the lenses of your 360 camera will get damaged, which effectively is game over for the camera as the repair costs are too high to justify.

Lens protectors are available to prevent damage in the first place, but they also have an adverse impact on image quality, and I think it's better to shoot without them if at all possible. So even though the X5 is the priciest option, its low-cost replacement lenses could make it the best value option.

5. Wait it out for new models

• DJI Osmo 360 is rumored to drop later this month
• GoPro teased the Max 2

There's the best-ever prices for 360 cameras right now, and the X5 is a top model with very little by way of drawbacks. However, the market is set to get much busier with two new releases – the rumored DJI Osmo 360 and the teased GoPro Max 2.

While the Osmo 360 isn't official, rumors have been circulating for months and the latest leaks point to a release later this month. I'm confident it'll take the fight to the Insta360 X5, but this will be DJI's first 360 camera, so it's an unknown.

Meanwhile, the GoPro Max 2 could finally drop, following a teaser from GoPro that gave us a first official glimpse of the much-delayed 360 camera. We don't know any specs yet, but presumably it'll be a proper upgrade from the original Max, especially given the recent 2025 edition.

I expect both upcoming models to shoot 8K video, but whether or not they can beat the X5, we'll have to see. If either of these cameras feature swappable lenses like the X5, it could be worth holding off your 360 camera purchase, especially if either model comes in at a lower price point, however unlikely that will be.

Today's best 360 camera deals in the US

• Insta360 X4: was $499.99 now $349.99
• Insta360 X3: was $449.99 now $249.99
• Insta360 X5: was $549.99 now $519.99
• GoPro Max (2025): was $369 now $299
• Akaso 360: $199

Today's best action camera deals in the UK

• Insta360 X4: was £499 now £349.99
• Insta360 X3: was £449.99 now £259.99
• Insta360 X5: was £519.99 now £493.99
• GoPro Max (2025): was £349 now £270
• Akaso 360: £199

I head up action camera reviews for TechRadar and trust me, Insta360 makes some of the best models on the market – a number of which have just fallen to record low prices for Prime Day. One standout deal is for a former flagship 360 camera, the Insta360 X3 for $249.99 at Amazon US or £259.99 at Amazon UK, with other bundles available.

The Insta360 X3 is now two generations old, with the Insta360 X5 currently our top 360 camera pick. However, the older model remains an excellent option, with 5.7K HDR video and up to 33ft / 10m waterproofing, especially now it's half the price of the current model.

There's a price drop for the X4 too, alongside the Ace Pro (Insta360's regular action camera) and the Go3S (its versatile, thumb-sized 4K camera). These are some of the best camera deals I've seen this year – and I've included links to the lowest prices below. Insta360 has told us these deals will be live until July 15. If you're set on the latest model, the X5, there are the first discounts on that model too, but only small price cuts.

• Check out Amazon's full sale

We've also rounded up the best tech deals available this year in our Amazon Prime Day live hub – so do also check that out for the latest deals as they drop.

Today's best Insta360 deals in the US

• Insta360 X4: was $499.99 now $349.99 at Amazon
• Insta360 X3: was $449.99 now $249.99 at Amazon
• Insta360 Ace Pro: was $349.99 now $239.99 at Amazon
• Insta360 Go3S: was $399.99 now $319.99 at Amazon
• Insta360 X5: was $549.99 now $519.99 at Amazon
• Insta360 Ace Pro 2: was $399.99 now $329.99 at Amazon

Today's best action camera deals in the UK

• Insta360 X4: was £499 now £349.99 at Amazon
• Insta360 X3: was £449.99 now £259.99 at Amazon
• Insta360 Ace Pro: was £429.99 now £227.99 at Amazon
• Insta360 Go3S: was £349.99 now £279.99 at Amazon
• Insta360 X5: was £519.99 now £493.99 at Amazon
• Insta360 Ace Pro 2: was £399.99 now £319.99 at Amazon

Amazon's early Prime Day sale in the US - quick links

• Amazon Devices: 50% off TVs, Ring & Fire Sticks
• Apple: AirPods + iPads from $99
• Back to school: deals from $5.99
• Beauty: 80% off toothbrushes & skincare
• Headphones: $120 off Bose, Apple & Sony
• Health: electric toothbrushes from $24.99
• Kitchen: 54% off Ninja, Nespresso & Keurig
• Laptops: record-low prices from $175
• Tablets: iPads and Samsung from $54.99
• Toys: 40% off Lego, scooters & Toniebox
• TVs: cheap TVs from $59.99
• Vacuums: Shark, Bissell & Dyson from $49.99

Amazon's early Prime Day sale in the UK - quick links

• Amazon Devices: up to 50% off Echo & Ring
• Appliances: Ninja & De'Longhi from £29.99
• Gaming: Nintendo Switch 2 – in stock now
• Headphones: Anker & Sony from £15.98
• Health: up to 68% off Philips, Remington & Oral-B
• Home: fans from £12.99
• Laptops: Lenovo, Asus and HP from £159.99
• Phones: up to 20% off Apple & Samsung
• Tablets: Lenovo & Samsung from £119
• Toys: up to 50% off Lego & Mattel
• TVs: cheap TVs from £109
• Vacuums: Shark and eufy from £99
• Wearables: up to 25% off Huawei & Samsung

• Tiny magnetic transmitter weighs just 7.9g
• Compatible with Insta360 X5, Ace Pro 2, Flow series and more
• Insta360 Mic Air price starts at just $49.99 / £49.99 / AU$89.99

There’s no shortage of tiny digital mics designed for content creators on the market, and Insta360 has just entered the fray with its first ever wireless mic: the Insta360 Mic Air.

The Mic Air transmitter (or TX) is a coin-sized disc that can be clipped to a collar, fixed to a shirt with a magnetic clamp or even worn like a pendant. It comes supplied with a windshield to help cut down unwanted exterior noise, plus built-in noise reduction technology. It offers 10-hour battery life and a 300m wireless range.

Here's what's really neat – the Mic Air supports 48kHz/24-bit audio via a direct wireless connection with two of Insta360’s action cameras: the Insta360 X5 and Insta360 Ace Pro 2. A direct wireless connection between transmitter does away with the need for a receiver (RX), and is something that DJI's Mic Mini can do with DJI products.

If you mix brands, however, you lose that direct wireless connectivity, and would need a receiver instead. As such, it makes practical sense to brand match your action cam and wireless mic, so if you're an X5 or Ace Pro 2 user, the new Mic Air makes the most sense. Further Mic Air-compatible models will follow soon, according to Insta360.

The Mic Air can also be purchased in an RX (receiver) and TX (transmitter) bundle. The RX unit can be connected to smartphones, Insta360’s Flow gimbals and other devices, expanding the range of compatible hardware.

Already available to order

Designed to compete with the likes of the DJI Mic Mini, Rode Wireless Micro and Boya Mini, the Insta360 Mic Air is compact, lightweight (the TX transmitter being just 7.9g) and affordable: it’s available now at Amazon US and Amazon UK, priced at just $49.99 / £49.99 / AU$89.99 for a single TX, and $69.99 / £69.99 / AU$116.99 for the RX and TX bundle, and for the same price at the Insta360 store.

That’s roughly the same as the equivalent DJI Mic Mini bundles, although interestingly Insta360 has decided against selling a more complete package, such as two TX units, one RX and a charging case bundle – at least for now. These all-in-one packages, such as you can buy DJI's Mic Mini, offer a lot more battery life thanks to the charging case, plus a second TX for two-person audio capture. Seemingly these are two areas where Insta360 is clearly happy to concede the floor to rivals like DJI and Rode.

While the Mic Air is a pretty straightforward and even obvious addition to the Insta360 product line-up, it’s also a sign that the company’s ambitions seem to be growing. Just as DJI was once known mainly for its drones, but now also makes action cameras, gimbals, microphones, portable power stations, electric bikes and even, apparently, a robot vacuum cleaner, Insta360 is gradually increasing and diversifying its line-up.

It also means that Insta360 X5 (and Ace Pro 2) users looking for a wireless mic to level up their audio can stay on brand, rather than pairing the 360 camera with a mic from a rival brand, such as DJI, which feels like an obvious move on Insta360's part. In fact, the mic will be available with the X5 in an Ultimate Creator Bundle, for $669 / £669 (Australia price TBC).

A review sample of the Mic Air is on its way to us from Insta360, so look out for a full, in-depth review soon. We’re keen to see how it lines up against the DJI Mic Mini, which is widely regarded as the current market leader for ultra-compact affordable mics.

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• Leaked image shows a rounded square design and a large lens
• Hints at a wireless charging dock but no modular design
• Suggests Insta360 is soon to release its next action camera

Insta360’s next action camera model might just have surfaced. And if the leaked image is accurate, the camera maker could be plotting a serious design shake-up.

Rumored to be the Go 4, the new camera doesn’t look like an obvious successor to the Go 3S, which we rate as the best modular action camera. In fact, it doesn’t look like any Insta360 camera I’ve used before.

Shared by @Quadro_News – a usually reliable source – the leaked photo shows a miniature camera with a rounded square design and a large lens dominating one corner.

Crucially, the product pictured in the leak is comprised of a single unit. Unlike the Go 3S, there’s no obvious separation between camera and screen block.

I’ve used both the Insta360 Go 3 and Go 3S. What impressed me about them was their modular design. Each is a tiny, thumb-sized camera which you can wear magnetically or slot into the Action Pod, for proper GoPro-style framing with the flip-up screen. They are an effective hybrid solution for creators who shoot first-person content: lightweight and discreet by default, with the option of deeper control when needed.

But with this new design, it looks like Insta360 is heading in a different direction. One without an Action Pod.

No more modular?

A closer inspection of the leak reveals details that raise further questions. There’s a visible indicator light, plus what looks like a front-facing audio grille. There’s also a smaller circle, which could be another light or possibly a sensor. A diagram posted along with the image hints at capacitive touch control on the front of the unit.

Interestingly, the camera in the image is held above what appears to be a dock. There’s speculation that this could be a wireless charging station, though whether it’s a consumer accessory or a development rig isn’t clear.

What we can’t see anywhere is the back of the camera. That begs a bigger question: is there a screen at all?

There’s a world in which Insta360 could be developing an all-in-one camera that strips things back even further than the Go 3S. That might sound like a step in the wrong direction, but there’s logic here. The Insta360 Go series is all about lightweight, wearable cameras for social creators. If this new model keeps things ultra-portable while improving audio, touch control and battery life, it could offer a more streamlined, potentially more affordable solution.

That could well appeal to POV creators who rarely use the screen block and are happy to rely on smartphone app connectivity for framing or editing after the fact. It’s also worth noting that the Action Pod supplied with previous versions wasn’t waterproof. By adopting an integrated design, Insta360 could be favoring durability and portability over total control.

Another factor at play here is the DJI Osmo Nano, itself a dinky, modular camera targeting the same audience. Rumored for a July launch, that device seems to pick up where the Osmo Action 2 left off, with a small camera unit that attaches magnetically to clothing and can pair with an optional screen module. The potential twist is that DJI appears to be embracing modularity just as Insta360 may be phasing it out.

Don’t count Insta360 out just yet, though. It’s possible this new design is part of an alternative line entirely – not the Go 4, but a different wearable camera aimed at filling a new niche. Or it might be a prototype of the Go 4 that simply doesn’t show the modular elements. Until we see the full picture, we won’t know whether the Action Pod is in or out.

Still, I wouldn’t be surprised if an official launch is imminent. The leak shows a device that looks pretty far along in the development process. And with the Go 3S launched back in June 2023, it’s about due an update given Insta360's recent prolificacy. If the DJI Osmo Nano does hit shelves in July, along with DJI's first-ever 360 camera, expect Insta360 to respond quickly.

Until then, all we can do is speculate. But one thing’s clear: both DJI and Insta360 are in the fight for the wearable camera crown. Watch this space.

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Insta360 connect: 30-second review

The Insta360 Connect combines a high-quality wide-angle 4K camera with a 4K PTZ camera that tracks whoever is speaking in the room. From the moment I unboxed it, it was clear this was a very different device from most boardroom streaming cameras. It looks more like a soundbar, measuring around 80cm in length, and has been designed to be wall-mounted or placed above or below large monitors.

The core idea is simple: one camera covers the full room while the PTZ camera tracks and focuses on the speaker with a bit of AI thrown in for good measure. The bar design also houses a speaker and 14 adaptive microphones, which adjust to the room to deliver clear, directional audio.

The setup was quick—much easier than some PTZ cameras I've used in the past. The most difficult part was positioning the unit securely, given its size. Once installed, it integrates easily with video conferencing platforms like Teams and Google Meet. The Insta360 software handles advanced features, most notably the whiteboard mode.

Whiteboard mode is really interesting as it enables you to designate a whiteboard in the room, highlight it in the software, and bring it into view during meetings—either as a full-screen feed or as an overlay with the speaker. You can load multiple whiteboards and switch between them using the remote.

Most people will focus on the main cameras, and in real use, during several workshops, the system performed brilliantly. The camera switched intelligently between wide-angle group shots and tracked me and others as we spoke or presented, creating a much more dynamic feel than the usual static webcams. Manual overrides are also available on the remote.

Having tested many PTZ cameras, including some impressive models like the OBSBOT Air 2, I can say the Insta360 Connect stands out as one of the best business webcams around. If you're working in a dedicated location and want one of the best quality video conferencing setups available, especially one with superb audio capture, the Connect is very hard to beat.

Insta360 Connect: Price and availability

• How much does it cost? £1999 / $1999
• When is it out? Now
• Where can you get it? Widely available

The Insta360 Connect is widely available and can be purchased directly from Insta360.com or through major business retailers, including Amazon.

• Value: 4 / 5

Insta360 Connect: Specs

Dual 4K Cameras Wide-Angle: 4K at 30fps, 110º HFOV, 1/1.3" 48MP sensor, Telephoto Gimbal: 4K at 30fps, 40º HFOV, 1/2.8" 48MP sensor with 3x digital zoom and PTZ
AI Powered Camera Switching & Framing
Microphone Array 14
Special modes Whiteboard
Connectivity Ethernet, Wi-Fi (2.4GHz / 5GHz), Bluetooth 5.1
Ports 2x HDMI Out, 1x HDMI In, USB-C 3.0, USB-A 3.0 & 2.0, DC Power (12V/7A)
Plug-and-Play Compatibility Microsoft Teams, Google Meet without software installation
AI Video Processing H.265, H.264 SVC, H.264 High Profile, H.264 AVC
Dimensions 685 x 77 x 86.1mm
Weight: 2.27kg

Insta360 Connect: Design

It's easy to mistake the Insta360 Connect for a soundbar straight out of the box. It's long, slim, and designed to sit above or below a monitor, or it can even be wall-mounted. It does include a good-quality built-in speaker, but its primary function is as a high-end streaming camera with an advanced microphone system. Unlike most PTZ (pan-tilt-zoom) cameras, the Insta360 Connect features two cameras—one wide-angle and one PTZ—working in tandem to intelligently cover everyone in the room, giving the sense of having your own mini film crew on hand.

The unit is styled like a traditional audio bar and can be mounted on top of a large monitor using an optional mounting kit, placed underneath, or fixed to the wall. This is not a compact webcam—it's large and designed for boardrooms or large studio spaces. Measuring 685 x 76 x 85mm and weighing 2.27kg, it's clearly aimed at the professional market, not for home or small office use.

The setup is out of the box and straightforward. Connect the device to your computer using a USB-C cable, then output via HDMI to a monitor. Once powered on and the software is installed, it's immediately recognised by streaming apps like Teams or Google Meet. It will also connect to LAN and WiFi once set up, which enables computer-free use if your system is configured to do that.

What sets it apart is the Insta360 software. Unlike many PTZ systems where software must be installed locally, all the core controls are accessed via the device itself using a bundled remote. This allows you to adjust camera tracking settings—from speaker framing to group mode, or switch to gallery mode, which identifies and displays individual participants in a tiled layout, similar to Teams. Manual camera control is also available via the remote.

It's worth spending time exploring all the available functions before your first use. Everything is relatively intuitive, and the dual-camera system offers flexibility and impressive results straight away. There are also added features accessible via the remote, including whiteboard mode, which I'll cover further in the performance section

Overall, the Insta360 Connect is a high-quality dual-camera setup, ideal for businesses that require a reliable, polished video conferencing solution; it essentially offers a level of coverage and functionality that edges into what you might expect from a small production team but for business meetings.

• Design: 5 / 5

Insta360 Connect: Features

The Insta360 Connect is marketed as a dual-camera AI video bar, and visually, it does resemble a soundbar—just with two cameras on the front. One of the first things I appreciated was that it didn't require any software installation on my computer to function. If your business restricts software installations, you can still use this as long as your system recognises webcams, although some type of connection is required for the initial registration. After that, it's effectively plug-and-play.

Dominating the front are two 4K cameras. The first is a fixed camera with a 1/1.3-inch CMOS sensor, 16mm field of view, and an f/2.4 aperture—great for wide shots and capable even in lower light conditions, recording at 4K 30fps. The second is a gimbal-mounted PTZ camera, also 4K at 30fps, with an f/2.0 aperture. This gimbal-mounted camera tracks the speaker automatically, following them as they move around.

Some of the AI-enhanced features are really key to Connect, and that is what makes it different from many other boardroom webcams. The AI integration goes beyond the usual application of resolution improvement for large displays; it can also readjust framing and composition to ensure everyone is visible. One of the features that I really liked was the fact that the system could create a virtual headshot gallery, separating participants into individual windows, similar to standard conferencing platforms.

In use, the system intelligently switches between the wide-angle room view and the PTZ camera tracking the speaker. If someone stands up and moves about, the camera will follow them automatically and ultimately make meetings feel more dynamic.

One of the most important features is the 14-microphone array, which is pushed to its maximum sensitivity and will offer up to a 33-foot voice pickup range. The mics use noise reduction processing, and in testing, the audio quality remained clear, even when those in the meeting were seated at the far end of the table.

One of the more unique features is the whiteboard mode. What's surprising about this is that you don't need a digital whiteboard—the AI can identify any standard whiteboard in the room, which you can then select, add and use as an overlay for the video feed or full-screen.

There are also accessories available, mostly for mounting options and a touch panel (not covered in this review).

• Features: 5 / 5

Insta360 Connect: Performance

Getting started with the Insta360 Connect is relatively straightforward. Simply plug the USB Type-C cable from the Connect into your computer, complete a quick registration process, and then select the Insta360 Connect as your webcam from whichever streaming application you're using.

One thing to consider during setup is that this bar is designed for business and commercial use. That means it's intended to be left in place, mounted above or below a larger screen and for use in boardrooms or meeting rooms. These environments won't always have a computer connected, and the Connect is well equipped for this scenario. It includes a LAN port for direct connection to your local network, so once registration is done, you can leave it in situ, power it on when needed, and it will connect automatically. If connected to WiFi, the same applies.

Once it's online, all control can be handled via the included remote—just like most conferencing systems found in boardrooms around the world.

For output, the unit includes two HDMI ports, allowing you to connect it to virtually any large screen. Once that connection is made, you'll see the Insta360 Connect interface, where you can access settings and view a live camera preview.

Once it's set up, the system starts to show its real value. In a one-to-one video call, it behaves like any other conferencing camera, albeit with notably better image and audio quality. Where it really differs is in its dual-camera system. If you're running a workshop remotely, the wide-angle camera captures the full room or studio in a single shot, while the PTZ camera locks on to the presenter, tracking their movements as they move around the space. It essentially switches between the two cameras automatically, depending on who's speaking or moving, and it's a bit like having your own personal film crew switching between cameras and angles in real time.

In use, this feature is surprisingly effective. During testing with several volunteers seated around a table, the wide-angle camera captured the group, then seamlessly switched to the PTZ camera when someone began to speak or stood up. Once they sat back down, the view returned to wide-angle. The transitions were generally relatively smooth, and the tracking feels natural. One feature that I really liked was the gallery mode. This separates participants into headshot-style windows, as you'd see on Teams or Zoom, but using the single camera's AI, not multiple cameras. This feature is manually activated via the remote and works well.

The most impressive feature, especially when teaching or presenting, is the whiteboard mode. If you have one or more whiteboards in the room with diagrams or notes, Connect can recognise them using AI. You can then select and adjust and call them up with the remote.

Not only can you call the contents of the whiteboards up like slides in a PowerPoint presentation, but you can choose to display the whiteboard as the main screen or use it as a transparent overlay with the presenter still visible behind it. This is incredibly useful for pointing out key areas or maintaining engagement without switching to a separate screen or presentation file.

Throughout testing, the Insta360 Connect ran smoothly. There was a learning curve around understanding all the connection options and fully using features like the whiteboard mode, but once it's registered and you realise the remote is your main interface, the system becomes simple and intuitive. The interface is responsive, and everything from tracking to switching camera views is relatively easy to work out.

What quickly becomes apparent is just how far ahead Connect is in terms of both video and audio quality compared with typical streaming cameras. This is reflected in the price, of course, but what you're getting is a system that performs more like a production setup than a basic webcam. The AI-powered camera switching, tracking, and scene detection make meetings more dynamic and professional. It avoids that static, disengaged feel you often get from traditional setups.

During testing, I was really impressed with the clarity of the video and the depth of the audio that was captured by that 14-microphone array. The audio was clean and clear, even at a distance, and with built-in noise reduction, it consistently captured voices accurately in a room with multiple people.

One minor downside mentioned by a few test participants was the PTZ camera's movement. Because it's so responsive—and far more active than many are used to, the movement on screen took some getting used to. A few users even commented that the movement made them feel slightly queasy at first. However, most agreed that the added camera motion actually made the meeting feel more engaging.

By the end of testing, I was genuinely impressed with the Insta360 Connect. It's not only one of the highest-quality conferencing solutions I've used, but it also changes how you interact in a virtual environment.

With intelligent switching, excellent audio, and flexible setup options, it delivers a more immersive experience—especially for larger groups, workshops, and training sessions.

If you're looking for a professional-grade conferencing system that goes far beyond what a typical webcam offers, the Insta360 Connect is a great option that genuinely improves the whole video conferencing approach.

• Performance: 5 / 5

Insta360 Connect: Final verdict

The Insta360 Connect is clearly designed for corporate use. If you've got a boardroom table and a group of people gathered for a meeting, this dual-camera streaming system is perfect for that environment. Above all, the audiovisual quality is exceptional. If you want your team to look and sound their best, then there's no doubt that this setup delivers.

The wide-angle camera captures the entire room in superb detail, and the automatic reframing works well to help minimise empty space; it also means that you don't have to waste time adjusting the camera before meetings. What really stands out is the PTZ camera and how it follows you around the room, which makes things visually more engaging in what can often be dull or static video calls. When the visuals are combined with decent-quality microphone pickup, it all gives a far superior experience than you usually get with video conferencing.

Setup involves a bit of initial configuration, probably best handled by your IT department, but once completed, the system is effectively plug-and-play. Select it as your webcam in your platform of choice, and you're ready to go.

Advanced features like whiteboard mode are genuinely useful. Instead of uploading files or switching inputs, you can call up physical whiteboards in the room using the remote, making meetings smoother and more interactive.

There are a few quirks, such as the need to register the device before use and some initial steps to work through, which may involve your IT team. It's not entirely plug-and-play out of the box, but once configured, it's incredibly easy to use.

If you're looking for a high-end video conferencing solution that takes things to the next level, the Insta360 Connect is a superb option. Yes, it's expensive—but given the features, ease of use, and level of engagement it enables, it more than justifies the price for professional environments.

Should I buy a Insta360 connect?

Buy it if...

Don't buy it if...

For more options, we've also reviewed the best webcams and the best cheap webcams around.

• Insta360 has released a new teaser for a launch event on April 22
• It has the tagline "all day, all night, all angles" and hints at a new 360 camera
• Recent leaks suggest it's preparing to launch the Insta360 X5

Insta360 has long topped our guide to the best 360 cameras – and a new teaser suggests it's preparing to launch a new flagship model. Fortunately, some recent leaks have also given us an idea of what to expect, with a successor to last year's Insta360 X4 looking highly likely.

The X4 was only launched a year ago in April 2024, but a promo image for Insta360's event on April 22 suggests it'll be replaced next week. The image (below), which has the tagline "all day, all night, all angles", shows the reflection of a camera that very much looks like an X4.

We've also recently seen some leaks that point to the arrival of an Insta360 X5 on April 22. The reliable @Quadro_Newshas posted two leaked images for an X5, and the 360 camera also appears to have been prematurely posted in an ad in the Best Buy app.

So what can we expect from the Insta360 X5? The leaks so far don't give much away, other than hinting at a mild redesign of the pill-shaped camera and potentially a bigger battery to boost its recording times.

Insta360's teaser video is also light on details, mainly focusing on some of the impressive creative video effects that are the series' hallmark. Our Insta360 X4 review also gave the current model five stars, suggesting that there's little room for improvement.

But with Insta360 looking to extend its lead over GoPro (which still hasn't launched its GoPro Max 2) and DJI, which is tipped to be launching a DJI Osmo 360 camera this year, there are definitely some new features it could squeeze into its flagship camera.

So, here are five things we'd like to see from the rumored Insta360 X5...

Insta360 X5: what I'd like to see

1. Better low-light performance

Like most 360 cameras, one of the Insta360 X4's biggest weaknesses is low-light performance. It's still very much a day-time camera, but Insta360's teaser – with the tagline "all day, all night, all angles" – suggests its new model could improve this.

The low-light weakness comes from a combination of sensor size and processing. Our X4 review noted that, while low-light images look "fairly clean" after being processed with Insta360's mobile and desktop editors, they were also "a little smudgy as a result of noise reduction".

Hopefully, a combination of improved processing and a larger sensor (see below) will make the rumored X5 a more versatile camera that can be confidently used outside of bright daylight.

2. Larger sensors

The challenge for 360 cameras is that they need to house two image sensors, while remaining pocketable and travel-friendly. The Insta360 X4 combines two 1/2-inch sensors, which are decent but still something of a bottleneck on image quality – hence the inclusion of an HDR video option to improve detail in highlights and shadows.

While I'm not expecting the X5 to go quite as far as the Insta360 One RS 1-Inch 360 Edition and jump to a 1-inch sensor, it'd be nice to see it upgraded to 1/1.3-inch sensors (the same size as the ones we recently saw on the Insta360 Ace Pro 2).

That would help improve dynamic range, low-light shooting and straight-out-of-camera image quality. It could also help the X5 match the incoming DJI Osmo 360, which has been rumored to be going straight in with 1/1.3-inch sensors.

It sounds like some long-awaited competition in the 360 camera space could be good news for us…

3. Better heat dissipation

While not a big issue in most recording modes, we did find that the X4 has a propensity to get warm quickly – particularly in those demanding high-resolution video modes.

The obvious way to prevent this is to avoid shooting static, long-form 8K videos, but it'd be good to see the rumored X5 take a step forward in heat management.

This is less of an issue when shooting action, as there's some natural airflow to cool the camera down in those scenarios – but a reduction in overheating during stationary recording would again make for a more versatile 360 camera.

4. Replaceable lenses

We don't have many qualms about the Insta360 X4's build quality. Our review called it "superb" in this department and the camera is fully waterproof to 33ft / 10m, with all of its ports rubber-sealed and some handy color-coding inside the catch letting you quickly check to make sure everything's locked.

But one upgrade that would be useful is user-replaceable lenses. While it's possible to do this with third-party kits, it certainly isn't straightforward and sending your camera in for repair is usually the best bet for deep scratches.

It'd be good to see the rumored X5 offer something like GoPro's swappable lenses system. That may be difficult to achieve on a 360 camera, even if it is hinted at in Insta360's teaser video, where a workman smashes the camera with a hammer.

5. The same price tag

The Insta360 X4 isn't exactly cheap at $499/ £499 / AU$879, but it is probably the most fun camera you can buy for that money. We also thought that was a fair price at the time of the X4's launch, because it was only a 10% markup from the X2 – a camera that launched back in 2022.

Because Insta360 is based in China, there's a danger that the recent US tariffs could meddle with this pricing. But we're hoping that isn't the case and that the X5 (if it does indeed launch on April 22) comes in at a similar price to its predecessor, outside of the US at least.

You might also like

• Insta360 X4 review – the best 360-degree camera just got better
• Best 360 camera 2025: the finest choices for capturing every angle
• Leaked DJI Osmo 360 image suggests GoPro and Insta360 should be worried – here's why

• Leaked pictures show Insta360 Flow 2 Pro packaging
• The Flow Pro was only launched a few months ago
• This would be Insta360's next iPhone gimbal

Our Insta360 Flow Pro review is barely three months old, but Insta360 already looks set to launch a successor, the Flow 2 Pro. Well, that's if leaked pictures shared by @Quadro_News on X (formerly Twitter) are anything to go by.

In the leaked pictures (see below), we see what appears to be the Insta360 Flow 2 Pro packaging, with all four sides of the box showing the key features of the gimbal and action camera specialist's upcoming phone gimbal.

Like the Flow Pro, it looks like the Insta360 Flow 2 Pro is billed as an 'AI Tracking Stabilizer', with AI-powered tracking capabilities. It is also a foldable gimbal with built-in tripod, selfie stick, magnetic clamp and one-step rapid deploy.

It also appears to be armed with three-axis stabilization, infinite 360-degree pan tracking, Apple Dockkit tracking, and 10-hour battery life. Going from the packaging alone, which is all we have to go on, it looks like little has changed, but this is Insta360 we're talking about.

So what exactly is new?

We already rate the Insta Flow Pro as the best phone gimbal for iPhone, thanks to its world's first Apple subject-tracking tech. However, that gimbal was only launched a few months ago, so what could a second iteration bring to the table, coming so soon?

All we have to go by is the Flow 2 Pro packaging pictures which highlights key specs and features, all of which appear to practically be the same as before. So what's new? Seemingly not much. That said, Insta360's gimbal and action camera departments are moving faster than most, and so there could still be exciting developments in its latest gimbal, if these pictures are indeed authentic.

One feature of note is an AI Module Editing Suite, which could offer next-level video editing based on your tracked subjects – but we simply don't know about this yet. If indeed a new Flow 2 Pro is boxed and ready to go, we won't have long to find out.

You might also like

• The best phone gimbals 2024: the best mobile stabilizers from DJI, Zhiyun and more
• Insta360 Flow Pro review: the dream iPhone gimbal
• Calling content creators – Amazon just slashed the price of DJI’s best-ever phone gimbal

I've been reviewing action cameras for years and trust me, there's never been a better time to buy one. Your choices used to be GoPro or GoPro, but in 2024 both DJI and Insta360 are in on the action with superb rivals – it's a fierce three-way head-to-head to be the very best.

This increased competition means we're seeing better and better action camera deals when Black Friday comes around. I've searched all the leading retailers and my top picks for deals in the US and the UK are on GoPro's latest flagship, the GoPro Hero 13 Black + Accessories Bundle, the recently updated DJI Osmo Action 4, and there's even the first discount for the Insta360 X4 – the world's best 360-degree action camera that also happens to be a brilliant action cam.

You'll find all those deals and more below. I've also got you covered with a GoPro Black Friday deals page – which features even more GoPro deals on older models – a general Black Friday camera deals hub, and our Black Friday deals page.

Today's best action camera deals in the US

• GoPro Hero (2024): was $199 now $179 at Amazon
• GoPro Hero 13 Black Accessories bundle: was $449 now $349 at Best Buy
• DJI Osmo Action 4: was $299 now $209 at Best Buy
• Insta360 X4: was $499.99 now $424.99 at Amazon
• Insta360 X3: was $449.99 now $329.99 at Best Buy
• Insta360 Ace Pro: was $349.99 now $249.99 at Best Buy

Today's best action camera deals in the UK

• GoPro Hero 13 Black: was £399 now £329 at Amazon
• GoPro Hero 13 Black + Accessories bundle: was £449 now £349 at Currys
• DJI Osmo Action 4: was £379 now £199 at WEX
• Insta360 X4: was £499 now £425.99 at Amazon
• Insta360 Ace Pro: was £429.99 now £299.99 at Insta360

Whether you’re a streamer on YouTube or Twitch or simply want to look sharp on video calls while working from home, Black Friday is the best time to snap up a top-quality webcam. Fortunately, I’ve spotted the Insta360 Link 4K webcam available on Amazon in the US for just $179.99 (was $299.99), and available for £189.99 (was £318.99) on Amazon in the UK.

With features such as AI-powered head-tracking that ensures you always stay in-frame, controls through hand gestures, and a 4K resolution, this one mustn't be missed. Most video webcams built-in to laptops or monitors utilize a 1080p resolution at best - 4K is ideal for crystal-clear video conferences and streaming.

Not in the US or UK? Scroll down to see the best Insta360 Link deals in your region!

Today's best Insta360 Link deal in the US

Today's best Insta360 Link deal in the UK

It's also important to note that there are dual noise-canceling microphones - worries of background noise while filming will be eliminated, making editing much easier within the audio department.

For an early Black Friday deal, it's an absolute steal at 40% off for both regions - this will save you the trouble of shelling out more cash for a top-of-the-line webcam, as this offers virtually all the necessary features for serious content creation.

More of today’s Black Friday sales in the US

• Amazon: TVs, smart home & air fryers from $12.99
• Apple: AirPods, iPads, MacBooks from $89.99
• Best Buy: $1,000 off 4K TVs, laptops & headphones
• Cheap TVs: smart TVs at Best Buy from $69.99
• Christmas trees: top-rated trees from $54.99
• Dell: best-selling Inspiron & XPS laptops from $279.99
• Dreamcloud: mattress deals from $349 + free shipping
• Holiday: decor, lights, Christmas trees & PJs from $10.99
• Home Depot: 40% off tools, appliances & furniture
• Lowe's: holiday decor, appliances & tools from $17.31
• Nectar: up to 50% off all mattresses
• Nordstrom: 46% off boots, coats, jeans & jewelry
• Samsung: $1,500+ off TVs, phones, watches & appliances
• Target: save on furniture, tech & clothing
• Walmart: cheap TVs, robot vacs, furniture & appliances

More of today's Black Friday sales in the UK

• Amazon: up to 68% off toothbrushes and TVs
• AO: savings on games consoles and appliances
• Argos: up to 50% off toys, Lego, TVs and gifts
• Boots: up to 50% off Dyson, Oral-B and Philips
• Currys: early deals on TVs, appliances, laptops
• Dell: laptops, desktops, monitors from £299
• Dyson: up to £150 off
• Ebay: up to 50% off refurbished tech
• EE: up to £600 off Samsung and Apple
• John Lewis: up to £300 off appliances and TVs
• LG: £1,000 or more off TVs and appliances
• Samsung: up to £600 off TVs, phones and tablets
• Very: up to 30% off phones, appliances & clothing

Insta360 is one of the leading names in action cameras in 2024, and it has cut the price of many of its best cameras for Black Friday, including the first-ever deal for the X4, an 8K beast that we rate as the best 360-degree camera available. The X4 is 424.99 at Best Buy in the US (was $499.99), while it's £425.99 at Amazon in the UK (was £499.99) – just apply the voucher in the link.

It's not just the X4 on sale for the Black Friday deals. Insta360 has also slashed $120 / £140 off the X3, the previous version of the X4, which is still a great option and arguably an even better deal. The X3 is now just $329.99 at Best Buy (US) or its £319.99 at Insta360 in the UK.

We've rounded up the best Insta360 deals below, which also includes the tiny and versatile Go 3S, plus the Ace Pro. These are excellent action camera for different needs. However, if would like to know the best Insta360 alternatives, check out our Black Friday GoPro deals 2024 plus our Black Friday camera deals 2024 roundups, where you'll find deals for the best GoPro and DJI rivals.

Today's best Insta360 deals (US)

Today's best Insta360 deals (UK)

More of today's Black Friday sales in the US

• Amazon: TVs, smart home & air fryers from $12.99
• Apple: AirPods, iPads, MacBooks from $89.99
• Best Buy: $1,000 off 4K TVs, laptops & headphones
• Cheap TVs: smart TVs at Best Buy from $69.99
• Christmas trees: top-rated trees from $54.99
• Dell: best-selling Inspiron & XPS laptops from $279.99
• Dreamcloud: mattress deals from $349 + free shipping
• Holiday: decor, lights, Christmas trees & PJs from $10.99
• Home Depot: 40% off tools, appliances & furniture
• Lowe's: holiday decor, appliances & tools from $17.31
• Nectar: up to 50% off all mattresses
• Nordstrom: 46% off boots, coats, jeans & jewelry
• Samsung: $1,500+ off TVs, phones, watches & appliances
• Target: save on furniture, tech & clothing
• Walmart: cheap TVs, robot vacs, furniture & appliances

More of today's Black Friday sales in the UK

• Amazon: up to 68% off toothbrushes and TVs
• AO: savings on games consoles and appliances
• Argos: up to 50% off toys, Lego, TVs and gifts
• Boots: up to 50% off Dyson, Oral-B and Philips
• Currys: early deals on TVs, appliances, laptops
• Dell: laptops, desktops, monitors from £299
• Dyson: up to £150 off
• Ebay: up to 50% off refurbished tech
• EE: up to £600 off Samsung and Apple
• John Lewis: up to £300 off appliances and TVs
• LG: £1,000 or more off TVs and appliances
• Samsung: up to £600 off TVs, phones and tablets
• Very: up to 30% off phones, appliances & clothing

Come for the promise of game-changing 8K action cam footage, stay for the genuinely great-looking, great-sounding 4K footage. That’s the top-line story with Insta360’s new flagship action camera, the Ace Pro 2, which makes a big deal of its class-leading 8K video resolution – even if it’s a feature very few owners will end up using due to its file sizes and various limitations.

What they’ll quickly discover instead is that the Ace Pro 2 excels at delivering smooth, stabilized and crisp-looking 4K footage, which it can capture at up to 60fps in regular video modes and 120fps for slow motion playback purposes. It’s particularly impressive in low light conditions (at least by action camera standards) and offers log recording to support post-production tweaking to color and exposure settings.

It does all of the above while offering the usual action cam advantages: it’s small, lightweight, waterproof, rugged, simple to operate, blessed with long battery life and able to be fixed onto all manner of first- and third-party accessories like selfie sticks, mini tripods, bike mounts and helmet mounts.

With all that being said, there’s not a lot between any of the main three action camera flagships at this point (the other two being the DJI Osmo Action 5 Pro and GoPro Hero 13 Black). The Insta360 Ace Pro 2 does distinguish itself from its rivals not only with the 8K recording option but its single flip screen, which offers a larger display than the camera’s dual-screened competitors.

Put simply, the Ace Pro 2 warrants careful consideration for anyone shopping for a fully featured flagship action camera, and fully deserves its place as an alternative to its DJI and GoPro competitors.

Insta360 Ace Pro 2: price and release date

• Priced from $399.99 / £389.99 / AU$689.99
• Available from October 22 2024
• Sold in Standard and Dual Battery Bundles

The Ace Pro 2 is available to order from October 22 2024, and sold via the Insta360 web store and a host of other online retailers.

There are two packages available at launch. The Standard Bundle ($399.99 / £389.99 / AU$689.99) contains the camera, a wind guard, a microphone cap, one battery, one standard mount and one USB-C cable. The Dual Battery Bundle ($419.99 / £409.99 / AU$719.99), as its name suggests, features two batteries rather than one, but is otherwise the same.

Note that neither of Insta360’s bundles come with a memory card which, given the Ace Pro 2’s lack of built-in storage, is something you’ll need. So, if you don’t already have a microSD card, make sure to obtain one at the same time as the camera. It accepts cards up to 1TB in capacity.

The Ace Pro 2’s pricing is in the same ballpark as its closest action camera competitors such as the GoPro Hero 13 Black and DJI Osmo Action 5 Pro (although, at around $50 cheaper, the latter would leave you a little extra money left over for accessories).

• Price score: 4/5

Insta360 Ace Pro 2: key specs

Insta360 Ace Pro 2: design and handling

• Integrated microphone wind guard
• Waterproof to 12m/39ft
• Flip-up touchscreen
• Quick-release magnetic mount system

The Ace Pro 2 looks a lot like the original Ace Pro. A quick side-by-side comparison reveals a few minor differences in styling and size, but it shares the same standard action camera look – blocky, squat and with as few buttons as possible – and red and black color scheme. The detachable, replaceable lens guard has been upgraded according to Insta360, giving a small boost to its protection and dive capabilities.

Probably the biggest difference of note is the new microphone wind guard, a removeable metal grille, lined with acoustic foam, that protects the front mic port from wind noise. It’s inconspicuous and adds virtually nothing size-wise, so can be left in place most of the time while the camera is in use.

The only time it needs to be removed and replaced by the standard mic cap is during underwater use. On that note, the Ace Pro 2 can dive to a depth of 39ft / 12m without additional protection (a slight improvement on the 33ft / 10m of the Ace Pro). Bolder swimmers can fit the optional dive case accessory and take it all the way down to 197ft / 60m.

The control system is simple and straightforward, with only two physical buttons on the Ace Pro 2 itself: one on the side to power it on and off, which doubles as a shooting mode switcher; and a shutter button on top. Everything else is taken care of via touchscreen controls or, if you prefer, the Insta360 mobile app (more on that in the next section of this review). I found the touchscreen controls generally simple: you swipe down to open the main settings menu; right to open the gallery; left to open settings for the current shooting mode; or up to open yet more settings for the current shooting mode.

The screen itself is a major differentiator between Insta360’s action cameras and those of its main rivals GoPro and DJI. The Ace Pro 2, like the Ace Pro, uses only one screen where its competitors put one at the back and one at the front (that front screen you see is just for menus). The screen here, a nicely crisp and colorful 2.5-incher, can flip up 180º to face forwards, which has its plus and minus points for me. The plus is that it’s a lot bigger than the front-facing screens you get on those rival cameras, giving you a clearer view and more space for touchscreen tapping (it also doubles as a t-shirt clip or bite adapter for POV shots). The minus is that you have to physically flip it back and forth every time you switch from front to back shooting, which is more effort than simply spinning the camera round and continuing to shoot.

One thing I do like a lot is the magnet- and clip-based mounting system, which allows for fast fixing and unfixing of the Ace Pro 2 to mounts and accessories. This is similar to the systems used by the DJI Osmo Action series and latterly the GoPro Hero 13 Black, however, so I can’t say the Ace Pro 2 does any better than its rivals here.

The Ace Pro 2 has two secure flaps on its body, which lock in place when closed and require a button press to open. One flap protects the microSD card slot and USB-C port, while the other protects the removable battery.

• Design score: 4.5/5

Insta360 Ace Pro 2: features and performance

• 1800mAh battery and Endurance Mode
• Compatible with Insta360 Android/iOS app
• Two levels of electronic image stabilization

The Ace Pro 2’s removable batteries boast a larger capacity than the Ace Pro’s (1800mAh opposed to 1650mAh). Insta360 claims it can record for longer as a result, providing a figure of 180 minutes of 4K/30p recording on a full charge – a lot better than the 100 minutes offered by the original camera. Keen to find out if these claims hold water, I performed my own tests. I found that I could get 69 minutes of stabilized HDR footage at 4K/60p. Switching the camera into Endurance Mode, which limits video resolution and frame rate and turns off certain functions, I was able to record about 140 minutes at 4K/30p before the battery died. So, not quite as high as Insta360 claim, but impressive nonetheless.

The battery also supports reverse charging via USB-C, so in a pinch you can use the Ace Pro 2 as a portable power bank for your phone or other portable gear. The USB also supports a webcam function when plugged into a computer.

Overheating can be an issue, if not a major one. When recording at 8K resolution, the Ace Pro 2 will eventually get too warm to function and shut itself down as a result. I tested it at room temperature conditions, finding it was able to record 8K/30p footage for 43 minutes before overheating, and think that’s fine. 8K recording is probably something you’ll use situationally rather than all the time, after all.

As mentioned above, one way to control the Ace Pro 2 is using the Insta360 smartphone app. Connecting via Wi-Fi, it allows users to change the camera settings (and update its firmware), take photos and videos, browse through photos and videos they’ve taken, edit together content and share it on social media. I’ve always found the app an intuitive and stable method of remotely controlling Insta360’s various cameras, and as is customary in 2024 it also features an AI-powered auto editor to swiftly assemble and score short videos from your captured content.

Image stabilization is a vital feature for any self-respecting action camera, and the Ace Pro 2 is well-served in this area. There are two levels of ‘normal’ image stabilization (Standard and High) plus two horizon levelling options (45º and 360º). I found all to be very effective. Being electronic-based, all apply a crop (of varying degrees) to the image.

Other video-centric features include gesture and voice controls, timecode for multi-cam synching, a new dashcam mode and a pre-recording video mode, which records up to 120 seconds before the shutter button is pressed. All useful in certain situations.

The Ace Pro 2 is also compatible with several types of Bluetooth-based wireless microphones (including the DJI Mic and Mic 2, Rode Wireless series and Hollyland Lark series) and several Bluetooth motorcycle headsets (for hands-free camera control while riding).

• Features and performance score: 4.5/5

Insta360 Ace Pro 2: image and video quality

• Upgraded 1/1.3-inch 50MP sensor
• F2.6 lens with 157º field of view
• Video up to 8K/30p, 4K/120p or FHD/240p

The original Ace Pro’s headline feature was 8K/24p video recording, and the Ace Pro 2 takes things further, if only ever so slightly; you can now record 8K footage in 25 and 30fps as well. The image sensor, while remaining the same 1/1.3-inch size, has been upgraded to also allow for 13.5 stops of dynamic range and 4K/60p Active HDR recording, and is bolstered by the addition of a new 5nm AI Chip that sits alongside the image processing Pro Imaging Chip. Insta360 say this doubles the computing power of the Ace Pro 2 compared to the original Ace Pro. The lens, made by Leica, has also been slightly improved and now offers a wider field of view: 157º opposed to 151º.

Personally, I find 8K to be a bit of a gimmick, especially on a camera so small. The vast majority of us watch videos on devices with 4K or smaller resolutions, so 8K capture feels like massive overkill unless you’re planning on cropping down the video later on. I should point out here that the field of view when capturing 8K is smaller than with 4K, 2.7K or Full HD recordings. 8K also doesn’t support the best level of image stabilization, doesn’t allow you to use the flat I-log color profile and, despite the bump up to 30fps, still limits frame rate compared to the lower resolution modes.

As a consequence, I found myself much more drawn to 4K which, as on the Ace Pro, is excellent. Most of the vlogging footage you see in the embedded sample video here was shot using the I-log profile and color graded and corrected in post, but the night time footage uses the low light PureVideo mode, while the cycling footage below uses the standard color profile with the Active HDR turned on.

Low light footage is strong by action camera standards but still a weakness compared to even a modestly priced mirrorless camera. Insta360 can throw all manner of algorithms at the footage to sharpen, denoise and bring out the detail in gloomy areas, but it’s still coming from a small sensor with limited light-gathering potential. When viewed on a smartphone screen PureVideo footage looks clean and clear, but on a larger monitor or TV strange artefacts and effects become much more prominent. Still, the Ace Pro 2 is much better at low-light video than a GoPro Hero 13 Black and on a par with the DJI Osmo Action 5 Pro, although their characteristics are quite different. I've created a short comparison video of the Ace Pro 2 and Osmo Action 5 Pro so you can see for yourself how they fare.

All in all, it’s a very impressive showing. In general, I still think straight-out-of-the-camera videos from a GoPro Hero 13 Black taken in good lighting look slightly more appealing, but for those who like to put in a bit of work in post-processing the Ace Pro 2 is every bit as capable as the Hero 13 Black and DJI Osmo Action 5 Pro.

Audio is unexpectedly clear when using the built-in microphones. The wind guard seems to do its job admirably and voices are picked up well. The camera comes with three AI-assisted audio modes: standard stereo, wind reduction and voice enhancement. Living by the sea, I kept my Ace Pro 2 set to wind reduction at all times and was pleasantly surprised by the results.

The Ace Pro 2 can also take photos (in JPEG and/or DNG RAW) at 12.5MP or 50MP resolution, and while I’ve personally never been a fan of using action cameras for still photography, it does as good a job at it as any of its major rivals. The JPEGs tend to look over-processing and over-sharpened; when I shot images in RAW and processed them myself in Lightroom I was able to achieve much more natural-looking results.

• Image quality score: 4.5/5

Insta360 Ace Pro 2: testing scorecard

Should I buy the Insta360 Ace Pro 2?

Buy it if...

Don't buy it if...

Insta360 Ace Pro 2: also consider

How I tested the Insta360 Ace Pro 2

• A week of vlogging and biking
• Various weather conditions and times of day
• Footage edited using Davinci Resolve Studio 19

I spent a week using a pre-release version of the Insta360 Ace Pro 2, capturing vlog-style and cycling videos at different times of the day and in different weather conditions. I also tested battery life and heat management by allowing the camera to continuously record until the battery died or the camera overheated and shut down.

I recorded video at different resolutions and frame rates, using different color profiles and video modes and with the various forms of stabilization on or off. Footage was later edited on my MacBook Air using Davinci Resolve Studio 19 software, which I used to color grade and correct some clips.

First reviewed October 2024

Insta360's Ace Pro was the first 8K action camera to market, and just under a year later it has a successor, the Ace Pro 2, which is a rounded upgrade ready to take on the GoPro Hero 13 Black and DJI Osmo Action 5 Pro.

You can learn how each model compares in our Hero 13 Black vs Action 5 Pro vs Ace Pro 2 piece – it's a tasty battle to claim the best action camera title. Truth is, each one has its own take on the format and will appeal to different kinds of people, with Insta360 doubling down on high-resolution 8K video as its selling point, together with what it says is the first dual chip in an action camera, designed to improve performance.

Impressive as the original Ace Pro sounded, certain features were in reality a little light, whereas the Ace Pro 2 adds the necessary substance. Its 8K video still feels a little gimmicky given how many caveats it comes with, but active HDR and PureVideo (low light) modes are now available in 4K up to 60fps and feel polished, especially now Insta360 has introduced I-Log color profile for discerning editors in some 4K modes.

There's more to the Ace Pro 2 than its improved video recording chops too. It's tougher than the Ace Pro, with a better flip screen, lengthier battery life, improved waterproofing and a new design to hold a lens guard just like its rivals. It also has improved audio recording and a wind guard. The sum of those parts impresses and you can learn more about Insta360's latest action camera in our Ace Pro 2 review.

The Insta360 Ace Pro 2 costs $399.99 / £389.99 / AU$689.99 for the standard bundle, or it's $419.99 / £409.99 / AU$719.99 for the dual battery bundle – that's pretty much in line with GoPro and a little pricier than DJI.

Has the Ace Pro series come of age?

Being the only camera of its kind to shoot 8K video was one thing, but the Ace Pro lacked many of the advanced features found in GoPro and DJI rivals. Insta360 has looked to rectify this with the Ace Pro 2, which feels much more polished than the first-gen model.

Chief among those improvements is its dual chips, about which Insta360 says: "the Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience."

That's paired with a revised 1/1.3-inch sensor that delivers 8K video up to 30fps, a 4K 120fps slow-motion mode, a 2x 'Clarity Zoom', plus up to 13.5 stops of dynamic range. The dedicated low light 'PureVideo' mode has been upgraded to reduce noise even further, too, together with that improved 60fps frame rate.

Leica is in on the action, providing its expertise for exclusive color profiles, plus in creating a Summarit lens with 157-degree field of view, wider than its rivals.

Other refinements include the larger, brighter and higher-resolution 2.5-inch flip up screen – that's another calling card of the Ace Pro series although that does result in a bulkier camera – improved 39ft / 12m waterproofing plus neat gesture control, with the ability to pause and resume recording.

There are too many features to sensibly cover in this news piece. If you'd like to discover more do check out our Ace Pro 2 review, where you can also see how its dual chips have improved low light performance in our sample footage. Ultimately, its 8K video is still limited, but so many of its other modes are much improved, with better overall image quality thanks in part to its powerful dual chips. GoPro and DJI now have a serious rival on their hands.

You might also like

• Insta360 Ace Pro 2 review: a rounded upgrade
• The best action camera for 2024: top cameras for adventures
• The DJI Osmo Action 4 has convinced me that action cams beat mirrorless for vacations
• GoPro Hero 13 Black vs DJI Osmo Action 5 Pro: has DJI dethroned GoPro?

We've seen both the GoPro Hero 13 Black and the DJI Osmo Action 5 Pro launch in recent weeks, but there's always room for another action camera – and new leaks suggest the Insta360 Ace Pro 2 is going to be a force to be reckoned with.

Per well-known tipster @Quadro_News, the successor to the Insta360 Ace Pro will offer a 50MP 1/1.3-inch main sensor (up from a 48MP 1/1.3-inch one), and 10 meters or 33 feet of water resistance (which is the same as the current model).

In addition, it's apparently going to offer 1.5 meters or five feet of shock resistance, and will be able to operate between -4F and 113F (-20C and 45C). It's also set to be a little thicker than the current model, which we're hoping means improved battery life.

Indeed, better battery life was mentioned in an earlier leak that also talked about an 8K video resolution, matching the Insta360 Ace Pro, and enhanced AI processing thanks to an extra AI chip. Add all of that up and we're potentially looking at one of the best action cameras on the market.

And a price cut to boot?

So how much is this flagship 2024 action camera going to cost you? Well, @Quadro_News has details on that too, suggesting the device will launch for $399.99 in the US – that's actually less than the $449.99 the Insta360 Ace Pro originally cost.

International pricing isn't mentioned in this leak, but the 2023 model went on sale for £429.99 in the UK and AU$729 in Australia, so hopefully we'll be getting a price reduction across the other markets where the camera is sold as well.

We should point out that the Insta360 Ace Pro can now be picked up for significantly less than its original price if you shop around online, but it would still be a welcome change to see a new gadget with a cheaper launch price than the one it's replacing.

It's not clear when the Insta360 Ace Pro 2 might see the light of day – but considering that we're seeing a steady stream of rumors about the camera now, and the fact that the current camera launched in November 2023, we shouldn't have much longer to wait.

You might also like

• Our review of the GoPro Hero 13 Black
• The best action cameras you can buy
• Our review of the DJI Osmo Action 5 Pro