Several hours into Resonance: A Plague Tale Legacy, my protagonist confidently strides into a battle arena and soaks in the cheers of an adoring audience. Wielding a sizable blade and sporting gleaming gold armor, the hero then unleashes a devastating, tornado-like attack, making short work of dozens of aggressive gladiators.

Needless to say, this third installment in Asobo Studio's A Plague Tale series is a far cry from the franchise's previous stealth-focused, rodent-infested entries. But I'm getting ahead of myself.

Resonance is the latest chapter in the decidedly dark, Black Death-inspired series that previously put players behind the stealthy skills of siblings Amicia and Hugo as they faced relentless Inquisition soldiers and swarms of plague-spreading rats. But Resonance is also a prequel, set 15 years before the events of A Plague Tale: Requiem and starring Sophia, a returning, fan-favorite supporting character from that same entry.

Sophia's a smuggler and skilled swordsman, far more capable in battle than the franchise's previous brother and sister duo. As such, Resonance is a completely different type of game, a third-person action-adventure – with some light role-playing game (RPG) elements – that favors slitting throats and spilling entrails over sneaking in the shadows. It's a pretty drastic pivot, one that might be initially off-putting to longtime A Plague Tale players, but it generally works, allowing Asobo's beloved universe to successfully branch off into a different genre.

Like Assassin's Creed…condensed

What Resonance recalls most, especially in its first few chapters, is a more streamlined, story-driven Assassin's Creed game. Like Ubisoft's sprawling action-RPG series, it sports stunning environmental visuals and plenty of crunchy, dynamic combat – complemented by lots of brutal finishers – as well as a good deal of exploration, parkour, and stealth. Heck, the latter even allows you to deliver death from above à la Assassin's Creed's hidden-blade executions.

There's also a combat-enhancing skill tree to progress through, passive perk-granting relics to equip, and enough lore-expanding collectibles to make any member of the Assassin's Brotherhood envious. But on the plus side – especially for those burnt out on Ubisoft's bloated open-worlds – Resonance layers all these familiar elements into a far more straightforward, cinematic adventure that respects your time.

Borrowing from the best

But while it delivers, arguably, some of the AC series' best bits in a more digestible package, it also borrows inspiration from some other favorite franchises. Its prevalence of engaging spelunking and clever puzzle-solving gameplay, for example, recalls Lara Croft's greatest adventures, while its adrenaline-pumping set pieces could give Nathan Drake and Indiana Jones a run for their fortune and glory.

None of this is to say that Asobo is merely mimicking successful series' formulas that have come before. While its inspirations are obvious, they're also incredibly well realized and organically remixed into a much wider experience that feels fresh, allowing the A Plague Tale franchise to reinvent itself for this prequel installment.

And while you won't find hordes of plague-ridden rats waiting around every corner of Resonance's breathtaking Venice and Crete locations, its story is still very much embedded in the series' overarching narrative. Without spoiling too much, Sophia – it turns out – lived quite a life before taking to the high seas and helping out Amicia and Hugo in Requiem.

And like Hugo, she too is affected by something quite curious, supernatural even, that informs and shapes not just the storytelling, but the gameplay. Her mysterious ties to something quite ancient touch nearly everything in the game, from her puzzle-cracking prowess to that aforementioned gladiatorial arena battle.

But also like Hugo's blood curse, her affliction comes with more than its fair share of terrors. Sophia spends most of her time cracking skulls and conundrums in equal measure, but her swashbuckling sometimes gives way to the sort of nightmare-conjuring stretches that'd set the previous games' sibling duo desperately running for their lives.

Thankfully, Sophia also has some friends to lean on. In fact, Resonance does a fantastic job leveraging side characters to organically flesh out the world and Sophia. Rather than relying on forced exposition, the exchanges between the protagonist and her friends – and sometimes foes – flow naturally to deliver both fun banter and integral information.

Less plague rats, more plundering

Whether with a buddy or on her own, Sophia does indeed occasionally find herself in frightening situations evocative of the first two games' more nail-biting moments. These scarier, often survival-focused moments are some of the game's best, but they also take a backseat to what more often feels like a lighter, blade-clashing, plundering romp.

Again, this isn't so much a knock against the game, as Resonance does a brilliant job blending inspirations from the aforementioned properties while also layering in plenty of its own personality. But passionate fans of the previous A Plague Tale titles, craving more of their suffocating atmosphere and killer rodents, may find Resonance a tad too lighthearted, familiar, and formulaic. While it's not without its scares, surprise betrayals, and emotional gut punches, it's still very much a spirited action-adventure that draws more from Black Flag than the Black Plague.

Beyond that gripe specific to those hoping for a return to rat-infested Middle Ages France, Resonance's battle camera could have benefited from a bit more fine-tuning. Sophia's sword- and dagger-based melees are generally quite rewarding, especially once new weapons, moves, specials, and perks are unlocked and layered into her blood-spilling repertoire; there’s also some welcome nuance and depth, like stun-inflicting parries and a risk-reward system that sees you replenish a health segment with each henchman slain. But the camera can have some difficulty keeping up with all this lightning-quick action. Toss in the lack of a target lock-on, and you're occasionally left wondering what cool thing just happened off-screen.

Nitpicks aside, Resonance makes a compelling case for expanding the A Plague Tale universe, while also serving up 15 or so hours of solid third-person action-adventuring. You'll likely complete Sophia's campaign wondering what exactly the future holds for the series' other characters and narrative threads, but you also won't hold any regrets having conquered a swashbuckling romp as rewarding as a treasure chest brimming with shiny trinkets.

Should you play Resonance: A Plague Tale?

Play it if...

Don't play it if...

Accessibility features

Resonance significantly expands on the accessibility options of the series' previous two installments, offering a number of visual assistance options, including UI, HUD, and subtitle customizations, as well as high contrast and colorblind modes.

Blood effects can be toggled on and off, and five different difficulty settings allow you to tailor the experience to your playstyle and skill level. These options range from a story-focused mode – that puts parrying and dodging on auto – to a deep difficulty mode for those craving the steepest challenge. Difficulty options can also be changed at any time.

How I reviewed Resonance: A Plague Tale

I completed Resonance: A Plague Tale Legacy's campaign in about 15 hours, but clocked in another 5 or so revisiting chapters to gather missed collectibles.

I ran the game on a PS5 Pro using my budget TCL 4K 65" TV, with HDR enabled. For audio, I tested with both the display's onboard stereo speakers and Sony's PlayStation Pulse Elite headset.

First reviewed August 2026

The Duskbloods has been one of my most anticipated games of 2026 ever since it was announced back at that first Switch 2-centric Nintendo Direct. Now, having finally had the chance to play it briefly in the game’s recent network test, I’m pretty confident it will be one of the best Nintendo Switch 2 games... For the most part.

It all began with a tutorial segment that lulled me into a false sense of security. Being a solo instance, it taught all the basics of The Duskbloods like melee and ranged attacks, character skills, general game flow, and what you should be planning to do during an online match. I was able to go about these tutorials at a leisurely pace, which absolutely isn’t the case when you hop online against real players.

My biggest takeaway from The Duskbloods network test is that, during an online match, you should always be on the move. Much like Elden Ring Nightreign, it’s massively beneficial to be thinking several steps ahead. And that turns out to be quite difficult; avoiding bloodthirsty players is hard enough, but it’s even harder when you’re so tempted to stop and whiff the blood-tinged roses of The Duskbloods’ delectably macabre world.

It’s Zork’s world now, we’re all just living in it

To quickly go over the rules of engagement, matches in The Duskbloods take place over several phases, each around five minutes in length.

After selecting a Bloodsworn (the game’s playable characters), you’ll choose a point to spawn in the small-but-dense map. During the first phase, you’re encouraged to start building up Virtue by killing enemies, looting items, and lighting the skulls of corpses sat on thrones (it’s a FromSoftware game, did you expect anything less?).

Virtue comes in many forms, and can also be accrued by fulfilling your character’s Sigil requirements in each phase. Sigils are optional, but can drastically alter how you play. Sigil of a Sworn Enemy, for example, tasks you with defeating a marked opponent in each phase. Sigil of an Old Friend is the opposite, and has you seeking out another player to ally with. These are extremely useful for gaining Virtue, and you’ll need a lot of it, as the two players with the least amount of Virtue at the end of a phase are ‘culled’, removing them from the game.

On that note, I think The Duskbloods features one of FromSoftware’s most compelling approaches to co-op I’ve seen in one of its games to date. At any time, you can highlight a player you come across and request an alliance with them. If they accept, you’ll no longer be able to harm each other and can work together to build up Virtue. However, the bond is broken in the final phase in which the remaining players battle it out in good old-fashioned PvP.

Players can also engage in co-op by answering calls to help against formidable boss enemies. Doing so and defeating the boss will net you huge amounts of Virtue. However, it does so for all other participating players, too, so knowing when to partner up and when to go it alone is an important decision in and of itself.

In short, I’m already in love with The Duskbloods and its uniquely fast-paced approach to PvPvE multiplayer. Its playable characters have universal aspects, but differ greatly in skills and appearance. Deep-sea diver and human rocket Zork is a clear standout, and while he seemed a little overtuned in the network test thanks to his tremendously powerful ranged abilities, not a single one felt weak or disadvantaged.

I really can’t wait to see how The Duskbloods opens up in the full release, especially as we know there’ll be even more maps and Bloodsworn to experience. There’s no release date for The Duskbloods just yet, but it’s expected to launch sometime in 2026 exclusively on Nintendo Switch 2.

• Secretlab is releasing a new Titan Evo Marvel Spider-Man Edition
• The chair pays homage to Spider-Man and celebrates the release of Spider-Man: Brand New Day
• Featuring a red and black color palette, the chair features "elements inspired by Spider-Man’s enduring legacy"

Secretlab has announced a collaboration with Marvel: a new Titan Evo gaming chair inspired by your friendly neighborhood Spider-Man.

The Secretlab Titan Evo Marvel Spider-Man Edition pays homage to the beloved superhero, and will be available in the United States, Canada, and the EU, following the successful release of Marvel Studios’ Spider-Man: Brand New Day.

Combining the gaming chair company's customary craftsmanship and science-backed comfort, the Titan Evo also features "elements inspired by Spider-Man’s enduring legacy, which has influenced generations of fans since his comic book debut."

I think this is Secretlab's best-looking Titan Evo variant yet, highlighting the hero's iconic suit with a red color palette, with Spider-Man's black emblem embossed on the front and back of the chair, making it perfect for any Spider-Man fan.

Upholstered in Secretlab's SoftWeavePlus Fabric, the Spider-Man Edition also features a web of silken lines on its back, with an additional nod to Spider-Man villain Venom, with black tendrils creeping along the chair's side wings and seat base.

The Secretlab Titan Evo Marvel Spider-Man Edition will be available at Secretlab.

The Secretlab Titan Evo is one of the best gaming chairs you can buy right now, designed with patent-pending cold-cure foam, a pebble seat base, and four-way L-adapt lumbar back support, ensuring comfort for long gaming sessions.

When I get an close-up look at the IKEA x Xbox collection at Gamescom, with its mix of playful designs inspired by Microsoft’s hardware and practical storage solutions that scream the Swedish retailer’s minimalist approach, I can’t get over the ridiculousness of the thumbstick stool.

It is, undoubtedly, the most absurd item in the nine-piece collaboration, which also features a squishy D-pad cushion, a sleek lounge chair, a moveable TV stand with clever cable management, a multifunctional side table, a disguised laptop stand with storage, a handy monitor stand, a shiny platter, and a swish controller display box.

And while I couldn’t see myself sitting on the stool for hours during a marathon gaming session, even if it’s surprisingly more comfortable than it looks, it’s place in the collection makes total sense.

I also get why both the stool and the cushion lead the collection because they are so immediately recognisable as Xbox icons. But as a boring man in his late thirties, I think it’s the organisational products that are more exciting.

When I look at my desk now, it’s a scattered mess of chargers, controllers, cables, and other accessories. So, the idea of a monitor stand that works as an all-in-one solution to raise my dual screens to a comfortable eye level, while offering all the hooks and hideaways I might need to tidy everything away, or put a phone on display, as well as feature space for a console, sounds ideal.

If I could have taken one item from the set away with me right that second, it would be this one. And I feel many who prefer a clear workspace while on the clock, but also like to swap to a gaming setup in the evening, will find it an invaluable desk upgrade.

I feel the same about the side table, which offers an elegant way to put away controllers, headsets, and other accessories when you’re done playing, instead of leaving them scattered across a sofa or coffee table.

There’s also enough space inside to add a charger and run through USB cables to keep your gamepads fully juiced ahead of the next session. And it’s all hidden behind some swish sliding doors, on a side table that comes on castors so you can wheel it away or blend it in with your existing decor.

"We set out to make furniture people really want in their home, not furniture they accept because it is what you need to game,” said Philip Dilé, Product Design Developer at IKEA of Sweden, when discussing the origins of each piece. All items also had one continual IKEA and Xbox representative collaborate on them to ensure both style and function were represented.

Ultimately, it's that mix of play and functionality that comes to define the entire IKEA x Xbox collection: from a comfy cushion to a compact cabinet. And while not every item might find a place in my living room or office, I can see how many would easily find their way into a gaming space to liven it up in an amusing way or offer practicality when tidiness and space-saving are important.

The IKEA x Xbox collection launches later this year from October 1.

What a difference a year makes. Back when the Nintendo Switch 2 was first being shown off in 2025, Elden Ring Tarnished Edition looked like a disaster.

Preview events allowed journalists to play a horribly compromised game with a flipbook framerate, then tellingly wouldn’t let them share any footage of it. This seemed destined to be an embarrassment of a port that would have Mario hanging his head in shame, if not outright giving up.

I don’t know what deal with the Devil the developers made to get this port in its current state, but it’s made a Satanist out of me. Elden Ring on Switch 2 is a revelation, the new gold standard that third-party ports should be judged by. It’s perfectly playable and smooth in handheld mode, with only the most minimal and unobstructive pop-in.

Even the included Shadow of the Eldtree expansion, with its increased level of visual detail and colossal wicker men enemies stomping about, runs like a dream. It’s the kind of port that restores your faith in the Switch 2. Perhaps anything really is possible on this little machine.

Arise now, ye tarnished

For the uninitiated, Elden Ring is essentially open-world Dark Souls, the brutal action-RPG that every other action-RPG has annoyingly been ripping off ever since.

So combat rewards perseverance while also punishing even the slightest mistake. Every time you die, you lose all your levelling-up currency and have just one chance to get it back. And it’s all set in a dark medieval fantasy world that’s so grim it makes House of the Dragon look like an episode of Peppa Pig.

Elden Ring takes that winning formula and blows up the scale dramatically. It’s the most confident and successful leap a series has taken to going open-world since Nintendo’s own The Legend of Zelda: Breath of the Wild. This is a game all about charging through gorgeous fields on horseback, because a) you’ve spotted an epic castle on the horizon you want to explore, and b) a giant is shooting arrows at you, and you desperately need to find some cover.

The Lands Between, Elden Ring’s absurdly large setting, is beautiful and deadly in equal measure. And it’s really deadly. Birds with swords strapped to their legs swoop in for the kill. Knights on horseback roar to the Heavens and are rewarded with lightning storms cascading down upon you.

Even a lowly zombie tossing a rock at you can be lethal if you’re not paying attention. Few games demand you lock in to succeed like this and fewer still reward you so immensely if you do.

Slice, spell, scream or smack?

You’re spoilt for choice on how you take it on, too. There are swords, axes, hammers, magic, curses, hand-to-hand combat (surprisingly effective, that), roaring (ditto), horseback jousting, and far more to be covered here. Stick with one weapon, and you’ll still have fun, but keep swapping out your loadout for new toys and you might just find your favourite gaming weapon ever.

The variety here is ridiculous, every dud weapon offset by another dozen inspired ones. Impressed with the last attack the latest boss fight used on you? Chances are, you can find the weapon they used on you and learn how to execute its special attack yourself.

Its world starts with traditional green fields and foreboding castles designed by architects who clearly never visited a cosy cafe once in their horrible lives. Gradually it gets more delightfully surreal, like a golden city drenched in ashes where the music is actually being performed by the enemies you’re fighting. Or a village full of dancing, giggly oddballs who’ve watched Midsommar a few too many times.

The city hidden beneath the map is easily one of the most incredible-looking environments I’ve ever visited in a videogame. Oh, and died in. Repeatedly.

Every inch of The Lands Between is occupied by monsters, warriors, dragons, and enemies who really look like giant sentient sperm, and all of them want to say a very violent hello. It should get repetitive.

Outside of the occasional puzzle, this game is basically all-combat all the time. But the sheer variety and depth to its combat system practically dares you to get bored. Each enemy is almost a puzzle in itself, as you slowly learn their attack patterns, weaknesses, and how effective they are at outrunning a horse. Not at all? Perfect, bye then!

That open-world structure helps stave off repetition too. There’s plenty of brick wall boss fights that you’ll spend hours bashing your head against. But whenever you’re stuck, you can just hop aboard your magical double-jumping horse and gallop somewhere else. It means you can be swordfighting with poison-spitting bug men one moment, and then in an epic joust with a dragon barely ten minutes later.

Barbie’s Horse Adventure 2?

You can also find alternate outfits for your horse now, presumably to finally get the My Little Pony crowd aboard the Soulslike train.

Gameplay benefits? None whatsoever, but it’s a cute novelty. I liked being able to dress Torrent up as the golden steed of one of the more irritating enemies, even if it does make them a little noisier. So if you’ve been on the fence about Elden Ring because you worried the horse wasn’t noisy enough, this is definitely the time to jump in.

The story? At first it’s about as impenetrable as Xbox’s gaming strategy. Your only hope of figuring out its mysteries is to examine every item you find, most of which contain a line of lore. There’s now a ‘recent items’ tab that shows everything you’ve recently picked up, which makes this far easier. This is my third time playing Elden Ring, and I believe I understood a whole 23% of the plot this time - a new personal best.

Two new starter classes have also been added. Heavy Knight, who’s a thickly-armored chunky boy who can tank a fair few hits. Obviously incredibly useful, but I opted for the other new starter, Idus Knight, who wields a sword that delivers a superbly satisfying double-strike.

There’s some new armor sets and weapons out there, too. These are nice touches for returning players, but hardly a reason to buy the game again if you already own it on another format.

No, the justification for that double dip has to go to handheld mode. I played this port for a solid week in handheld before remembering that I should probably see how it looks on my TV for this review. That’s how impressive it is, even if not every area is an unequivocal success. Liurnia of the Lakes probably takes the biggest hit, with a lot of foliage and scenery constantly fading in.

But vitally, none of the monsters suffer from any of that pop-in nonsense. It’s a smart trade-off to ensure that, even when the game is mildly struggling, it never puts you at a gameplay disadvantage. The fade-in is lessened docked, but naturally a little more noticeable on the bigger screen. Very occasionally when a lot of enemies are on-screen - a dragon and its dozen skeleton minions, for instance - some of the monster animation gets a little jerky. But it’s minor, rare, and even then has a certain Ray Harryhausen stop-motion charm.

I got two and a half hours of battery life out of my Switch 2 consistently while playing it, making it ideal for short flights or long train journeys (don’t start fighting a boss if your stop is coming up).

I can’t wait to stop typing these words so I can sink more hours into it. This is a major technical achievement on basically every level, resulting in an outstanding port of one of the best games ever. Essential.

Should you play Elden Ring Tarnished Edition?

Play it if...

Don't play it if...

Accessibility features

Controls can be remapped, and gestures are tied to motion controls (this can be switched off).

Subtitles are on by default, and the image quality can be adjusted when HDR is enabled, which is only available when docked, naturally.

The tutorial is still laughably bad, but help screens can at least be reviewed at any time.

How I reviewed Elden Ring Tarnished Edition

I played about sixty hours, mainly in handheld mode. Not enough time to defeat every optional boss - yikes - but I made sure to explore all the major areas, Shadow of the Erdtree expansion, and anywhere I suspected might suffer from a performance dip. I was constantly pleasantly surprised.

First reviewed August 2026

It's almost midnight, and I'm still playing Bit Reactor's turn-based tactics (TBT) strategy game, Star Wars Zero Company. I'm nearing the end of a tense battle that's lasted longer than I've realized, but I'm so close to success. Only a few enemies remain, and Hawks is out of med packs; Tricks, Tel, and Luco are all low on health, and I don't want to risk any more injuries that could lead to my favorite Operators' permanent death. One mistake will cause a domino effect that ends in defeat, but I have to make a move.

I have Luco and Trick fire their blasters at a single enemy, taking them down with a lucky critical hit, before positioning them behind cover alongside Hawks. I lay a trap; with Overwatch enabled and monitoring the area where the boss and the final enemy are located, I have Tel rush ahead into position. Using all the Advantage I've accrued through the last few tactical turns, the Jedi Padawan executes her special Force action, knocking back both enemies into the zone of my team's line of sight. Even though they have no Action Points (AP) left, thanks to my planning, Luco, Trick, and Hawks fire off three more shots each, and together, we achieve victory.

Before playing Zero Company, Bit Reactor's debut game made by a studio founded by former Firaxis Games and XCOM veterans, I was concerned my lack of experience with XCOM would hinder my enjoyment of this new Star Wars story. But after just a few hours of taking on mercs and clankers, jumping to various planets via hyperspace, and getting to know my fellow Operators, I quickly fell in love.

Learn from the past, but live for the future

What I love about Star Wars, besides the lightsabers, the expansive lore, and dark side baddies, is the seemingly unlimited opportunity for new stories within the vast galaxy, far, far away.

While Zero Company is set 20BBY during the twilight of the Clone Wars, a frequently revisited era in the franchise, this story chooses to tell a story from the perspective of someone no longer tied directly to the conflict, but has been affected by it. The fact that the player character, Hawks, is a former captain in the Grand Army of the Republic is a unique premise that initially piqued my interest; they commanded the 100th Clone Company and led a campaign that led to a Trooper massacre, Trick being declared unfit for duty due to an injury, and Hawks' dismissal.

Hawks now leads the titular covert squad on a mission to take down the paramilitary cult known as The Infinite Coil and its leader, Kundri Fathom, who are all diseased by the mysterious Shadow Plague and are slowly building their forces across the galaxy.

As Hawks and Zero Company tackle this growing threat against the backdrop of the Clone Wars, the team is also dealing with their own personal issues and the consequences of warfare, whether at the hands of the Republic or the Separatists, with the story exploring themes of justice, revenge, belonging, grief, and guilt.

It's a compelling approach with surprising twists and turns that takes the story in an unexpected direction and had my Star Wars-loving heart pounding thanks to the brilliant way Bit Reactor seamlessly blends cinematic storytelling and a brilliantly formulated combat system.

This is a spoiler-free review, and I won't get into the details, but Hawks' history has interesting implications for the narrative in ways I wasn't anticipating; they're a smart, funny, sarcastic, but decisive individual, navigating being a leader who is, once again, caught up in a galactic threat. And while they're a customizable character, they feel like they belong in this universe as much as any other protagonist we've had before.

Fathom herself, as the primary antagonist, however, separate from Coil members you run into plenty of times, feels a bit underutilized throughout the story, and I was left with a desire to know more about her.

The majority of the campaign finds Zero Company trying to track Fathom down while she continuously eludes them and works from the shadows, which means there aren't many opportunities for the antagonist to shine on screen; it feels like wasted potential as she's a very interesting villain with a unique motivation that compliments the broader narrative, but without that extra character exploration, especially in parallel to Hawks and their development, I was left with some unanswered questions and ultimately unsatisfied.

Wars are not won with superior weapons, but with superior strategy

I stand by what I wrote in my preview: Star Wars fans with no knowledge of TBT games like XCOM can absolutely enjoy this game. Bit Reactor has done an excellent job making a beginner-friendly, not to mention incredibly rewarding, experience when you get accustomed to strategizing on the fly and go on to achieve win after win.

Squad appearances, tailored loudouts, and the numerous specializations on offer, be it Medic, Scoundrel, Heavy, or Scout, present an unbelievable amount of player freedom, which allows for some impressive customization, as well as what seems like an opportunity for limitless playthroughs.

This is especially true when the secondary specializations are unlocked for Zero Company; I gave my Hawks the Medic spec, which allowed an extra sense of security for playing on permadeath mode, and I was amazed by how my second spec, Gunslinger, completely refreshed battles and provided new and imaginative strategies on the battlefield.

My squad for Tactical Missions typically included Tel because of her ranged Force abilities, and Trick, who can withstand getting Downed and can automatically revive during the next turn in battle; their Hero Talents came in handy when the mission was on the verge of failure, and their fully upgraded skill trees made them a must-have, especially for higher difficulty battles that featured a variety of enemies that are tougher than others.

Kabb also has a sick uppercut ability that lets him wollop enemies, while Luco has a sniper skill that guarantees a 100% hit; learning how these talents work, strategizing how best to spend my squad's limited three AP should have been stressful, but the process was just awesome.

Continuously maneuvering across ever-shifting and lovingly crafted isometric maps wrapped in an authentic Star Wars atmosphere, outplaying a contingent of droids, deadly Coil soldiers, and syndicate members with just wit, and mixing and matching team builds to your preference with a ton of options to experiment with; all of this offers an immensely rewarding gameplay experience that continuously delivers.

No Tactical Mission feels the same, and even when they take longer to complete because of their difficulty level—and believe me, they can take a while—it doesn't matter, because the sense of accomplishment I felt after every mission was worth the time.

Courage makes heroes, but trust builds friendship

The campaign is also strengthened by Zero Company's interpersonal relationships, consisting of multiple colorful characters, including a loyal ex-Clone Trooper, a Mandalorian turned bounty hunter, a sharp-tongued Umbaran sniper, a Jedi Padawan without a Master, and more.

The game leans into role-playing game (RPG) systems by melding TBT gameplay and Bonds, a relationship approval system vital for unlocking features like new talents, focus points, and stat bonuses. Similar to Bioware's dynamic relationship system found in Dragon Age and Mass Effect, minus the romance and branching dialogue trees, Bonds are deepened by completing each character's personal questline, how you approach Operations, or how you respond in conversations.

Zero Company's Bond system is great, and I know it's primarily a TBT strategy game; however, I can't help but think it would have benefited even more if it went harder with the RPG mechanics, like additional dialogue choices, to really reinforce and shape those Bonds.

Characters may also have negative opinions of each other, and it's pretty fun, and essentially the key to success, to purposefully pair them together during missions to make them grow closer with the benefit of improving their loadout and unlocking new combat synergies.

Outside of missions, it's pretty neat how Operators, even the ones you can create and recruit yourself, can be found around The Den having conversations and revealing a bit more behind the curtain; the switch to a third-person perspective here also brings a personal touch to these relationships, making them feel alive in their environment.

Alongside other characters like Runa and Bennic, authored Operators have so much personality with their own motivations and perspectives, with stellar performances from the ensemble cast; they're not just soldiers along for the ride, and while some pairings have more fleshed-out Bonds that are more ingrained in the main campaign than others, like Trick and Luco, they're equally memorable.

Whether it's Tel, Jae, Kabb, or particularly Trick, they feel like the backbone of the narrative and are as authentic to the Star Wars world they occupy, which is why when/if a character is killed in permadeath mode, the loss is truly felt.

This feature is a must if you want to up the risk factor during missions and truly heightens the stakes as you build these meaningful relationships, even if it means you'll be locked out of some pretty amazing missions if Operators die.

I had some issues during my preview session, mostly frame rate problems that took me out of the experience, but I'm happy to say performance has been vastly improved with my review copy on PC. With my mid-to-high range build, which consists of an Nvidia RTX 3060Ti graphics card and Ryzen 7 5700X 8-Core processor, the gorgeous cinematics and gameplay frame rates were consistently high, hitting 60fps the majority of the time, with the odd dip to the upper 40fp to lower 50fps range occasionally depending on how visually busy the scene is.

I also didn't encounter any significant performance snags, either. Bugs are almost non-existent, aside from a few encounters during conversations and cinematics where audio didn't sync correctly and tactical turns sometimes took a little longer to load from the enemies' side; otherwise, I had a pretty smooth experience.

Should you play Star Wars Zero Company?

Play it if...

Don't play it if...

Accessibility features

Star Wars Zero Company is a bit short on accessibility features, having only standard vision settings like text size and color blind mode, as well as a motion reduction setting for on-screen action.

How I reviewed Star Wars Zero Company

I spent just over 40 hours playing Star Wars Zero Company on my gaming PC with my Logitech G G715 wireless gaming keyboard and Logitech G703 wireless gaming mouse. I used a Gigabyte M32U gaming monitor and my Sony WH-CH520 wireless headphones for audio.

First reviewed August 2026.

I played an hour of the new Dragon's Dogma 2: Dark Arisen expansion and walked away impressed by its gameplay loop and improved performance (on PlayStation 5), and instantly saw what Capcom is aiming for.

In Dragon's Dogma 2: Dark Arisen, players must journey through Norgan, an abandoned region in the north, and join forces with a mysterious new character to uncover the secrets of an undying Fallen Dragon.

In that process, you must find and appraise gear, skills, and weapons known as 'spoils' or 'relics' obtained through exploration and by defeating new, formidable foes to stand a chance in the unforgiving region.

If this sounds a lot like the mechanics of Dragon's Dogma: Dark Arisen, you're on to something because the appraisal system is effectively identical to Dragon's Dogma: Dark Arisen's purification of cursed items, which provided some of the most powerful gear available in the game.

That same concept is applied in Dragon's Dogma 2: Dark Arisen's Norgan region, but with a bigger explorable map instead of a dungeon-only layout and presumably even more spoils to be found.

Better than its predecessor?

It's only natural to compare Capcom's two Dragon's Dogma expansions, considering the similarities. However, after my time with its latest offering, it's hard (and frankly too soon) to conclude which holds the best experience.

Fortunately, some of the pain points from the base game experience in Dragon's Dogma 2 have been addressed, as the major patch (arriving at the end of August) was included in the hour preview I played.

Finally, there's enough time to explore and loot areas without being bombarded by enemies every minute — enemy encounters are still frequent, but during my journey to the first major boss, it felt good not to have hordes of goblins constantly spoiling the fun.

Performance is also significantly improved on the PS5. Bear in mind, I didn't have access to any frame rate overlay and couldn't visit the base game's regions (and I originally played the base game on PC), but it definitely felt like a constant 60fps, even in the most intense battles.

I didn't have plenty of time to explore many of Norgan's points of interest, but from acquiring a pet dire wolf, stumbling upon a frost-breathing giant, and finding level 3 skill spoils for the new Trickster and Magick Archer vocations, it's clear that Dragon's Dogma 2: Dark Arisen is the bigger expansion.

For example, Magick Archer now has an enhanced version of Arctic Bolt that becomes available by appraising one of the skill spoils, known as Glacial Bolt. This works wonders against bosses, with increased damage and the ability to freeze them in place for pawns to rally and attack.

Harpies are also heavily present in Norgan, but with new designs and attack patterns, notably a more aggressive attempt to grab the player or their pawns. Some of the enemies I spotted in the preview were essentially reskins of those from the base game, but like the harpies, new maneuvers and attacks set them apart.

Fighting the Fallen Dragon was a surprise too, an epic main boss encounter that I wish didn't end so soon — especially with one surprising moment I didn't see coming (which I won't spoil), but left me wanting more and curious to see just how many formidable foes await the Arisen in the full experience.

It's worth noting that there are also twelve new dungeon challenges to be found across the base game in addition to Norgan's content. Again, I didn't get to see them, but if the caves and smaller explorable areas I found in Norgan are anything to go by, with lootable chests and some new foes to fight, there'll be a lot to look forward to in those dungeons.

While I did have fun exploring Norgan, I'm cautiously optimistic about what the full experience has to offer. Bitterblack Isle's dungeon may have offered little in terms of exploration in a smaller map, but the sole focus on combat allowed vocations (or, in other words, classes) to work best in closed spaces in the first Dark Arisen, particularly Magick Archer and its Ricochet Hunter skill.

My main concern is that neither Norgan nor the additional twelve dungeon challenges will double down on those indoor and closed-space environments from Dragon's Dogma: Dark Arisen, and the new enemy and boss types may not be diverse enough to keep combat encounters entertaining.

Nonetheless, I'm very much looking forward to getting my hands on the full expansion, especially since Capcom is seemingly fixated on delivering a vastly improved version of Dragon's Dogma 2 with the highly anticipated pre-expansion patch.

We won't have to wait long, as the expansion is set for launch on October 9, 2026, on PS5, Xbox Series X, Xbox Series S, Nintendo Switch 2, and PC.

• Metro 2039 will have a speaking protagonist called The Stranger at the center of the game's story
• Executive producer Jon Bloch says players will learn how the character feels about unfolding events
• He adds that a silent protagonist wouldn't have allowed 4A Games to tell the story properly

Unlike the core Metro trilogy, Metro 2039 will feature a new speaking protagonist, The Stranger, which allowed 4A Games to tell a darker, more personal story.

In an interview with TechRadar Gaming about the real-life impact the Russia-Ukraine war has had on the studio's upcoming game, creative director Andriy Shevchenko and executive producer Jon Bloch also touched on the sequel's new protagonist and how his motivations are at the center of the story.

"We've also gone way darker with the story," Bloch said. "It's a lot more personal story. The story is directly about our protagonist, The Stranger, about him, about his history, about the things he struggles with, about his singular motivation for what he's doing."

Artyom is the established main character of the preceding games, Metro 2033, Metro: Last Light, and Metro Exodus, and is a silent protagonist, while Metro 2039's The Stranger is fully voiced, allowing players to hear his thoughts throughout.

According to Bloch, this shift enabled 4A Games to more deeply explore who the character is, how he feels about unfolding events, and "what's inside of him."

"It goes hand in hand with telling a personal story," he added. "If we stuck with the silent protagonist method, we wouldn't be able to tell this story properly."

Metro 2039 will release in February 2027 for PlayStation 5, Xbox Series X, Xbox Series S, and PC.

• Metro 2039 will feature the return of the claustrophobic metro tunnels
• Executive producer Jon Bloch says the game "goes back to the roots" of the series
• However, the team didn't want to "ditch everything that we did in Metro Exodus," and the game will still offer open-world zones

Metro 2039 executive producer Jon Bloch has explained how 4A Games has balanced the return of claustrophic metro tunnels and open-world zones.

In an interview with TechRadar Gaming, Bloch explained that it was a priority to bring back the tunnels, which were mostly absent from the previous game, Metro Exodus, since most of the experience takes place above ground.

"Metro 2039 goes back to the roots," he said, "and brings back a lot of that deep, dark, claustrophobic, thick atmosphere tunnels, like the spookiness, all that stuff that we love from those first two games."

Bloch continued, saying, "We didn't want to ditch everything that we did in Metro Exodus that was great and all the things that we learned. So there are different elements throughout the game.

"This game is a story-driven game. It's like we've said before, it's a very personal story. He's [The Stranger] on a singular mission, and in order to tell that kind of story, we're able to actually utilize a lot of the design methodologies from the earlier games. And in order to really make sure that the story is compelling, it's immersive."

Creative director Andriy Shevchenko added that the games are all in the same universe and the team took "the best parts" from each for Metro 2039, explaining that players will feel "freedom" and the danger from the open-world zones.

"Every step forward, the farther away you are from your station or from your safe place, the more dangerous it's supposed to be," Shevchenko said. "But as John mentioned, we are a story-driven game, and to drive story without bottlenecks or our pure metro corridors is almost impossible."

The developer reiterated that it's impossible to translate that sense of danger in just an open world, saying, "That's one of the reasons we're getting back to our dark underground roots."

Metro 2039 arrives in February 2027 for PS5, Xbox Series X, Xbox Series S, and PC. The developers have also confirmed that the team has prioritized optimization across all platforms, not just PC.

• Executive producer Jon Bloch reveals Metro 2039's audio system has been rebuilt and "reimagined"
• Bloch says the new system supports the game's "dense atmosphere"
• 4A Games' newest game engine also offers a sense of realism in both visuals and audio

4A Games has confirmed that Metro 2039's audio system has been rebuilt to offer a deeper sense of immersion.

In an interview with TechRadar Gaming, where creative director Andriy Shevchenko and executive producer Jon Bloch discussed Metro 3039 at length, the pair revealed that the newest version of the studio's engine has allowed the team to take things to the next level, whether that's improving the visual density of the game, having full ray-tracing, or an overhauled audio system.

When asked how the audio design is key to bringing the game's post-apocalyptic world to life, Bloch called it "hugely important," and said the audio team will come in after the level designers have completed their work to add in all the effects players will hear.

"They need to see what elements are in there," Bloch explained. "If there's water that needs to be dripping or, you know, if there's a machine in the corner, like that kind of stuff, like they have to wait for level artists to do their thing first.

"But it's hugely important, and it's one of the reasons why we spend so much time and energy overhauling the audio system; the entire audio system has been rebuilt."

Bloch continued, explaining that the audio system hasn't necessarily been built from the ground up, but built upon and "reimagined in a way to really support thick, dense atmosphere" on top of the refined visuals.

"The audio system is more dense," the developer said. "There's a lot more going on. There are a lot more things you can hear. There's a lot more variety when it comes to, you know, even simple things like footsteps on different materials on the ground. Every bush makes a sound when you touch it.

"The dynamics of how the player moves and what you hear in his equipment and his suit, like things that might normally be forgotten as a really important thing in some games, like the level of detail, the granularity that the audio department can get to is more than we've ever been able to do in Metro games, certainly."

Metro 2039 launches in February 2027 for PS5, Xbox Series X, Xbox Series S, and PC.

• Metro 2039 creative director Andriy Shevchenko says the new game engine allows for "billions" of objects
• Executive producer Jon Bloch reveals it enables 4A Games to create a realistic and dense world
• Bloch says the team is working to optimize the game for lower-spec, as well as high-spec, systems

Metro 2039 creative director Andriy Shevchenko has revealed that 4A Games' latest game engine allows for "billions" of assets to create a dense, realistic world.

In a new interview with TechRadar Gaming, Shevchenko, alongside executive producer Jon Bloch, discussed how the new engine enabled the team to overhaul the game's audio system, enhance ray-tracing, and improve visual immersion by increasing the density of objects and characters.

"We're able to push so much more into the world to make it that much more realistic, that much more alive feeling, that much more tactile," Bloch said, adding that these improvements also come with challenges of balancing these features and ensuring the game is "performant."

"I would say probably the most striking on the surface thing is going to be the density of what you see in the picture of all the objects," he said.

Shevchenko added that during the development of Metro Exodus, the game engine could support up to 30 million objects, but it supports "billions of objects" for Metro 2039.

"It's all to give freedom for level art, level design, all [the] people working on this level, [to] do whatever you want," the creative director said. "We have almost endless limits. And we are reaching these limits every time."

As Bloch said, these impressive technical leaps also come with challenges, with Shevchenko explaining that there's some "black magic of balancing" and "getting rid of something really unnecessary and focusing on really cool things. But it's a really user-friendly engine," with "limits only in your head."

Metro 2039 will be multiplatform, launching on PS5, Xbox Series X, Xbox Series S, and PC, and Bloch explained that it's one of the team's priorities to make sure the game is optimized across all platforms.

"We don't develop on PC and then port later to consoles," he said. "We're developing constantly across everything that we're going to support. So from day one, we're running on console, and so we're keeping all that in mind.

"We're optimising to the low end, to the lowest spec, and then also trying to push things as far as we can with the other platforms that allow us to push, particularly obviously with PC when new kinds of video cards come out; we're like, 'Oh, what can we do with this now?' While still making sure that the lower-spec hardware can still handle things."

Metro 2039 arrives in February 2027.

• Metro 2039 creative director Andriy Shevchenko discusses how the Russia-Ukraine war has impacted the game
• The developer says, "We are not afraid to call evil evil"
• He adds that there are "no gray zones" in the story

Metro 2039 creative director Andriy Shevchenko has shared how the events of the Russia-Ukraine war have manifested in the upcoming first-person shooter.

The next installment in the Metro series was revealed earlier this year and is expected to deliver another dark survival story set in the heart of the Moscow metro, where the last survivors of the nuclear apocalypse struggle to exist.

At the time, Bloch explained that the team at Ukrainian studio 4A Games had everything planned for the next chapter, until it all changed in 2020, and "more significantly in 2022" with Russia's invasion of Ukraine.

As a result, the studio "changed the story to be even more about choices, actions, consequences, and what you have to pay to have a future."

"Now war is our reality, and our message has shifted to be about the circumstance, the cost of silence, the horrors of tyranny, and the price of freedom," Shevchenko said.

Now, in a new interview with TechRadar Gaming alongside executive producer Jon Bloch, the developers explained how the real-life impact of the ongoing war has influenced the game's messaging and the story's moral core.

"We are not afraid to call evil evil," Shevchenko said. "If you see evil, we now have a protagonist [The Stranger] who can talk, who can share his own thoughts. He will call this character, this situation, this story element evil. It is bad. And there are no gray zones."

While neither could delve into the details, the creative director said the game will feature enemies, and the antagonist, Führer Hunter, has enemies as well, and "the enemies must be destroyed from both sides."

"But who is your enemy?" he teased.

Metro 2039 is slated to launch in February 2027 for PS5, Xbox Series X, Xbox Series S, and PC.

• The Future Games Show will return with three digital showcases at Gamescom 2026
• It will air on August 26, offering a look at over 40 games
• FGS Live From Gamescom will immediately follow, and the FGS Best Of Gamescom will return on August 30

Opening Night Live has officially wrapped, but there's plenty more to come from Gamescom 2026, as the Future Games Show will return with three digital showcases — here's how you can watch.

Future Games Show at Gamescom is the first of the three broadcasts and will air the same day the industry event kicks off, on August 26 at 10AM PDT / 1PM EDT / 6PM BST / 7PM CEST / 1AM CST.

You can tune in to the digital showcase at Twitch, YouTube, X, TikTok, Facebook, and GamesRadar+.

Hosted by Resident Evil Requiem stars Nick Apostolides and Angela Sant’Albano, fans can expect a guide through more than 40 games, including 13 world premieres, exclusive reveals, and developer deep dives "from some of the industry’s most exciting and creative studios."

Some of those include a behind-the-scenes look at Tides of Annihilation from Eclipse Glow Games, a closer look at samurai swordplay action game Onimusha: Way of the Sword, a new trailer for Moonlighter 2: The Endless Vault from Digital Sun Games, and a trailer for Trees Hate You, a comedy adventure, and many more.

FGS Live From Gamescom will immediately follow the main showcase on August 26, hosted by FGS channel presenters Nathan and Jules, and feature more world premieres, trailers, news, and interviews from the Gamescom Koelnmesse convention centre.

This includes Apart, a new third-person adventure horror game from Turnkey Games; Nivalis Nights, a slice-of-life sim set in a cyberpunk city; a cozy coop horror game called Haunted Paws; We Are So Cooked, a 1-4 player co-op physics-stealth game; and the sequel to retro first-person shooter (FPS) Warhammer 40,000: Boltgun.

Finally, FGS Best Of Gamescom will return on August 30 at 10AM PDT / 1PM EDT / 6PM BST / 7PM CEST / 1AM CST, and bring viewers the "best of" the Gamescom show floor, including gameplay demos, booth tours, exclusive developer interviews, and a recap of all the week’s biggest announcements.

• The first trailer for The Witcher 3: Wild Hunt - Songs of the Past has been revealed at Gamescom
• The trailer showcases Geralt, a new region, monsters, and a weapon
• CD Projekt Red level design lead Miles Tost confirms, "This is Geralt's last adventure before we pass the torch on to Ciri" in The Witcher 4

CD Projekt Red has unveiled the first look at The Witcher 3: Wild Hunt's third and final expansion, Songs of the Past, and it looks incredible.

Songs of the Past, which is being co-developed with Fool’s Theory, a studio whose leadership is made up of The Witcher 3 veterans, was revealed during Opening Night Live at Gamescom. While we still don't have a specific release date, the expansion's first trailer gave us a taste of what to look forward to.

We see Geralt of Rivia returning for a brand-new journey as he explores a new region, Letten, takes on creepy monsters, and wields a new chain weapon that can grapple enemies, first showcased in the first Witcher game.

CDPR Level design lead Miles Tost took to the stage during Opening Night Live at Gamescom to share a few more details about the game, including what players can expect.

"We had this idea for one more story with Geralt for a while, but we couldn't quite figure out how to fit it into our busy schedule," Tost said. "Luckily, our friends from Fool's Theory and they hired a bunch of old veteran Witcher three developers, including my mentor, Peter Jennings, and here we are today."

He continued, saying, "This is Geralt's last adventure before we pass the torch on to Ciri, and we wanted to go out with a bang. So this chain is a weapon that is new in the game, but many people, perhaps hardcore Witcher fans, will realize that this is a weapon we first showed in The Witcher 1 intro, and we will talk about that in many more things here at Gamescom."

On Letten, Tost called it "a whole new, unique region that has a unique identity," filled with quests, new monsters, adventures, and exploration.

"Just like the things that Witcher fans love," he said. "But it's an almost uncannily idyllic place that, however, has a dark secret lurking just underneath the surface. And as it is a Witcher game, this kind of secret requires a true professional witcher to solve."

Alongside the expansion trailer, the studio also announced The Witcher 3: Wild Hunt Remastered, a free upgrade featuring all-new improvements and revamped gameplay features, arriving on September 29 for all platforms.

The developer also confirmed that all those features will be in Songs of the Past as well.

The Witcher 3: Wild Hunt - Songs of the Past is slated to launch in 2027, followed by The Witcher 4, which CDPR has confirmed is targeting a 2028 release window.

• The Witcher 3: Wild Hunt Remastered has been announced
• The free upgrade arrives on September 29 for all platforms
• This remastered version features up to 40 new visual and gameplay improvements

CD Projekt Red has announced The Witcher 3: Wild Hunt Remastered, a free upgrade featuring all-new improvements and revamped gameplay features for its blockbuster RPG game.

Revealed during Opening Night Live at Gamescom 2026, The Witcher 3: Wild Hunt Remastered will arrive next month on September 29 for all available platforms and is free for current owners of the game. On top of that, players who own only the base game can claim the two included expansions, Hearts of Stone and Blood and Wine, at no extra cost.

The news came as a shock to fans, and the gameplay trailer is filled with too many brand-new features to count; even from the footage, you can tell there are some big visual and technical differences, and I can't wait to start another playthrough.

To make everything easier, I've put together a list below of every single new improvement mentioned in the trailer, whether it's upgraded visuals, a revamped combat system, new monster behaviour, or PlayStation 5 Pro support. Seriously, there's a lot!

What's included in The Witcher 3: Wild Hunt Remastered?

• Hearts of Stone and Blood and Wine expansions (at no extra cost if you don't own them)
• Upgraded visuals
• Enhanced combat
• Improved traversal and movement
• New witcher Signs FX
• Revamped mount handling
• Enhanced monster behaviours
• A skill tree revamp
• Transmogrification
• Expanded photo mode
• New finishers
• Cross-platform mod support
• Immersive meditation
• Refined animations
• New quest tracking
• UI improvements
• Looting rework
• Refreshed motion blur
• New accessibility features
• Updated textures
• Foliage shading rework
• Tutorial modernization
• HDR improvements
• GTAO
• Improved menu navigation
• Global lighting rework
• New shading model
• Subsurface scattering
• New tone mapper
• PlayStation 5 Pro support
• Xbox Play Anywhere support
• Nintendo Switch 2 exclusive features
• Nvdia DLSS 4.5
• AMD FSR 4
• Intel XESS 2.0
• Path tracing on PC
• Ray reconstruction on PC
• Raytraced hair
• Native DX12
• Rendering parallelization

The announcement also came right before CDPR showcased the game's third and final major expansion, Songs of the Past, which is due to launch in 2027.

Elsewhere, fans can also look forward to The Witcher 4, which CDPR has confirmed is targeting a 2028 release window.

Gamescom Opening Night Live 2026 has officially concluded, and the two-hour-long show was jam-packed with a deluge of game announcements and reveals.

From an official release date for the upcoming free-to-play open-world action game Ananta to our very first look at the highly anticipated The Witcher 3 Songs of the Past DLC, it offered a solid set of trailers — especially compared to some previous years.

If you weren't able to catch the show live, there's no need to worry about missing out. Here are the major announcements in the order that they happened to get you fully up to date.

Everything announced at Gamescom Opening Night Live 2026

• Nodus Fall — a new co-operative action game from Genshin Impact maker Hoyoverse
• Rainbow Six Tactics — new strategy spinoff launching in 2027
• Gears of War: E-Day — our first look at the villain in new cinematic story trailer
• Ananta — the free-to-play open world RPG is launching January 15, 2027
• Silent Hill Townfall got a new story trailer showing some creepy enemies
• Resonance: A Plague Tale Legacy got another gameplay trailer ahead of release this week
• Sea of Remnants got a new gameplay trailer showing cute puppets and naval action
• Crimson Desert Enhanced announced with new content
• Tides of Annihilation trailer revealed new story details and gameplay
• Lofsong — announced for console and PC
• Megaman Dual Overdrive launches in 2027, and a crossover Pragmata skin is on the way
• Rayman Legends Retold launches on October 1
• PUBG Ded Net announced with a new gameplay trailer
• Control Resonant got an awesome new gameplay trailer
• The Blood of the Dawnwalker trailer revealed new story details and third-person action gameplay
• Game of Thrones: War for Westeros got a new gameplay trailer showing Daenerys and Jon Snow — launches in early 2027
• Dust Origins — a new isometric action game from Airship Syndicate
• Exodus got a new gameplay trailer showcasing a new character, a talking octopus named Salt — out April 7, 2027
• Warlock revealed as a new D&D game launching in 2027 for PC and console
• 1001 Threads of Mizan revealed — new narrative game
• Silver Palace: House of Greed got a new gameplay trailer
• Monster Hunter Outlanders — mobile spinoff got a new trailer
• Metro 2039 got a cinematic story trailer ahead of its February 2027 release
• Hitman World of Assassination - The Herbalist ft. rap legend Snoop Dogg DLC launching for free on August 27
• Aion 2 got a new trailer
• Afterworld, a new strategy game from Paradox Interactive, announced
• Petit Planet — life sim got an adorable new trailer

• Mewgenics — comes to consoles on September 8
• Alien Fireteam 2 got a new gameplay trailer
• 1666: Amsterdam got a new trailer ahead of its early access release today
• Showa American Story got a wacky new gameplay trailer, launching on PS5 and PC this year
• Road Kings got a new trailer showing off plenty of trucking action
• Stage Tour — upcoming Guitar-Hero-like music title got a brand new look showcasing setlists and ways to play ahead of December 10 launch
• Crazy Taxi multiplayer reveal trailer
• Turok Origins got a new cinematic trailer
• Gravehounds, furry shooter, got a gameplay trailer ahead of 2026 launch
• Lego Skylines — reveal trailer for bricky city builder game
• Transport Fever 3 got a new trailer, launches September 26
• Exterminauts announced
• Path of Exile full 1.0 release on December 11, will be free-to-play
• Heroes of Might and Magic 3 Remake revealed in cinematic trailer showing the reimagined strategy title

• No Law announced for 2027
• Project Zeta revealed as a new team-based MOBA
• Cinder City announced with a new trailer, available wishlist now
• Ontos announced with a creepy first-person trailer, launching 2027
• Pony Island 2: Panda Circus launches April 27, 2027
• Zoopunk gameplay reveal trailer shown
• There are no Ghosts at the Grand got a new trailer and is launching December 2026
• Roco Kingdom trailer confirmed closed beta test for October 27
• The Defiant announced
• Tarae the Unbound announced with a gameplay trailer
• Like or Die — quirky social media battle royale announced
• Final Fantasy 7 Revelation gets a new cinematic trailer

Gamescom Opening Night Live 2026 final announcement

• The Witcher 3: Wild Hunt Remastered — announced as free upgrade with loads of new content
• The Witcher 3: Wild Hunt Songs of the Past new cinematic footage shown

What did you think of this year's Opening Night Live show? Let us know in the comments or by voting in the poll below.

I’ve played about an hour of the Gears of War: E-Day campaign, which is shaping up to be a brilliant Xbox 360 throwback. Does E-Day reinvent the wheel? No, at least if the two missions that I’ve played are anything to go by, but everything that makes Gears of War good is present and accounted for.

My hands-on kicked off at the start of Act 2 of the campaign, with the fictional city of Kalona still grappling with the early stages of the mutant Locust invasion. Series hero Marcus Fenix and his rag-tag team of survivors, which includes long-time ally Dominic Santiago along with newcomers Mags Carter and Lucas Reyes, are holed up in the besieged city hall.

There are murmurings of a gigantic creature the group has just taken down — presumably a boss fight at the end of the previous chapter — and you’re quickly drafted into the military effort to take back the city.

Duck and cover

Your first goal is to head to a nearby Thrashball stadium (a familiar in-universe sport that looks like a weird hybrid of football and rugby), which involves traversing the crumbling streets and crossing a giant mechanical bridge. Obviously, things aren’t so simple — with countless Emergence Holes (or E-holes for short) opening and spewing out waves of foes as you make your way over.

Locust enemies are aggressive and, while they don’t pose much threat in isolation, can employ some pretty formidable tactics. The basic rifle-wielding drones will stick to cover like glue, popping up intermittently to spray your team with bullets. They can be hard to keep track of in large numbers, so be careful that those armed with shotguns don’t manage to flank you, as a few close-range hits will shred your health bar in seconds.

Tossed grenades and groups of fast-moving, dog-like Feral Wretches keep the pressure up by forcing you to change cover frequently, preventing fights from devolving into opposing sides taking pot shots at each other across the battlefield.

The steady introduction of new enemy types, from lethal snipers to giant bazooka-equipped brutes, kept the handful of encounters I experienced fresh with some interesting scenarios, like covering another squad located on the other side of the bridge, thrown in there too.

It’s classic Gears of War action, elevated by meaty gunplay.

Chipping away at enemies from a distance is relatively ineffective and awkward (unless you manage to scoop up one of the powerful Breechshot rifles from a fallen enemy sniper to pop a few heads), but the up-close action is beautifully slick. The Gnasher Shotgun remains an absolute beast, with blowing an enemy in half a wonderfully satisfying reward for pulling off the perfect flank.

Once Fenix gets his hands on a prototype chainsaw bayonet, you know that I was sawing practically anything in my path to pieces in a glorious explosion of gore and viscera.

Free roam

The latter portions of my hands-on had me tackling one of the game’s new ‘open district’ missions, and it’s about what you would expect from the name. You’re dropped into a large chunk of the city and granted the ability to explore it freely with a little map to guide you. It doesn’t feel like a true open world as you’re very much guided towards the next objective, though there are some optional side missions to discover and plenty of collectibles to scoop up.

The mission in my preview was a basic wave survival challenge that had me hunkered down in a car dealership with some non-player character (NPC) soldiers. It’s not the most exciting concept, and I’m hoping some of the side content available in the full game is more adventurous. I didn’t feel like my time was wasted, however, as completing it unlocked some powerful weapon mods.

Modding your guns is a new feature introduced in E-Day (presumably somewhat inspired by the similar upgrade system in strategy spinoff Gears Tactics) that lets you customize your gear by improving stats such as magazine size or fire rate. It can sometimes even change how an entire gun operates, for example, having your pistol fire in a two-bullet burst at the cost of long-range accuracy.

The whole formula feels a bit retro, which is far from a bad thing. You don’t really get decent story-driven shooters these days, and the promise of a roughly 14-hour campaign alongside a suite of multiplayer modes to dive into afterwards is the kind of experience I crave as a palate cleanser between mega live-service releases.

It definitely helps that E-Day looks simply amazing from a technical perspective. Xbox has developed a bit of a reputation for delivering some visually stunning titles this generation (look at the borderline photorealistic fidelity of Senua's Saga: Hellblade 2), and E-Day is shaping up to be the best-looking yet. Its art direction blends 1980s retro charm with grand Gothic architecture and a distinctly alien, unfamiliar edge, all presented with ray-traced lighting, geometrically complex models, and flawless texture work.

I found myself poring over every detail, soaking in the signs and posters advertising services, the little notices stuck to the front of shops, the names of all the train lines in a subway station; it’s a lovingly crafted world that truly feels lived in.

If I had one complaint, it’s that it all doesn’t really look much like the world of the first Gears of War. That game is admittedly set more than a decade later, on a different part of the planet, but its cars and buildings in particular seem so much more modern than those of E-Day that it just doesn’t line up in my head. Were companies still making new vehicles and updating their storefronts while hundreds of vicious creatures were pouring out of the ground?

This is nitpicking, of course, and it’s not hard to suspend your disbelief when it’s in the service of some truly beautiful design. I’m excited to see even more when Gears of War: E-Day releases for PC and Xbox Series X and Series S on October 6, 2026.

• Paradox Interactive has revealed the upcoming grand strategy game Afterworld
• It's set in a post-apocalyptic America that players can attempt to rebuild
• It's intended to be the studio's most "easy to learn" and "approachable" title yet

Paradox Interactive has revealed Afterworld, an upcoming post-apocalyptic title that looks like the perfect cross between franchises like Fallout or Mad Max and the company's popular grand strategy games.

Created by Paradox Development Studio, the same team behind Crusader Kings 3 and Hearts of Iron 4, Afterworld takes place in an entirely original vision of post-apocalyptic North America filled with resources to exploit, territory to conquer, and rival groups to trade resources, ally with, or wage war against.

Initially, the game is all about building up some semblance of civilization by creating a home and choosing the laws and ethics of your tribe, with the scale gradually developing until you're going head-to-head with other emerging powers to decide the fate of the continent.

Different playable factions let you start your story as everything from apocalypse survivors that have just emerged from a hidden vault to fanatical zealots already familiar with the brutal new world.

“This is the first world we’ve gotten to build from scratch in a long time, and the first one we've had the pleasure of destroying before the game starts," explained game director Dan Lind.

"The old world is still out there in fragments, waiting to be found. What comes after it is entirely up to the players.”

With its "small-scale" starting hours, Afterworld is intended to be the studio's most "easy to learn" and "approachable" title yet — which is good news given the complex systems of games like Hearts of Iron 4 can be incredibly tricky to pick up.

This doesn't mean that surviving is going to be easy, though: the world is full of dangerous old technology and unknown horrors. It's also home to the Ancients, immortal leaders that survived the apocalypse and now dominate the wasteland.

It also sounds like there is going to be a lot of depth, with the developer promising that the experience "as rich and complex" as fans have "come to expect" from its games.

Afterworld doesn't have a release date yet, but can wishlist it on Steam today.

• Grand Theft Auto 6 gameplay leaks have been appearing online since mid-August
• More and more footage is being posted every day by the leaker known as 'Cyberleek'
• Here's a full timeline featuring every gameplay leak so far

Grand Theft Auto 6 is just three months out from launch, and the game is set to get a special extended look premiering on Netflix this week. However, an unknown individual or group known as 'Cyberleek' has put a spanner in Rockstar Games' plan and has been posting leaked gameplay footage for over a week.

Cyberleek has since claimed the leaks stem from a goal to stop the end of physical game discs, which Sony plans to do starting January 2028, and Rockstar, which confirmed that the physical version of GTA 6 won't have a disc, but a digital code in the box instead.

While all alleged gameplay footage being posted shows an advertisement for Cyberleek's cryptocurrency scheme, which brings into question the leaker's true motivation, they've also released a manifesto protesting Rockstar's decision and threatened to "disrupt their operations" by leaking game material until the studio issues a public statement and apologizes.

Well, it's another day, and more alleged gameplay footage has been posted online. A lot has happened over the past week, but if you haven't caught up, here's a summary of everything that's leaked so far.

August 18

The very first GTA 6 leak was posted on August 18 and shows co-protagonist Jason Duval playing basketball outside his house in the southern part of Leonida, in an area called Key Lento.

We've seen this area and Jason's house in past trailers, but Rockstar hadn't shared any gameplay. In the clip, Jason is wandering around before picking up a basketball; it looks like the player can dribble and use an aiming mechanic to shoot the ball into the net. There's also a focus meter that gradually increases, with a level system.

The second clip was posted the same day and gave fans a first look at what it's like driving around in GTA 6. Jason can be seen speeding along the roads before getting into a fight with a non-player character (NPC).

Cyberleek also posted a look at the game's Leonida map, which showed areas like Lummox County, Leonard County, Kelly County, Vice Dale County, and Mariana County.

August 19

More gameplay footage, this time two minutes long, was posted the following day, showing Jason breaking into a gated area, killing security guards, before taking their tasers. He then steals a semitruck and drives off, and you can see vehicle health and fuel gauges on the HUD.

Then there's a short cutscene showing Jason and his friend Cal Hampton on a boat, which some suggest is a scene from the beginning of the game.

Another gameplay clip was posted shortly after, showing Jason stabbing a police officer and stealing his motorcycle, as well as what looks like six "Wanted" stars, which is one more than GTA 5. The footage continues, and Jason can then be seen using what looks like pain medication called "Zombix."

August 20

The next clip features Jason flying a small plane over the map, presumably Vice City, and it looks highly detailed. The render distance looks impressive, and you can see lots of buildings, roads, traffic, and more. The player can also be seen browsing radio stations.

Afterward, a second clip shows the player spelling the word "LEEK" on the side of a building using bullets, leading many fans to believe Cyberleek has at least some sort of playable build and the footage isn't stolen from Rockstar's servers.

August 21

The gameplay leaks continued the following day, with the next showing Jason driving a hypercar, specifically, the Truffade Thrax from GTA Online.

August 22

The GTA 6 leaks continued into this past weekend, with longer footage showing a variety of activities, including Jason driving around, pulling into a gas station, physically refueling his car, and then going inside the shop to rob the clerk. When Jason punches him, you can see the hair tech in action, his hat flying off, and Jason taking money from the register.

The clip cuts after he drives away and crashes his car, then Jason can be seen entering a strip club. However, the footage ends with Cyberleek asking for "3mil marketcap = stripclub" in a message on screen for their cryptocurrency scheme.

Well, the leaker delivered, and the next clip shows a deeper look at the strip club, showing neon lights and dancers, as well as highly detailed NPCs in conversation.

August 23

The following day, another clip was posted showing Jason driving to another gas station, stealing someone's truck, and running down the owner. When he crashes the car, the iconic "Wasted" screen pops up, and shortly after, it cuts to Jason having what appears to be an unscripted conversation with an NPC while they both pee in urinals.

Another notable feature of the clip is the mission marker that reads "Return to Lucia", suggesting the leaker could be in the middle of a mission that requires Jason to meet back up with his girlfriend.

More gameplay was posted later, showing Jason flying over Vice City at night.

August 24

On August 24, new gameplay showed Jason walking around a nudist town in Leonida; he enters a party, where there's a pool and lots of naked people standing around or dancing, or ordering drinks at a bar. The player also zooms in on these NPCs using binoculars, and yeah... the bodies are very realistic.

When Jason focuses on another woman, she attacks him, and he kills her before firing his pistol at the rest of the surrounding NPCs.

August 25

The latest leaks got posted today, and it is the first time we see Rockstar's impressive crowd tech at work, seemingly running in-game. The first clip is similar to a shot from the first GTA 6 trailer, but has Jason cycling along Vice City beach instead.

There are a ton of NPCs packed together, showcasing the density the developer's tech allows, and you can see them lounging around, playing in the water, or walking around; the water physics also look remarkable, as do the sand effects.

The next clip shows Jason visiting a shopping plaza and a used video game store that sells physical games, which is ironic given Rockstar's decision to not release a disc version of GTA 6.

The player zooms in on the shelves using binoculars, and every game and movie is named.

It's a bit blurry, but one game title looks like it reads "We Came Together I, II, & III Remasters of the Remakes" (or "Remixes," it's hard to tell), which seems like a little nod to Naughty Dog's multiple editions of The Last of Us Part 1 and Part 2.

Signs also state that electronics, consoles, and collectibles can be traded in before Jason walks up to the counter and cycles through a selection of purchasable and wearable earbuds.

That's every alleged gameplay leak that Cyberleek has shared as of today, but we'll keep you updated if more details are posted.

Fans can also look forward to the Grand Theft Auto 6: An Extended Look ahead of the game's launch on November 19, which is set to premiere on Netflix on August 27 at 3PM ET / 12PM PT / 8PM BST and later launch on the studio's YouTube channel at 9PM ET / 6PM PT / 2AM BST.

It's speculated that the extended look will finally reveal official gameplay and Trailer 3.

• An unknown individual or group named 'Cyberleek' has been leaking Grand Theft Auto 6 footage online for the past week
• Fans theorize that the leaker could be an ex-Rockstar developer or someone with access to a restricted build
• They suggest the leaker is only able to post prologue footage, as gameplay showing Lucia has yet to be shared

Grand Theft Auto 6 fans are convinced the person behind the ongoing leaks doesn't have access to the full game, but a restricted build, which could be why no Lucia gameplay has been revealed.

If you're out of the loop, for the past week, an anonymous individual or group known as 'Cyberleek' has been leaking GTA 6 footage online, mainly showcasing co-protagonist Jason driving around, flying a small plane, robbing a gas station, encountering a nudist town, and mostly recently, cycling along Vice Beach.

But how did Cyberleek obtain this gameplay footage, and who are they? There are a ton of theories flying around, with some fans suggesting they're a disgruntled ex-Rockstar developer, a QA tester who worked on the project, or just a hacker who somehow secured a playable build ahead of launch.

One leak in particular showed the player writing the word "LEEK" into the side of a building with bullets, suggesting that the leaker didn't find these gameplay clips from an unsecured server, but at least has a playable portion of the game.

Considering the content of the leaks, some are convinced Cyberleek doesn't have a full copy of the game, but a restricted build containing only the prologue; they point to the fact that the only footage we've seen is with Jason, and gameplay with Lucia, the other co-protagonist, has yet to be leaked.

"The leaker most likely has a build restricted to just the beginning of the game before you even encounter Lucia," one user wrote on the GTA 6 subreddit.

They also noted that all the footage shows constant tutorial pop-ups, which typically show up at the beginning of a game, and Jason is wearing the same clothes.

"He’s at his starter house, he has hardly any money, has the starter car, and has very beginner weapons," they continued. "Like the [pictured] comment said, sometimes gaming companies give very restricted builds for QA. This is almost certainly what happened. Which is why there hasn’t been any story leaks or lucia gameplay.

"This also makes it even easier for rockstar to ID the leaker. They know exactly what build this by the context and the placeholders."

Another user said, "I assume it's from the very beginning of the game and Lucia hasn't been introduced yet," as another responded, "The answer is literally so simple they haven't played any damn mission and haven't unlocked Lucia yet. Every clip has the same C mission marker tracked."

Cyberleek hasn't been identified yet, and the leaks continue to be posted online. Bloomberg reports that Rockstar Games employees and managers are angry about the leaks and parent company Take-Two has petitioned a federal court under the Digital Millennium Copyright Act, alleging copyright infringement.

The leaks come just days before Rockstar's planned Grand Theft Auto 6: An Extended Look, which is set to premiere on Netflix on August 27 at 3PM ET / 12PM PT / 8PM BST and later launch on the studio's YouTube channel at 9PM ET / 6PM PT / 2AM BST.

With three months until launch, it's speculated that the extended look will finally reveal official gameplay and Trailer 3.

Back in June, Rockstar Games announced that Grand Theft Auto 6 — perhaps the most anticipated game of all time — would only be available as a digital download, with physical boxes containing redemption codes rather than discs.

Days later, Sony sent shockwaves through the gaming community by announcing that it would cease production of all PlayStation discs in January 2028. With Xbox on unsteady ground and Nintendo already relying on controversial game-key cards for many of its releases, Sony’s decision felt like the beginning of the end for physical gaming media.

Still, as someone who grew up buying games at brick-and-mortar stores, it's a real shame to just let physical games fade away — especially when physical media has made such a comeback in other industries.

On top of being a lifelong gamer, I’m also a DJ and huge music nerd — so the recent news has made me think about vinyl’s return to popularity in the music industry. With that in mind, I spoke to four experts from across the worlds of gaming and music to find out whether a similar revival could be on the cards for physical games.

Preservation and profit

Sony’s decision to stop making physical game discs hasn’t come out of nowhere. Physical game sales have been in decline for years, with Gamespot reporting that 80 per cent of all PlayStation software sales in the latest fiscal year were digital.

John O’Shea is co-CEO and creative director at the National Videogame Museum in Sheffield, UK. He tells me that Sony’s decision will have wider impacts on how we preserve and share games going forward: “What we’re hearing from communities is that people are worried that some of the games they care about deeply might become less accessible to them as a consequence of being digital only.

“It’s brilliant [at first] because you can access whatever you want,” he continues, “but what’s tricky is if it gets taken down or delisted from the catalogue.”

O’Shea adds that, in the UK, video games are not archived with as much care as other forms of media: “The wider challenge is that there is not currently an integrated framework for video game conservation. Individual companies should, and rightly do, pursue their own business focus, but where something exists in a digital format, copies can’t easily be made within a legal framework.”

The decline in physical game sales has tracked with a decline in brick-and-mortar gaming stores. Leading US retailer GameStop has closed more than 700 of its domestic stores since early 2025, and the once-mighty UK retailer Game has been reduced to a section in sporting goods store Sports Direct.

Khalil Madim is assistant manager of London independent game store Game On. He tells me that the business is preparing to shift away from selling games altogether: “We might change the entire business to electronic maintenance and parts for PCs. We want to do something that you really need a person for.”

Game On already does most of its trade through its repair service. The store opened in 2009 as a combination game and repair shop, but the latter has taken priority due in part to low margins on new boxed games.

“When it all becomes digital, we might be out of the business,” he continues, “it will impact us so badly. The customers aren’t happy as well – when they buy a game for, say, £10, they can sell it back to us for £5, or they can hand it over to friends or family. But when it’s a digital copy, they can’t do anything.”

The vinyl comeback

Gaming retail finds itself in a similar tricky situation to the vinyl industry at the advent of digital downloads and music streaming.

According to the Recording Industry Association of America, LP and EP vinyl sales in the US fell from more than $1.5 billion in 1978 to just $6 million in 1993 – a fall of more than 99 per cent. However, in 2025 LP and EP sales crossed the $1 billion mark for the first time in more than 40 years. Vinyl has also surged in popularity in the UK, with the BBC reporting in 2023 that the industry was at its healthiest since 1990.

Tom Durston runs record store Inverted Audio in south London, as an extension of his blog of the same name: “I’ve been buying records since I was 13 years old, and I used to buy video games as well. Back in the 90s you had to buy a game [in person]. You’d have the little box, and the artwork – it’s the same as a record.”

Durston tells me that his store succeeds because of the curation that physical media requires: “I’ve essentially built a platform for my music taste – over the years an international community of readers has trusted me to filter out good music. We’re a record store, but we’re also an editorial platform.”

He adds that physical media requires more investment from producers, which engenders more investment from consumers: “If you have a physical format, you’re introducing quality control – is it worth pressing 500 records, for example? If not, there’s no point.”

The community Durston mentions is about more than where you buy your media. For DJ and artist manager Madison True, physical media gives people something to connect over in a world of fleeting digital interactions.

True’s ‘Vinyl Bitch’ workshops bring beginner female, non-binary, queer and trans DJs together over a pair of turntables: “The thing we try to cultivate is that community, that love, and that discussion. It’s so cool to see people that I know or those that have never met each other become homies by the end of the night, and it’s because they’ve come together over this piece of physical media.”

True continues: “How cool is it that people can come together no matter their sexual identity, or gender, or religion, and come together and talk about how cool something looks and sounds? You wouldn’t get that if it wasn’t physical.”

Could physical games have a comeback?

Before setting out to write this article, I thought that the best hope for gaming was to mirror record labels’ investment in nostalgic special editions – even without a disc, gatefold covers with new artwork and box sets with bonus goodies and collectibles could be enough to make owning a game feel worthwhile.

The issue is that the games industry is more centralised than the music industry. Sony licenses the creation of PlayStation discs and is the sole manufacturer of PlayStation consoles, meaning indie developers can’t just opt out of working within their system.

As such, John O’Shea says that gamers are keen to hold on to anything that gives them a sense of ownership: “In the fan community, there’s a subjectivity of stories that’s really important. Anything that feels like it’s allowing less of a sense of ownership for the game’s players in the communities is going to have an emotional response.

“With video games, it’s the players that bring games to life, and the players want to have a sense of ownership in return.”

I'm not a gamer. It's not that I've never gamed. In fact, I've frenetically mashed game controller buttons on every conceivable console and platform. It's just that I don't think about it when I'm not gaming and, if you ask my adult children, I am terrible at it.

My youngest, now 28, is an avid gamer, and, in fact, a gaming writer. Having written multiple lengthy features for a wide range of gaming publications and played more hours of more games than I've spent trying to draw or learn guitar, they are a true gaming expert.

"It won't matter," they told me as they examined a PS5 game I handed them, curious if Kena: Bridge of Spirits was any good and if they thought it was worth playing. The comment was not related to the game. They were talking about the PlayStation Blackout.

Starting this week, games preservation site DoesItPlay launched an online grassroots campaign, PlayStation Blackout Week (August 23 to 30), to protest Sony's decision to cease all physical game media production in January 2028. As part of the protest, which is under the hashtag # PlayStationBlackout, DoesItPlay called for "No logins, no play sessions, no purchases on any of Sony’s platforms.”

This X post pretty much captures DoesItPlay's core argument:

'One more time: EVERYONE will be negatively impacted if we let Sony erase physical media. Not just physical buyers. Digital will get more expensive and you will have no form of ownership anymore. Physical going away doesn't mean the rest gains something. Quite the opposite!"

Big Boss potential

The potential economic impact of such a protest is massive. After all, PlayStation Network alone has a reported 125 million monthly active users, paying anywhere from $10.99 to $19.99 a month, not to mention whatever they pay for additional games and in-game purchases.

And yet, my own gaming expert was telling me it won't matter (echoing sentiment I've found across social media). Part of the problem, my expert told me, is that the hardcore gamers, the ones who might rally the pro-physical media troops, are all at Gamescon. That's right — a site deeply enmeshed in gaming culture may have chosen the exact wrong week for its protest.

Still, I think there's something larger at work here. Yes, the outcry when Sony announced the change was loud and lusty, but just because some people with a platform are making noises, that doesn't mean everyone is upset or willing to protest the impending change.

Had Sony proposed this change 20 years ago, I could understand the concern. In 2006, Sony's PlayStation network was brand new. Most people bought games on disc, and for many years after, they also bought pre-owned games at GameStop. Discs were part of gaming culture. Since then, though, we've had the rise of the networks, including PSN, Xbox Live (now Xbox Network), and perhaps more important, Steam, which probably did more than any other platform to move games off physical media.

There's another reason my gaming pro might've said the blackout won't matter: Gamers have moved on. A recent report noted the lowest physical game sales since 1995 (there's also a huge gaming console sales slump).

People's game libraries are mostly in the cloud these days.

Getting owned

Regardless, a vocal minority complains that the loss of physical media means the end of game ownership. Except that's not true, either. We don't own the games we buy, no more than we own any of the software we purchase. It's all nothing but licenses to use the games and software.

Here's how Sony describes the agreement between it and its customers when it comes to the games they buy:

“The Software is licensed to you, not sold. You are granted a limited, non-exclusive, non-transferable, and personal license to play or use the Software for your private, non-commercial use on the system or device it was intended for.”

It's a license to play, not own.

It's not that I don't understand the frustration or even sadness at the loss of physical media. I have literal shelves of classic software boxes. They're fun to look at, though almost entirely useless, since all the platforms and hardware have moved on. Gamers might be a different breed, holding onto old consoles and the games they bought to play on them for decades, but in my house, that's not the case. Our Nintendo Wii and GameCube are stuffed onto shelves gathering dust. No one has touched them in years.

The most avid gamers, ones who play at near-competitive levels, are most interested in the next big thing. Take, for instance, the upcoming GTA 6 launch. My games expert mentioned that, and how the insane leaks tie to this protest.

Again, they're not interested in the protest, and are instead fixated on the leak and how messed up it is. They've even avoided looking at the GTA 6 clips, so as not to spoil the big game reveal in November.

This plan is broken

Put another way, it seems all the efforts to make Sony relent are having, if not the opposite effect, basically no effect at all. DoesItPlay is talking to a devoted few who still clutch their physical media like water canteens in a desert. The GTA 6 leaker, Cyberleek, who has implored Sony to "do better," is drawing attention mostly to his shenanigans, and I don't think he's inspiring people as much as he's making some think he might be ruining the fun of the most important game launch in 15 years.

There is, in all this, a fundamental truth about physical media: it always has its season, and then that season inevitably passes. Storage media is the perfect analog, because every time we think we have a physical storage medium for the ages, it's supplanted by a new, better, and higher-capacity alternative. I have drawers full of dead media, including Zip Drives, Jaz Drives, 3.5-inch floppies, 5-inch floppies, and more.

Even if Sony was to relent, and continue making physical game media for a few more years — and it won't — the hardware to play it will age out. We'll end up with something better or, more likely, the last physical gaming media holdouts will switch over to the cloud, and that will truly mark the end of physical media.

As my own gaming expert said, #PlayStationBlackout doesn't matter. People's attention is elsewhere, and all true gamers really care about is how quickly the GTA 6 teaser will shift from an exclusive Netflix launch to YouTube. Talking and thinking about anything else is pointless.

Is Marvel Tokon: Fighting Souls one of the best fighting games of recent times? Yes, I would say so. Given its developer is Arc System Works — creators of Guilty Gear, Blazblue, and the excellent Granblue Fantasy Versus: Rising — it was a pretty safe bet that we'd be served a high quality fighting game with mountainous respect and reverence for Marvel and its roster of supers, mutants, and weirdos.

I love fighting games, but I'm not usually one for tag fighters — often because I find learning more than one character intimidating and time-consuming. So, when Marvel Tokon: Fighting Souls was first revealed last year as a 4v4 tag fighter, I'd already resigned myself to thinking: 'well, that's probably not for me.'

Not two, not three, but four? You're having a laugh.

I needn't have worried so much. Arc System Works has designed Fighting Souls such that learning a quartet of fighters inside and out is absolutely not necessary. It's possible to play that way at a higher level, of course. But as your team only has a single health bar, you can rock one character as your main, while relying on the remaining three as assist moves to help you out in a pinch.

It helps, too, that Marvel Tokon: Fighting Souls has a fantastic onboarding process for new players. The game's story mode is broken into five episodes — each focused on a group of heroes (the Avengers, X-Men, etc.) or the villainous Knights of Doom. Episode chapters are structured to introduce you to fighters and their strengths, or otherwise various important system mechanics. Training tools are similarly great, with a fully-featured training mode, combo trials, and an ingenious 'level-up missions' category that tasks you with creating your own combos to reach a damage threshold.

All good so far, but I unfortunately have to stress that Tokon's immediate future looks perilous. The PC version of the game is currently facing myriad issues, many of which seem to be a direct result of corporate interference.

At the time of writing, Arc System Works is hard at work deploying patches to improve PC matchmaking and performance, but I'm not sure there's a fix for intrusive anti-cheat bloatware and forcing PlayStation Network account creation to access its online features.

Absolutely champion

Enough doom and gloom for now. I'd rather chat about all the elements that I feel make Marvel Tokon: Fighting Souls such a wonderful game for a bit. For me, it started with its single-player story mode.

Titled 'Episodes', Tokon's story is broken into five distinct, well, episodes. Each is centered around one of the game's five main teams. The Fighting Avengers, for example, are your stalwart heroes like Captain America and Black Panther.

The Samurai Outriders are made up of anti-heroes and tricksters like Deadpool and Loki. Meanwhile, the Knights of Doom bring a more villainous flavor, stacked with evildoers like Doctor Doom, Green Goblin, and Carnage.

The premise is simple. An intergalactic fighter called the Champion is holding Earth hostage, and the aforementioned five teams have been selected to participate in a tournament to decide the planet's future. Each episode culminates in a fight with the Champion, and individual chapters are bookended with stunning comic book cutscenes, with each episode even featuring a unique artist and colorist.

This lends all of them a unique sense of identity, and helps to keep things feeling fresh as you progress. Each episode is about an hour long, and all are worth playing through as you'll not only get a feel for each individual character, you will also unlock colors for a bit of added flair for your faves. Oh, and as a bonus, you'll also unlock the Champion as a playable character upon clearing your first episode.

There are a lot of fun character moments, too. Ms. Marvel is often adorably starstruck by the heroes she encounters. The X-Men are flabberghasted that Magneto would team up with an egotistical maniac like Doctor Doom. There's a cute running gag between episodes where everyone gives Loki the side eye, despite a seeming earnestness from the God of Lies to genuinely turn over a new leaf in the search for his brother Thor (who is currently mysteriously absent from the game's playable roster).

Overall, Episodes are a great way to kick off your Tokon journey. It'll help you find characters you enjoy playing, and present a charming story that's well worth playing through just to experience its wonderful artwork and voiced performances.

Assist me

Marvel Tokon: Fighting Souls is remarkably easy to just pick up and play, and I reckon you'll have a blast in local play with friends for casual couch bouts. Movement, special moves, assists, and supers are all straightforward to execute. For specials in particular, you have options for simple or motion inputs with the d-pad. Motion-inputted special moves (such as quarter-circle-forward) do around 10% more damage on average, so you'll have a bit of an edge if you can master weaving them into your gameplan.

The 4v4 setup can be wonderfully chaotic; there's no limit to the number of characters that can appear on-screen, so it's very possible to spam the assist button to throw the kitchen sink at your opponent in a pinch.

Characters you place in your assist slots are highly versatile, and can be individually called upon by pressing the assist button and the corresponding direction on the d-pad. One assist slot is for projectile, for example, while another is a vertical for anti-airs. This is universal across the cast, so you don't have to be precious about which characters you choose if you're only planning on maining one or two.

Elsewhere, you can perform an assist counter while guarding to get your opponent off of you, or even swap to one of your assists to directly control them. There's a ton you can do with assists, and learning to incorporate them in your playstyle is a huge part of the learning process. It sounds like a lot, and it is, and there's much more assists can do, like extending your combos and taking part in a massively damaging last round super. It might take a bit to wrap your head around, but thankfully, the tools are there to help you get to grips with assists and more besides.

Trained to perfection

Marvel Tokon: Fighting Souls has some of the best tutorialization I've ever seen in a fighting game. You of course have a fully fleshed out training mode, where you can freely practice combos and setups against a dummy. There is also a comprehensive tutorial section known as the Battle Guide, that'll walk you through basics like movement all the way to advanced techniques like wakeup options and blocking cross-ups.

Of particular note is Character Lessons, which includes primers on every character playable in the game. These start off with basic move introductions, as well as the properties of each characters' unique button. For example, Storm's Tempest unique lets her control the wind to push herself and her opponent around. Magik's unique has her placing a portal that she can instantly warp to and perform attack out of to surprise the opponent.

Lessons then offer a selection of combos for you to try out for each character, many weaving in assists, special moves, and supers. Finally, the highlight of Character Lessons for me are the Level-Up Missions, which task you with performing a combo to meet a certain amount of damage. These don't hold your hand much, with little guidance outside of telling you which button to start your combo with, or to include a special move at some point. They're great fun to experiment with, and even unlock colors for your characters, too.

Once you feel sufficiently warmed up, I highly recommend jumping into Arena mode for some offline quickplay. This is essentially the game's Arcade mode, in which you play through a series of five matches. You'll get to choose your route as you go through, unlocking some lovely concept art for your efforts.

There's also Survival mode; a 100-match gauntlet with some light roguelite elements. Between matches in Survival mode, you'll get to choose and upgrade Support Souls — cards that offer various benefits like increased movement speed or attack power. Getting through all 100 is no easy task, though, with several significant difficulty spikes on your way to the top. But again, your efforts will be rewarded with unique character colors if you make it to the end.

True believers

If you're familiar with Arc System Works' back catalog, it should come as no surprise that Marvel Tokon: Fighting Souls is a mind-bendingly gorgeous fighting game.

The developer is the master of modern cel-shading, and the roster of Marvel icons look even sharper here than characters do in Guilty Gear Strive and Dragonball FighterZ. Not that those games are slouches at all in the visual department, but Tokon by comparison looks impressively pristine at all times.

There aren't a ton of characters or stages at launch (I personally think 21 characters is a bit slim given the 4v4 setup), but when they look and animate as well as they do, I can forgive the base roster being as svelte as it is by tag fighter standards.

Every character is brimming with personality and charming little touches. Doom's cartoonish aptitude for evil is perfectly captured in his intimidating slow walk and thousand-yard stare. Ms. Marvel's attacks feel peppy, snappy, and excitable. And Deadpool? Well, almost every move in his arsenal is a loving reference to other iconic fighting games, and there are some impressively deep cuts therein.

The game's background stages are a real draw, too. The New York City stage is teeming with detail and references to the wider world of Marvel. The X-Mansion tends to populate the further a match progresses, with iconic X-Men like Psylocke, Colossus, and Gambit appearing in the background. If you're a Marvel head, you'll likely love the amount of respect and admiration Arc System Works has for the brand.

Pride before a fall

Marvel Tokon: Fighting Souls is another slam-dunk for Arc System Works, then. With it and the recent Marvel vs. Capcom Fighting Collection: Arcade Classics compilation, I'm ecstatic to see Marvel active again in the realm of fighting games. But every story has its villain, and for Tokon, it's not the Champion. It's Sony.

I hate to admit that I'm concerned for Marvel Tokon: Fighting Souls' future. On PC, the game's anti-cheat DRM worsens performance. Furthermore, Linux and mod support are non-starters, and because online play requires a PlayStation Network account, countries where the service isn't supported (there are well over 100 of them) can't access network features at all. Throw in lopsided netcode that discourages crossplay between PS5 and PC, and you have a recipe for an exceptionally messy launch month largely thanks to publisher meddling.

For these reasons, I can't give Marvel Tokon: Fighting Souls a glowing recommendation, as much as I would like to. At least if you were planning to pick up the game on PC. I want Tokon to have a long, bright future, but I worry that too much damage has already been done. Now, the state of the game has improved since launch in regards to performance and matchmaking quality, thanks to a small handful of fixes deployed by Arc System Works.

I just can't help but feel anxious about this rocky PC launch. Especially with the recent news that Riot Games is shuttering development on its League of Legends fighting game, 2XKO. It shows that huge companies absolutely aren't afraid to completely tear down a good thing if it isn't generating satisfactory revenue or player count. If folks walk away from Marvel Tokon: Fighting Souls because of the issues it's facing on PC, then what's stopping Sony from doing the same?

I hope I'm just overthinking it. Marvel Tokon: Fighting Souls is one of the most fun and unique fighting games I've played in some time, and I hope its candle won't be snuffed out before it truly gets the chance to shine its brightest.

Should I play Marvel Tokon: Fighting Souls?

Play it if...

Don't play it if...

Accessibility features

At launch, Marvel Tokon: Fighting Souls has a small handful of accessibility features, largely utilizing text-to-speech options.

You can enable text-to-speech and adjust its volume and speed. You can also choose to enable or disable subtitles that display during battle entrances and conclusions.

How I reviewed Marvel Tokon: Fighting Souls

I played Marvel Tokon: Fighting Souls on PC for approximately 15 hours for this review. I completed the episodic story mode in its entirety, cleared most Arcade mode routes, and put a good chunk of hours into training mode, character lesson guides, and casual online play.

I tested the game with the GameSir G7 Pro controller, as well as the leverless Razer Kitsune. I also hooked up my RIG 900 Max HS gaming headset to experience the game's excellent audio and wonderfully upbeat soundtrack.

First reviewed August 2026

• The Witcher 4 is officially targeting a 2028 release window
• CD Projekt Red joint-CEO Michal Nowakowski says the game won't be at Gamescom 2026
• He confirms that the game is the studio's "most ambitious game to date"

As CD Projekt Red prepares to showcase The Witcher 3: Wild Hunt's next major expansion, the studio has confirmed that The Witcher 4 is officially targeting a 2028 release window.

In a video posted to social media ahead of Gamescom Opening Night Live, CD Projekt Red joint-CEO Michal Nowakowski teased Songs of the Past, The Witcher 3's third expansion launching in 2027, saying, "We've got a lot of the expansion to show off, including a taste of its dark story, and the new continent it will bring."

Songs of the Past will get a full reveal at Gamescom and is rumored to be a prelude to The Witcher 4, which will star Ciri as the titular witcher. Fans have been waiting for another glimpse of the sequel since the technical demo was shared last year; however, Nowakowski has confirmed the studio won't be showcasing the game at Gamescom.

He revealed that more than 500 developers are currently working on The Witcher 4, and the game will feature "a huge and immersive open world, intense and action-packed gameplay, and a deep, impactful story that we hope will stay with you for a long time."

"Simply put, this is our biggest, boldest, and most ambitious game to date," Nowakowski said, before confirming that The Witcher 4 is "targeting" a 2028 launch window, which significantly narrows down its expected release date.

"I know it's a bit of a wait and you'd love to play it sooner," he said, "but let the team cook. It will be worth the wait."

The joint-CEO added that fans can expect Gamescom to be in CD Projekt Red's plans "for the coming years," suggesting The Witcher 4 could be featured at next year's or 2028's showcase.

While we finally have a launch window, this means the game could still slip to 2029 depending on its development status. It's also unclear if the sequel will get a PS5 physical edition, as Sony plans to end production of game discs from January 2028.

It took 127 blood-splattered minutes for 2024’s outrageously violent flick Deadpool & Wolverine to reach a kill count of 178. In my two-hour preview of Insomniac’s Marvel’s Wolverine, I’m pretty sure it took even less time to match it.

The game starts with a delirious murder spree against the forces of human supremacist Bolivar Trask on the Asian island of Talenbang, who has taken Team X’s leader Nathaniel Essex captive.

I’m soon slicing arms off in brutal finishing moves and pummeling their insides into paste with barrage attacks. When I get to staggering foes into the blast radius of a nearby grenade, turning them into a mushy pile of goo, it’s abundantly clear this isn’t your friendly neighbourhood Wolverine.

It’s an impressively percussive, weighty combat system. With Wolverine’s adamantium skeleton in mind, I’d describe it as heavy metal combat.

Rip and tear

At first, soldiers are summarily dispatched with a chain of light attacks and a heavy attack finisher. Later, in Canada, shield-bearing Reavers demand an initial kick before a five-knuckled skewer to the sternum. And the Hand, red-gowned ninjas recently spotted in Spider-Man: Brand New Day, come with longer blades of their own, sometimes left lodged in Wolverine’s body to impede him until it either falls out or he rips it out to furiously stab an enemy.

The environment plays an important role too, whether you’re knocking hapless enemies off a rooftop or slamming them into a wall to leave them vulnerable to a barrage attack sure to relieve them of their entrails. Those enemies often come prepared, with mutant power inhibitors locking Logan’s regeneration unless you target the machines first — either by stealth or all-out assault.

Wolverine’s slower speed meant I took a few more hits than I needed when I couldn’t cancel attacks to dodge an incoming blow or use a Hurricane move to clear my vicinity. But once I’d adjusted to the pace (and learned how crucial the leap attack is for staying in combat), I was stringing together brutal extended combos to the point that Devil May Cry’s style meter wouldn’t have gone amiss.

In my one-man blood donation campaign, I’m building up my rage meter. As it ascends through tiers, you first unlock the Last Stand recovery mechanic, next enhanced finishing moves, then, lastly, the ability to trigger all-out carnage.

All of a sudden, environments fade away into monochrome irrelevance. The bodies of enemies pulse bright and ripe for shredding. Instakills become available with one squeeze of the trigger buttons.

It’s a thrill of delirious violence, and delete-on-sight kills comparable to Ninja Gaiden 4’s immensely satisfying Berserk mechanic last year.

(Re)generating action

Jess Reiner-Reed, Senior Project Director, tells me that turning players into frenzied berserkers was always the plan, but balancing that aggression with Wolverine’s rapid healing ability required some mechanics to shapeshift in a manner worthy of Mystique.

“When people think of Wolverine, they say, ‘How are you going to make a video game about a guy that doesn't die?’ We had some versions that didn't work very well — versions where we were incentivizing the player to hide and have their health regenerate, like an FPS mechanic. But then we really landed on this version where we're incentivizing you to be aggressive.”

After years producing family-friendly fare in the Spider-Man series and Ratchet & Clank, the exact degree of this aggression and its gratuitous violence surprised many. Reiner-Reed gleefully reminds me that Insomniac isn’t new to this after the M-rated Resistance series.

“In Spider-Man, we always had to make sure Spider-Man doesn't kill people, because that's not Peter Parker; he webs guys to the side of the building. In Marvel's Wolverine, we get to kill people in the face.”

Focusing up close rather than tearing through Manhattan at 60mph meant Insomniac can lavish attention on details that would pass in a blur for Spider-Man. The game’s richly detailed levels look fantastic, with a focus on satisfyingly physics-driven destructible objects.

One moment in the demo particularly looked like it could have come straight out of Ratchet & Clank, and not for the better. I was pitted against the Proto Sentinel, a giant armoured robot boss rooted in place and limited to pummelling fists, laser-eyes and missile launchers. The somewhat formulaic boss battle was bested by dodge rolls and sprinting from clearly telegraphed blast zones. Despite Team X’s occasional interventions to enliven the fight, it felt like a dated chore compared to more recent similar battles like Clive’s fights against Final Fantasy XVI’s Eikons.

I found the Nightmare Doors sequences similarly deflating. These are portals into Logan’s Canadian wilderness cabin, where he unlocks forgotten memories by navigating a timed obstacle course, scrambling up tree trunks and leaping from eerily suspended shipping containers. The two examples I saw felt like perfunctory diversions compared to the far superior storyline chases.

Wolverine can throw hands with the best of them, but does the unrelenting focus on its excellent close quarters have legs? With no weapon mixups, ranged abilities, or a wide suite of movement abilities evident so far, the variety must come from elsewhere.

Reiner-Reed reassures me that variety will be found through build variations created through the player’s chosen special moves and custom augmentations to shape their build, whether they want to focus on stealth or accelerate into a raging rampage.

Moment to moment, it certainly has the X-Factor you’d expect from the X-Men’s headline act; I catch my pulse racing at the end of my demo, and the Team X team-up attacks with the gigantic Sabertooth and Mystique have me itching to see what punchy combinations await.

But in the space of two hours, I was craving more movement options and could already feel the leap attacks become a crutch.

Downtime in Lowtown

Insomniac has far more to offer than just Deadpool & Wolverine’s glib humour and sadistic mayhem, as much as Reiner-Reed relishes team meetings to discuss blood physics. Off duty in a trademark flannel shirt and a cowboy hat, as Wolverine, I got to visit Lowtown for some R&R in the lawless slums of Madripoor.

The sequence provided ample opportunities for Liam McIntyre to show his range between macho posturing with Sabretooth and self-effacingly confronting his inability to find a suitable gift for Jean Grey (despite the advantages he gets from sniffing out her trail).

But it was a simple yet artfully composed game of Never Have I Ever at the bar with Mystique that impressed me most. Logan confronts his misdeeds and inner demons through the bottom of a glass. As I choose to drink and not drink at some of Mystique’s revealingly probing interrogations, I can safely say this: never have I ever been so struck by just waiting to see if Logan’s hesitant outstretched arm raised the cup to his lips.

“I love Logan as a character and always have because I found him one of the most emotionally complex characters,” says Liam McIntyre, the gravel-voiced Aussie actor who’s demonstrating Logan’s unfettered rage and nuanced regret in even these quieter moments.

“He doesn't want to go and high-five people in New York City; that's not his deal. He wants to stay off and be remote and do what he has to do and not make a big deal out of it [...] He feels the most grounded of the superheroes to me.

McIntyre does such a fine job making Wolverine a character you want to spend time with; I was almost disappointed when The Hand’s intrusion brought this lull to an abrupt close. Although crossing blades with them on an exhilarating rooftop chase that closed out the demo soon banished any momentary disappointment. The single-minded narrative momentum I saw here can remove any fears Spider-Man’s open world would be missed.

Both McIntyre and Reiner-Reed point to the game's ending as the moment they're most looking forward to seeing players’ reactions. If it can top what I saw in the first act’s (unfortunately embargoed) rollercoaster climax, I’m eager to see how Marvel’s Wolverine can top it when it arrives on PlayStation 5 on September 15.

Razer Soma Chroma: One-minute review

I've reviewed a lot of gaming chairs, sat my butt on plenty of seats promising the best of the best comfort, or ergonomic longevity (I'm convinced noblechairs wants my posture to last me until I'm 126 years old), and I've got to say, aside from possibly the AndaSeat Novis, this might be the most comfortable chair I've ever sat in.

At least, part of it is. The seat base. The fabric, the material, lovely; the base width, great. The backrest? Right up my street. But the Soma is a bit of an odd one when it comes to everything else it's trying to do. And an even bigger issue is its launch day price tag.

It's $500/£500 (about $954 AUD), which is a lot, and yes, there's RGB lighting in this, but Razer doesn't include an integrated battery (or even an optional one at checkout), doesn't pack a long enough cable, and doesn't include an adapter. The brand doesn't even include a cushioned headrest (you have to buy that separately). For 500 bones, frankly, that's utter madness.

The RGB itself (two diffused strips that run alongside the upper part of the backrest) is forward-facing only, and you can't really see it when you're sat down. It's not like a keyboard or a mouse, which is at least in your periphery, and needing your machine on with the cable hooked up separately if you opt to go without a battery bank means you'll probably spend about 5-10 seconds every session watching it just light up.

It's great for a streamer, sure, but even then it does feel more like an advert rather than something classy.

I had the lighting on for a day when I first got it for testing, then promptly unhooked the USB cable Razer graciously provided me with and never touched it again. Best gaming chair? Well, it won't be because of its RGB; that's for sure.

Razer Soma Chroma: Price and Availability

• Costs $500/£500 (about $954 AUD)
• Remarkably expensive given what it lacks
• Single colorway and fabric option

Right, now you can grab the Razer Soma Chroma for $500 USD and £500 GBP (about $954 AUD). It sits roughly between the Razer Iskur V2 X (at about $350) and the standard V2 (that's $600 or so).

You can pick one of these up today, although there's little in the way of choice. No different color options, no different materials, you get what you get.

Sold separately, of course, you can also get a male-to-female USB-C extension cable, headrest, and power source (you'll have to source your own on the latter).

On the warranty front, Razer's got you somewhat covered with a 14-day returns policy via the RazerStore, and as standard it comes with a 3-year warranty, which upgrades to 5 if purchased direct and registered.

Razer Soma Chroma: Specs

AndaSeat Phantom 4 Pro: Design and Aesthetics

• Bold gamer style
• Perforated channels for air (read: debris)
• Green logo on an RGB product

The Soma Chroma is unabashedly gamer. There's just no two ways about it: the sharp lines, jagged polygonal design, the channelling, the RGB, the stitching — it doesn't exactly give off this allure of premium professionalism. That's to say I'm sure 16-year-old Zak would've loved it, but me, sat here in my ‘rustic’ office, dealing with media, clients, and more on the daily, yeah it kinda sticks out like a sore thumb.

Particularly with the striking green Razer logo etched in the backrest right behind my head, in a not-so-obscure glossy green plastic. Which again I have to question. This is an RGB product, right? That means you can set that lighting (hypothetically, if you use it) to any color you like.

That's great, but certain colors clash with green quite aggressively. Bright reds, neon blue, pinks, high-saturation yellows. Basically all off limits, all because the logo's bright neon green. It's 2026, guys; we've had RGB products for a seriously long time now. I thought it was common knowledge that you don't stick colored accents on them.

The lighting is also awkwardly placed. You can't actually see it from the back of the chair, and it's solely positioned behind your head, facing forward, so you literally never see it, outside of the five to ten seconds you go to the toilet and sit back down again. It's diffused, it looks good when you do manage to catch a glimpse of the stuff, and you can easily configure it in Synapse, but honestly it just feels like a bit of a swing and a miss.

How'd you connect all that? Well, there's a short USB-C cable located in the back of the chair that hooks up to your battery bank, which you can then stow away in a small zip pocket in the seat base. But it's really short; that cable. If you're imagining some retractable 6-foot thing you can pull out when you need it, no, it's not that.

You're not connecting this thing to a wall plug, or anything of the sort. Razer provided me with a seriously long extension cable (two in fact) for it, but that doesn't come by default, annoyingly. And of course, there's no built-in battery, or included power bank, or the option to add one to your order. I used the extension cable to effectively run the entire chair to the back of my PC, and it does run off USB power. That said, you don't have to go that route; you can just use a USB plug, and then let the included wireless dongle handle the RGB side of things.

Now I'm done wailing on the lighting; the good news is the finish is genuinely lush, it's like a neoprene-feel soft-touch fabric, and it's a delight to sit on. I'm writing this review in the midst of yet another heat wave in the UK, and skin-on-chair contact has been genuinely lovely. Compare that to the number of AndaSeat's chairs I've reviewed recently that leave me begging for AC, and well, it's a nice change that's for sure.

Ok, we've had bad, we've had good, now it's back to bad. There are channels in the chair base, and I get the concept. The idea is that it helps air circulate your, well, back passage, to stop you heating up so quickly, and it kind of works. But it comes with a major caveat, and that's that it also holds onto all manner of dust and debris.

If you own a dog, or cat, or have a habit of sitting at your desk eating from time to time, you're cooked. You'll be getting the blow duster out you use for your PC on the chair base at least once a week.

Razer Soma Chroma: Comfort and adjustability

• Super comfortable, wide seat base
• Generous lumbar support
• Armrests and the castors are letdowns

Fortunately for the Soma, sitting on it is a treat. The cold-foam base is comfortable as all hell, and the seat base is wide enough for the weirdos like me who sit cross-legged to do so in absolute bliss.

The armrests, however, are more basic, two-dimensional affairs. There's no four- or even three-directional setup here like you'd find on almost all of its modern counterparts from competitors at this price.

You can raise them up and down and swivel them, and that's it. They're padded and modestly squishy, but if you'd put them on an Ikea chair, I wouldn't be able to tell that they were Razer-designed and made.

Oh, and it doesn't roll. Well, it does, but it's just so frustratingly stiff it beggars belief. I wrote about this in the AndaSeat Phantom 4 Pro review earlier this year. It's basically, I think, a result of overcompliance with the EU's EN 1335-2 safety measure, which means that in an emergency any unmanned chair shouldn't move easily. I don't quite understand the logic behind that, but here we are.

And it frustrates me because I can't roll up and down my desk, or if I need to lightly move it to put my shoes on, or I just want to get more comfortable at my setup, it's a minor struggle. And yes, I know that's a first-world problem, but it's $500/£500 for this thing, from a seriously reputable brand.

One final flag from me before I move on. There's no headrest cushion included either. Razer will sell you a headrest, but it's at additional cost. Eugh. No magnetic freebie for you, no sir. Not even a strapped one.

Razer Soma Chroma: Assembly

• Seamless, standard build
• Missing shear bolt on recline
• Massive manual

As far as building the thing goes, the Soma Chroma is genuinely smooth. If you've built one gaming chair before, you'll get along with this one just fine. It's a bit heavy; Razer recommends you'll need two people to build it, but it's more than easy enough to do solo.

Plus the manual is massive, and printed onto a giant sheet of card, which feels a bit overkill (a book would've been fine; I'm not that old, I can read).

The only cause for concern is that you do need to be a touch careful installing the backrest, as there's no safety bolt sitting between you and the tilt angle arm. So if you do hit that lever too aggressively, there's a chance the bracket can snap forward. So do bear that in mind.

Should You Buy The Razer Soma Chroma?

Buy it if...

Don't buy it if...

Also consider...

Make sure to consider these alternatives as well.

How I tested the Razer Soma Chroma

• Used for over a month
• Fully built by hand solo
• Set up in all manner of configurations

I spent well over a month with the Razer Soma Chroma, testing the ins and outs of how it held up under serious usage. Working from home, it endured the hardships of a constant 9-5 "office" job, along with late evening gaming sessions, through normal operating conditions and heatwaves abound.

I've spent years testing gaming chairs from all manner of manufacturers, and I compared this one directly to a slew of products from AndaSeat, Noblechairs, and Secretlab as well. I also fully tested the Synapse and WiFi dongle, and tracked the real-world usage and feel of it throughout the month, documenting any moment where I thought "ahh this is good" or "ahh not so good".

I also got my five-foot-five partner to sit in and provide me with her direct feedback as well, along with a few close friends to get their thoughts and feelings on it, which directly feeds the opinions you see here as well. I questioned them intensely on the comfort, the feel, and the build quality of the Soma Chroma to get a broad picture of opinions on it.

Read more about how we test.

First reviewed August 2026

It’s my job to review all sorts of things here at TechRadar, whether that be phones, speakers, video games, chargers…you name it. But today, I’m taking a journey into the unknown. I’m reviewing some donuts.

Not just any donuts, though. I’m talking about the Pokémon x Krispy Kreme collaboration. The new donuts are available now across a number of markets, including the US, Canada, and here in the UK, with a number of options to choose from. In the UK, you’re able to try out a Pikachu, Jigglypuff, Charmander, or Poké Ball donut, though some markets also get the Gen 1 icons Bulbasaur and Squirtle… lucky.

So, are the new Pokémon x Krispy Kreme donuts any good? I’ve tried all of the available options in the UK, and my answer is clear. I’ll break down all of the designs, flavors, and more, and give my rating for each donut as we go. So, gotta munch ‘em all? Here’s what I think.

1. Pikachu

It only seems right to kick things off with the series mascot, Pikachu.

This is a filled donut, with lemon sherbet cream inside, lemon-flavored icing, ‘fizzy’ thunderbolt sprinkles, and an edible Pikachu plaque. The design has plenty of flair and personality, and captures Pikachu’s signature move nicely, making it arguably the most eye-catching in the set.

Look, I’ll put my cards on the table. I’m not a big fan of lemon desserts, like lemon drizzle or lemon tarts. As a result, this was the donut I was probably the least excited to try. But you know what? I ended up enjoying it a lot more than I’d expected.

The sweetness of the icing cuts through the sourness of the lemon, resulting in a well-balanced, satisfying flavor. The thunderbolt sprinkles weren’t very fizzy, but still added a nice dash of zest into the mix, and the edible Pikachu (Pika-chew?) is, as you’d expect, pretty delicious.

If you can satisfy a non-lemon lover, that’s got to net you a good score.

• Pikachu donut rating: 4/5

2. Jigglypuff

Jigglypuff is another iconic first-generation Pokémon that had starring roles in the anime and has even become a staple of the Super Smash Bros. roster — I can totally see why it made the cut.

This item is essentially one of Krispy Kreme’s standard Original Glazed donuts, but has strawberry frosting, strawberry biscuit crumbs, and an edible Jigglypuff plaque. It has a cute and charming look which is very on-brand for the character, but does it have the flavor to match?

Yes, yes it does. The Jigglypuff donut was another one that surprised me. I do like strawberry, but it’s not one of my favorite flavors out there. But this donut was absolutely delightful. I’m a big fan of the usual Original Glazed flavor, and the strawberry frosting was sweet but not overpowering at all, with a subtle fruity taste that instantly won me over.

The strawberry biscuit crumbs also add a healthy dosage of crunch to the donut, and I did prefer this one to the Pikachu overall. If you’re looking for a donut that looks as sweet as it tastes, but isn’t too bold and overpowering, this is the perfect option for you.

• Jigglypuff donut rating: 4.5/5

3. Charmander

Charmander is one of the most beloved Pokémon of all time. It’s a starter option in Pokémon Red and Blue and their remakes Pokémon FireRed and LeafGreen, and evolves into the mighty Charizard, known for featuring on extremely expensive trading cards and being a dragon, yet not actually being a dragon type…anyway… I digress.

This is another filled donut, with a dulce de leche (similar to caramel) and marshmallow filling, topped with caramel icing, red and gold sugar, and a Charmander edible plaque. Its vivid orange icing matches the fiery nature of Charmander to a T, but how does it taste? Well, this wasn’t just my favorite donut in the collection. It was one of the best donuts I’ve ever eaten.

Where to start? The creaminess of the dulce de leche, the elegant marshmallow filling, the crunch of the red and gold sugar…it all comes together beautifully. I typically prefer something more minimalist, but this donut really worked for me. Its sweet yet rich flavors balanced against an eye-catching, vibrant look culminated in a top-tier eating experience, and if I had to recommend one donut from this collab, it would have to be Charmander’s.

• Charmander donut rating: 5/5

4. Poké Ball

Is the Poké Ball the most interesting donut in the collection? Not really. But it feels like a must due to the whole circular thing. It’s more akin to the Jigglypuff item, taking the form of an Original Glazed donut, but coming with white icing and red sprinkles.

If you’re looking to play it a bit safe, or if you’re not so keen on the other flavors, then the Poké Ball should be your go-to. It's more understated, with sweet yet simple icing complimenting the reliable Original Glazed recipe to perfection.

There’s some brown icing in the middle, meant to represent the center band of the Poké Ball that has a chocolatey flavor, and is pleasantly rich and flavorsome. Yep, no complaints from me — great donut!

• Poké Ball donut rating: 4.5/5

Verdict: should you buy the Pokémon donuts at Krispy Kreme?

I have to say, this was one of the most fun reviews I’ve done so far, and I was impressed with the quality of this collaboration. All of the donuts — even if they had flavors I’d typically skip — tasted great and had attention-grabbing designs to match.

Sure, they’re not the cheapest, coming in at £2.99 each (though I got a dozen to share for £21.99), but the quality feels worth the outlay in my opinion. So, there you have it.

This collab’s a hit in my book. But will you be trying the Pokémon x Krispy Kreme donuts, or have you already given them a go and want to share your thoughts? Let me know in the comments!

The wait for perhaps the most anticipated game of all time, Grand Theft Auto 6, has spanned just over a decade. Its 2023 reveal convinced fans it would arrive sooner than expected — but multiple delays sapped plenty of the excitement.

After years of anticipation, GTA 6 is finally almost here, set to launch on November 19, 2026, on PS5, Xbox Series X, and Xbox Series S, with no delays in sight. Hype is rising again, and it's an exciting time for the gaming industry.

Unfortunately, the build-up to launch has recently been marred not only by Sony pioneering the end of physical game discs, but also by Rockstar's anti-consumer shenanigans during GTA 6's dull marketing campaign — starting with the announcement of no physical copy.

In case you missed it, an extended look at GTA 6 will be available on August 27, 2026, on Netflix as a 6-hour exclusive, before Rockstar releases it on YouTube (and presumably other platforms). In other words, if you want to see what Rockstar has to offer firsthand and at the earliest available opportunity, you'll need to pay for a Netflix subscription.

Now, I'm not a spokesperson for gamers, but I'm sure I'm not the only one who quite literally sees this as a way for Rockstar and Take-Two Interactive (its parent company) to kickstart paid trailers — and the reactions online are a very worrying indication of a potential new precedent.

Stop defending anti-consumer practices

Here's the thing: you can still be excited about what is arguably the biggest game of all time, and still criticize a developer or publisher for justified reasons. I think it goes without saying that Rockstar's Netflix exclusivity deal is one of those reasons.

Locking a game trailer or gameplay showcase behind a paywall, even if it is just half an hour, is a massive red flag for any video game company, in my view. This is an unprecedented situation where fans are the ones paying to view marketing material, the same material that would previously be free to consume at the moment it was published.

My main concern comes from the reaction online; many gamers are effectively defending the exclusivity deal, with typical statements such as "you're only complaining because you're broke" or "it's not that big of a deal, it's just 6 hours".

Neither the price nor the amount of time of exclusivity matters, but rather, it's the principle and what foundation Rockstar and Netflix's move could mean for the future. It feels like Rockstar is testing the waters to see how consumers respond, and frankly, is taking advantage of gamers' fear of missing out and the desperation to see something new in GTA 6.

There's absolutely no benefit to the timed exclusive being locked behind a paywall for consumers, and it's actually quite surprising to see many come to Rockstar's defense.

I can't help but feel like if this were any other game studio (i.e., Ubisoft) pulling this exact move, the uproar and backlash would be as loud as ever. I'm well aware that GTA 6 is a significantly bigger game than any in this generation, but that doesn't suddenly mean we should gloss over anti-consumer practices.

This same attitude of "it's not that expensive" or "stop moaning" was widespread when the video game price standard was raised to $70 — and now, edging closer to $80 thanks to Mario Kart World and GTA 6.

Long before that, services like Sony's PlayStation Plus and Microsoft's Xbox Live quickly became normalized, stripping away free online multiplayer access. Gamers overlooked that, likely due to the benefits of 'free' monthly games, and now there's no going back.

That same concept is being applied here: if Take-Two Interactive, Rockstar, Netflix, and possibly other game publishers notice a massive influx of Netflix subscribers for GTA 6's extended look, there's a decent chance early access to game trailers will gradually become the new normal.

It will indirectly tell publishers that consumers are okay with paying for marketing material, out of pure excitement, which is to be expected for a game as big as GTA 6. Isn't that ugly?

This entire case explains why the gaming industry is in the state that it's in today. Gamers accept, or rather, minimize far too many anti-consumer practices by corporations before it's too late for them to backtrack, and we're seeing it unfold yet again.

I'm not saying gamers shouldn't buy GTA 6, even if you're against Rockstar not providing a game disc and protesting against Sony's decision. GTA 6 is the only game that I and many others won't skip out on, as the wait for the experience has been monumental, and that's okay.

However, that doesn't mean you can't still protest against the axing of true physical game copies and call out Netflix's timed exclusivity as a step too far, especially since the full experience of GTA 6 already costs $100 via the controversial ultimate edition.

Gamers need to realize that consumers hold the power overall, as banding together against unpopular practices can lead to change — but sadly, I think many fans will continue to look past Rockstar and Netflix's actions, simply because of their excitement, and that's a shame.

Two schools of thought exist in the Call of Duty community. One praises the high-speed arcade action of Black Ops sub-series, sliding around corners on smaller maps while racking up incredible kill counts. The other craves the more considered pacing of the recent Modern Warfare games, where firefights are grittier and more immersive, in larger and more complex environments that reward tactical play more than speed and aggression.

With Modern Warfare 4, developer Infinity Ward is trying to marry both styles of play. “If you're too strict in one direction or the other, that's where it becomes a problem,” multiplayer creative director Joe Cecot explained in my visit to the studio’s Los Angeles HQ earlier this year. “We want it to feel really good for you, but also balanced.”

Pleasing both audiences is a task I would have thought impossible: surely the enjoyment of one is opposed to that of the other?

But, after nearly ten hours hands-on with the ongoing Modern Warfare 4 beta, I think the team might have really pulled it off. That, combined with cutting-edge graphics and a plethora of new mechanical Innovations, has me confident we’re on track for a generational Call of Duty game — maybe even the best in the series so far.

Pleasing both camps

The first thing any returning Call of Duty player will notice dropping into Modern Warfare 4 is that it’s a very fast and fluid game.

Tactical sprint, the option to double-tap the sprint button to enter a faster stride, is back on by default, and it feels smoother than ever before. Rather than lasting for a fixed duration, your character’s speed gradually decreases as you go to reflect their tiredness — removing that stop-start feeling that made Modern Warfare II’s pacing so bitty.

The overall movement speed is pretty rapid, helping you traverse maps quickly and minimizing downtime between combat encounters. Going long stretches without coming across other players was a real issue in some of the bigger 6v6 maps of previous entries (MWII’s infamously dull Valderas Museum immediately springs to mind) and, while many of the maps available in this beta are quite small, I’m optimistic that it won’t be such a problem this time around.

Overhauled ballistic simulation means the guns in MW4 are more realistic than ever before. Rather than a slapdash bloom calculation, bullet trajectory is authentically calculated based on the actual position of your weapon in the virtual world. It sounds like a minor change, but you can really feel the difference. Hip-firing your guns is genuinely viable now: if your barrel is pointed towards the enemy on your screen, your shot will hit.

Most guns take a fair chunk of time to aim, so this lets you play more aggressively no matter your chosen weapon type.

Try to take an objective hip-firing a slow-to-aim weapon in MWII, and you’ll end up dead with your entire magazine buried in the nearest wall. In MW4, you actually stand a chance, which stops matches from reaching a gridlock where everyone sticks to cover aiming down their own little sightlines.

It balances out the faster movement perfectly as well. I’ve already encountered players sliding around corners to try to gain an advantage as you can in a similarly snappy Black Ops game and dispatched them effortlessly with a hip-fired shot.

The Zip Gun, an all-new item that replaces the grenade in your lethal slot, is specifically geared towards this kind of situation. It’s a 3D-printed pistol that automatically unloads its entire clip in a quick burst when drawn, giving you a vital last-ditch line of defense if you’re caught mid-reload by an enemy player getting in your face.

You can still win plenty of fights by being fast, don’t get me wrong, and it feels great to do so, but it’s not the one-size-fits-all winning strategy that it is in, say,Black Ops 7.

Leaps and bounds

But what about those who still prefer to lock down specific zones or slowly advance towards objectives? They’re well catered to with a range of new tools to try. The razor wire field upgrade, for example, is a little mine that deploys a massive coil of barbed wire that slows enemies while draining their health so you can place it in doorways or at keychoke points for effective area denial.

Given all the ways you can counter fast-movers, taking things slow and playing tactically never puts you at a disadvantage. In fact, it can often work in your favor, as the relatively quick TTK (time to kill) lets you shred anyone you manage to catch off guard by flanking.

Although as a die-hard Black Ops fan, I have to admit that sprinting everywhere with an SMG or shotgun is my personal preference, I’ve been experimenting with both styles of play in my matches so far and struggle to label one definitively superior. It’s a genuinely impressive feat for Infinity Ward to have pulled off this tricky balance — doubly so given this is still just a beta and you would expect at least a few teething issues.

The mechanics are nailed down, then, and everything else about MW4 points to an experience that’s equally polished across the board. The maps available to try are well-designed and include a good mix of global locations, all rendered with a stunning level of detail and elevated by plenty of artistic flair, with special details like animated round intros and floating logos to help them all feel distinct.

The randomized Kill Block, with a layout split into three randomized blocks, is a surprising highlight too. Going in, I thought it would be a bit of a gimmick. It’s now become one of my favorite maps thanks to just how varied it is.

The presentation remains extremely strong even outside the matches themselves. That clunky Netflix-style user interface from recent games is gone, replaced with a much sleeker side-bar design, and that boring lobby animation (the one that had your hero wandering around an almost completely blank void) has finally been binned in favor of operator-specific sequences that convey so much more character.

That’s all without getting into the gritty campaign (one great level is available to sample as part of the beta offering) or the promising DMZ extraction shooter mode that will be available at launch. Call of Duty: Modern Warfare 4 is on track to be a major hit when it launches for PlayStation 5, Xbox Series X and Series S, PC, and Nintendo Switch 2 on October 23.

• Beyerdynamic has announced the MMX 100 wireless and MMX 130 wireless
• The MMX 100 wireless launches on September 1 for £89
• The MMX 130 wireless arrives in October for £109

German audio specialist beyerdynamic has announced two new wireless headsets, the closed-back MMX 100 wireless and the open-back MMX 130 wireless.

Beyerdynamic's MMX gaming range expands with two new wireless headsets representing two styles of gaming: the closed-back MMX 100 wireless for players who want to minimize distracting ambient noise and focus on their game, or the MMX 130 wireless, which is ideal for gamers who prefer to experience the atmosphere, soundtracks, and ambient sounds in greater detail.

"With these two models, beyerdynamic is making its audio expertise accessible to an even wider gaming audience," the company said. "Rather than offering a plethora of unnecessary features and gimmicks, both headsets focus on the essentials: precise sound, high levels of comfort, flexible connectivity, and long-lasting quality."

The MX 100, with its velour ear pads and a lightweight 275-gram design, offers a closed-back design to reduce external noise, a detachable Meta Voice microphone for clear communication, and a replaceable battery that lasts over 80 hours.

It can also be connected to PCs, consoles, smartphones, and handheld devices via Bluetooth 6.0, the included low-latency USB dongle, or a cable.

As for the MMX 130, gamers can expect a wireless headset designed for audio enthusiasts, with an open-back design that balances "a natural, spacious soundstage" with external noise, whatever the user is listening to.

Sporting a titanium-coated 40 mm driver for precise sounds, the MMX 1300 is recommended for gamers who enjoy story-driven, open-world, role-playing games (RPGs), and simulation games.

"With the MMX 100 wireless and MMX 130 wireless, we're offering gamers not just two more headsets, but two different ways to experience their games," said Matthias Heilig, product marketing manager for gaming at beyerdynamic. "Those looking for focus and isolation will find it in the closed-back MMX 100 wireless. Those who want to experience gaming worlds as naturally and spatially as possible will find an exciting alternative in the open-back MMX 130 wireless."

The MMX 100 wireless will launch first on September 1 in Black and Arctic White for £89, while the MMX 130 wireless will follow in October, also in Black and Arctic White, for £109.

The MMX 100 wireless will also premiere at Gamescom 2026 and be available for public testing.

• FromSoftware president Hidetaka Miyazaki says, "there was never really any big plan" to release Elden Ring: Nightreign and The Duskbloods back-to-back
• Miyazaki still has "a heavy focus on single-player content"
• He suggests the studio will return to making single-player games after The Duskbloods arrives

FromSoftware president Hidetaka Miyazaki has suggested the studio could return to making single-player games after Elden Ring: Nightreign and The Duskbloods.

Many fans were surprised when FromSoftware announced its PvPvE action game, The Duskbloods, so soon after releasing its multiplayer, roguelike Elden Ring spin-off, Nightreign.

However, according to game director Miyazaki, who also helmed Elden Ring, Bloodborne, and Dark Souls, releasing two multiplayer games back-to-back wasn't intentional.

"It's funny because there was never really any big plan that these two games would both release next to each other," Miyazaki told IGN, explaining that since Nightreign was led by a different director, Junya Ishizaki, both ideas "just coincided with being multiplayer games."

"It's not necessarily some big reveal saying that this is the direction we plan to go moving forward," Miyazaki continued. "We still have a heavy focus on single-player content as well. This is just something that happened to work out the way it did."

The director then suggested the studio could dive back into making single-player games after The Duskbloods arrives, saying: "But it's like, the more you work on something multiplayer for a long time, if anything, it scratches that itch only to want to make something single-player again."

The studio's last single-player experience was Elden Ring, which launched in 2022, followed by the multiplayer spin-off, Nighreign, in 2025.

Next up for FromSoftware is The Duskbloods, which was announced last year as a PvPvE and Nintendo Switch 2 exclusive. Network tests are underway, but a release date hasn't been set.

• The price and release date for the Xbox Series X25 Limited Edition have seemingly leaked
• Reliable leaker 'billbil-kun' says it will cost around $899.99 (roughly £660 / AU$1,255)
• It will reportedly launch on November 27

After the price and release date for Microsoft's 25th anniversary Xbox Wireless Controller were leaked earlier this week, details of the matching limited edition Xbox Series X have also surfaced.

As per the reliable 'billbil-kun' of Dealabs, who has accurately reported on new and unannounced hardware in the past, the upcoming Xbox Series X25 Limited Edition, which sports a translucent green shell, will cost a whopping €899.99.

This translates to an estimated $899.99 price point in the US (roughly £660 / AU$1,255), and is about €100 / $100 more than the regular 1TB Xbox Series X with a disc drive.

When Microsoft announced the Xbox Series X25 Limited Edition and the matching Xbox Wireless Controller X25 Special Edition in June, it said that both would be together in select markets as a limited-edition collection in November.

Now, billbil-kun claims the console will release on November 27, which aligns well with Black Friday.

It's unclear when pre-orders begin, but the leaker recently reported that the matching controller's October 20 release date and $79.99 / £74.99 / €79.99 price point will be revealed at Gamescom 2026, with pre-orders beginning on August 26.

Both the Xbox Series X25 Limited Edition and the Xbox Wireless Controller X25 Special Edition are translucent "OG green," inspired by the original Xbox, and feature light-up buttons and "Xbox 25" branding.

After the Xbox Series X25 reveal during Xbox Fanfest at Summer Game Fest 2026, free consoles were reportedly given to fans in attendance.

• Windows 11's August update has broken some PC games
• Microsoft is investigating reports of crashes, but right now it's unclear what the root cause is
• Theories point to security measures in the update potentially causing issues with certain drivers and conflicts with anti-cheat tools

Windows 11 has run into trouble with gamers (again) after the latest monthly update for the OS, and Microsoft is investigating what's gone wrong.

The Register noticed that Microsoft has posted on the Windows release health dashboard about "reports of certain games becoming unresponsive" following its latest patch.

In some cases, games are either freezing and becoming unresponsive, as mentioned, or simply closing (crashing to the desktop), with an error ('Exception Access Violation') being displayed in some cases. There are also some reports of spontaneous reboots occurring after a game crashes.

Not all PC games are affected by any means, with Microsoft noting that reports are coming in from players of Arc Raiders, Marvel Tokon: Fighting Souls, and The Finals.

Microsoft is currently trying to work out what's going on, saying: "Ongoing investigation indicates that this issue is related to peripherals or internal device components which have RGB lighting features. Such devices may install drivers or code components with file names similar to inpoutx64. In systems where these drivers are found, the issue is then triggered by launching certain games."

Microsoft adds that it's currently trying to "understand the relationship between these RGB components and the games which trigger this issue", and says it will update gamers when more information becomes available.

Analysis: theories and workarounds

Microsoft is suggesting that this may be a driver-related issue of some kind, rather than a problem with Windows 11 itself. Of course, changes to Windows 11 could be the root cause, and the company admits that, and says it's still trying to "determine if this is an issue caused by Microsoft" on the release health dashboard.

As The Register points out, some on Reddit are theorizing that this bug is to do with "tightened kernel handle validation" which was introduced with the latest patch for Windows 11. Essentially meaning that Microsoft has tightened aspects of security with the August update, and that this is causing driver glitches, ones that were previously ignored, to be picked up (and subsequently crashing games).

The mentioned driver (inpoutx64) isn't just used in software controlling RGB lighting, but also in some system utilities needing low-level system access (for hardware monitoring, for example, and one such tool is mentioned in the above Reddit post: ZenTimings). It seems that if this driver is present on the host PC, the game's anti-cheat probing it now throws up a problem (post-patch), and that leads to the crash.

If this bug is causing you grief — and there are a lot of Arc Raiders players out there in that particular boat — there are workarounds that can make the game playable again.

The first is the most obvious and easiest fix: remove the August update for Windows 11 (or roll back the OS to before it was installed). You can remove an update in Windows Update, in the Update History panel — just find the patch (KB5121003 in this case) and uninstall it. However, bear in mind that you will be without a bunch of security fixes (and other features, including faster app launching) if you don't have this update on your PC.

The other alternative is to remove the problematic driver file, which seemingly won't harm your system (that said, if you do so, it's at your own risk — I haven't tested this). Going by the advice in the above Reddit thread — and also from the developer of Arc Raiders (Embark) — what you need to do is open the Command Prompt in Windows 11 by typing cmd in the search box, then right-click on Command Prompt and select 'Run as administrator'.

Once the prompt appears, type the following and press enter:

sc stop inpoutx64

Then type this second line and press enter:

sc delete inpoutx64

Now close the Command Prompt, open File Explorer, and find the following folder: C:\Windows\System32\drivers.

In that folder you should see the inpoutx64 file, it may be a SYS or DLL file (or both). Delete any of those files which are present.

That's the driver removed, and you should now be good to go, and you can still have the August update installed. But as I already noted, proceed at your own risk if you take this route.

The best bet for now may be to sit tight and wait for the results of Microsoft's investigation, and hopefully we'll hear something soon. However, this could be a somewhat thorny problem to untangle, and it rather sounds like a case of Microsoft dealing with a security issue — one which should be fixed — and that cure causing collateral damage due to driver wonkiness.

Whatever the case, on social media, a good many PC gamers are blaming Microsoft for this latest gaming-related issue in Windows 11.

One Redditor delivers the following barb: "They can't even keep the one thing they had over Linux. If you have to worry about whether or not your games work anyway, why still use Windows?"

Another observes: "Since 2025 December update till today — EVERY single month the update breaks something! There was no single month without issues."

There's no shortage of shots fired at Microsoft for monthly update woes, accusations of this being the fault of vibe coding (AI), and threats to leave for greener Linux desktop pastures. Business as usual, then.

Metal Gear Solid 4: Guns of the Patriots has become something of a legend over the years, being the one big game in the franchise that never left its original platform – the PlayStation 3.

Finally, the port once thought impossible has returned in the new Metal Gear Solid Master Collection Vol.2. The first collection packaged the classic stealth trilogy with the MSX and NES games that preceded it, and this time around the package is headlined by the return of Metal Gear Solid 4 and the duo of the PlayStation Portable’s excellent Peace Walker and underrated Game Boy Color spinoff Ghost Babel.

Off the bat, it may seem like a bit of a raw deal for the second to only feature one bonus title compared to the first collection, which offers three of the greatest games ever made along with four bonus titles and two graphic novels.

However, the work done on Metal Gear Solid 4 is far more than the bare-bones re-releases of the first game and Bluepoint's 2011 HD Collection versions of Metal Gear Solid 2 and 3 found in its predecessor, while Peace Walker is a phenomenal mainline entry and Ghost Babel ranks among the series' greatest spinoffs (and is better than the NES games at least).

It's a fairer trade than the numbers suggest.

War has changed

Metal Gear Solid 4 is the crown jewel of this collection, and unlike the first – which had some major issues at launch – I'm happy to report that this is a phenomenal port. Running at 4K and a solid 60 frames per second (fps) throughout with massively improved loading times between areas, it's hard to see any flaws in this version of the stealth classic… well, aside from those that were already there.

Long thought unportable due to being made specifically for the esoteric PS3 system architecture and a hefty number of licensed products appearing in-game, Metal Gear Solid 4 remains mostly intact.

You still have the iPod; you still see the PS3 console in your plane. However, Konami has gone back and remixed some elements to make sense on modern consoles, with the famous "we're on PS3" scene changed to your platform of choice – even if the almost 20-year difference in Christopher Randolph's voice is pretty obvious.

In fact, the only thing I noticed that was missing was the now-redundant installation menu featuring Snake smoking between chapters.

Despite its notoriety, Metal Gear Solid 4 is a strange game. I'd even argue it's the worst of the six main games in the series, even if it is still a great time.

It gets off to a really strong start with chapters set in the Middle East and South America, featuring some incredible stealth gameplay with a unique battlefield stealth mechanic which allows you to manipulate the ongoing war between rebel militia and PMC groups.

It's a genius bit of game design, and it’s a shame that it's abandoned by the end of the second chapter.

After an Act 3, which boils down to a not-so-great tailing mission, Metal Gear Solid 4 goes off the rails with its plot, lengthy cutscenes, and gameplay segments.

Some of these are highlights of the game, such as the entirety of Act 4 or the final boss fight that ranks among the best in the series. However, some plot decisions and retcons make for the messiest story in the franchise's history – I won't go into detail, but a particular retcon about Metal Gear Solid 3's Para-Medic is a terrible choice that I'm still bugged by years later.

What's there is still a great game I'd recommend to anyone, though it's a shame some of the most interesting gameplay elements are abandoned almost entirely, even if the rollercoaster ride of set-piece and fan-service moments is a joy to play through.

The opening to Act 4 in particular is one of my favorite gaming moments ever and still gives me chills to this day.

We're nomads, and we always will be

Peace Walker, on the other hand, is an unsung part of the saga. Originally released on the PSP, it was somewhat overlooked, but this game is Metal Gear Solid 5 in all but name.

Taking place between Snake Eater and The Phantom Pain, Peace Walker is Metal Gear crossed with Monster Hunter, with a mission-based design that allows for short bursts of play. It introduced base management, weapon development, and nicking soldiers via balloon aspects that The Phantom Pain would later expand upon.

While not quite on the level of the original trilogy, Peace Walker has a great story, which helps show how Big Boss eventually became the person we saw as a villain in the original MSX games – arguably better than The Phantom Pain did. It also features one of the best supporting casts in the series, with Kazuhira Miller returning from Metal Gear Solid and being fleshed out into one of the series' best, while the likes of Amanda, Paz, and Professor Galvez are memorable additions to the series canon.

I say Metal Gear crossed with Monster Hunter, but nowhere is that more felt than in the bossfights, which have you take on massive mecha over a prolonged period. While I like this in theory, these bosses are unfortunately the worst the series has to offer – and aside from the titular Peace Walker and true final boss – are not memorable in the slightest.

Peace Walker also features co-op and versus multiplayer modes, which are present in this new collection, though I wasn’t able to test them over the review period. From my experiences with the HD Collection version, Peace Walker multiplayer is a blast.

This port is a bit rougher than Metal Gear Solid 4, mostly because there isn't too much you can do to make PSP assets shine in 4K. However, the addition of new higher-quality versions of the comic-book-like cutscenes by Ashley Wood is a welcome bonus

It's not over yet

If you played Master Collection Vol 1, you will have a good idea of what to expect this time around. Both main games come with a Screenplay Book and Master Book, which features rundowns of the story, background info on characters, and strategy-guide-esque details to let you find secrets in-game.

There are also soundtrack selections and the ability to download other language versions of the games if you please. The Metal Gear Solid 4 edition also features the Metal Gear Solid 4 Database app, which was released on PS3 around the launch of the original game, although sadly its version of Metal Gear Online is not present.

And while the bonus titles included the original MSX2 version of Metal Gear and Metal Gear 2 – which I wrote about how good they are a few years back – and the less-good NES versions of them, this time around the only additional title is Metal Gear: Ghost Babel for the Game Boy Color.

Ghost Babel takes gameplay akin to Metal Gear 2, but fuses it with some elements of the PS1 classic while adapting it to a stage-based formula for handheld. While it doesn't quite match the main series, Ghost Babel should not be slept on, as it's one of the best spinoff titles the franchise has to offer.

Sadly, that's it though. It's a shame, as the likes of Metal Gear Acid or Metal Gear Rising would've been much appreciated additions.

Metal Gear Solid Master Collection Vol.2 is another package of two fantastic games, with some great bonuses included. While it's mostly a vehicle to get Metal Gear Solid 4 out of PS3 jail, Peace Walker and Ghost Babel are two brilliant additions that you might have missed the first time around.

Should you play Metal Gear Solid Master Collection Vol.2?

Play it if...

Don't play it if...

Accessibility features

Both Metal Gear Solid 4 and Peace Walker have subtitles and controller remapping features, but otherwise the accessibility features included in this collection are the same as they were back in the original releases.

This means no color blind support, audio description, or gameplay tweaks are available – which could cause issues during moments in both games when tons of button mashing is required.

How I reviewed Metal Gear Solid Master Collection Vol.2

I played 12 hours of Metal Gear Solid Master Collection Vol.2 on PS5 Pro using a DualSense Wireless Controller, on an LG C5 OLED TV with an LG-US70TY soundbar.

During this time, I played a full run of Metal Gear Solid 4 while skipping most cutscenes (as I had replayed the game very recently for comparison) through to the end of Act 4. I played through to the end of Chapter 1 of Metal Gear Solid Peace Walker, and roughly half of Metal Gear: Ghost Babel. I have played all of these games multiple times before this review, and was able to compare to other versions where applicable.

First reviewed August 2026

• The Nintendo Switch 2 UK price will go from £395.99 to £419.99 next month
• Nintendo announced the changes for the US, Canada, Europe, and Japan in May
• The new pricing comes into effect on September 1, 2026

Nintendo has officially confirmed the new UK price of the Nintendo Switch 2, which is set to increase next month.

Back in May, the Mario maker announced fresh Switch 2 price increases for the US, Canada, Japan, and Europe. Effective September 1, 2026, they were billed as a "response to various market conditions, which are expected to extend over the medium to long term."

"We understand that pricing changes can be challenging for customers and deeply appreciate the continued enthusiasm of our fans for Nintendo products and experiences," Nintendo shared at the time.

The US price will rise from $449.99 to $499.99, while Canada will see a $50 increase from $629.99 to $679.99. Europe will rise by €30 from €469.99 to €499.99, and Japan will jump from ¥49,980 to ¥59,980.

There was no confirmation at the time for the UK, but now, in a new X post from Nintendo Store UK, it's revealed that the Switch 2's price will increase by £24, bringing the Switch 2 from £395.99 to £419.99.

The new Switch 2 pricing comes as no surprise, as the global RAM crisis, driven primarily by the rapid demand for AI data centers, continues to impact consoles and hardware manufacturing.

Microsoft has increased the price of its Xbox Series X and Xbox Series S consoles multiple times this year, including earlier this month in the UK, which saw the 512GB Series S shoot up from £299.99 to £429.99, and the Xbox Series X 1TB skyrocket from £349.99 to £519.99.

The PS5 and PS5 Pro consoles also received price changes earlier this year, with the base PS5 jumping $100 / £100 from $549.99 / £479.99 to $649.99 / £569.99.

• Horizon Hunters Gathering is reportedly being overhauled to remove its live-service features after poor player feedback
• The game is being turned into a traditional cooperative multiplayer game with a smaller scope and story mode
• Bloomberg's Jason Schreier has also revealed details about several live-service PlayStation games that were canceled

Guerilla Games is reportedly overhauling Horizon Hunters Gathering and stripping out the game's live-service elements following negative feedback.

According to Bloomberg reporter Jason Schreier, sources "familiar with the company's plans" claim that the Horizon Zero Dawn studio is removing the project's live-service features after "poor" playtest feedback and reimagining it into a traditional cooperative multiplayer game with a story mode "and a far smaller scope."

They said the game isn't canceled yet, but Guerrilla told staff in a meeting on August 19 that they have until December to impress executives with their next milestone, while many developers will be reassigned to a different, unknown project that will also be evaluated at the end of this year.

Schreier offered a few more details in his latest YouTube video where he discussed Sony's live-service initiative, explaining that Horizon Hunters Gathering, which was announced earlier this year, has been undergoing playtesting throughout the year, including in February and May.

While still in development, this is the latest PlayStation live-service project that has failed to get off the ground following a few years of Sony attempting to get its first-party single-player studios to dip their toes into the multiplayer genre.

According to Schreier, several more behind-the-scenes projects have been canceled, among them the long-rumored God of War live-service game from Bluepoint, the developer known for remaking and remastering older games like Shadow of the Colossus and Demon's Souls, and which was shut down earlier this year.

The studio, which Schreier reported was also interested in developing a Bloodborne remake, helped Sony Santa Monica create God of War Ragnarok and soon after kicked off an online multiplayer live-service God of War game featuring Kratos' son Atreus descending into Hades.

"I don't remember all the specifics or exactly how it would work, but essentially it was designed for many players," Schreier said, "So, I guess they could do their own kind of custom versions of Atreus or like aspects of Atreus. I'm not 100% sure how it would work, but that game did not pan out."

In addition, Insomniac Games, best known for its Marvel's Spider-Man games and launching Marvel's Wolverine next month, was at one point developing an online Spider-Man title, which was ultimately scrapped.

"They're one of the studios that has actually avoided the curse of not releasing anything in the PS5 era," Schreier said, "But even they took a live service initiative. They were visited by the Nick Fury of PlayStation [about] doing a Spider-Man multiplayer game. It didn't get very far, and they didn't spend a ton of resources on it.

"They didn't put a ton of money or time into it, which is why they have been able to release multiple games this generation."

Schreier also touched on Naughty Dog's canceled The Last of Us multiplayer game, which was in development for four years and canceled in 2023, which we learned earlier this year from game director Vinit Agarwal was 80% complete before the plug was pulled.

Sony's live-service initiative has been a rough road; we've also seen games such as Concord canceled two weeks after launch following poor reception and Destiny 2, which was recently taken offline four years after the PlayStation company purchased its developer, Bungie.

It’s been a rough week for Rockstar Games. It appears that a working build of Grand Theft Auto 6 is out in the wild, with a seemingly endless stream of gameplay footage being leaked.

Already everywhere across social media channels, the first I learned of all this was a deluge of clips showing up in my personal Instagram feed.

Leaks of this magnitude are the last thing any developer would want — let alone the team behind one of the most anticipated games of all time. We’re just a week or so away from the official extended look reveal video launching too, and I can’t help but feel that the leakers have stolen Rockstar’s thunder.

So what exactly can we learn from all of this new footage? Well, GTA 6 certainly looks like a GTA game. Key mechanics like the wanted level system return (albeit with an extra star level and the ability for the police to remember your outfit or vehicle), along with various open-world activities ranging from racing challenges to tossing basketballs into hoops.

Beating heart

I’ve also seen speculation that some systems similar to those in Red Dead Redemption 2 will be featured. Namely, the idea that there’s a karma meter to measure the morality of your actions, as well as icons suggesting that the dual protagonists Lucia Caminos and Jason Duval’s abilities will level up as you play.

It all looks about what I would have expected from a new GTA in 2026. If you’d asked me to speculate on what GTA 6 would be like this time last year, I’d have said that it would look like an upgraded version of GTA 5 that incorporates some Red Dead Redemption 2 elements: in short, a classic sequel that builds on the previous release while also bringing in what worked from the developer’s other recent games.

I wasn’t truly blown away until I saw the latest clip.

The minute or so of footage shows the leaker flying a small plane into a city, presumably Vice City, though it is a little hard to tell. All of the other videos I’ve seen take place on the ground, which makes it hard to really tell the scale of the map. Here, it’s plain to see, and let me tell you, GTA 6 looks immense.

The first thing I noticed was the render distance. As the camera pans around, you can see the world stretching off into the horizon. Even the most distant roads are bustling with traffic. Of course, there’s no guarantee that the finished product will look this good (we don’t know how old this build is, or what kind of specs it’s running on), but if Rockstar can achieve anything like what’s shown here on consoles, then it’s going to be a stunner.

Our pilot then turns the view towards the city itself, which is simply breathtaking in its own right.

I’m a bit of a sicko for city design in games, and I pay close attention to how roads are laid out and districts are arranged. I think it’s probably the result of hundreds of hours playing SimCity and Cities: Skylines, not to mention consuming endless content about city design in those games. It’s given me a good eye for scale, particularly when things don’t make sense.

From what I’ve seen of GTA 6’s urban environments in these leaks, I’m beginning to think it could deliver some of the most authentic and grounded ever. There’s a believable level of urban sprawl on the approach, with patches of commercial and residential buildings stretching for miles.

They’re separated from the city center by a busy raised highway that realistically splits off into arteries to direct traffic towards large roads and eventually trickle down into smaller streets. The skyscrapers become denser and more modern as you home in on the city centre, and looking closely reveals countless smaller apartment blocks and department stores nestled in between them.

The city runs along a coast, and there are glimpses of seedier boroughs inland, with low-lying houses and parking lots. Out near the waterfront, in contrast, it is clearly prime real estate and dominated by leafy green streets and a smattering of holiday resorts.

It all just looks so real, and appears so much more intricate than the comparatively sparse Los Santos in GTA 5. It’s certainly taken my excitement up a level, and I now can’t wait to immerse myself in Vice City’s detailed streets. Hopefully the upcoming extended look video highlights the world design and reveals even more.

Grand Theft Auto 6 is set to launch for PlayStation 5 and Xbox Series X and Series S on November 19, 2026.

• Xbox Wireless Controller X25 Special Edition will reportedly launch on October 20
• Leaker 'billbil-kun' claims pre-orders will open during Gamescom on August 26
• The controller will cost $79.99 / £74.99 / €79.99

The price and release date for Microsoft's 25th anniversary Xbox Wireless Controller have reportedly leaked online ahead of Gamescom 2026.

The company revealed the Xbox Wireless Controller X25 Special Edition in June, alongside the Xbox Series X25 Limited Edition, both inspired by the original Xbox and the "OG green" that players remember.

We haven't heard anything about the hardware since, but now, according to reliable leaker 'billbil-kun' of Dealabs (via IGN), the X25 controller will launch on October 20, 2026.

The leaker also claims the controller will cost $79.99 / £74.99 / €79.99 / Canadian$99.99, with pre-orders opening on August 26, coinciding with its announcement at Gamescom.

We know Xbox will be at Gamescom, but its plans for Opening Night Live, where host Geoff Keighley will take to the stage to unveil world premiere trailers for new and upcoming games, are currently unknown.

However, billbil-kun claims the X25 controller details will be featured during the event, with pre-orders opening soon after.

There are no pricing details for the Xbox Series X 25 Limited Edition. Still, Xbox previously stated in an Xbox Wire post that the console and controller will be available together in select markets as a limited-edition collection in November.

Both the console and controller are a gorgeous translucent green, allowing players to see their internal builds, with illuminated Xbox buttons and "Xbox 25" branding.

"This is just one of the ways we’re celebrating 25 years of XBOX with you, the players who have made XBOX what it is. Thank you," said Jason Ronald, VP Next Generation, in the same post.

UPDATE: A third clip has now leaked, as the leaker suggested, showcasing more gameplay, including a new story mission cutscene. This story has been updated with those details.

• Grand Theft Auto 6 gets leaked again, with footage revealing gameplay and the entire map
• The leaker demands Rockstar Games' apology and statement for recent game disc decisions, with 'commandments' in a manifesto
• The leaker has kept their promise, with a third clip surfacing online, revealing more gameplay and a new cutscene

Rockstar Games' Grand Theft Auto 6 is almost here, with a new reveal set to premiere on Netflix — but not without a major disruption beforehand for both the game studio and its parent company, Take-Two Interactive.

GTA 6 has leaked yet again, revealing new gameplay and the entire map of Leonida, with the hacker group Cyberleek claiming responsibility for the breach. Insider Gaming also reports that the footage is likely from an older build, at least according to reputable leaker Nate The Hate, who says it's over a year old.

While we won't go into details of the leaked footage (for obvious reasons), the level of polish and realism is high, suggesting the full release may be as great as many fans anticipate.

Most importantly, though, Cyberleek released a manifesto protesting against Rockstar, threatening to continue to 'disrupt their operations' by leaking game material until the developer issues a public statement and apologizes. Unsurprisingly, Cyberleek has fulfilled their promise and released yet another clip online showcasing more gameplay and a story cutscene.

The reason for the leaks and the demand for an apology stem from Cyberleek's push to stop the elimination of physical game discs pioneered by Sony and Rockstar. The manifesto contains 'commandments' to stop digital pre-orders altogether, preserve single-player content, and stop selling 'fake single-player DLC'.

This is now the third major leak of GTA 6 in its buildup to launch. The first revealed very early unfinished gameplay, and the second unveiled the game's first trailer hours before its YouTube premiere.

It doesn't look like these leaks will slow down anytime soon, despite Take-Two Interactive and Rockstar Games striking multiple online posts across social media with DMCA takedowns — all while Cyberleek suggests that those 'commandments' aren't exclusive to Rockstar, stating that other publishers are not safe from leaks.

Rockstar Games has been called into question regarding some of its practices lately, deemed anti-consumer, notably regarding game ownership, which is effectively non-existent without game discs.

However, ransom isn't a good look in any scenario. It's illegal and, frankly, this isn't going to make Rockstar Games or any other game developer or publisher consider the propositions or backtrack on controversial choices.

Fans will continue to protest for game preservation and ownership, but it goes without saying that this isn't exactly the right way to do it.

• Leaker Billbil-kun claims the Nintendo Switch 2 version of Diablo 4 will launch on September 15
• The "Age of Hatred Collection" will reportedly include the base game and the Vessel of Hatred and Lord of Hatred expansions
• The physical edition will have a code in the box

The long-rumored Nintendo Switch 2 port of Diablo 4 could reportedly launch very soon after BlizzCon 2026.

That's according to reliable leaker 'billbil-kun' of French outlet Dealabs (via Resetera), who originally reported on the Switch 2 version of Diablo 4 earlier this month.

Now, they claim that Diablo 4 will arrive on Switch 2 on September 15, nearly three years after its release on PS5, PS4, Xbox Series X, Xbox Series S, Xbox One, and PC, two days after BlizzCon 2026, which takes place between September 12 and September 13.

The edition will be called the "Age of Hatred Collection," and will include the base game and its two expansions, Vessel of Hatred and Lord of Hatred, and will cost $69.99 / £62.99 / €69.99.

Pre-orders are expected to begin on September 12, coinciding with the opening of BlizzCon 2026, and it appears that the physical version won't have a cartridge, but will offer a code in a box instead.

Billbil-kun couldn't determine when the game will be announced, but suggested that an official reveal could be made during Gamescom 2026 next week, where Xbox has confirmed its presence, but it's currently unclear. The announcement could just as well arrive at BlizzCon, too.

Diablo 4 launched in 2023 and is regarded as one of the best isometric, open-world role-playing games (RPGs). In TechRadar Gaming's five-star review, freelance contributor Cat Bussell praised the game's "darkly compelling fantasy world," "fluid combat that scales well in single and multiplayer," and "endlessly customizable characters."

• The final Star Wars Zero Company trailer has been released
• The trailer has confirmed the return of Captain Rex, and fans are hyped
• Star Wars Zero Company launches on August 27

Bit Reactor has released the final trailer for Star Wars Zero Company, which confirms the return of another fan-favorite Star Wars character.

Last month, the studio revealed the Zero Company cast and confirmed that Anakin Skywalker will be in the game, voiced by The Clone Wars actor Matt Lanter (I've played as him in my preview, and he's awesome).

Now, fans can also look forward to seeing the return of yet another fan-favorite character, Captain Rex, leader of the Grand Army of the Republic's 501st Legion, as revealed in the game's final trailer.

Rex appears for a split second, gearing up for a fight, suggesting he could arrive during a story-central battle.

Bit Reactor hasn't confirmed if the Clone Trooper will be playable, but I certainly hope so. Fans are also sharing their excitement, since it's been far too long since Rex has been involved in any Star Wars stories.

"You're as beautiful as the day i lost you," one fan wrote on X, as another replied to the trailer, "OUR BOYYYY IS BACK. CAPTAIN REX IS ACTUALLY BACK."

"REX LETS FREAKING GOOOO!!!!!!!!!!!!!!!!" someone else wrote.

It won't be long before fans get to meet Captain Rex again, because Star Wars Zero Company launches on August 27 for PC, PlayStation 5, Xbox Series X, and Series S.

Bit Reactor has confirmed that the game will take up to 40 hours to finish, but it won't have a New Game Plus mode.

I've played more than 15 hours of Star Wars Zero Company, and I'm hugely impressed with the story so far, the isometric turn-based tactics combat, and customization.

"Some Star Wars fans who have never played a TBT game might feel put off from trying out Zero Company, so the question is: Can fans unfamiliar with the TBT genre still enjoy this game? I would say absolutely!" I wrote.

"As a massive Star Wars fan and someone who enjoys TBT but has never played XCOM, Zero Company easily made me familiar with the mechanics and, so far, offers a cohesive experience that combines the joy of Star Wars storytelling with compelling tactical gameplay."