• Prime Video and Netflix are planning new AI-generated homepages
• Netflix revealed its 'GenPage' tests ahead of a new Prime Video report
• Viewers aren't convinced that homepages are moving in the right direction

You're about to see a lot more generative AI in your streaming apps: Netflix has posted details of testing that it's doing with generative AI on its homepage, while Reuters reports that Amazon Prime Video is set for an AI-driven overhaul as well.

Starting with Netflix, the company has revealed it's working on a way of using generative AI to do a lot of the heavy lifting on the app homepage. That includes figuring out which recommendations each user should see, adapting to feedback and user behavior over time, and combining movies, shows, games, podcasts, and live events in the best way.

It starts with a prompt — "Given everything we know about this user and this request, what homepage should we generate to maximize user satisfaction?" — and Netflix seems pleased with the results. There are still some issues to work on though, like the AI model not knowing much about a movie or show that's only just launched.

User engagement increased in Netflix's internal testing, with the new 'GenPage' AI model applied, and recommendations became more relevant more quickly. What's more, the time needed to render the homepage went down. This is still in its early stages, and Netflix hasn't said when this will come to users or in what form, but it's now in the pipeline.

AI 'front and center' on Prime Video

On to Amazon, and a new Reuters report says Amazon boss Jeff Bezos has personally decided that Prime Video will act as a showcase for AI in the near future, and that an upcoming homepage redesign will put AI "front and center".

That's according to people "with direct knowledge of the matter", so don't take this as confirmed just yet. The homepage overhaul project is apparently known as 'Lighthouse', and is said to be envisioned as a way of claiming some of the AI spotlight from rivals such as OpenAI and Anthropic.

We don't get too many details on what this is going to look like, but film and TV recommendations are going to have more AI injected into them, Reuters says. The AI will also be better at learning the personal preferences of viewers over time, and responding to voice commands.

You might see tiles on the homepage such as 'action movies from the 1980s', for example. The report doesn't give any indication of when this overhaul might start rolling out, but it's apparently already being tested with a select number of users in a variety of forms.

Our AI-driven interface future

Netflix Users Say They Dislike New Layout; Research Says Otherwise from r/netflix

With two of the big streaming giants apparently now committed to homepages controlled by AI, the next question is what users might make of it. There's so much to watch on each platform that some kind of filter or algorithm is needed, but is this AI-focused approach the right way to go about it?

Past homepage overhauls perhaps give us some clues: A major Netflix redesign rolled out last year was met with many online complaints, but the company's internal data showed that it was working, so it stayed in place. At the time there was speculation that more AI was on the way, and it seems that's now the case.

"I don't know if I'm alone," writes one Redditor, "but I hate the concept of 'personalizing' my content. No offense to anyone but AI so far has not been good at predicting anything about me... I personally do not want software to think for me."

The reactions to Prime Video's upcoming AI overhaul seem similarly downbeat. "This seems completely unnecessary," comments one user, while several suggest the move might even be enough to tip them into canceling their Prime Video subscription.

Huzzah, another weekend is upon us — and, amid the lack of new movies landing in theaters today (July 24), you might be inclined to stay at home and check one of the following seven must-see films and TV shows instead.

There are a couple of new releases we couldn't squeeze into this week's streaming round-up — sorry, Star Trek: Strange New Worlds season 4 and The Dink. Nevertheless, I'm sure you'll find something to your liking from those we've listed below. So, take a look, load up one of the best streaming services, and sit back and enjoy one or more of them. — Tom Power, senior entertainment reporter

Stuart Fails to Save the Universe (HBO Max)

And what if I said that The Big Bang Theory spinoff Stuart Fails to Save the Universe was better than the original series? Nobody was expecting awkward comic book store owner Stuart's story to continue from the main show, but in hindsight, it's a glorious move.

Our titular heroic lead, on-off girlfriend Denise, and friends Kripke and Bert are brought back together when Stuart triggers a multiverse armageddon by accidentally breaking a device built by Sheldon and Leonard.

Has 'King of Sitcoms' Chuck Lorre done it again? You'll need to read my Stuart Fails to Save the Universe review to find out if it's th TV triumph that I never expected. — Jasmine Valentine, entertainment reporter

• Watch Stuart Fails to Save the Universe on HBO Max

Avatar Aang: The Last Airbender (Paramount+)

It's been 13 years since the gang defeated Lord Ozai and the Fire Nation, and attentions have turned to a new airbender called Tagah. Together, Aang and Tagah embark on a global quest to find the relic before a group called The Denied.

Aang is all grown up in Avatar Aang: The Last Airbender, but that doesn't mean the original magic has gone anywhere. The movie's understanding of perspective, movement, and detail is absolutely astonishing, moving through the Four Nations with such awe-inspired wonder that you'll want to live in each frame.

Time may have changed how they look, but their goofy and fun-loving personalities definitely haven't... and the animation captures exactly what has been missing from Netflix's live-action adaptation. — JV

• Watch Avatar Aang: The Last Airbender on Paramount+

72 Hours (Netflix)

In this new Netflix movie, Kevin Hart stars as a 40-year-old who ends up at a three-day bachelor party with strangers, resulting in yet another silly Hart-led venture that's perfect if you need of a laugh this weekend.

How did he end up there, you might ask? Well, he was mistakenly added to a group chat and went along for the ride, traveling from New York to Miami to join in the celebrations. Any excuse to party by the beach, I suppose.

It's not so idyllic though, as the trailer teases trouble with the law and other mishaps, including getting horribly stung by a jellyfish. Rather him than me. — Lucy Buglass, senior entertainment writer

• Watch 72 Hours on Netflix

Mortal Kombat II (HBO Max)

Flawless victory! Mortal Kombat II is now available to stream on HBO Max, so you can relive the action-packed video game adaptation whenever you'd like.

As far as weekend watches go, you really can't beat an over-the-top, violent thrill ride like this one. If you're a fan of The Boys, Karl Urban's portrayal of Johnny Cage has been widely praised, with some noting it's worth watching just for him. — LB

• Watch Mortal Kombat II on HBO Max

Pompeii: Out of Time with Tom Hiddleston (Hulu/Disney+)

Think you know the complete story of Pompeii? Hold that thought, because Marvel star Tom Hiddleston sheds new light on this cataclysmic event in one of the more poignant docudramas I've seen in a while.

A three-part National Geographic series, Pompeii: Out of Time follows Hiddleston as he retraces the steps of a trio of individuals caught up in the natural disaster. Armed with fresh archaeological evidence and backed up by a team of experts, Hiddleston explores how these people not only navigated one of the worst humanitarian crises of the ancient world, but who might also have even survived the deadly events of 79 A.D.

Part educational, part moving drama, Pompeii: Out of Time is out now in full on Disney+ and Hulu. — TP

• Watch Pompeii: Out of Time with Tom Hiddleston on National Geographic via Hulu (US) and Disney+ (internationally)

Ransom Canyon season 2 (Netflix)

I don't need all of my television to be profound, life-changing, or even that meaningful. Sometimes, I just want to switch my brain off and pretend I live in a picturesque, rural town like Ransom Canyon on the other side of the world where everyone has unrelenting drama except me.

In season 2, the land feud between the Double K and Fuller ranches has become more ferocious, local bar owner Quinn has left for New York despite her on-off relationship with rancher Staten, and mysterious newcomer Yancy has revealed to new love interest Ellie that he has a secret wife.

Season 1 was already a strong outing, but now that the show knows itself a little more, season 2 is easily on par with the strongest seasons of Virgin River, the streamer's most iconic "cozy drama" IP. — JV

• Watch Ransom Canyon season 2 on Netflix

Masters of the Universe (Prime Video)

One of numerous mid-2026 film releases that have bombed at the box office, Amazon has hoisted the proverbial white flag on its live-action Masters of the Universe movie's theatrical run. In short: that means you can now watch it on Prime Video.

Based on the Mattel-owned media franchise of the same name, the action fantasy flick tells the tale of Adam, the crown prince of Eternia and owner of an mystical weapon called the Power Sword that, when wielded, turns him into the superhuman known as He-Man. Together with his allies, the previously exiled Adam must realize his potential and overthrow the nefarious Skeletor, who seized control of Adam's home city of Eternos — and its throne — 15 years earlier.

Not sure if you'll like this flick? Read my Masters of the Universe review to see what I thought before you stream it. — TP

• Watch Masters of the Universe on Prime Video

Spoilers for Ransom Canyon season 2 ahead.

I shouldn't love Ransom Canyon as much as I do, but the Virgin River meets Yellowstone Western drama always has a way of hooking me back in.

In season 2, we've explored a lot of overarching storylines that were first established back in season 1.

The land feud between the Double K and Fuller ranches has become more ferocious, local bar owner Quinn (Minka Kelly) has left for New York despite her on-off relationship with rancher Staten (Josh Duhamel), and mysterious newcomer Yancy (Jack Schumacher) has revealed to new love interest Ellie (Marianly Tejada) that he has a secret wife.

But by the time we get to the end of this new batch of eight episodes, everything has changed again... and not always for the better.

So, where on Earth is everyone at now? Here's a full breakdown of the Ransom Canyon season 2 ending, and what it could mean for season 3 if Netflix decides to renew the series.

Ellie gives birth after her explosive fight with Sidney

As the Ransom Canyon season 2 finale begins, we meet Ellie as she regains consciousness in hospital. She's been brought in via ambulance after Yancy's "wife" (as their marriage was never annulled) Sidney (Heidi Grace Engerman) pushed her off a house porch, endangering Ellie and Yancy's unborn baby.

When Yancy gets there, things are touch and go, but the doctors soon confirm that mother and baby are both okay — though the fall has forced Ellie into labour, meaning baby Isabella has arrived much sooner than expected.

However, Ellie is really shaken up by what happened, as is left convinced that Sidney will return to attack her and Isabella. Yancy tries to reassure her as best as he can, telling Ellie that he will protect the pair of them.

Quinn comes to visit to take her mind off things, explaining how well the music festival they held at Gracie's has done, pushing the bar so far in the black that they made more profit that expected.

Quinn also spots Staten on his way to visit Yancy, explaining in the elevator that she only pushed him away because she was "scared." Staten claims that she hasn't been listening to what's actually happening between them, alongside how much he has changed.

Lucas tells Lauren about Ashley — but Kit's got bigger problems

Meanwhile, things are getting really messy for Lucas (Garrett Wareing). After a suspected drugs charge, he has to be bailed out by older brother Kit (Casey W. Johnson), and it's clear how much the brothers have swapped personalities since the beginning of season 1.

On his way into the station, Kit is stopped by Sherriff Dan (Philip Winchester), who threatens him for messing up daughter Lauren's (Lizzy Greene) life. But hang on... weren't Lucas and Lauren together instead? They were at the beginning of season 2, but Lauren soon found that her feelings were actually towards Kit.

Dan offers Kit a "start over" opportunity, claiming that he knows of a ranching job in Wyoming that would get Kit back into the work he loves so much — and away from Lucas and Lauren. "Everything you touch turns to sh*t" Dan tells him, with Kit intent on fixing the mess he has made.

Lucas emerges from the jail, and the brothers fight in the street when Kit tells him how urgently Lucas needs to get his life back on track. Lucas then tells Kit that he slept with local girl Ashley (Jennifer Ens), before driving to meet Lauren outside the hospital and tell her the truth too. As you can imagine, it doesn't go down well.

Quinn makes her next financial investment in Ransom Canyon

Things are going incredibly well at Gracie's, with Quinn's business investor Mary Lou even offering Lauren the chance to design an album cover for a new music artist because of the poster she created for the festival.

In fact, the festival has gone so well that Mary Lou is already thinking about next year's event, with acts already enquiring about being in the lineup. The only problem is accommodation — if Quinn wants to make the festival bigger and better, Ransom Canyon currently doesn't have the capacity to host more visitors.

But Quinn has an idea. She wants to use the extra profits made to invest back into Ransom, which starts with buying abandoned restaurant, The Lone Star, and converting it into a music venue and hotel. She pitches it to Mary Lou as a local version of The Ryman in Nashville, and the pair shake on it.

Claire pushes Quinn and Staten back together for good

Quinn's mother Claire (Patricia Crawford) arrived in town in season 2 episode 1, and now she's about to fly back home again. Before she does, she's got two stops to make.

The first is swinging by Quinn's house, with her daughter revealing the Lone Star investment plans. On top of that, Quinn has also sold her own farm to give Claire the money to buy a new house, giving her mother a chance to start afresh and chase her own dreams, for once.

Claire then swings by Staten's house, and convinces him to pursue Quinn one last time. She believes the pair are each other's true loves, despite Quinn telling Claire earlier that the pair are "done forever." Before she leaves Staten's house, he asks Claire to take something with her.

Claire says goodbye to her daughters at Gracie's and hands Quinn a box from Double K ranch, with a letter from Staten inside. He writes that everything he has said is "wrong," and asks her to meet at the cabin. While we wait to see if Quinn turns up, we see a flashback timeline of their relationship, from meeting each other as young teens to the present day.

Sure enough, Quinn opens the cabin doors to find Staten lighting a fire, as the pair kiss. Finally! The next morning, Staten tells Quinn how many times he's dreamed of having her there, with Quinn replying that she knows that Staten is "her person."

Freddie convinces Yancy that the oil grift is real — which brings Ellie to breaking point

Yancy's having a rough ride once again... but it's all his own fault. After his grift with old prison mate Freddie (Kenneth Miller) to trick Senator Kirkland (Brett Cullen) into believing there is oil on Double K land to stall his plans gets busted, the two reconvene.

Freddie claims he's no longer interested in the $80,000 Yancy allegedly owes him, instead revealing that he's run the survey past a new set of eyes, and their oil ruse could actually be real for Fuller ranch. If so, Yancy and Freddie could come into millions of dollars.

Yancy arrives at the hospital to tell Ellie the good news, but she's discharged herself. He finds her at her house, with officer Kai (Justin Johnson Cortez) keeping a 24-hour watch on the premises.

Between Freddie, the potential oil and being constantly convinced that Sidney will snatch Isabella from her, Ellie is at breaking point. She tells Yancy that she needs to protect their daughter from the "darkness that follows him," asking him to leave the house.

This effectively means that they've broken up, with Yancy starting a physical fight with Kai while leaving the house. We see him drive away in the snow, furious and upset with what has just happened.

Kit leaves for Wyoming as Lucas and Lauren make an uneasy truth

After finding out about her album art offer, Lauren waits for Kit on the stoop. She tells him that she's excited about their future together, but Kit no longer wants to continue seeing her. he claims that he's finally realised what Lucas sees in Lauren, and how big her success could be — he doesn't want either brother getting in the way of that.

The next day, Lucas finds Kit on the front porch at home, with a bag all packed. Kit tells him that in order to fix things between them, he's going to Wyoming to take the ranching job. The two share a tearful goodbye before Kit leaves.

Later that night, Lauren arrives looking for Kit. Lucas is there instead, and the two both admit how much they messed their relationship up. Lucas says that he hopes the pair will be okay again someday, and the two form an uneasy truce.

Before she leaves, Lucas tells Lauren that Kit is at the bus stop. She arrives just in time before he boards, telling him not to go. Kit says that he has to, with Lauren doubling down by replying that she's never letting him go. The pair kiss, but does he actually end up going?

Staten asks Quinn to move in as Double K board meeting looms near

On the night of the board meeting, there's a lot to play for. Senator Kirkland has finally relented, claiming that he'll back Staten as the head of Double K ranch in front of the board, forfeiting his own position. Lucas also says that he'll have Staten's back.

Before he enters, Quinn meets him outside, saying that she wouldn't have missed such an important evening. Staten puts a key to Double K ranch in her hand, as a prompt to move in with him. "You need to live somewhere now you've sold the farm," he adds, as the two kiss one last time.

Season 3 predictions

Unusually, there aren't a lot of plot lines left unresolved, but we still have two key stories to follow if Ransom Canyon season 3 gets picked up.

The first is what actually happens at the board meeting. The feud between Double K and Fuller ranches is far from over, even if it doesn't feel like a priority at the end of season 2. Yancy and Freddie are clearly still scheming, so it might not be as straightforward as Staten claiming victory at the meeting.

The second is what happens between Ellie and Yancy. Ellie has pushed Yancy away for her own safety, but he's not going to take be separated from daughter Isabella lying down. Will he made bad decisions in order to see her, and is this really the last we've seen of Sidney?

Of course, there's also a question mark over whether Kit goes to Wyoming, though it's heavily implied that he changes his mind.

In life, you often have to meet something at what it is, not what you want it to be. This is the logic that I need you to apply to Ransom Canyon season 2 when you watch it, as all eight episodes drop on Netflix on July 23.

This Western drama soap opera hybrid serves to entertain, but it doesn't ever aim to cross a boundary. It's not striving to be the best TV show of 2026, or do anything remotely challenging or ambitious. Ransom Canyon is a show that stays in its subtly cringe and often stereotypical lane... and for that, I'm thankful.

I don't need all of my television to be profound, life-changing or even that meaningful. Sometimes, I just want to switch my brain off and pretend I live in a picturesque, rural town on the other side of the world where everyone has unrelenting drama except for me. Enter Double K ranch owner Staten (Josh Duhamel), local bar owner Quinn (Minka Kelly) and an eclectic ensemble of characters.

When Netflix commits to the soap opera bit, it ticks the genre boxes incredibly well. Season 1 of Ransom Canyon was already a strong outing, but now that the show knows itself a little more, season 2 is easily on par with the strongest seasons of Virgin River, the streamer's most iconic "cozy drama" IP.

The catch? Season 2 is releasing just weeks after the epic Yellowstone spinoff Dutton Ranch released on Paramount+, which was widely praised by fans and critics (including me) alike. With both shows in such close proximity of each other, it's easy to see how weak the cowboy drama in Ransom Canyon actually is.

Ransom Canyon season 2 is a love story with cowboying on the side — that's an important distinction

Here's where the two shows differ dramatically: Dutton Ranch is a Western drama that sprinkles complex love stories in between. Ransom Canyon is a love story that sprinkles Western drama in between.

Once we've understood this, we know that we can't directly compare them... as much as we want to. The two have completely different functions and goals, and it's highly likely that the fanbases won't fully cross over. That being said, I think following straight after the return of Beth Dutton (Kelly Reilly) and Rip Wheeler (Cole Hauser) in the Yellowstone spinoff will undoubtedly hurt Staten and Quinn's second outing.

On the surface, season 2 puts a lot of emphasis on the ongoing land feud between the Double K ranch owned by Staten and the Fuller ranch next door, now owned by dubious newcomer Yancy (Jack Schumacher). But by the time we've reached the season 2 finale, it feels completely inconsequential.

This is because we're really being driven by the romantic drama that intertwines the Ransom Canyon residents rather than the mechanics of the town itself. Nobody really cares who owns what or who works where, as long as the right people settle into the relationships that are clearly destined for them.

If Netflix hadn't have hyped the feud up in its marketing, I don't think I'd have noticed that the cowboying actually lets Ransom Canyon down so easily. Taylor Sheridan ain't in these parts, and I think it will always show.

But it's a sensational soap opera — as is cast newcomer Patricia Clarkson

As a flat-out soap opera, Ransom Canyon season 2 is delicious. The indecisively infuriating will-they-won't-they dynamics run wild, the dramatic breakups are deployed at the perfect time, but when it comes down to it, things draw to a close in exactly the way you think they will.

It's almost a comfort to know what you're going to get at an end result, to have something that's often more stable than your actual life (well, if you remove all of the fictional chaos ). Even though tensions between Staten and Quinn remain front and centre, not a single supporting character feels underused.

With each connection feeling like a fulfilling one, we're really getting a lot of bang for our buck when it comes to narrative sustenance. An extra shoutout must go to newcomer Patricia Clarkson, who joins the series as Quinn's firecracker mother, Claire. I've honestly got no clue how the show scored such a uniquely legendary talent, but they've certainly not been complacent about it.

Is Ransom Canyon season 2 more of the same? Essentially, yes. Is that a bad thing? No, that's exactly what we want. If you overlook the cowboying, you'll probably fall in love with each and every character as much as I did... and soap opera historically aren't my thing. If you can't trust the opinion of a reformer hater, who can you?

I know, I know... I'm being greedy when it comes to Little House on the Prairie. Netflix only dropped the first season on July 9, with its second season being renewed months before we even saw it.

Frankly, it's all good news for anybody who loves the Ingalls family. Logic tells us that season 2 will be based on the next book in Laura Ingalls Wilder's original series, On the Banks of Plum Creek.

Having left their little house on the Kansas prairie (which is exactly what we saw at the end of season 1), the Ingalls family travels by wagon to Minnesota, settling on the banks of Plum Creek.

The book covers five years of Wilder's childhood, so we could see the Ingalls stay there for a while should the Netflix series continue to be renewed.

If I were a betting woman, I'd say that Little House on the Prairie season 2 could be exceeded by at least 3 more seasons, if the streamer invests in the IP in the same way as it does with Virgin River. At the time of writing, no further seasons have been commissioned.

Talking to star Alice Halsey, who plays Laura, this situation would be a "dream come true," — and there's good reason to be optimistic.

Little House on the Prairie season 3 would likely be based on By the Shores of Silver Lake

"I love playing Laura, and I would love to do it for a whole lot longer," Halsey tells me. "I would just adore the prospect of being able to be Laura for years to come, to be able to be that kind of person that Melissa Gilbert was to so many people. I think that's really empowering.

"I just hope that people will love season 2 as much as they seem to like season 1. Season 2 is going to be even better. If we have a season 3 or season 4, that would just be a dream come true."

As I've said, I think Halsey is right, and Little House on the Prairie will likely be renewed for both... but let's dig into why. For starters, there's a wealth of source material to work with courtesy of the real-life Ingalls.

Here's the full Little House series list:

• Little House in the Big Woods (1932)
• Farmer Boy (1933)
• Little House on the Prairie (1935)
• On the Banks of Plum Creek (1937)
• By the Shores of Silver Lake (1939)
• The Long Winter (1940)
• Little Town on the Prairie (1941)
• These Happy Golden Years (1943)
• The First Four Years (1971)

We skipped past the first two books by the time season 1 even began, with season 2 confirmed to adapt On the Banks of Plum Creek. That leaves another five novels that are ripe for adaptation, meaning a minimum of five further future seasons in the pipeline.

Why "minimum?" Well, this largely depends on how Netflix chooses to adapt future books. The Ingalls didn't live in the Kansas prairie for too long, but we know that they lived by Plum Creek for a good few years. This could either be crammed into one season, or spread out over a few.

Of course, Netflix doesn't have to use all of Wilder's remaining books, either. As it's already skipped past the first two (understandably to start at the most well-known point), the streamer can pick and choose what it wants to adapt.

In its best-case scenario, we could be looking at an original IP that rivals Virgin River, which is currently the longest-running original series in Netflix's roster. Little House on the Prairie must be similarly cost-effective for Netflix to film, with both shows passing off Canada as various US locations.

As it stands, it's all to play for... but don't be surprised if more announcements come out sooner rather than later.

What do you mean Heartstopper Forever hasn't actually ended? Alongside the fact that the new movie is now streaming on Netflix, the streaming service has slyly announced a "companion piece" — Heartstopper: Ending on a Hi.

Obviously, we learned exactly what would happen to the gang once the cameras stopped rolling, and were left happy in the belief that Nick (Kit Connor) and Charlie (Joe Locke) definitely weren't breaking up, despite how much their terrible communication threatened to do just that.

So... what is actually coming out way? And when does Heartstopper: Ending on a Hi arrive on Netflix?

What time can I watch Heartstopper: Ending on a Hi on Netflix?

Heartstopper Forever drops on Netflix on July 24, 2026.

As for the exact time, it should be the standard 12am PT release that we saw for the movie.

For global regions, here's when you need to be prepared:

• US – 12am PT / 3am ET
• Canada – 12am PT / 3am ET
• UK – 8am BST
• India – 12:30pm IST
• Singapore – 3pm SGT
• Australia – 6pm AEST
• New Zealand – 8pm NZDT

What exactly is Heartstopper: Ending on a Hi?

Heartstopper: Ending on a Hi is an official 35-minute behind-the-scenes documentary special.

Netflix describes it as a "love letter to the franchise, featuring unseen archival footage, cast interviews, and fan reactions following the final Heartstopper: Forever film."

Don't take the title as a sign of something more to come, though... it's a reference to the very first time Nick and Charlie met in season 1.

• Netflix announced it bought AI firm InterPositive for $587 million
• It acquired the company back in March
• Though the partnership claims to support human creativity, it's still ringing alarm bells for subscribers

Netflix is taking another huge step into its investment in AI — now the streaming platform has completed its $587 million acquisition of startup company InterPositive, the Ben Affleck-owned enterprise that offers AI-powered filmmaking services.

The streaming giant first announced its acquisition of InterPositive back in March, when Bloomberg predicted that Netflix could pay up to $600 million. The company’s recent Form 10-Q report confirms this, and it also reveals that Netflix paid the sum in cash.

Affleck launched InterPositive back in 2022, providing filmmakers with tools to create their own AI model using production dailies to fine-tune post-production work including visual effects, mixing, and relighting shots.

Despite its AI-focus, Affleck has been vocal about his aims to protect human artistry, saying he wanted to “preserve what makes human storytelling human, which is judgement” and to “protect the power of human creativity” at the time of the company’s inception. That said, the acquisition is certainly a bold move from Netflix given how much criticism its investments in AI has garnered.

Prior to its 10-Q report, Netflix released a shareholder newsletter which admitted to using AI ‘on '300 movies and shows' in 2026, such as the docuseries The American Experiment. Co-CEO of Netflix, Ted Sarandos, went into further detail on this, stating that these AI tools helped produce accompanying visual elements “twice as fast and at half the cost of previous options,” according to Variety.

As you can imagine, this hasn’t settled well with loyal Netflix subscribers who are tired of the platform canceling shows and instead prioritizing AI tools. Since the acquisition sum was revealed, Reddit has been flooded with concerns over what this could mean for future Netflix productions and the creative teams behind them.

Comment from r/Futurology

One user on Reddit noted that despite the rapid improvements of AI tools, post-production and visual effects departments remain major employers in the entertainment industry. The same user states that business transactions like this are “literally just a mass layoff”, adding, “We do not want this. Humans are artists”.

Netflix’s half-a-billion-dollar acquisition of InterPositive is the icing on the cake of what could spell a decaying trust from its subscribers, and it makes me even more concerned about the artistic value and production ethics of the company’s future movies and shows.

Right now, Netflix is not in my good books, and I’ve been quite vocal about its rash decisions to chase AI and social media-like content. The company recently announced plans to expand its range of content, bringing videos from popular online outlets to the platform — when we already have YouTube for that.

Additionally, Netflix’s prioritization of tacky reality shows over quality drama titles is another topic that’s being discussed, mainly surrounding its upcoming Wonka-themed show. This project also has a huge AI element, as the company has used technology to recreate the voice of Gene Wilder from the original 1971 movie, another distasteful move in my eyes.

It appears that Netflix isn’t doing a good job of keeping subscribers hooked with its growing involvement in AI and ignorance of the survival of its original titles. Is the best streaming service digging its own grave?

If you loved Netflix's take on Little House on the Prairie and want more, don't worry — it was renewed for season 2 long before we even saw a single episode.

With production now in full swing, we still don't know exactly when new episodes will be released (though I'd bet good money on that being in mid-2027). However, we do know that season 2 will adapt the next book in Laura Ingalls Wilder's original novel series, On the Banks of Plum Creek.

Having left their little house on the Kansas prairie, which is exactly what we saw at the end of season 1, the Ingalls family travels by wagon to Minnesota, settling on the banks of Plum Creek (who'd have guessed?).

But will Netflix stay faithful to the text or add in some unexpected surprises along the way? According to star Alice Halsey, who plays Laura Ingalls, it's best to keep an open mind heading into Little House on the Prairie season 2.

'I want to be able to figure out how Laura changes in season 2'

"Season 2 is definitely gonna be really exciting," Halsey tells me. "They're going to build a house by a creek, they're going to plant lots of wheat. They might make some friends, but they will make one particular enemy."

Here, Halsey is referring to Laura's rival Nellie, who is set to be introduced at some point in season 2. Played by Willa Dunn, Nellie is described in the book as a spoiled, affluent classmate who represents the clash between town merchants and rural farming families.

"I think that there's gonna be a lot of exciting things happening on the prairie, and some things that you might not expect."

The book covers a five-year span of Wilder's childhood, so we could see the Ingalls stay there for a while should the Netflix series continue to be renewed.

But how is Laura herself set to change? "I think that being able to watch season 1 has been a big reminder to me that Laura is like a big character," Halsey continues. "She has a lot of growth over the course of the series, and in the books. I want to be able to figure out how Laura changes in season 2, how all that was gonna plan out.

"For season 1, I was really prepped. I wanted to figure out how I was going to portray her. read the books, scripts, listened to podcasts to really figure her out. I think that Laura is also going to be changing a lot. In season 2, and I think her arc might be revolving around figuring out the kind of person that she wants to be.

"Not just her career and stuff, but also if she want to be honest, or have a lot of friends. Does she want to be tutor herself? Little things like that."

It's really a marvel that Halsey is only 11 years old, but I think that her wise-beyond-her-years personality makes her Laura Ingalls exceptional... and will continue to.

When the Western genre takes over the TV, it does so en masse. In 2026 alone, we've had Landman, The Madison, Marshals and Yellowstone spinoff Dutton Ranch. Now, we're returning to Ransom Canyon for the Netflix's show second season.

Just over a year ago, we found out who killed Staten's (Josh Duhamel) son Randall, Staten once again breaking off his fledgling romance with Quinn (Minka Kelly), and seeing the land battle between Double K Ranch and the Fuller Ranch continues.

With season 2, we'll be diving even deeper into these messy and complicated issues. But, when does Ransom Canyon season 2 ride into view?

What time can I watch Ransom Canyon season 2 on Netflix?

Ransom Canyon season 2 drops on Thursday, July 23.

As for exact time, it should be the standard 12am PT / 3am ET release that many other Netflix TV Originals premiere at. For fans who don't live in North America, here's when you'll need to tune into Netflix for season 2:

• US – 12am PT / 3am ET
• Canada – 12am PT / 3am ET
• UK – 8am BST
• India – 12:30pm IST
• Singapore – 3pm SGT
• Australia – 6pm AEST
• New Zealand – 8pm NZDT

When do new episodes of Ransom Canyon season 2 come out?

All eight episodes of this season will be released at the same time. Unlike weekly drops on the likes of Prime Video, Apple TV, and Disney+, then, you won't need to wait around for new installment of Ransom Canyon 2.

As for the series' future, there's currently no public word on whether a third season has been greenlit. Hopefully, we won't be made to wait much longer.

Spoilers for Heartstopper Forever ahead.

July 17 was a fantastic day for anyone who loves the movies. Not only did we have the release of Christopher Nolan's epic The Odyssey, but Netflix has wrapped up one of its most beloved IPs with a full-length feature in Heartstopper Forever.

Clearly, these are two very separate events. The Odyssey is set to be a theatrical phenomenon, currently screening in IMAX 70mm around the world, and is set to take at least $200 million at the international box office across its opening weekend.

Meanwhile, Heartstopper fans will be streaming Nick (Kit Connor) and Charlie's (Joe Locke) final farewell from the comfort of their own homes. The series has swapped format after its original three TV seasons, but the movie runtime is still equivalent to around 4.5 episodes.

If you're anything like me, you'll be doing both in a double bill that not even Barbenheimer could touch the sides of. But what if I told you there's a direct nod to The Odyssey in Heartstopper Forever if you know where to look?

Charlie's Odyssey poster in Heartstopper Forever is the perfect nod to the Christopher Nolan movie

When Nick and Charlie briefly break up, Charlie spends a great deal of time in bed to try and keep his problems at bay. When friends Elle (Yasmin Finney), Isaac (Tobie Donovan), and Tao (William Gao) arrive to stage an intervention, we see a poster of The Odyssey hanging above Charlie's head.

This isn't a detail we've seen in the previous three seasons, so I'd like to think that it is a direct Easter egg nod to the Nolan movie's release — despite this not being confirmed.

"Wonder if there'll also be a Heartstopper poster in The Odyssey movie," one fan joked on X/Twitter, who also spotted the background detail.

As with everything Heartstopper creator Alice Oseman has put her name to, the detail in Heartstopper Forever is nothing short of beautiful. The Odyssey reference isn't the only Easter egg you'll spot in the movie, but not more spoilers here... make sure you read our ending explainer to catch up on what you might have missed.

Are this week's movie releases going to join forces to become a legitimate double bill? I highly doubt it. But the fact that two such separate creations can briefly come together to share a wonderful moment is a testament to the power of cinema and creating meaningful art.

You could hardly say Netflix is a business in trouble, but it does have a problem: for a lot of its shows, viewing figures are declining sharply after the first season. According to Bloomberg, Beef lost more than 70% of its viewers going into its second season, while The Night Agent lost 50% of its audience in season two.

This seems to be a pattern repeated over many Netflix shows, including some that rack up impressive viewing figures in their first season. The streaming platform relies on subscribers sticking around, and these stats are apparently "a major source of concern" for the executives at Netflix.

So what's going on? While I'm not privy to the internal discussions at Netflix or the statistics that its executives are available to them, I am a Netflix subscriber of many years standing — and I have a few ideas about what's going on.

Viewing fatigue

There's a lot to get through these days, isn't there? Tens of millions of songs on music streaming platforms, more movies than you'll ever have time to watch in ten lifetimes, and of course the entire history of TV — with new shows appearing weekly. It's perhaps no surprise that we're all finding it hard to stick with successive series when there's so much more out there to watch and listen to.

The way that Netflix's stats work, is that a drop-off in viewing numbers for a second season also includes those who abandoned the show somewhere along the way during the first run of episodes. And if you're not getting grabbed episode after episode by the plot and the characters, it's all too tempting to click away.

That's a shame for slow burn shows and those that need time to get going, and perhaps we all need to learn to be a bit more patient. However, it goes some way to explaining why Netflix shows can shed a lot of viewers after the initial pull of the first few episodes — there's an awful lot competing for our attention.

The binge model

For the most part, Netflix continues to drop its shows all at once, so as soon as they're live you can binge watch an entire season. Sometimes it's great to be able to burn through a bunch of episodes, but it also means you can be done with an entire season very quickly.

This exacerbates the problem of gaps between series (of which more in a moment), but it also means shows can be quickly forgotten in the rush of everything else that's going on. Some of my favorite TV shows are those that come out week by week: I watch the episode, then I catch up on the recap podcasts.

It means shows last longer — not in terms of the actual running time, but in terms of how many days and weeks it takes to get through a season. I actually quite like being able to binge shows sometimes, but it does mean they can be quickly forgotten.

Season-to-season gaps

This isn't something that only affects Netflix, but we're still seeing huge gaps between seasons of shows — and unless the viewing experience is very special, that's likely to lead to waning enthusiasm from audiences as the months and years drag on.

Silo isn't a Netflix show, but the point is the same: as I was settling down to watch the third season a few days ago, even the initial recap montage had me confused (there was a mere 18 months between the end of season two and the start of season three). There were parts I didn't remember, and I had to head over to Wikipedia to get caught up.

Stranger Things is a Netflix show, and while I did manage to drag myself through it in its entirety, it was a struggle towards the end. The show lasted for just shy of a decade, and there are huge swathes of it that are no longer in my memory banks. It's not easy to produce television shows quickly, but the slow rollouts aren't helping their chances.

A trust issue

I've seen Netflix's regular cancellation of shows floated as a reason for second-series-syndrome, and I think this is an issue for program makers as well as audiences. If you don't know whether or not you're getting a second or third season, then you have to throw everything into the first one, and think more about wrapping it up neatly than extending it.

The Night Agent is one of the Netflix shows I've found it hard to stay with: the original rookie-on-the-run premise worked well and the first season was propulsive entertainment, but as it's continued, it's become more of a by-the-numbers action thriller. It's almost like they're making it up as they go.

Compare that with something like Bridgerton, which is a Netflix show I have managed to keep up with. It is of course based on a series of books (as is Apple TV's Slow Horses by the way), and that helps to ensure variety from season-to-season, with the focus switching between different characters and plotlines.

I'm not sure exactly how Netflix can fix the problem of viewing numbers declining in season two — I'm not a highly paid TV executive after all — but those are a few thoughts about why it's happening.

• Streaming giant Netflix has revealed that 300 movies and shows used generative AI in 2026
• The news was shared in a shareholder letter, obtained by the website Kotaku
• Generative AI was used to “enhance crowds, historical battle sequences, and worldbuilding establishing shots.”

Netflix has recently admitted to using AI tools in a huge number of its movies and shows, with the shocking announcement delivered in its shareholder letter on July 16.

According to Kotaku, which obtained the shareholder letter, Netflix says that AI is now fully integrated into many different projects and is used from the concept stage through pre-visualization, filming, and post-production.

They also revealed that generative AI was mostly used in post-production across the 300 shows and movies using it in 2026.

“We are increasingly leveraging these tools to deliver higher quality output more quickly and at a lower cost than traditional methods,” Netflix said in the shareholder letter. “In some cases, productions would have had to leave out key shots and sequences in the absence of GenAI technology.”

Using The American Experiment as an example, Netflix added that using generative AI tools “enhanced crowds, historical battle sequences, and worldbuilding establishing shots.”

It's not just the best streaming service's shows that are affected either, as AI is also working its way into the app itself, with Netflix explaining that it will use LLMs and AI to “improve title discovery” and “better understand member preferences.”

First they cancel all my favorite shows, now they're using AI

Netflix has made a lot of poor decisions in recent months. Recently, my colleague Rowan Davies criticized the streamer for chasing YouTube content, saying he was worried they don't actually care about the future of their shows and movies.

I'm inclined to agree, too, as the streaming service has a track record of cancelling its shows. Just recently, The Boroughs was canceled after one season, and it's not the first time they've abandoned shows early on.

They have also used an AI-generated voice of the late actor Gene Wilder in a new reality show, which our editor at large, Lance Ulanoff, said was "too far".

This, teamed with the most recent AI announcement, has filled me with despair, and I'm worried a lot of my favorite Netflix shows aren't getting the love they deserve.

This decision will no doubt divide fans, but this is the kind of thing that's going to make me turn away from Netflix and prioritize other streaming services instead. It feels like Netflix is falling out of love with its shows, and I'm starting to do the same.

It's officially summer holiday season in the northern hemisphere (sorry, readers in Australia and New Zealand), and that means it's time to put the TV on for the kids before you go on family vacation.

You won't want to stick any of the following new movies or TV shows on for them, though. None of them are family friendly, so I'd advise you to load up something else on one of the world's best streaming services instead.

However, once they're tucked up in bed, I implore you to throw on one or more of these seven great-looking films and TV series. That said, maybe don't start this week's number one choice before you head off for a good night's rest yourself, because it is terrifying in the best way possible. — Tom Power, senior entertainment reporter

Obsession (Peacock)

I'm not joking when I say Obsession, the breakout movie hit of 2026 so far that's finally landed on Peacock, is frighteningly fun. I spent weeks thinking about this supernatural horror after seeing it, and I'll readily admit that I felt uncomfortable for the first few nights post-watch, too.

For those who don't know: Obsession follows Bear (Michael Johnston), a lovesick loser who has a crushe on one of his besties Nikki (Inde Navarrette). When Bear stumbles upon an item called the One Wish Willow, he buys one and uses it to make Nikki fall in love with him. It's a spur-of-the-moment action that ends up having horrifying and deadly consequences, and will have you constantly repeating Nikki's "No, no, no, no, don't do thaaaaat!" line in your head as the plot progresses.

Before you stream it, check out our review of Obsession to see why everyone's, well, become obsessed with a film that, on a reported budget of just $750,000, has made $400m globally, broken horror film box office records, and turned Navarrette into a serial awards contender. And hey, if Peacock isn't available in your region yet, see where you can rent or but the Curry Barker-directed phenomenon instead. — TP

• Watch Obsession on Peacock

Heartstopper Forever (Netflix)

Guys... the end we've been dreading is here. Nick and Charlie's wholesome relationship has been an IP central to Netflix original content, but now it all ends with Heartstopper Forever.

If you're bummed out because we're not getting a full fourth season, don't be. As Nick, Charlie, and the gang all brace before going their separate ways to university, a feature film actually reflects their growing maturity and crises of confidence much more fittingly.

Heartstopper Forever really is forever... at least, it is in my house, where I'll be replaying it so much that Netflix might issue a warning. Its spirit and generation-defining impact will live on, and that might be the most special achievement the streamer has ever been responsible for. — Jasmine Valentine, entertainment reporter

• Watch Heartstopper Forever on Netflix

Ride or Die (Prime Video)

Whoever thought to cast Octavia Spencer and Hannah Waddingham together in an Amazon action comedy show needs a raise immediately. Ride or Die gives us the entertainment duo that we didn't know that we needed and plenty of laughs along the way.

The pair play best friends Debbie Claybourne and Judith Burton, who thought they knew everything about each other. But, when Judith (Waddingham) turns out to be an international assassin when a mysterious figure emerges, their worlds are turned upside down.

Tackling everything from menopause to, well, the complexities of life, this Prime Video Original is an incredible amount of fun. And, surely that's the most important thing in life, right? — JV

• Watch Ride or Die on Prime Video

Lucky (Apple TV)

Is there anything Anya Taylor-Joy can't do? Ever since she made her debut in Robert Eggers' The Witch, I've been impressed by just how varied each of her roles are.

In Apple TV's Lucky, she plays a con artist forced to go on the run after a heist goes wrong. Across seven episodes, we follow Luciana 'Lucky' Armstrong as she tries to evade the FBI and a ruthless crime boss, hoping that she'll live up to her nickname and make it out alive. It seems that breaking the law runs in her family, too, as Timothy Olyphant stars as her father who's in prison when the story begins.

The first two episodes are out now, and something tells me this will be another Apple Original for me to get hooked on. — Lucy Buglass, senior entertainment writer

• Watch Lucky on Apple TV

The Hawk (Netflix)

If you ask me, Will Ferrell and golf feels like a natural TV marriage. The Hawk on Netflix is proving me right, with Ferrell playing Lonnie Hawkins, a top golfer in 2004. Two decades on and he's trying to recapture his magic late in his career. However, he refuses to believe he's anything other than one stroke away from golf's greatest comeback.

If you've ever watched Happy Gilmore or The Phantom of the Open, this is for you... even if you're pretending that you actually know the first thing about the sport, which is easily done. — JV

• Watch The Hawk on Netflix

Descendants: Wicked Wonderland (Disney+)

The Descendants franchise continues over on Disney+ with Wicked Wonderland, which marks the fifth installment in the series (even I didn't think that there had been so many).

Picking up shortly after Descendants: The Rise of Red, Red and Chloe return from their time-travelling adventures to find that the Queen of Hearts is trapped. The once notorious villain now has a nice streak, but that gives way to a new evil: Maddox Hatter.

Personally, I still can't believe that a UK 2010s popstar is playing one of the most iconic fictional queens of all time. If you're British, it has to be seen for that reason alone. — JV

• Watch Descendants: Wicked Wonderland on Disney+

Murder 101 (Prime Video)

Prime Video's new three-part docuseries is a fascinating one. Murder 101 is about a high school sociology class based in rural Tennessee who help revive a decades-old case into a shocking present-day hunt for a killer.

It's the sort of thing you'd expect to find in a work of fiction, Netflix's How to Get Away with Murder springs to mind, but this is 100% real. You can also check out the podcast of the same name if you'd like to dive in deeper.

Ultimately, this program showcases the power of a local community as we follow a group of students turned amateur sleuths. I'm already locked in. — LB

• Watch Murder 101 on Prime Video

Spoilers for Heartstopper Forever ahead.

It's a mammoth task to bring a beloved IP like Heartstopper to a close, but creator Alice Oseman has done an incredible job with the new Netflix movie, Heartstopper Forever.

If you're bummed out because we're not getting a full fourth season, don't be. As Nick (Kit Connor), Charlie (Joe Locke), and the gang all brace before going their separate ways to university, a feature film actually reflects their growing maturity and crises of confidence much more fittingly.

As our favorite friends brace themselves before heading their separate ways to start university (and more, but more on that later), emotions are running high.

But do our beloved relationships survive the final farewell, and what is everyone planning to do next? Here's the full Heartstopper Forever ending breakdown that you're looking for.

Do Nick and Charlie stay together?

Yes... but that isn't without its challenges. We start Heartstopper Forever with Nick and Charlie as besotted and in love as they always have been, with the others gently roasting them as being the "perfect couple" while their own relationships experience problems.

But while Charlie embraces his newfound self-confidence through becoming Head Boy at Truham Grammar School, Nick is having a tougher time with his emotions. He's decided that he wants to put Leeds University as his first choice on his application, and the thought of drifting apart from Charlie is weighing on his mind.

Nick starts to close himself off from Charlie, not fully explaining why he's not feeling 100%. Charlie is left at a loss, only wanting to support Nick in the same way he's always felt supported in return. This all comes to a head at a house party, where the boys get into an argument.

As Charlie tells Tori (Jenny Walser), Nick is trying to prevent a future problem that hasn't presented itself yet... Charlie just doesn't know exactly what that problem is. At the party, Nick complains that Charlie has been avoiding him the whole night, with Charlie responding that he thought Nick might want some space to talk through uni and future plans with his friends.

Nick, slightly drunk, lashes out by saying that the pair could probably use some space. "So you want to break up then?" Charlie asks, with Nick replying, "Well, it sounds like you want to break up." With communication between them coming to a halt, that's exactly what happens.

Cue endless moping while keeping to themselves. Charlie stops eating and refuses to get out of bed, with Elle (Yasmin Finney), Isaac (Tobie Donovan) and Tao (William Gao) all staging an intervention by taking Charlie to Truham Pride. All goes well until Charlie spots Nick talking to a girl on the dance floor at a local gay club.

From Nick's perspective, he's just looking for friends. Just like Charlie, he's been unable to shake off the breakup, telling mum Sarah (Anna Maxwell Martin) that everything that has happened is his own fault, believing that it's too late to be fixed.

The day of Truham Pride, Imogen (Rhea Norwood) introduces him to a friend, who offers to hook him up with someone if he wants a rebound. He refuses and moves away, which is when Charlie spots him.

Days later, Charlie leaves a pack of printed disposable photos at Nick's door, asking him to meet at the beach. Charlie tells him that he thought that the pair could always talk to each other, but somewhere along the line, their communication has broken down.

Nick says that he envies the way that Charlie can express himself, as he often doesn't understand how he's feeling half of the time. The two make amends, promising to always look after each other. From there, it's back to being as loved-up as ever, just in time for the Truham prom.

What about Elle and Tao?

Elle and Tao are the relationship that doesn't survive Heartstopper Forever, as the pair get into an argument about their future plans. Elle wants to move to Berlin to become an artist, having a go at Tao for not frequently planning to visit.

Tao says that he can't afford it, with their argument made worse by a drunk Nick claiming that everything with Charlie is perfect (hint: we know that's not true).

The pair agree to a truce to help Charlie out of his funk post-breakup, and appear friendly at Truham prom. They have "one last dance" before things change for good, and are noticeably emotional at the thought of being apart.

However, there's a silver lining on the horizon. In the very last scene of the pair, we see Elle at an art exhibition in Berlin, with Tao arriving to surprise her.

What's next for the gang after they finish school?

Let's start with Nick and Charlie. While Charlie stays local, Nick gets into Leeds. The final scene shows Charlie going to stay with Nick for the weekend, being introduced to all of his new friends, clubbing, and getting pancakes for breakfast.

They're ready to write a new chapter in their relationship, and as they say, they feel as if they're "different" from typical teen romance... they're in it for the long haul.

Elle and Tao are accounted for, but it's Tao's video project at prom that lets us in on what's to come next for the rest of the gang. Tara (Corrina Brown) has asked girlfriend Darcy (Kizzy Edgell) to go interrailing across Europe with her, deferring their places at uni for at least a year.

Tori has a more skeptical answer, telling Tao that she will "do nothing, then die." However, things are going well with boyfriend Michael (Darragh Hand), having figured out the rhythm of their relationship.

Sahar (Leila Khan) tells Tao that the band, Queer Intentions, has broken up, but she's going to try a solo music career and see what happens.

Don't miss this epic Heartstopper Easter egg

Just as Nick gets on the train to Leeds, he walks through the carriage and passes a young woman reading at a nearby table.

If you're a Heartstopper fan, you'll know that this is Alice Oseman, creator of the original graphic novel series. She's also acted as the showrunner of seasons 1-3. She's also written the script for Heartstopper Forever.

All good things must come to an end, and unfortunately for Netflix subscribers, that includes the blossoming romance between Nick (Kit Connor) and Charlie (Joe Locke). The Heartstopper franchise is drawing to a close with Heartstopper Forever, a feature film in lieu of a full fourth season.

Like most fans when they first heard the news, I felt cheated. Much like the original graphic novel books by Alice Oseman, Nick and Charlie's story is one best told over time. Two teens grappling with their feelings and identities need time to breathe together, let alone without their smorgasbord of friends who also all have their own delicious narrative arcs.

Now I've seen all 114 minutes of Heartstopper Forever — which is the equivalent of about 4.5 standard episodes — I stand corrected. As Nick, Charlie, and the gang all brace before going their separate ways to university, a feature film actually reflects their growing maturity and crises of confidence much more fittingly.

Newsflash, people: Nick and Charlie aren't kids anymore. In fact, the new Netflix movie wastes little time reminding fans of that, with a significant increase in drinking, partying and all-out sex scenes. Tender and wholesome romance can have an incredibly passionate side, too.

As a Heartstopper fan who has been in the trenches since the release of Oseman's first novel installment, Heartstopper Forever feels like the most satisfying ending that's able to be delivered. Nobody really wants to be in this position, but all of my questions are answered, and every single character is set up for their future away from our prying eyes.

Heartstopper Forever delivers everything a hardcore fan will want

You're going to have to trust my (excellent) judgement on the above statement, because there's no way I'm divulging anything even faintly resembling a spoiler in this review. As we know, Nick is getting ready to leave for university, and Charlie is taking on new responsibilities at school.

Elle (Yasmin Finney) has her mind set on big artistic goals, which means her relationship with Tao (William Gao) also hits its snags. More than any other characters' storylines, both relationships hit on the central theme of worth: does teenage romance even mean that much anyway?

As the push-pull effect of university and a daunting, vague future takes hold, Nick falls apart at the seams. Unlike Charlie, who has always been able to effectively communicate how he's feeling, Nick doesn't know how to describe what's going on in his head. It has the pair doubting the validity of their love and connection, even though nothing is overly wrong from an objective point of view.

It should be frustrating to watch two teenage boys self-sabotage, but the reality is overwhelmingly poignant. Even though the movie is called Heartstopper Forever, nothing in life is guaranteed — and I, for one, am fed up with pretending that doesn't keep everyone up at night.

As Tao points out, everyone has assumed up until this point that Nick and Charlie are a "perfect couple," and it's fascinating to watch how they deal with actual grown-up problems. Oseman has always had a unique knack for conveying the best of what love has to offer, and she's just as adept at holding a mirror up to the worst.

On top of this, watching the boys get physically intimate, drunk, and accosted by topless men wearing leather chaps at the local gay club feels like emotional whiplash in itself. Socially, we seem to have a difficult time understanding that young people grow up to do adult things, and Oseman handles these changes with touching sensitivity. There are some fans out there who have been waiting on tenterhooks for these moments... and the reality is spot-on.

Anna Maxwell Martin, I love you... but Olivia Colman was the better Sarah Nelson

So we can tick off the fact that none of our favorite characters are left hanging, and we know exactly what's happening with them and where they're going. Fantastic. However, there are a few minor misdemeanors that need addressing.

The main thorn in Heartstopper Forever's side the recast role of Sarah, Nick's mum. I feel like an absolute heathen even bringing this up, seeing new Sarah, Anna Maxwell Martin, is one of my favorite actors in the country. But when you remember that you once had Olivia Colman in the same role — and that she delivered one of the best scenes in Heartstopper's history thanks to Nick coming out — well, there's a somewhat sour taste.

Heartstopper Forever is the most narratively and tonally different installment of Nick and Charlie's story to date, but it is still essentially more of the same at its core. Don't get me wrong, this isn't necessarily a negative... but if you've come to the movie looking for something new, you're not going to obviously find it.

Still, Oseman should give herself the biggest paycheck possible for what she's been able to achieve. It's not easy to deliver a finale that already looks nothing like what everyone expects it to, let alone make the final result compelling, endearing, and ultimately remarkably satisfying.

Heartstopper Forever really is forever... at least, it is in my house, where I'll be replaying it so much that Netflix might issue a warning. Its spirit and generation-defining impact will live on, and that might be the most special achievement the streamer has ever been responsible for.

I almost can't write too much of an intro because I'll cry, but Nick (Kit Connor) and Charlie's (Joe Locke) beautiful love story is about to come to a close in Heartstopper Forever.

Since 2022, Heartstopper has captivated the hearts of Netflix subscribers, faithfully adapting the graphic novel series by Alice Oseman of the same name. In fact, if this is all too much for you, you can literally relive the ending again — Oseman has just published its sixth installment.

Frankly, I think Heartstopper will really live up to its "forever" subtitle. But when does Heartstopper Forever arrive on Netflix?

What time can I watch Heartstopper Forever on Netflix?

Heartstopper Forever drops on Netflix on July 17, 2026.

As for exact time, it should be the standard 12am PT release that we saw across seasons 1-3.

For global regions, here's when you need to be prepared:

• US – 12am PT / 3am ET
• Canada – 12am PT / 3am ET
• UK – 8am BST
• India – 12:30pm IST
• Singapore – 3pm SGT
• Australia – 6pm AEST
• New Zealand – 8pm NZDT

When do new episodes of Heartstopper Forever come out?

Heartstopper Forever isn't actually season 4... it's a feature-length film.

According to the streamer, it's clocking in with a runtime of 114 minutes, so that basically the equivalent of 4.5 episodes.

Sadly, this will be it for the show's run on Netflix.

Ready to relax this weekend in front of your TV (or smartphone, I'm not judging)? Some of you will do well to find something worth enjoying on the world's best streaming services.

Indeed, it's been a surprisingly quiet week for new movies and TV shows. And, while there's just enough to fill this week's streaming round-up, a few of you might not be enthused by how weak the selection is compared to past editions

Still, I'm holding out hope that one of the below will pique your interest. If not... well, there's always the 2026 World Cup quarter finals to watch instead! — Tom Power, senior entertainment reporter

Little House on the Prairie season 1 (Netflix)

Netflix has made it 1974 all over again! The Ingalls family return to the small screen in this adaptation of Little House on the Prairie (NB: read my Little House on the Prairie review while you're here), which is based on Laura Ingalls Wilder's book series namesake.

Essentially, this story, which sees protagonist Laura navigates her childhood days on the Prairie lands of Kansas, is comfort watching at its peak. And, while its typical "Netflix look" can be grating, if you look past the form, the content is meaningful. Season 2 is already on the way, too, and I'm already looking forward to it. — Jasmine Valentine, entertainment reporter

• Watch Little House on the Prairie season 1 on Netflix

The Westies (MGM+ and Prime Video)

Searching for a new gritty crime drama to gorge? The Westies, a J.K. Simmons-fronted MGM+ TV Original that's also available on Prime Video, should appeal to you.

Set in the early 1980s, it follows the notorious New York crime family as they navigate mob wars, familial infighting, and an FBI investigation that might unsettle the increasingly fragile truce that the Hell's Kitchen-based syndicate has with the Italian Mafia.

Episodes 1 and 2 of this Amazon TV Original are out now, while new chapters will air weekly every Sunday for the foreseeable future. — JV

• Watch The Westies on MGM+ and Prime Video

The Long Walk (HBO Max)

Francis Lawrence's excellent The Long Walk has strolled onto HBO Max and, in my view,it's one of the best Stephen King adaptations of all-time.

Set in a dystopian 1970s, a group of boys compete in an annual televised competition where they're forced to walk non-stop while maintaining a pace of 4.8 km per hour. If they don't, they're killed. There can only be one winner, too, so the pressure is on.

There are lots of likeable characters here and one very unlikeable one in the form of Mark Hamill's The Major, which is arguably his creepiest performance yet. — Lucy Buglass, senior entertainment writer

• Watch The Long Walk on HBO Max

Trying season 5 (Apple TV)

Apple TV's long running comedy series Trying has returned for its fifth season.

Esther Smith and Rafe Spall return as central couple Nikki and Jason, who we've watched journey to become parents and, now they have two foster children, they're having to navigate unexpected challenges. This season, Kat (Charlotte Riley), the biological mother of Princess and Tyler, returns and causes the family dynamics to shift.

Trying has been praised for its approach to difficult themes, providing both comedy and emotionally charged moments. It's very good to have this Apple TV Original back on our screens. — LB

• Watch Trying season 5 on Apple TV

Wardriver (Paramount+)

Did you really think that we were going to leave you action fans hanging this week? Introducing Wardriver, a new movie that's just dropped on Paramount+ and has already been described by fans online as "great acting of unsavory characters."

In it, we follow a hacker who gets caught up in a deadly game of cat and mouse when he's forced into a multi-mullion dollar cyberheist. There's a real sense of jeopardy here, as every line of code could be his last.

Hopefully, that "last" doesn't come before the end of the movie's pithy 94-minute runtime. But hey, who knows with storytelling these days? — JV

• Watch Wardriver on Paramount+

The Man Will Burn (HBO Max)

No doubt you've heard of The Burning Man, but how much do you know about its roots? You can now experience this iconic arts festival from the comfort of your living room, so you don't even need to to trek out into the desert.

Across four episodes, we go behind the scenes of the eponymous effigy's festival, from its origins all the way up to the present day. There's particular focus on organizing an event of this scale in the aftermath of the COVID-19 pandemic, too.

Both seasoned "Burners" and new arrivals feature in the documentary, giving us a complete look at the festival and how it has evolved over time. — LB

• Watch The Man Will Burn on HBO Max

Married at First Sight season 20 (Peacock)

Despite all the controversies surrounding the international versions, we're returning to where it all began with Married at First Sight. Just as Love Island USA comes to an end as well, so perfect timing.

You know the score here: 14 new singles will agree to marry someone they’ve never met, and see if their newfound relationship was actually worth saying "I do" for.

Experts Paul C. Brunson and Doctor Lisa Paz are returning to oversee the drama and, judging by the above trailer, the weddings themselves genuinely look the chicest they've ever been. — JV

• Watch Married at First Sight season 20 on Peacock

Netflix has proved that it has a knack for producing solid original content, from Stranger Things and Squid Game to Bridgerton, but now the platform is again diversifying into new content areas — and its reputation as one of the best streaming services is starting to slip for me.

Starting on August 3, the platform will be adding video content from a number of popular online outlets including Buzzfeed, Conde Nast, and Variety, spanning topics such as lifestyle, food and drink, fashion, and entertainment. Basically, all the video series you can already find on YouTube will be coming to Netflix.

Netflix says subscribers will be able to stream “some of [their] favorite videos from around the Internet without having to leave Netflix,” as the service puts it — with videos ranging from short two-minute watches, to in-depth 20-minute content. The videos will be available to viewers in the US, Canada, the UK, Ireland, Australia, and New Zealand first.

When the new content lands on the platform, you’ll have another way to watch popular internet video series like Variety’s Lie Detector Test and Architectural Digest’s Walking Tour without having to leave the Netflix app.

The Netflix Originals graveyard is growing

Netflix clearly wants to diversify beyond its usual film and TV show offerings. Recently, the service announced its Clips short-form video feed, which is clearly borrowed from TikTok and Instagram Reels. It’s also investing in video podcasts, looking to capture a slice of a market that’s already catered to by Spotify and other services.

I understand that viewing habits are shifting, but Netflix’s attempts at moving into new content feels like a Katy Perry album release, with the streaming giant trying to chase trends for the sake of keeping up appearances, when it should be focussing its time and resources on producing quality original content.

That brings me to the ‘two season problem’.

Netflix has an awful habit of pulling its original shows, even if subscribers love them, after just one or two seasons. The platform just canceled The Boroughs after one season despite it receiving rave reviews — and Stranger Things creators The Duffer Brothers were attached to the project, so a second season was widely expected.

According to the platform, this decision was taken due to production costs (sci-fi is expensive to produce), but somehow Netflix still manages to find enough money to pump into reality shows that receive nowhere near as much critical acclaim as its axed shows get, and which, I’d argue no one really wants.

Although spin-off show Squid Game: The Challenge climbed the Netflix charts, the roaring success of the original TV series helped it massively. But, as our streaming writer Jasmine Valentine says in her two-star review, the second season was “nowhere near as good as its first”. Between this and the pure cringe-fest that was Floor is Lava, you’d think Netflix would’ve learned its lesson — apparently not.

Instead, it’s continued to churn out one reality show after the next. I couldn’t make it past the first 20 minutes of Age of Attraction, and now my favorite childhood movie is about to have the magic sucked out of it thanks to a new Wonka-themed reality show.

I’m not the only one who thinks this, my colleague and streaming writer Lucy Buglass is on the same page, telling me “Netflix’s decision to host content from other platforms has been met with criticism, and there’s a good reason for that. Many beloved Netflix shows have been axed by the streaming service, and in 2024 Netflix canceled these 9 shows despite many of them performing well with both critics and audiences.

“When you compare Netflix to other streaming services, it’s shocking how quick they are to abandon their shows. Competitor Apple TV has a lot of faith in its original programming from sci-fi hit Severance, to horror comedy Widow’s Bay, and the moreish drama Margo’s Got Money Troubles. All of these shows have been renewed for new seasons in the future, which is welcome news for loyal fans.

“I’m concerned that Netflix keeps neglecting some great-quality shows in favor of hosting content we can already get elsewhere. Time and time again, TV fans are not getting a satisfying finale because storylines are cut off abruptly after being axed. This only discourages people from watching new shows if they’re going to be left on a permanent cliffhanger.”

Competing against YouTube is going to be quite a challenge for Netflix, and it makes me wonder if it'll be successful in luring more viewers in its direction. But for the time being, I wish it would just focus on quality of quantity.

If there's a reboot I've been pleasantly surprised by in recent years, its Netflix's take on Little House on the Prairie.

Based on the classic book series by Laura Ingalls Wilder of the same name, we follow the Ingalls family as they relocate to the Prairie lands of Kansas. Seen through the eyes of youngest daughter Laura (Alice Halsey), we're reminded of what's important in life — respect, understanding and a willingness to grow.

All eight episodes of season 1 are now available to stream, but luckily for fans, season 2 was renewed before the new series even premiered.

There's still a lot left to learn about what's to come, but here's everything we know so far.

Little House on the Prairie season 2 release window predictions

As of July 2026, Little House on the Prairie season 2 is currently in production. If all goes well, we can predict that new episodes could come out as early as mid 2027, but we could easily be left waiting for longer.

“I’m incredibly grateful to our wonderful cast and crew, who put their hearts and hard work into making our first season come alive,” showrunner Rebecca Sonnenshine told Netflix. “We can’t wait to share this new adaptation of the Little House books with the world, and we’re thrilled that Netflix is giving us the opportunity to continue the story.”

Little House on the Prairie season 2 trailer: is there one?

Don't be silly. It took us until mid June 2026 to get one for season 1, so expect the first full trailer to arrive around four weeks before the second season does.

Little House on the Prairie season 2 cast

We're expecting the following main cast members to return for Little House on the Prairie season 2:

• Alice Halsey as Laura Ingalls
• Skywalker Hughes as Mary Ingalls
• Luke Bracey as Charles Ingalls
• Crosby Fitzgerald as Caroline Ingalls

Our season 1 supporting cast are less likely to return, given that the season finale saw the Ingalls family leaving Kansas for pastures new after the field fires.

However, we do know that these new faces will be joining the action:

• Willa Dunn as Nellie Oleson, Laura’s ultimate rival
• Charlotte Sullivan as Margaret Oleson, Nellie's mother
• Rachelle Lefevre as Eva Beadle, a schoolteacher

We can expect more new faces to be announced closer to release, so watch this space.

Little House on the Prairie season 2 plot predictions

Logically, Little House on the Prairie will adapt the next book in Wilder's original series, On the Banks of Plum Creek.

Having left their little house on the Kansas prairie (which is exactly what we saw at the end of season 1), the Ingalls family travels by wagon to Minnesota, settling on the banks of Plum Creek.

The book covers a five-year span of Wilder's childhood, so we could see the Ingalls stay there for a while should the Netflix series continue to be renewed.

This also makes sense for introducing Nellie, who we meet in On the Banks of Plum Creek.

The Ingalls are going to have their work cut out for them, with the Locust Plague of 1874 and a blizzard both key parts of Wilder's childhood at this time.

Will there be more seasons?

Interestingly (but unsurprisingly, judging by how the 1974 TV series was adapted) we've already skipped past two books in Wilder's series before season 1 even begins.

Here's the full Little House series list:

• Little House in the Big Woods (1932)
• Farmer Boy (1933)
• Little House on the Prairie (1935)
• On the Banks of Plum Creek (1937)
• By the Shores of Silver Lake (1939)
• The Long Winter (1940)
• Little Town on the Prairie (1941)
• These Happy Golden Years (1943)
• The First Four Years (1971)

As you can see, there's a plethora of material there for the taking if Netflix chooses to continue on with the series. It could easily be sustained for long enough to rival Virgin River, Netflix's current longest-running original series of all time.

If there is to be any renewal news, we'll likely hear about it a lot closer to season 2's eventual release.

• A new report claims that Netflix is testing always-on, live channels
• These could have scheduled programming and stream around the clock
• The rumors have been met by a largely negative reaction

When Netflix first pivoted from mail-order DVDs to internet streaming, it was a refreshing alternative to cable: stacks of ad-free content, on-demand, for one monthly fee. Since then, Netflix has slowly turned into cable, and that looks likely to continue.

According to "people familiar with the matter" speaking to the Wall Street Journal, Netflix is considering live, always-on channels that would stream around the clock and have scheduled programming much like conventional cable and free-to-air channels.

These channels might show certain programs on a loop, for example, or focus on particular genres, according to the insider sources. Another idea floated within the company has been to bundle other subscription services, such as Peacock, into Netflix for an additional fee (as Prime Video and Apple TV already do).

This is all in response to declining subscriber engagement, as per the report — the idea is to get more people staying for longer inside the Netflix apps. Competition for eyeballs has never been fiercer across streaming platforms, the web, and traditional TV.

The circle is complete

Netflix reportedly considers adding always-on channels from r/technology

You may remember the slide towards cable that Netflix started in earnest in 2022, when the platform introduced ads. Since then, the ad-supported tier has become well established (and risen in price several times).

The reaction to the rumors on Reddit has been largely negative. "We've come full circle now," correctly observes one poster, while another says "I would expect it to be terrible". There are also worries about future price increases to coincide with the launch of extra channels, and general frustration with the quality of Netflix's catalog.

Several of the online reactions have been more positive though: viewers who have these kinds of channels on other services say they regularly use them just to have something on in the background that doesn't require too much effort.

Other ways Netflix has tried to keep viewers locked in recently have included video podcasts and short-form video clips. We may know more about its future plans next week, when Netflix is set to reveal its latest earnings and engagement reports.

• Netflix confirms release date of September 3 for The Gentlemen season 2, and drops first teaser trailer
• Theo James, Kaya Scodelario, Ray Winstone, Joley Richardson and Vinnie Jones are all set to return
• New series will consist of eight episodes, picking up one year after the season 1 finale

Guy Ritchie fans have been well fed today: not only has Paramount+ dropped a release date and trailer for MobLand season 2, but Netflix has done the same for The Gentlemen season 2 mere hours after.

The Gentlemen season 2 will release on September 3, with MobLand season 2 following up from September 18. Both shows are created and produced by Ritchie, despite being on different streaming services.

As the streamer explains, "It’s been one year since Eddie (Theo James) and Susie (Kaya Scodelario) joined forces to work together in Bobby’s (Ray Winstone) criminal empire overseas. As they drive to expand their enterprise, the decisions Bobby is making seem to be increasingly unsound.

"Now Eddie and Susie must decide whether to take action or risk losing it all, but unfettered ambition never ends well."

James, Scodelario and Winstone are reprising their roles, alongside Joley Richardson and Vinnie Jones. New cast members include Hugh Bonneville, Benjamin Clementine, Benedetta Porcaroli, Michele Morrone, Sergio Castellitto, Amra Mallassi and Tyler Conti.

The Gentlemen season 2 also casts boxer Chris Eubank Jr. in his acting debut

On top of this, there are two more unexpected cast bookings who are not actors at all... and one of them has taken me completely by surprise.

Boxer Chris Eubank Jr. has been cast in his acting debut in season 2, alongside British TV presenter Maya Jama, who is well known for hosting Love Island.

The casting news was initially announced in June 2025, though their roles are as of yet unconfirmed. Frankly, I can't wait to see Eubank Jr.'s role pans out (though I do think his dad might have been better suited to the show's gritty aristocratic blend).

As of writing, this is all the information we've got on season 2, but it's incredibly likely that we'll find out more, including the release of a full trailer, in the coming weeks.

During the release of 2026 action movie Fuze, James told TechRadar that season 2 is "fun, and still funny. But it's also darker, goes a little wild."

"Between this and Mobland, let’s declare September as Guy Ritchie month," one fan commented on YouTube, with a second adding, "Finally this show comes back, everyone has been waiting for 2 years. MobLand and Gentlemen comes out on the same month, can't wait!!!"

• Netflix is reportedly experimenting with free trial periods again
• The 'try before you buy' offer hasn't been available since 2020
• Two of its biggest markets have been overlooked for the promotional tests

Netflix free trials are making a comeback — sort of. More than six years after time was called on its beloved 30-day free trial offer, users could soon be able to try out the world's best streaming service free of charge once more.

According to What's on Netflix, the streaming juggernaut is not only exploring whether to reintroduce its 'try before you buy' offer, but also actively testing its return in some world regions. When asked for comment, a spokesperson simply told the aforementioned website: "We regularly test promotions to help prospective members experience the value of Netflix."

Perhaps unsurprisingly, there are caveats. For starters, the US and UK aren't among the nations in which this experiment is being conducted. Considering that these countries are two of Netflix's biggest markets, I'm surprised that those in charge aren't trying to entice prospective new users by testing its free trial period on both sides of the Atlantic.

Speaking of new users, Netflix is only said to be offering a free trial to those who haven't previously signed up to the platform. Furthermore, What's on Netflix understands that these free trial periods vary in length depending on where you live. (Update: What's on Netflix has now suggested that people are being offered seven day, 14-day, and 30-day trials).

Opinion: Netflix needs a subscriber boost — and free trials are the one and only solution

Let me clarify the above sub-header before we move on: Netflix isn't short of subscribers. As of January 2026, the entertainment giant's worldwide userbase stood at a staggering 325 million (per Yahoo Finance). That's almost 130 million more active subscribers than the 195.7 million combined total of Disney's two streamers in Disney+ and Hulu, and over 100 million more than Prime Video's estimated install base.

Nonetheless, Netflix has hit something of a road block in the battle to attract new users and keep them hooked on its offerings.

Per a recent Bloomberg report, the amount of time that Netflix fans spent watching its vast suite of content grew by less than 2%. The same article also indicates that Netflix has only had two major TV hits on its hands this year — those being His & Hers and Bridgerton season 4. The streamer has since chalked up another TV Original win in the form of I Will Find You, but the aforementioned Bloomberg piece was published prior to I Will Find You's viewership data becoming publicly available.

Bloomberg's report doesn't dig into the movie side of things, but Netflix has also similarly struggled to deliver unmissable original films. Indeed, barring sci-fi action movie War Machine, family-friendly animated flick Swapped, crime drama The RIP, and survival thriller Apex, Netflix can't point to its movie division as proof that it's still firing on all cylinders.

With returning shows like Avatar: The Last Airbender, Beef, One Piece, and The Night Agent, as well as new movies including Enola Holmes 3, failing to do big numbers, Netflix's 2026 lineup clearly hasn't done enough (thus far, anyway) to entertain the masses. Throw in sliding share prices after Netflix lost out to Paramount Skydance in the fight to try and buy Warner Bros, and it's little surprise to learn that fearful Netflix investors are putting the pressure on executives to arrest this downturn in fortunes.

What better way is there, then, then by luring in potential new users by giving them a chance to try Netflix for free, especially in countries where user retention might not be as high as it is elsewhere?

Well, Netflix could actually do the unthinkable, and reduce the cost of a monthly membership rather than jacking up the price every year — but Hell is likely to freeze over before that happens. So, revisiting its free trial offer, and re-rolling it out in certain territories might be the one and only option available to the streaming titan if it wants to maintain its position as top dog.

"I just can't watch it... I don't want them to ruin what's already been" is a direct quote from my 60-year-old mother when I told her that Netflix was set to re-adapt the Western family drama classic, Little House on the Prairie.

The tales of Laura Ingalls Wilder's real-life childhood have always held a distinct sense of importance in my household. As a child, my mum raced through the original book series — and encouraged me to do the same when I was old enough — and voraciously watched all nine seasons of the 1974 TV show when she was 12.

As with any classic story that's being readapted for the umpteenth time without much in the way of explanation as to why, there was always going to be a valid sense of trepidation around bringing the Ingalls family back to life. But as an initial skeptic, my mind has been changed after watching all eight episodes.

Sure, it resembles the Hallmark series When Calls the Heart a little too much for my liking (and has a lot of underlying issues surrounding how it looks, but more on that later). But watching Laura Ingalls (Alice Halsey) navigate moving to a new town reminded me how important it is to be brought back to the core things that matter in life.

We so often get lost in overhyped marketing, complicated lore, and visual effects that the core components of storytelling no longer have merit on their own. There's no big dramatic narrative in Little House on the Prairie, just family, feelings, and a strained sense of love.

TV is stripped as far back as the Ingalls' bare wooden house, and I think 2026 viewers will really benefit from the show's no-frills style of storytelling. That being said, there's a lot left to be desired in the bigger picture.

Little House on the Prairie still serves purpose in 2026 — even if nothing really happens

Interestingly, Little House on the Prairie neither feels like gripping, unforgettable television, nor does it feel like placid, put-on-in-the-background streaming. Your mind can go blissfully numb while watching, but subconsciously, you're being recalibrated.

It's not perfect, but empathy, understanding, and a childlike sense of wonder are bursting from the seams here. Seeing life through Laura's eyes automatically realigns us to what's important in life — respect, understanding and a willingness to grow. Halsey is a knockout in the role, and you want to strive to be a better person just by watching her open heart expand even further.

Frankly, our child actors are running rings around the adult cast in general. Together, they carry the weight and heart of the show and have more chemistry between them than any of the parental figures, including dad Charles (Luke Bracey) and mum Caroline (Crosby Fitzgerald).

Youngest Osage member Good Eagle (Wren Zhawenim Gotts) is another standout and a testament to the suitable level of sensitivity when it comes to navigating Native American history. This could have so easily backfired or been grossly overlooked, but instead feels evenly tempered.

You couldn't pay me $1000 to pick Little House on the Prairie episodes out of a Netflix lineup

I'm honestly sick of complaining about this, but the biggest drawback of Little House on the Prairie is undoubtedly its look. This means that episodes look exactly like any other period drama or Western content that Netflix has ever made. But who is surprised?

Once again, this takes me back to my ongoing argument that the streamer uses the same lighting, visual style, and effects to mold its content into one, homogenised, cookie-cutter preset. Why? I still haven't figured that out. But if it's to brand Netflix content into a signature style, the result falls flat.

Netflix likens the new series to pre-existing hits such as Virgin River and Ransom Canyon, and if you took away the bonnets, you'd have a difficult time knowing which show was which. I yearn for a sense of individual creativity when it comes to this aspect of the streamer's creations, and it looks like I won't be stopping anytime soon.

This is also the closest Netflix has come to straying into Hallmark territory in its original content. What I mean by this is that the drama is often so twee that you'd expect someone to randomly burst into song like it's a production of Oklahoma!

It can be grating, but if you look past the form, the content is meaningful. Season 2 has already been renewed, and unexpectedly, I'm looking forward to it.

Little House on the Prairie is available to stream now.

The following guide may contain spoilers for the main Peaky Blinders series and the movie The Immortal Man.

Peaky Blinders will return to Netflix and BBC One for a new sequel series, but so far little is known about the next installment.

That doesn't mean there's nothing to be excited about, though. In June 2026, Tudum confirmed that some huge names were joining the cast, so I'm sure it will be just as impressive as the original Peaky Blinders series and its follow-up movie, The Immortal Man, the latter of which received a 90% critics' score on Rotten Tomatoes.

However, our entertainment writer Jasmine Valentine noted that The Immortal Man's ending might pose some problems when it comes to the new sequel series. We'll get into that later on.

Here's everything we know about the Peaky Blinders sequel series so far.

Peaky Blinders sequel: release date

We don't have a release date for the Peaky Blinders sequel series just yet, but we do know it will consist of two new six-episode seasons.

The Peaky Blinders sequel will follow the original series and the feature-length film, Peaky Blinders: The Immortal Man, that’s streaming now on Netflix. So you can watch these while you wait for the new episodes, if you like.

Speaking of the show's return, creator Steven Knight told Tudum: “Once again it will be rooted in Birmingham and will tell the story of a city rising from the ashes of the Birmingham blitz. The new generation of Shelbys have taken the wheel, and it will be a hell of a ride.”

Peaky Blinders sequel trailer: is there one?

Currently, there is no trailer available for the Peaky Blinders sequel series as it is still in development. Once one becomes available, I'll add it here.

Peaky Blinders sequel: cast

Much of the excitement around the Peaky Blinders sequel so far has come from the recent casting announcements. Despite not having a release date, trailer, or name, we do know that some major stars are joining the line-up.

Half Man's Jamie Bell and Stranger Things' Charlie Heaton will star as Duke and Charles Shelby, two half-brothers and the sons of the now deceased Tommy Shelby. Charles severed all ties to the Peaky Blinders gang, but something tells me he won't be able to get out completely.

Elsewhere, Conleth Hill joins as Clemmy Keeler, the fierce patriarch of the rival Keeler family. Cal O’Driscoll plays Clemmy’s son, Aidan Keeler, and Daniel Monks plays Detective Inspector Bell.

This great selection of stars joins previously announced cast members Jessica Brown Findlay, Lashana Lynch, and Lucy Karczewski.

Peaky Blinders sequel: plot details

Peaky Blinders' sequel series is set a decade after World War II, and follows the race to rebuild Birmingham. Duke Shelby is at the heart of what has been described as "a brutal contest of mythical dimensions."

We can expect new opportunities, jeopardy, and ambitions when Peaky Blinders returns, even though we won't be focusing on the series' icon, Tommy Shelby, anymore. I'm excited already.

The Ingalls are back, 2026 style. Thanks to Netflix, Laura Ingalls Wilder's hit book series Little House on the Prairie is returning to the small screen, 52 years after it was first adapted.

The 1974 Western-drama ran for nine seasons, starring Michael Landon, Melissa Gilbert, Karen Grassle and Melissa Sue Anderson in the leading roles... but can the 2026 version last as long?

Before new episodes have even hit the streaming service, there's good news: Little House on the Prairie has already been renewed for a second season.

But let's not get ahead of ourselves just yet — when is season 1 available to watch?

What time can I watch Little House on the Prairie on Netflix?

Little House on the Prairie drops on Netflix on Ju1y 9, 2026.

As for exact time, it should be the standard 12am PT release that previous hit shows such as Emily in Paris have enjoyed.

For global regions, here's when you need to be prepared:

• US – 12am PT / 3am ET
• Canada – 12am PT / 3am ET
• UK – 8am BST
• India – 12:30pm IST
• Singapore – 3pm SGT
• Australia – 6pm AEST
• New Zealand – 8pm NZDT

When do new episodes of Little House on the Prairie come out?

All eight episodes of Little House on the Prairie will likely be its standard release schedule going forward.

There's currently no word on when season 2 might be released, though it is thought to be in production.

This week we saw the return of Anthropic’s Fable, and PlayStation set the gaming world ablaze by announcing the end of physical discs for its consoles in 2028.

To catch up on these two mega stories and several more scroll down to read our recaps of the biggest tech news stories from the past seven days. You’ll find links to the longer original stories under each entry if you need to know more — and for a longer look back at the last six months, you can also check out our guide to the best tech of 2026 so far.

Before you catch up with this week’s tech news, why not test yourself on last week’s seven biggest tech stories to see how good your memory is? Take the quiz below, or scroll on for the biggest tech news of the week...

7. Tidal hit back at AI-made music

Tired of music made by text-prompt infiltrating your recommended feeds? You're in fine company; it seems the tide is finally turning on AI-generated audio.

This week, in what must be hugely welcome news for recording artists (and their parents, landlords, loved ones, and just lovers of original musical works with human vocals and instruments) hi-res music streaming giant Tidal has drawn a line in the sand.

The platform published a new comprehensive AI policy with the strapline "Promoting Fairness and Economic Empowerment in the Era of AI-Generated Music". The key bit is that as well as working with what the platform told TechRadar is “an external partner to manage detection”, the site will also be excluding wholly AI-generated music from all royalty payments.

The news follows huge strides in this area made by Deezer, with its free AI-detection tool that works on any streaming platform, Bandcamp's strong and concise anti-AI stance set out in January, Qobuz’s announcement of a proprietary AI-detection system in February, Apple Music’s March-issue 'Transparency Tags' (which unfortunately rely on record labels and distributors to tag AI content), and Spotify's… er, Verified by Spotify badge, which certifies that an artist is human, but doesn't help filter the remaining AI slop from your playlists.

All of this makes Tidal's stance, while not before time, particularly firm.

• Read more: 100% AI-generated tracks won’t earn royalties on Tidal

6. Netflix got another hated account update

A handful of Netflix users have noticed a new in-app pop-up that requires each member in a shared account to add individual email addresses to their individual profiles, instead of using the account owner’s email address as the primary one. One of the most jarring parts about it is that the pop-up doesn’t clear unless the request is fulfilled.

Netflix households accounts have always been built on the traditional 'one email, one password’ foundation, but why Netflix has decided to roll out yet another crackdown is the question that everyone is asking.

Though Netflix says it’s to make room for more convenient log-ins and more personalized recommendations, users believe it will give the streaming giant another way to better distinguish between the activity of individual profiles, or even shift them to individual accounts later down the line.

Netflix said that the rollout began on June 15, we imagine a global rollout is in the way.

• Read more: Netflix subscribers are furious at the platform’s latest update

5. We ran with the Garmin Forerunner 70

We’ve taken this new Garmin running watch for a spin. While it offers some clear upgrades over the Forerunner 55 that came before it, these enhancements come at a cost ($249.99 / £219.99 / AU$399) which makes this gadget less budget or entry level and more mid-range.

The trouble isn’t with this smart watch specifically. In fact, with new training and smartwatch features, a vibrant AMOLED display, and with solid compatibility across Android and iOS the watch is pretty solid. What we’re concerned about with the Forerunner 70 is that at this price (or for only a handful of bucks more) you can snatch up watches from rival brands that boast richer features and newer hardware.

At four stars it’s definitely good, but if you’re after the best, or even simply the best at this price point, the Garmin Forerunner 70 might not be it.

• Read our full Garmin Forerunner 70 review

4. The Steam Machine sold out in Japan

The upcoming Valve gaming PC-console hybrid has launched and the reality is it’s a pretty terrible deal on the face of it — though that hasn’t stopped it from selling out in Japan, and from scalpers asking for ridiculous prices for their reservation spot (allowing people a better chance at snagging the device).

Instead of battling with preorder disappointment, or the high costs of the proper machine, some have looked to alternatives but you’ll need to be careful. For every Stim Machine which presents itself as a sensible alternative (with some admittable downsides) there’s a flurry of cheap alternatives propping online that are frankly too good to be true.

Boasting components that wouldn’t actually fit inside the pictured chassis, a combination of parts that wouldn’t function together, and the plethora of never before seen companies proposing Steam Machine alternatives at impossibly cheap rates hints that a majority of these options are likely some kind of scam.

• Read more: The Steam Machine is overpriced — but be careful about buying a cheap clone

3. Anthropic’s Fable 5 was allowed to release

Anthropic’s Fable 5, the public version of its Mythos model, is returning after the US government lifted export controls that had forced the company to suspend access to it, and Mythos 5, earlier in June. The models were pulled after officials raised national security concerns linked to a possible jailbreak, a method of bypassing an AI model’s safety restrictions.

Anthropic pushed back strongly, saying it believed the issue was “a misunderstanding” and arguing that it had not been shown evidence of a broad or universal jailbreak. The company said governments should be able to block unsafe AI deployments, but only through a process that is transparent, fair, clear, and grounded in technical facts.

The return of Fable 5 matters because it shows how frontier AI launches may increasingly be shaped by governments, not just tech companies. Powerful models can now be launched, restricted, negotiated over, and restored within weeks.

• Read more: Anthropic’s Fable 5 is back after US shutdown it called 'a misunderstanding'

2. WhatsApp debuted usernames

WhatsApp has revolutionized its platform this week by introducing usernames — allowing you to build your contact information without sharing your phone number. They won’t take over completely for a while but folks are already reserving their username so that they’re ready for when the update goes live fully.

While many are fairly positive about the change, many fear this could increase the presence of cybercrime fraud and scams as bad actors reserve and use names that attempt to mimic politicians, celebrities, and businesses. This issue isn’t new to social media, but given the more direct nature of WhatsApp, and that businesses do use the platform to chat with customers, potential scams could have an easier time.

WhatsApp has hit back against this saying “only the legitimate account owners are able to reserve well-known public-figure names" however it’s unclear if, with enough imagination, people will find ways to reserve names that the Meta-owned platform hasn’t been able to account for.

• Read more: WhatsApp should freeze username rollout as it could ‘increase cybercrimes’, says India

1. PlayStation killed physical games

Just days after Grand Theft A 6 pre-orders opened with purely digital versions and code-in-a-box releases, PlayStation rocked the gaming world this week by announcing it is ending all releases of new PlayStation games on physical discs from January 2028. It also comes just days after Sony deleted select films from users' accounts that were bought digitally, and offered no compensation.

Claiming that the move “will enable us to align more closely with how most of our community prefers to access and play games today,” Sony looks to be reflecting recent statistics which show the vast majority of game purchases are indeed digital.

The move has not gone down well with fans, gamers, and the wider industry, as it likely paves the way for an all-digital future, and possibly a critical, maybe terminal blow to the second-hand game market, the ability to share games with others, and from a game preservation perspective

It also means that the PS6 will likely be all-digital by default — perhaps with an optional disc drive — and won’t release until 2028 at the earliest. With rumours that Xbox could follow suit with its next-generation console, the future looks increasingly digital, and game collectors such as ourselves are deeply worried and sad about it.

• Read more: In a huge blow to game ownership, PlayStation confirms end of physical games — mere days after GTA 6's disc-less pre-orders

We are officially halfway through 2026 — how did that happen??? — but the world's best streaming services aren't letting up on the new movies and TV shows front.

Indeed, this week's selection might be on the smaller side, but every entry we've rounded up below is definitely worthy of your time. Quality over quantity, and all of that jazz. So, what are you waiting for? Read on to find out what your next must-see film or TV series is. — Tom Power, senior entertainment reporter

X-Men 97 season 2 (Disney+)

Get ready to hum and air-drum along to that iconic theme tune, Marvel fans, because X-Men 97 is back for its sophomore season on Disney+.

Picking up directly after X-Men 97 season 1's finale, the highly-rated animated X-Men TV show finds the world-famous mutants scattered across time as they all attempt to avert the same crisis. That being, the world falling under the totalitarian rule of the immortal superhuman known as Apocalypse.

X-Men 97 season 2's first three episodes are out now, and you'll be able to see one new entry of this Marvel Cinematic Universe (MCU) adjacent project every week for the foreseeable future. So, grab a bowl of cereal, throw on your favorite pajamas, and settle in for some more Saturday morning cartoon-style fun... well, in-between all of the weeping that X-Men 97 season 2 will make you do, anyway. — TP

• Watch X-Men 97 season 2 on Disney+

Enola Holmes 3 (Netflix)

Who's ready for another round of Victorian era whimsy and detectiving (yes, that's a word, look it up)? If you raise your hand, you'll be happy to know that Enola Holmes 3 has made its debut on Netflix.

This time around, a spanner is thrown in the works of the titular character's impending wedding to Lord Tewkesbury. The reason? Her more famous cousin Sherlock has been kidnapped. Way to spoil her upcoming nupitals, Mister World's Greatest Detective...

Millie Bobby Brown, Henry Cavill, Helen Bonham Carter, Louis Partridge, and Hamish Patel are among the movie's starry returning ensemble. So, don't delay — load up Netflix because the case is afoot! — TP

• Watch Enola Holmes 3 on Netflix

Elle (Prime Video)

Fictional lawyer Elle Woods is a pop culture sensation and now she's got her own Prime Video series.

Before Legally Blonde comes Elle, a prequel set in 1995 where our upbeat, pink-loving protagonist tries to navigate the tumultuous waters of high school. A tagline for the Amazon TV Original teases that it's even harder than law school was, and we'll soon learn why across this eight-part season.

Here, Lexi Minetree steps into the eponymous character's glamorous shoes, following on from Reece Witherspoon in the original movie. Our entertainment reporter Jasmine Valentine gave Elle a glowing review, but what will you think of the prequel? — Lucy Buglass, senior entertainment writer

• Watch Elle on Prime Video

Lee Cronin's The Mummy (HBO Max)

Not to be confused with the Brendan Fraser-led movie of the same name, Lee Cronin's The Mummy is one of a few new horror movies arriving on HBO Max this month.

In it, we follow a family who is reunited with Katie, their long-missing and now mummified daughter. They soon realize something's wrong with her and what follows is a jump scare heavy, incredibly bloody, and divisive supernatural flick.

You may need to suspend your disbelief for this one, but if you're in need of a good scare this weekend, it definitely does the job. — LB

• Watch Lee Cronin's The Mummy on HBO Max

Ready or Not 2 (Hulu/Disney+)

Ready or Not 2: Here I Come was not a sequel I had anticipated and, in my Ready or Not 2 review, I was certainly on the fence about it.

The sequel, which is out now on Hulu (US) and Disney+ (everywhere else), is fortunately saved by its star power, and it's particularly great to see Sarah Michelle Gellar loving every moment of the character she plays. Here, she's part of an aristocratic group of individuals with murder on their minds, who hunt down Grace (Samara Weaving) and her sister Faith (Kathryn Newton) as part of a high-stakes ritual. — LB

• Watch Ready or Not 2: Here I Come on Hulu (US) and Disney+ (internationally)

Silo season 3 (Apple TV)

It's time to literally unearth more secrets at the heart of this critically-acclaimed Apple TV Original.

Indeed, with Silo back for its third and penultimate episode, the Rebecca Ferguson-led dystopian drama must start giving viewers the answers that they seek. Thankfully, Silo season 3 does just that, with its separate timelines — one of which is set centuries before the Earth's surface became uninhabitable — starting to pull back the curtain on its wider mystery.

This season's first episode has gone live on Apple's streaming platform. New episodes will air weekly, too, so prepare yourself for nine more weeks of twists, turns, betrayals, and other shocks aplenty. — TP

• Watch Silo season 3 on Apple TV

Worst Neighbor Ever (Netflix)

Finally, Netflix has a new spin-off for their Worst Ever documentary series. We've seen worst exes and worst roommates, and now we're taking a look at the neighbors from hell.

There's harassment, paranoia and, even murder across its four episodes, which features insights from local law enforcement and those involved in the neighborly disputes that got way out of hand, often ending in irreparable hurt and damage.

You won't believe some of these stories, but they're 100% true and among the most shocking you'll find in Netflix's true crime library. — LB

• Watch Worst Neighbor Ever on Netflix

When I think of Enola Holmes, one word springs to mind: naff. Average, run-of-the-mill, mundane, as our friends across the world might put it instead.

It's been four years since the sequel and six years since the original movie came to Netflix, and I have no bearing on where it sits culturally. As an avid internet user in my pre "I have a job reviewing film and TV" days, the Millie Bobby Brown-led franchise felt like a complete flop. But look at the trilogy from a critic's perspective, and it's been a solid entry into the streamer's canon.

Watching Enola Holmes 3, I finally get it. As Sherlock's little sister takes on her wildest case — Sherlock (Henry Cavill) himself being kidnapped — I understand the brief writer Jack Thorne is trying to fulfil... a harmless one.

Suitable for all the family thanks to its genuinely fun and compelling (though not exactly unexpected) narrative, Enola Holmes 3 has all the hallmarks of a solid three-star movie. In fact, it's the most three-star movie to ever three-star.

Can you guess the ending? Yes. Do you care? Probably not. Will you look at your phone occasionally while streaming it, or maybe get started on those pesky household chores you keep putting off? I'd put money on it. Will you lose the storyline or interest if you suddenly pop out to make a coffee and keep the TV running? Not in the slightest.

It's safe storytelling at its most entertaining, and I felt a little like I imagine a baby does when a sensory YouTube video presents them with dancing fruit. Gripped, unmoving, but ultimately numb to what's actually going on.

Enola Holmes 3 must have been an actor's dream working holiday — like Mamma Mia! without the singing

If you have an account on X/Twitter or Instagram and are into pop culture, you have probably seen the pictures of the cast wrap party for the 2008 movie version of Mamma Mia! — which involved the likes of Meryl Streep and Colin Firth getting drunk and doing karaoke in Croatia.

In my mind's eye, Enola Holmes 3 had the same effect on its cast. Set and filmed in Malta, the exciting action sequences, picturesque heartfelt scenes walking along the coast, and frequent galivanting around the capital Valette likely amounted to a similar jovial spirit (and imagine a wrap party abroad with a Netflix budget).

The cast is just as stoic as they ever have been, with standout Helena Bonham Carter as a vagrant outsider, a veritable thrill. They're having fun, so we're having fun along with them, with the ingenious use of animated title cards to explain Sherlock lore, a shrewd interactive touch.

It's not particularly taxing or sophisticated as far as storytelling is concerned, but the existence of this IP wouldn't work if it tried to be. Let's stick with tried and tested easy-on-the-eye action, please.

Netflix needs to stop casting actors with 'iPhone face' in its period dramas

Before I come to my main gripe, let me make clear that Millie Bobby Brown is a) beautiful and b) absolutely doesn't deserve to have her appearance critiqued by the internet.

Instead, I wish that the costume and make-up departments had paid closer attention to its continuity, particularly around 'iPhone face' (the theory that someone cast in a period drama has clearly seen an iPhone).

As Brown has matured over the last six years, it's understandable that she'd want make-up that matches where she is in life. The result is that, unlike the previous two movies, she's got a full face of easily identifiable foundation, contour, and lip liner, which definitely wouldn't have been the case in the late 1800s.

Add to this that wider shots show Brown wearing gel acrylic nails — whereas close-ups show her slightly dirtied yet authentic natural nailbeds — and the illusion of a genuine period drama is ruined.

Continuity seems to be a wider issue across Enola Holmes 3, such as shots spliced together in a single scene not properly keeping track of whether someone's eyes have just been opened or closed. Much like the harmless safety of the narrative, it's this lack of attention to detail that keeps the franchise cocooned in its middling category, though armchair detectives might enjoy trying to spot said mishaps.

Still, it all adds to the light-hearted spirit of the piece, doesn't it? How likely is it that Sherlock, the Sherlock Holmes, could really be kidnapped anyway? Just roll with it, as the saying goes.

55 years ago, the legendary Gene Wilder invited us to join him in "a world of pure imagination." Now, a disembodied AI recreation of his sonorous vocals is inviting us to join him in his "my newest wonders beyond imagination."

But there's little-to-nothing imaginative about the use of an AI-generated version of Wilder's voice to help sell Netflix subscribers on a new Willy Wonka and the Chocolate Factory-themed reality show, and, quite honestly, I hate everything about it.

To catch you up, this new show, which is set to air in September on one of the best streaming services, Netflix, borrows sets (recreations), themes, and even one living actor who played an Oompa Loompa from the original 1971 film to create a reality show that it hopes will somehow, if not match, approach the charm and danger of the original film.

Not getting the point

Willy Wonka and the Chocolate Factory, based on the Roald Dahl bookCharlie and the Chocolate Factory, is a commentary on wealth, poverty, family, risk, and cruelty, all wrapped in a candy-covered fantasy.

The protagonist, Charlie Bucket, is so poor he lives in a ramshackle London cottage with multiple generations of family members, including a grandfather who has not left his bed in years. Meanwhile, Wonka is finally opening up his secretive factory to a select group of the public, chosen at random via golden tickets hidden in some of his candy.

I know, it sounds like a confection, but the first scene in which Wilder appears gives you a hint that this is not your typical children's story. When all the winners, including Charlie, arrive, Wonka (Wilder) unsteadily walks out while using a cane to greet them. As he approaches the gate, Wilder loses his grip on the cane and falls forward, but instead of face-planting, he does an effortless tumble and is suddenly upright and boisterous.

I tell you all this because there is so much complexity and nuance in that one scene and virtually all of it engineered by Wilder's performance. Throughout the film, his face and especially his voice drive the narrative and mood, yo-yoing it between playful host and sinister guide who keeps losing children to one self-imposed calamity after another.

Never before or since have I seen a character in a children's film swing so wildly from gentle and childlike to ominous. It's a wonder the Academy didn't recognize his performance.

Fast forward more than half a century to this streaming show, which uses Wilder's voice with the permission of his family; you can get your first sample of it in the new show trailer (above). Created by increasingly well-known ElevenLabs, the voice is, in my opinion, a poor recreation at best, but I guess I might also call it unmistakably Wilder-like.

It's also depressing. The thing about Wilder's real voice in films like Willy Wonka, The Producers, Stir Crazy, and Young Frankenstein is that it could be wildly emotional. Wilder as a hysteric was often the funniest thing you had ever seen. No one went off the rails like Gene Wilder, but also few other actors could express such warmth and compassion, and sometimes he did it all in a single scene.

At the end of Willy Wonka and the Chocolate Factory, Wonka discovers Charlie is stealing his everlasting gobstopper to deliver it to Wonka's chief competitor. His anger at Charlie is terrifying, but as soon as Charlie leaves the candy behind, Wonka (Wilder) transforms, and the compassion and joy in his voice is something to behold.

The AI Wilder voice in this trailer is devoid of passion, pathos, or really any recognizable human emotion. It's a soulless Gene Wilder.

Look, there's no doubt the power of AI is transforming life and culture. It lets us do things we never thought possible. It's a co-worker, a companion, a sleuth, a coder, and a creator, but we are now at the point where we must ask ourselves: Just because AI can, should it?

I guess we can ask a similar question about the AI-generated Val Kilmer in the unfortunately titled As Deep as the Grave. While I can understand if Kilmer had completed some filming and they wanted to bridge the gap in scenes filmed after his death, this full-scale recreation, even with the estate's permission, seems wrong. I love these actors, but none are irreplaceable, and using their likenesses and voices simply to generate nostalgia and sell a product feels very wrong, and certainly not the best use of AI (and all the resources behind it).

Surely, we can agree that it's often better to let the dead stay dead and not try to resurrect a simulacrum of their essence through the power of AI. The results are, to be honest, rather like the work of Baron Von Frankenstein: a monstrous creation that probably has no place on earth.

• Netflix users are being asked to add email addresses to their individual profiles
• The platform says this will allow separate sign-ins while offering even more personalized recommendations
• It seems convenient on paper, but users think it could lead to another big crackdown

Sharing Netflix accounts today isn’t as easy as it was in the mid-2010s, but now the best streaming service has another account crackdown on the way that’s already getting under people’s skins.

A handful of users have noticed a new in-app pop-up asking each member in a shared account to add individual email addresses to their individual profiles, instead of using the account owner’s email address as the primary one. One of the most jarring parts about it is that the pop-up doesn’t clear unless the request is fulfilled.

This hasn’t rolled out to all Netflix account holders yet, but the company informed Ars Technica that the new sign-in update began on June 15, so we imagine a wider rollout is inevitable. The outlet also stated that this pop-up doesn’t apply to profiles that are labelled as belonging to children.

Netflix households accounts have always been built on the traditional 'one email, one password’ foundation, allowing you to create up to five profiles to keep watchlists and recommendations separate from other members in your family. That’s all about to change, but why Netflix has decided to roll out yet another crackdown is the question that everyone is asking.

According to the details mentioned in the pop-up, this is purely a convenience reason. Having individual emails assigned to individual profiles under one account means you won’t have to keep relying on using the account holder’s email to sign in each time. It also means that if you ever need a verification code to log into Netflix, you won’t have to chase up the account holder for it in their inbox.

Additionally, the pop-up also says that adding an email address to your profile will make it a lot easier for you to recover the account when needed, and get personalized content recommendations with more features to come. On paper it sounds like Netflix is adding this requirement as a user experience enhancer, but subscribers are convinced it’s just another way for the company to surveil user activity.

When Netflix rolled out its password crackdown back in 2023, it ended an era of serial account sharing and that’s where the service decided one account was strictly for one household, the ‘Netflix Household’ in official terms. With its latest move, we believe that there’s more than meets the eye — and so do a vast majority of users online.

Bye Bye profiles on Netflix. So shady. Sheesh. from r/netflix

Over the past few weeks Reddit has seen a swarm of reactions following the first appearances of the pop-up, but the main concern expressed by users is the possibility of this morphing into a payment system, charging account holders to fork out extra just to add more profiles. “This is killing Netflix for me”, one user added.

Based on Netflix’s past crackdowns, the new requirement could also give the streaming giant another way to better distinguish between the activity of individual profiles, or even shift them to individual accounts later down the line. But while users have expressed outrage over this, some say they’ve found a workaround.

It appears that creating email aliases has helped some users get past the pop-up without giving Netflix all of their information, however this has only worked for those using Gmail.

One person in particular says that you can amend your Gmail address in order to create an alias, giving the example that if your email is ‘johnsmith@ gmail.com’ you could set up ‘johnsmith+kid1@gmail.com’. They go into further detail in their Reddit post, while others in the replies who use this workaround for other situations confirmed that it works.

As mentioned, this update hasn’t reached every Netflix subscriber yet and is rolling out slowly to start, similar to how the platform kick-started its password crackdown. Given Netflix’s history, we’re definitely keeping one eye open on this one.

Avatar: The Last Airbender season 2 has only just landed on Netflix, but we're already thinking about season 3 (you can read our ending explained to learn why).

Luckily for us, it had incredibly early confirmation. We've known all along that Aang (Gordon Cormier) needs to learn all four elemental bending skills in order to stop the Fire Nation, led by Lord Ozai (Daniel Dae Kim), from controlling the Four Nations.

As our current batch of episodes draws to a close, we're still far from reaching this conclusion. Enter Avatar: The Last Airbender season 3, which is already poised to take over.

From release window predictions to returning cast, here's everything we know about the next installment.

Avatar: The Last Airbender season 3 release window prediction

It's worth pointing out that, as of writing, Avatar: The Last Airbender season 3 doesn't have a confirmed release date or window. However, internet rumors suggest we could be seeing new episodes at some point in summer 2027.

Seasons 2 and 3 were shot back-to-back, and filming for new episodes wrapped back in November 2025.

Worst case, we can expect season 3 at some point in 2028, given that there's been a two-year gap between seasons 1 and 2.

Avatar: The Last Airbender season 3 trailer: is there one?

A trailer for Avatar: The Last Airbender season 3 hasn't made its debut yet. Once one is released, we'll update this section.

Avatar: The Last Airbender season 3 cast

We can expect the following cast to return for Avatar: The Last Airbender season 3:

• Gordon Cormier as Aang
• Kiawentiio as Katara
• Ian Ousley as Sokka
• Dallas Liu as Zuko
• Daniel Dae Kim as Ozai
• Paul Sun-Hyung Lee as Zuko
• Elizabeth Yu as Princess Azula
• Miya Cech as Toph
• Chin Han as Long Feng
• Justin Chien as King Kuei
• Amanda Zhao as Joo Dee
• Crystal Yu as Lady Beifong
• Kelemete Misipeka as The Boulder
• Hoa Xuande as Professor Zei
• Lourdes Faberes as General Sung
• Rekha Sharma as Amita
• Madison Hu as Fei
• Dichen Lachman as Yangchen
• Lily Gao as Ursa
• Terry Chen as Jeong Jeong

Dolly De Leon as Lo and Li, Jon Jon Briones as Piandao, and Tantoo Cardinal as Hama were all originally tipped to appear in the second reason, but do not. Despite this, we can expect them to star in season 3.

More new names will likely be announced as we get closer to the show's release, so keep your eyes peeled.

Avatar: The Last Airbender season 3 plot predictions

Spoilers for Avatar: The Last Airbender season 2 ahead.

We're pretty confident that season 3 is going to directly adapt the third Avatar book, following Aang learning to firebend, infiltrating the Fire Nation, and preparing for his climactic showdown with Fire Lord Ozai before Sozin's Comet arrives. Not too much, then.

We also know that Zuko will eventually team up with Aang and the gang to make this happen, so we can expect to see some more emotional upheaval from him.

Obviously, finding out if Aang has actually survived the battle is a top priority for season 3. But the mere fact that season 3 has already been greenlit basically confirms that we'll be seeing Aang again anyway.

Will there be more seasons of Avatar: The Last Airbender?

As of writing, nothing has been announced. Narratively, it makes sense for season 3 to be the last, if Books 1, 2, and 3 have all been adapted in each.

However, the fact that there are so many written and comic book continuations means that the possibilities could be endless. Even if we don't get a direct season 4, Netflix could invest in spinoffs galore.

Congratulations, you've made it to the end of another week. Your reward — especially for those of you in the UK who've spent the last few days dealing with that incredibly uncomfortable heatwave — is to sit back, relax, and watch something on one of the world's best streaming services.

If you're not planning on seeing Supergirl at your local cinema, then, what new movies and shows have arrived this week? You'll have to read on to find out. But, with five of this streaming round-up's biggest releases landing on Netflix and Disney+, those platforms will be your first port of call. Happy streaming! — Tom Power, senior entertainment reporter

Avatar: Fire and Ash (Disney+)

It doesn't often feel like a lifetime between a theatrical blockbuster breaking box office records to finally hitting a streaming service, but it does in the case of Avatar: Fire and Ash.

The third installment in the epic James Cameron fantasy franchise hit the big screen in December 2025, introducing the fire Na'avi, led by Varang. Think The Way of Water, only with more flames.

Expect more jaw-dropping visuals, perilous fighting and an even bigger divided between the Na'avi and humans. Amazingly, Sigourney Weaver once again gets to be both in this film that's out now on Disney+. — Jasmine Valentine, entertainment reporter

• Watch Avatar: Fire and Ash on Disney+

In the Hand of Dante (Netflix)

Netflix's In the Hand of Dante simultaneously follows author Nick Tosches in the 21st century as he takes a violent journey on behalf of a mafia don to steal Dante Alighieri's The Divine Comedy, and Dante himself in the 14th century seeking inspiration to write his most important work.

Here, Oscar Isaac tackles dual roles as Alighieri and Tosches, with the screenplay based on the latter's book of the same name. Other big names starring include Martin Scorsese and Gerard Butler.

Despite the ensemble cast, the movie has been widely panned with many considering it to be too confusing. Perhaps you'll feel differently? — Lucy Buglass, senior entertainment writer

• Watch In the Hand of Dante on Netflix

The Bear season 5 (Hulu/Disney+)

The Bear has served its last course. Indeed, with the award-winning comedy-drama's fifth and final season landing on Hulu in the US, and Disney+ everywhere else, it's time to say goodbye to Carmy, Sydney, Richie, and the rest of the gang.

I won't spoil how The Bear season 5, which, like the first season, comprises eight episodes instead of 10, ends. Instead, let's just say the eatery's tight-knit group of employees find themselves metaphorically drowning as they struggle to keep the titular restaurant afloat amid myriad problems that stack up across a single day. Prepare to laugh and cry, feel second-hand stress, and shout "Yes, chef!" for the last time. — TP

• Watch The Bear season 5 on Hulu (US) and Disney+ (internationally)

Avatar: The Last Airbender season 2 (Netflix)

Blink and you've missed Aang grow from an exceptionally cute little boy into a fledgling young man... and that only gives Avatar: The Last Airbender season 2 more grounding.

The gang's fight to stop the Fire Nation Lord Ozai taking control of the Four Nations persists, with the Earth Kingdom's hidden city of Ba Sing Se now a key target for takeover.

Thankfully, this season has massively improved from its sketchy debut, and we're finally introduced to Toph (Miya Cech), who is an exceptional addition to the team. Bonus points for baby Appa, too. — JV

• Watch Avatar: The Last Airbender season 2 on Netflix

The Sheep Detectives (Prime Video)

One of the biggest surprises of the year, The Sheep Detectives follows a flock of sheep who try to solve the murder of their shepherd George (Hugh Jackman). What follows is an admittedly brilliant Prime Video whodunnit for the whole family, and it's hard not to be charmed by the animals who are desperately trying to seek justice for their poor human companion.

Not to mention, the cast is exceptionally good and features voice acting talents from people like Bryan Cranston, Patrick Stewart, and Bella Ramsey. I'm confident you'll quickly fall in love with this Amazon Original. — LB

• Watch The Sheep Detectives on Prime Video

Life, Larry, and the Pursuit of Unhappiness (HBO Max)

Sure, it's got an unnecessarily long title, but Life, Larry, and the Pursuit of Unhappiness might actually be the HBO Max sketch comedy series we've been waiting for.

Created by Larry David and Jeff Schaffer, and produced by the Obama's production company, it comedically improvise events in American history in celebration of the 250th anniversary of the founding of the United States. So, perhaps like Hamilton, just with no singing. Although I'm sure if you asked Lin Manuel Miranda, he'd be more than up for changing that in a potential season 2. — JV

• Watch Life, Larry, and the Pursuit of Unhappiness on HBO Max

Little Brother (Netflix)

John Cena plays famous real estate agent Rudd in Little Brother, and his life is going great until his 'little brother' Marcus (Eric André) shows up and disrupts all that.

Rudd gets a phone call alerting him that Marcus was badly injured in a car crash, which causes him to reconnect with a man he was buddied up with during a high school charity event. Rudd is frustrated that he's back in his life and depending on him, despite them not actually being related.

As you can see in the trailer, Marcus is complete chaos, resulting in a laugh out loud comedy movie that's perfect for your weekend. — LB

• Watch Little Brother on Netflix

• The second season of Netflix crime drama Dept Q begins production in Edinburgh, Scotland
• Core cast set to return alongside nine new faces
• No word yet on release date or the number of episodes

Netflix has confirmed that the second season of the hit crime drama Dept Q. is now in production, filming in Edinburgh, Scotland.

Our core cast is set to return, including:

• Matthew Goode as DCI Carl Morck
• Alexej Manvelov as Akram Salim
• Jamie Sives as DS James Hardy
• Leah Byrne as DC Rose Dickson
• Mark Bonnar as Stephen Burns,
• Kate Dickie as Moira Jacobson
• Aaron McVeigh as Jasper
• Sanjeev Kohli as Martin Flemming

Nine new cast members will also be seen in new episodes. While we don't know exactly what their roles will be, we do have names:

• Aisling Franciosi as Kimmie
• Greg Wise as Derek Powell
• Nicholas Rowe as Thomas Fulton
• Tony Curran as Winnie Calderwood
• Hamish Clark as Christopher Herron
• Alex Ferns as Phil Allenbeck
• Ross Anderson as Ricky Daddario
• Rebecca Root as June Lovesay
• Isla Johnston as Agnes

Currently, there's no word on exactly when Dept Q. season 2 will be released, nor how many episodes will make up the series.

However, we do have a brief idea of what the plot will involve thanks to the synopsis below.

Dept Q. season 2 set to explore a brand-new case

As per Netflix, Dept Q. season 2 follows "DCI Carl Morck heading up the maverick Dept. Q from the basement of an Edinburgh police station, charged with cases previously deemed unsolvable.

"This darkly humorous, propulsive show delivers all the pleasures of a procedural but takes us into the complex mysteries not just of the cases but of the detectives themselves."

Unsurprisingly, this is all very vague at this point in development. However, Rob Bullock, Executive Producer, Left Bank Pictures, added in a statement, “This season, Carl and his band of misfits tackle a terrible crime hidden in the highest echelons of Scottish society. It is a story for our times: rich and powerful people who believe they are above the law."

Executive Manda Levin agreed, "The story of season 2 is as darkly delicious as you’d expect, and Carl and his glorious gang will have their work cut out pinning down the perpetrators as we launch back in for more!”

What we know for sure is that we will continue to see an adaptation of Jussi Adler-Olsen’s original novels — but how faithful the show will be remains to be seen.

Two years ago, Netflix dramatically let me down. As a massive anime fan, I tuned into the first season of their live-action Avatar: The Last Airbender remake and was horrifically disappointed within minutes. In fact, the most positive critique you could give it is that it was better than the live-action movies, which are widely considered to be garbage.

Why? The action was all there, but the heart of Aang's story wasn't. Spectacular VFX tried to cover up the hollow, mundane narrative underneath. In fact, to quote a fantastic jaw-dropping writer called Jasmine Valentine: "There’s little room to learn, with life-changing realizations made in a ridiculously short amount of time. If a tale can’t be paid its due diligence in a certain remit, should we even bother at all?"

In 2026, my excitement for Avatar: The Last Airbender season 2 is non-existent. I've approached its seven-episode run with complete trepidation, honestly wondering if there is anything better that I could be covering this week. However — while a long way from being a masterpiece — the hit Netflix show has clearly been listening.

Now that all of the exhausting worldbuilding is out of the way (for the most part), fans can finally focus on the character relationships that they want to invest in. There's a lot of tenderness and vulnerability on display, which is the most fulfilling part of our cast having grown up so much between seasons.

But there's still something obvious that's really bothering me... and it comes back to Netflix's "cookie-cutter" mold that none of its programs can escape.

Avatar: The Last Airbender season 2 has finally learned its lesson about the importance of heart

Read it and weep (for joy), kids — Avatar: The Last Airbender season 2 actually has heart. If we're being honest, nobody had to put any effort into achieving this, with the mere fact that the lore of the Four Nations is fully established meaning there's now room for bigger, better things.

A mature Aang (Gordon Cormier) now straddles his inner struggles of legacy and constant imposter syndrome even more effectively, with the likes of Katara (Kiawentiio), Sokka (Ian Ousley), and Suki (Maria Zhang) now all settled into their selves, wants and needs.

If anything, Zuko (Dallas Liu) is going through it the most. After deserting his family and retreating into hiding at the end of season 1, we've got a lot more sympathy with him this time around as he grapples with his supposed destiny of capturing Aang for the Fire Nation's glory. Unlike Lord Ozai (Daniel Dae Kim), he's no longer a villain, but a victim.

The standout character of season 2 is easily Toph (Miya Cech), who has finally been introduced after not appearing in season 2. Coming from a complicated family background that routinely dismisses her Earthbending, she comes into her own sassy self after teaming up with Aang to teach him the next element.

Collectively, the team is now firing on all cylinders, and it's nothing short of a joy to watch. Now we understand who they are and what the bigger picture looks like; intimacy, fun, and genuinely satisfying friendships are now flourishing. The jokes land, the serious moments stab you in the heart, and whimsy is flying around like Appa the sky bison.

Netflix makes season 2 look exactly like The Witcher — just with different lore

Everything else in Avatar: The Last Airbender season 2 feels like more of the same — and that's a huge problem when it comes to the visuals. Broadly speaking, the Four Nations are jaw-droppingly gorgeous, and the detail that the creative team has packed into the landscapes is nothing short of impressive.

The immediate VFX, such as the bending that our characters use, leave a lot to be desired. It's obviously not a usual thing for people to have fire and water shooting out of their hands, so we're suspending a great deal of belief anyway... but being in the moment doesn't help when seeing it happen looks so fake.

This lumps season 2 into the same visually poor category as The Witcher, which is another comparison I made during season 1's debut. Cover the faces of the actors, stick them in the woods for a combat scene, and you'd be hard-pressed to tell the shows apart. Netflix is determined to make all of its genre programs look exactly like one another, and I'm baffled as to why.

Then there's the ultimate ending, which we already know without including spoilers. Much like other long-running anime series like One Piece (with its Netflix adaptation also guilty of this), we've known about the final endgame from its first five minutes. Here, it's for Aang to learn his bending skills, become all-powerful, and defeat Lord Ozai and the Fire Nation.

With a third series already confirmed, this is being drawn out for as long as humanly possible. It was obvious that none of the above was going to be achieved by the time season 2 wrapped up, so we've made little substantial progress from when Aang's goal was first introduced.

For me, the constant theme of "Oh no! Danger is on the horizon, and the Fire Nation must be stopped" is going to wear thin quickly. I'd really like to see season 3 mix things up, but I'm guessing that it won't.

Did I enjoy seeing Aang and the gang in 2026 more than in 2024? Absolutely. Has it renewed my interest in seeing them again at the end of 2027 (season 3's assumed release window)? Far from it.

Spoilers for Avatar: The Last Airbender season 2 ahead.

Even before Avatar: The Last Airbender season 2 dropped on Netflix, we knew exactly where it was heading: the Fire Nation taking over all of the Four Nations.

In the latest batch of seven episodes, the target is the hidden city of Ba Sing Se — and as of season 2 episode 6, it's been captured.

With Avatar Aang (Gordon Cormier) the only person who can save the day, the pressure is on to stop Fire Lord Ozai (Daniel Dae Kim) from doing any more damage.

Unluckily, Princess Azula (Elizabeth Yu) is taking her dad's wishes into her own hands. But can our favorite gang cope with her fiendish plans?

Here's everything you need to know about the Avatar: The Last Airbender season 2 ending... and what it might mean for the already confirmed season 3.

Appa, Sokka, Zuko and Katara are all captured by the Dai Li — which is now controlled by Azula

We kick off Avatar: The Last Airbender season 2 episode 8 with a flashback of baby Aang meeting Appa the sky bison for the first time. Aang feeds Appa an apple (trying to say that three times fast), and they embrace.

Cut to the present day, where Appa has been kidnapped by the Dai Li — Ba Sing Se's secret police force — which is now being controlled by Princess Azula. Trust me, you will cry seeing him in chains.

In a meeting with the city's Grand Secretariat, Long Feng (Chin Han), Azula kills all of Ba Sing Se's highest-ranking men in the force when they question why the Fire Nation wants to control the city. Long Feng, however, begrudgingly but fearfully complies with Azula's plan: to raise Ba Sing Se's drawbridge and let the Fire Nation troops roll in, taking out anything they want in the process.

Remember, this is all coming from Lord Ozai's orders, despite Azula being a more than willing vehicle for them. But Appa isn't the only Aang ally the Dai Li has captured on her orders, with Sokka (Ian Ousley) and Katara (Kiawentiio) also in separate cells.

Sokka reunites with inventor Sai (Danny Pudi) in his cell, with the inventor already being captured before his arrival. Together, they try to figure out how to use the prison's underground structure to break free.

Katara has been put in a cell with Zuko (Dallas Liu), who was caught by the Dai Li after "doing a good act." This marks the biggest pinnacle in Zuko's personal struggle between good and evil so far, and Azula has no idea that he's jailed.

Meanwhile, Toph (Miya Cech) returns home to her mother, complaining that Aang and co. "don't understand her" after their huge falling out in episode 6. While initially seeming on board with how great Toph's earthbending powers are, her mother poisons Toph's tea in order to try and control her urge to leave home forever.

Aang and Iroh plan an escape mission

So where is Aang in this? Right behind his pals, having already figured out where Appa is underground just by sensing him. When the Azula-controlled Dai Li parade through the center of Ba Sing Se, he's hidden by allies made in season 2, episode 1.

When he attempts to approach the Dai Li's underground jail, he's spotted by Iroh (Paul Sun-Hyung Lee) and is immediately suspicious. Iroh reveals that he's also on a mission to break Zuko out of jail, thinking that the pair should team up for maximum effect.

Iroh tells Aang about a secret door that Avatar Kyoshi once installed to lead into the underground caves, but it needs all four elements bent at once to be able to open it. Aang is missing his firebending powers at this stage, so he needs Iroh just as much as Iroh needs Aang.

Together, the pair locate and open the door, and set off on their rescue mission.

Zuko tries to bond with Katara

While Sokka and Sai try to be proactive, Katara learns who Zuko really is. Immediately, she goes on the defensive, telling him how all of her family — and the entire Waterbending tribe — were wiped out thanks to the hostile Fire Nation invasion.

Zuko definitely feels empathy for Katara, but still has a chip on his shoulder. He tells her that the Fire Nation also stripped him of his family, with his mother dying at the hands of Lord Ozai.

The more the two talk, the more they realize that they have a lot in common. It's the closest we've even seen Zuko come to his "good" side, and it seems as though he's finally going to stay that way for good.

Looking at the burn mark around his left eye, Katara offers to try and heal Zuko using the waterbending potion in the locket around her neck. Just as she's about to apply it, Aang and Iroh storm in, having found and released Sokka and Sai first.

Aang goes to fight Zuko, but Iroh stops him, claiming that he's seen huge changes for the better in his nephew. Not quite believing that Zuko has defected from the Fire Nation, the gang sets off in search of the exit.

Aang's escape plan is thwarted

With the Dai Li everywhere, the gang splits up. Aang goes to find Appa after Long Feng brings him up to speed with Azula's plans, earthbending a hole through the ceiling so that Appa can fly to safety.

But as he tries to rejoin the others, he passes another prisoner who was originally being psychologically tortured by a Dai Li officer earlier on. Aang offers to bring her with them, but instead of accepting his offer, she shouts that "the Avatar is here," alerting the guards.

From there, it's fighting on all fronts. In pairs, the group makes light work of the Dai Li roaming the hallways, especially when Toph joins suits, revealing that she has invented "metalbending."

In fact, metalbending is how she ended up there in the first place. When she wakes up after her poisoning, Toph awakes in a metal box riding inside her mother's horse and carriage. Coming to the conclusion that Aang really does understand her, where her family doesn't, she bends the box and flies out of the carriage, making her way to safety.

An all-out battle with Azula changes Zuko's allegiance

With the fight raging on, Azula soon joins the mix, learning that her brother is among the escapees. Honing her focus on him, she tries to convince him, once again, to rejoin her side.

At first, Zuko remains hesitant, more confident in his newfound ability to do good things. But when Azula brings up the death of their mother, he changes his mind.

Where Zuko has always held a grudge against Azula for how she acted when their mother died, Azula reveals that she was only acting on her mother's orders. Their mom wanted the siblings to stay together through the trauma, breaking an emotional trigger point inside Zuko when he hears this.

By the time the rest of the gang reach a large clearing in the underground caves, Azula and Zuko emerge to fight them all as a team. This shocks Katara, who had genuinely believed that Zuko was coming around to being on their side.

After a lot of intense bending and fighting, it looks as though Azula has Aang right where she wants him — after all, the entire point of kidnapping his friends was to lure Aang to Ba Sing Se.

But in his hour of need, Aang taps into what can best be described as an "Avatar portal," seeing physical forms of all the Avatars that came before him in his mind's eye. More clearly, it's what causes Aang's eyes and head arrow to turn a shining blue, as he's essentially channelling their collective power through his body.

Aang is left unconscious

At this point, we see Aang's best bending to date, turning the tables on Azula and leaving her (and the Dai Li guards who join her) powerless.

But just as he's about to deliver the final blow, Aang loses his inner vision, effectively shutting his power off. He collapses to the floor, but Katara, Sokka and Toph are able to get him to safety thanks to Appa having waited outside.

With Ba Sing Se still under Azula's control, our final scene shows the gang flying away on Appa's back. Kata uses the potion she initially offered to Zuko on Aang, aiming to heal him and bring him back to full health.

However, nothing happens after she gives it to him, with the final shot showing Aang completely unconscious and unresponsive.

Season 3 predictions

Obviously, finding out if Aang has actually survived the battle is a top priority for season 3. But the mere fact that season 3 has already been greenlit basically confirms that we'll be seeing Aang again anyway.

In a nutshell, we can expect to see Aang learning to firebend, infiltrating the Fire Nation, and preparing for his climactic showdown with Fire Lord Ozai before Sozin's Comet arrives. Not too much, then.

We also know that Zuko will eventually team up with Aang and the gang to make this happen, so we can expect to see some more emotional upheaval from him.

We're hoping to see season 3 episodes next summer.

• Netflix has confirmed that its new horror game Unhinged will launch on June 30
• It will be available to Netflix subscribers on all plans
• Unhinged is controlled via your phone and focuses on a woman trying to escape a home invasion

Netflix has announced they are launching a new horror game, Unhinged, on June 30 and that it will be available to all subscriber tiers.

Unhinged was made by Oxenfree developer Night School Studio, and is a first-person horror game centering on two young women who are neighbors, as one attempts to escape from a home invasion.

Night School game director Sam Warner told Rolling Stone: "I grew up with those, and I think that focus on novel innovative play was something that we really started this game with. If you've got Netflix and you have a phone, then this is for you."

A tense social media trailer was shared for Unhinged, where Netflix confirmed it would launch worldwide on June 30.

There's plenty to get excited about when it comes to Unhinged. First of all there's an amazing cast attached including Stranger Things' Sadie Sink, The Batman's Zoë Kravitz, and The Last of Us' voice actor Troy Baker.

Honestly, you couldn't get a better cast. I'm excited to see these stars in action, especially when it comes to the confined settings of a first-person horror like this. It has the potential to be great.

Gameplay wise, you'll need your phone for this one. Rather than being an interactive movie you control with your remote, Unhinged uses your phone to receive calls and text messages or to look around its world with a virtual flashlight.

There's multiple paths you can go down and, of course, you can die. So the stakes are high here and you'll have to pay attention if you want to make it out of the house safely. The game is said to be less than an hour in length, similar to an episode of a Netflix series, but you do have the opportunity to go back and explore new paths.

I've had mixed opinions of Netflix games so far but this one sounds promising. I can't wait to check it out on June 30.

• Netflix's Gears of War movie has a confirmed plot
• According to Entertainment Weekly, the movie will be an origin story for Delta Squad
• This does mean that the game's protagonist, Marcus Fenix, may not appear in the Netflix adaptation

Gears of War is headed to Netflix, and we finally have some confirmed plot details about the new movie adaptation.

According to reports from Entertainment Weekly, the Netflix Gears of War movie will be an origin story for Delta Squad, the main infantry team in the original video game series.

Entertainment Weekly revealed that the official logline for the movie is simply: "The origin story of Delta Squad, a ragtag crew of soldiers who wage a desperate war for survival against the Locust, a race of subterranean creatures set on destroying humanity."

Speaking about the movie, Matt Booty, Xbox's executive vice president and chief content officer, told the site: “The game really is about the bonds between teams. It's about brotherhood at its core.

"When you go visit the studio, their tagline is ‘Never Fight Alone.’ So when you think about that for a dramatic narrative, it's a pretty good starting point.”

Will Gears of War feature Marcus Fenix?

Considering Marcus Fenix is the protagonist of the first three games in the Gears of War video game series, many of us are wondering if he will show up in Netflix's Gears of War movie.

It's too early to say for now, as we don't have casting confirmation for the project, so we can't confirm which characters will appear. But if Marcus is absent and the plot focuses wholly on life before him, this may come as a disappointment for fans.

We can't accurately pinpoint how Netflix's Gears of War will fit into the franchise's timeline until more information is released. If it focuses more on the first game, then we might see Marcus after all.

If it doesn't, then this is certainly not the first time a video game adaptation has moved away from the original protagonists. Recently, Prime Video's Fallout chose not to focus on the Lone Wanderer or The Courier, and Zach Cregger's Resident Evil has a brand-new leading character too.

We will just have to wait patiently to see how Gears of War plays out on Netflix.

Who is ready to finally see Toph in the flesh? It's the main reason I'll be tuning into Avatar: The Last Airbender season 2 after a lengthy two-year wait.

This time around, Aang (Gordon Cormier) and the gang will journey deep into the treacherous Earth Kingdom to find an earthbending teacher and convince the elusive Earth King to join the fight against Fire Lord Ozai.

Translated, that means that a lot is going to go down before the already confirmed season 3 even arrives.

But when does Avatar: The Last Airbender season 2 land on Netflix?

What time can I watch Avatar: The Last Airbender season 2 on Netflix?

Avatar: The Last Airbender season 2 drops on Netflix on June 25, 2026.

As for exact time, it should be the standard 12am PT release that previous hit shows such as Emily in Paris have also enjoyed.

For global regions, here's when you need to be prepared:

• US – 12am PT / 3am ET
• Canada – 12am PT / 3am ET
• UK – 8am BST
• India – 12:30pm IST
• Singapore – 3pm SGT
• Australia – 6pm AEST
• New Zealand – 8pm NZDT

When do new episodes of Avatar: The Last Airbender season 2 come out?

All 7 episodes of season 2 will be released at the same time, much like the release schedule for season 1.

There's currently no word on when season 3 will be released... but rest assured that it's coming.

The latest edition of TechRadar's streaming recommendations round-up has arrived — and it's another of those rare weeks where we've opted for eight new movies and shows instead of the usual seven.

Indeed, with so many great-looking films and TV series recently arriving (or shortly set to land) on the world's best streaming services , we really struggled to whittle down this list. Rather than us dropping a project that deserves your attention, then, we thought 'why don't we just include them all?'. In short: we did, so read on to see what's worth watching at home this weekend. — Tom Power, senior entertainment reporter

Project Hail Mary (MGM+)

Project Hail Mary, aka Amazon's hit sci-fi movie starring Ryan Gosling, has finally made its streaming debut. Curiously, though, it's not come to the company's primary streamer in Prime Video, but to its lesser cousin MGM+. No, I'm not sure why, either.

Regardless, if you missed the epic flick when it was in theaters, now's your chance to see what all of the fuss is about. Before you catch it, read my Project Hail Mary review to get the lowdown on its plot and see what I thought of it. Then, once you've streamed it, check out my Project Hail Mary ending explained piece to get answers to your biggest burning questions. — TP

• Watch Project Hail Mary on MGM+

House of the Dragon season 3 (HBO Max)

Just four months after our last visit to the Game of Thrones universe with A Knight of the Seven Kingdoms, it's time to return to Westeros once more for House of the Dragon's third season.

There's a lot (dragon)riding on House of the Dragon season 3, too. With some fans suggesting its forebear wasn't as good as it could've been, and behind-the-scenes drama between showrunner Ryan Condal and Thrones overlord George R.R. Martin that wouldn't look out of place in the latter's high fantasy book franchise, the HBO Max TV Original's latest chapter really needs to deliver.

So, does it? Read my House of the Dragon season 3 review to find out for yourself. Once you're done, see when and where House of the Dragon season 3 episode 1 will be released where you live. — TP

• Watch House of the Dragon season 3 on HBO Max

Voicemails for Isabelle (Netflix)

Another helping of Netflix rom-coms this year? Yes please. Amazingly, this one isn't based on an existing novel, meaning Voicemails for Isabelle has already set itself apart from others already released this year.

Here's the premise: when Jill (Zoey Deutch) leaves voice messages to her deceased sister telling her about her chaotic life in San Francisco, an Austin-based real estate agent Wes (Nick Robinson) begins to receive their confessions. Lo, an unexpected romance is born.

In additional amazing news for fans of Parks and Recreation, Nick Offerman is also here randomly playing a chef. — Jasmine Valentine, entertainment reporter

• Watch Voicemails for Isabelle on Netflix

How to Make a Killing (HBO Max)

Black comedy movie How to Make a Killing is streaming on HBO Max this weekend. It was ultimately a flop and received a lot of criticism upon its initial theatrical release, including in my How to Make a Killing review, which is where I described it as a "rare misfire" for A24.

If you plan on watching it, though, How to Make a Killing centers around Becket Redfellow (Glen Powell), a man disowned by his wealthy family. Here, we watch as he fights back to claim his inheritance by picking them off one by one. — Lucy Buglass, senior entertainment writer

• Watch How to Make a Killing on HBO Max

The Agency season 2 (Paramount+)

Paramount+'s addictive spy thriller is back and reportedly better than ever. For the uninitiated: Michael Fassbender play Brandon Colby, a spy going by the pseudonym 'Martian'.

There are plenty of tense interrogations and nail-biting scenes this time around. Season 2 picks up soon after the first's dramatic finale, and sees 'Martian' feeling the pressure after becoming a double agent for MI6. Amid all that, he's trying to manage his volatile relationship with Samia (Jodie Turner-Smith), who has been imprisoned in Sudan.

So, Martian has a lot on his plate, which is good news for us at home, because it means we're all guaranteed to be on the edge of our seats. — LB

• Watch The Agency season 2 on Paramount+

I Will Find You (Netflix)

Another Harlan Coben series landing on Netflix means that we'll be sat and locked in for the foreseeable. After Run Away melted our minds in January, I Will Find You takes the chaos and raises it with a mind-boggling child murder case.

We follow David Burroughs (Sam Worthington), who is serving a life sentence for the murder of his son, Matthew. When his ex-sister-in-law and disgraced journalist Rachel (Britt Lower) finds evidence that Matthew might still be alive, the race is on to prove David's innocence and find his son.

Expect crazy confessions and twists and turns that will leave you with whiplash... and that's just in the first episode. — JV

• Watch I Will Find You on Netflix

Your Fault: London (Prime Video)

As the latest in Prime Video's hit Your Fault movie series, the London contingent has a lot to live up to. In fact, we're picking up after the events of the previous film, with Noah (Asha Banks) and Nick (Matthew Broome) now in a full-blown relationship.

This doesn't sound too out of the ordinary... until you learn that the pair are step-siblings. Now they pursue different paths, with Nick in business and Noah at Oxford. As always, they are dealing with new relationships and secrets. Let's just hope that they're ones we can cope with. — JV

• Watch Your Fault: London on Prime Video

Sugar season 2 (Apple TV)

The effortlessly cool Sugar returns for season 2 of this Apple Original and I've certainly enjoyed my latest trip to this sunny LA location. It's stunning as ever with its signature retro vibe and our protagonist John Sugar (Colin Farrell) has brought more of his own personal demons along for the ride, too.

The life of a private investigator comes with a lot of stress, and Sugar is feeling it when the trail to track down his missing sister goes cold. So, he takes on another case to keep himself occupied, agreeing to help a boxer whose brother and trainer has also gone missing.

There are a lot more film noir references here and enough mystery to keep you interested. It's another win for Apple TV and an enjoyable love letter to Old Hollywood. If you've already seen Sugar season 1, check out my Sugar season 2 review for my full thoughts. — LB

• Watch Sugar season 2 on Apple TV

• The Boroughs has been canceled after one season at Netflix
• According to reports, the decision was made due to the high costs of producing sci-fi shows
• Despite this outcome, The Boroughs was well received by critics and fans

Another day, another Netflix cancellation. The best streaming service has unfortunately gained a reputation for canceling our favorite shows, and a new sci-fi thriller, The Boroughs, is the latest to be axed.

If you're surprised by this decision, you're not alone. The Boroughs has performed well, receiving a near-perfect Rotten Tomatoes score of 97% after a month on the streamer.

I had assumed it would come back based on this, but it appears it has not been successful enough to warrant a second outing. That, combined with the great cast, fun premise, and the fact that Stranger Things creators The Duffer Brothers were attached, made it seemingly a no-brainer to come back for round two.

So let's dive into why this happened.

Why we're saying goodbye to The Boroughs

According to The Hollywood Reporter: "Part of the problem here, a source tells THR, is that sci-fi is expensive. Another piece surely is that the Duffers are taking their talents to Paramount. (The Boroughs wouldn’t have followed, but sometimes breakups are hard.)"

Cost is clearly a factor, but so is rival streaming service Paramount+. Still, this feels like a disappointing decision, especially since Netflix recently canceled The Lincoln Lawyer, and they axed three great shows in 2025 as well.

The good news is that The Boroughs is still worth watching. You may be put off trying it out, considering the cancellation news, but the eight episodes of season 1 deserve your love anyway. With a great cast including Bill Pullman and Geena Davis, and an intriguing supernatural threat, it's definitely one of the best Netflix shows in recent months.

Spoilers for Harlan Coben's I Will Find You ahead.

Harlan Coben's Netflix reign is back in business, baby. Half a year after Run Away dropped on the streamer in January, he's back with a new hit, I Will Find You.

This time around, we follow David Burroughs (Sam Worthington), who is serving a life sentence for the murder of his son, Matthew.

When his ex-sister-in-law, disgraced journalist Rachel (Britt Lower), finds evidence that Matthew might still be alive, the race is on to prove David's innocence and find his son.

The result is a chaotic cat-and-mouse chase between David, Rachel and the FBI that gets more disturbing by the minute.

If you've been watching along with a completely scrambled mind, I'm on hand to help. Let's debunk everything that happened in the final episode of I Will Find You, including its unexpected ending.

Who kidnapped Matthew?

Hayden Payne (Milo Ventimiglia) is behind the kidnapping. Why? In a nutshell, he believed that Matthew was his biological son.

At the same time David and Cheryl (Erin Richards) were together, Hayden and Rachel were also in a relationship. Before becoming pregnant with Matthew, Cheryl went behind David's back to explore getting pregnant using donor sperm, using a fertility center called BERG.

Not wanting David to find out, Cheryl signed up using Rachel's name. The catch? BERG is owned by the Payne family. With Rachel's name on the client list, Hayden was using his own sperm to secretly try to get her pregnant.

Cheryl gets pregnant with Matthew, and Hayden finds out that Rachel is really Cheryl on the BERG books around the same time, so he incorrectly puts two and two together. When Hayden later sees Matthew at a family Fourth of July party, he's immediately convinced that Matthew is his son.

Hayden kills a child at a Swiss orphanage that the Payne family also knows and plants his body at David and Cheryl's house, kidnapping Matthew at the same time. Payne family lawyers and doctors covered things up, planting enough evidence — including fake blood samples from Matthew — so that David would be framed for Matthew's murder.

Are David and Matthew reunited?

Yes, but with some difficulty. While David has been in prison for the last five years, Matthew has been raised by the Paynes as Theo, and has completely forgotten who his real family is.

After breaking into the BERG clinic, David, Rachel and Cheryl find out that Hayden is responsible for the kidnapping. However, FBI agent Sarah (Logan Browning) is hot on their heels, but can't officially be seen to be investigating David's case, which she has already been removed from.

In order to capture Hayden, the quartet hatches a plan. Earlier on in the series, Hayden asked Rachel to run away with him, and Rachel thinks that if David is reported as being re-arrested, Rachel could convince him to wait for her before he flees with Matthew and Gertrude (Madeleine Stowe).

Pulling a few strings with her contacts at the Globe newspaper, word about David's "arrest" gets out. Meanwhile, Rachel calls Hayden in tears, asking to be taken along on their getaway. Hayden agrees, with Rachel heading to the Payne mansion.

Meanwhile, David and Sarah reluctantly team up to try and bring Hayden in. Sarah can't call for official backup, so David is her only hope (who is wearing handcuffs in case the two are caught).

Gertrude is furious that Hayden has given in to Rachel's request, and immediately guesses that she's trying to get Hayden arrested from the inside. A news report of David's capture plays on a local news channel, with Hayden convinced he's now in the clear.

As Rachel texts Sarah her whereabouts, Gertrude's lackey uncovers that the FBI has no idea where David is, meaning the arrest story is false. Rachel is uncovered as the Globe's anonymous source, but she immediately turns the tables back on them.

Rachel asks Hayden if he ever saw the paternity test confirming that he is Matthew's father, discovering that Hayden has just taken Gertrude's word for it. Gertrude admits that she made the results up, meaning that Matthew is biologically David's child.

Cheryl has told Max (Chi McBride) that she had the blood from the crime scene independently tested, confirming that it wasn't Matthew's body uncovered at the crime scene. This confirms David's innocence, meaning that the FBI can pursue Hayden with legitimate evidence.

Who dies in the season finale?

Gertrude is our first victim. After discovering that Matthew isn't really his son, Hayden shoots her in a blind rage.

This results in Sarah and David, who are on the property, catching up with Hayden, who holds Rachel at gunpoint as a hostage. A shootout ensues, with Hayden pushing Rachel to the ground and escaping with Matthew in a car.

They don't get very far, though, as Sarah successfully shoots out their back tire. Matthew makes a break for it on foot into the woods, with Hayden trying to follow. Matthew's chat with David has confused what he knows to be true, planting seeds of doubt about Hayden.

When the group tracks each other down, Hayden shoots David in the leg when he approaches Matthew. Just as Hayden is about to shoot Rachel dead, Sarah gets there first, making Hayden the second victim to die.

Is Hayden jailed?

As you can probably guess from what I've just written, no... but the good news is that David isn't sent back to prison either. A few weeks after finding Matthew, we learn that David's sentence has been overturned, making him a legitimate free man once again.

As the Payne family, ahem, no longer exists, there is no outright public justice in that sense. However, the first scene after Hayden's death confirms that Rachel writes a Globe magazine spread and a book about David's journey.

How does I Will Find You end?

I Will Find You ends with Lenny's death, with Cheryl, David, Rachel and Matthew all in attendance.

We learn that Cheryl has given birth to her baby girl, and has reconciled with her husband after Matthew was found alive. Adam (Jonathan Tucker), who was suspended from the police force for his part in David's escape from prison, is now working as a PI with another former colleague.

Matthew struggles to remember a life before being Theo, and is frustrated with the fact he cannot remember the events of the Fourth of July picnic, with Lenny talked about before his death. "The good thing about memories is that you get to make more of them," David reminds him.

It's implied that David and Rachel begin a romantic relationship, but this isn't explicitly confirmed.

Is there a link to other Harlan Coben books?

As you might have gathered from reading through the above, there have been subtle changes to the Netflix adaptation from Coben's original novel. However, in keeping with the growing Coben-verse, there could be a direct link to come.

Gertrude is the cousin of Windsor Horne Lockwood III, who appears in the Myron Bolitar Series as well as the 2021 book Win. If any of these are adapted for the streamer, could we see Stowe return?

I'm turning into something of a Harlan Coben fangirl. Much like a stalker in one of his compelling crime stories, wherever I go is somewhere he already seems to be.

Looking at his TV track record since 2020 alone, this is hardly a surprise. Coben has had 10 of his stories adapted for Netflix in this time alone, with a further two — including one completely original script — on Prime Video. He's truly the King of Crime both on page and screen, and frankly, I bow to his majesty.

I Will Find You is our tenth Netflix adaptation in this list, and the moment I saw it would be joining the streamer this month, I was locked in with a laser focus. However, now that I've streamed all eight episodes, the lasting effect is more lukewarm than boiling hot.

Perhaps I'm spoiled for choice. I'm used to crime dramas that truly melt the mind, and both Lazarus and Run Away (two Coben shows that have been released in the last year) have done exactly that. I've been left with my head spinning, my eyes rolling and my jaw on the floor, even when they weren't absolutely perfect.

This time around, I've metaphorically shrugged my shoulders. I Will Find You is largely solid, and everything there is to critique isn't exactly world-destroying. But when we've been solving crime at such lofty heights, the comedown effect feels ridiculously devastating.

Harlan Coben's I Will Find You is the plain bread equivalent of Netflix crime drama

So, what's the story? Without giving too much away, we follow David Burroughs (Sam Worthington), who is serving a life sentence for the murder of his son, Matthew. When his ex-sister-in-law, disgraced journalist Rachel (Britt Lower), finds evidence that Matthew might still be alive, the race is on to prove David's innocence and find his son.

Whipped into a tight paragraph, that all sounds incredibly exciting... and for the most part, I Will Find You hits the brief. Worthington plays it Kiefer Sutherland-in-24-style as David, hotfooting it out of prison like his life depends on it (and it does).

There's a beautiful cat-and-mouse chase between David and the FBI from episode 2 onwards, both trying to outfox the other by almost nailing what the other is thinking — except one key detail is always catastrophically wrong. This type of rollercoaster storytelling is where the series is at its strongest, and that's all thanks to Mr. Coben himself.

Obviously, this is why we're tuning in. We've watched and read enough to know that Coben is a master of his craft, turning even the most mundane of moments into something truly thrilling. The problem, however, is just how much mundanity he's working with... even though that's basically his own fault.

Unless bodies are being hacked into pieces, a curveball the size of the Empire State Building is dropped into the storyline, or our characters betray each other on an epic scale, we've all consumed so many crime dramas that most of the nuts and bolts would be considered boring.

With such a linear storyline, I Will Find You wholeheartedly falls into this trap. We can guess what will happen to David, Matthew, and, frankly, who did it, which isn't as impressive as Coben's biggest mind-melters.

I Will Find You is the first American Harlan Coben adaptation on Netflix — and I hate that

I Will Find You hasn't helped its predictability problem by making a Columbo-shaped error with its casting announcement. Back in the days of 1980s crime-solving shows like it and Murder, She Wrote, the guest with the most star power would always be booked as the killer.

Fans eventually caught on, and it became so obvious that shows had to completely change their casting strategy. I'm not going to tell you which cast member this is aimed at, but one of I Will Find You's biggest-billed and most-promoted stars is also suspiciously absent from most of the drama. I wonder why that could be?

Then there's the final kicker, which will be an absolute gut-punch to anybody watching across the pond in the UK who has also co-opted Coben as an honorary Brit. I Will Find You marks the first adaptation for Netflix that is based in the US rather than the UK, with accents to match. This has happened once before in Prime Video's Shelter, but Netflix has been committed to using stalwart British actors since Cobenmania caught on.

After spending the first 10 minutes in disbelief, shouting "Wait, this is American?!" at my TV, I realized that I Will Find You had lots of bits of its grittiness and bite by being set on the East Coast. Apologies if this offends our American friends — I've just seen too many iterations of Law & Order, 9-1-1 and Blue Bloods for me to think that fictional crime in the Big Apple is anything other than cheesy.

Maybe I'm just being pedantic, but that's what happens when a streaming service gives you a never-ending wealth of content to gorge on. I Will Find You isn't the Harlan Coben I will return to or even remember after this week, but it did the job it needed to while I was watching.

Co-founded by Reed Hastings in 1997, Netflix started life as a rental DVD service in the mold of Blockbuster. But, 20 years later, the company dramatically pivoted to being an online streaming service, fully embracing the internet era.

Changing with the times

Five years after launching Netflix's streaming platform, Hastings was speaking with Forbes on the business' pivot and its role in the emerging internet landscape.

This shift, according to reports, was decades in the making, with Hastings plotting it since Netflix's inception, with the DVD rental business a means to grow the customer base.

His comments highlight the belief that our society is entering a new age defined by the internet and the shift of many businesses from bricks and mortar to an online ecosystem. The comments also frame the new "age" of humanity as transcending the reliance on a particular material – instead basing progress on the shift to the internet.

The new age

This notion is hardly original – plenty of figures in the tech industry have suggested we are graduating to a new age of humanity defined by an idea or material.

For example, physicist Michio Kaku identified several ages in the last few hundred years, including the Steam Age, Age of Electricity, and the Silicon Age that began in the late 20th century and lasted until just recently.

And now? With the constraints of Moore's Law imposing physical limits on computation, he suggested a new age of humanity could belong to quantum – with the embryonic technology of quantum computing allowing us to transcend conventional power constraints. Others, meanwhile, attribute a new age of humanity to AI.

• New movie Heartstopper Forever is the final installment in the Netflix series
• The trailer has now arrived, and confirms the film will air on July 17
• Netflix has made it easier for people to make fan edits thanks to a new feature

It's never easy saying goodbye to our favorite Netflix shows. But all good things must come to end — and Heartstopper Forever concludes the beloved coming-of-age series on July 17.

Heartstopper Forever is a feature film that takes up the story after Heartstopper season 3, giving fans a proper conclusion to Charlie (Joe Locke) and Nick's (Kit Connor) love story. Beyond this, the movie will bid farewell to supporting fan favorites such as Tao (William Gao) and Elle (Yasmin Finney) too.

Take a look at the new trailer below, which features a new song from Olivia Rodrigo.

Netflix is making fan edits even easier

Fan edits are a huge part of how we watch movies and TV now, with plenty of fans flocking to platforms like TikTok and Instagram to make them. A lot of work goes into these, and Netflix has made it even easier.

Via Tudum, the best streaming service shared a download link where fans can get the video files from the trailer so they can "cut, zoom, and play around with the clip to [their] heart’s content". No more low-quality video files for you, Netflix has done the hard work already.

This isn't the first time Netflix has catered to social media. In 2024 it introduced Netflix Moments, which lets you clip scenes from its library so they're easier for you to access.

Expect to see plenty of Heartstopper fan edits in the build-up to the new movie, which hits the streaming service in a month's time. I'm already emotional.

• Netflix has shared a new trailer for sci-fi movie The Last House
• It arrives on the streaming service on August 7
• The movie follows a family who become trapped inside their home

The word "home" is often associated with comfort and safety, but Netflix's new movie The Last House explores what happens when it becomes your prison instead.

Indeed, the best streaming service just dropped a tense new trailer for the upcoming sci-fi movie which is set to hit our screens on August 7. Here, we see an ordinary family learn they have been sealed within their homes and there's no obvious way to get out.

I really like this trailer because it immediately answers the obvious question of "well, why don't they just break the windows and escape?". Take a look below and see just how trapped they really are...

What else do we know about The Last House?

The intriguing new movie is directed by Louis Leterrier, who's best known for his work on The Transporter and Now You See Me. Here, he's swapping fast paced action scenes for a more tense, claustrophobic story.

Speaking to Tudum, Leterrier said "you won’t be able to look at your house or family the same way again" and honestly, even the trailer has got me feeling on edge about my house so I can believe it.

Greta Lee and Wagner Moura play a couple trying to keep their children calm during their sudden entrapment, but it becomes harder when days turn into weeks and then years. Yep, something really weird is going on here.

As seen in the trailer, the family learn that they aren't the only ones affected by this and it is more widespread than they thought. With an unnamed threat looming outside, I'll be tuning in to see whether they make it out of this situation alive.

While you wait for The Last House, don't forget to check out our new movies guide for the biggest new releases in June and beyond.

• Netflix has confirmed that The Lincoln Lawyer season 5 will also be the final in the series
• Season 5 was renewed in late January 2026, and production is currently underway
• Showrunners have promised 'the satisfying finale Mickey Haller deserves'

Netflix has (very quietly) announced that season 5 of legal drama The Lincoln Lawyer, which is currently in development, will be its last.

The news comes as part of a list of 17 Netflix shows that will be getting the chop after 2026, which includes Alice In Borderland, The Night Agent, The Abandons and Breathless.

According to Deadline, The Lincoln Lawyer appeared on the Netflix Global Top 10 charts for 29 weeks across its four seasons and has garnered 171 million views since 2023.

Season 4 launched with nine million views for its opening weekend, which is actually up over the third season's debut performance of seven million.

While Netflix hasn't given a direct reason for the shows it has chosen to cancel, fans don't need to be too worried just yet — season 5 might be the last, but it means we've still got a promised satisfying ending ahead.

The Lincoln Lawyer showrunners promise 'satisfying finale' despite unexpected cancelation

Series developer Ted Humphrey and co-showrunner Dailyn Rodriguez addressed the decision in a press statement, promising "the satisfying finale Mickey Haller deserves."

"All good things must come to an end, but thankfully sometimes how they come to an end is up to us. From the very beginning, the mission was always not only to tell the story of Mickey Haller and his compatriots, but also to give that story a proper conclusion," it said.

Details on specific season 5 plot are not publicly available, and as episodes are currently still in production, showrunners should be able to tweak anything needed to provide a full and resolute farewell (i.e. no annoying threads left untied).

This is all most likely to springboard from what we saw at the end of season 4, which ended with Mickey Haller (Manuel Garcia-Rulfo) recovering from being framed for murder.

He was approached by Emi Finch (Cobie Smulders), his newly discovered half-sister, who pleads with him to help free a wrongfully convicted woman.

While The Lincoln Lawyer as a TV show will come to an end, we can't rule out potential spinoffs or a movie treatment, as we've just seen with Peaky Blinders. In short, anything is possible.

June is shaping up to be a fantastic month for the best streaming services, with plenty to keep us entertained across all genres.

Whatever you're in the mood for, we're sure you'll find it here. Some of our highlights this week include a Jemaine Clement and Nicola Walker-led comedy drama about a strained friendship, a scorching slow-burn summer romance, and Netflix's World Cup coverage led by the biggest names in the world of football.

We're spoiled for choice here. Without further delay, let's take a look at our streaming recommendations this weekend (June 12 - 14). — Lucy Buglass, senior entertainment writer

Alice and Steve (Hulu, Disney+)

Alice and Steve examines what happens when a long-term friendship rapidly falls apart. As far as catalysts go, this one is especially shocking, as Alice (Nicola Walker) learns that Steve (Jemaine Clement) has started dating her 26-year-old daughter.

If you winced reading that, you're not alone. Alice and Steve certainly lures us in with a controversial plot line, even if it doesn't always nail the execution. In my review, I noted that the lack of chemistry might leave you frustrated, but you'll have to be the judge of that.

All episodes are streaming now, and it's one worth binging on Disney+ as the shocks just keep on coming. As do the laughs, to be fair. — LB

• Watch Alice and Steve on Disney+

Every Year After (Prime Video)

Loved Off Campus and can't get enough of Prime Video's banging young adult drama streak? Well, Every Year After is the binge for you.

The show is based on the novel Every Summer After by Carley Fortune. We'll follow Percy Fraser (Sadie Soverall) and Sam Florek (Matt Cornett) as they fall in love, and then join them one weekend, years later, as they come back together to confront a "heartbreaking mistake," according to Amazon.

It's a gorgeous slow-burn romance in an even more gorgeous setting. Frankly, it's exactly how I want to spend my weekend while the weather is absolutely abysmal. — Jasmine Valentine, entertainment reporter

• Watch Every Year After on Prime Video

Sweet Magnolias season 5 (Netflix)

We've waited for over a year, but now Sweet Magnolias season 5 is finally making its return to Netflix.

The big news is Maddie's (JoAnna Garcia Swisher) new publishing career in New York City, testing her relationship with Cal (Justin Bruening). But Helen's (Heather Headley) engagement has also set the stage for a potential big wedding this season, with Dana Sue (Brooke Elliott) also trying to balance her growing kitchen business.

But surely the girls have to get back to Serenity at some point, don't they? Regardless, I'm completely here for their feel-good vibes (and routine drinking schedule). — JV

• Watch Sweet Magnolias season 5 on Netflix

It Ends with Us (Hulu)

If you haven't heard of It Ends With Us, I'm going to assume that you don't have access to any form of 21st-century technology (which means, how are you reading this?).

Based on the popular Colleen Hoover novel of the same name, the movie follows florist Lily Bloom (Blake Lively) as she builds a new life in Boston, where she falls for charming neurosurgeon Ryle Kincaid (Justin Baldoni).

When Lily's first love, Atlas Corrigan (Brandon Sklenar), appears out of thin air, she's forced to confront the cycle of abuse in her life and make a difficult choice for her future as well as her daughter's safety.

It's not exactly a light-hearted watch, and frankly, neither is the real-life drama surrounding it. But as far as I'm concerned, it's a 2020s cultural staple. — JV

Proud (HBO Max)

We've gone incredibly European for this week's HBO Max pick, courtesy of Polish-language original drama, Proud.

In perfect time for Pride Month, the series tells the story of a young, carefree, drug-loving gay man who is suddenly forced to take care of his niece after a family tragedy.

It's been tipped as a "perfect story about imperfect people," and potential viral comparisons to Heated Rivalry are already being thrown about online. In short... if you don't want to, you'll likely get FOMO. — JV

• Watch Proud on HBO Max

They Will Kill You (HBO Max)

They Will Kill You seems to have fallen under the radar, which can be forgiven due to the myriad new horror movies that arrived in May alone.

You need to get one this one ASAP, though (and now you have no excuse not to). We follow a woman who answers a cryptic ad for a housekeeping job at a luxurious New York City apartment, only to discover that residents there have vanished without a trace for decades.

Add in some satanic cult behavior and high-stakes violent action, and you're in for a rip-roaring time. Just never answer a cleaning advert again. — JV

• Watch They Will Kill You on HBO Max

The Rest is Football (Netflix)

Football's coming home thanks to Netflix, which has a brand new talk show that's set to become your World Cup companion. Every day during the tournament, there'll be "witty debates and unfiltered takes" from legendary names like Gary Lineker, Alan Shearer, and Micah Richards.

The talk show will be available globally and features game analysis, special guests, interviews, and insights into the on- and off-field action. Although it broadcasts live at 6 a.m. BST / 1 a.m. ET / 10 p.m. PT, you can watch episodes on demand too, so you're not going to miss out.

Wherever you are in the world and whoever you're supporting, these guys have got you covered. — LB

• Watch The Rest is Football on Netflix

• Scooby-Doo: Origins has released a teaser revealing that a real-life dog will play the titular character
• This is the first time Scooby-Doo will be played by a dog, rather than being an animated character
• However, the decision has divided fans and not everyone is happy with the idea

Scooby-Doo: Origins confirmed an all-important cast member recently, revealing that the new Netflix show would not be using a CGI dog like the movies did.

In a new teaser, we got our first look at the adorable new co-star who will be playing one of the world's most famous dogs, marking the first time Scooby-Doo will be played by an actual puppy. So no pressure then.

Even though we're not expecting the series until 2027, fans are already hugely divided on the "real-life" Scooby Doo. But before we get into all of that, take a look at Netflix's first teaser to see what you think.

What are people saying about Scooby-Doo: Origins?

Considering that Scooby-Doo has been a pop-culture favorite for over 50 years, it's not surprising that fans have some strong thoughts about the newest series.

The addition of a real-life pup has only divided fans more, with some concerned he won't be able to live up to previous iterations, such as the animated series or the 2000s movies (which were unfairly judged in my opinion).

Many Scooby-Doo fans were initially concerned that the puppy in the upcoming series is not a Great Dane, but it has now been pointed out that he actually is by one fan on X. However, the complaints haven't stopped there — and there's one glaring issue in particular.

Fans have pointed out that while the real puppy co-star is undeniably cute, it "will never hit the same" as having an animated or CGI Scooby-Doo. Much of the humor from the movies and animated show came from Scooby's dialogue, and his dynamic with Shaggy, which may be missing from Netflix's prequel series.

It's too early to tell if Shaggy and Scooby will be able to communicate in Scooby-Doo: Origins, but even if they can, it certainly won't be the same as what we're used to. Right now, I'm not sure what to make of the new series, even though I really want to enjoy it.

We'll have to wait a while to see more from Scooby-Doo: Origins, but we do know it's pemiering in 2027, and will follow Shaggy Rogers (Tanner Hagen) and his old pal Daphne Blake (Mckenna Grace) during their final summer at camp, where they become embroiled in a haunting mystery surrounding a lost Great Dane puppy.

The plot sounds strong enough, but will the show stick the landing? I sure hope so.

After waiting for over a year, Sweet Magnolias season 5 is finally making its return to Netflix.

The big news is Maddie's (JoAnna Garcia Swisher) new publishing career in New York City, testing her relationship with Cal (Justin Bruening). But Helen's (Heather Headley) engagement has also set the stage for a potential big wedding this season, with Dana Sue (Brooke Elliott) also trying to balance her growing kitchen business.

We've also got some new faces joining us this season, as romance hots up between the show's younger cast — which includes Manhattan-based writer Nell Winters (Jamie-Lynn Sigler).

But can everyone handle their new life changes, and when does Sweet Magnolias season 5 arrive on Netflix?

What time can I watch Sweet Magnolias season 5 on Netflix?

Sweet Magnolias season 5 drops on Netflix on June 11, 2026.

As for exact time, it should be the standard 12am PT release that previous hit shows such as Emily in Paris have also enjoyed.

For global regions, here's when you need to be prepared:

• US – 12am PT / 3am ET
• Canada – 12am PT / 3am ET
• UK – 8am BST
• India – 12:30pm IST
• Singapore – 3pm SGT
• Australia – 6pm AEST
• New Zealand – 8pm NZDT

When do new episodes of Sweet Magnolias season 5 come out?

All 10 episodes of season 5 will be released at the same time, much like the release schedule for season 4.

There's currently no word on any future seasons being picked up.

Welcome to June 2026, everyone — and what a fantastic start to the month it is for the best streaming services.

Indeed, with 13 great-looking new movies and TV shows hitting many of the world's leading streamers over the past few days, there really is something for everyone to enjoy this weekend (June 5-7). As always, we've handpicked seven new releases that, in our view, are must-see viewing, so read on to find out what we recommend watching at home before you head back to work on Monday. — Tom Power, senior entertainment reporter

Hoppers (Disney+)

Hoppers is the latest Pixar movie to land on Disney+, and I bet you have seen plenty of memes about it already. Tom Lizard has been all over my Instagram feed, making a lasting impression before it was even released in theaters in early March.

All the hype has been accurate, too, as this is the kind of fun that the whole family can enjoy. So, settle down and enjoy a story about an animal-loving student who transfers her mind into a robotic beaver to communicate with animals, inadvertently sparking an uprising among them. It really is brilliant. — Lucy Buglass, senior entertainment writer

• Watch Hoppers on Disney+

Cape Fear (Apple TV)

Javier Bardem steps into the shoes of the villainous Max Cady in Apple TV's Cape Fear. I love seeing him being sinister as ever, and it's clear he's having the time of his life in this role. If its title sounds familiar, that's because it's a TV retelling of the 1962 and 1991 films, which were based on John D. McDonald's classic novel The Executioners.

Anyway, the 10-part Apple TV Original, which kicked off with a double-episode premiere as we center on Tom and Anna Bowden (Patrick Wilson and Amy Adams), the husband and wife attorneys who put Cady behind bars years prior. Their idyllic life soon turns into a living nightmare as Cady seeks revenge for what they did.

It's the ultimate weekend thriller which doesn't hold back, guaranteed to deliver plenty of frights after a long week. To quote the eerie trailer: "you deserve this". — LB

• Watch Cape Fear on Apple TV

Office Romance (Netflix)

J-Lo back in a rom-com? Is it 2004? No, it's 2026 and we've got a new Jennifer Lopez-starring romantic flick in the form of Office Romance on Netflix.

As the title suggests, we're looking at a scandalous workplace relationship here. Lopez plays Jackie, President and CEO of Air Cruz, runs a tight ship in her business which included a rigid anti-fraternization policy for all her employees.

However, that goes out the window with her newest company lawyer (Brett Goldstein) when they risk their careers by pursuing a forbidden affair. What makes this even better is the fact that Lopez and Goldstein now have romance rumors in reality, meaning art would completely imitate life. — Jasmine Valentine, entertainment reporter

• Watch Office Romance on Netflix

Not Suitable for Work (Hulu/Disney+)

After absolutely bombing comfort TV viewing earlier this year with Running Point season 2 (sorry not sorry), Mindy Kaling is back with brand-new series Not Suitable for Work, which is out now on Hulu and Disney+.

Taking the Gen Z working experience and injecting a shot of comedy into the natural misery, Kaling explores the first steps of employment when kids are fresh out of college. It's fun, bawdy, and somewhat unbelievable, but there's enough Friends-style undertones through to make it very satisfying viewing. — JV

• Watch Not Suitable for Work on Hulu (US) and Disney+ (internationally)

The Legend of Vox Machina season 4 (Prime Video)

The Legend of Vox Machina, aka Amazon's animated retelling of popular role-playing tabletop group Critical Role's first Dungeons and Dragons campaign, has returned to Prime Video for its fourth and penultimate season.

Set a year after last season's finale, which saw the eponymous ragtag team of warriors, mages, elves, and bards go their separate ways, season 4 sees them drawn back together when a new otherworldly evil awakens and threatens their world.

Episodes one to three are out now, with three more batches — comprising three episodes apiece — rolling out every Wednesday until the end of June. Enjoy them while you can, too, because the R-rated show's fifth season, which is currently in development, will be its last. — TP

• Watch The Legend of Vox Machina season 4 on Prime Video

Pillion (HBO Max)

This should just be common sense, but before I wax lyrical about how brilliant Pillion is, please don't watch it with your family this weekend on HBO Max.

Colin (Harry Melling) is a bland, mousey young man who catches the eye of biker Ray (Alexander Skarsgård), and the two begin exploring a dominant-submissive relationship. Without clear definition, their relationship is challenging and beyond unconventional, with Colin growing in character before our very eyes. It's strangely romantic with a strong sense of yearning, even if anything that's actually in eyesight is anything but.

There's more sex, nudity, and embarrassing conversations than one person can bear, but Pillion is also one of the most profound movies I've seen in years. Extra shoutout goes to debut director Harry Lighton, who includes an unexpected mention of my hometown, Great Dunmow. — JV

• Watch Pillion on HBO Max

Michael Jackson: The Verdict (Netflix)

Michael Jackson: The Verdict revisits the eponymous, controversial, and late music superstar's high profile case, giving viewers a deeper glimpse into what happened through jurors, eyewitnesses, accusers, and defenders.

Across three episodes, the docuseries shows first-hand accounts from people closest to the case. Tudum describes it as being a "complete historical record of a trial the public never truly got to see", featuring contributors such as family attorney Brian Oxman and journalist Martin Bashir.

Expect archival footage, trial notes, and media coverage, much of which is still causing debates to this very day. — LB

• Watch Michael Jackson: The Verdict on Netflix