Sony SLV-D930

tech.co.uk staff — Tue, 26 Feb 2008 14:31:31 +0000

The combination of DVD player and VHS recorder still makes a fair amount of sense. DVD is without doubt the best way of viewing movies on a television and VHS is an incredibly affordable means of recording - and one that even the most technically illiterate people now have a grasp of.

Add to this the fact that many people still have many VHS cassettes laying around the place,whether pre-recorded (we in the UK were the second biggest market in the world after the US) or of weddings and kids' birthdays dumped down from an analogue camcorder.

For these reasons,combo decks are still flying off the shelves and most of the big-name manufacturers will be keeping them in their line-ups for some time yet.

The Sony SLV-D930 is a good specimen of its type. It's as stylish as it's possible to look for a largerthan- normal DVD player with a VCR slot crammed into the fascia. It's also pretty solid, with responsive controls and a decent remote control.

Connections-wise, it's reasonably well laden.There's a brace of Scarts (one RGB-capable),as well as S-video outputs.Only a component video out is really missing from our socket wish list.

Other important bases are covered too, with VideoPlus for easy recording and a comprehensive and easy to use menu system that holds your hand on initial set-up and makes using this device dead simple.

There's more good news when it comes to performance.The Sony is one of the better basic DVD/VHS combis in terms of image quality. It's a shame there's no component output,but it uses its RGB Scart to its full potential, providing wonderfully detailed images, with bags of information up there on screen where you want it, and little in the way of pixelation or distortion.

The colour palette is also handled with dexterity and there's little that jars from this player.Tricky diagonal lines are also well served,something evident when we revisited our DVD copy of Ronin,where the angles of the car windshields are delivered with aplomb.

Sonically, the sound from either type of digital output proves capable, although with DVDs, this is just raw digital data and it's up to your systems to make the most of it.

Plugging the stereo feeds straight into a decent quality widescreen TV or surround amplifier is a more accurate reflection of the deck's basic ability with audio, and the results are perfectly satisfying, if hardly earth-shattering.

VHS playback was par for the course and obviously a big step down from DVD.With the VHS of Ronin - now you understand why we dragged it out on DVD - there was less on offer in the way of balanced colours,but it was still far from terrible.

Recording was also fairly impressive, especially at the SP level.There was little difference between the source and a recording from Freeview, although better quality sources proved less impressive.

We started off this review saying how much this concept makes sense, and it still does... sort of.The trouble is that with prices of digital recording media spiralling ever lower, the appeal of even cheap VHS recording is diminishing.

However, if you still have a sizable VHS collection that you want to access, then this simple, one-box combi performs well enough to offer more than simple space-saving appeal. Shaun Marin

Toshiba SD-37VB

tech.co.uk staff — Tue, 01 Aug 2006 00:00:00 +0000

It's a bit surprising to see a DVD/ VCR combi that doesn't include DVD recording features - there aren't many of these beasts around and it is something of a nostalgia trip to look at a unit where the VCR is the sole recording platform. Still, the price more than reflects this and the design of the deck is quite nice, given the constraints placed on all such combis.

Likely to appeal only to those who are firmly opposed to recording on DVD, perhaps for religious reasons, the SD-37VB looks to have a fairly limited market, especially when DVD recorders are now so cheap, but perhaps VHS still has some tricks left up its sleeve. It will be a surprise after more than 30 years, but let's see...

Connectivity is basic but covers the important bases. At the front there are very basic inputs, just composite video and stereo audio. There really isn't any need for anything more because the VCR would not be able to do anything with a DV or S-video input anyway.

At the back there are component video outputs, capable of serving a progressive scan signal up to a suitable TV. HDMI outputs are growing in popularity, but this is strictly a budget machine and has no use for such techno wizardry.

There are two Scarts, one for connecting an external source, such as a digibox, and one for hooking up to a TV. The output Scart can issue an RGB feed but the input Scart is not RGB-capable - again, there's no point with just a VCR to record on. Digital audio can be routed out via the electrical output, and there are stereo backups.

By the numbers

Features are the usual offerings for both formats. The DVD player can handle DivX, MP3 and JPEG fi les, and there is a VOD code that helps you register the player for movie rental downloads. There is a zoom (up to 3x normal size), slow-motion (as slow as oneseventh normal speed) and repeat play options.

The DVD section also has an Enhanced Black Level (EBL) function that boosts the black level of a picture, which is something you'll need to try before deciding whether you like it or not. The VCR can record in SP or LP modes, the latter doubling tape capacity to squeeze eight hours of programming on to a four-hour tape.

This is one of the few areas where VHS can still stand toe-to-toe with DVD. Many DVD recorders cannot capture as good an image in six or eight-hour mode as a VCR can in LP. The timer is manual and can be set to record weekly, every day, every weekday, weekends or just about any other combination.

There is a PDC (Programme Delivery Control) function, but no VideoPlus, and it's bizarre to see such old technology actually take a step backwards. NTSC tapes are happily played and you can even switch to LP recording while an SP recording is in action, in case a programme you are watching and simultaneously recording overruns and you're afraid the tape is about to run out.

There are two setup menus to go through, but things could hardly be easier. The remote (a very nice design, by the way) is well laid out and the options for setup are very familiar by now. The VCR menu is a real step back in time. A blue screen with big, blocky white lettering is straight out of the '80s. Personally, we love it, but it's probably a matter of taste.

There's just one operational foible to warn you about - the Open/Close button on the remote opens the DVD tray regardless of whether you are using the DVD or the VCR at the time. To eject a VHS tape you have to get off your comfy sofa and press a button on the machine itself.

We'll deal with the DVD player first. This offers a really good image via an RGB Scart connection, delivering vibrant colours without any distracting artefacts. Our test film, Monsters, Inc, looks extremely inviting. Sometimes it looks as though you could step into the screen, the colours are so deep.

Real-life action is also well handled, but the impact isn't quite as great. Skin tones are a touch overdone, but otherwise the dynamic colour is enjoyable. Trick-play functions work smoothly and the remote is very responsive. You can even zoom in while in slo-mo playback.

Multimedia playback really impresses. Our tricky DivX file was handled without a bat of the eyelid. There were absolutely no lip-sync issues, which this disc causes on many decks, and the video was smooth as silk, with a bit more detail than we're used to seeing.

On to the VCR, and the results are also good, but within the limitations of the format. It's a long time since we at What Video regarded VCRs as high-quality recording platforms, so the Tosh is bound to struggle when compared to qualitatively different digital recorders.

In SP mode the picture retains a good amount of detail, looking much like a four-hour DVD recording, but without the artefacts. Motion remains smooth, but there is an edge around sharply defined objects and an overall softness. Colours remain accurate - there is no unpleasant garishness, and this holds true for skin tones as well.

Switching to LP mode much of the detail takes a hike but the picture is still watchable. Onscreen text becomes indistinct and details dissolve in the middle distance, but it is worth repeating that this is better than long recording modes on many DVD recorders, which introduce masses of artefacts and, often, a strobe effect as well.

It may be a bit of a surprise, but we really like this combi. If you're just not interested in a DVD recorder but fancy a player, and if you're still content with VHS recordings, why should you pay more? David Smith

TechRadar: All VCRs Feeds

Sony SLV-D930

Toshiba SD-37VB