Beats has been making over-ear headphones since 2008, when the original Beats Studio launched, and the Studio line has remained central to the brand ever since. The Studio Pro aren't going anywhere, but the new Beats 360 are something different entirely.

Beats calls them "the next chapter" of its headphones story — and after spending the past few weeks with the 360, that confidence doesn't feel misplaced. These aren't just the Studio Pro with a new coat of paint; instead, they represent an entirely new direction for the brand.

"We wanted to create a new ID, a new look, and a new over-ear headphone for a different purpose," Oliver Schusser, Apple's VP of Music, Sports, and Beats, told me.

That idea is baked into practically every part of the 360. Beats set out to build much more streamlined headphones that are designed to move with you throughout the day, and feel at home everywhere from the gym to the office to an airplane.

And the first thing you notice is just how light they are.

Weighing in at 295.4 grams, they're super-cozy, and after about 20 to 30 minutes of breaking them in, you might forget they're on your head. Compared to the AirPods Max at about 386.2 grams or Sony's WH-1000XM6 at 254 grams, these fall somewhere in the middle, but they actually feel far more streamlined than the number suggests.

The profile itself is remarkably thin, too. The drivers sit slightly farther from the ear than you'd expect on headphones this size — they're custom-built for the 360 — but the overall design feels compact, and balanced on your head.

The controls are split between the two sides, too. The left earcup houses the power button and lets you cycle through listening modes, while the right handles volume and playback. There's also a USB-C port on the left for charging.

It's a simple setup, and after a few weeks, it becomes second nature.

That lightness wasn't an accident — it was the whole brief. Schusser told me the 360 came out of watching how people actually live with their headphones.

"We wanted to create a new ID, a new look, and a new over-ear headphone for a different purpose. And that purpose is for people who live a very active lifestyle who are on the go," Schusser said. "We wanted to build the perfect headphone for an active lifestyle. And of course, we wanted it to have all the great ingredients of Beats. We wanted it to look cool, sound amazing, but also be really light, be really comfortable, be water and sweat resistant."

And that's where the rest of the design starts to make sense.

The earcups and headband are fully customizable — swappable across the four launch colors (Black, Cloud, Pink, and Sky) and two distinct cushion materials: Performance Knit, built for workouts and noticeably more breathable, and UltraPlush, the more classic Beats feel with a tighter seal, using the same engineered leather found on the Studio Pro and Solo 4.

The Performance Knit cushion makes a real difference when you're moving around, while UltraPlush gives you that more traditional over-ear headphone feel. You can also pull either cushion off entirely to wipe them down or toss them in the washer.

Then there's the IPX4 sweat and water resistance, a first for Beats over-ear headphones, and not super common in the wider market. It's a small detail that reinforces the whole idea behind the 360: these are headphones you can take to the gym, rather than ones you have to leave at home or risk damaging.

None of that customization happened by accident. Schusser said the swap mechanism was one of the more satisfying engineering wins on the whole project.

"Our engineers have come up with this really cool, simple way to sort of swap out the cushions, and it takes literally seconds, and it just makes the headphones so versatile and so flexible, and you can customize and personalize, and it's amazing," he told me.

He's right about the versatility, as swapping earcups takes seconds, and the difference between the two cushion materials is noticeable. It's a genuinely useful bit of modularity, not just something that looks good on a spec sheet, when you consider wearing these to a workout class, getting sweaty, and the swapping earcups as you head into the office.

A new sound for a new Beats

On the sound side, Beats built a bespoke acoustic platform for the 360, with custom drivers using three-layer diaphragms and dual neodymium ring magnets in each earcup — a purpose-built audio setup rather than a carryover from the Studio.

Beats says that architecture, paired with its most advanced ANC to date, delivers up to 1.75x more total noise cancellation than the Studio Pro, alongside Adaptive EQ, Personalized Spatial Audio with dynamic head tracking, and Dolby Atmos support.

Previous Beats headphones have delivered a hefty low end, but that signature has evolved, and comes into real focus with the 360. There's less bass-heavy weight than on the Studio, but the payoff is that at practically any listening volume distortion is nearly nonexistent, and separation stays excellent across genres.

Take Further On Up the Road by Bruce Springsteen — I listened to this while on a plane with Active Noise Cancellation engaged, at about 70% volume, and couldn't hear any engine noise. The track opens with a strong, crisp snare and bass drum before Springsteen's vocals come in over the guitar, with background vocals filling in behind. It's a great showcase for what the onboard audio can do.

For a modern pop test, Olivia Rodrigo's Expectations pairs low end and high end almost from the first bar, as synth and drums kick in before her vocal takes center stage. Spatially, the head-tracked playback is genuinely impressive here, both indoors and while walking around outside.

Transparency mode is strong, too. It's a little behind the AirPods Max in terms of how much outside sound it lets through, but what comes through the 360 sounds very natural. Voices don't have that overly processed or artificial quality you can sometimes get from transparency modes, and for 349.99 / £299.99 / AU$499.99 headphones, they punch above their weight.

Talking of weight, the 360 aren't the lightest headphones out there, but the ergonomics carry it — an even distribution between the earcups keeps the headband thin, and makes these feel far cozier than the spec sheet suggests.

The Beats chip is a bigger deal than it sounds

Connectivity comes from a custom-designed Beats chip, which is built off Apple's own silicon work, and which is now in its fourth generation. As I've reported previously, that's a significant unlock for the Beats team, letting it appeal equally to Apple and Android users rather than picking a side.

Just like AirPods and past Beats products, the 360 pair quickly and sync across your Apple devices via iCloud, so you can go from listening on an iPhone or iPad to jumping into a meeting on a MacBook Pro almost instantly. On Android, you get Fast Pair support through Google's standard, and the Beats app for Android mirrors most of the same controls.

Each earcup functions as its own self-contained unit, housing its own audio, connectivity, and battery components. It's another example of Beats rethinking the architecture around this new purpose.

There are nine onboard microphones in total: eight dedicated to active noise cancellation and three for voice pickup, with two shared between the systems. They work alongside an onboard AI model to handle voice detection, voice-assistant requests, and the handoff between ANC, Transparency mode, and Adaptive Audio.

Battery life is rated at up to 32 hours with Adaptive EQ when ANC and Transparency mode are off, and still up to 32 hours with ANC and Personalized Spatial Audio switched on. That's a claim I've been testing throughout my time with the 360, including travel, and so far the battery life has held up well.

Beats has always leaned into limited-edition drops and collaborations, and the 360's whole design seems built for exactly that kind of expansion — and Schusser didn't hide the intent. "We're going to do a lot of drops," he said.

As mentioned, these headphones cost $349.99 in the US, £299.95 in the UK, and $499.95 in Australia, and rather than positioning the 360 as a replacement, Beats is keeping the Studio Pro around too, now at a reduced $299.99 / £249.95 / AU$479.95.

Beyond the four core colorways, Beats also sells standalone cushion kits in six Performance Knit colors — adding Navy and Volt — plus two UltraPlush options. These are priced at $49.99 / £49.95 / AU$49.95, but are available at an introductory price of $9.99 / £9.95 / AU$14.95 through October 31.

Asked where the color strategy could go next, Schusser pointed straight at sports: "This is actually a perfect product for [...] team colors."

It all makes the customization options more interesting than simply picking a color when you buy them. Right now, I have the Sky — light blue — 360 with a darker blue Performance Knit cushion and a black UltraPlush, and I swap the headband cushion to match whichever earcup I'm wearing that day. The 360 can change with you, whether that's a different material for a workout, a new color for a season, or eventually one of the team-color drops Schusser hinted at.

I've really enjoyed my first few weeks with the Beats 360 — traveling back from Apple's September event, testing them at home, then putting them through their paces on flights — and I'm impressed with the overall premium nature and this new direction for Beats.

The Beats 360 pair full sweat and water resistance with a thin, lightweight build and customizable earcups that let you land on a look you're happy with — and one that can evolve, rather than feeling dated.

The sound is a modern take on the Beats signature — plenty of energy, but with clear separation and basically no distortion across the genres I've thrown at it — and paired with strong ANC, a natural-feeling Transparency mode, and a battery that's held up through testing, there's a lot packed into this new design.

There are a few misses. There's no on-ear detection, so you have to turn these on and off manually, and there's no support for wired playback.

Still, those omissions don't really change what Beats is trying to do here. The 360 aren't supposed to be another Studio Pro. This is Beats taking the over-ear headphone somewhere new — lighter, more customizable, more resistant to sweat and water, and built around an active, on-the-go lifestyle.

And after a few weeks with them, I can see the new ID Beats was talking about.

• Apple unveils its Music Hall in Battersea Power Station, London
• Space for live music, but also a place for recording said music
• All performances can be recorded in Spatial Audio

If you love listing to acoustic sets, live recordings or unplugged sessions from your favorite artists, then Apple Music's new announcement might make it your go-to streaming service for this kind of recording.

London's Battersea Power Station, an iconic Art Deco power station once famous for its use in Pink Floyd album artwork (that's since been turned into a rather soulless shopping mall) now plays host to the Apple Music Hall. This, of course, levels up the location's artistic merits, joining the The Cinema in the Power Station, which this writer argues is the best movie theater he's ever been to.

Apple Music Hall is a 600-seater venue, with a 48-speaker surround sound system (that's 12.5 people per speaker, if the venue is at capacity). But its appeal isn't just for people who can hop on the London Underground's Northern Line and navigate the winding halls of the Power Station.

The space also houses a production facility, which can be used for live or post-performance mixing. That means performances at the Apple Music Hall can be recorded and mixed incredibly quickly, letting Apple Music listeners at home enjoy the set with Spatial Audio and video recordings too.

Apple has confirmed that its Music Hall performances will be live-streamed, so you can tune in easily. It didn't specify that this'll only be to Apple Music subscribers, but (given the heavy investment in such a a venue) it'd be odd for the company to let just anyone tune in and listen.

A place to listen to music

Music streaming services are starting to realise that intentional listening is more meaningful than algorithmically-picked background noise which you tune out of. Only a few months ago, Spotify opened a Listening Lounge in London, which is a room with a high-end stereo set-up so you can enjoy quality music in an acoustically-tuned environment.

Listening Lounge is a bit different to the Apple Music Hall, because it's not for live music and you can't simply buy tickets to go, but they share a common theme: it's nice to sit down and spend all of your mental capabilities enjoying music. These will be live streams that you don't put on in the background; you can sit down and enjoy the performances as they happen.

The addition of live artists gives the Apple Music Hall a little extra juice — and if the brand manages to book some good artists, the live streams could be outstanding. I don't mean popular artists, but those with a flair for live performance that'll make the recordings transcend their studio equivalents.

Thankfully, London's a city full of artists, with every street hosting theater bars, record store gigs and open mic nights. Apple doesn't need to open the purse strings and look for the big names, or rely on people with loads of TikTok followers, to get a talented line-up.

No artists have been announced for the venue yet, but after its full opening on September 28, perhaps we'll hear some names. And if, like me, you're a local who might consider going to a gig there, signing up for a newsletter on the Apple Music Hall website will keep you in the know.

• HKUST (Guangzhou) and HK PolyU researchers' InjectEave beams a radio carrier at devices so their own circuits leak analog audio
• The leaked audio has already been decrypted by the device itself, making encryption offer no protection against such an approach
• The 30m headline needed a pricey amplifier pushing output to 10 W, while standard ranges of 1 to 6m were measured by detecting a test tone

Researchers at the Hong Kong University of Science and Technology and the Hong Kong Polytechnic University have shown that everyday headphones, a desk phone, and a handful of smart-home gadgets can broadcast what they are doing simply by using a radio signal.

The technique, called InjectEave, was presented at USENIX Security 2026 in Baltimore, and multiple outlets have since covered the researcher's claim that the attack "can recover headphone audio from up to 30 meters away, including through walls".

The claim may be accurate, but it has limitations, including the need for specialized equipment that is often very noticeable in most settings.

An impressive technical show with plenty of limitations in tow

Conventional electromagnetic eavesdropping waits for a device to leak. That works poorly for audio, because speech sits below 20 kHz while a device's wiring radiates efficiently only at megahertz or gigahertz frequencies.

InjectEave chooses to close the gap by transmitting a carrier signal at the target. According to the paper, nonlinear components such as amplifiers, analog-to-digital converters, switching MOSFETs, and power converters mix the secret signal onto that carrier, and the device's own traces and cables radiate the result back to a receiver.

Because the leak happens in the analog path, after audio has been decoded, the project page states that "InjectEave is immune to digital defenses such as encryption, masking, and randomization." Encryption in any form on a wireless headset is irrelevant, since the attack directly targets the signal driving the speaker, not the radio link.

The team demonstrating this used a USRP B210 software-defined radio, two antennas, a Siglent spectrum analyzer, and a laptop to set up their proof of concept, which could, as they noted, "eavesdrop on the majority of these devices from over 2m away and through walls, with a maximum distance of 30m for recovering intelligible headphone audio".

This isn't the first time the technique has been used, even as the researchers have built on it considerably; the idea originates from "The Thing," a Soviet bug given as a gift to the US ambassador in Moscow in 1945, which was passively powered remotely as a listening device.

InjectEve, however, does not involve planting anything; instead, it leverages existing work on interference-induced leakage and impedance-based backscatter, and distinguishes itself by recovering coarse digital data rather than continuous analog waveforms, allowing users to 'listen in' without added steps.

The same approach applies to wired headphones, which are also prone to leaking microphone audio; researchers concluded that their sound cards were the primary source of the leaks, which were being sent back over very short distances.

The threat is somewhat tempered by the fact that it can capture what users hear but, with wireless headphones, cannot hear what the user is saying. The attacker also has to transmit continuously and use a high-powered (10W) transmitter to reach the full 30-meter range, even though capturing and rendering speech is harder than the tones the test used to prove the approach worked.

The attacker also needs to know the target model and profile a matching unit first, although they managed to get a profile to transfer cleanly across three identical UGreen headsets, suggesting this might be easier than one would assume.

The researchers say they reported the findings to the affected manufacturers but, "as we have not yet received a response," withheld the table's frequencies and stripped injection control logic from their released code. One shouldn't be too hopeful, however, as no software update can fix an analog leak, and it is relatively limited in practical abuse cases.

• Apple changes playlists to give you more control over your library
• Spotify bans free listeners from hearing new music, for three days
• One's good, one's bad. Guess which!

September 22: this article has been amended to include comment from Spotify, towards the end of this first section. The rest of the piece remains as written.

A few years ago, a word was coined to refer to companies' attempts to make their products worse to increase profit margins — it's a profanity so I can't use it here, but some call it platform delay — and two fresh pieces of music streaming service news reinforce, and subvert, it.

Spotify and Apple Music are both making some moves, it seems. One is making a slight improvement, and the other is doing something that, depending on where you live, is plain annoying. You've read the headline, and even if you hadn't, you probably know it'd be Spotify making the contentious decision.

Let's start there, then. Listeners on Spotify's free, ad-supported tier have posted to Reddit with a new problem: they can't listen to new music.

Not all new music, mind you: a pop-up appears when you try to listen to a new release saying that only Premium listeners can hear a track in its first three days of upload. This is only being tested in India now, but obviously it is not impossible to think it may roll out to other places at some point in the future.

TechRadar reached out to Spotify for word on this and, although the company declined to comment on whether a more global rollout is planned, received this comment:

"Premium Early Access is a label pilot in India. Premium subscribers hear select new releases on release day. All other listeners get them within three days. No music is held back permanently.” — Spotify spokesperson

A representative speaking on behalf of Spotify also told us that the move is an industry-wide initiative (ie. not something only Spotify is doing), citing Universal Music Group's statement on a "72-hour premium window" for major new music releases in India.

Redditors commenting on the news — Premium and free subscribers alike — were critical, though none seemed very surprised. It further emphasises Spotify's desire to push its free subscribers to start paying, if they want to listen to new music.

You can read more about the rollout in Spotify's help center.

Apple Music making changes too

At the other end of the spectrum is Apple Music. iOS27 has an added an option which would be nondescript most days of the week, but which helps as a useful juxtaposition to Spotify's downgrade (and which, Redditors claim, fixes "one of Apple Music's biggest issues since forever").

Now, in the Settings menu, two new sliders exist, and are turned off by default. One is for playlist songs, and the other is for favorite songs, and toggling these means that you can add tunes to a playlist or your favorite songs, without it being added to your library.

The Apple Music library could sometimes feel like a dumping ground for just about every kind of music you'd heard or listened to even once. It's full of your owned songs, tunes from playlists you listen to, anything from a Smart Playlist, and so on.

This could be a problem if, say, you make a playlist for a Christmas party, because all these festive tracks would show up in your library when you were doing a general shuffle. Inappropriate, for July. If you deleted the tracks from your library, the playlist would become eerily empty next time December rolled around, because they'd be deleted from both spots.

Now, your library and playlists can function independently. If I'm being honest, I'm surprised this wasn't a feature before. It's not a huge change, but on Reddit, various commenters are describing use cases in which they'll appreciate it, so it's clearly gone down well.

And Apple could have simply added the ability to change the Apple Music logo color; if it was an improvement, it'd have gone down well. Yes, you always pay for Apple Music while Spotify does at least offer something for free. But don't forget, Apple casually upgraded all of its Music catalog to CD quality in 2021 without charging users more than they were already paying. So Apple Music fans might say that Spotify is continuing to show music streaming subscribers how not to do it, and its near rivals will benefit.

• Wharfedale launches four new subwoofers: 8, 10, 12 and 15 inches
• New long-throw drivers and up to 360W output
• From £799 (about $1,068 / AU$1,499)

Legendary speaker maker Wharfedale has created four new boom boxes in the form of the new Nova subwoofers. Ranging in size from an apartment-friendly 8-inches to an enormous 15 inches, all four models feature newly developed drivers, passive radiators and refined cabinet architecture.

These aren't thuggish bass monsters; they're designed for the more discerning listener who wants to hear as well as feel the low end. Wharfedale says that "rather than chasing chest-thumping, window-rattling exaggeration, the Nova Series is built around balance, texture and precision."

There are four subwoofers in the range: the Nova 8, the Nova 10, the Nova 12 and the Nova 15. The Nova 8 is designed for smaller setups and stereo installations, with the Nova 10 upping the power for medium-sized rooms. The Nova 12 is for more immersive home theater setups, and the flagship Nova 15 is made for larger spaces and the most demanding setups.

Wharfedale Nova 8, 10, 12 and 15: key features and pricing

All four models feature Wharfedale's newly engineered long-throw driver, which is made from rigid but lightweight speaker cones that have been treated with a proprietary coating to make them stiffer and better at self-damping without also increasing their mass.

Those cones are teamed with a heavy duty die-cast chassis, an oversized high-roll surround, and a high-excursion motor system to deliver high output while maintaining stability. A large diameter voice coil and aluminum shorting ring minimize distortion and improve transient response, according to Wharfedale.

The second key feature here is the Auxiliary Bass Radiator, which is downward firing with a dual suspension design. It's made to work alongside the new driver by extending low-frequency output without the need for a conventional reflex port.

Wharfedale says that enables it to avoid issues such as unwanted resonance, turbulence, chuffing and compression, and each Nova is optimized according to its cabinet volume, driver size, amplifier configuration and intended operating range. The goal, Wharfedale says, is the speed of a sealed enclosure with the scale of a larger reflex design.

Depending on which model you choose, you get between 200W and 360W of built-in Class D amplification with up to 80V peak output and "substantial" dynamic headroom.

The amplifier, driver, cabinet loading and DSP have been designed as an integrated system rather than separately in order to maximize power and precision. And there is an adjustable crossover, phase alignment and level calibration to fine-tune the sound to suit your space.

One of the interesting features here is the way the DSP adjusts the dynamic EQ. When you're listening at lower volumes it focuses on perceived weight and range, but at higher levels it manages the driver's excursion to keep the audio clean without overdriving, enabling the Nova to punch above its size.

All four models will be available in late September 2026 and the prices are:

• Nova 8: £799 (about $1,068 / AU$1,499)
• Nova 10: £899 (about $1,202 / AU$1,686)
• Nova 12: £1,099 (about $1,469 / AU$2,061)
• Nova 15: £1,299 (about $1,737 / AU$2,437)

• New Spotify billboards hint at an upcoming collaboration with GTA 6
• Some believe the streamer is teasing new playlists inspired by new GTA 6 radio stations
• There's also the theory that Spotify integration is coming to the game, allowing you to stream your playlists in-game

There’s something cooking in the Spotify kitchen, and the music-streaming service is teasing some sort of involvement with GTA 6 and Rockstar Games — but it’s keeping its card very close to its chest.

Earlier this week, Spotify billboards started appearing across major US cities including New York, LA, and Miami featuring GTA 6 artwork and the Spotify logo (see below). The billboards follow Rockstar’s recent announcement of Grand Theft Auto 6: The Album, a limited-edition vinyl that has already sold out.

What this could mean still remains unclear, and Spotify has yet to tell us what it and Rockstar have in store — but there’s a handful of theories floating around.

Firstly, some users on Reddit believe the billboards are just an extension of Rockstar’s marketing push for the GTA 6 soundtrack.

Before the tracklist was unveiled, artists including Travis Scott, Pinkpantheress, Future, Morgan Wallen, and more teased their musical contributions by sharing GTA 6 artwork to social media, so some think Spotify’s cryptic billboards are simply a sign that the original songs will soon be able to stream on the platform.

The billboards have also fueled speculation that curated Spotify playlists based on GTA 6 radio stations are part of the soundtrack rollout, which seems like a natural way for Spotify to contribute to the launch of the game. But others are convinced the streamer’s involvement is much more than this.

For years, players have requested direct Spotify integration with GTA, which would allow users to link their accounts and stream their own playlists in-game instead of the radio stations. On paper it sounds like a desirable option, however there’s a lot of skepticism surrounding this.

GTA has gained notoriety for its curated radio stations. If anything, they’ve emerged as somewhat of a pop culture phenomenon outside the world of gaming — as one Redditor puts it, ‘the radio stations make the game’.

Not only this, but given the time, creativity, and money that Rockstar puts into developing GTA’s radio stations (because getting artists on board costs), I can see how music streaming integration could be placed on the back burner for now.

That said, I wouldn’t totally rule out the possibility of Spotify integration coming to future GTA gameplays. For now, however, the billboards remain ambiguous, so it’s pretty much a waiting game.

• Fiio launches FT15 planar headphones with bigger, thinner diaphragm and a lighter weight
• They're open-back successors to the five-star Fiio FT5
• They cost $499 / £499 (about AU$999) — but that's not bad for planars

Breakout affordable audiophile brand Fiio has been riding high with its debut planar magnetic headphones, launched in 2024, called the FT5 — they scored the full five stars in our Fiio FT5 review. The brand clearly thought it was time to revisit the tech, because it's launched a follow-up. No, not the FT6; meet the Fiio FT15.

These new wired open-back headphones bring refinements across the board, including some new internals and a lighter build. Numbers are up (or down, depending on which direction counts as an improvement).

The price is up too. The new FT15 cost $499 / £499 (about AU$999), and for comparison the FT5 sold for $449 / £429 / AU$799. So it's not a huge price hike, but given that Fiio is reliable as a budget brand, it's notable.

The Fiio FT15 are on sale right away, joining the brand's growing 2026 roster including the KA15 DAC dongle and FG3 gaming headset. Here's why they're exciting to audiophiles who are, well, maybe not quite on a budget, but like to optimize their spending.

Thinner, Better, Faster, Lighter

Fiio decided that its new planar cans needed some spec increases, and so the driver now measures 101mm (compared to 90mm in the FT5), but most notable is that it's now 800nm thick, which Fiio says is 86.7% thinner than its previous planar driver.

That's pretty notable, because the whole thing about planar drivers is that you have a super-thin, super-responsive diaphragm suspended between two magnetic fields, capable of excellent dynamic response and therefore detail.

Fiio also says the driver has a "full-face diamond coating", which is presumably to add stiffness. A much larger, much thinner, super-stiff diaphragm is a very interesting prospect when it comes to both dynamic range and detail in the sound.

The overall design has seen some improvements too. The FT15 is 31g lighter than the FT5, at 425g, using a carbon fiber headband and natural wood earcups. There are also multiple pairs of earpads in the box, as well as a range of adaptors for 4.4mm, 6.35mm and XLR-4, so it can fit into a range of hi-fi set-ups.

That's doubly true with the FT15s' sensitivity (95dB/mW, and a 24 ohms impedance), and the brand says it was designed to work with a range of dongles, DAPs, amps and CD players — including smaller and lighter dongles without external power. Fiio also sells all this kind of tech. Coincidence? I think not.

We gave the FT5 a perfect review, and it's hard to imagine how this range of improvements could result in a lower one, even with a slight price increase — but is with anything audio-related, the proof will be in the testing. Stay tuned.

• Bose unveils two new clip (or ear cuff style) earbuds
• Bose Sport Open Earbuds are a more affordable, simple option
• Ultra Open Earbuds 2nd Gen supersede our top picks, with some refinements

For a long time, the Bose Ultra Open Earbuds took pride of place as the 'best premium open earbuds' in our round-up of the absolute best open earbuds. Even if the Shokz OpenDots 2 hadn't stolen that spot recently, it's likely a new competitor would have — this category is growing like you wouldn't believe.

And Bose is back too, with upgraded flagship open earbuds called, as you might have guessed, the Ultra Open Earbuds (2nd Gen), which bring some refinements over the first-gen clip-style buds. They're set to sell from October 1, for £299.95 (about $400, AU$600, but we're waiting on international pricing).

This offering doesn't come alone. Likely taking inspiration from rival Shokz and the OpenDots Air, Bose has unveiled a cheaper alternative and called it the Sport Open Earbuds. These buds cut some of the features, use a different design, and will start selling on October 15, for £179.95 (roughly $240, AU$360). That makes them Bose's first affordable open earbuds.

Naturally, we'll be grabbing these buds as soon as possible to see how well they work, so prepare for reviews in the near future. Perhaps Bose will claw its ranking spots back from Shokz sooner than expected...

Lay me down on a bed of Boses

Let's start by looking at the sequel set: the Ultra Open Earbuds (2nd Gen). These mostly retain the angular look of the originals, but with a slightly revised look for a better hold, and a charging case that's easier to open and close (and has little feet so it can stay upright).

Under the hood, there have been a number of small refinements like a higher volume, extended battery life and improved bass response. They also feature Bose's TrueSpatial audio, improving on Bose Immersive Audio, to provide better spatial audio while you're exercising.

Like the previous Ultras, these are a premium product, and I see most people skipping them for the price tag alone. That's where the other buds come in.

The Bose Sport Open Earbuds ditch the angular look of the Ultras, for a more standard curvy clip-style design. That is to say, despite being new, I've been seeing these puppies for years.

Bose hasn't detailed the audio specs of these buds — it rarely does for its headphones, frustratingly for coverage — but reading between the lines, the Sport Open won't have quite the same bass response as the Ultras. I'm sure they won't sound bad, but you're not getting Ultra sound.

I'm pleased to see that the Sport Open have an IP54 rating, which makes them better-protected than the IPX4 Ultras, even if their battery life is slightly worse at 7 hours. However most features, specifically Bose ones, are likely missing here. There's no mention of TrueSpatial Audio, for example.

With the Bose Sport Open Earbuds, you'll likely miss some of the fancy tools of the Ultra. But just as in the Shokz rivals mentioned before, many users might not mind, if they're getting a more affordable product for it. I see the Sport Open being the more popular of the two here.

A note, before you get too excited for the new buds. While researching this article, I noticed that the original Bose Ultra are enjoying quite a solid discount in the US, perhaps to clear stock. You can get them for just $200 at Amazon, which is a $100 saving, effectively making them a better pair of 'budget' buds than the Sport Open. Just food for thought.

It's time for TechRadar's annual tech awards, and this year we're doing it differently. For the first time, we have a complete set of categories where the winners are chosen 100% by you, the TechRadar readers.

The TechRadar Readers' Choice Awards 2026 comprises nearly 100 categories, but we know that not everyone is interested in voting in every one, so on this page you can vote in just our TV, Streaming and Audio categories.

These include soundbars, projectors, Bluetooth speakers, headphones and earbuds, as well as televisions and streaming services. You can vote in the survey just below — or follow the links to see other specific categories, or to vote on the full list instead.

The shortlists were chosen by TechRadar's editors based on the best products we've tested or the most popular products of the year. You'll need to vote before 00:01am PST / 03:01am EST / 08:01am BST on Wednesday October 7th 2026 for it to be counted.

• All categories
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Once the deadline has passed at 00:01am PST / 03:01am EST / 08:01am BST on Wednesday October 7th 2026, we'll tally your votes to find the winners in each category.

We'll announce the winners in our big TechRadar Awards 2026 Week, starting Monday October 19th. We'll reveal the winners of the Reader's Choice Awards, as well as the winners of our TechRadar Product of the Year Awards, which are chosen solely by our expert judges.

How many products will do the double? We'll be curious to see — but right now, all you can do is vote for what you think should win, so vote away!

• Spotify's new setting lets you exclude kids and family music from your taste profile
• It's designed for parents who use their Spotify account to stream their kids' favorite songs
• Once enabled, your Discover Weekly and Wrapped will reflect your taste more accurately

Being a parent has its rewards, but your kids taking over your Spotify account certainly isn't one of them — thankfully, Spotify is rolling out a solution that lets you reclaim your musical personality.

Marking the next step in Spotify’s goal to give parents more control, the best music streaming service is introducing a new toggle that, when enabled, allows you to exclude kids and family music from your recommendations. It can be found in Settings under the ‘Content and display’ tab, and is rolling out to Free and Premium users globally today (September 15), so it’s not annoyingly locked behind a paywall.

If you decide to enable the feature, songs such as TV themes, nursery rhymes, and chart-toppers from animated movies will no longer contribute to the recommendations you’re fed. This means your Discover Weekly, Daily Mix, and yes, even your end-of-year Wrapped summaries will reflect your taste more accurately.

While your personal recommendations will be untouched, it doesn’t mean that kids music is a complete write-off. Even with the toggle switched on, you can still search and stream your kids’ favorite songs and even make playlists with family music at the center — they just won’t affect your taste profile.

But Spotify’s new toggle is smarter than you think. Once you exclude kids and family music from your taste profile, the tool acts retrospectively, removing the music your kids have already streamed, meaning they won’t be counted in your top songs for this year’s Wrapped. That said, Spotify says that it could take up to 48 hours for these changes to be reflected in your personalized recommendations.

It’s all fun and games giving your kids the freedom to stream songs from their favorite movies and shows, but there comes a time where your taste profile doesn’t become yours anymore. Spotify’s new toggle gives you a more robust way of reclaiming control over your profile while improving your music discovery experiences, so that not every other suggestion is from KPop Demon Hunters or Spotify’s The Bluey Time Playlist.

The lack of separation between family music streams and regular music streams has been criticized by parents for some time. In response to this, Spotify has doubled down on its taste-adjusting settings.

In October 2025, the platform introduced a feature allowing you to remove individual songs from your taste profile, which I thought was a great way to purge my Wrapped of guilty pleasures. Shortly after, Spotify rolled out Managed Accounts to its Premium Family Plan, giving each account under one plan its own experience, separating adult and kids taste profiles from each other.

Spotify isn’t the only streaming service that’s been hit with this issue — rival platforms like YouTube still face similar criticism. Just like Spotify’s Premium Family Plan, YouTube Premium Family gives households a cost-effective way for all members to make the most of ad-free viewing and other benefits, but it’s still possible for young kids to infiltrate their parents’ profiles.

As it stands, there’s still no option to filter out kids and family content from your video recommendations like you can with Spotify, which leaves a gap for YouTube to fill.

• iFi launches Go cable with DAC/headphone amp in a USB-C earbuds cable
• IEMs sold separately — it uses standard 0.78mm two-pin analogue connectors — but you can add some iFi ones into the kit for cheap
• ESS Sabre DAC supports 32-bit/384kHz and DSD256, with 70mW amplification at 32 ohms

If you didn't think ultra-portable hi-fi tech like the iFi Go Link 2 was small enough, then the British audio company's newest release in its lightweight Go series might be enough to placate you.

iFi has just unveiled its new Go Cable: a DAC and headphone jack which is literally built into an audio cable for in-ear monitors. It's available to pre-order for just $79 / £79 (about AU$160), ahead of a September 21 release.

The wire connects from a USB-C port in one end, through the DAC and headphone amp, to two 0.78mm 2-pin connectors for your favorite in-ear IEMs, though you'll have to provide those yourself. Basically, in combination, they're an active affordable audiophile alternative to the best wired earbuds with more customization.

Naturally, you might think that the iFi Go Cable could be designed for smartphones or laptops, but the brand also describes them as suitable for gaming, such as on the Switch 2. It supports microphone functionality too, so you can plug it into your controller or handheld to enjoy voice calls.

Making portable audio a little easier

Specs-wise, the Go Cable seems quite similar to the aforementioned Go Link 2. It supports 32-bit/384kHz PCM and DSD256, and outputs power at 70mW at 32 ohms. Its selling point isn't in the specs; nor is it in the on-cable microphone, playback and volume controls, though they're a neat touch.

No. The benefit is that unlike the Go Link 2, it's an all-in-one solution. The best headphone DAC/amp combos for portable devices generally require an entire set of headphones or earbuds to be separately plugged in. You have to bring your source device, your DAC/amp device and your headphones.

By acting as those latter two gadgets all in one, the Go Cable makes on-the-go hi-fi audio a little easier to achieve. That's fewer things to remember on a trip, fewer items to pack into your bag while going through airport security.

Many of iFi's technologies are used in the Go Cable. THD Compensation reduces distortion, while the ESS Sabre DAC chip provides dynamic range enhancement to improve sound by up to 6dB.

As mentioned before, you'll need to provide your own IEMs to enjoy the Go Cable, so it's not for everyone. However the brand is also selling a starter kit, which throws in a pair of AIRO Astra buds, for only $20 / £20 (about AU$40) more.

That means you're getting them for about half the price they usually cost, and then you've got plenty of time to mull on whether to get something more premium in the future — and you can just swap them onto the same cable.

• A new Mac music player called YM Pro has been released on the Mac App Store and promises 'bit perfect' playback
• It bypasses macOS' system mixer to connect directly to your DAC
• Changes the DAC to match the file, not the other way around
• PCM audio only, requires Apple Silicon

If you're looking for a hi-res music player for your Mac that can make the most of your external audio equipment, YM Pro could be just what you're looking for.

It's free, open source, available on the Mac App Store, and offers an interesting alternative to Apple's way of doing things, especially if you use an external DAC. And while it's very much a work in progress it's got lots of potential.

Developer Yonesh Murugan has posted details of the app to r/audiophile. Getting it approved was apparently a "nightmare" because the app takes exclusive control of your audio hardware, something App Store reviewers weren't too happy about. But it's now approved and live, although there are a few rough edges still.

The key difference between YM Pro and other apps is that it bypasses the system mixer completely, connecting directly to your DAC and automatically switching its sample rate to the file you're playing, up to 192kHz.

It also has "hog mode", which turns off all your system sounds and other audio while you're listening.

YM Pro audio player: what works, and what needs work

The "bit-perfect" claim is about how the app handles music playback. Rather than up- or downsampling audio files to match your DAC's set bitrate, it adjusts your DAC to match the audio file's resolution — and does it directly, without any other software resampling as it passes through the OS, so your audio should remain pure.

Although YM Pro's core mission is to play hi-res, bit-perfect FLAC files, which the Apple Music app doesn't do (Apple wants you to use its ALAC equivalent instead), it also handles common formats including MP3 and WAV.

It's purely for PCM formats, not DSD, and it requires Apple Silicon (as does macOS 27, which launches imminently).

The app doesn't connect to your Music library; instead, you point it to the folder containing the music you want it to catalog and play. That folder can be the one containing your existing Music library, but it lacks auto-scanning and auto-updating so you'd need to keep it up to date manually.

This is a first release, so inevitably there are some issues. And I seem to be encountering more than most: I can't persuade it to use my preferred audio output, no matter how many times I change it in System Settings > Sound; the workaround described in the r/audiophile thread isn't working on my Mac Mini, where the app isn't paying attention to my selection. There are some interface issues, and others report some playlist organization issues too.

However, early feedback from others says the app sounds good, and as it's free, it's worth taking a look at or listen to so you can compare it with the likes of VOX.

Murugan seems keen on feedback from users, and is promising to make some enhancements based on the comments provided so far.

• Researchers warn Skullcandy Dime 3 earbuds on older firmware accept Bluetooth pairing from unknown devices with no user interaction required
• When leveraged, it can be used to interrupt the owner's connections, hijack playback, and even capture live microphone audio
• The vulnerability has been patched in a newer firmware update available only on newer units, does not seem to be addressable for existing earbuds

Carnegie Mellon University's CERT Coordination Center has warned Skullcandy's Dime 3 wireless earbuds will accept a Bluetooth pairing request from a stranger's device without the owner doing anything.

The resulting bond is permanent, and the only sign the owner gets is a spoken "new device paired" notification delivered after it has already happened, with zero user interaction to confirm the request.

The advisory covering the Dime 3 was written by CERT/CC's Bob Kemerer and credits independent researcher Jacob Nowak, who had posted his findings to the Full Disclosure mailing list in early August after testing it on hardware he owned.

A fix deployed that covers virtually no existing users

What makes this worse is that, ironically, while Skullcandy was swift in addressing the issue affecting earbuds running firmware version 1.0.0.28 by rolling out a patched version 1.0.0.30, it seems to address the issue only in newly made units.

CERT notes that there seem to be no "consumer-accessible" methods to upgrade existing units to the newest firmware because it reportedly has no support via the companion app, as a Tom's Guide review indicates.

A product without an update path that is user-accessible essentially means that its software flaws, or in this case, security issues, are here to stay for users who have had the bad luck of buying an earlier unit.

The underlying vulnerability, CVE-2025-20701, is not new and is not of Skullcandy's making. It is one of three vulnerabilities that Dennis Heinze and Frieder Steinmetz of the German firm ERNW disclosed in June 2025 at the TROOPERS conference in Heidelberg, affecting Bluetooth systems-on-chip from Taiwan's Airoha.

The Dime 3's Bluetooth identifier names Airoha as its chipset vendor, and while Airoha shipped a fixed SDK to its customers in June 2025 and published its bulletin that August, owners of the earbuds are in a unique situation, to say the least.

The vulnerability's severity is disputed: MediaTek (which owns Airoha) assigned it a relatively low 6.7 rating, while CISA's vulnerability enrichment program later assigned it an 8.8 with a 'high' categorization.

A potential attacker is limited to what the earbuds can access, since the vulnerability is essentially limited to the earbuds, but one could still wreak havoc with that alone. It should allow for more than just disrupting a person's routine by 'hijacking' one's earbuds by essentially using their microphones on them to record conversations or, in an extreme theoretical case (requiring chaining with other exploits), impersonate the headset and pull contacts, call history, and even pass hands-free commands to a paired smartphone. The latter, however, would require a high technical skill set, being within a few meters of a victim, and a Bluetooth connection turned on on the paired smartphone.

For now, a vulnerability exists that Skullcandy should have been able to patch, exactly as Apple recently did for its Beats Studio Buds, but a lack of support for any third party apps on the budget earbuds is somewhat annoyingly resulting in an unpatchable vulnerability for existing users.

• Samsung clip-style earbuds appear leak again
• Now known as Galaxy Buds On, not Galaxy Buds Able
• Set to come with volume adaptation and head gestures

For a few months earlier in 2026, it really sounded like Samsung's debut clip-style earbuds were set to debut; even the Galaxy Wearable app leaked the Galaxy Buds Able. There's been silence for a few months… but it's starting to sound like the buds are still coming, albeit with a different name.

A new report from Samsung fan site SammyGuru has surfaced new information about the buds, now called the Galaxy Buds On, apparently. The site claims to have found information in Samsung's Buds Manager app that gives us another glimpse into the earbuds and their features.

Now, before you get excited for this new audio venture by Samsung, it's worth bearing in mind that the old question still stands: when will these come out? Some leaks are pointing to an October release for some new Samsung tablets, so the Buds On could come then.

But it's also possible that the brand will wait until 2027, when it's also rumored that we'll see some over-ear headphones from the company.

So under 'release date' we're putting an all-caps 'TBC', underlined several times in red pen. But the leak makes it sound like Samsung is finalizing some assets on the buds.

A range of Galaxy Buds 4 features

At the start of 2026, Samsung unveiled the Galaxy Buds 4 Pro (shown at the top of the post) and one of the big new features was head-tracking control. This lets you nod or shake your head to reject or accept an incoming call, among other functions, and it sounds like the Galaxy Buds On will also get this tool.

SammyGuru's leak also details a Volume Boost feature, which could be how Samsung plans to deal with the innate open earbud problem: having the drivers away from your earbud means the buds don't always sound great.

Another tool promises a second way to address the same problem: an Auto Volume feature could temporarily increase volume while you're somewhere loud, to compensate for the lack of noise cancellation.

Of course it's 2026, so there's also AI features: Gemini or Bixby can be activated by your saying a key phrase or tapping the buds. A potentially more-useful function is the ability to instantly record a voice memo by doing a certain touch gesture, something some rival earbuds already offer.

To summarize this leak, it reiterates the existence of the buds and runs through some features. But I've tested dozens of similar buds: the best open-ears live and die by their design, and the ways they overcome the form factor's innate issues to deliver decent-sounding music. So features aren't as important as the elements we've yet to hear about.

Beats headphone deals are far more commonplace these days. The previously premium cups have taken some serious price cuts over the years, which means cheap Beats headphones are often lining the shelves if you're browsing at the right time. We often see these headphones taking heavier discounts during holiday sales but if you're browsing outside of an event, there are still likely to be some solid offers on the table.

For you Beats deals hunters, that means some fantastic cheap Beats Headphones sales on the older models, although the new ones are often for sale as well. Thankfully, there are Beats Headphones prices for everyone as well, as prices range from just $69/£69 to $249/£249.

We're helping you find all the latest Beats headphone deals right here, with our price comparison software running through all the biggest offers on the web every half hour. Whether you're after one of the more luxurious models or a budget pick, you'll find all the lowest prices right here.

Beats headphones are something of an institution when it comes to consumer audio tech and are absolutely up there with the very best brands when it comes to popularity. Acquired by Apple back in the heady days of 2014, the Beats brand has gone from strength to strength and now encompasses a wide range of over-ear headphones and in-ear earphones, including some of the best wireless headphones.

Where to buy Beats headphones

US

• Amazon: old and new models from $79.95
• Best Buy: save up to $200
• Target: deals starting at $49.99
• Walmart: discounts on a variety of models

UK

• Amazon: record-low prices starting at £59
• Argos: earbuds and headphones from £79.99
• Currys: older models available at £69.99
• John Lewis: deals from £69

You can see more offers in our best headphone deals guide and see today's best AirPods sales.

It's an excellent time to find AirPods deals, thanks to the new release of the AirPods 5. This means you can find fantastic AirPods sales on all models, including the AirPods Pro 3, the AirPods 4, and the luxurious over-ear AirPods Max 3.

The AirPods 5 retail for $129/£119, and the model with a Wireless Charging Case starts at $ 149/£139. The earbuds offer industry-leading Active Noise Cancellation and deliver 50% more noise reduction than the AirPods 4 thanks to a new acoustic architecture. The newest earbuds also deliver richer, more detailed sound with more dynamic personalized spatial audio. You also get a more durable design, Live Translation, hands-free access to Siri AI, and up to five hours of playback with ANC on a single charge.

Below, you'll find the best AirPods deals, categorized by Apple's standard AirPods, including the AirPods 4, the AirPods 5, the AirPods Pro 3, and Apple's only over-ear headphones, the AirPods Max 2.

Our price comparison tool automatically brings you the best savings from all your favorite retailers. Shop the latest prices as they hit the shelves to get the best AirPods deals.

The best AirPods deals

Should I wait for a cheaper AirPods deal?

You might be waiting a while for seriously big discounts. Last year around Black Friday, we were seeing $20 discounts selling out in minutes, and it was one of the most popular deals we highlighted in our extensive roundups of the hottest offers. We saw similar discounts in the UK too - much better than last year's $7 discount but still no flash sales around right now.

Things have actually been better overall this year though with much better deals available in various regions. We're regularly seeing discounts of $15/£20 outside of peak seasonal discounts, so you should be able to beat the recommended asking price to be honest.

• Apple fan in general? Then take a look at the latest iPad deals and the best Apple AirTag prices and sales.

• The Badkruka is IKEA's newest affordable Bluetooth speaker
• It has Spotify Tap integration and physical controls
• You can pair multiple speakers together in a variety of setups

It seems IKEA is on a roll when it comes to cube-shaped, low-price Bluetooth speakers: following on from the Ikea Kallsup that we tested earlier this year, we now have the IKEA Badkruka, which is several times bigger and offers some extra features.

There's no official announcement about the Badkruka just yet, so we're relying on the product page on IKEA's German website (via Notebookcheck) for all the details. It also shows up on the Swedish site, but not the US, UK, or Australia yet.

Measuring 16cm wide x 16cm deep x 17.5cm tall (that's 6.3 inches x 6.3 inches x 6.9 inches), you can pick up the IKEA Badkruka in either black or pink. It's built from ABS plastic and polycarbonate, and doesn't look to be portable — there's a power cord in the product photos and no mention of a rechargeable battery.

Along the top of the speaker we've got physical controls for playback and volume, and there's also a Spotify Tap button, so with one button press you can carry on from where you left off on Spotify on another device.

Keep on pairing

IKEA doesn't give us any technical specs in terms of audio capabilities here, but does say we can expect "powerful" and "balanced" sound that's "ideal for gaming, streaming, or listening to music" (via Google Translate).

The product listing mentions that two speakers can be paired together for synced stereo sound, and the feature is shown off in one of the promotional images too. It also seems that additional speakers can be paired and synced too, if you buy a few — with the Kallsup, it's possible to pair up to 100 of them.

There are three EQ settings on the speaker as well, so you can tweak the audio output to match your preferences and the types of tunes you listen to. It's a decent set of features for an affordable Bluetooth speaker like this.

Speaking of price, it's available for €50 from the German site. We don't have official global pricing yet — fingers crossed that IKEA does roll this out more widely — but that works out as roughly $58 / £43 / AU$81.

• Qobuz wants you to make a memory-filled playlist, and explain it
• You can win an iFi iDSD GR 2 for your efforts
• World Alzheimer's Month runs through September

Alongside 'Fast songs for the gym' and 'Band 101 for introducing a partner to a band on the eve of going to their gig', remembering moments or periods of your life is one of the most important reasons we make playlists. I still listen to "mix-tapes" (in digital format, mostly) I made while living abroad, road tripping around the outback or preparing for big university parties.

Now, streaming service Qobuz has taken time off its war on AI slop to acknowledge the link between music and memory for World Alzheimer's Month, teaming up with hi-fi tech brand iFi Audio to do so.

World Alzheimer's Month runs through September, and during that time, Qobuz and iFi are running a competition to submit a memory-laden playlist, and perhaps win an iFi iDSD GR 2 for your efforts.

Wait, what's the link? Well, it has been shown that musical memory remains well-preserved in Alzheimer's sufferers, and so a song may help with memory recall.

I'm getting this from a study published in the National Library of Medicine, which suggests that music interventions can "delay and decelerate the neurodegeneration in individuals at risk". But my colleague and Audio Editor tells me she has seen music's profound effect on memory recall in a fellow dancer who (even in advanced stages of this progressive disease) could still perform decades-old choreography, if the music were played.

Many non-profits, including Music & Memory or Playlist for Life, exist to help people by providing training, awareness or music-based care, to aid those suffering with various degenerative illnesses.

What about that competition?

Oh yes, the competition.

During September, Qobuz and iFi want you to make a playlist (on the former's hi-res download and streaming platform, of course) full of songs which bring you back to a certain time or important memory.

Then, you need to head over to iFi Audio's competition landing page, which will give you a few steps to complete and fields to fill in.

This page also lets you provide a 'short story' or description of what the playlist means to you. There's no stated word count, but this whole news story could be pasted into the field with without a problem.

Once you've submitted your playlist, you'll be in with a chance to win the iFi iDSD GR 2 DAC (or digital-analog-converter, to level up your music using, say, the USB-C port on your phone, and on to your wired headphones or earbuds), worth $529 / £529 / AU$849. And that's a great prize. We gave the iFi IDSD GR 2 a perfect, 5-star review, praising its sound quality and easy-to-use touch-screen. So good luck!

There's no indication of how the brands will choose a winner; if it'll be based on the description, or tracks, or at random. It's also not clear what will happen to the rest of the playlists; maybe Qobuz will publish some of its favorites for all to see, but perhaps the submission is just for the purposes of the competition. Either way, delving back into old albums and tracks that really take you back to a specific moment will be a cathartic — and sometimes profound — experience. Music's great, isn't it?

• Evidence points to Beats 360 coming later in September
• That's despite Beats' owner, Apple, having just hosted a big launch event
• We now know a lot about these new headphones too…

While the AirPods 5 upgrades offer you the best features of the AirPods Pro, they were small consolation at an Apple Event in which people were hoping for more sweeping audio upgrades. No AirPods with cameras, no HomePods upgrade despite teases, and no new Beats headphones.

However, that latter point could be addressed later in the month. How come? because according to MacRumors, Apple just released a firmware update for the Beats 360 headphones. Yes, that same pair of Beats 360 headphones we've been hearing rumors about for months, but that have yet to be officially announced.

Why is Apple updating headphones that don't exist? Well, bear in mind we've been seeing them for months, as Apple gave them to multiple soccer World Cup players to show off during the tournament. Celebrity sportspeople need their tech updating too, after all.

There's no indication of what this update does, and it doesn't really matter. It's all about what this update suggests.

A Beats 360 release date just around the corner?

Because of this recent software update, many now think that the Beats 360 are due to be unveiled at some point in September.

While Apple already has just had its big product unveiling event of the year (on September 9, around 14 hours ago at the time of writing), that doesn't rule out new Beats devices. Apple generally lets its Beats sub-brand operate independently.

In fact, it would've been pretty bizarre if we had seen the Beats 360 shown off at the Apple event, for this fact.

We know a lot about how the Beats 360 look, thanks to plenty of leaks (and, of course, the fact that they were literally on the necks, heads and bags of a few soccer players months ago). They sound like a big step up from what we've seen, but as the launch of a new range, it's hard to know how they'll stack up to existing models.

Beats' last product launch was in October 2025, when it showed off the Powerbeats Fit, so maybe we'll see the brand take the same late-September-early-October window for its new device. Or devices? We've only heard about the Beats 360, but that doesn't rule out siblings of other form factors.

• Two AirPods 5 models: 50% better ANC, Adaptive Audio and Live Translation
• A step up model boasts wireless charging and volume swipeable stems
• $129 / £129 / AU$219 for AirPods 5; $149 / £149 / AU$249 for AirPods 5 with Wireless Charging

If you watched our Apple event coverage, you'll know that Apple's decided to double up on its non-Pro AirPods rollout as it did before, and each model within the new AirPods 5 duo features ANC, whether you really felt you wanted it or not.

And Apple definitely wants you to want it, because along with an "all-new multiport acoustic architecture" in this open-fit style, the company claims the new onboard ANC will remove up to 50% more external noise compared to AirPods 4 with Active Noise Cancellation.

One of the key upgrades here is Live Translation inclusion in both sets (previously the sole preserve of the Pro lineup) as well as Personalised Spatial Audio and Adaptive EQ. And the new battery now offers up to 20 hours in total with ANC (up to five hours from the buds themselves, which is an hour more than their older siblings, or four with ANC) or up to 22 hours if listening without ANC.

True, it's still not great in the stamina stakes. But this really is Apple's entry-level AirPods offering and for some, cash (not battery life) is king.

Also, it's worth pointing out while Live Translation and Adaptive EQ is here, there are none of those rumored cameras, low-res or otherwise — even in the top-tier option. We didn't expect them 'til 2027 and it turns out we were right to stick to that.

Although Audio Intelligence and Siri Recap did launch at the event, these are software upgrades meant to help enhance what you hear (and in some cases, transcribe it, although the promise is that Apple will neither record, nor store said information). Anyway, no, Apple eyes in your ears are still a way off yet.

It's been nearly two years since AirPods 5's predecessors launched (where does the time go?) but the original AirPods 4 with Active Noise Cancellation were priced at $179 / £179 / AU$299 when they landed on September 20, 2024. And no such pricing exists now. That's right, both models are cheaper.

The company knows that change isn't always good when it comes to the delicate topic of coin, so it hasn't troubled us with new figures in the standard set, which will sell for the original basic model's $129 / £129 / AU$219 asking fee.

And the step-up model? That will cost $149 / £149 / AU$249, so less than the original AirPods 4 with ANC.

Apple's 'pay for what you want (and enjoy what you buy)' is refreshing

OK, no cameras, no hearing health suite and of course no heart-rate monitoring, but you have to hand it to Apple. It's like someone at an Apple Park board meeting stood up and said, "Why don't we just let fans of AirPods pick their perks?" You love to see it.

Want on-volume stem swiping? It has been added it to the step-up model! A case that supports wireless charging? That's also in the $20 / £20 / AU$30 more expensive option. In isolation these upgrades don't feel too significant, but for me these choices are bang on — every little win adds a little value, no?

I'd plump for the set with the on-volume stems for sure. I know that for me, this is a perk worth paying for, and it's the first time Apple's added it to its open-fit earbuds design. For clarity, this design sits in your concha (or ear well) and does not require the ear-tips of the AirPods Pro lineup to create a secure seal within your ear canal.

I've lost count of the number of times I've knocked cheap earbuds — and even pricier ones — for making me dig out my phone when I need to lower the volume, and for me this is a key perk. Thanks, AirPods 5 with Wireless Charging!