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We shot this image through a light tent to keep reflections under control and it was useful to be able to control the camera via the touchscreen rather than have to find the buttons under the tent. The square crop was set in-camera and proved useful for getting the composition just right.
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Exposure here was reduced by 1/3EV to intensify the colours a little and avoid any loss of highlight data. The 16:9 crop was set in-camera, because it suits the scene.
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Shooting at f/2.8 when using Panasonic's 45mm macro lens (effective focal length 90mm) has restricted the depth of field nicely here.
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Using the Low Key Creative Control Mode has created a moodier shot.
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Pushing the contrast setting of the Monochrome Photo Style to its maximum value produced a more graphic shot.
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The articulating LCD proves very useful when you want to shoot from very low angles like this. If the camera is on a tripod you can focus very precisely by enlarging the on-screen image and focusing manually. The camera can be set to enlarge the image as soon as the manual focus ring is moved. However, the AF system is also very capable and can pick out very small subjects
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This shot was taken at ISO 6400 and although there's not much coloured speckling visible in the JPEG, there are signs of noise removal. When sized to A3 (16.5 x 11.7 inches) there's some softening and loss of detail in the tiles in the middle distance. A stippled texture becomes visible when the shot is examined at 100%.
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The Impressive Art Creative Control produces some fun results, but it's nice that the Panasonic G6 enables you to have a 'clean' raw file as well.
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The Panasonic G6's Multi-Metering system has done an excellent job with this scene, and the dynamic range accurately reflects what we saw.
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