As well as being weighty, the Roksan Kandy K2 units are also impressive-looking.

Whereas the look of most British hi-fi, is probably best described as prosaic, the Kandy's elegant new designs will ensure that they catch the eye on the dealers' shelves.

And the appearance is not just a matter of providing eye candy: the designer has addressed many elements that affect the whole 'user experience' – to use that loathsome expression – including the layout and tactility of the controls and ensuring that the amplifier will provide decent performance from a variety of loudspeakers.

Powerful amplifier

The K2 amplifier has been engineered to 'punch above its weight' and can power loudspeakers that would not usually be too happy being connected to an integrated, even one that claims to deliver 120 watts per channel into eight ohms.

And here is an important distinction: the K2 models should not be regarded as budget high-end designs; instead, Roksan says, they represent high-end designs that have been re-engineered to enable them to be more affordable.

Parts of this remodelling process – such as the revised circuit board layouts – conveniently also produced significant sound quality improvements over the previous, well-received and award-winning Kandy models.

Mains switch

A small point, but one that demonstrates the care that was taken with making these components user-friendly is the position of the mains switch, which is placed within easy reach, but such that it will not easily be operated by accident.

The switch is relocated from the conventional back panel position, which can pose access problems for some rack users and sited on the left-hand corner of the base panel, where it is also effectively out of sight, but easy to reach if needed.We, however, kept both components powered up for the duration of this review.

We auditioned the K2s driving Neat Momentum 4i floorstanders, which are, (despite not being technically challenging) candid, revealing loudspeakers whose performance capabilities demand a musically sympathetic amplifier that can adequately drive and maintain firm control over them.

The amplifier and CD player were supported on Quadraspire Sunoko Vent racks and all cabling was from the chord company.

Fine control

Starting with a selection of tracks from Radiohead's Pablo Honey CD, the K2 system demonstrates its dynamic balance, deftly contrasting the often fragile quality of Thom Yorke's voice alongside his robust power chords, not favouring either element over the other, but presenting the music as a thoroughly coherent and integrated performance.

This amplifier displays fine control throughout the entire frequency spectrum. The Neat Momentums can be quick to expose any weaknesses in this respect; their isobaric bass arrangement will highlight any flabbiness in the low end and the tweeters can sound rather overexposed if the top end isn't well controlled and smoothly integrated with the mid-band.

Similarly they will take delight in revealing any shortfall in musical coherence, if, for example the system does not render pitch, rhythm and timing information such that the music flows correctly, or if the temporal progression of the music is interrupted by detailing that distracts the listener (which is why listening to a transistor radio can often be more musically persuasive and rewarding than a high-end hi-fi).

The Radiohead CD, which brims with potentially distracting elements that can cause a disjointed presentation, comes across with agreeable cogency and a thoroughly natural flow with all the detail tightly knitted into the music's structure.