It's a bit surprising to see a DVD/ VCR combi that doesn't include DVD recording features - there aren't many of these beasts around and it is something of a nostalgia trip to look at a unit where the VCR is the sole recording platform. Still, the price more than reflects this and the design of the deck is quite nice, given the constraints placed on all such combis.
Likely to appeal only to those who are firmly opposed to recording on DVD, perhaps for religious reasons, the SD-37VB looks to have a fairly limited market, especially when DVD recorders are now so cheap, but perhaps VHS still has some tricks left up its sleeve. It will be a surprise after more than 30 years, but let's see...
Connectivity is basic but covers the important bases. At the front there are very basic inputs, just composite video and stereo audio. There really isn't any need for anything more because the VCR would not be able to do anything with a DV or S-video input anyway.
At the back there are component video outputs, capable of serving a progressive scan signal up to a suitable TV. HDMI outputs are growing in popularity, but this is strictly a budget machine and has no use for such techno wizardry.
There are two Scarts, one for connecting an external source, such as a digibox, and one for hooking up to a TV. The output Scart can issue an RGB feed but the input Scart is not RGB-capable - again, there's no point with just a VCR to record on. Digital audio can be routed out via the electrical output, and there are stereo backups.
By the numbers
Features are the usual offerings for both formats. The DVD player can handle DivX, MP3 and JPEG fi les, and there is a VOD code that helps you register the player for movie rental downloads. There is a zoom (up to 3x normal size), slow-motion (as slow as oneseventh normal speed) and repeat play options.
The DVD section also has an Enhanced Black Level (EBL) function that boosts the black level of a picture, which is something you'll need to try before deciding whether you like it or not. The VCR can record in SP or LP modes, the latter doubling tape capacity to squeeze eight hours of programming on to a four-hour tape.
